#only took me three days to read

[azu1as]

Hi, Tin! I love your writing and I have a prompt for you, if you are interested) what if Tang family is too afraid of Tang Bo leaving permanently and eloping with Cheong Myeong? So they initiate marriage negotiations with Mount Hua. It can be angst (CM is socially isolated and insecure about his position) or romantic comedy (awkward situations and protective Cheong Mun), up to you). Thank you in advance!

It was a well-established fact that the Dark Saint of the Tang Family was one of their generation's best.

So it came as no surprise when an influx of marriage proposals flooded their family's estate—because rumors started flying around that the Dark Saint was in search of a partner.

The Dark Saint held a reputation for being cold and ruthless. To cultivators and martial artists, he was someone they feared making into an enemy due to his sheer battle prowess and poisonous abilities. To normal civilians, he was a genius who wielded the Tang Family's techniques with cool precision and intent; to them, he was just another mysterious cultivator that they would only ever know of through gossip and stories.

However, in recent years, something shifted. His reputation among common folk was slowly altered. It started off with a supposed battle between him and the Plum Blossom Sword Saint which turned into a sudden and unexpected friendship.

Whereas in the past the Dark Saint would only go around Sichuan and closeby villages, he was now found going around different major cities and unknown ones.

He was often in the company of Mount Hua's Plum Blossom Sword Saint, who worked with him side-by-side to eradicate groups from the Demonic Cult and the occasional bandits and thieves.

For supposed Taoists, the two visited different establishments to drink alcohol and talk cheerily. It was during one of these moments that the first rumor began its spark.

"Ahhhh," The Plum Blossom Sword Saint groans in satisfaction. "That sure hits the spot!"

The Dark Saint chuckles as he tosses back his own drink. "If only I could enjoy everyday like this. Alcohol really is the best."

"What would your future wife think?" The Plum Blossom Sword Saint jokingly and dramatically shakes his head in disappointment. "To have a husband who loves alcohol more than his own wife...!"

The Dark Saint wiggles his eyebrows suggestively. "Trust me, I would make sure that my wife knows full-well just how much I love them."

The two of them share a silent, private conversation with just their eyes alone, that none of the other restaurant's customers could decipher, before they leave a generous tip and went on their way.

It snowballs from there.

All of a sudden gossip went around about the Dark Saint's interest in finding a wife. And so several people came to the same conclusion.

The reason why the Dark Saint is travelling around more than usual is because he's looking for a prospective wife.

Clearly, the Plum Blossom Sword Saint was there to provide moral support. How truly admirable and strong their brotherhood must be!

On the other hand, the head of the Tang Family was fully aware of their Dark Saint's single-minded interest in Mount Hua's Chung Myung.

Seeing all the stacks of letters that ranged from proposing strategic alliances and general marriage offers brought the current head of the Tang Family to a very different conclusion.

Tang Bo was trying to slowly draw himself away from their family by leaving their estate. He might be on the hunt, jumping from village to village, trying to create a dowry befitting for the hand of the Plum Blossom Sword Saint and scouting out all the best locations to settle down in.

It really wouldn't be too surprising of an idea if one day a letter turns up from the man with an intent of permanently moving to Mount Hua or some backwater village.

The Tang Family head shakes the thought of losing one of their best and genius members to one of the Ten Great Sects. If he wanted to maintain their family's reputation, he'll need to strike the first move.

And so he begins to pen a decisive letter to the Sect Leader of Mount Hua.

%%%

Chung Mun's hands tremble as reads the letter sent to him by the Tang Family.

'Who did they think they were?' He would have bit out if he had any less self-restraint. The paper crumples in his grip and he receives a questioning glance from Chung Myung who was sprawled eating mooncakes on the opposite side of his desk.

"What's got you so worked up?" The subject of the letter askswithout a care.

Chung Mun takes a deep breath. "The Tang Family wishes for you to transfer into their estate."

He refuses to say out loud the marriage proposal that came along with this request. His Chung Myung was too young! The man might be a sixty years old, but that round face, cheeks carelessly bulging with mooncakes with crumbs littered on his chin, screamed too young for marriage!

"Oh." Chung Myung nods in understanding.

Chung Mun is glad that Chung Myung agrees that this was nonsensical. To think, they thought that Chung Myung would even leave Mount Hua for—

"After the war is over, Tang Bo and I were planning to be roommates and travel the world a bit."

—?????

"Roommates?" Chung Mun's voices comes out slightly strangled.

"Yup. It's going to be great."

"No."

"'No'?"

