#okay maybe just a little joking

[sergle]

I'm thinking abt that pretty fall leaves embroidery pattern post and about how like... it is categorically a repost, it's a reupload. right? a thing that is generally disliked. but because it's credited, it's genuinely boosting the artist in question. and it could ALWAYS be like this. reposting content could ALWAYS be a symbiotic relationship, but because sourcing back to the original creator of something is so uncommon, it's just easier to ask people not to repost it at all. and people still don't understand the difference. or they'll go to the effort of cropping out usernames/signatures to repost something, which is More Effort than literally crediting the creator of something you liked enough to want to repost. Like. I literally don't actually care if my own shit gets reposted, you have to understand. I just don't want it STOLEN. But "do not repost" is easier to write on my art than "you can repost this, but don't alter the image/remove my signature, don't you dare write 'credit goes to the artist' because that is not credit, please link back to my original post or someplace that you can actually find me. please use an actual link/url instead of writing a non-clickable link of my username, because making it text instead of a clickable link cuts the number of people who will go to the effort of visiting my own page in Half." All those aggregate themed accounts, those fuckin annoying as hell instagrams and facebook groups that are like "body positive art we love wamen 💕 hashtag feminism" and then MASS-STEAL plus sized art created by women, if pages like these that always go and steal my older self-portraits and other works... If they just put a link to my prints of those pieces in the text of those posts, or, fuck, my commission info page? I would literally be living on the moon right now. I would have a house on the moon

[girlbloggercrowley]

i am a believer in the s3 1941 kiss

[starflungwaddledee]

[st4zia]

Marina, where are you?

[aromanthur-lester]

It’s alright guys, Daniel is ok, he told me himself. he’s very sorry for the confusion but he’s definitely not dead. he can’t tell you personally because he’s currently saving Arthur from the butcher. phew what a relief 😅😋

[lecliss]

I'll never be able to take the theory that Vincent is Sephiroth's real father seriously cuz I cannot stress enough how important I think it is to the plot that Vincent wanted to fuck Lucrecia and did not get to.

[ibeewashere]

Oh… 😰

[cazssserole]

Please elaborate more on your Solarballs post.

If I gotta be real honest here, there's many ways for Triton's character to go down and for the WORST like, first off he has this weird, childish conflict to not get attached to anyone. Clearly he's failed that. In the next episode to come, I suspect that he'll try to sabotage his newfound friends JUST to try and convince himself that he doesn't care for them. Obviously, since he's tried so hard so long not to have relations with anyone he doesn't know how to escape his guilt afterwards. Also the fans are maybe, going to hate him for a while.

Secondly, with how the recent episode ended, a lot of people came up with ideas on who Triton could've seen, for one it could be the dwarf planets and Charon,(but they've not got a really good reason to be out of the kuiper belt) the 9th planet, maybe even Ceres, but whether this unknown character has good or bad intentions, it's definitely going to change the course of Triton's goals. Like he's bound to make some big mistake that's going to demonitize him or something😭😭. I mean, look at him and tell me his identity crisis isn't going to make him fumble soon.

Well, thirdly, he's got too much praise for being a loner and frankly, kind of selfish. Surely it's going to lead him somewhere dark soon enough. He really needs to experience some of what the other (actual) undermined moons have gone through, because in actuality, he's being being the biggest edgelord here. Like he IS inevitably going to go through some sequence that will make us hate him temporarily (like most of the characters) because, idk he's had it far too good I want to see him suffer. That's kind of the whole post. I want him to go through an emotionally draining experience. Push the boy to his limits. Make him cry. I wanna see him be thankful for his friends after he gets what he deserves

[nellie-elizabeth]

Some whining about fan responses to GO2 below the cut. I'm just being a jerk mostly lol.

Not gonna tag or link the posts because I'm not trying to stir shit but I see some people doing the thing for Good Omens season 2 that people did for Sherlock or Supernatural where, they didn't really like some aspects of season 2, and instead of saying "oh, that part didn't really gel with me" they think "Oh, it's actually all part of a long con that Neil Gaiman is playing on us! The stuff that I thought was bad? It was bad on purpose!" (Remember, the secret final episode of Sherlock, or the fact that the penultimate Supernatural episode was "bad on purpose" so the finale would fix it all?)

