#or when she uses a visceral attack

[fuckyeahisawthat]

Furiosa thoughts

About 48 hours after watching, I think my take on Furiosa: A Mad Max Saga is coalescing into: I enjoyed it as a Mad Max movie but found it disappointing as a Fury Road prequel.

Any Mad Max movie made after Fury Road was always going to suffer the fate of being compared to Fury Road, which is the best action movie ever made. So like, compared to any other action movie you can think of, Furiosa: A Mad Max Saga (we'll call it FMMS going forward) is very very good! It just isn't Fury Road.

The rest is under the cut for spoilers:

The action sequences were compelling. (I was aware I was hunched forward in my seat in tension/anticipation almost the entire time.) Some of them were even brilliant. That long sequence where the Octoboss and the Mortiflyers (yes those are their names) are attacking the War Rig with all kinds of airborne contraptions? Phenomenal. I was like yes okay now we are in a Mad Max movie! Other than that one sequence, though, in which we see Furiosa and Praetorian Jack begin to trust each other, I thought they rarely achieved the kind of wordless advancement of character relationships through action beats that is the lifeblood of Fury Road. So the action was good, but it was just normal-good, not Fury Road transcendent.

I did miss John Seale's cinematography. While I thought the action choreography was great, the shot selection was just not as dynamic and interesting as in Fury Road. I also really did not vibe with so much of the musical themes being recycled from Fury Road. The Fury Road score is SO memorable and the music is such an integral part of the momentum and feeling of every scene in the movie; I can play that score and see every beat of the action unfolding in my brain now. I wanted new score that felt like it was a part of this new action that we were seeing.

I loved all the new worldbuilding details and finally getting to see inside Gastown and the Bullet Farm. Those locations and their unique features were utilized really well for the action that took place in them. Loved the new details we got about the Citadel. The grappling hooks just dipping down to yoink people's vehicles during battle? Fantastic. The hidden Citadel ledge with the little pool of water?? That was such a fanfic-ready location. Pretty sure I already wrote at least one fic set there back in like 2016.

The Green Place! Very different from what I imagined but so much worldbuilding in just a few shots.

In general I thought the new cast rose to the challenge. Alyla Browne who played little kid Furiosa I thought was phenomenal actually. That's a tough role, both emotionally and physically, for a child actor and she slayed it. Casting Indigenous model and actress Charlee Fraser to play Furiosa's mother certainly made the Stolen Generation parallels more obvious. I'll have a lot more to say about Dementus down below, but Chris Hemsworth brought a great combo of bonkers and menacing.

I never doubted that Anya Taylor-Joy could bring the emotional intensity needed to the role--she can do crazy eyes like nobody's business, and with the growl she put in her voice she really did sound like Charlize Theron a bit. I found her physicality convincing for a young Furiosa. But she is not Charlize, through no fault of her own. Charlize is tall and she has broad shoulders and she just takes up so much space when moving and fighting as Furiosa and I think it was always going to be hard to replicate that. As long as they didn't try too hard to bridge the gap between the characters I was fine with it. But that one scene at the end where she's bringing the Wives to the Rig I was very viscerally like that is NOT our Furiosa. (I almost wish they would've used Charlize's stunt double for that scene the way they popped Jacob Tomuri into Max's place.) They could have simply left a time gap--based on the "15 years" she says to Dementus and the 7,000+ days we hear about in Fury Road there should be at least a 4-year gap between the film timelines, although in terms of bridging the look of the two actors it feels like it should be more like 10 years.

If FMMS had been a self-contained movie about a character named Furiosa in the Mad Max universe, I think I would have found it very satisfying. But as a prequel to Fury Road there were a bunch of ways I thought it was lacking on a story level.

I think it's pretty clear that this is not the backstory, or at least not the complete backstory, that Charlize Theron was imagining while playing Furiosa. Which...there's nothing objectively wrong with that; word of God and what actors think about their characters doesn't supersede what's on film for determining what is canon. However, Fury Road positions Joe as Furiosa's main antagonist, and while we don't get the full story behind the incandescent rage she directs at him, we know that rage is there and is a big part of her motivation. In interviews at the time, Charlize talked about the idea that Furiosa had been stolen to be a Wife but then was discovered to be infertile and discarded, how she survived by hiding in the Citadel and eventually rose to a position of power, how she saw her actions not as saving the Wives but as stealing them, and that her motivation at least starts out as more about hurting Joe than helping these women.

We get only the tiniest suggestion of Furiosa's backstory in Fury Road ("I was taken as a child, stolen") and the rest we piece together by implication. She is a healthy full-life woman working for a man who keeps healthy full-life women as sex slaves, hoping one of them will produce a viable male heir for him. She is effectively a general in his army, projecting his power on the wasteland, a position no other woman seems to occupy. She tells Max she is seeking "redemption." Redemption for what? She doesn't say. But "whatever she has done to win a position of power within this misogynist death cult" seems like a pretty obvious answer.

And that's interesting! That's an interesting backstory that engages with some of the core themes and moral questions of the Mad Max universe. These movies deal a lot with the tension between self-preservation and human connection. Do you screw someone else over to protect yourself? Even if it means putting them in the terrible position that you yourself have clawed your way out of? Even if it means enforcing your own oppressor's power over them? Or do you take the risk of helping people and caring enough to connect with them, even though this carries an emotional and physical risk?

FMMS doesn't really engage with Furiosa's relationship to Joe like, at all. It's not like Joe comes off looking like a good guy. He's just hardly in the movie. I don't know if this would have been different if Hugh Keays-Byrne were still alive. I don't know if there was pressure from the studio to cast an A-list male lead actor alongside Anya Taylor-Joy (who's a hot commodity now but wasn't what I would call an A-lister when she was originally cast). I don't know if, once Chris Hemsworth was cast, that affected how central his character's role became, since he is certainly the biggest name attached to the film. I would have actually been fine with Chris Hemsworth or another actor of his ilk playing a younger Joe, and us getting to see some of the charisma that attracted followers to him.

But the end result is that we have Dementus, who is a perfectly fine Mad Max villain, and quite entertaining at times! But not the most compelling antagonist you could give Furiosa.

The four Mad Max movies that feature Max go through an interesting evolution. In the first two movies, the villains are people "outside" society--criminals and roving gangs--and the people Max is defending are "civilization." So we have Mad Max where Max is a very fucked-up cop, and Road Warrior where Max is the prototypical western gunslinger, riding in to town to protect the settlement from an outside threat, but ultimately unable to accept any of the comforts of civilization for himself.

Then in Thunderdome and Fury Road, the dynamic switches. Now the antagonists are warlords and dictators. They are civilization. And the people Max ends up helping are trying to escape them.

To me, Dementus feels much more like the earlier kind of Mad Max villain. If there's another Mad Max movie I can most compare FMMS to, it's the first one. Dementus is Furiosa's Toecutter. (Kills her family, gives her her signature disabling injury, movie ends with her seeking revenge on him but it doesn't feel heroic or triumphant.) The whole end of FMMS when Furiosa is implacably hunting down Dementus? Extremely Mad Max 1.

But violent revenge holds a different symbolic place in Furiosa's story than it does in Max's. The end of Mad Max is a tragedy because Max tells us it is. He explicitly states, early in the movie, that he needs to stop being a cop or he'll become no different than the violent criminals he's pursuing. So he leaves his job and goes on an extended weird vacation with his wife and child, trying to get away from the violence of a collapsing society. But that violence finds him anyway, and by the end of the movie, Max has become the exact thing he said he didn't want to be. It's a tragedy not because the people Max kills in revenge for killing his family don't deserve it, but because seeking violent sadistic revenge is damaging to Max. That is not what he needs in order to heal from the loss of his wife and child. What he needs is to take the risk of human connection again. This is what he starts groping toward in the following two movies and fully realizes in Fury Road.

But Furiosa doesn't have the same arc. Her story in Fury Road is about how a few people struggling against their oppressor can be the catalyst that brings down a whole regime. Furiosa getting to rip Joe's face off is fucking satisfying, and it's supposed to be! So it's a bit weird, then, to spend an entire movie giving her a backstory that not only is not about Joe at all, but implies that seeking and getting revenge against Dementus for killing her mother and Jack is what made her into the person we see in Fury Road.

Aside from questions of revenge, what I thought Furiosa's goal was going to be is set up in the beginning of the movie. "No matter what happens, find your way home." Very clear objective there. And then we see her try to get home like, 1.5 times. I thought we were well set up to follow the tried and true film story format of "simple goal, big obstacles, high stakes." I wanted to see her trying over and over again to get home, and being thwarted in different ways every time. I wanted to see grief and guilt over her mother's death turn her mother's last command into a mission for which she would sacrifice anything (and anyone) else. I wanted to see her justify working for Joe and accumulating power in the violent world of the Citadel as what she has to do in order to get home. I wanted to see "Have you done this before?" "Many times." But we didn't really get that either.

Ultimately, I think the least frustrating way to think about the film--which the film itself encourages--is as one of many possible Wasteland legends about a character called Furiosa. Maybe it happened this way. Maybe it didn't. Maybe this is the Furiosa we see in Fury Road. Maybe it isn't. It all depends on how much you believe of the History Man's tales.

[munson-blurbs]

Single Dad!Eddie x Fem!Reader Series

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16

Summary: Your weekend getaway to Indianapolis comes with a boyfriend who's trying to quit smoking, a five-year-old who has difficulty acclimating to new routines, and your own insecurities about your mothering abilities. What could possibly go wrong?

Warnings: angst, insecurities about motherhood, lost child, Eddie gets mad at us, discussion of menstrual period/PMS

WC: 7.7k A/N: There is a moment where someone refers to us as Harris's mom; however, she doesn't see us. There is no indication that we resemble Harris in any way.

Chapter 16/20

Divider credit to @saradika Eddie edit credit to @eddiemunsonsmum

--

The morning dew still kisses the grass when you arrive at the Munson apartment, hauling your duffel bag up to their half-packed car. Eddie’s leaning into the backseat, only his jean-clad legs visible from your vantage point. Harris stands behind him, watching his dad’s every move earnestly and intently. If you had a camera on you, you’d take a photo of this Kodak moment.

“Hi, boys!” you chirp as enthusiastically, tucking your lips into your mouth to stop yourself from laughing when Eddie bangs his head on the roof of the car. “You okay?”

“Y-Yeah, ‘m good,” he mutters, rubbing at his scalp with one hand, expression somewhere between a grimace and a smile.”Morning, Sweetheart. You sleep well?”

You nod, opening your arms as Harris races towards you for a hug. “What about you guys? Or were you too excited about our super-fun weekend?”

“Daddy snored!” Harris reports with a grin, overjoyed to share what he perceives to be a juicy morsel of gossip.

Eddie gasps in mock-offense, reaching out to take your bag and arranging it amongst his and Harris’s in the trunk. “I did not!”

“Did too!” Harris retorts, turning back to you and adding, “like, so loud!”