Chung Mun tries to run through his previous conversations with Tang Bo. He knew that the man was capable of being underhanded, but he was also well-aware that Tang Bo respected him enough to not blind-side him with something like this. Especially since it concerned Chung Myung.

...

...Oh no.

"Fuck." Chung Mun says, full of feeling as he recalls Tang Bo off-handedly asking permission to live together with Chung Myung in the future.

"...Sect Leader?"

Chung Mun had thought that was a joke! He thought Tang Bo wasn't being serious! They were talking with alcohol in their systems!

The alarmed look that crosses Chung Myung's face informed Chung Mun that the way he felt his blood drain from his face was a visible, physical reaction.

"He asked for your hand in marriage." Chung Mun says faintly. "I said yes."

Chung Myung blinked at him. "Yeah? He told me?"

Okay. Tang Bo, to his credit, hasn't been leaving Chung Myung in the dark at least.

If Chung Myung knows and isn't reacting violently that means that he isn't completely against this. Even if Chung Mun was, he had to reorganize his priorties.

And his number one would be to make sure Chung Myung was happy.

((And to make sure that the Tang Family doesn't think they can step on Chung Mun and pull his little brother away.))

"I'll have to recheck the sect's budget and my own savings to make sure we have enough for the wedding preparations..." Chung Mun mutters as he begins drafting a response to the Tang Family with what he thought were better marriage agreement conditions.

But then, a flash of dread causes Chung Mun to pause writing and leave a dark ink blot on the paper. He suspected, but he really wishes that he was wrong—!

"Huh?" Chung Myung gives Chung Mun a confused look. "We already got married though?"

[bidisaster-peanut-romano]

soo hi everyone!! i'm back on my bully essay/meta/something writing!! sort of. i did this.

anyways anyone who's been on this page for some time know how from time to time i have insistently mentioned the parallels between lola and peanut, right?

welp! that was a joke but the time has finally come!! a super-pretentious essay just for the fun of it!! (and also bc i haven't been writing actually argumentative texts in like months perhaps a year, so. yikes, i really need to practice again)

word count: 2.2k WOAH. IM SORRY

i, in my corner, with my monstrous needs. — susan sontag, as consciousness is harnessed to flesh

take this quote both as a title and an anticipation of what is to come. the essay will be distributed analyzing first the dependence of each of them on johnny, to then draw comparisons. i'll make sure to steer as away from headcanons as possible, sticking closely to the source text. obviously, some things' interpretation might be ambiguous, but, you know. your usual occupation hazard.

also, a disclaimer before we start: while they are psychologically complex and there is always a mimetic intention in developing them, these are fictional characters, and, as such, their primary function is to be vessels for different themes, questions and so forth. therefore, i will prioritize meaning and themes over moral implications and similar elements.

i. peanut

for how much i can adore talking about him, the way peanut depends on johnny is very much on the nose; worn on his sleeve, even. in 11:11 minutes of voice lines, he mentions johnny 30 times.

many interpret this as the caricature of a boy crush, but i have reasons to believe it is much less cute than that.

the problem is that, really, more than trying to identify specific situations... peanut seems to rely on johnny for a significant part of what he does. when he does good at dodgeball:

Look at me, Johnny, look at me!

almost like a child calling for his parent's attention to be praised. he calls johnny's name when he's going through hardships, when he's scared or when he's sad.

more than someone he just loves, johnny is a point of reference. whenever there's something going on, whenever he does or has to do something, his first thought goes to johnny; vice versa, what johnny asks of him is his priority.

I gotta tell Johnny! No time. I gotta see Johnny now. Gotta help Johnny. What can I do next to please Johnny? I mean Lola! I mean…

(this also goes in a "negative" direction, envy being the other side of the medal to adoration. especially because, in some way, this reliance on johnny might be felt by him as emasculating, and, being johnny his model of masculinity, adding it to the napoleon complex thing, it's not hard to guess why it can be so unpleasant. we can see this manifest through some of the things he expresses in regards to lola- not as much an interest he has towards her, but the interest he wishes to have from her- which are a bit more different than it might seem at a first glance. but this is a mouseketool we'll need later. still:

Last time I saw her, Lola made eyes at me, not Johnny!

do we really need this part? heh. i'm not sure, but it's always good to point out)

