#online ways to make money in India

[forex4youindia]

Understanding Forex Trading Regulations in India: What Traders Need to Know in 2023?

Learning how to do forex trading in India is crucial for traders looking to engage in this dynamic market. It is necessary to open a forex trading account with a registered broker in India in order to begin trading forex.

Make sure the broker is authorized and complies with the regulatory requirements of the RBI. Furthermore, forex traders are required to adhere to anti-money laundering (AML) and Know Your Customer (KYC) regulations. Traders can confidently engage in forex trading in India if they understand the regulations and adhere to the necessary procedures.

Read more: https://sariknowledge.com/understanding-forex-trading-regulations-in-india/

[bokapatel]

How to make money online in India {top 7 authentic ways }

How to make money online in India {top 7 authentic ways }

if you are thinking about How to make money online in India {top 7 authentic ways} where we discuss freelancing, stock trading, youtube, and more about money making way. we are serious for you to keep reading full articles. How to make money online in India for students? if you are a student or thinking to start making money online you don’t have knowledge about it so we will fully elaborate on…

[tornut-blog]

24+ A Step-by-Step Guide to Best paid online survey sites

24+ A Step-by-Step Guide to Best paid online survey sites

“Completing surveys is a legitimate way to earn extra money in your free time. By participating in surveys, you can provide valuable feedback to companies about their products and ideas, and in return, earn cash for your opinions. To maximize your earnings, it’s important to sign up for reputable survey sites and follow a few helpful tips. All you need is an internet connection and a device to…

[governmentjobsworld]

அபுதாபி டி 10 லீக்: ஐக்கிய அரபு எமிரேட்ஸில் நடைபெறும் 10 ஓவர் போட்டியில் எந்த இந்திய வீரர்கள் இடம்பெறுவார்கள்?

அபுதாபி டி 10 லீக்: ஐக்கிய அரபு எமிரேட்ஸில் நடைபெறும் 10 ஓவர் போட்டியில் எந்த இந்திய வீரர்கள் இடம்பெறுவார்கள்? #t20 #cricket

அவர் அபுதாபி டி 10 லீக் 2022 இல் அதன் 6 வது பதிப்புடன் மீண்டும் வருகிறது. பார்வையாளர்களுக்கு ஒரு டி 20 விளையாட்டின் விரைவான மற்றும் குறுகிய பதிப்பை வழங்க 10 ஓவர்-ஏ-சைடு போட்டி 2017 இல் தொடங்கியது. தூய்மைவாதிகள் நீண்ட காலமாக அதிலிருந்து விலகியிருந்தாலும், இந்த போட்டி பல ஆண்டுகளாகவும் மெதுவாகவும் படிப்படியாகவும் அதன் பார்வையாளர்களைக் கண்டுள்ளது, மேலும் மேலும் இந்திய வீரர்கள் லீக்கில் பங்கேற்று…

[phoenixyfriend]

HI DO YOU WANT SOME COSTUBE DRAMA THAT TURNED KINDA WHOLESOME

Pt 1: The Drama

Okay so a long-ass time ago (I think like 15 years), a British costume historian on youtube by the name of Cathy Hay decided she was going to remake 'the peacock Worth gown' and started a kickstarter for it. She made a bunch of money, but the actual work ended up being much more than she expected, so the project kept getting delayed.

In the years after, she befriended the now much more famous Bernadette Banner. They got close enough for cross-Atlantic trips to visit, etc. They were best friends and often joked that they were the same person.

Drama started riling up as people criticized Hay for not engaging meaningfully with the problematic history of the gown in question, which had been made for the wife of a British Governor of India during the 19th century, for a party celebrating British imperialism in India, and the gown's shining feature was Indian embroidery which was almost certainly underpaid, and that embroidery was the massively time-consuming bit that had been delaying her this whole time.

It was a whole thing that she sort of? Tried to address? buuuut The thing is, one of the seemingly obvious ways to manage this conflict would be to coordinate with an Indian embroiderer. In fact, a very accomplished specialist did reach out to her about collaborating on this! And she ghosted him! Maybe even blocked, I don't remember, but the thing was that he was ready and willing to do this cool project that could explore and reimagine a beautiful but morally ugly example of their shared countries' histories.

And she just… kept refusing to engage.

And then people started pointing out the weirdly predatory marketing she had for an online product/newsletter she had, and the discourse kept building as people realized overall that she was just… not as good a person as she claimed to be.

It got bad enough that Banner broke off the friendship, in large part because of that refusal to engage meaningfully with the loaded history of the Worth gown project

Pt 2: The Wholesome

So, a few days ago, Bernadette Banner released a video of her making a Regency gown. It's a very standard kind of project for her, just using old patterns and adding a touch of her own gothic tastes with historical methods to make a cool piece of clothing that explores costume history.

Halfway through, she has a call with someone she is planning to do a different video with. We don't know what the video is, but!

The thing is

The person she is having this call with

Is the Indian embroiderer, Mayankraj Singh, that Cath Hay ghosted.

And the video continues on with Banner and Singh talking about her Regency gown project and just. He ends up making an embroidered chiffon overgown with a crow motif. And it just feels very wholesome and I love to see this all coming back around.

(Okay, double-checked and apparently Hay requested a sample from Singh, and then ghosted him after she got photos of it)

In late September, another costumer, Miah Grace, released a video noting that, in 2020, Hay had requested an embroidery sample from with Mayankraj Singh, founder of the luxury fashion brand Atelier Shikaarbagh. Indian embroiderers in this shop possess skills that go back seven generations. Singh reportedly made a sample made but only sent Hay photos of it. After Hay stopped responding for many months, Singh went live on Instagram to explain what happened. Apparently, when his head embroiderer found the sample, he burned it, and scolded Singh for making it. “He said it was an inauspicious design,” Singh said, “and we do not make it anymore.” Hay later apologized to Singh, and he now considers the matter settled. - Craftsmanship Magazine

Anyway, yeah, after all of that from a few years ago, it was kind of exciting to see Banner collaborating with Singh

And she's so excited to open the package! Happy screaming!

It's so sweet.

He had his team embroider their names on the hem And she loves it

I am living for this vicarious excitement

(She does lay it on a bit thick at the end, but you know what. I'll take it.)

OH and the ending involves her attending the ball with Nami Sparrow, one of the creators of Indian background (Indian-American) that was a voice of Expertise criticizing Cathy Hay a few years ago.

Which is like. Tacit endorsement? If Singh alone wasn't enough.

Anyway yeah I lost my mind a little about this.

[brf-rumortrackinganon]

I have always thought that Meghan does not make her own money, does not see any projects throught to completion and isn't launching her own company is because she does not want to split money with Harry in case of a divorce.

I feel she is of the mentality that what's his is hers, but what's hers is just hers. (I took that phrase from somewhere online, but I can't remey where from).

That's the reason she kept her agent and publicist in US when she married in 2018,so he could deal with her company Frim Fram while she was in the UK. It's the reason she wanted to get pain fromthe work she did while royal and wasn't happy with the 3 mil stipend.

And it's the reason all their major money-making projects have been Harry's - Book deal, Invictus, Better Up , or joint - Netflix.

When Harry loses money (the lawsuits) she is mad. But when she loses money (pr, paid mag covers, 40x40 merch, Bench, insane spending for fake Un tour etc) it's just an investment gone wrong and they never talk about it again.

I think Meghan always just wanted to be an influencer, even when that word wasn't a thing. She liked the Tig thing she did and that's all she wants to do. Archwrll is very much modelled along those lines where she updates their stuff like updating a blog.

