#obv it's my opinion

[onetouchparadise]

you should do the ship chart with vlahesa 🤔🤔

Daniel Hey!! Tysm for the ask, it's been so fun actually, here's your ship chart, I did my best

And yeah I forgot PDA but Dušan is totally for it like holding and and stuff while Fede likes it too but he's more reserved

[heareriispurr]

class a boys' fashion 1/2

[fizzytoo]

simblr mutuals i think you guys should indulge in more games (lovingly)

[lazylittledragon]

right now i'm very torn between "taking critique is important as an artist and it's not an attack on me personally" and "people commenting about my same face syndrome under my posts upsets me an unreasonable amount and i wish they would stop doing it"

[fisheito]

I started reading beastars so now HE's reading beastars .wait

THEY'RE reading beastars

[lullaebies]

Aegon II, Helaena, and Historical Counterparts: Hope, Fate and the Doomed

So I had to do a little write up after something came to mind. This is an interpertation of Aegon II and Helaena in regards to how they may see the crown as it effects their relationship. Note that this is based of their characters in F&B, not the show. So needed context for this write up: As we know, Targaryens marry within the family. Keeps bloodlines pure, keeps dragonriding as a Targaryen ability. For the purposes of this write up, the theme is Targaryens marry within the family in order to maintain power. Duty is to keep the dragons within the family, duty is for a male heir to marry his sister in order to keep the literal power (dragons) and figurative powers (the crown) in the family. Historical heirs and rulers married within the family; notably Aegon The Uncrowned and Rhaena, as did Jaehaerys I and Alysanne. These two pairs will be our focus and comparison to Helaena and Aegon, but to begin with, we must acknowledge that unlike Helaena and Aegon these two pairs were either expected to rule, or have ruled for a long time and were praised. For Aegon II and Helaena, they were, as far as I remember, the first sibling couple in the royal dynasty era that had not been expected to take over the Realm (Edit: aside from Baelon and Alyssa, who had been more of a love match, and whose marriage kept their dragons in the family). Helaena and Aegon’s marriage is not advantageous to them, but instead to Rhaenyra and Viserys's hopes for the crown - denying the Greens alliances and hence power to their cause. They don't seem to have/are not mentioned to have dragon eggs, and instead seem to claim older dragons (Sunfyre and Dreamfyre) so they have to gain that power "on their own" in a sense too. [I will note book!Viserys does not seem to discourage the Greens from getting dragons - but alas they still had to go out and claim their own.] With a marriage that seems more purposeful in blocking power from reaching their hands, with already two people who feel pushed aside (Aegon being described as solemn and a grouch; Helaena noted to be less remarkable in beauty to Targs, in an era where she would be compared to her sister who was once "The Realm's Delight"), they seem to be helpless in their place. They are in a position where neither of them have an inheritance aside from their dragon, and where they know they would have to live subservient to Rhaenyra's wishes despite their family not getting along with hers to say the least. Their marriage is a chain around them at the time, and it hurts them. Only teens, Aegon rebels and cheats as he is - Helaena also is rather jokingly cynical, noting that people won't find him in her beds when people look to coronate him. They have an odd somewhat resigned relationship prior to the crowning, despite being noted to sleep in the same bed together regardless and have moments of jealousy [Aegon being mad at Jace for asking Helaena to Dance] - to me at least, they read as if they accepted the hand dealt at life and try to go with the flow of each other. There is struggle and understanding they find in each other. For the longest while, Aegon the Uncrowned and Rhaena are their soft parallels. An Aegon that had been denied the Throne; Helaena is a rider of Dreamfyre as well just like Rhaena. They have twins, and most of all — their story seems doomed.