You crouch down, and hold a pinky out in front of him. “We’re gonna have to stick together this weekend if we’re going to survive,” returning his smile when he wraps his little finger around yours in a promise.

“Can’t believe my girlfriend is conspiring against me with my own flesh and blood,” Eddie grumbles, eyes widening when he realizes what he’s said; rather, in front of whom he’s said it. His panicked gaze meets yours, and you both anticipate some reaction from Harris, but he’s fortunately unfazed and too fixated on the utter silliness of his dad’s snoring. Eddie clears his throat, determined to change the subject before his son catches on. “I think we’re ready to ship out,” he offers, slamming the trunk shut and pressing down to double-check that it’s closed.

“Snacks?” you ask, running through a mental checklist of necessities.

Eddie holds up a family-size bag of pretzels. “Got ‘em.”

“Water?”

“Backseat,” he points to the floor to the left of Harris’s booster seat–a recent upgrade from his carseat. “Harris will be in charge of that, right, Har?”

“Right!” Harris confirms with a thumbs-up.

“Sounds good. Put him to work,” you tease. Eddie’s heart skips a beat at the playful relationship that you and his son have, swapping smiles and making each other laugh. “Music?”

Eddie juts his chin towards the center console, filled to the brim with cassettes. “Always.”

You cock your eyebrow knowingly before posing your next question, preparing yourself for some visceral response. “Nicotine gum?”

Eddie groans, patting the pack of Nicorette in his pocket. “Unfortunately, yes.” About a week and a half ago, Harris had come home from school crying after the school had put on an assembly about the dangers of smoking. Eddie had been meaning to quit for a long time, but his son worrying over real problems, using words like cancer and heart attack, was what finally pushed him to chuck every pack of cigarettes he owned into the trash. 

“Okay,” you smile and clap your hands together, “I think we’re good to go!” You help Harris buckle his seatbelt before climbing into the passenger seat.

The sedan rumbles to life, catching on the second key turn and disrupting the otherwise still morning. “Gentlemen, start your engines!” Eddie roars in an exaggeratedly deep voice, and Harris giggles from the backseat. With Eddie’s hand on the gearshift, you seize the opportunity to squeeze it, light pink tickling his cheeks at your touch.

It’s only thirty minutes into the drive before it starts.

“Daddy, I gotta pee!”

You can practically feel the patience leaving Eddie’s body, fingers tightly gripping the wheel until his knuckles flush white.

“Har Bear, we just hit the road,” he tries, knowing his efforts are fruitless. “Can you hold it?”

“No, it’s a ‘mergency!”

“Fuck,” Eddie swears under his breath. The likelihood of it actually being an emergency is slim to none, but he’s in no mood to risk it. “All right, I’ll pull over at the next rest stop, ‘kay?”

Eddie takes the next exit, parking at a truck stop and nearly falling out of the car in his scramble to get Harris to the bathroom. “C’mon, c’mon,” he mutters, walking so quickly that Harris nearly trips over his own feet. You quicken your own pace just to keep up with them. 

The scent of coffee grabs your attention as soon as you walk in the door, and you make a beeline for the tiny Dunkin Donuts tucked in the corner. The cashier looks as though they could use a shot or two of espresso, eyelids closing under their visor as you give your order. When the boys get back from the bathroom, you present Eddie with a large coffee with far more milk and sugar than your own, and hand a chocolate donut to Harris. 

Eddie's eyes shift back and forth from the donut to you before he speaks. “It’s, like, 9 am,” he points out. “He’s gonna be bouncing off the walls if he eats that now.”

Oh. Obviously. What were you thinking, giving an already-hyperactive child pure sugar in the morning? All of the times you’d cringed when parents had sent their kids into school with Cocoa Puffs or some equally sugary cereal, and you’d given his son a chocolate donut for breakfast. “I’m sorry,” you sputter, shaking your head in frustration. “I should’ve asked you first, or saved it for later.” 

“‘S fine,” he mutters, heaving an exasperated sigh as Harris takes a giant bite of donut. “At least there’s two of us to chase after him,” he adds with a weak smile. 

Harris has devoured nearly the entire donut by the time Eddie’s buckling him back in, chocolate crumbs tucked into the crevices of his mouth. He’s oblivious to your faux pas, and you’d like to keep it that way. 

“I really am sorry,” you say again, guilt gnawing in your stomach. “I should’ve known better; I guess I just got excited about our little vacation together.”

Eddie’s grin is more genuine this time. “Me, too, baby.” He sneaks a quick kiss to your cheek when Harris is focused on what remains of his snack. “The whole no-smoking thing has me extra bitter, y’know?”

You know. You definitely know, but you’re not about to point out all of the ways he’s been short-tempered lately. Instead, you relax into your seat and try to brush off your mistake as Eddie turns on the radio and guitar riffs replace the silence. 

Eddie rolls down the window as the springtime sun warms the air, and you stretch as the rush of wind cools your body. His curls whip around the base of his neck, dancing in the breeze, and you can’t help but push them out of his face haphazardly. 

Your stomach growls, and you’re grateful for the blaring music masking the embarrassingly loud noise. You’d forgotten to grab something for breakfast in your rush to leave your apartment, and coffee is a poor substitute for the most important meal of the day. 

You reach down to the bag of pretzels nestled against your feet. “Y’want?” you ask Eddie, who nods and opens his mouth for you to feed it to him while he concentrates on the road. Laughter bubbles up from within you as he takes one from your hand by pinching it between his teeth. 

Harris giggles, too. “Daddy, you look like a goat from the zoo!”

“Oh, yeah?” Eddie slides the snack into his mouth and bites down with a crunch, “and what sounds do goats make?”

“Hmm,” Harris ponders this for a moment before bleating a resounding, “maaaah!”

You swivel in your seat to give him a high-five. There’s donut residue on your hand when you pull back. “Smarty pants! I bet you know every animal sound there is.”

You and Eddie rattle off different species as you feed him more pretzels. Harris manages perfect impressions of each, until you call out, “sloth!” and effectively stump him. 

“Ms. Sweetheart!” he cackles maniacally, partially because of his sugar rush, you’re sure, “that is so silly!”

“Y’just gotta do everything suuuuper slooooow.” You drag out the last two words to emphasize your point. “Like this: Haaaaarrisssss…caaaaan…youuuuu…haaaaand…meeeeee…aaaaa…waaaaterrrr?” This brings on a fresh round of giggles from the backseat; even extra-bitter Eddie manages a hint of a smile.

Harris grabs a bottle at a snail’s–no, a sloth’s–pace. “Heeere…youuuuu…goooooo!” His pace is far from hurried, and you feel the gentle tap of the plastic cap against your shoulder blade a full thirty seconds later. 

“Thaaaaank…youuuuu!” You crack open the bottle of water and take a swig, quenching a thirst only made worse by the salty snack. “Wanna play again? See how many other animal sounds you can do?” you ask, grateful to have found a way to keep him occupied. Before you can close the bottle, Eddie reaches over and snags it, lifting it to his lips. 

“Daddy, no!” Harris screeches from the backseat, little hand shooting out in protest, causing Eddie to slam on the brake. Water sloshes over the top of the bottle and onto his pants. 

“Shit—what, Har?” he snaps, shoving the now half-empty bottle into the cupholder. He swipes haphazardly at the wet patch on his thigh, darkening the denim as it spreads along the fabric. He gives up with a mumbled, “whatever,” when he realizes he’s only rubbing it in more. 

“You’re gonna get her germs,” Harris points out matter-of-factly. 

Eddie huffs out a terse chuckle, slightly amused but still irritated. “Yeah, yeah, right,” he mutters, and you take that as a sign to reach back and get him his own bottle. 

The remainder of the drive is uneventful, though Eddie has to dip into his Nicorette stash when a maroon Toyota Corolla weaves in and out of lanes at lightning speed and cuts him off. He instinctively reaches for the pack of cigarettes he’d always kept in the console, groaning when he remembers that it’s long gone. 

“Good job, baby,” you murmur softly, giving his knee a quick squeeze in approval as he pops a piece of gum into his mouth. “‘M proud of you.” 

You pull up to the hotel just after 10 AM, the morning chill has dissipated as the sun’s rays warm the air. The fair weather made the trip smoother, a small miracle if you’d ever seen one. Truthfully, you don’t think Eddie’s frayed nerves can handle a rainy day.

Eddie takes Harris’s hand as you all walk through the parking lot and up to the front desk. A middle-aged concierge greets you, the customer service smile plastered across his face faltering when he clocks Eddie’s ripped jeans and disheveled wind-blown hair. 

“Reservation’s under ‘Munson,’” Eddie says to him, not making eye contact; your heart is a sinking stone when you realize that he also noticed the man’s shifting expression. “I called ahead and they said we could check in early.”

The concierge nods. You catch a glimpse of his shiny silver name tag, proudly proclaiming “STU, ASSISTANT MANAGER” gleaming in the overhead fluorescent lighting. “Room 325,” he grunts, handing you and Eddie keys dangling from matching logo-branded chains. Elation is a sunflower blooming in your chest; your first vacation has officially begun. Maybe it’s a little getaway only ninety minutes from home, but it’s a new adventure that you’re taking together.

Eddie flings his and Harris’s shared bag, then yours, onto one of the queen beds with a groan. “We made it!” he announces, flinging an arm over your shoulder. The pads of his fingers brush your upper arm, a tissue-paper light touch that has you soaring.

“Daddy? I gotta pee again,” Harris’s urgency breaks the moment. He’s hopping from one foot to the other, a potty dance if you’ve ever seen one.

 “Go for it,” Eddie says, pointing towards the bathroom. He shakes his head when his son sprints the short distance.

Once the door closes, Eddie’s hands are on your hips, tugging you so close that your stomachs touch, your breasts pressed to his chest. His mouth immediately swoops down to your neck, nipping gently at the flesh along your collarbone. 

“Hello there,” you manage to speak through a laugh. You’re unable to say more, as he’s pressing his lips to yours in a hungry kiss so fervently that your teeth nearly click together. 

“Hi,” he breathes once he’s pulled back, brushing the tip of his nose against your own. “Sorry, y’just look really pretty.”

You wrinkle your nose in confusion. “I’m wearing sweatpants. I don’t even have makeup on.” Truthfully, you’d meant to at least swipe on some mascara, but you were preoccupied making sure that you’d packed everything you needed for the weekend. 

“Don’t care,” Eddie mumbles, leaning in for another kiss, “still s’fuckin’ pretty. Don’t know how I’m gonna keep my hands off of you.”

The solution to that problem comes in the form of a flushing toilet and Harris calling out, “I’m done! Gonna wash my hands!”

Eddie throws his head back in frustration before burying his pink-tinged face in his hands. “This, uh, was not exactly how I imagined our first time in a hotel together,” he admits. 