I know people sayshe isn't very good with follow through but I don't think she is that bad. Their failure has got a lot to do with Harry and him simply not knowing, not being capable of doing, not being very good at carrying projects on his own without a capable team.

The moment their divorce is finalized and the financials have been settled (and locked in) she will start working (hustling) and she will start making money the way she wants to. It will be something stupid and ridiculous, mostly speaking fees, appearances, red carpet merching or some product line. But she will make money.

She is just hedging her bets now and milking the royal money train dry. Whatever she has made so far in the past 7 years is safely locked in some other bank account under some company name that someone else is the front of.

You don't even have to be an evil genius to do that just have some financial acuity and ambition. Ones a hustler, always a hustler.

Ask from August 20th

Some good points here.

I disagree that Meghan has follow-through. Nothing I’ve seen from her since 2015ish shows she has follow-through. She does the bare basic minimum and the team around her finishes everything so she can put her name on it. She did it on The Tig. She did it for Suits. She did to the Hubb Kitchen cookbook. She did it with the royal tours. She did it with the fauxyal tours. She did it with Smartworks. She did it with 40x40. She did it with the UN. She did it with India and Malta and Rwanda charity work. She did it with the USO tour. She did it with the wedding. She did it with Vogue UK.

The only things Meghan did herself was throw everyone under the bus and stab them in the back. And even that’s sometimes questionable.

So she needs the capable team around her too, but capable means something different for Meghan. Where Harry’s “capable team” meant having people who do literally everything for him from picking out his clothes to taking him for munchies to running his own charity programs, Meghan’s “capable team” means having people who do exactly what she wants, when she wants them to, as she wants them to, and to read her mind as to when/how/where she wants things.

And that’s not someone who’s a good boss. That’s a terrible boss, a toxic one, one who has no problem screaming at people and throwing them under the bus, one who’ll underpay her staff and manipulate them into unethical or immoral behavior, work them to the bone, and who demands not just total loyalty, but 24/7 access and commitment. Everyone knows that about Meghan. Everyone sees that about Meghan. (And if one doesn’t see that about her, then one doesn’t have enough experience in the workplace or has never had a toxic boss of their own.)

And because Meghan is that kind of a boss, the only reason she has a capable team around her now is because of Harry. Because it looks really good on people’s resumes to work for the Duke of Sussex because they can leverage that to other big high-faluting jobs with more important people and more important work.

The second Meghan doesn’t have Harry, not only is that team gone, so is the world’s tolerance for Meghan Markle. She can hustle all she wants to get the paychecks she believes she deserves, but she isn’t going to get it. She’s getting no better than what she has now because it’s the same thing she got before Harry. If people weren’t interested in her before Harry, they definitely won’t be interested once her 15 minutes are up and her memoir washes out of the news cycle, and they won’t be interested because she can’t do anything for them. She doesn’t move magazines. She doesn’t sell clothes. She couldn’t sell her own book. She can’t even sell her own jam, dog biscuits, and kids.

The best her hustling post-Harry can get her is probably a spot on The View when her memoir comes out but even that’s not a sure thing because she’ll want them to fawn over her and I guarantee you, someone will be rolling their eyes at her in front of her. My money is on Whoopi.

[mpixx]

Cattonquick Country Club AU (feat. Poolboy Oliver x Older Trophy Husband Felix)

"And now, she won't even talk to me."

"Mmh," Oliver makes absent-mindedly and immediately forgets that he should feel bad for not listening. Because he just arrived.

Oliver has a vague sense that India may still be talking as he watches the tennis shorts ride up his lithe thighs as he walks. Watches him throw down a book on the sunchair and pull off his dark polo shirt, revealing a tanned, muscled back.

Mr. Catton used to be a fitness model in the 90s. After he found this out, Oliver spent several nights online trying to dig up photos. The only one he found though was an ad for The Gap with a very young-looking Mr. Catton with coiffed hair and beige flowy slacks with that high, cinched late 80s waist. He looked pretty, very much so, but if you ask Oliver, he thinks that Mr. Catton is now in his prime.

"You know he's married, right?"

"Huh?" Oliver turns, surprised to hear Farleigh, and not India at his side. He spots her at the other side of the pool, talking to Annabel and glaring daggers at Oliver.

Oliver turns back to Mr. Catton in his sunchair, who is now merely in swim trunks and is ordering something with Josy. "Maybe he's unhappy," Oliver says softly.

Mr. Catton's husband is allegedly a lawyer and older than him. It pains Oliver to think about that, about a man as special as Mr. Catton being trapped with this 50 year old who he probably only married because of his money in the first place. Granted, Mr. Catton is in his mid-forties as well but he is in spectacular shape.

It drives Oliver mad to think the husband probably doesn't even get it up anymore. Or why else is Mr. Catton always at the country club by himself, day drinking his troubles away?

If Oliver was with Mr. Catton, he would not let this happen, no. He would take care of him. How anyone can be married to him and not bend him over three times a day is unfathomable to Oliver. So he concludes that the husband can't get it up. Not like Oliver can. And how could he? Oliver is less than half their age, full of energy in this summer before college. If Mr. Catton was with him, he would always be so hard and ready for him - ready to give it to him the way he needs.

"Yeah, and I'm sure this middle aged millionaire wants to get with your ratty ass because he is enamored with your constant staring," Farleigh says. He tugs at Oliver's cut-off t-shirt that is sticking to his sweaty skin to underline the "ratty".

"It's a look," Oliver says, lifting his cap off his head to let some air touch his sweat-matted curls, biceps flexing, before he puts it on again, the visor turned backwards to protect his neck from the sun. He knows it's a look because Farleigh told him so himself, before they hooked up in the shed where the parasols are kept.

Oliver looks back to the sunchairs. "He's so fucking hot," he says. Farleigh sighs.

"I'm gonna fuck him," Oliver announces. "Oh yeah?" Farleigh asks. "How?"

"I'm thinking doggy," Oliver says, turning towards Farleigh with a glint in his eyes. Farleigh snorts and Oliver's face splits into a grin.

"Careful, though. That one is tough on the knees."

"Fuck you," Oliver says. Farleigh is just jealous. He's sure Mr. Catton's knees could take it. He's seen him play tennis. It was no joke.

Farleigh is right on another count though. He can't keep sitting here, staring from afar and expect anything to happen. He needs to do something if he wants Mr. Catton to notice him.

Oliver gets up and makes a beeline for the bar where Josy is putting Mr. Catton's glass of Sancerre on a tray. "Let me take this off your hands," Oliver says, taking the glass. "Hey!" Josy complains, trying to get it back from him. "Ollie!"

"Don't make a fuss in front of the members," Oliver hisses, jerking his chin in the direction of the middle-aged women on the sunchairs next to Mr. Catton. "You don't even work at the bar," Josy says but Oliver is already walking over to the object of his desire.

He slows his step as he approaches. Up close, he is even more breathtaking. He is reading, eyes cast down at the pages of his book. His long, tanned legs are crossed at the ankle and Oliver imagines running his hands along them, the light hair soft under his fingers.

The skin on his neck and chest is not quite as plump anymore but he is well-muscled and tanned to a beautiful, rich goldbrown. There's freckles on his face that give him a still-boyish look but there are also permanent, fine lines around his mouth and in the corners of his eyes. His hair is cropped perfectly, he probably goes every other week, longer at the top, clipped short at the sides so only a hint of silver is visible.

Oliver has never wanted anyone as much as this.

Mr. Catton doesn't even look up as Oliver sets the sweating glass down on the small table next to his chair. He keeps reading with the calmness of somebody who has been waited on his whole life and feels no need to acknowledge it.