Then, the coronation time comes, and there is somewhat of a shift. Not specifically in the relationship, but how they try to take it up — suddenly, they are King and Queen, and their relationship is pinnicale Targaryen power. They are crowned with their notably metallic colored, silver and gold dragons marking a new future to them. Aegon II is declaring he is fighting against an usurper that he is sure will kill his family, that in the future will be compared to Maegor the Cruel. Helaena, beloved of the Smallfolk, joins the Council table and argues for peace with her mother, a moderate voice to her more stern king, along with their mother Alicent, [despite this being an admittedly slightly flimsier part] whose name can ring a bell back to Alyssa Velaryon, King Aenys's wife. What I'm trying to lead us to, is our second comparison — Aegon II and Helaena after their coronation, had been hoping to be like Jaehaerys and Alysanne. With their magnificent metallic dragons, they wanted to find their power against someone they consider Maegor-like (Rhaenyra; and soon enough her cause will lead to the death of both her nephews so... checks out). They wanted to find again their power in this union that was not meant to bring them power. They were young adults, accepting the mantle and entering the war with the idea that they are upholding the law and going against violation to the succession from occurring again like in Maegor's case; entering the war with the idea that they must do so to protect their family. Alas, that is not to be. Very soon, that impression of protecting the family with the crown is shattered with the death of Jaehaerys. And now they're back to understanding that a crown and dragons are not quite enough. The struggle returns. They break from each other after B&C and suddenly, they return to the doomed narrative — like Aegon the Uncrowned, Aegon II goes to battle. Unlike him, he does not die, but he may as well be with his condition, and from the eyes of Helaena, who never sees him again after he is smuggled away, it cannot be too different. As she realizes and returns to understanding that there is no hope - she is a black bride, captured by Rhaenyra who is her Maegor while her husband for all she knows is dead - she also realizes that she is living a fate worse than Rhaena too, when Maelor dies. She gives up. The hope is gone and the grief is too much. She and her children are as doomed - there was no power in the crown, only pain. She jumps down to the moat. Residuals of Helaena's image as an Alysanne like figure spark the riots against Rhaenyra, and Aegon II, hides like Jaehaerys I did from Maegor for the longest while, and uses his last bits of power to overthrow Rhaenyra. He still dies in the end, however, poisoned.

In conclusion; Helaena and Aegon's cause had them bolstering the image of Jaehaerys and Alysanne, but they could not escape the tragedy of Aegon the Uncrowned and Rhaena losing it all. There was hope to find power in their union, as Jaehaerys and Alysanne did, but the crown and war for it had brought them immense grief, as it did Aegon the Uncrowned and Rhaena. An arc of hope and tragedy between a doomed pair.

[genericpuff]

I wonder why christian misrepresentation are rarely talked about if compared to other religion misrepresentation. Like, I've seen people really vocal about Greek myths misrepresentation in LO and such (and it's valid because it's a culture and religion) but I rarely saw the same thing with christian even though there are many media who use christian religion innacurately, to the point where it comes off as using it as an aesthetic and not a proper religion.

Is it because of rampant religious trauma especially in western world? No ulterior motives on this question. I'm not a christian and yet I'm curious about this. I apologize if this sounds harsh.

I obviously don't have The Answer(tm) to this but personally speaking (and I'm about to get VERY personal here so take this with MOUNTAINS OF SALT), I think it's just the obvious - Christian mythology is one of the most well-documented and strongly protected out of virtually any other religion on the planet. Especially here in the West, it's commonplace for kids to go to Sunday school, for couples to have Christian weddings even if they're not practising Christians themselves, even the American anthem references the Christian God. It's simply not as easy to 'misrepresent' it because the representation is written into our very fabric of society. Even Greece itself is primarily made up of Orthodox Christians.

So anyone that does 'misrepresent' it are either completely mislead hardcore Christians, or people who are doing it intentionally, such as with the intent to make a parody of it or to deconstruct it through a different context or whatever have you. And of course, people will still get mad at those things, if you're implying that people aren't vocal about Christian misrepresentation then frankly IDK what to tell you there LOL If you want a contextual example in the realm of webtoons, Religiously Gay was dragged to hell and back during its launch for having a very crude and insulting depiction of St. Michael, and frankly, yeah I don't disagree because what the fuck is this-

(like at best it's just terrible character design lmao that said, there's also plenty else to criticize Religiously Gay for, including its fetishy representation of gay relationships and the fact that it's still just the "naive person who looks and acts like a child hooks up with mean person in a position of power" trope, blech, but the character design is definitely the first thing you notice)

There are even plenty of hardcore Christians who will deadass claim "misrepresentation" over things that ARE factually correct but they just haven't read the actual Bible and simply cherry pick what works for their own agenda. And of course those people are routinely called out by people like myself who know for a fact that Jesus wouldn't have promoted the war crimes that many modern day Christians are committing and justifying today. So it really depends on the definition of "misrepresentation" here.

