i think something with jily that makes the 5th to 7th year transformation so compelling to me is how *not* ridiculous it is to assume that both of them could have significantly changed during that short time in their life.
it’s not about it being ‘just two years.’ it’s about it being those two years when they are 15, 16, 17 and how we all change so much in that time, but especially james and lily who are on the cusp of fighting in a very personal war. what do you mean it’s unrealistic and boring for james to go from schoolyard bully to head boy? (which i wouldn’t personally classify him as a schoolyard bully, but i am also the last to condone his actions in swm)
do you not remember that age? and how confusing everything was? i think one of the reasons i love exploring jily and the marauders is because this is the age i teach and i see my students walk into my class in august, not even knowing how to properly introduce themself to me while making eye contact…but they leave writing me multi-page letters of appreciation and inviting me to their birthday parties. and it’s not because i’m just a really good teacher…its because they grow up. even the ones that don’t want to! the ones that staunchly resist every temptation to mature. they still grow up, even if it’s for different reasons or at a different rate than their peers.
and so I don’t know. i look at sixteen-year-old lily evans losing her best (only real?) friend and sixteen-year-old james potter impulse reacting to the dude he despises humiliating the girl he’s infatuated with. and then i look at them graduating exactly two years later, hand in hand, only a couple more years away from bringing a child into the world and it just…doesn’t seem like a stretch? it seems completely believable and fun to explore all the potential catalysts that popped up along the way.
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as someone who really doesn't like bkdk, i love that you give them a more complicated relationship- it helps me WANT to explore them as a pairing rather than just smushing them together like barbie dolls and saying "oh, they've gotten over their differences and the extremely rocky basically could be a mountain history they started with, they kiss now!"
thank you for shedding light onto a "more than friendship, less than romance" type thing, i've always loved depictions of complex relationships and your art gives me that for them. like, they clearly are extremely important to each other!! so they don't have to fight each other forever, but after everything they've been through, i can't seem them mutually falling into a healthy love. maybe it's just being with each other after all they've been through, and that's okay!
also, your todoroki art is just peak, sorry, you are THE shouto-touya brotherhood artist and you must suffer the consequences. a thousand kisses, forever.
thank you :) i don't think i'm doing anything groundbreaking though, ofc there's the barely-above-tropes type of depictions, but i think a lot of ppl who like them romantically acknowledge their flaws and issues and use that in a shipping setting <3
the platonic reading is just a preference, i don't think that's the only way and that they're romantically doomed (dabihawks are...), they're both so stubborn i think they could make it work if they really wanted to, but that's in the distant future i guess
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a slight continuation of this
no caller ID pops on your screen, pulling your attention away from your previous task at hand: not fucking up your eyeliner. you typically wouldn’t care if it was a little uneven, but you’re going on a date tonight, for the first time in so long, and you want everything to go as smoothly as possible.
which is why you groan when you end the call, and that same no caller ID pops right back up seconds later. you know who it is—who else would it be? you figured he’s already seen your story of being excited for going on your first date in a while, on the only app you hadn’t blocked him on. petty? perhaps, but it’s on him to be keeping up with you despite you cursing him out for wasting your time and then blocking him right after.
you watch it ring though, contemplating for a while longer than you should. you blocked him for a reason. no need to entertain his same shit that he always spews to you when he realizes that he might be losing you once more?
….but it doesn’t hurt to hear the hero beg for you.
“What do you want, Bakugou?” You sigh irritably as you finally answer his call, putting him on speaker as you go back to even out your eyeliner. You hear him huff on the other side of the phone at the use of his surname, but he doesn’t say anything about it, instead, quickly telling you what he’s been bothering you for.
“Who’s the fuckin’ loser that’s gonna drool over how good your tits look in that stupid green dress you love so much?” Bakugou grunts, and you instantly feel your face heating at his crude words. You glance over with a frown at that same green dress that makes your tits look good, where it hangs on your closet.
“None of your damn business, Bakugou.” You snap at him, wondering if it’s too late to find something else to wear. “Not like you ever took me out in my stupid green dress.” Your voice holds a level of bitterness that only he can bring out of you, and you hear his sigh through the speakers.
“I told you this before, I’m always—”
“Busy.” You cut him off, voice suddenly thick as you think back on the countless rejections he’s splattered at your feet every time you tried to further your relationship with him. “You reminded me of how busy you’ve been since you first started this whole situationship.”