Oliver stands there for a moment, watches him turn the page, then reach for the glass without taking his eyes off the book. He takes a sip.

Tomorrow, Oliver thinks. Tomorrow, he'll get him to notice him.

[rjzimmerman]

What You Want is an S Curve

Excerpt from Bill McKibben's Substack, "The Crucial Years."

Regular readers of this column know that I think we’re engaged in the most desperate race in human history—a race between a rapidly unraveling climate, and a rapid buildout of renewable energy. The outcome of that race will determine just how many people die, how many cities drown, how many species survive. Pretty much everything else—efforts to restore corals, say, or worries about how exactly we’ll power long-haul aircraft—is noise at the margins; the decisive question is how those two curves, of destruction and construction, will cross. Oh, and the relevant time frame is the next half-decade, the last five or six “crucial years.”

So even amidst all the desperate news from climate science, I have some legitimately good numbers to update you on this morning. They come from the veteran energy analyst Kingsmill Bond and colleagues at the Rocky Mountain Institute, and they demonstrate that the world has moved on to the steep part of the S curve, which will sweep us from minimal reliance on renewable energy to—we must hope and pray— minimal dependence on fossil fuel. The angle of that curve may prove to be the most significant geometry of our time on earth, competing only with the slope of the Keeling Curve which documents the growing accumulation of co2 in the atmosphere above Mauna Loa.

It seems pretty clear, according to Bond’s team, that last year or this we will hit peak fossil fuel demand on this planet—the advent of cheap solar and wind and batteries, combined with rapidly developing technologies like heat pumps and EVs, has finally caught up with the surging human demand for energy even as more Asian economies enter periods of rapid growth: the question is whether we’ll plateau out at current levels of fossil fuel use for a decade or more, or whether we can make fossil fuel use decline enough to begin to matter to the atmosphere. 

And the numbers in the new report give at least some reason for hope: sun and wind are now growing faster than any other energy sources in history, and they are coming online faster that anyone had predicted, even in the last few years. In the last decade, “solar generation has grown 12 times, battery storage by 180 times, and EV sales by 100 times.” This charge has been led by China, where “solar generation up 37 times and EV sales up 700 time.” and which as a result is “poised to be the first major electrostate.” Europe, and indeed the whole OECD group, are now seeing rapid growth too, and the best news is that there are increasing signs that countries like India and Vietnam, where growth in demand will be fastest over the rest of the decade, are figuring out how to electrify their economies. Fossil fuel for generating electricity has peaked in Thailand, South Africa, and in all of Latin America.

Solar power in particular is about to become the most common way to produce electricity on this planet, and batteries will this year pass pumped-hydro as the biggest source of energy storage; the supply chain seems to be in place to continue this kind of hectic growth, as there are enough factories under construction to produce the stuff we need, and investment capital is increasingly underwriting cleantech (though a treacherously large supply of money continues to flow to fossil fuels). Pick your metric—the number of cleantech patents, the energy density of batteries, the size of wind turbine rotors—and we’re seeing rapid and continuing progress; the price of solar power is expected to drop by half again in the course of the decade, reinforcing all these trends. The adoption curves for cleantech look like the adoption curves for color tv, or cellphones—that is to say, from nothing to ubiquitous in a matter of years. 

A big reason for the ongoing change—and for ongoing optimism—is the simple efficiency of the technologies now ascendant.

A second report from Bond’s Rocky Mountain Institute, this one published last week, focused on these numbers, and they’re equally astounding. By their calculations, we waste more than half of the energy we use:

Out of the 606 EJ (an exajoule is roughly the annual energy consumption of New York City) of primary energy that entered the global energy system in 2019, some 33% (196 EJ) was lost on the supply side due to energy production and transportation losses before it ever reached a consumer. Another 30% (183 EJ) was lost on the demand side turning final energy into useful energy. That means that of the 606 EJ we put into our energy system per annum, only 227 EJ ended up providing useful energy, like heating a home or moving a truck. That is only 37% efficient overall.

We’ve invested mostly in increasing the volume of energy we use, not its efficiency—because that was what made big money for Big Oil. But cleantech is inherently more efficient: when you burn fossil fuel to make power, you lose two-thirds of the power to heat, which simply doesn’t happen with wind and sun. An EV translates 80-90% of the power it uses into propulsion, compared with well less than half for a car that runs on gas. A gas boiler is 85 percent efficient, which isn’t bad—but a heat pump is 300% efficient, because its main “fuel source” is the ambient heat of the atmosphere, which it translates into heating and cooling for your home. That means that the higher upfront costs of these technologies quickly translate into serious savings. And these kind of numbers bend curves fast

[hezuart]

Why did you switch from animation to reviews? Also, do you still plan on doing CGI like you mentioned multiple times?

oH BOY..... you may need to sit down for this one

So it all started back in 2012. I was around 14 years old and just saw Rise of the Guardians and Wreck it Ralph. The stories, the characters, the world-building, the animation... now I never really went to movie theaters as a kid, but as a teen I started going and I instantly fell in love.

I went to community college for a few years and made some amazing friends. Loved some of my teachers and we participated in fun events like the 24-hour challenge and Campus Movie Fest. I had gotten in the top picks for Campus Movie Fest at some point and was supposed to go to the Cannes Film Festival in France to showcase my short film, but then the pandemic hit and it got canceled indefinitely.

So get this, for community college, I got a certification in 3D Animation and Video Game development. It's basically an AA degree but without general ed. (Why do you need general ed to get a degree in something? Math and PE have nothing to do with Animation. College is ridiculous. People have to pay you more simply because you were forced to spend more money in college. Wild.) Out of the 20 classes I had taken to get this certification, only 3 of those courses were hands-on 3D animation. And only one of those courses was hands-on video game development and I dropped out of that class because it was PC only and I only had a Mac at the time. I applied to the class without realizing it was accommodating only to PCs. So even my certification is barely reaching the basics for the title of it, but I did take another online course or two for 3D animation which I have a different certification for.

Now even with my 3D animation, I was never taught the physics engine. I was never taught hair or cloth simulation, but I do have modeling, rigging, animating, and texturing experience. For gaming, I have very little experience. I've only modeled things and found my way around Unity, but otherwise, I suck at coding. I hate coding with a passion. Making a video game without coding isn't really possible.

Now, when the pandemic hit, a lot of things were shutting down. I had no idea where I wanted to go next. People kept asking me where I was going for my higher education, but I kept getting warned not to waste money on college if you're trying to become an artist, especially at University. It's a money pit, and competition is so high, you're not guaranteed a job, you're just gonna be in debt. Even colleges like Cal Arts, who charge over $1K per class, I've been told are a "Pay to get in" kind of place. Where the money is used to nab professionals from their work to teach students or talk about their company or programs, and through that, you get a bigger chance to get your foot in the door because you know someone. I've unfortunately been told that's the more realistic way to get into animation: networking. If you're a shy introvert who doesn't know any famous people, you need to be extremely talented and unique to stand out to get the chance of being noticed. I don't really want to suck up to people nor do I want to waste thousands of dollars and 5 more years on college that I may not even need (let alone be able to afford) especially if there are online classes that may be even more valuable.

Now after I got out of college and started applying a few places, I discovered a LOT of unfortunate information.

Most animation these days is done overseas. South Korea, India, Japan, and Canada are the big ones.

Invader Zim, Steven Universe, Miraculous Ladybug, The Simpsons, OK KO, Star vs the Forces of Evil, Kipo and the Age of the Wonder Beasts, Adventure Time, Twelve Forever, and the Powerpuff Girls Reboot were animated in South Korea. The Ghost and Molly Mcgee is animated in Canada.