And it's so frustrating because I think these people are setting themselves up for further disappointment when season three comes. I personally loved season two of good omens! It really hit the spot for me, I thought it was funny and charming and clever and perfectly heartbreaking. If you didn't like it, that's okay, you don't have to construct a whole conspiracy theory around "why it was bad".

I want to be clear i don't mean just having theories about potential mysteries/clues leading to season 3. What are the Metatron's real motivations? Will we get to know who Crowley was as an angel before the fall? That sort of stuff is fun to speculate about, and we certainly don't have all the answers!

What I'm talking about things like... I saw someone say that the Eccles Cakes were a secret clue: why bring them up and put such emphasis on them only for them not to get eaten, hmmm? That couldn't have been just a simple oversight... it must be a grander point about the secret undercurrent plot that's been hiding right in front of our eyes this whole time.

And... no, it's not a simple oversight. It's not a grand clue to a big mystery (imo) either. It's pretty basic storytelling. Aziraphale asks Nina for something that calms people down, he procures the Eccles cakes on her recommendation, and then hands them off to Crowley as they enter the shop. There's a pointed shot of the uneaten cookies as Crowley storms off because, guess what, nobody ate them, and nobody's calming down! I think that's it, y'all. No grand mystery to parse here.

Or one thing I saw that really had me scratching my head was "why did we spend so long in the '40s minisode seeing Aziraphale pick out magic tricks in the shop, do the whole fake-out with the bullets, etc.? What was the point of showing us all that?"

I mean... because it was funny and charming and good character development? I don't know that it was leading to any grand secret behind the scenes. The setup and the pay-off is all right there in the 1940's flashbacks. Aziraphale is bad at stage magic, and then real miracles are blocked, and in the moment of truth he's able to use trickery correctly, for once in his life. Crowley and Aziraphale both manage to keep each other safe in the human way, even when their miracles are blocked. It's all right there, it doesn't have to be a clue leading to some big switcharoo later down the road.

Or one last thing I saw was people saying "where were the Zombies? Why have a plot about digging up corpses, and another story about Zombies, what does it all mean?"

And like... I don't know, maybe it means some Secret Extra Thing that i just haven't seen yet, but isn't it also possible that it means... thematic foreshadowing of season three's external plot? You've got Job's children being "reborn", you've got corpses being dug up, you've got zombies roaming London. The third season is about the Second Coming, y'all. I don't want to say "it's not that deep" because it is that deep, it's not just... extra made up layers of obfuscation that give it unnecessary confusing deepness. If that makes sense.

Bottom line, if this season didn't gel with you, I'm sorry! But I promise you, you're setting yourself up for disappointment if you spend the next couple years divining all the secret codes Gaiman put into the work for you. He didn't write a "bad on purpose" season of television. He wrote a good season of television! I'm sure there are mysteries to unravel, and fun clues to go back and find later on when we see how it all ends up. But he didn't write an entire season of TV to be a big giant misdirect in and of itself. I really don't think that's how this works.

End of soap box.

[raeofgayshine]

I wish I could go back and tell younger me that I would in fact find that place one day full of people that I adore deeply and who I know love me in return. Who make me feel wanted and cared for and appreciated in a way I never thought would be possible. And none of it required hiding, or forcing myself to be a person I’m not. And I still have that space even though I’m aroace.

For the first time ever, I see a future where I’m not alone. And I wish I could go back and tell my younger self it would happen. It’s possible to not be constantly lonely.

[maystea]

The something between us we don't talk about,

It's a normal thing for people in love to question what kind of relationships do they have with the people they have romantic feelings for. And so it's normal when they want something more, something bigger than just watching this person afar and talking like friends and nothing more.

And there are two solutions: confess to the person you like, or bottle your feelings and pretend like relationships between you are enough for you... but pretend doesn't mean be, right?

[ Warning ] : spoilers for episodes seven, eight, eleven, twelve, thirteen.

　

The discovery of Doh Young-Choon being switched was something very painful for Ga-On since he was convinced: the system is just and will punish the conman; but when something he had to believe into turned out to be a lie, he was stunned and returned home.