“Situation—? Huh? We were dating!” Bakugou protests with a huff, and you can hear how he paces the floor quickly. You glare at your phone, setting down your liner to instead pick of your (his) favorite lipgloss.
“You’d have to ask me out to be dating, Bakugou. You’d have to court me to be dating, Bakugou. You’d have to make time for me and take me out on dates and not hide me to fucking date me, Bakugou.” You spit at him, venom dripping off of your lips in waves. You don’t know why you answered, why you even entertained him. You shake your head with a huff when the line goes quiet, eyebrows quirking up when your date sends you a text to make sure you’re still on for tonight.
“I’m sorry.” Bakugou mutters pathetically, his voice suddenly soft. You hesitate, for some reason, when it comes to texting your date back. Why do you always hesitate when Bakugou is around?
“Let me make it up to you, court you, and shit. I can take you to one of my favorite places, you can wear that pretty green dress and that gloss you know I love.” His voice is pleading, thickening and sweet and suffocating. You shouldn’t respond, should reply back a yes to your date.
“Please? You know how much you mean to me.” Bakugou mumbles, and you can hear the earnestness in his voice. Why haven’t you said yes to your date yet?
“I’ll do better this time. Just one more chance, sweetheart.” Bakugou’s voice is so soft, you’ve never heard him this vulnerable before. You sigh with a shake of your head, slumping back into your seat in defeat.
…
Sorry, I can’t make it tonight. Something came up. Maybe we can reschedule for another time?
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Lucid Dreamer (1/2)
part 2
Gepard notices that it's been. Quiet lately. Like weirdly quiet. TOO quiet. He hasn't seen Sampo Koski in almost a week, which is about the longest he's ever been absent. And he is NOT worried. He's not! So what if they've been getting along more lately! So what if Gepard sometimes looks for him in his favorite hiding places! So what if he's been dreaming about blue hair and green eyes! It's nothing!!
But they're….strange, these dreams. Gepard doesn't usually remember what he's dreamt. It's out of his mind seconds within waking up. But these stick with him, they won't leave him be, they feel different somehow.
He dreams of Sampo bringing food to the frontlines and eating breakfast in his tent with him. Sampo always sneaks him extras. He dreams of chasing Sampo through the alleyways, Sampo sometimes letting himself be caught, Gepard sometimes catching him, and trying to ignore how it feels more like a game now more than anything else. He even dreams that Sampo tags along with him on one of his few civilian days. Sampo runs errands with him, prattles about inane bullshit while Gepard picks out groceries for the week, drags Gepard into some bakery he's never been to but he thinks Serval mentioned once.
And sometimes, it feels so close to reality, that Gepard half expects to see Sampo, shamelessly swaggering into the frontlines with all the guards' breakfast like his wanted poster wasn't only recently taken off the walls of Belobog. He's disappointed when it's always someone else instead. He tells himself his disappointment is ridiculous and if Sampo wants to go prowl around the Snow Plains or wherever he is, then fine. It's not any of his business.
…But it IS his job to investigate any unusual criminal activity relating to the frontlines. And the frontlines are Sampo's usual haunting grounds, and this is unusual activity, and Sampo IS technically a criminal, so it is absolutely part of his duty to look into this - is what Gepard tells himself the entire tram ride down into the Underground.
Natasha tells him he's gone, and Gepard has to steel himself. He knew Sampo made enemies wherever he went, there are a lot of people who would love his head on a platter, but he didn't think-
Natasha corrects him that she means literally gone. As in off-planet. Sampo always leaves her a note before he goes anywhere, so she knows not to expect any supply runs from him. He should be back in exactly two weeks. Thank the Preservation.
Gepard goes back home. He waits.
The uneasiness doesn't leave him.
"Where did you go?" Sampo stops dead in the middle of some story about Seele, and how you'd think someone with as blunt a mouth as her wouldn't have so much trouble asking a woman out, even if that woman IS the Supreme Guardian, and stares at him. He nearly fumbles his cigarette.
"Ahaha, what do you mean, I'm right here?" Sampo smiles at him the same way he always does. Gepard has no idea why he asked. It just popped out. He can never tell when Sampo is lying, anyway.
"I don't know. I feel like I haven't seen you in a long time." Gepard idly mouths at his own cigarette. He almost never smokes, but he wants to ration their stocks of Blizzard Immunity, and it helps with the cold. It's seemed colder lately, for some reason.