“At least he’s washing his hands,” you joke, trying to ward off the throbbing need building in your core. It fails miserably. You want him, need him, to relieve the ache in the way that only he can. You yearn for the way his fingertips dance across your skin, eagerly reaching under your shirt or dipping below your waistband, desperate to make his girl feel good.

The two of you break apart as the bathroom door swings open. You fly across the room and pretend like you’re rifling through your duffel bag while Eddie flops onto the bed. His shirt rides up slightly as he lays down, and you have to fight the urge to bite the exposed sliver of tummy. 

“When are we going to the market?” Harris asks, catapulting himself onto the bed and landing next to his dad. 

Eddie rolls over and checks the digital alarm clock between the two queen beds. “Doesn’t start for another few hours,” he says. “I was gonna try and take a quick nap before we—”

“I’m not tired!” Harris whines, and you can see in Eddie’s deflated, tense physicality that his already thin patience is wearing down further. “I wanna go now!”

“Hey, Har Bear,” you try, hoping you’re not inserting yourself into the dynamic too forcefully, “why don’t we go on an adventure while Daddy sleeps? We can wake him up when we get back.”

Harris hops down onto the floor and readily slips his hand into yours. “Bye, Daddy!” he calls out, dragging you towards the door. “Me an’ Ms. Sweetheart are having a ‘venture!”

Eddie gives you a weary but grateful smile as he scoots upwards to rest his head on the overstuffed pillow. “Godspeed,” he mumbles into the sheets, already beginning to doze off as he speaks.

The elevator dings and you shuffle into the small space, reaching for the “L” button to bring you down to the lobby.

“I wanna push the button!” Harris laments, and his sudden shriek has you instinctively pulling your hand back before regaining your composure.

Do you correct him? Let him press the button despite raising his voice? Deciding a consequence comes naturally to you in the classroom, but the anxiety of making the wrong choice serves as a massive roadblock. “You have to ask nicely if you want to push the button,” you offer, sending up a silent prayer that this staves off an impending tantrum.

He pouts for a moment before relenting. “Can I push the button?” It’s more grumble than request, but you accept it anyway.

His hand remains tucked safely into yours when you leave the hotel, basking in warm weather. You breathe in for three, breathe out for three. Okay. You can do this. Your job revolves around children; you can survive an afternoon taking care of just one.

Except that one happens to be your boyfriend’s son, and if you mess this up, it could ruin both Munsons’ perceptions of you.

“Where’re we going?” Harris asks, and you realize that you have no earthly idea; to be honest, you’re surprised that he so readily agreed.

”We can go for a walk?” you suggest, pasting on a smile in feigned confidence. “Maybe we can find a playground or something?”

“Okay!” he chirps. He’s fast for someone with little legs, and you have to remind him multiple times to use his walking feet. Yeah, this kid needs to burn off some energy, stat.

To your relief, there’s a playground just a few blocks away, fully equipped with a swing set and a jungle gym. Harris races across the grassy field onto the wood chip-covered area, assessing the space to figure out what he wants to conquer first.  

You sit on the bench next to a woman who simultaneously reads a James Patterson novel and keeps an eye on the jungle gym, where a little girl is dangling from the monkey bars, putting one hand in front of the other. 

She looks over with a sympathetic smile when you breathe out a long sigh, sinking into the wooden back like a weight has been removed from your shoulders.

“I hear that,” she says with a kind chuckle. “Mine will be tired for about…hmm, five minutes? Just long enough to get her home, and then she’ll be hopping around like the Energizer Bunny.” She shakes her head. “Is yours the same way?”

Yours. The term is peanut butter stuck to the roof of your mouth, and it takes a beat too long for you to respond. “Y-Yeah, I’m pretty sure he would sleep run if he could.” The stranger laughs at your joke, and you relax a bit. “Sorry, he’s really my boyfriend’s son, and it’s kind of…new to think of him as being mine, too.”

You expect her to pick up and move to a different bench, away from the weird woman who’s baring her soul on the playground, but she just closes her book and turns to you. “Carly is technically my stepdaughter,” she explains in a hushed tone, “but her mom’s not in the picture so, for all intents and purposes, she’s my daughter. No ‘step��� necessary.” 

“Is…is it hard?” you ask, the question spilling from your lips in a desperate plea for answers. “Being a stepmom?”

She nods. “Oh, absolutely.” She brushes a strand of hair from her eyes, and you can see a sparkle behind them. “But, trust me, I wouldn’t trade it for the world.”

Her words, spoken freely of judgment and purely with empathy, alleviate the nervousness burning through you. “Thank you,” you murmur, gratitude forming a lump in your throat that you struggle to swallow.

“Ms. Sweetheart!” Harris shouts from the top of the jungle gym. “Look what I can do!” He hesitates for a moment before reaching out his arms and grabbing onto the metal pole. You stand up to call out a preemptive warning, to get to him before he can fall, but before you can, his chubby hands grip the pole. He hooks his legs around it and slides down expertly, not letting go until his sneakers are firmly planted on the wood chips scattered across the ground. 

Pride warms your heart when his eyes lock with yours, the corners of his mouth twitching slightly as he awaits your approval. Anticipation reverberates within his little body, and before you can get in a word edgewise, he’s jumping up and down with an excited, “didja see me?”

“You’re amazing!” Your praise floats through the air and envelops him like a long-awaited embrace. “Super brave, too. I don’t think I could do that.”

He furrows his brows before a knowing smile forms on his lips. “Yes, you can! I’ll show you.”

Kind of walked right into that one, you lightly chastise yourself, but you dutifully shuffle towards where he’s already darting up the steps on all fours, hands splayed out for balance. 

“C’mon, Ms. Sweetheart!” Harris cheers, waving his fists in the air in earnest, and you simply cannot let the boy down. He easily glides down once more, big brown eyes looking up at you from the ground. “Just like that, see?”

“Right, got it.” You give him a thumbs-up and emulate his movements, holding on tightly to the metal pole and sliding down. You grimace as it squeaks under your grasp, nails on a chalkboard, but your feet reach the ground soon enough. 

Harris flings his arms around you, chin digging into your thigh as he gazes up in adoration. “I told you you could do it! Y’just had to try!” His admiration is fleeting; he soon spots another child leap from the swingset to play elsewhere. “Can you push me on the swings?” he pleads, already leading you to the equipment. “I just need a little help getting started, but then ‘m good.”

You hold the chain links dangling from the top of the structure, allowing Harris to maneuver himself onto the rubber seat. He scoots back so his bottom is fully supported and announces, “‘m ready!”

“Hold on tight,” you remind him, more out of routine than necessity, as you pull back the rust-covered chains. You move as far back as you can, double-checking that he hasn’t let go, and release the swing. His squealing giggles are music to your ears, and you push him a few more times before he’s able to take over independently. 

His mop of curls defies gravity as he sails back and forth, pumping his legs to gain height. “Ms. Sweetheart?”

“Hm?”

“Do you love my daddy?”

You ponder the thought for a moment. You know exactly how you feel about Eddie; he simultaneously kicks up the butterflies in your stomach and calms every buzzing nerve in your body with just a smile, but you’re unsure how much he wants to tell Harris. You settle on the truth, direct and simple: “yeah, I do love him.”

Harris wastes no time asking a follow-up question. “A lot or a little?”

“A lot,” you answer quickly, realizing the magnitude of your enamoration as you say it aloud. The way Eddie’s kisses wrap you in an armor of safety; you hope your kisses have the same effect on him. “Definitely a lot.”

He hums his acknowledgement. “Grampa Wayne says Daddy loves you a lot, too, but I can’t ask you to be my mommy yet.”

You freeze in place so suddenly that the swing’s momentum nearly knocks you down; you step out of the way just before his sneaker-clad feet can make contact with your torso. “You want me to be your mommy?” you repeat dumbly, still half-convinced that you heard him incorrectly. 

“Mhm,” Harris confirms, “but Grampa says that being a mommy is a big ‘sponsibility, and I gotta be patient. That means I gotta wait until Daddy says it’s okay to ask you,” he elaborates matter-of-factly. 

This is clearly something they’ve talked about, extensively enough that Harris knows that he shouldn’t say anything about it. You’re temporarily rendered speechless, words failing you as you search for an appropriate response. Do you thank him? Act like you hadn’t heard him? Hope that a sinkhole opens up in the middle of the playground and swallows you whole?

“Th-That’s great, Har,” you manage, shoulders suddenly heavy with the weight of his statement. He goes back to focusing on pumping his legs, leaving you to tend to the anxiety gnawing at your insides.

Motherhood–the term stepmother seems arbitrary, given that Harris’s biological mother has all but dropped off of the face of the Earth–is a terrifying prospect. Any time you try to explain your fears, people just shrug them off, claiming that you’d be a ‘natural,’ that your years of teaching would ultimately ‘pay off’ when you had children of your own. As if teaching and parenting were remotely the same.

To you, the differences are as clear as day. When you’re a parent, there’s no ‘clocking out.’ Your obligations don’t begin at 9 AM and end at 2 PM; they’re twenty-four hours, seven days a week. It’s not the same thing. Not even close.

Before you became a teacher, you had to go to school and take education courses. Read your textbooks cover to cover. Had to do an internship for a semester. You’d had ample opportunities to determine whether or not it was the right job for you. Motherhood doesn’t offer that luxury: you don’t know if you’ll be a good mom until you’ve already chosen to become one.

“Ms. Sweetheart?” You jump out of your skin when you realize that Harris is slowing himself down, scuffed Reeboks scraping against the ground as he comes to a stop. “Can I get ice cream?”

You bite back a laugh. “You just had a donut, silly boy,” you remind him with a gentle ruffle to his curls, trying to keep your tone breezy, “but we can grab some sandwiches. Maybe even get one for Daddy, too?”

His lower lip quivers, making your heart lurch. “B-But–”

“And,” you interject, “we can go out for ice cream after the market. With Daddy.” You hope it’s a promise you can keep.

It was too good to be true. Deep down, you knew it, despite the fleeting victory of getting Harris to eat an actual lunch. His hands were sticky with peanut butter and jelly–you were making a mental note to reassure Eddie that, yes, some had gotten in his mouth–when you’d done the unthinkable. The unimaginable. 

You hadn’t let him press the elevator button.

He howls and sinks down to the floor, knees slamming into the linoleum tile and making him scream even louder. 

“Buddy, you’ve got peanut–” 

“I wanted to press…the…BUTTON!” he shrieks, every minor inconvenience he’s encountered today culminating in what you can only dub the Tantrum of the Decade. The crash from the sugar rush, not going to the market when he wanted to, the lack of ice cream are represented in every fat tear rolling down his reddening cheeks, in every flail of his legs as you try to scoop him up and bring him into the elevator, in every heaving breath. He’s overtired, overwhelmed, and out of his normal routine.

Your own eyes get misty as the metal door slides shut, enclosing you in a small space that seems to shrink with each wail. The kid has the lung capacity of an Olympic swimmer, while you’re drowning in your own pity.