Then, after a few days, Yo-Han suggests going back home, and Ga-On doesn't mind. But what he doesn't like is the reason behind his return: Yo-Han excuses himself with Elijah and her being anxious, so Ga-On lowers his eyes and sighs; however, he still comes back with Yo-Han the same evening and even waves at Elijah with a sincere smile on his face.

In the kitchen, Yo-Han's shining like a star on the Christmas tree, while Ga-On’s mood doesn't change much after he figured out who was the Elijah who missed him; he doesn't say anything, as usual discussing with Yo-Han their plans and thoughts while drinking coffee.

　

Talking about as usual: the ending of episode eight when Ga-On took Yo-Han’s side officially, is another beautiful example of how much the show hides the true motives in emotions instead of saying them out aloud.

Ga-On takes Yo-Han’s side officially, and they’re standing on a bridge both looking at the night version of Seoul; this is when an important conversation takes its beginning: Yo-Han turns back since he was one step ahead, and Ga-On turns his torso to Yo-Han, showing him he’s all ears.

The first phrase is Yo-Han’s “do you regret it?” and Ga-On’s answer of lowering his eyes; and since Yo-Han got to know some Ga-On’s expressions and their meaning by spending countless some time with him, he nods and starts listing advantages of being on his side. Ga-On lifts his eyes at “I’ll promise you one thing,” but pretty soon lowers them again, after not hearing what only he knows he expected in his head.

So while Yo-Han lights up the whole Seoul with his contentment of Ga-On taking his side officially, Ga-On tries to quickly make another reason for him helping Yo-Han. And finds it: fighting with the wrong world; and when Yo-Han accepts it, proudly lifting his head with a satisfied look in his eyes, Ga-On turns back to him for the first time after a while.

And even though officially their agreement was based only on revenge and will to change the wrong world, the first clause of their partnership was them becoming a family; so no wonder they started to act like a married couple — because they were, even though it’s written with invisible ink.

What we else don't see is Ga-On’s reaction to Yo-Han inviting Sun-Ah to their his house in episode eleven. We just see him cooking a whole banquet dinner for a guest and him being ready to interrupt and stop every small hint of flirting between Yo-Han and Sun-Ah.

But when Sun-Ah comments on him blending into this family perfectly, Ga-On starts to literally shine: he widely and sincerely smiles, being all proud and pleased with the fact of him looking like he always was there; but the moment Sun-Ah says she's envious of Yo-Han for being not alone anymore, Ga-On raises his eyes at Yo-Han with a clear sadness in his gaze. His mood drops, and the one moment he smiles after this little talk is when Ms. Ji appears in the kitchen.

Maybe it's when Ga-On understood that being colleagues and taking down the higher-ups together is good and all, but it's not what he wants. Not when it comes to Yo-Han.

Because in the same episode, just a bit later we hear Ga-On's "once this is over, I'll definitely..." when he is with Soo-Hyun in a famous restaurant. He's in a good mood, smiles, and jokes a lot that even Soo-Hyun notices the changes that happened in her friend; and maybe it's the moment Ga-On started to think about his confession to Yo-Han since he already knows when he'll tell him how he feels.

Because Yo-Han’s plans are pretty clearly shown in episode ten, in the scene of Yo-Han building a house of cards right after they caught Doh Young-Choon: he doesn't know how many floors the building will have, but what he’s more interested in is bringing the whole thing down; Ga-On lowers his eyes, thinking about something only he knows.

And when Yo-Han acts as if he’s about to put the house down, Ga-On shudders; Yo-Han says that Ga-On thought he would destroy the whole thing, Ga-On just smiles, proving his assumptions.

Note: even though the original scene didn't look like this, the original script still has Yo-Han saying “(to me) it’d more fun to bring the building down.” So we can assume that even in the original script, Yo-Han still wanted to destroy the house of cards in one movement instead of taking avenge on his enemies slowly.

But Cha Kyung-Hee shoots herself at the end of episode eleven, and the plan starts to fall apart since it lost the main key; then, everything related to Ga-On's sanity falls apart as well. For the first time since episode eight, Ga-On drinks soju. Like he did before he officially took Yo-Han's side and threw all the years of Professor's lectionaries; now he sits all alone, drinking a few bottles and being aggressive towards annoying fans of the show.