The issue specifically with LO and Rachel that I personally call her out for (and many others) is that she's called herself a "folklorist" and claimed she's so much more knowledgeable on Greek myth than anyone else, while making a complete mockery of the original mythologies while not being honest about her intent as to whether LO is actually supposed to be a legitimate retelling OR a parody (because it sure acts like the latter more than the former, but she still seems to expect us to take it seriously and consider her knowledge of Greek myth superior?) Which leads to a lot of her teenage audience claiming shit like "Persephone went down to the underworld willingly" and "Apollo did assault Persephone in the original myths actually" and the classic "why would Lore Olympus lie or make up fake myths?"

You just can't pull off this extent of erasure with Christian mythology because we have a whole ass book of it that's been preserved, sold on shelves, and systematically integrated into society for thousands of years. Of course, there are people who will still try their damned best to twist the Bible to match their own bigotry with the whole "Jesus hates gays" bullshit (he would never), but it's met with equal amounts of 'misrepresentation' that are actually fully well-read and are intentionally subverting and changing things to either critique, parody, or restore the original intent of a lot of stories in the Bible without all the manufactured right-wing crap.

Greek myth, on the other hand, has some stories that are well preserved, and others, not so much. And in the modern day outside of the poems and hymns, you'll also rarely, if ever, see anyone use stories from Greek myth to ostracize, torture, and murder other people. "Misrepresenting Christianity" is more often done by actual Christians who are using the Bible to commit hate crimes than the people who have actually read the Bible and are just taking creative liberties with it for the sake of deconstructing / parodying / analyzing / subverting it. Veggie Tales "misrepresents" Christian stories because obviously Moses wasn't a fucking cucumber lmao but it still accomplishes its goal by retelling Christian stories in a way that's fun and educational for children.

By comparison (on the whole, I'm not comparing LO to Veggie Tales LMAO) LO just isn't clear in its intentions beyond Rachel's initial statements that she was trying to "deconstruct" the myths, while labelling herself as a folklorist. Therefore, I'm going to criticize how she does it because the way she's done it up until now has been very mishandled and has resulted in a lot of misinterpretations of the myths simply for the sake of fandom. And yes, these people exist in Christian media as well - they're called TV evangelists.

And that's my (very heavy) two cents.

[findmeinthefallair]

"It's been a year, I feel so heavy... Mama, will this feeling ever stop?"

“Mijo. It hurts. But you have so many people who love you. We can help you carry that feeling and one day it might not feel as heavy.”

(Dialogue by @childlikegoblinqueen, with some smol additions by me)

[hotvintagepoll]

What's design for living??

pre-code Ernst Lubitsch film where two best friends (Gary Cooper and Fredric March) are in love with the same woman (Miriam Hopkins). instead of forcing her to choose between them, the three opt for a "gentleman's agreement" where they all live in the same Parisian garret but only in a platonic, business-like way, with no sex or romance. Shockingly, this does not solve any problems.

I would actually argue Design for Living is not the pre-eminent poly film some think it is (I still fight for Talk of the Town for that title), but many of the electorate are fond of it and it came up frequently in Fredric and Gary's propaganda during the Hot & Vintage Movie Men Tournament.

[tanoraqui]

I’m not personally a headcanonner of Maglor living in Rivendell in LotR under a new name, but if he is, I adamantly believe that he is not Lindir (“song guy”) but rather Erestor (tentatively glossed “lonely brother.”) Tragic humor or bust!

[carefulzombie]

bram stoker’s dracula (1992) had no business being that gorgeous looking while simultaneously embodying everything i hate about dracula adaptations. look at what they did to my girl mina

[dolldefaced]

i do get a bit bitchy when people act like jason is stupid or lazarus mad or w/e for having doubts bruce loves him even if we back it up to pre utrh when bruce hasnt done...all that he's done from then on till now *gestures*. bc well. after all that no wonder lmao. anyway

like consider the end of jason's robin run w/ how bruce was acting & the things that were said (even if you don't want to consider the 'i'm not your father/teenage rebellion line from the later comics, bruce handled everything in the 80s...not great! it's no wonder an already traumatized kid might not handle that kind of response well. even if bruce meant the best (i think he did!) he handled it like shit lol).

it's literally what led him to sheila...who bruce didnt even know he was after, or like. where & what jason was doing at the time when he ran into him later.

then compound that with learning the joker is still out! still breaking out! and hurting people. and that there's a new robin. nothing has changed! you died and came back and everything is still the exact same!

and i think all of this stuff happening right before his death + finding out right after he was back was not great. that's a huge trauma to be dealing with + you feel like you weren't important? it's gonna compound

like i don't think it's stupid that he feels unwanted! there are warranted reasons for that pre utrh.