(The first four seasons of the Simpsons were animated in America until it switched to South Korea and India.)

2D traditional animation is no longer viable. Puppetry is the industry standard because it's the cheapest. Luckily, Toon Boom Harmony has allowed us to push the boundaries of 2D puppetry. Puppetry these days, if done well, can look really great, like Tangled the Series, but if you don't have Toon Boom Harmony, you're probably not gonna be hired.

Not even all 3D is made in the USA. If it's Disney, Dreamworks, or Pixar, then it's usually USA. But streaming service movies, like Sea Beast, Kid Cosmic, The Willoughbys, and Klaus, while they claim to be a "Netflix Original" that "Netflix Animation" animated, that's a lie. Klaus was animated by Yowza! Animation in Canada. The Willoughbys: Bron Animation, Canada. Kid Cosmic: Mercury Filmworks, Canada. Sea Beast: Sony Pictures Image Works, Canada. (X)

Go Go Cory Carson is written and storyboarded in America, but the animation is shipped out to be done in France. Sonic Boom is also French Animated.

Even Sony Pictures? Open Season, Surf's Up, Spiderman: Into the Spiderverse, Cloudy with a Chance of Meatballs, SMurfs, Hotel Transylvania, Over the Moon, The Angry Birds Movie, Sea Beast? Sony Pictures Imageworks is based in Canada. They're doing all the animation for them. It's not animated in America, it's merely funded by them.

I should also clarify: I only want to participate in stylized animated media. I don't want to do CGI for hyper-realistic films, which eliminates most of the animation jobs out there these days. It's just not my thing. The insane amount of details and uncanny valley are just so unappealing, I can't do it.

The closest animation studios are still far away. Most companies are located in LA. I'm over 7+ hours away from there. LA also has a high poverty rate, terrible air quality, is overcrowded, and is just generally not a good place to live, especially if you're low middle class. You're not gonna survive there.

Pixar is located in Emeryville, a few minutes north of San Fransisco city. Emeryville is the most crime-ridden city in that area. They tell you not to walk home alone at night. You're more likely to get robbed there than anywhere else according to the population ratio there. There are a lot of gangs that hide up there, and there's a lot of poverty there, even outside of San Fransisco. It's basically a trash pit. Not an ideal place to live, and commuting through 3-hour SF city traffic is also not gonna work. (X)

I have also been informed some people who work at Pixar are petty that the interns use their facility. Pixar has a heated pool, soccer field, gymnasium, and a few other nice things on their property. I was informed there was a person or two who got mad that an intern was using their basketball court.... when the intern was on break. As though they weren't part of Pixar, as though they had no right to touch the property. Apparently, they also used to make the interns push around little tea carts to serve refreshments as a way to "talk to the fellow animators" to probably get them interacting, but hearing that the interns were basically chored with butler duty to bother the animators hard at work seems like such a forced thing. That makes me uncomfortable. Of course, the person who told me these stories has been working with Pixar for over a decade or two now, so things could be very different as the years went on. Pixar itself on the inside of the animator building is gorgeous. They all decorate their office spaces in crazy ways, it looks like a movie set. But they have a bar and "whiskey club". They're apparently allowed to drink at work and have often had parties that got a little out of hand. There's also an old chain smoker room where the founders used to play poker and spy on people outside of their room with hidden cameras; I've even been inside. I don't think they use it anymore, though I'm not totally sure. Some of this info was fascinating, but the drinking made me uncomfortable. I kinda want to work with sober people here.

The sex ratio in the animation industry is also interesting and unfavorable. 70% of the animation and art school ratio is women, but only 34% of the actual animation workforce is women. 34% female to 66% male. More women study animation than men, but more men get hired and hold positions than women. Animation, ironically, has always been a male-dominated workplace. This unfortunately contributes to the "you have to know someone" or "be rich" to get-in situation. Men know a lot more men and not as many women. So the 30 to 40-year-old guys hire the other guys they know rather than a young poor girl with a passion. This makes it even more difficult for me to get in. (X)

20th Century, Netflix Animation, Nickelodeon, Cartoon Network, Bento Box, Vanguard Animation, Universal Studios, Titmouse, 6 Point Harness, ShadowMachine- all LA / South California.

There are a few places I could apply to, but what they do, I just don't care for. Niantic(Pokemon Go), Lucasfilm(Effects), Whiteboard Animation(Marketing), Sharpeyeanimation (Marketing), EA games (Mass Effect, Battlefield, Dragon Age 2, all those hyper-realistic war, sports, or fantasy games.)

So whether it's outside of the USA or within the USA, I need to move. I don't have the money for that yet.

Just find a company that does remote work, right? It should be easy, especially in pandemic times! Wrong. Most animation companies don't permit remote work. It's probably a security issue. But I've done research on this. The only big animation company I've found (so far) that allows remote work (or is HIRING for remote work) is Mainframe Studios in Canada. They have a 3D animation job list, and I guess they focus on animating Barbie movies(???). (X) But that's about it. And even if you're a remote worker, there's a high likely hood you still need a Visa to be allowed to work for a company belonging to another country. So that's a whole other legal process to deal with.

Disney is becoming a huge corporate monopoly over American animation. They bought Blue Sky only to kill them off. (Disney also just recently laid off 7,000 people due to their stock price drop and failed movies they released the past year with deliberately bad marketing for political reasons. (X) Disney also bought Pixar and is pushing for sequels because weird or bad, sequels and terrible live actions make them a LOT of money. Did you know Disney's terrible Lion King CGI remake is amongst the top 10 highest-grossing movies ever made? It's criminal. (X)

Because Disney is such a big name in the USA, there's a huge association of animation = children's media, which is not true. Animation at the Oscars also has its own category, when it's not a genre, is a medium. Disney often wins at the Oscars too because no one sees the other animations. Granted, Disney has an insane marketing budget in comparison, but it's clear no one cares to seek out animation outside of heavy CGI live-action these days. No small-time studios, no limited releases, no anime. The fact that Disney also now OWNS the Oscars is SUS as hell. (The fact that Disney-owned ABC threatened the Oscars, forcing them to cut 8 categories or else there wouldn't be a show that year is wild. There isn't even an oscar for stuntmen. What the fuck, Hollywood?) (X)

Dreamworks nearly went bankrupt and sold itself to Comcast back in 2013. Comcast also owns Illumination. Dreamworks has been focusing on making bad tv show adaptions of their IPs. So yes people, Jack would sooner meet the Minions than meet Elsa. Disney is the biggest corporate monopoly, but it's definitely not the only one. The animation industry in America is snuffing out its competition by buying it out for itself. It's insane the kind of power they have.

Competition is HIGH. Because of this, the only ways to get in? If you're rich or you know someone. Pixar gets over 3,000 intern applications every summer. Less than 100 are seen by actual hiring managers. The most interns Pixar has ever taken in a single year were 12. The least they ever took in a single year was two. A 12 to 3,000 ratio is not favorable. That's a 3% chance to get into a big-shot animation company.

And again, because remote work isn't permissible to new hires, you need to live in the area to commute to the campuses. This is one of the reasons why LA is so crowded.

If you get into an animation company purely remote and maybe even for a different country? You are the luckiest person alive.

Programs are expensive. The animation industry is very strict on what programs they use. The industry standard for 2D puppetry is Toon Boom Harmony; the industry standard for 3D animation is Maya, and the industry standard for video game development isn't as clear but Unity is one of them.

Some of these programs are free, as long as you are a student. If you are attending college or a certain online program, you can use your school-issued email through them to apply to get the program for free for about a year. Otherwise, if you're using it to make your own animations solo?

