Spoilers ahead for the finale!
An aspect of the final battle that got lost after Viola's amazing attack, was the fact that Tula nearly killed her son. And that, I think, is something I would really like to delve my teeth into, to properly look at what happened.
The thing that struck me the most during Tula's attack on her son, was that Jaysohn did manage to snap her out of it. In the context of the story, Jaysohn grappled his mom to get her to stop, and even after getting viciously bit by her, he still managed to get her back to herself. He managed to get to his mom fast enough, and used himself to protect the others from the mindless being Tula had become. And, even when faced with near death, this little kid manages to get back up and attack the creature that did this to his mother. Not once did he blame her, having understood enough about the situation to realise his mom was not in control. He knows, he understood, that this was Phoebe, not Tula. And so, the moment he is able to free his mom, still wounded and near death's door, he goes after Phoebe so that his mom won't be taken again.
Tula, however, was aware of everything she did to Jaysohn. She was painfully aware of how badly she hurt her son, how she nearly killed him. And, as Brennan describes;
She is broken, in a way she has never been before. She nearly killed her baby, used as a puppet because she's alive when she should have been dead. The Blue that keeps her alive is what nearly caused her to kill her son. Tula nearly lost everything, yet, once more, it was hope and love that brought her back once more. Her son brought her back.
However, she was silent for the rest of the battle until Phoebe finally fell, and Jaysohn nearly died. She was quiet, too horrified with what she nearly did. Perhaps, had more time been afforded to that moment with Tula and Jaysohn before he decided to retaliate against Phoebe, there would have been...something...that went on. A focus on the fact that it was Tula who went for another member of their family, whilst Ava went for the ground and the reactor. What would that do to her, I cannot help but wonder. What did that do to her, in the immediate aftermath, when she could slow down and process what happened. She must live with the knowledge she nearly killed her own child, and that, had he been just a little weaker or just a little slower, she would've succeeded. She might have been able to bring him back, like she did with Sybil...but she would have to live with the knowledge that she took her son's life. And that thought is horrifying.
Yet, it makes her gentleness with Lukas later all the more significant. Even with the blood of her son on her hands, she still chooses to hope for a better tomorrow. She still chooses to give Lukas - and herself - another chance, another tomorrow. Bad things could have happened, but they didn't, and they all made it out. The "what ifs" will remain in the shadows, in the nightmares, but in the daylight, she will keep her head high. It doesn't lessen the impact of her deeds or her burdens, but it can make them bearable. And, with the addition of her son's refusal to blame her, it makes it just the little easier. She deserves a new tomorrow, too.
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rereading Fairest bc I have my own copy now (yay $2.50 at a used bookstore!) and so far it's as lovely as I remember
but anyway I do like how Aza's "ugliness" is characterized by people actually treating her badly because of it. People talk about the stereotype of YA protagonists being like "oh poor me I'm so ugly" in an attempt to make them relatable but the narrative actually treats them like they are gorgeous and every character that isn't a villain finds them attractive.
Vs. here it's like. yeah her self perception is all tied up in cultural ideas of beauty and she's definitely not objective either, and a lot of what she thinks is inherent to her ugliness is all wrapped up her related social anxiety, etc.
but! It's very refreshing to see a book that deals so much with beauty standards actually commit to it! It's not like she's just vain and obsessed with looks! You can tell she wants to be beautiful because she wants to be treated like a person! The way it is just that blatant! Most people are rude to her or ignore her! And she makes it worse in her head and compounds the problem by letting her own insecurity draw attention to herself, but at the end of the day, she's right! People would treat her better if she looked different!
The details that we get about her appearance are not even "ugly" traits, either! Like we get the pale skin, black hair, red lips combo pulled directly from the traditional Snow White fairy tale, where those traits are supposed to be beautiful and desirable! But in this culture, apparently those traits are a part of her ugliness, which just perfectly highlights how the beauty standards are inherently arbitrary! And yet! They affect her life in real ways! It doesn't matter much how we, the reader, picture her; we believe that she is ugly because people treat her like she is!
Anyway I especially love how her insecurity regarding her size is portrayed. The combo of feeling small and meek and timid on the outside but being large and imposing on the outside. She feels like she takes up too much space. She doesn't want to wear anything at all attention grabbing. She doesn't know what to do with her limbs. Her biggest fear about demonstrating her magical singing trick is that she would have to show people how she moves her stomach (the horror!)
anyway everyone ever should read Fairest. I could write 12.5 dissertations on it. fantasy books for 12-year-old girls are the most serious fiction in the world actually
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Why does Galerians: Ash end like that…
You mean to tell me I have to be normal about this obscure ps2 sequel of an equally obscure ps1 game, and it just ends like that.
What if we were both boys made with opposing objectives and I kissed you after the final fight, and you felt compassion and understanding for the first time in your short life. Would you cry a single tear in your final hour before we die together?
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