(also, just because, for the purpose of this analysis, it might be useful to specify: while these sentiments are very much implied in peanut's canon quotes, we have no evidence in canon in what measure they are reciprocated by johnny. the fandom has universally agreed that johnny also views peanut as his Best Friend In The World; while in some measure, they must be at least a bit close, i think it is even safe to say, given the caricaturist nature of bully's characterizations, that johnny holds peanut in less consideration that peanut deludes himself into believing. quoting another post of mine, the kids who show some level of obsession towards their leader mention him on average ten or less times (gord mentions derby eight times, parker six times, kirby mentions ted five times). the leaders don't usually make names at all, that much is true; however, peanut mentions johnny 30 times, and, even in front of this proportion, johnny mentions peanut 0 times. just to make that clear)

overall, what undeniably shines through his voice lines is a feeling of general inadequacy, whether about his height, or his strength in front of a bigger adversary. the audios in which he tries to show off range from being disingenuous, to straight up improbable.

crossing what we have until now said, it is not hard to come to the conclusion that he really tries to make up, to fill this empty feeling of inadequacy by taking pride in his role as johnny's second in command.

while i am a big fan of bully's characteristic of having left much content out of the main game, leaving the gamers to dig it up for themselves, i do believe that scrapping some of the stuff that was prepared for peanut is a loss. we have a number of voice lines coming from chapter 3, in which it was heavily implied how important peanut's role as johnny's right hand man was.

for example, much like... all other seconds in command, really, he was to be followed and then fought in the rumble, before you could get to johnny, with the specific duty to cover his back. even his very first scene, the opening cutscene of chapter 3, i believe, is not to be underestimated. most of the other people, as far as i recall, call you when they need it in person; johnny, however, sends peanut. making him, de facto, an extension of himself, almost.

again, you choose the motivation. what is important, from a narrative point of view, is that peanut clings to johnny through these acts of service, almost making it the foundation of his personhood.

basically, he makes it so that, if he can't be of help to johnny, his whole self is fundamentally annihilated, giving himself completely to johnny.

ii. lola

with lola, reading between the lines gets a bit more difficult; first of all, because lola is much less transparent than peanut, her insincerity being a supporting beam of the whole chapter 3. secondly, whether she was done dirty by the creators or not, it is undoubted that being the perspective that of a teenage boy (namely, jimmy, but we certainly, as viewers, are brought to sympathize more with johnny than with lola) with all the prejudices it can bring with itself.

however, it doesn't mean that there isn't anything to work with- quite the contrary, actually. the issue with lola is that there is a certain amount of layers to get through before gaining a satisfying perception of her as a character. still, we're here to try our best, aren't we!

even behind the muddiness of her intentions and the manipulation she shows herself a master at, it is clear from the second we first meet her that what she does is in function of johnny.

to get through this mess with order, we'll start from an easy, measurable numeric information: lola mentions johnny in her audio files 19 times. which, we're assessed, IS a considerable amount.

we have extensively talked about the way her cheating patterns are a strategy not to succumb to the passive role of the girl in the heteronormative, patriarchal prototypical couple (there's a post here breaking down a lot of this stuff, if any of you is interested!!), so, instead of this, i want to focus on what lies beneath that behavior.

ultimately, the whole point is that lola expects and wants johnny to fight for her. whether is it because she feels taken for granted, or just because he can't perceive it if not through grandiose gestures like the rumble- your interpretation will work; she wants to see johnny fighting nail and teeth not to lose her, she wants him to show her that he wants her.

she's all about that attention, and she knows exactly what and how to do to get it. and i think this is especially clear when you compare the moments in which she knows there's no advantage she could go for; when she has understood that jimmy won't fall for her manipulation, when algie and chad leave her unsatisfied, when norton openly accuses her and antagonizes her - she loses her temper, lets go of that sweetened and/or flirtatious voice tone, abandons that specific kind of gesturing. she doesn't care anymore about obtaining something. she was actually angry, and she was actually upset that johnny had disappeared.

in some of her audios, she references johnny with some amount of fondness, as well:

Johnny and I were on the best date ever.

(there is also a voice line in which she says "He told me he likes me because of my personality. Isn't that sweet?"; due to it being a general chatter and not exclusive to one chapter, i assume it is relatively safe to assume she is quoting johnny. however, as i said at the beginning, we're trying to stay as close to canon material as possible, so, do your thing- and i'm open to arguments!!)

a considerable amount of audio files, however (which will lead us to our final point) is about her... calling for help for johnny, or stating, confidently, that he will come save her, or avenge her later.

Someone get Johnny! Johnny's gonna get you for this. Johnny is gonna kill you!

but wait... i have some sense of déjà vu...