He’s still sobbing when you reach the third floor, and Eddie’s flying out of the room as soon as he hears the sound of his son crying. Curls disheveled from his nap, crust still at the corners of his eyes. I woke him up, you realize. Another nail in the coffin.

“Wh-What happened?” His voice is raised, not in accusation, but just to be heard over Harris yelling. “Did he get hurt?” He takes Harris from your arms, clutching him to his chest in sheer panic. Reflexively, he inspects his boy’s head, arms, and legs for bruising and blood.

You shake your head, afraid that any attempt to speak will have your voice fracturing into pieces, no better than the little boy’s meltdown.

Fortunately, Harris has no problem filling his dad in. “I–wanted–to push–the button–and–she–said–NO!!!” Each word is punctuated with a hitched breath and is angrier than the last.

Eddie looks at you, more puzzled than worried now that he knows his son is unharmed, and a visit to the emergency room is unnecessary.

“His hands were sticky from his sandwich,” you mutter, unable to make eye contact with either Munson. “Oh, um, this is yours,” you add robotically, handing him the bag containing his hoagie, now a darker shade of brown from the grease it’s soaked up. You wince at how stilted you sound, simply going through the motions, not at all like the enthusiastic presentation you’d planned on the walk back to the hotel. 

“Thanks.” Not unappreciative, but far from enthusiastic, and you can’t blame him. “Let’s just, uh, let’s just get him in the room.”

The sleepiness consumes Harris after a few more arduous minutes in his dad’s embrace. Eddie rubs circles on his back to calm him down, tiny shh sounds passing through his teeth. Harris begins to catch his breath; hiccups like aftershocks ricochet in his chest, gradually subsiding into soft snores. 

“Jesus,” Eddie whispers as he gingerly places him onto the unmade bed, still warm from where he was lying just moments earlier, “that was one hell of a wake-up call.”

You speak at the same volume as him, though you don’t even have to try. Shame buries your voice deep in your diaphragm. “I’m so sorry.” Your right incisor digs into your lower lip as emotion ravishes you. The absence of Harris’s tantruming creates a loud silence that neither of you have the energy to fill. 

“I could say the same to you,” Eddie says with a soft chuckle, taking your hand and squeezing it tight as he sits down on your bed. “His meltdowns are no joke.”

“I should’ve just let him press the damn button.” You’re only half-serious, but your stomach sinks when Eddie says nothing; instead, he carefully unwraps the sandwich and takes a bite. A glob of mustard lands on the parchment paper with a soft plop. 

He doesn’t disagree. You made a mistake—two mistakes, if you’re counting the donut fiasco—and Eddie saw it. Saw that you’d failed. 

“Did you get enough rest?” It’s a feeble attempt to change the subject, and you both know it, but you go for it anyway. 

He lets his knee knock into yours. “Never enough, Sweetheart,” he says with a smile, wiping his lips with the flimsy deli napkin. “But, yeah, I got some sleep.” He leans in and murmurs in your ear, “Would’ve been better with you next to me, though.”

You turn so that your nose brushes his. “If I was laying next to you, you wouldn’t be able to sleep,” you quip, stifling your laughter when he takes your cheeks in his hands and smacks a kiss to your lips. 

“I would be a perfect gentleman.” He stretches and exposes the happy trail below his navel. “My eyes are up here,” he teases, catching you checking him out. “And you were worried about me.”

The dynamic shifts back to playful and lighthearted, his joke chipping away at the tension that’s been weighing you down.

“Shut up and eat your sandwich, Munson.”

“Yes, dear.”

You’ve showered and changed into a fresh set of clothes, jeans replacing the ratty sweatpants you’d donned earlier. You’d tried to wash the day’s stress down the drain along with the eucalyptus-scented soap suds, and though you don’t feel completely recharged, you’re ready enough to tackle the market.

Still, you can’t stop yourself from murmuring to Eddie, “d’you want me to stay here with Harris? Just in case it’s too much for him?”

He considers it for a moment before shaking his head, shrugging on his denim jacket. “Nah, he got his nap. Should be fine.”

The little boy in question slips one hand into yours and looks up at you with a grin. Eddie had talked to him earlier, reminded him about expressing himself in ways that didn’t hurt people–or their ears–and Harris apologized tearily. All is forgiven; at least between you and him. You still feel an uneasiness with Eddie, though it may be one-sided, as he’d quietly lamented that you two couldn’t shower together.

“We’re goin’ to the market! We’re goin’ to the market!” Harris chants, shuffling on the balls of his feet in a little dance. “Ms. Sweetheart, guess what?”

“What?”

“WE’RE GOIN’ TO THE MARKET!”

“Shocking,” Eddie mutters under his breath, a wry smile on his lips, and you use your free hand to swat at his stomach. “Okay,” he pats the wallet in the side pocket of his jeans, “got the company card, keys, handsome son, beautiful girlfriend…” He glances around the room; this time, he’s either unaware of his slip-up or is unbothered by Harris knowing your relationship status. “Looks like we’re good to go!”

The car ride isn’t too long; it’s only about a ten minute drive before you reach the market. And since you’d remembered to let Harris press the elevator button, it didn’t feel endless.

“Now, Harris,” Eddie says as his son climbs out of the car, hopping onto the parking lot pavement, “the market’s gonna be busy–”

“I know!”

“--so you have to hold my hand, or Ms. Sweetheart’s hand–”

“I know!”

“--the whole time. Got it?”

“Yes!” He’s far too exasperated for a five-year-old, and you have to bite your cheek to keep from laughing. “Can we go in now?”

Eddie obliges and takes Harris’s right hand; you take his left, the three of you walking towards the gigantic building together. 

You’d figured it would be crowded, but you’re unprepared for just how overstimulated your senses become upon entering. Vendors shout advertisements for their booths, beckoning potential customers to check out their wares. Snippets of different conversations infiltrate your  ears, and you swallow hard to clear your head, though the grainy muzak pumping through the overhead speakers doesn't help. 

Immediately, you spot a booth selling secondhand books, and you look at Eddie with a hopeful gaze.

“Go,” he motions with a smile, laughing when you all but skip off to the stack of novels. You don’t want to take too long, as neither Munson has the patience to wait while you peruse your options. A weathered paperback copy of The Grapes of Wrath catches your eye, some pages dog-eared and smelling faintly of stale smoke, and you fish out two quarters from the bottom of your bag and place them in the vendor’s hand.

“Okay,” you breathe when you get back to Eddie and Harris, overwhelmed just by the short walk. You grip Harris’s hand even tighter, all-too protective of him in such a crowded space. “Let’s go get some records!”

Eddie finds a variety of vinyls that he knows will sell at Rock Records—from older classics like Louis Armstrong, Etta James, and Buddy Holly, to more recent gems from Van Halen, Queen, and Michael Jackson. 

“Babe, check this out!” he announces gleefully, showing off a copy of Metallica’s Ride the Lightning. “I must’ve listened to this a hundred times when it was released in ‘84.” His enthusiasm is palpable, and you have to wonder if this purchase is for the store or for himself.

To his credit, Harris lasts a full twenty-five minutes before he starts asking for ice cream again. “You promised, renember?”

Eddie grins at him, then at you. “A promise, huh?” He clicks his tongue. “Can’t break that.”

“I think I saw a booth down there that’s sellIng some.” It’s a local shop, and you know one cone will probably cost more than a half-gallon at the grocery store, but you’ll risk the upcharge if it means avoiding a second meltdown today. 

“I’ll be right there,” Eddie tells you, eyes flitting back towards a row of booths you’d passed by earlier. “Just get me something with chocolate?”

“What’s the magic word?” Harris interjects. 

“Please.” He lays it on thick, throwing you a wink before turning around. 

You grab a $5 bill from your back pocket, change from when you’d bought the sandwiches earlier, and approach the ice cream stand.

“Can I please get one cherry chip cone, one chocolate fudge cone, and…what do you want, Har?”

“That!” He points to a giant display of model cars displayed in front of a toy vendor’s booth. “I want the orange one!”

“We can look after,” you reassure him. “First, you have to pick the ice cream flavor you want.”

“Hmm,” he presses on tiptoes to peruse his options before pressing his forefinger to the glass, pointing to cookies ‘n cream, declaring, “that one!”

The vendor hands him his cone, then turns to you and confirms, “just the three cones?”

“Mhm.”

She punches some numbers into the register, expression far too serious for the gig. “That'll be $6.”

Exhaling, you hand her the bill in your palm. There’s no way the stodgy woman is going to cut you a break for the extra dollar. “Give me a sec; I should have a single in my wallet.” You let go of Harris’s hand, fumbling around in your bag until you pull out what you’ve been searching for. 

The vendor takes your money and hands you the remaining two cones, already starting to melt with all of the body heat surrounding you. 

“Thank you,” you say with a polite smile. “Okay, Har, let’s—” Your blood runs cold when you realize he’s nowhere to be found.  “Harris!” you call out, voice shaking on the last syllable, unable to hide how frantic you feel. “Harris!”

Eddie, already on his way from his earlier errand, runs over to you. “Where’s—”

“He was just here!” You push your way through the crowd, accidentally brushing your scoop of cherry chip along someone’s jacket, but there’s no time to apologize. 

You and Eddie take turns yelling out his name, bile rising in your throats with each unanswered shout, until you hear somebody ask, “is that your mommy and daddy calling for you?”

Both your and Eddie’s heads swivel towards the conversation, breathing identical sighs of relief when you see the familiar mop of curls in front of the toy car display.

“Oh, thank God.” It comes out in one breath, your chest deflating as you and Eddie rush towards him. 

“Harris, what are you doing?” Eddie admonishes him, heart still racing as the surge of adrenaline tapers off. He picks him up, fingers digging into the shirt fabric as he holds him as close as possible, and presses a kiss to his scalp. There will be some sort of consequence later–revoking TV time and a lecture on stranger danger–but for now, there’s only the comfort of knowing he’s safe.

“I just wanted to see the cars,” Harris protests, trying and failing to wriggle from Eddie’s grip. “Can I get the orange one?”

Eddie huffs out an incredulous laugh, astounded that Harris doesn’t understand the seriousness of his actions. “No, you can’t!” he yells, attracting unwanted attention from other shoppers, “and you can’t wander off like that! I told you that you have to stay with one of us the whole time!” He flexes his palm before clenching it into a frustrated fist. “What were you thinking?”

Harris’s eyes fill with tears. “I j-just wanted to s-see them,” he tries again, taken aback by the anger in his dad’s voice. “An’ Ms. Sweetheart was right there!”

The mention of your nickname reminds Eddie of the other adult involved. “You were supposed to be watching him,” he spits, gritting his teeth to keep from raising his voice at you. 

You wince at his tone, filled with venom for the first time since his comment about Grandma forgetting you all those months ago. The difference is that, now, you deserve it. Letting go of his hand was careless; at the very least, you should have reminded him to stay put. The early morning donut, the elevator button were menial indiscretions compared to this mistake. There’s no denying that you’d royally messed up.