[zorosdimples]

people who write off entire fandoms as “toxic” or “dead” do a huge disservice to the countless artists, writers, and other members who do their best to keep their communities thriving and welcoming. as is the case in so many online spaces, the loudest voices are usually a small group of people who are intent on stirring up drama and making it everyone’s problem. if you take the time to search for people to follow and actually engage in community—not simply look through the tags to like random posts and read them in secret—you’ll learn that there’s more to fandom than what you see in the tags.

[rouge-the-bat]

exclusionists really love to tell other queer people to die bc of [checks notes] they dont fact check and just believe that bi lesbian has been coined (it hasnt) and the coiner was a terf (it wasnt) just bc they heard it from other exclusionists. and for some fucking reason believe that bi lesbian is a terf term despite a ton of the other people telling me to kill myself over being a bi lesbian have also been terfs.

"who cares to hear out fellow queers who are just using an unconventional label. i overheard an Unsourced Bad Thing so they must all die, obviously."

[lu-sn]

Rank the VegasPete kisses 😈

suz i stg this ask is gonna get me super mega cancelled. when you find my mangled body in a decrepit alleyway tell my family i loved them

-

6. i love you, pete.

listen, no okay, LISTEN, put down your pitchforks, this is an s-tier kiss okay, i know!!!!! I KNOW BUT EVERY VEGASPETE KISS IS INSANE!!!! SOMETHING HAS TO BE AT THE BOTTOM

i did and still do think it's a lil cray cray of vegas to say he's in love with pete like ten days after dicking him down, but the blood-streaked mouths and vegas's devastated face as he pushes pete away afterwards sure do make up for it

5. you must suffer until i'm satisfied

the thing that gets me about this one is the total lack of artifice on vegas's part. despite every touch of his before this having been part of a long, cruel, twisted performance, this one is so gentle. so unassuming. a gift, more than anything else.

the conversation after is critical to their relationship, and i'm not sure pete would have wanted to open himself up like that without this kiss as proof of vegas's... sincerity? vegas isn't playing a game anymore — and pete can finally stop playing too.

4. psycho

head in hands!!! i can't believe this isn't in the top 3 someone send me to jail rn

i don't need to talk about this yall Know. third eye opened brain chemistry rewired brainrot permanently acquired "you like me like this" "i know exactly what i want" the way their hands paw at each other the way vegas smiles the way pete's KNEES GO WEAK I'M FOREVER SCREAMING

3. you're the most important person in my life

ugly sobbing in the gutter they trust each other they cherish each other they're going to work so hard to stay together they're coming together as EQUALS in the LIGHT AFTER THE STORM I'M—

it's the way they cradle each other's faces in their hands, okay. it's the unbearable tenderness, and it's the promises they're making to each other!!! that shit just gets me real bad 😭

2. (we only kiss people we like)

their entire sex scene is characterized by an unexpected, intense tenderness, and this last kiss is really the nail in the coffin for me. the way pete is leaning up into this, chasing vegas's mouth — the way vegas is so unbelievably soft as he presses himself into pete — the space they've carved out together in the darkness for this moment of startling intimacy — something has changed here, in both of them. and it's going to be their undoing.

1. i need you, pete.

I DON'T CARE IF YOU DISAGREE WITH ME I WILL DIE ON MY LITTLE HILL THIS IS THE BEST KISS IN THE ENTIRE SHOW. SCREENSHOTS DO NOT DO IT JUSTICE. vegas is TREMBLING into this kiss he is TERRIFIED he's made an awful awful mistake and he's about to lose the best thing he's ever had he is CLINGING TO PETE trying to press all of his monstrous love into pete's skin i'm so sorry i didn't mean it i need you i will worship you look at how gentle i can be with you? look at how desperately i want to cherish you please please pete don't leave me MY GOD I AM CHEWING ON THE WALLS IT HURTS SO GOOD

and pete is so vulnerable to this kind of touch. he's shaking too, he's gasping and sobbing and almost can't believe what he's about to do in return. pete intends for this to be their last kiss — and vegas has no idea.

[epiphainie]

.