You're gonna be sorry when Johnny finds out!

iii. two faces of the same medal

if i had to pick an effective image for a metaphor, i'd say that the thing about lola and peanut is that they are both dogs looking for someone to take their leash; we’re talking here about an exclusive relationship with someone they can rely totally on, someone we’ll call the Other (with a capital o, distinguished from just other. yes it is unnecessarily complicated i’m sorry).

for what my professor would call accidents of history, it happened that both of them found that Other in johnny.

each of them attempts at creating an exclusive relationship with the Other, one foolproof and fundamentally… perfect. perfect in the way that everything works like oiled gears, in the way that every next move is predictable, in the way that any accident will not break the created equilibrium. (even if, in the general sense of the term, lola and johnny's relationship is everything but perfect, it is in the connotation that we have established here. lola is aware that, no matter what she does, johnny will come back around. hell, the very thing that she does is aimed at keeping that balance; specifically, keeping him a bit on the edge, pushing him into a corner where he has to actively make an effort to keep her close.)

they both hide something they are ashamed of, regulating not only their actions and reactions but their very way of existing in the world, in order to keep that gear working, in order to remain in johnny's hand. lola hides that craving for a genuine and stable affection, dissimulating it with the cheating and the fatuous physical demonstrations of closeness; peanut hides his sense of inadequacy and complex of inferiority, by being the tough and reliable second in command.

basically, what they mean to achieve is a sense of security, the safety of not really being the one to lead but, at the same time, finding a purpose, other than a shield from the outside world that they are not willing to concede themselves to. like a... symbiotic relationship?? i was going to say parasitic, but, yknow. the Other does get some advantages, which are, respectively, peanut's acts of service and lola's capacity to boost johnny's pride.

now, of course, johnny is not aware of either of their play. which makes it even better, since, as we already said, both of their approach to the relationship needs some degree of insincerity.

like, i don't deny that johnny might be a good friend, or a loyal one. but he is an oblivious, prideful fuck who can't see past his own nose; he's got a tendency to make it all about himself - which of course goes perfectly with what we said about both peanut and lola making the Other their center, taking up, in a certain way, a passive role in the relationship.

this way, both of them aim at creating with johnny a relationship that is, in a way, codependant and conditional, in which the do ut des (their respective "service" ↔ johnny's guarantee of stability) creates the foundation of the very relationship.

this, of course, brings up the problem of exclusivity; on which, however, i prefer not to delve into too much, as this would bring us to the topic of their antagonism which... isn't really what i wanted to go for, at least not here. (it would risk bringing us a bit too close to my subjective interpretation and too far away from the canon, which i PROMISED i wouldn't do. however, someday i might elaborate on that??? idk , please do lmk if someone's interested around here)

i will, however, show you a diagram (it looks like a triangle- i guess it is, but it is VERY important that it is a pyramid, with a top and a larger foundation) and a quote, to wrap this up bc i think it is already WAY too long and ramble-y lmao. let me know what you think anyway, my ask box is always open <3

it almost feels like a joke to play out a part when you are not the starring role in someone else's heart you know i'd rather walk alone (i'd rather walk alone) than play a supporting role if i can't get the starring role -- starring role, marina and the diamonds

[fauvester]

babby…. WALK

[v7lgar]

the feeling of not rushing anything while u are writing/working on a fic like there is no deadline, ppl have no idea and u can write freely until u stop and decide to talk abt it and then post it and i missed that feeling so much

[aurorashard]

.

[milla984]

Like Water For His Fire

Summary: When Ram goes MIA you get nervous... but he's got a very good explanation and you can't really stay mad at him

Pairing: modern AU Ramaraju x fem!reader

Category: smut (NSFW, 18+, MDNI)

TW/CW: brief mention of anxiety, mentions of marking, kissing, unprotected penetrative sex

Word Count: 2k

7:56.

The sunset paints the sky orange red and from the bedroom window you can see its reflection on the surface of the nearby lake, as the evening breeze raises silvery ripples on the water. Adjusting the strap of Ram’s tank top on your shoulder you blow a strand of hair off your face then check your phone for what feels like the hundredth time: no texts. Zero missed calls.

“He’s fine, he’s fine,” you repeat under your breath.

You sit on the coverlet and hug his pillow. There’s usually something soothing about putting on his clothes or smelling his perfume - today, however, neither his old top nor the faint traces of his sandalwood and orange peel aftershave on the pillowcase prove to be very effective at keeping your anxiety under control.