“I’m so sorry.” Sorry for not keeping a closer eye on Harris. Sorry for waking him up from his nap via a screaming child. Sorry for waltzing into their lives and thinking you had a snowball’s chance in Hell of being a decent parent. The ice cream drips down the cones and onto your hands, pooling in the crevices between your fingers. You dump them in the nearest trash can, neither of you hungry anymore.

You can’t return to the hotel soon enough, and as soon as Eddie puts an episode of Rugrats on TV for Harris, you begin inconspicuously packing your collecting your toiletries from the bathroom to back in your luggage.

“What’re you doing?” Eddie asks from the doorway. He’s got his arms folded across his chest, perplexion wrinkling his brows. 

“Going home.”

He presses his forefinger and thumb to his eyelids and shakes his head. “I shouldn’t have snapped at you like–”

“No,” you interrupt him, choking down your frustration, “you were right. You trusted me to watch him, and I didn’t.”

“Hey, hey,” Eddie steps forward and puts out a hand to stop you from grabbing your toothbrush, “it was an accident. Things happen in a split second, yeah?” He thinks back to the way Harris had tumbled off of the bed months ago. “We found him, and that’s what matters.”

He’s trying to comfort you, which somehow makes you feel worse. You lost his kid, but he’s focusing on making you feel better.

The next words out of your mouth shatter his heart into pieces: “I think it would be better for everyone if I leave.”

A small puff of air escapes his nostrils, unsurprised but hurt nonetheless. “‘S too much for you, isn’t it?” he mumbles, not even daring to glance in your direction as he says it. 

He knows. He knows that you aren’t cut out for this, that you’ll never be the mom Harris needs or deserves. In his own words, he knows it’s too much for you.

You say nothing in return, and your silence is louder than the cartoon squabble just a few feet away.

“Fine, just…just go, then.” He slams one palm on the bathroom sink, the other raking through his hair so forcefully that a few strands come loose. “God, I need a fucking cigarette!” he mutters, jaw clenched.

“I’m so sorry.” It’s all you can think to say. You’ll repeat it over and over again if it rectifies the situation. 

“Yeah, whatever.” He starts to leave the room, not even turning back around to say, “I’ll tell Harris you’re not feeling well.” He wants to ask you to call the hotel room when you get home but bites back the request. That’s something one partner asks of another, and you aren’t partners anymore, he realizes bitterly, and it’s his fault. He’d put the responsibility of parenthood on you far too quickly. 

He could have insisted that Harris stay and nap with him rather than letting him go to the park. He could have kept Harris by his side while you got the ice cream, or the three of you could have gone together. Instead, he’d just assumed that this was a role you had no qualms about taking on. In his eagerness to build this little family, he’d squandered the foundation before it had even set.

Eddie watches as you walk away, the words wait and don’t go and we can figure this out lurking behind his molars, but he remains silent. 

When the door slams behind you, he bites on his thumb. Go after her, some part of him—his conscience, maybe—nags, but he pushes the thought away. He can’t ask you to stick around and be a mom to his son if it isn't truly what you want to do. 

He removes his finger from between his teeth and shoves his hands in his jacket pockets, temporarily confused when he’s met with some resistance. The tiny brown paper bag crinkles as his fingers make contact with it, and he pulls it out dejectedly. 

He’d spotted the necklace while scavenging for record vendors and made a mental note to return to it when you weren’t there to see. A tiny metal heart on a chain that he’d planned to give to you at the end of the trip. It was the reason he’d left you alone with Harris; he’d wanted it to be a surprise. 

“Well, that was a fuckin’ waste,” Eddie says to no one in particular, shoving it back in the confines of his pocket. He sits next to Harris, hoping Tommy Pickles’ shenanigans will melt his brain for just a few moments. 

The next bus to Hawkins pulled up thirty minutes after your cab arrived at the station. It was the only way to get home, and an embarrassingly large part of you hoped that Eddie and Harris would swing by, enveloping you in a tight hug and promising you that you’re doing a great job. That you’re enough. 

That moment remains a daydream, one that replays over and over as you lean your head against the window. It’s all highway from here to your small town, close to three hours on the road because of the intermediate stops, but you’re in no hurry to return. If it hurts now, you can’t imagine the pain when the loneliness sets in. 

Of course Eddie wasn’t coming to rescue you; you’d let him down right when he’d needed you. It was all so superficial on your end, thinking that you could be a mother just because you’d taught Harris how to read and have dinner with him and his dad once a week. 

Wallowing in pity is too indulgent, too pathetic, but you can’t keep from berating yourself. You’re a preschool teacher; how hard is it to remember to hold a kid’s hand?

Tears slip down your cheeks involuntarily and you swipe at them before your seat partner can notice. The last thing you need is to strike up an emotional conversation with a complete stranger. 

And what is it with you and crying today? Getting choked up when Eddie had pointed out the donut mistake, feeling like you were going to have a meltdown alongside Harris, and now this? It’s like you have an endless supply of tears. 

The most likely culprit is your run-of-the-mill PMS; you can always count on being overly sensitive on those select few days. You open your bag and take out the pocket calendar where you keep track of important appointments and dates, including your periods. 

Today’s April 26. You flip back to March, rifling through the pages until you see that the first day of your last period was the twentieth. 

You’re almost a full week late. 

--

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[drewsbuzzcut]

Moving On and On, So Very Bittersweet

Mat Barzal x model!fem!reader

A visceral in doses fic

Warnings: mentions miscarriage, anxiety, nerves, slight angst, and SMUT

Today has been a bit of a haze and you’re not even close to putting your plan in motion yet. You’re finally ready to have sex again after a long, grueling 5 months. The healing process after your miscarriage has been one of the hardest things ever, and it’s still rough sometimes. However, time has healed you mentally and you feel ready to rekindle that spark between yourself and Mat. This morning you made a phone call to your best friend, Beverly, asking if she’d do you the grace of taking care of your babies for the night. Luckily she agreed. You had to run around the house to pack their bags and feed them before they were picked up. Now you’re setting up for tonight, impatiently waiting for Mat to walk through the front door.

The familiar beep of Mat’s car doors locking alerts you instantly. You feel nerves of anticipation and excitement fill you up as you trot over to the front door. You throw it open before he can even insert the key into the keyhole. You’re greeted with his shocked expression and his arms wrapping around your waist, pulling you into his chest.

“Hi, baby,” you mutter, words muffled by the material of his button up.

You practically cuddle into his body as warmth emanates from all around him.

“Hi, pretty girl. I missed you today,” he says back, looking down into your eyes.

An overwhelming swell of love pumps through your veins while you stare at the man you’re insanely in love with.

“The kids are awfully quiet today,” Mat concludes, so used to the bustling sound of his kids coming to greet him when he first gets home.

“They actually aren’t here. They’re with Beverly for the night. We’ll go pick them up tomorrow morning,” you explain.

You fiddle with the hairs at the nape of his neck to distract yourself from feeling any type of anxiety. You’re trying not to let any of your fears get to you. You know you’re ready to move forward with Mat, but you can’t help but feel jittery. It’s almost like it’s your first time all over again.

“That’s nice. What’s the occasion?” Your husband’s hands wander along your back, his fingertips pressing into any knots you may have.

“No occasion, I just want some quality time with my husband,” you murmur and press a kiss onto the side of his neck.

For a moment you feel him freeze because he’s not used to you being affectionate as of late, but then you feel him melt into you. He doesn’t know that it eases your anxiety.

“I can definitely get behind that. I missed being able to be with my wife without the babies crawling all over us. Don’t get me wrong, I love our children, but I love having some time for just you and me,” Mat grins, tugging you further into him.

“Me too, baby. How about we order some takeout?” You ask.

“Deal.”

-

“That was so good,” you comment as you relax into the cushions of the couch.

“Sushi is always good,” Mat agrees, welcoming you into his arms.

You pepper kisses along his collarbones and all the way up to his jaw. Your hands press into his chest and you smirk when you feel his heartbeat start to pick up. After your soft attack is over, you pull him into a hug. You feel so thankful for your husband, and you hate that you haven’t been showing it as often.

“It’s so nice to be able to enjoy a meal with you, baby. We haven’t had a date this week, so I’m glad we were able to do this,” Mat expresses his gratitude.

“Maybe we should cap this over with a nice bath and maybe a glass of wine,” you suggest, eyes peering into his innocently.

“I like that idea very much,” he responds and leads you to your bathroom.

After setting up a warm bubble bath and grabbing some wine, you finally sink into the water. You welcome the liquid to soothe your muscles and you’re sure that Mat welcomes the same feeling. You melt into his chest, feeling the comfort of having him wrapped around you.

“Mat,” you mutter so quietly that he almost doesn’t catch it.

“Yeah, babe?” He leans up, so he’s flushed against your back and his hands wrap around your stomach.

You fight the chill that dares to roll through your spine and try to calm the butterflies fluttering in your stomach.

You clear your throat and say, “these past months have been so hard on us. I’m still a little sad, but I miss feeling connected to you-“

“We're always connected, even if it's not sexually. You're my wife, my soulmate, and my everything," Mat adds in. His eyes are filled with sincerity, making you relax a bit.

“I know, baby. In this case, I mean I miss being sexually connected. Seeing you be the best daddy, picking up my slack, and just being the best husband, has made me insanely horny for you,” you finish with a giggle, feeling awfully shy. Your cheeks simmer under Mat’s smirk.

There are no words to express how grateful you are for your husband. While you’ve been dealing with your grief, Mat has been the ultimate partner. Not that he wasn’t before the miscarriage, but he’s definitely made things easier for you during your fragile state. That’s not to mention that he’s been so patient with you. He didn’t push you to get better, nor did he push you to have sex before you were ready. Mat’s the definition of the perfect husband, perfect father.

"Are you 100% sure you're ready for me?" Your husband asks, wanting to be completely certain that you're not feeling any hesitation.

“I’m sure. I want you,” you state firmly, pushing yourself as close as humanly possible to him.

His hands fall from the small of your back to your ass, grabbing handfuls of you.

You kiss up his throat, licking a line up one of his veins.

“On our bed,” you make sure that he knows he can’t have you until you’re in the comfort of your bed.

-

“Wait here,” Mat says, rubbing your arms and leaving you in your ensuite while he disappears into the master bedroom.

You finish off your skincare and body care routine. You feel so giddy, like you can jump and run around. You’re not sure what your husband is doing and it makes you excited. The lust has already started to pool in your core, waiting for Mat to ignite the fire within you.

You can’t wait to get your hands on him and feel his muscles flex underneath your palms. You yearn to hear his moans close to your ear and feel him hard and thick inside of you.

“You can come out now,” his words break you out of your daydream.

You slip your robe on and anxiously open the door. Your jaw drops to the floor and your heart grows three sizes upon seeing candles set up around your room. The comforter and pillows on the bed are fluffed up. Your shared bedroom has never felt so intimate and safe.