Autodesk Maya: $225 a month or $1,785 a year (X)

and guess what? Maya removed its free render service. Arnold is now built in by default, however, if you want to BATCH render (Meaning render a full scene or several slides) it will slap it's ugly watermark over it.

Fun fact, this very rendered watermark can be seen accidentally in a single frame for the Kingdom Hearts Frozen cutscene

Well, you need to batch render if you're trying to animate so let's see what Arnold costs- $50 monthly to $380 annually.... are you kidding me?! The rendering PLUG-IN BUNDLED TO MAYA COSTS MORE TO USE THAN THE OWN PROGRAM?! (X)

Now, there are other rendering plug-ins you can probably use with Maya. But they all have their ups and downs and their own costs as well. (X) Pixar's Renderman is $595 per license. I can't seem to get info on Octane. V-ray solo is $39 monthly while premium is around $60 monthly.

Now there IS Blender, an alternative to Maya. It is free and I have it. That is ideal to work in for people like me. I tried it a while back, but I hated the interface windows. It was hard to work on it when you can't close them properly. It's possible they've fixed this in an update, but I haven't touched the program in over three years so I wouldn't know. It's different from Maya a little, so it has ups and downs in comparison too. But Blender is a savior to 3D artists everywhere.

Toon Boom Harmony isn't as bad but still high: Lowest price is $27 monthly / $220 annual and the highest is $124 monthly / $1,100 annual (X)

Unity has a basic version that is free, but Unity Plus is $399 yearly while Unity Pro is $2,040 (X)

So some programs are clearly more viable than others. But imagine you're trying to model, texture, rig, animate, simulate, and render a short film all by yourself in Maya. That's gonna take you over a year or two, and you'll have several thousand dollars out of your pocket by the time your free trial ends. And might I say, for an industry-standard program, Maya sucks. It's almost unusable without those plug-ins for not only rendering but also for the models to even be able to SELECT their BONE rigs.

Do you want to practice on your own when school is out of session? Fuck you! Fuck subscription services! Welcome to capitalist hell, baby!

Again, using Blender is more viable, but you're still going to be basically doing everything yourself. That's gonna take years. Do you have the patience for that? Do I?

Because of the pandemic, movies aren't even hitting theaters anymore. They're going straight to streaming services. Streaming services of which, gain sole rights to and can take media off their platforms at any time without warning. Thanks, Discovery+ ! Does everyone remember the HBO Max Animation & DC purge? It could happen to other streaming services too. Piracy will save the future of animation at this point. (X)

And again, Streaming services like Netflix will purchase films and claim they made them by slapping their logo over it; but no, they either bought the distribution rights or produced them through funding and maybe storyboarding. Often times from a Canadian film studio. (Link again X)

Even stop motion companies like LAIKA are losing money and may have to shut down or be bought out in the future, especially considering how much work and money they put into their films vs. how much money they actually make. (X)

All of this? Naturally made me fall into a depression. My god, the layers of hopelessness. My animation and modeling is pretty average too. I'm decent. I can maybe make a good shot. But I can't blow people away like James Baxter can. I mean, I shouldn't compare myself to people. If I worked really hard, maybe I could get into a good company. But again, I have to move! A part of me gave up. I don't really do 3D animation anymore, though part of me misses it.

I still 2D animate. I'm trying to make a short film and though my college friends who were working on it with me have given up, I have done my best to keep going. Even if it has been produced at a snail's pace for the past three years, I still intend to finish this animation. It's gonna be beautiful when it comes out, and it will be a wonderful portfolio piece regardless.

So with nothing else to do and no other kind of job experience really under my belt(plus my family is prone to covid so getting a job in the pandemic was just kind of out of the question) I decided to go to youtube. I heard some people can make a little money on there, but the truth is I had actually wanted to become a youtuber for a few years prior. I've always looked up to animators and reviewers on youtube, I've loved the stories they tell and their incredibly detailed analysis essays on movies, tv series, books, etc. I wanted to be one of them. I wasn't sure exactly what I'd do, so I just followed the Youtube Partnership program set up which took a few months, and then jumped in! I found I only had the time to upload once every month or two. I had a ton of audio issues and I'm not outputting at the proper 1920 x 1080 quality that I should be doing either. It's a huge learning process that I still haven't perfected, but I'm taking notes to try and get better.

Even though Youtube is fun, I only make $300 a month, and that isn't even consistent. With patreon, I make maybe another $80 or $100 on top of that, so overall $400 a month average. That's really nice and pretty cool! But it's not enough to survive.

Now I work part-time at a coffee shop. My mental health is a lot better and I love my coworkers. I make roughly $400 a week in comparison to the $400 a month. It's still not enough to live off of (the cheapest rent around is over $1,000 a month, not ) and it's still a temporary job in the long run. I intend to work here for maybe another two years to save up money.

But what do I do now?

Am I welcome in animation spaces anymore?

As a critic of popular media, it could be likely that they could fire me or deny my application because of my critique of their past films or tv series. They could see my youtube persona and assume I'm a raging untrustworthy nitpick instead of a passionate, kind person.

Vivziepop's Spindlehorse company? What Viv was doing was a dream. I was so inspired by her. She made her own company, made a super successful pilot, and was even creating more jobs for traditional, high-quality animation. However, for Hazbin Hotel, she required more funding, which is why she sold it off to A24, who now has corporate say in the show. A24 is known for letting creators be more lenient, but otherwise, Viv won't have full control over it anymore unless she managed to get them to sign something over to her; but with the rumors of her being kicked off season 1? I don't know anymore.

Her own company Spindlehorse; they rely on youtube revenue and/or merch sales to fund Helluva Boss. That's a tricky business practice, but it's kept them afloat so far.

However, Spindlehorse is hiring a lot of people as of late. This could be a bad sign; that people might be leaving the company due to potential mistreatment or unhappiness. With the way the show is going, I don't really want to be part of that company regardless, but maybe before season 2 of Helluva Boss, I would have considered applying. Had I made any critique videos prior, there's no way they'd accept me. "Aren't you that one YouTuber that said my writing is bad for season 2 episode 2?" And you expect me to hire you?" Like yeah, that application process would go down well. Not. By critiquing artists' work, some of them are very sensitive. I'd be kicked out for a lot of things, when really, we artists should be critiquing each other all the time, trying to improve. That's how the writer's room always is, ahaha... hours of fighting goes down in those meetings. It's intense, but fun.

But yeah, it's such a shame. Even small companies need to sell out to corporate to survive. Either that or be HEAVILY crowd-funded, which again, can be a slippery slope.

I see a ton of small projects on Twitter looking to hire people, or looking to become a big studio to release a pilot or game. I've joined a few of them, but most are unpaid because of COURSE they are, and then these projects?? Just don't go anywhere. Because it's unpaid. Because we can't afford to work on a project for free. IRL comes first. Some of these projects seem so great but they don't go anywhere, and it's hard to have faith in start-up studios anymore. (Game creators might have a chance, but tv series or films? Good luck, folks.)

At that point, should I just make my own company? I don't have the money or knowledge for such a thing! It's insanely expensive to start a business and get licensing. So much paperwork, so much everything! And the USA Government is so behind in understanding technology. If you want to create a remote business and/or copyright something, you're still required to put an advertisement in a local newspaper about it, even if your business isn't selling to locals. 💀 The number of fees and ridiculous legal hoops you need to jump through... it's a ridiculous waste of time and money. But you need to do it. The question is, am I willing to do it? Am I willing to tackle such an insane thing by myself?