You switch to a full alert state when you hear the entry door opening, followed by heavy footsteps. Seconds later Ram stands in front of you looking exhausted, his sleeves rolled up and the first buttons of his shirt undone, and collapses on his side of the bed.

“What happened? Are you okay?” you ask, still a bit nervous.

He nods in silent assent.    

“I tried to call you, why did you turn off your phone?” you ask again and he fumbles in his pocket to hold up the answer, shaped like an intricate spider web of cracks across the black screen.

“I’m getting in the car and this idiot does a swan dive into a puddle,” he explains, “fifteen minutes later I’m stuck in traffic in Madeenaguda. Damn road works!”

It takes a little bit longer than usual for your heart to stop pounding in your stomach and ears. He’s been late in the past but an hour of radio silence forced you to consider all sorts of horrible scenarios, and you need to clear your mind of their negative influence.

“In hindsight… not the best route choice,” he adds, noticing you’re being too quiet. “I didn’t mean to scare you, I’m sorry.”

You shrug: during off-peak hours the NH 65 is the fastest way back, meaning he was trying to come home as soon as he could. And it’s not his fault his phone died on him. “You know me, I worry too much.”

You also care a lot about him, which is why he doesn’t need to hear you live in constant fear of being contacted by the notification officer of his department - a possibility he’s even less likely to discuss than you are.

“Are we good?” he replies, lowering his thick lashes and giving you an innocent doe-eyed stare.

You can see where this is going: the simple thought of it erases all the previous distress and makes you weak at the knees. You throw the pillow at him, practicing your best impression of a seductive pout. “Mister, you’re the Police Guy… why don’t you figure it out?!”

Ram props himself up on one elbow so he can tuck a lock of hair behind your ear. He brushes his thumb across your lower lip, his personal way of telling you he gathered all the evidence that the mere sight of his forearms always lights you up like a neon sign powered by libido. You’re not mad at him - you’re horny for him.

Cheeky bastard.

Needless to say, his shirt has to go; you unfasten the entire row of buttons in a heartbeat and help him take it off. ‘Mouthwatering’ is the word to describe his bare chest, and how on earth does he manage to still look steaming hot after spending a full day at work and a ridiculous amount of time in his car is beyond you.

You nibble on his earlobe before you lick him below the jaw, descending along his Adam’s apple, the muscles of his neck and the dimple between the collarbones. 

You could spend the whole evening teasing his nipples, forced to contain the urge to sink your teeth into his skin because he’s so sensitive he would scream in pain if you bit him; his petite buds harden at the lightest touch so you circle the areolas with the tip of your tongue and suck delicately, twirling a few dark hairs on his navel around your fingers.

“I’m happy you’re here,” you whisper.

His palm caresses your nape, then his mouth reaches yours and you both engage in a playful competition for dominance: now that he’s in your arms you only want to hold him tight and tell him everything’s alright, but he’s impetuous and clings to you as if you’re pure spring water, bound to tame the fire raging inside of him.

There’s no doubt he figured out ages ago the main reason why you wear his clothes or hug his pillow if he’s away: you crave his body, his presence, his weight on top of you, and it isn’t just a matter of lust. He’s not used to be open and vocal about his feelings, nevertheless he’s proven multiple times he’s the kind of man who looks out for the important people in his life and you’re willing to do the same for him; you’ve become each other’s fulfillment of a mutual request for affection and the many positive aspects of your physical relationship are a reflection of a deeper bond.

It’s Ram who wins in the end and traps you under him. He doesn’t bother to take the old tank top off and lifts the hem up to reach your soft belly; once he glides past your mound of Venus you squirm in anticipation, almost hitting him in the chin.

He smirks and you’re tempted to slap the living hell out of him: being so fuckable should be declared illegal.

“Don’t make me kick you for real,” you joke, and Ram smiles again.

Without breaking eye contact he puts both his hands on your hips and rolls down your panties while you lift your tailbone to help him; he pinches your left ankle and lifts your foot, placing your leg on his shoulder.

Reality fades in a blurry ensemble of the last rays of sunset behind the clouds, outside the window, and the hypnotic white noise coming from the a/c unit as you let your fingers run through his hair. Having it ruffled when he’s going down on you is a major turn on for him and you’re dying to please him in return, since you’ve never met another man who was this passionate about the idea of eating you out; he’s also into being praised as a reward for his dedication and you’re happy to oblige, cooing. “You’re so good at this, pandu.”

Ram glances at you, mesmerized. The gentle strokes of his lips grow more and more intense, then he starts to flicker his tongue at such a fast pace that your ragged breath turns into whimpers, to which he replies with low, throaty growls.