“I love you and I’m proud of you for everything. You’re the strongest person I know, and I’m glad you’re my wife as well as the mother of our children,” he whispers in your ear with his arms wrapped around you.

“I love you more,” your response is tearful, but so thankful at the same time.

When Mat lets go, he waits for you to make the first move. He doesn’t want to rush you, or make you feel like things have to progress quickly. He’d be fine with kissing you in bed if that’s all you wanted.

You let your silk robe slink down your body, the intimidating bed right in front of you. With a deep inhale and exhale of air, you settle in the plush of your blankets and pillows. The candlelight breaks through the dim lighting of the room, highlighting the intimacy of the atmosphere.

When you take a glance at your husband, his eyes are already on you, taking in the sight of you like it’s the first time he’s ever seen you. Your breath hitches in your throat and you subconsciously clutch the sheets and tightly close your legs. Mat’s eyes soften at your rigid form, not used to seeing you so timid.

You’re left in silence while you watch your husband drop the towel from around his waist. Finally kneeling on the bed and scooting closer to you, he reaches out to your legs. You unintentionally jump at the touch of his hand, but quickly will yourself to calm down.

It’s Mat, your husband, he’s in love with you and will always take care of you.

He gently pries your legs apart, eyes on your reaction as he slots himself between your legs. He takes in your naked form, one he’s seen a million times and one he’ll never get tired of. He catches sight of your tattoo on your lower abdomen. “Baby,” sits there proudly, remembering your baby that you never had the opportunity to meet. He traces the black ink, letter for letter. Tears start to form in your eyes, but you don’t let them slip. You know it’s okay to be sad, but you don’t want to dampen the moment.

“Are you doing okay?” Your husband asks. The gentle drag of his fingertips make goosebumps prickle at your skin.

“Yes, baby,” you respond and grab onto his wrist, moving his hand over your heart.

You both stay still for a minute, letting him feel the beat of your heart under his palm while you caress his jaw.

“Tell me if you don’t want to do this,” Mat makes sure you’re completely ready to get intimate again.

This time you have no hesitation.

“I want you.”

He leans down, pressing a kiss to your lips while he spreads your arousal around your waiting core. After telling him that you were ready in the bathtub, things got a little touchy and it was basically your foreplay.

He grabs his length, dragging the tip through your folds in a small tease. He nudges it against your clit, making your body already feel fluttery.

After coating himself in your wetness, he slowly starts to push into you. Your hole clenches down on his angry, leaking head and your body lurches forward.

“Wait, don’t move. I- I need some time to adjust,” you say, halting his movement with a hand on his torso.

“Take however much time you need, baby. I don’t want to hurt you,” he assures you, his hands rubbing at your long legs.

After a long pause, you start to get antsy. The feeling of pleasure lingers in the forefront of your mind and you want nothing but to feel all of him.

“I want you closer,” you demand, your arms going around his neck and pulling him closer to you.

You need the press of his body on yours, feeling his heartbeat thud against yours. It makes all your worries dissipate.

“I need you, Maty. Please make me feel good,” you whimper and it’s all he needs to hear to start his movements.

He pulls out slowly and gently pushes back in, effectively pulling soft moans from your mouth.

His pace only increases a tad bit, but each thrust is deep and punctuated with a passionate roughness that makes your insides all gooey. You hold onto him firmly, your fingers leaving imprints in his skin. Your legs wrap around his waist and the heels of your feet dig into the small of his back, keeping him sheathed inside of you.

“You’re taking me so well, baby. You’re so wet for me,” Mat moans in your ear before burying his face in the crook of your neck.

His lips tenderly peck at your pulse point, but eventually it leads to him sucking your skin into his mouth.

“Oh my god,” you shriek and your body arches off the bed.

His cock hits all the right spots and repeatedly prods into your sweet spot. The veins on his length feel so good gliding along your slick walls. Each time your greedy pussy sucks him back in, you’re met with fire surging through your veins.

It’s been so long since you’ve felt such euphoria.

“More,” you beg, pulling your husband away from your neck so you can look at him.

His forehead is lined with sweat, curls sticking around his face. His eyes shine with pleasure, and saccharine moans fall from his lips.

“More,” you repeat.

His large paws grip your thighs and spread your legs open. His hips rut into you, allowing your orgasm to bubble up. You claw your nails into the skin of his back, barreling down as you take his long strokes. His strong body moves with yours in perfect synchrony because you won’t let him do all the work. No, you rock your hips up to meet him thrust for thrust.

You smash your lips on his, letting him stick his tongue down your throat. Once your pussy starts to clamp down on Mat’s length, he knows you’re close. He pushes your spread legs closer to your chest, so you can take him deeper and so your orgasm can rip through your body.

“Yes! Just like that,” you scream, eyes shut and hands still attached to Mat.

“Cum for me, pretty girl,” he says hotly.

The knot in your stomach snaps and you throw your head back, mouth falling open in the form of a silent moan. Your body quivers as you release around him. He lets go of your limbs and returns to his softer thrusts, working you through your orgasm.

“I love you,” your husband whispers against your lips before pecking them.

“I love you,” you moan, body still tingling.

The pulsing of your walls signals his own release and soon he’s pumping you full. Usually Mat’s hips will move crazily as he works through his orgasm, but this time his movements are slow and sensual. He kisses your cheek, mumbling incoherently into your skin.

“You’re so perfect,” Mat whispers, leaning on his forearms so he can stare at you.

You’re doused in a post-coital glow and you’re sporting the most perfect smile.

Mat traces the slope of your nose and the cupid’s bow of your lips.

“You’re my everything,” you say back, giggling when he nudges his nose against yours.

“You know, I still can’t believe you’re my wife,” he hums and lays his forehead on yours.

Your eyelashes flutter against each other as you both meld together. You’ve missed everything that’s involved with being intimate with the love of your life.

“You’re so lucky,” you joke and poke at his ribs, making him drop his body on top of yours. You let out a dramatic grunt, but you welcome his weight.

Silence fills the room as you massage your husband’s scalp and softly glide your hands up and down his back. You actually thought he fell asleep until you heard his sniffles.

“Baby, what’s wrong?” You ask, voice full of concern.

Softly you nudge him off of you, so you can face him. There’s nothing clearer than having a conversation and seeing their expressions.

“I don’t know how to move past this. I keep thinking about the baby you could be pregnant with right now. I’d be able to feel them kick and we’d be able to hear their heartbeat. Instead we never got to know them,” Mat sobs and you pull him into your chest.

You kiss the top of his head and try to wrap yourself around him, hoping to help him calm down.

You know Mat has been hurting, you just didn’t know it was this bad. A big chunk of you feels terrible for not being able to be there for him the way he was there for you.

“It’s hard and it sucks. There’s not much that we can do, but try to enjoy the babies we do have. It’s okay to be sad and cry. I’m sorry that I haven’t picked up on your true feelings. You can talk to me. I don’t care what state I’m in, you can talk to me. We’re a team and we’ll have to work through it together,” you try your best to comfort him.

You know words don’t offer much, because it’s difficult to process losing something you’ve never known you had. You do hope that your love can help him the way his love has done wonders for you.

“I mean I’m fine most of the time. Then I start to think about what they’d look like and it just ruins me,” he continues.

“I think about it, too. We’re going to be okay, though. It’ll take some time, but we’ll heal. We’ve already come a long way since it happened. I love you so much, Mathew. I’m so sorry that this is happening to us,” you mutter through the lump in your throat and the tears falling from your eyes.

“I love you.” He kisses your lips desperately as if you’re his only source of air. As of right now, you’re each other’s guiding light. The miscarriage has been one of the hardest things you’ve had to experience, but it brought you and Mat closer together in ways you would’ve never expected.

a/n: This took me so long, but I hope you enjoy it. I loved writing it🫶

[moments-on-film]

Moments on Film: The Bear Season 3

Now that I have had a few days to process and fully…..digest S3, I am back with my most visceral thoughts.

I must say, distance did not do anything to ameliorate how I felt about this season. There were some beautiful moments, I really enjoyed episode 1, for example, and I truly appreciated the opportunity to learn more about how Sydney comports herself as a leader, Marcus‘s beautifully inspired and fresh creativity as a chef, Tina’s journey, Natalie’s inner struggles, and more backstory on chef Luca.

What I am having so much trouble with this season, is Carmy. I knew this would happen. I knew S3 would be the belly of the beast, as I predicted 🔗 here , but it was still so hard to take in.

Those of you that have read my work know how much empathy I have felt for Carmy. I have rooted for him. I see how much help he desperately needs and I am always hoping he will find a way to course correct when he gets off track. Carmy ditching Sydney in S2 and lashing out at Richie in the finale felt like a punch to my gut. I was so hoping those two relationships would be nurtured this season but in fact they got worse.

I want to be clear, I have had so much compassion and empathy for Carmy and his emotional problems, due to the cycles of abuse he has had to endure. What I absolutely cannot excuse or reconcile this season is how his behavior and actions are hurting, stifling, and traumatizing those around him.

Another thing I really want to uplift is that yes, this is a show that emphasizes found family. But at the end of the day, this is a business, he is in a leadership position, and everyone who works there is an at-will-employee. In my opinion, Carmy has completely failed as a leader, on all fronts. He has never exhibited leadership skills, with consistency. And as supportive member of the “family”, real or otherwise, he is nowhere to be found. Carmy has actually created a hostile work environment that is legally actionable and litigious with his mood swings, verbal and physical abuse and erratic behavior.

It is a stone cold fact.

I was rooting so hard for Sydney and staff to walk out the door this season. That’s how bad his behavior is. Sydney deserves better, plain and simple. Everyone working at The Bear does. Another point I want to uplift is that while Christopher Storer created the show, it is his sister, Courtney, “Coco” Storer who is the chef on whom he based much of the plot. Courtney has also moved from Culinary Producer in seasons past of The Bear to Co-Executive Producer and even “Story By” credit on this season of the show.

There is something Courtney said a few years ago on a podcast that has stayed in the back of my mind because I always wondered if it would be used as a plot point for Sydney. She shared a story of a restaurant she worked at in Los Angeles. She was promoted to CDC, loved her team and really enjoyed working there. However, it was not all perfect. She was constantly burnt out and at a physical and emotional deficit due to the stress. She suffered panic attacks. She also shared that she was not officially a partner with a stake in the restaurant, and she felt like she needed to have her own back because at the end of the day, no one else did. Although it was a difficult life decision—-she quit.

Forget Michelin stars. If Carmy cannot create and maintain an environment people want to work in, with him, he will end up completely alone. It also may already be too late.

I understand this season is apparently in two parts, I understand that everything happens for a reason. What I can’t understand is how I am meant to root for a character that has contributed to Sydney having panic attacks, has hit Richie, has yelled at Marcus during what must be the worst time in his life and who was about to lose it on Tina if Sydney hadn’t stepped in, saved her, and saved him from himself. Completely unacceptable behavior.