Gepard flicks his lighter once, twice, sighs at the third time because a metal prosthetic and thick gloves make the damn things so difficult. Sampo reaches over and wordlessly kisses the end of his cigarette to Gepard's, lighting it. "Thank you."
Nothing happens for almost a full 30 seconds. Something churns behind Gepard's ribcage. Because Sampo never leaves a "thank you" hanging. This is the part where he gives his spiel about how helpful and kind he is and Gepard either brings up how long his rap sheet was before Bronya helped clear his name, or just stares deadpan because seeing Sampo squirm is weirdly satisfying.
"…I'll be back in one more week."
Gepard jolts awake in his cot, mouth dry and eyes bleary.
The hell.
The next dream he has, Sampo looks tired. Sometimes he seems normal. Sometimes he says strange things, like how he wishes he'd gone to some restaurant in Belobog. Ate his favorite food more recently. Brought something with him. Gepard asks why he can't do that now. Where would he bring something? Sampo only shrugs. His rebuttals have less energy.
Gepard doesn't know if he wants to dream more, or less.
He ticks down the days on his calendar. Natasha hasn't told him any different. She promised she would if she got any kind of message. Sampo returns tomorrow, from whatever vacation or seedy business dealings he's been off having. He is not excited about it. He is not looking forward to it. He's not!!
Gepard falls asleep late that night, unable to settle. He dreams again.
He's alone. There are tons of people everywhere, the frontlines are always crowded. But he's alone. They all pass right by him as though he were a ghost. Gepard starts to walk before he realizes his feet are even moving.
He checks the trashcans in the dead end alley. He checks the supply crates that someone always stacks too high because they don't feel like finding more space for them. He pauses to check the soldiers that march past him, watching their footprints in the snow.
He finally finds Sampo on the rooftop along the northernmost wall, the one that looks out over the plains, towards Everwinter Hill, towards where the Stellaron had once been kept. With a full moon and an entire land of white snow, Gepard can almost see clear out to the horizon.
"Found you." Sampo stiffens, and Gepard is almost prepared for him to sprint off the roof. He doesn't. But he doesn't relax either. Gepard sits down next to him and stares out at the wastelands.
"…I fucked up." It wasn't what Gepard had been expecting. Sampo never 'fucks up,' Sampo just gets into incidents that are entirely, supposedly, not his fault and that he just happens to always be within the vicinity of.
"What did you do now?" It must be really bad if Sampo is coming to the Silvermanes for protection.
Instead, Sampo ignores his question completely. "See out over there? Right on the other side of that mountain. There's a safe house that way. It's hidden under a lot of snow and dead trees, but it's there. And in that safe house is a box full of letters. I need you to deliver those letters for me."
Gepard's brow furrows. It's a weird favor to ask. Sampo would never tell anyone where his hidden safehouses were. It defeated the whole purpose of a hidden safe house.
Something is wrong, something is really really wrong.
Gepard turns back to look at him again and startles, all of his questions dying in his throat, because the entire left side of Sampo's head is suddenly matted down, dark and sticky, his skin is dyed red red red-
"In three more months, there's gonna be something big happening." Gepard grabs Sampo's hand and it feels slick and warm against his palm. "I won't be here. So I need you to do my end of things for me." Gepard tries to keep hold, but something is fading, something is slowing, the sun is coming up but the colors are all wrong, everything feels like encroaching fog, Sampo's hand slides right through his. "I was gonna come back with my mask to finish setting the stage, but…" Gepard makes a frantic grab for Sampo's wrist, the air twists, he comes back empty-handed. "They have you. And you're the Iron Wall of Belobog. So it'll be ok."
Gepard finally manages to find his grip, snatches the front of Sampo's dark wet jacket and yanks him forward to hold onto him, and this close up, he can see it better, his colors are bleaching out, leaking outside the lines as if Sampo will become part of the background, as if he's fading into the strange fog that's been closing in on them. His fingers are already starting to feel empty again.
"Wake up."
Gepard jolts awake, uncurls his hands from where they're fisted in the blanket, scrubs the dampness off his face. Breathes. Breathes. Breathes. Today is supposed to be the day.
He throws on his civilian clothes, and he goes down to the shipyard the IPC had built. He finds a spot where he can see every person that returns to Belobog, and he waits.
And he waits and he waits and he waits.
No one he recognizes appears.
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