Ga-On calmed himself down: he'll wait until Yo-Han finishes his avenge. He'll talk about his feelings after this all will be over; but now, the situation is blurred and unclear, so he attempts to talk about them now, provoking and asking in what kind of monster he turns into. But Yo-Han talks only about their destroyed plans, so Ga-On’s gaze fades, even though a minute ago it was full of hope.

So the second Yo-Han starts to say that Ga-On had to cut Soo-Hyun out of his life to save the world, the decision is already made. But when Soo-Hyun starts to say that she doesn't care about what is right and what is wrong; when she talks about how she only needs him, he hears the words he wanted to hear from Yo-Han a few days ago.

The outcome we see in Soo-Hyun's case is Ga-On kissing her and her being shocked by his actions and not responding to it in any way; the outcome in Yo-Han's case is Ga-On taking away Yo-Han's hand from his shoulder and claiming that Soo-Hyun is his world, leaving pretty soon afterward.

— As in addition : the confession scene in episode thirteen... the whole speech was made for Yo-Han from the very beginning. He might have changed some parts of it to match their relationships with Soo-Hyun but the most important parts and words were all meant for Yo-Han.

First, the way how his expression when he says he wants to like her forever and that he was scared he would ruin everything is so similar to the one he had in episode ten when he was defending Yo-Han. The same smile, the same warmth in the eyes which quickly vanishes the moment he talks about their friendship in particular and him not wanting to be alone.

Second... as it was noted in @b612sunsets's gifset, the confession pretty well describes their relationships with Yo-Han, fitting in perfectly.

[shaniacsboogara]

hey watcherinas!!! having a bit of a mental health time so i think i'm gonna try to step back from tumblr for a bit (by a bit i probably just mean tomorrow but i just wanted to let you know lol) <3

[dutybcrne]

Kaeya is rather touch averse, cringing away from casual contact people give him under the guise of being distracted or idle movement. He's used to it, the Ragnvindrs and Adenlinde got him used to frequent affectionate physical contact, but it can still be entirely Uncomfortable if he's touched by someone outside those he is close to or someone he's otherwise Allowed to touch him.

[running-in-the-dark]

sometimes I have so many blorbo thoughts that I accidentally start chewing on the nearest piece of furniture

[sevicia]

I wanted to make a cleaner summary of last week's classes and also review the classes I have this week since the material is already uploaded beforehand but I was feeling so horrible throughout the day that when I sat down I was just gonna look at the ones for tomorrow but I think I'm just gonna go to bed because I just gave my little numbers game a few tries and not even the joy of tribial elementary school-level math games is bringing my brain cells and/or full sentience back

[shivunin]

gently tosses you Fenris and Sebastian for the character meme

Carefully catches them both, but Fenris is kinda prickly and I fumble him a lil bit.

(Thank you for asking! c:)

(Character Ask thing)

Fenris

First impression: oh fuck did he just rip that dude's heart out through his back 😳(i am absolutely projecting this reaction onto Maria haha)

Impression now: I mean. there's no going back at this point lol. Dude altered my brain chemistry permanently. He is an asshole, he is deeply flawed, he is so hurt and angry and funny and so shockingly poetic. He is gorgeous and so unsure about anyone caring about him (platonically or romantically). He is loyal to a fault. He is still figuring out how to be his own person. He's the reason I got back into reading fic, and thus the reason I started writing fic and participating in the fandom at all. I don't even know what my opinion is anymore because that is how much I have thought about Fenris. I am rotating him in my mind at shocking speeds.

Favorite moment: It's a tie between the moment after he rips out Danarius's heart and turns to look at Hawke like 🥺-and- his final monologue. I also think his conversation w the mabari is really sweet. Or lol his "I was just glad. To see you. That's all." from the Legacy DLC

Idea for a story: *gestures to fic idea mountain* haha. But as for ones I have not written, my favorites are my "worst road trip with my future sister-in-law ever/fenris gets kidnapped" story (which i am writing very slowly rn) and one where there's some sort of double of Hawke and he has to determine which is the real her (I love this trope)

Unpopular opinion: Oh man. I have no idea. I guess that I enjoy the Bitter Pill -> Questioning Beliefs quest order version of the romance scene, but I also like the other one. There are painful pieces to both of them and that's what it's all about for me.