Carmy needs professional help. I have said this many, many times before and I am going to say it again. Carmy. Needs. Professional. Help. He cannot continue to let his triggers and emotions be his master. He is in a leadership position and peoples jobs are depending on him. He cannot offer any more hollow apologies, he has to back them up with consistent action, or I will continue rooting for the staff to leave or for him to step down.

If he doesn’t make the time, energy, and effort to stop the madness, slow down, take a beat, remember all of the gentle and beautiful mentorship he actually did receive through his rise as a chef, lead with his heart, build trust and repair his relationships, especially with Sydney, with Richie, with his sister and her new baby, he will lose it all, because he will have lost the one thing that truly matters, the people he is supposed to care about and the people who care about him.

Does he have it in him to turn this all around? At this point I am not sure. And if he doesn’t, I believe what “grows together”, and they really did, all grow—-will in fact, go together.

©️moments-on-film 2024

[gudfornuthin]

Hello I made a request a while back but you never got to it and that is completely okay! I understand completely being a writer myself. I was wondering if I could make a different request but not sure if you do it? It’s a request for Billy from stranger things?

Idea- Yn and Billy have been together for a few years and Billy survives when he is attacked. Ever since YN has hard time with nightmares but doesn’t tell Billy about it. And YN stays the night at his place and wakes up from a nightmare calling out for Billy and doesn’t see him in bed. Max comes in to trying to calm her down but YN thinks Billy is dead. Billy comes from outside in when he heard loud crying and shouting from his girlfriend. And he holds her telling her he is going nowhere and he is okay.

( Nickname: Baby or Babygirl ) if possible

I hope this isn’t too over barring but if so I completely understand. And won’t be upset if you turn down my request. Thank you for hearing me out my love!

Not going anywhere

Billy Hargrove x reader

A/N: so I’m back into my writing hit! I do apologise anon for taking way too long to do this, and idk if the other request ever came through, as my tumblr says I have three but it’s only showing this one. Either way, I hope you all enjoy and hopefully imma be writing a lot more from now on. Feedback is appreciated :)

The mall was in ruins. The Mind Flayer continued its rampage, smashing anything that got in its way. The group consisting of teens and adults had split up just moments ago, putting their plan into motion and hoping to pull it off. It all came down to this moment, defeating the monster and making it home safe.

Y/N hides behind a turned over table, battered and bruised with an arm that’s most definitely broken. She’s not a hero. She’s not used to this life, dealing with these nonsensical creatures. Her boyfriend and his sister are to blame for that.

Billy wasn’t the asshole play boy everyone claimed him to be. Not since they started dating. He’s soft, and kind, and cares. Sometimes too much. He’d never dreamed of dragging Y/N into this mess, but love does stupid things to a person. And she definitely wasn’t letting him go through all this alone.

Speaking of her boyfriend, she finally hears his shouts not far from her hiding place. She pops her head up slightly, and spots Billy running towards her.

“Baby?” His eyes land on her. “Oh thank god, I was wondering where the hell you were.”

Y/N stands up, moving towards him, wanting nothing more than to hold him tight and never let go. Before she has the chance to reach him, a long arm crashes through the wall, heading directly for Billy. The Mind Flayer. It pierces him in the chest, black sludge spurting from his mouth. Y/N lets out a visceral scream, falling to her knees. She looks into the eyes of her dying boyfriend, knowing there’s nothing she can do to help him.

Arms wrap around Y/N’s waist, pulling her away from the massacre before her. She turns her head, coming face to face with Billy’s sister Max, a sad expression on her face.

“Y/N?”

“He’s dead,” she replies to Max, tears streaming down her cheeks. “I should’ve saved him. He’s fucking dead.”

“Y/N please-”

Max’s words fall on deaf ears. “No, I can’t do this.”

“Y/N, you have to wake up.”

“He’s fucking dead!”

“Y/N! Wake. Up!”

Y/N jolts up from her lying position, sweat covering her entire body, breathing heavily. Max sits in front of her, hands on her shoulders. She looks terrified.

Y/N glances to her left, the space next to her empty. She starts to panic again.

“Where’s Billy?”

“Y/N you need to calm down-”

“The Mind Flayer, it got to him.”

Max shakes her head. “Hey, he’s just gone outside to-”

Y/N pulls at her hair, more tears threatening to fall. “No, he’s dead. I just saw him die, and I couldn’t do anything.”

She continues mumbling under her breath, ignoring Max’s pleas, promising her he’s okay. She hugs her stomach, falling on her side and closing her eyes. Max tries soothing the girl, but once again nothing works. There’s only one person who can fix this, and even though Max knows he doesn’t like to be disturbed during his ‘brooding smoke session’, she thinks he’ll let it slide this once. For his girl.

***

Billy stands outside the house, shirtless, with a cigarette hanging loosely from his lips. He’s thought about quitting, having this conversation on the daily with Y/N. She doesn’t mind too much, just hates the smell. He doesn’t smoke indoors anymore, and always has a can of body spray and a pack of mint gums on hand. For her.

He takes a final drag, when Max rushes out the house, almost toppling over him. Her face almost matches her hair, as she grabs his arm and pulls him towards the front door.

“Maxine, do you fucking mind?” He tries not to snap at her as much as he used to, but sometimes it’s hard not to. “I can’t have five minutes of me time?”

Max continues dragging him. “It’s Y/N.”

That catches his attention, as he pushes her hand off his arm and runs into the house, not bothering to ask any questions.

He makes his way to his bedroom, pushing the door open and spotting his girlfriend lying in a curled up ball on the bed, hands on her face and sobs shaking her body. He sits down next to her, hands resting on her back as he lowers his voice just so she can hear.

“Y/N, baby?”

She doesn’t respond, but her breathing slows, acknowledging his words. Billy runs his hands down to her arms, then her face, gently lifting her head. He runs his thumbs over her eyes, and she finally opens them, bloodshot and red.

“Billy?”

He kisses her briefly on the lips. “I’m here baby girl. I’m right here.”

“I thought you’d-” she doesn’t finish her sentence, but Billy can guess where it was going.

“I’m okay, see,” he kisses her again, then her cheeks, then the crown of her head. “I’m not going anywhere.”

As if waking from a trance, Y/N throws herself at Billy, wrapping her arms tightly around his neck. He hugs her back, his arms snaking around her waist, pressing his face into her hair. They stay there for what seems like hours, both not realising how badly they needed comfort from each other. They were together, and that’s all that mattered.

[no-song-so-sweet]

I want to talk about Harry Potter.

Well. Sort of. I want to talk about Harry Potter in a roundabout way, in that, I want to talk about the reaction my friend group had when shit started really going down with That Bitch Rowling.

Because Rowling is a horrible person. She’s a TERF, a denier of Nazi Crimes, homophobic, anti-Semitic, the list goes on and on (and most recently, has been attacking a trans soccer manager, if my dash is to be believed? Somehow, she just seems more cartoonishly evil with each passing day). But this isn’t about That Bitch Rowling, not really. Or if it is, she’s merely a footnote in the story.

Harry Potter was, and I think this is true for many of us, a large part of my childhood. While the writing may be mediocre at best, it was wildly influential. I didn’t know a single kid that wasn’t hoping for a letter to Hogwarts. It was a Big Deal for a lot of people, and that included my friend group. My friend group, which is made up of members of the LGBTQ+ community. My friend group, which includes a young lady who we didn’t always know was a lady. I’m sure you can see where this might be going.

The day I got a tear filled phone call about That Bitch Rowling was, frankly, heartbreaking. She was mad because a woman she had respected up until now didn’t respect her. She wanted to get rid of her copies of the books, but didn’t want to donate them. I never want to hear her cry like that again. So I made a decision.

I told her to hold onto her books for just a little while longer. I phoned the group. I figured out when everyone could get together for a weekend, and when I had hammered out dates, I packed up my car, and drove the six hundred miles back to my childhood home.

In the passenger’s seat, was my set of Harry Potter books.

Excluding my trans friend, there were seven of us. I had made a plan, and my father had the space to enact it - I grew up on acres of land; complete with 200 year old oak tree, creek in the woods in the backyard, and a massive fire pit.

Nostalgia and youth, I find, paint everything with a rose tinted hue; if Rowling had just kept her mouth shut, I’m sure many of us would have looked back on the Harry Potter series with some amount of shame. But I don’t think it would have suffered the sort of fall from grace that led us to this point.

The fire pit is important for several reasons. For example, it had been the popular gathering place for my friend group of literal decades at this point. Small towns mean that you know everyone from a very early age. We lived right beside the woods, so we used the fire pit to burn the leaves, and the branches storms took down, of which there were many. And when the first six of my friends rolled down the half mile driveway that day, I had already collect enough wood to get a decent fire going.

Six of my friends. We told the seventh a later time. We wanted to be prepared, and anyway, we all had the same cargo (six sets of seven books joined mine on a rickety folding table). I put them to work collecting more firewood (is it really a good bonfire if you’re not risking setting the barn on fire?).

By the time our last member rolled up, I had a fire going.

She had her set of those damn books too.

(There is a visceral grief that comes from being let down by your childhood heroes, and I fully believe that That Bitch Rowling embodies the phrase “never meet your heroes,” because folks, as a general rule, I am not a fan of burning books. But I was prepared to make an exception.)

We burned our copies of the Harry Potter books that day, all eight of us. They were well read, beaten to hell and back, with cracked spines, and dents in corners, and pieces of the pages missing where we had bent down the corners one too many times. And I won’t lie to anyone. We cried. Tears of sorrow and rage, for the piece of our childhood that we were choosing to give up, because to keep it would be to disrespect the woman we had known and loved for longer than we’d ever had those books.

Letting go sucked. But it was the right thing to do.

When they were gone, we put out the fire, went inside, and built the pillow fort of our dreams. We marathoned Star Wars, and ordered too many pizzas, and had way too much soda. We fell asleep playing Risk, because that’s what our friend choose, and in the morning, I made waffles with chocolate chips and too much maple syrup.

I wanted to talk about this, not just because this is a fond memory for me (even though it is), but because one of my coworkers confessed to me that they hated Rowling, and everything she stood for, and they refused to have anything else to do with the Harry Potter franchise, but they just couldn’t bring themselves to get rid of the books.

I said I was happy to host another book burning.

But I wanted to write this down because I know that sometimes it’s hard to take that final step, to leave behind that last thing. So for anyone who needs to hear it, it’s okay to grieve the things we loose when we grow up. Letting go can be hard, but I promise you’ll end up better off. It’s been awhile since things really went downhill, but I maintain that, in this case, death of the author is nonexistent, and it is better to have loved and then lost, than to hold on too tight.

Don’t hurt yourself on the shattered remains of your childhood magic.

[ghostaholics]

for soulmate au:

would johnn and reader cross paths again and if they would what would it look likee

would they maybe find a way to love eachother despite johnn's proffesion

𝒔𝒐𝒖𝒍𝒎𝒂𝒕𝒆 𝒂𝒖

here’s more on what happens between them

After their long talk, they decide to regrettably, but amicably part ways – neither of them like the circumstances, but they agree it’s for the best. She sends him off with a hug; they hold onto each other for a little bit longer than they should. It tides them over for maybe a week. Cue a whole montage of them in their respective places unable to adjust back to normal life for a while.