I want to keep my internet persona and IRL persona separate, but can I? I value having a private, quieter life away from the screen. I worry about getting doxxed one day because of the nature of the internet. I worry about people finding my IRL resumes or profiles for work I want to do outside of youtube for security's sake. My art style is unique and very recognizable. I don't have a lot of private art that is worthy of being in a portfolio. But for absolute safety, I'd need to password-protect my websites or portfolios so the public doesn't have free access to them; only companies I'm applying to. But at that point, does password-protecting my resume and portfolio make it less likely I'd be hired due to the inconvenience? Due to the private, hard-to-find nature of my work? Being a YouTuber with great story skills and art skills with a fanbase could be a big plus to getting hired somewhere, but it could also be a horrible disadvantage that would get me fired. It's a double-edged sword that I cannot work around and I don't know what to do.

I've considered the video game industry, but even that isn't ideal. A lot of the indie ones I adore aren't made in the USA. Gris and Monster Camp were made in Spain. Ori and the Blind Forest: Austria. Hollow Knight: Australia. Little Nightmares and Raft: Sweden. LIMBO & INSIDE: Denmark. Outlast, Don't Starve, Spirit Farer, Bendy and the Ink Machine: Canada.

SuperGiant Games did Hades, Transistor and Bastion and is located in SF, but they're not hiring. Janimation, a multi-media company located in Texas isn't hiring. Frederator in New York isn't hiring.

I don't want to work for a studio that does nothing but first-person shooters or sports games. If I want to get into the gaming industry, I probably need to crowdfund and make a company to make a game myself.

If I make my own game, which I've wanted to do for a long time now and still want to... I can't code. I guess I could try to hire someone that could? But a game to the extent I want... I'd need to start small. I'd need to practice. It's several years of work. Will it even be worth it? I don't think I can do it alone. I'd need crowdfunding and workers; which again, here comes the "make my own studio" issue...

Do I even want to animate anymore? I prefer traditional animation in comparison to puppetry. I prefer 2D animation to 3D animation simply because it is more accessible. But even then, I'm finding myself drawn more and more to writing, storyboarding, and character design. If I were a 3D animator, this is mostly what I'd be working with all day: Naked models in an empty room. I'd do none of the physics simulation or texturing or lighting.

Animating naked & bald people all day... I don't know... 3D Animation kind of lost its appeal. You only work on such a small portion of a film, you almost never have the bigger picture. You won't see the final result until the film is done. As an animator, you're almost kept in the dark. Maybe that's how they want it anyway, since leaks are a huge issue they keep quiet under strict NDA.

But yeah, anyway... I'm an artistic digital generalist. I can do almost anything. 3D animation, storyboarding, writing, photo editing, illustration, rendering, modeling and so much more. It's hard to choose what you really want to be in this industry. I feel like Barry Benson dfklgjdflkjg

I don't know what I'm gonna do anymore. There's gotta be a solution to this but I just can't figure it out. I don't want to give up my youtube channel so I can be an animator. I don't want to give up a safer, quiet countryside house to be able to survive financially. Am I even willing or able to move countries? Is my career more important than friends and family?

I think I'm thinking too much about everything. I should start small. Move less than an hour away first and move in with roommates to get a feel for independence instead of jumping into it immediately. Get a job at a small time company, maybe not for what I want at first, but it'll get me some experience and maybe I'll learn some things along the way to understand where I can go next. Take it slow and don't panic too much over trying to be a young big shot. Take things one day at a time? That's my current goal, I suppose.

So you know... to answer your question... why did I switch to youtube for a current career? Because of a classic existential & career crisis in my 20s. Will I ever go back to 3D animation? Maybe. Maybe one day.

[dipta-d]

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Rent a car in new delhi

Introduction

New Delhi, the bustling capital of India, is a city that never sleeps. Its vibrant streets, rich history, and modern charm offer a unique blend of experiences. Renting a car can be a convenient way to navigate this expansive city, giving you the flexibility to visit landmarks, explore hidden gems, and travel comfortably. In this guide, we’ll walk you through everything you need to know to make your car rental experience in New Delhi as smooth as possible.

Why Rent a Car in New Delhi?

Renting a car in New Delhi opens up a world of possibilities. Here's why you might consider it:

1. Flexibility and Convenience

Public transport in New Delhi can be crowded and sometimes unreliable. Renting a car allows you to move freely, follow your own schedule, and visit off-the-beaten-path destinations that are not easily accessible by public transit.

2. Comfort and Privacy

A rented car provides a comfortable and private space, especially beneficial in a city known for its bustling streets and heavy traffic. You can enjoy the ride in a climate-controlled environment, perfect for escaping the heat or cold.

3. Cost-Effective for Groups

For groups or families, renting a car can be more economical than purchasing multiple tickets for public transportation or hailing taxis repeatedly.

Types of Car Rentals Available

When renting a car in New Delhi, you'll find a variety of options to suit different needs and budgets:

Economy and Compact Cars

Ideal for solo travelers or couples, these cars are cost-effective and fuel-efficient. They are easy to maneuver in busy city traffic and offer great value for money.

Luxury and Premium Vehicles

If you're looking to travel in style, luxury cars provide an elegant driving experience. Whether it's a business trip or a special occasion, premium vehicles like BMWs or Audis can add a touch of sophistication to your journey.

SUVs and 4x4s

For those planning to explore beyond the city or navigate rougher terrains, SUVs and 4x4s are a great choice. They offer ample space and power, making them suitable for more adventurous travels.

How to Choose the Right Car Rental Company

Selecting a reliable car rental company is crucial for a smooth rental experience. Here’s what to consider:

Reputation and Reviews

Look for companies with a good reputation and positive customer reviews. Online platforms like Google and TripAdvisor can provide insights into other customers' experiences.

Pricing and Hidden Costs

Compare prices across different rental companies, but be wary of hidden costs such as extra insurance fees, taxes, or mileage charges. Ensure you understand the total cost before booking.

Customer Service and Support

Choose a company known for excellent customer service. Responsive support can make a significant difference if any issues arise during your rental period.

Understanding Rental Agreements

Before signing any contract, make sure you understand the terms and conditions:

Rental Terms and Conditions

Read through the rental agreement carefully. Pay attention to the terms related to vehicle use, mileage limits, and any penalties for late returns.

Insurance Options

Most rental companies offer insurance options, including collision damage waiver (CDW) and theft protection. Ensure you know what is covered and consider purchasing additional coverage if necessary.

Fuel Policies

Understand the fuel policy of the rental company. Some require you to return the car with a full tank, while others may offer a prepaid fuel option.

Booking Your Car

Booking your rental car involves a few key steps:

Online Booking vs. In-Person Rental

Booking online is often more convenient and allows you to compare prices easily. However, if you prefer a more personal touch, visiting a rental office in person is also an option.

Required Documentation

You’ll need a valid driver’s license, a credit card, and sometimes an international driving permit (IDP) if your license is not in English. Check the requirements with your chosen rental company.

Payment Methods

Most rental companies accept major credit cards. Ensure you have a card that meets the rental company’s requirements for security deposits and payments.

Driving in New Delhi

Driving in New Delhi can be a unique experience. Here’s what to keep in mind:

Traffic Conditions

Expect heavy traffic, especially during rush hours. Plan your routes and allow extra time for travel.

Road Rules and Regulations

Familiarize yourself with local driving laws. New Delhi follows Indian traffic rules, which might differ from those in your home country.

Parking Tips

Parking can be challenging in busy areas. Look for designated parking spots and be cautious of local parking regulations to avoid fines.

Popular Destinations to Explore

Renting a car allows you to explore both well-known and lesser-known spots:

Historical Sites

Visit iconic landmarks like the Red Fort, Qutub Minar, and Humayun’s Tomb to immerse yourself in Delhi’s rich history.