“I can’t get enough of you,” he hums, his head still buried between your thighs and his luscious beard, sprinkled with a little gray, rubbing so well on your clit.

You grab a big chunk of his hair at the roots and tug to draw his attention, careful not to hurt him. In your private system of non verbal communication it’s a signal to stop, so he rises to his knees and leans forward for a kiss. You love to taste your ‘sweet nectar’ (as it was referred to in many of the romance novels you read as a teenager) on his mouth; your adult consciousness knows it’s salty, tangy and it’s got a hint of musk to it - still, it’s you and he always enjoys it like you’re a delicious treat.

You also know another part of him is hungry for you, so you make him lay on his back to undo his trousers and pull them down, together with his underwear. He’s hard and impatient, aching to have you wrapped around him. Half of you wants to put you both out of your misery, the other half is determined to take full advantage of your position: you steady yourself on the headboard and straddle him, but first you tuck his leaking cock against his stomach.

“I’ve been thinking about you all day,” you mumble as you slowly buck your hips, moving up and down his length.

This is plain torture for Ram and he clasps his hands at the old tank top, squeezing like a schoolboy who’s just discovered the amazing, silky roundness of your breasts. He’s adorable when his self-control begins to falter and soon his deep groans make you so wet it hurts.

“Jaanu…” he whines, desperate for release.

Using the headboard to keep your balance you guide him to the right spot before you lower yourself onto him. It’s your turn to fondle his chest and play with the dark trail of fuzz blossoming on his sternum and plunging to his groin; every time you separate you can’t stand to be apart and it’s not long before you grind on him to feel his coarse hair tickle your sensitive skin.

You look at him, his beautiful eyes closed and his teeth biting on his lips. He’s holding you so tight by the waist you’re sure he’ll leave a couple of marks and they’re all signs he’s trying to hold back. “I-I’m–”

“Do it,” you cut him off while you pick up your speed.

Ram throws his head backwards and it’s a sight to behold: his usual, brooding self disappears and all that’s visible on his face is peace and content, even if it lasts for a few seconds. You don’t stop rocking your hips until a familiar warmth flows inside of you, and moments later he wraps his hand around the back of your neck to pull you close.

He lifts his knees to dig his feet into the mattress and starts thrusting, set on a mission to give you one of the best orgasms of your life; he drinks the pure pleasure you’re pouring into his mouth with your loud moans, which he eagerly accepts as an incentive to pound you harder and faster.

“I want to make you come,” he mutters on your lips.

The power he has over you is unexplainable: his voice is what sends you over the edge in the end, gasping for air when a powerful jolt of ecstasy hits you and the tension leaving your body almost causes you to collapse on top of him. In fact you flop on your side, breathless and drained of the energy required to pass for a living and functioning human being; your brain is still engaged in the aftermath of the Big O and the single detail you’re able to process is one of your legs, resting across his lap.

Ram snaps out of the post-coital stupor first, in time to pick his shirt off the floor and help you clean your inner thighs - saving you both the trouble of dealing with a complete mess later. The pensive frown is back and you wipe away the shiny trickle of sweat running down his temple, but he’s so focused on what he’s doing he doesn’t seem to notice. 

Once he’s finished cleaning himself up he fixes his trousers in a hurry throwing the shirt back on the floor to snuggle against you, and you wrap your arms around his shoulders to trace the outline of his muscles using your fingertips.

“Excuse me… what?!” you laugh, since he’s got his face pressed on your bosom and the words come out muffled if he speaks.

“I think I love you, bangaaram,” he repeats, tilting his head up.

Your heart skips a beat.

He looks at you with his brooding expression again, so you find yourself lost in his dark, soulful eyes for the longest instant. Then you cup his face in your hands and rub your nose against his, kissing him so lightly that your touch is like April rain on his mouth.

“I love you too, Ram.”

@ramcharantitties, @nyotamalfoy, @taylorklaine, @bheemaxrama, @ladydarkey, @astrafangs, @ronaldofandom

»»»— read pinned post for taglist info —«««

[hexcitrine]

randomly looked at this account to update my age and holy shit it's been a while since i posted here..........i have a small pile of art i have yet to post but hbhbshdbshbd too lazy

[sysig]

I finally set my last notebook to rest, so it’s time for a new one (Patreon)

[steelycunt]

hi so. i have now finished two out of three parts of the son and heir and i made a little playlist to go with it so i thought i’d share it in case anyone is interested :-) it is still under construction + i am still making changes but here it is!! that is all have a nice day!!