Favorite relationship: Fenris and Isabela. I love that they're constantly needling each other.

Favorite headcanon: The bodies in his foyer are practice dummies dressed in robes.

As funny as "Fenris lives in a literal mansion of corpses is," that level of squalor does, in fact, make you sick. Also...after six years, there are no signs of decomposition? With how many rats are sure to live in Kirkwall? I don't think so.

I like to imagine someone broke in at some point, saw the corpses on the floor, said "oh, no thank you, actually" and dipped, and Fenris went "Hmm. Now wait a moment, maybe I'm onto something."

So: that's my headcanon. The bodies are fake and he lets everyone think they're real/everyone jokes that they're real because it's a good bit. Now, does he leave his bedroom a hot hot mess always just because? Yes. But I think the bodies are fake.

Sebastian

*With the caveat that I have only started one pt with Sebastian because my console hates me (has to be plugged into an internet port directly to run the Exiled Prince DLC and there isn't one in the room with the TV) and most of my initial information was based on the fandom:

First impression: Ah, he must be the designated Religious Character for this game as a counterpoint to the dude who hates the Chantry. Got it.

Impression now: I am shaking him in a jar. He is such a wild study in contrasts?? When you do the quest in the Hahriman's mansion and one of the dudes is getting with the maid and Sebastian apologizes to Hawke for exposing them to it---I said "Excuse me, sir???" out loud. Like what? In a ~dark fantasy~ game, this guy is apologizing for you seeing some slap and tickle?

I think he wants so badly to believe that the world is black and white so he can do the right thing, and when confronted with all its variegations instead he creates exceptions. Lots of other characters do this, too (see: Fenris and Hawke/Bethany being "good" mages because they are stronger than the others and thus not tempted by demons/blood magic) but I think Sebastian particularly plays in the grey spaces in an interesting way.

Also, I think the running theme of him wanting vengeance/wanting to not want vengeance is fascinating in the light of that final scene at the Chantry. He's talked about trying to forgive before, but when it comes down to it he wants to kill Anders or march on Kirkwall if you won't let him. That is fascinating to me. I do really want to finish this playthrough with him so I can see the rest of it play out, but...we will get there.

Also, I think it's a bummer that he frequently gets left out of companion round-ups and lists. I get that he comes from a DLC, but love him or hate him he's a really interesting character in 2.

Favorite moment: I don't have a favorite, but anytime he's talking tbh. He has a really lovely voice

Idea for a story: I have a half-written thing about Sebastian and the role that faith plays in Hawke recovering from Leandra's death. A lot of it is coming to terms with the fact that Hawke doesn't really believe in Chantry doctrine...but it does genuinely help her to know that someone who shared Leandra's faith is praying for her in the way she would have wanted. He also does the service for Leandra even though Elthina offered (it was like. the only thing Hawke asked for: Sebastian has to do the service).

(A lot of this is inspired by the fact that he is one of the few companions who has lost his parents---not "never knew them" or "hated them and now they're gone" but actually lost them, complicated as their relationship was. And I think it's something that would help her in that moment)

Unpopular opinion: I liked bringing him on Anders' act 2 quest. Not only because of my own internal narrative (Maria asks Sebastian to kill her if it seems like the templars will take her because she is terrified of being made Tranquil and because she knows he'll do it if she can make him promise; all of which I find delightfully angsty) but because I think the conflict between Anders and Sebastian is exceptionally interesting if you've taken them on this quest together.

Favorite relationship: Sebastian and Fenris. I think they each challenge each other's ideas about the world and I like the way Sebastian treats Fenris. It feels nonjudgmental to me.

Favorite headcanon: Sebastian wanders Lowtown trying to help people in his off time. I refuse to believe that he actually hangs out in the Chantry all the time, and it seems like something he would find noble. I like to believe he spends time with the refugees after befriending Hawke, trying to connect them with the resources they need to find stability.