Modern Attractions

Explore modern attractions such as Connaught Place, India Gate, and the Lotus Temple for a taste of contemporary Delhi.

Shopping and Dining

Discover vibrant markets like Chandni Chowk and modern malls such as DLF Mall of India. Enjoy diverse dining options ranging from street food to fine dining.

Safety and Precautions

Safety is paramount when driving in a new city. Here’s how to stay safe:

Personal Safety

Keep your belongings secure and be aware of your surroundings. Avoid traveling alone late at night in unfamiliar areas.

Vehicle Safety

Inspect the car before accepting it and ensure all necessary documents and emergency equipment are in place. Report any issues to the rental company immediately.

Returning the Car

When it’s time to return your rental car:

Inspection Process

The car will be inspected for any damage or issues. Ensure you return it in the same condition as when you picked it up.

Final Payment and Deposits

Check for any additional charges or final payments. Ensure you get a receipt for the return and any deposits paid.

Conclusion

Renting a car in New Delhi offers unparalleled flexibility and comfort, making your exploration of this bustling city a breeze. By choosing the right rental company, understanding rental agreements, and being aware of local driving conditions, you can ensure a smooth and enjoyable experience. Whether you’re in Delhi for business or pleasure, having your own vehicle allows you to explore the city on your terms.

FAQs

1. Do I need an International Driving Permit (IDP) to rent a car in New Delhi?

An IDP is not mandatory if your driver’s license is in English. However, it is recommended to carry one to avoid any potential issues.

2. What is the typical cost of renting a car in New Delhi?

The cost varies based on the type of car, rental duration, and additional services. On average, economy cars start around ₹1,500 per day.

3. Can I rent a car without a credit card?

Most rental companies require a credit card for security deposits and payments. Some may accept debit cards but check with the company beforehand.

4. Are there any restrictions on where I can drive the rental car?

Rental agreements usually include restrictions on driving outside city limits or into certain areas. Check the terms of your rental agreement for specifics.

5. What should I do if I have an accident while driving a rental car?

Immediately contact local authorities and your rental company. Follow their instructions for reporting the accident and handling any insurance claims.

[bi-kisses]

hi may I ask what do you think about this tiktok? https://vm.tiktok.com/ZMY5UdYSV/ personally I find that they’re only trying to explain that NB/Queer people have always existed based on different cultural backgrounds but I wanted to ask what do you think of it

originally I was just gonna say what I always do about these ancient third genders being examples of homophobia, transphobia, and sexism. But I decided to actually prove that.

Their first point: Mesopotamia, 2000 BC. They had "neither male nor female" individuals who were "created by god".

In actuality: the gender roles were incredibly strict in their culture. Any form of deviance from "men stronk hunter, active and virile" meant you couldn't be a real man. If you actually look into their "neither male nor female" figures, you're met with:

feminine men who were forced under the "third gender" label to maintain strict masculine/feminine divide

an ambiguously-bodied cult god(dess), changing men to women/women to men as a way to again maintain masculinity and femininity's rigidity.

castrated castle servants

(source)

Second point: Egyptian "Sekhet", a third gender.

This one is SOOO funny because it just... isn't real? If you search for it online, the only thing that turns up is this absolutely referenceless "wikidata" article with a fun flag.

Did you mean: Sekhmet? Sekhmet is an Egyptian goddess, not at all ambiguously gendered, and not at all related to non binary genders.

Third point: Hijra, the Indian third gender.

I've talked about Hijra before but if you want the full breakdown;

This article's very first line says that Hijra are trans women. But the actual history of Hijra, the one that dates soooo far back historically, is of a god merging with his wife and becoming ambiguously sexed.

If you look at what makes someone Hijra, it's just... being LGBT. And in India, they're seen as vagabond and entertainers who roam around begging for money because of the discrimination and exploitation they face.

The New York Times goes into the modern Hijra, where their example is a bullied AFAB groomed into sex work at the age of 8. I'm not going to touch that. It is explained, however, that many Hijra exist in a sex work pyramid scheme with a top-dog Hijra getting all the money and offering protection to her many "chelas" and continue recruiting.

In fact, India legally recognizes all "transgender" people as being a third gender. Make of that what you will.

Fourth point: Scythians, a nomadic who heralded gender non conforming people as priests and warriors.

First of all, I'd like to say just how misleading the poster's segue into this point was? As if all Scythians were non binary? When that obviously wasn't the case. They had one form of "third gender", called Enarei or Anarya, which, I shit you not, translates to "unmanly". Telling on ourselves with this one.

From what I could find, this role was actually adopted by men who specifically couldn't have sex anymore for some reason. In legend, they came to be from an effeminacy curse from Aphrodite. There's very little information about this group and yet we can already see it's more of the same.

They also claim that Scythians had early HRT by using licorice root. I could find zero evidence for this, only an article that explained they used licorice root to stay hydrated in the desert.

Fifth point: Two Spirit, the native "umbrella" for non-"western" genders

I don't even want to explain at this point because it's such a dry topic, a long-beaten dead horse, but the term Two Spirits is a modern invention and the "genders" it encompasses are, likewise, ways to other or "explain" LGBT people.

You can look into any one of these genders for the proof, as I will do here: Take the wíŋkte, a contraction of a term that translates to "man who wants to be a woman". It's just... trans women. In the modern day, the same term basically just means gay man. Deviance from the typical male role meant you were classified as something totally other, as we can see, and if a trans woman wanted to, well, be a woman, she was instead ostracized from both sexes.

I've even had a native explain to me that 2S is a secondary role that has nothing to do with your sex or gender and is purely spiritual, not relevant to LGBT discussions whatsoever.

Their final point was literally "woman with a [penis] weapon", which derives from anglo-saxon history and was... insulting, from the little I could find. It wasn't an epic cool third gender, it was something to call trans/intersex people.

So we've reached the end. Now, the video itself isn't wrong, we've had the notion of non-binary genders and sexes for ages, but we also have the hindsight to understand these categories were sexist reinforcements of gender roles and a way to move the homosexuals and transsexuals into their own box that wouldn't disrupt the rest of society by trying to actually be perceived as, like, normal human beings.

Non binary today isn't overly different, unfortunately! For every person that claims it's a scientific phenomenon with androgynous dysphoria, there's a hundred more who describe it as not feeling like they "fit in" with other girls/guys.

Which is, again, just sexism and the enforcement of gender roles.

[nada-khader]

Egypt maintains its position as first destination for MENA-based travellers in Q2 of 2018: Wego

Egypt maintained its position as the top destination for MENA-based travellers in the second quarter (Q2) of 2018, according to a research released on Monday by Wego, the online travel marketplace for the MENA area.

The popularity of several tourist locations among visitors from the MENA region is highlighted in this research. The destination rankings are based on the flight and lodging searches made by millions of Wego app and website users in the second quarter of 2018.

Egypt continues to be the top destination, per the survey, thanks to regional tourists' ongoing support, both for leisure and for business.

It went on to say that tourists just can't seem to stay away from this mysterious nation, which is well-known for its historical attractions, gorgeous river cruises, lively marketplaces, and overall value for money.

India, meanwhile, advanced significantly by two positions to take over second spot in Q2 2018 from fourth place in the same quarter of 2017.

According to the survey, this large increase is mainly due to the holy month of Ramadan, which starts in mid-May, and the large number of Indian expats living in the Gulf who choose to return home during this time (or right after).

Similarily, it moved up two spots in Pakistan from position 11 to position 9 for the same reason.