[1o1percentmilk]

hyperfixations r all fun and games until u get one so bad u forget how to work

[crossbackpoke-check]

wait you got me so invested in the stammer & heddy tailor au....

this is my standard disclaimer that i have never posted a fic on ao3* and for however much i say “au” i truly mean that it’s a universe that lives in my head & i am absolutely delighted to tell you all about, all the time <3 if it helps i ALSO got me so invested in the heddy & stammer tailor au

ok now that the author’s note is out of the way here’s some notes about the not!fic heddy & stammer tailor au:

stammer as the tailor from gent’s playbook, very reserved, quiet, with an excellent eye for details (honestly the evidence i have for his style sense is just that he’s best friends with pk subban so it has to be there somewhere if only by proxy irl) is hired by victor hedman, star of the tampa bay lightning who is every other tailor’s nightmare to dress (huge, opinionated, fashionable)

heddy is decently well-known throughout the league for being very well-dressed & becomes quietly well known for also being one of his new tailor’s favorite loyal customers [heddy has the nicest fabrics. he has his suits the first day a new collection drops & e v e r y o n e is jealous]

stammer’s business booms after heddy takes a chance on him as his first big client & promotes him, heddy sees him grow in popularity & get more clients

heddy also moonlights as a model for stammer’s suits on instagram, initially to help him grow his business because then he won’t have to pay for a model and then because he’s over there all the time anyway because they’re dating (that’s why the model’s face is never in the pictures)

there’s not really a plot to this besides the vague idea of a plot where stammer makes heddy his lucky suit that he wins the cup in & sews a special little tag into the lining of his jacket that says i love you

because love sometimes is picking out the perfect right color pocket square to match your husband’s beautiful suit that you fitted like a kiss to the curves of his huge body

& also sometimes love is making your beautiful husband who makes you beautiful clothing enjoy nice things for himself once in a while, like the fancy watch you bought him or the nice suit you custom-ordered for him (from him) just so you could take it off of him

[cibome]

.

[maddy-ferguson]

i spent so much time on the bus today i read 100 pages of the novel i started this morning on the bus

[bean-pronounced-bawn]

I don't know why I keep expecting people to be able to do their jobs but I am always proven wrong and I'm mildly having a full meltdown rn because I need documents sent very far away literally by the end of the month and based on when they said 1) the documents would be shipped (1-5 business days) and 2) the documents would be notarized (7-10 business days) it should have been done at least a full week ago but it's not and the document hasn't even been shipped to the notarization place and because I have nothing else to do at work right now and nothing to keep me distracted like I've been trying to hard to do for the past week I'm having a panic attack about this and I know I've called and emailed a combined five times already about this but I'm gonna have to call again to see where they're at because I don't think I'll last the weekend without some kind of update if I'm already having a panic attack today

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[screampied]

toji realizes he’s in love with you when he lets you shave his face for the first time,

he’s got the biggest grump of a scowl plastered on his naturally crooked lips. as he’s glowering, he’s also trying to prevent himself from smiling because you looked so cute. your touch with him was gentle—like it always was. after you wiped his face with a dampened face towel, you rub your hands against the lower part of his jaw. “soooo,” you utter, breaking the dead silence as he’s just peering down at you. “tell me ‘bout your day, toji.”

with the palms of your hands tenderly caressing against his chiseled jawline—you smear every part of his chin and cheekbones with shaving cream. even the secluded areas underneath his nose. as you do so, toji tchs. “day was fine, baby. ‘n i told ya i can shave myself.”

“i know i know,” you hum, creating a circular motion with your hands before gently making sure every sector near the lower part of his face was lathered with nice frothy amounts of shaving cream. “wowww, you’ve got such soft skin. skin routine when?”

“ugh, y’er insufferable,” he rolls his eyes. although, his skin was surprisingly clear. toji only had a bit of a stubble, hardly any facial hair but it was growing the more he aged. you took it upon yourself to ask to help him shave and he said yes, not realizing how much he’d soon grow to like it. the feeling of your delicate, warm hands rubbing against his face was somewhat . . soothing. with a deep, heaving sigh, toji’s hooded jade eyes meet yours. he spots your pout and his shoulders lower. “alright fine, i’ll teach you one day. only if ya stop poutin'..”

with a cheeky grin, your little pout falters and you smile. “okay,” and you wait for about a good three minutes to allow the spumous cream to souse everywhere on his pores. it takes a while—and as you wait, you take a moment to stare at his features. toji was definitely easy on the eyes up close. naturally long black lashes of his flicker as he returns your loving gaze, and he avoids eye contact for a moment. perhaps you were making him a bit . . nervous. darkened eyebrows of his arch into an almost sheepish raise while he watches your adorable curious simper stretch further. “don’t be so stiff, what are you, nervous?”