Meanwhile, it was revealed in the report that Saudi Arabia had lost ground.

According to the research, Saudi Arabia was formerly ranked second in Q2 2018 but has now dropped to third place.

The survey noted that domestic and foreign tourists travelling for business, pleasure, and Umrah (lesser pilgrimage) continued to find Saudi Arabia to be a popular destination in Q2.

Try one of the numerous activities, sites, or experiences available on trips in Egypt. Utilize our exclusive offers by scheduling one of our Egypt day tours right away.

A great way to experience the city and all of its attractions is via Cairo day tours. There is something for everyone in this vibrant metropolis, from ancient landmarks to cutting-edge commercial malls. Cairo distinguishes itself from other cities by virtue of its bustling streets, delectable cuisine, and hospitable locals.

Travelers may enjoy thrilling and instructive Luxor day tours. Luxor is the location of some of the most magnificent ancient sites and structures in the whole world, such as the Valley of Kings, the Karnak Temple complex, and the Colossi of Memnon.

No matter what kind of experience you're seeking when seeing this magnificent nation, make sure not to pass up the chance to make lifelong memories while discovering all the lovely things that lie inside its boundaries with one of our Egypt tours!

[drpreetityagilecturers]

Top Mobile App for Physiology Video Lectures by Dr. Preeti Tyagi

In the world of medical education, having good resources is super important for students to do well in their studies. One really helpful resource is The Turning Brain Mobile App. It's an app that has videos explaining human body stuff like how it works and its structure. Dr. Preeti Tyagi runs this app, which is famous for being the Best Physiology Lectures in India.

Meet Dr. Preeti Tyagi:

Dr Preeti Tyagi is Best online physiology lectures for MBBS / NEET PG. She is the 6th Rank holder in CPMT during the MBBS entrance exam. She has an MBBS and MD degree from the prestigious Institute of India (Institute of Medical Sciences, Banaras Hindu University). She is working as an Associate professor of physiology at a premier institute in India (Vardhman Mahavir Medical College and Safdarjung Hospital, New Delhi).

Dr. Tyagi brings a wealth of experience and knowledge to her role. Her commitment to education extends beyond the confines of the classroom, as she endeavors to make quality medical education accessible to students across the country.

The Turning Brain App:

Dr. Preeti Tyagi's mission of revolutionizing medical education is the Turning Brain Mobile App. The app provides comprehensive coverage of the subject matter, from general physiology to specialized topics such as cardiovascular physiology and the nervous system.

Students can access Dr. Tyagi's insightful lectures not only through the Turning Brain App but also via her dedicated Best YouTube channel for MBBS 1st year physiology, aptly named "Dr. Preeti Tyagi Lectures." Here, students benefit from exam-oriented lectures and invaluable exam tips, making their academic journey smoother and more fulfilling.

Features of your Own Mobile App:

You can upload unlimited video lectures/ video content

You can decide the price for your video content (paid subscriptions)

Create more than 1 subscription plan

Take subscription fee from your audience in the way you want directly in your account/UPI

All subscription fees will go into your account/paytm directly, the company will not make any deductions from your subscriptions (all money will be yours)

You can add more than 1 subject/category to your video content

Unlimited Online Exam Practice Sessions as MCQ tests for your subscribers

Secure content on the App (no screenshot/screen recording allowed by subscribers)

Live reporting of your account

Dynamic Dashboard

Recognition and Achievements:

Dr. Preeti Tyagi's dedication to advancing medical education has garnered widespread acclaim, as evidenced by the staggering success of her YouTube channel. Boasting over 2 lakh subscribers, her channel has earned the coveted Silver Button, a testament to the impact of her teachings on aspiring medical professionals.

Conclusion

The Turning Brain Mobile App is a beacon of innovation in medical education, offering students unparalleled access to expertly crafted video lectures by Dr. Preeti Tyagi. The app's user-friendly interface, comprehensive content, and affordability catalyze academic success, empowering the next generation of medical professionals to realize their full potential.

[priyadharshinigamer]

Can You Play Real Money Ludo Games for Free?

Ludo, a traditional board game, has seen a remarkable transformation in India with the emergence of real-money Ludo apps. These platforms have elevated the game by introducing competitive play and the chance to win actual cash, making it a popular choice among users.

This article aims to highlight the premier Ludo money-earning app in India for 2024, providing a comprehensive review of its functionalities, advantages, and potential for earnings.

Exploring Ludo Money-Earning Apps

App like Zupee has reinvented the classic Ludo game, offering a way to earn money through various game modes like multiplayer contests and tournaments. Players can win cash based on skill and a bit of luck. The incorporation of features like secure payments, a variety of game options, and social elements has enriched the user experience, offering a modern twist to the age-old game.

The combination of enjoying a nostalgic game while also having the chance to win money has fueled the popularity of these apps, particularly in the diverse Indian market.

Evaluating Ludo Money-Earning Apps

Choosing the finest Ludo earning app requires considering several aspects that influence both user satisfaction and earning potential. Essential criteria include:

User Experience: An app must provide an easy-to-use interface, smooth navigation, and consistent gameplay.

Rewards: The value and regularity of rewards, such as cash prizes and bonuses, play a critical role in the app's appeal.

Security and Reliability: Ensuring user data and transactions are safe is paramount, necessitating robust security measures.

Customer Support: Efficient and readily available customer service is crucial for addressing any concerns.

Introducing India's Premier Ludo Earning App for 2024

After a thorough review, the leading Zupee Ludo earning app for 2024 distinguishes itself with an outstanding user interface, lucrative reward scheme, and top-notch security protocols. It caters to all kinds of Ludo fans through various gaming modes like rapid matches and tournaments. Key highlights include the provision for immediate money withdrawals, round-the-clock customer service, and frequent enhancements to both gaming experience and security.

This app's dedication to fairness and user enjoyment, backed by numerous positive reviews and testimonials, demonstrates its effectiveness in delivering a rewarding and enjoyable Ludo playing experience.

User Feedback and Success Stories

The app's reliability and entertainment value are underscored by the positive experiences shared by its users. Many appreciate the intuitive design, fast payout process, and the excitement of competing for real cash. This feedback reinforces the app's status as a top choice for online Ludo play in India.

Getting Started with the Premier Ludo Earning App

To begin earning real money through Ludo, users should:

Install the app from its official site or the app store.

Register by providing some basic information.

Go through any available guides to understand the app's functionalities and game strategies.

Start engaging in real-money Ludo games, taking full advantage of the app's features to boost earnings.

Emphasizing Safety and Security

Given the financial stakes, it's critical to prioritize safety. The leading Ludo earning app employs advanced security measures, such as encryption and anti-fraud systems, safeguarding personal and financial information. Users are also advised to practice secure online behaviors, like using robust passwords and avoiding phishing scams.

Conclusion

The top Ludo earning app in India for 2024 perfectly marries fun, competitive spirit, and the opportunity to win real money, setting a new benchmark for online gaming platforms. Its user-centric design, attractive payouts, and strict security policies make it the optimal choice for anyone looking to enjoy Ludo and earn money simultaneously. With ongoing improvements and updates, the app promises an exciting and lucrative future for Ludo enthusiasts, making now the ideal time to explore and begin playing.

[prabhinfotech]

Website Design Services to Make Your Strong Online Presence

Right now, every business is available online and generating too much money from all around the world. A website is a brief introduction about your service and product that anyone can find out online. But the main thing is the way of presenting services to users.

That’s where Prabinfotech Website Design company in India offers a top-notch design service. 

We ensure to deliver beginner-friendly, professional, and dynamic websites. We guarantee a faster loading speed for your website.