“not nervous. jus’ don’t want ya to cut my face off.” he grumbles in a hoarse tone, ogling intently at you opening the bathroom cabinet for his razor. “you know what y’er doin’ right? i’d like ‘ta keep my face.”

“oh, don’t be dramatic,” and now it’s your turn to roll your eyes. toji’s got a growing smirk tugging against his lips as he gawks you carefully start to shave in the exact sectors of where his facial hair resides. you did lots and lots of research—he knew this because he caught you reading various wikiHow articles on how to shave a guy’s face correctly. toji would never in a million years tell you, but he found that fact entirely adorable. you made sure you knew how to avoid burns and razor bumps. as you’re fixated on his chin, you mumble, “you’ll keep your pretty face, don’t cry.”

“aw, think ‘m pretty?” toji says, and you see the playful glint in his eyes. he’s easing up a bit, and he acknowledges that you were right. right about his stiffness, he was a bit tense. shoulders raised and all, but now—as of late, he’s starting to calm down a bit the more you talk to him. “i’d prefer the term 'handsome' but that works too, i guess.”

you deadpan, continuing your trail against his face—the razor sings out a shrieking tiiiing the more you gingerly shave with soft, gentle strokes.

it’s somewhat relaxing with the way the edges of the instrument adapts to the chiseled contours on his face. the foam starts to come off within each downward stroke and you’re very slow and precise. “okay, don’t be cocky,” you titter, and he feels his heart flutter a bit at how you’re just so dedicated. you’re so focused that your tongue briefly sticks out of your mouth, trying to make sure you do it perfectly. you tried your hardest not to cut him—you were so careful and that simple detail alone could have been enough for him to propose. “you should let me do this more. ‘s kinda fun.”

“eh. maybe,” toji shrugs, his voice coming out in a rough rasp. he doesn’t even realize it but his expressions significantly soften. he was only this way around you. to him, the thought of that was kind of scary. after you start to edge with the precision trimmer and reach underneath his nose and chin, you wrap it up. successfully discarding all of the foamy cream from his face, spotting his now clean jawline, you break away to rinse off the now grubby blades in the sink. “all done?”

“wait— don’t look yet,” you gasp, preventing him from gazing at himself in the mirror. “i still have to do the uh . . what’s it called again?”

toji snickers. “aftershave, baby.”

“aftershave,” you repeat. “right right,” and you’re so cute, kneeling down towards the wooden cabinet directly underneath the sink. you take out the mini bottle, pouring a nice goopy amount into your palm. you let toji wash his face with cold water first, patting it dry, and then you start to bedaub the facial balm in all the sensitive areas against his skin. he adores the mushy texture of your hands making contact with his face as each second passes. toji’s eyeing you, an almost grunt leaving his lips as a thumb of yours gently tickles against his infamous scar. the scar that slants itself near the right side of his lip. “thereee we go,” you give him a soft smile, the aromatic scent of tea tree oil setting against your nostrils. up close, his pores were now all so clear and you stare in awe for a bit at just how charming he was. the moisture that lays against his skin feels a lot more smooth. you grow silent for a moment before your own face softens. “okayyy, ‘m done.”

toji finally glances into the mirror, seeing his freshly new spotless face and he sees your proud toothy grin in the mirror’s reflection behind him. he cranes his neck to the side, feeling the once rough texture of his jawline now soft. he then lets off a tiny exhale. “looks good. y’er a natural,” and he turns to face you, he’s pondering on what to say. oh, your eyes sparkled with such admiration from his praise that it was just adorable. “thank you, sweetheart. for y’know . . takin’ care of me. y’er really . . sweet.”

and with that, his lips inch down to press a warm kiss against the crown of your head. your heart immediately swarms up with a frantic school of butterflies and so does his. toji prepares speak again and it’s an almost inaudible mumble. you could barely even register what he said at first because it was so hushed, but toji gruffs in a low tone. “i … love you..”

“h- huh?”

scoffing, he hides the burning embarrassed flush against his face by pulling you into his broad chest. you giggle at how he just abruptly snatches you close into his warm body before he slings a beefy arm around you. “i said, let’s uh.. do our skin care together later t’night.”

“awww i love you too toj—”

“oh my god, s-shut up..”