Then, as previously mentioned, it starts to hurt. At first, it starts off like a little twinge – a bones-deep sadness that comes and goes every so often but she tries to ignore the feeling. It gets worse not long after, a visceral chest pain that’s so awful it sends her straight to A&E; she thinks she might be having a heart attack. Who’s your emergency contact? they question. Don’t have one, she says, and it sends another stab of pain through her. The entire hospitalization is about a day-long affair. They run every test in the book, they give her clot-busters, vasodilators — hell, they’re contemplating cutting her open for invasive procedures even though the labs don’t say she’s had a myocardial infarction, just an EKG that had some anomalies but everything else was fine. Someone, a cardiologist maybe, has the sense to ask, How’s your soulmate? And she replies in a grim tone, ‘We don’t talk.’ Well, there’s the problem.

Price caves. He caves so fucking bad; calls her up (they’d agreed only to contact each other for emergencies), because to be honest, he wasn’t sure if it was just him or if she’d been feeling it too – emotional pain was never in the books but it seems like now it is. This is new. This is bad. His voice is gruff like usual but the concern is evident behind his words. And the second they hear each other down the line, there’s a weight that’s been lifted – the pain dulls. Relief. Not quite gone altogether, but more manageable. Neither of them feel like they’re on the brink of death anymore. And there are just shaky breaths being exchanged on both ends as they try to come to grips with what’s been happening. So, cutting all contact, going cold-turkey, is clearly not going to work for either of them. They know they can’t be doing this, but the more they talk over the phone, the easier it gets to breathe, to function normally. And so it begins.

Their relationship runs on a schedule; a loophole – every Sunday, 0600 her time. They count it down, too. Exactly one hour. Just enough for them to keep the pain at bay, to go about their lives until the next call. Sometimes longer when he knows he's about to go off-the-grid for a mission and won't make the usual Sunday time. They talk about anything and everything: she usually talks about her personal life, old stories from her past, what she’s making for breakfast, what her plans are for the week, and him – stuff about the 141 (never anything confidential or gory) like what sort of antics they get up to, spends an entire call telling her about Villa Claras and why they’re the superior cigar (kind of a nerd about those, whiskey, and the Reds, which she finds endearing – actually very knowledgeable regarding many things that he can talk her ear off about for hours). She falls in love with his voice first, the rest comes after slowly.

The more times they use this loophole, the weaker it gets. It starts off with him asking for five more minutes; yeah, he hears the alarm go off. Maybe a little bit longer will buy him more time throughout the week until the next call. Nothing they haven’t done before. But five turns into ten the week after, then twenty, and so forth. She says his name softly, interrupts him when they reach 0930 during one of their talks. I know what you're doing John. We can't. And here's the thing: it's a case of 'she fell first, but he fell harder.'

It doesn't last as long anymore; three days now until the longing starts back up again. And he calls her. He fucking calls her in the middle of the week on a Wednesday. John— She feels it too. I had to hear your voice again, he says with urgency. Because he just couldn't fucking help himself.

So they schedule something for Wednesdays. It'll help. It should. And it does, for all of two weeks until the same bloody thing happens again. This isn't sustainable. He knows that he’s not going to retire anytime soon, and even more that that – he knows that she shouldn't be doomed to live this kind of life. Not for for him, but most especially not fair for her. It's like she said, isn't it? She waited an entire lifetime for him. Why keep putting her through that? So he mentions this, kills him to do it: you deserve better; I know there's someone out there who can give you the things that I can't (Sunday mornings face-to-face over tea, to be near one another in a way where they can see the other's okay, where the hurt is non-existent; intimacy and affection and proper romance; marriage, growing old together, something quiet and normal.) She's already taken on his pain. He figures that it's his turn to bear it for the both of them now.

She tells him, without reservation, that it's the stupidest thing he's ever said. And before time's up for this call she uses the last few minutes to admit what's been on her mind lately. I don't want any of that stuff if it's not with you. What would be the point? It took me a while but I've finally figured out what soulmates are for; not for all the things you've said, as nice as they are – or would be; it’s simple, really. I was put on this earth to love you and I think that I've fulfilled my purpose. Nothing else matters.

She waits for his call on Sunday, 0600 on the dot – he's always punctual, she knows; this time is no different. But she doesn't even get a 'hello' out before he speaks into the phone: I'm outside.

[shadowgast-recs-weekly]

This week, we have eleven fics that feature Caleb, Essek, and at least one other person involved! Look behind the cut for some Shadowidomauk, some Blumenshadow, some Fjord/Essek/Caleb and more!

amongst the things left unforgiven by nonwal (63958, Mature) Reccer's Content Notes: No Content Notes

“In which a pair of scourgers shows up at Essek’s doorstep and saves him from himself.“ Slow-burn blumenshadow featuring heavy mistrust, mind games that aren’t mind games, and Caleb mostly in the background thinking he doesn’t deserve to be loved.

Reccer says: One of my all time faves. Nonwal’s gorgeous prose and characterization of these 4 is always top notch, but the dialogue?! The spy vs. spy mind games? The poetic descriptions of longing and grief? The visceral feeling of constant low-level panic punctuated by a full panic attack and maybe developing a crush on your current crush’s evil exes? The DIALOGUE (again)?!?! Absolutely stunning. Side note: chapter 4 features the best Jester dialogue I have ever read. The tag “openly declaring your mutual distrust can be a love language if you do it right” says so much and I love it.

Happily Ever Laughter by Settiai (1288, Teen) Reccer's Content Notes: Veth’s alcoholism is brought up a few times but isn’t the focus.

Adorable Essek/Caleb/Veth/Yeza slice of life fic. Polyamory is not nearly as difficult as trying to teach a hyperactive 6 year old magic can be.

Reccer says: Incredibly sweet little domestic fic. The rapport between them is so soft and gentle and well-worn like the most comfortable pair of old house slippers. The moments where Yeza and Caleb glance at each other and manage to communicate in absolute silence (in that pseudo-telepathic way that some real parenting couples often do) are just so perfect, and Veth still finding Essek somewhat aggravating even while she loves him is :chefskiss: delightful.

Three’s Company by flammablehat (2074, Explicit) Reccer's Content Notes: No Content Notes

Caleb, Essek, and Fjord have a threesome, and Essek is maybe more than a little jealous about it.

Reccer says: Possessek is always a favorite! Fjord is fjeisty, and Caleb is having the time of his life. It’s both hot and tense.

altogether, infinite possibilities by ivelostmyspectacles (199305, Explicit) Reccer's Content Notes: No Content Notes

Essek has barely begun to cement his place in Caleb’s life when they bring Mollymauk Tealeaf back from the dead. Slowly, the three of them adapt together.

Reccer says: First part of a series! This was my entry point into Shadowgast!

in the pieces of what's left or what we've found by SeaWitchDreams (14620, Teen) Reccer's Content Notes: No Content Notes

Astrid takes some time to figure out how she wants to rebuild her life (and who she wants to rebuild it with.)

Reccer says: a wonderfully subtle and contemplative character study, featuring four wizards carefully dancing around each other

the sea, the stars, the dreamers by nonwal (111996, Explicit) Reccer's Content Notes: suicidal ideation

Essek sacrifices his budding relationship with Caleb to marry Archmage Astrid Beck - for the good of the entire galaxy. But whatever Astrid's reason for marrying him is, is not nearly as noble.

Reccer says: This fic takes an unusual premise (Blumenshadow arranged marriage spaceship murder mystery with sea shanties?) and *commits* to it. Still incomplete, but if you've liked this author's other works, you won't regret taking a chance on this one.

(Oh,) How a Human Burns by witches_chant (18318, Explicit) Reccer's Content Notes: No Content Notes

This is a story about Essek trying to prepare for eventual loss, depending on if Caleb wants to use the Clone spell or not. But it’s also a story about a lazy, sexy vacation on Rumblecusp where the couple stumble upon a service top and learn things about their relationship (with a happy ending!).

Reccer says: It’s both hot as hell AND feelsy! It’s a really interesting take on Caleb & Essek’s relationship. Honestly I recommend the entire series.

Victim of Convenience by se1ze (54243, Explicit) Reccer's Content Notes: No Content Notes

Essek and Caleb are together, Essek and Kingsley get together, and Kingsley is losing his mind because Caleb can’t get his shit together. An exploration of the very complicated feelings that crop up when a) no one seems to understand who you are, and b) someone you love thinks they need to stay gone for your own good.

Reccer says: The dialogue is fantastic, the sex is wonderful, and the hurt/comfort is amazing. It establishes the foundation upon which Essek/Kingsley can be a thing in a way that is both endearing and completely believable. Caleb is oblivious to how much Kingsley loves him, and once again hurts those around him by throwing himself on his sword.

(nothing in my bones can say) just where you’ve been by SaltCore (8216, Explicit) Reccer's Content Notes: No Content Notes

It takes more time than Caleb realized to get home from the Hellcatch Valley, and in his absence, Essek’s tentative alliance with Astrid and Eadwulf has grown to something more.

Reccer says: Soft and complicated and briefly heartbreaking. The way it manages to feel like an outsider POV reinforces the sense of missing time, of having missed a massive change, and the softness and warmth of everyone’s love for each other is palpable throughout even in the most tense and anxious of moments.

i'll meet judgement by the hounds by necromanticomedy (yelenavasilyevna) (6553, Explicit) Reccer's Content Notes: Dubcon/Consensual Non Consent, knifeplay

Astrid and Eadwulf come to a dinner party to meet Essek Thelyss. Things either go very poorly or very well, depending on your definitions.

Reccer says: the author called it a "insane psychosexual foursome" but neglected to mention that it's the best insane psychosexual foursome you'll ever read

To The Bone by thetickingclock (2919, Teen) Reccer's Content Notes: No Content Notes

Snapshots of Astrid and Eadwulf's opinion of Essek changing over time (and proximity to Caleb Widogast.)

Reccer says: Hits all my favorite notes when it comes to Blumenshadow, and there's an astounding amount of characterization and relationship development packed into less than 3k words.

Aeor is for Lovers is an 18+ Shadowgast Discord server. The above fanfic recommendations were pulled from our community for this weekly event. All fics, unless otherwise specified, will primarily feature Shadowgast. Have any questions about what this is? Check out the FAQ! Next week, we’ll be back with Lifespan Angst!

[wilcze-kudly]

Ok @i-put-the-ass-into-sass and @justlikedsstuff the floodgates are open.

Imagining all the Beifongs, not just Toph having extremely sensitive seismic sense.

Just i imagine it's a very strong experience, strong enough to literally replace a sense. I imagine that it can be incredibly overwhelming for people who use it alongside other senses, eg. not replacing a sense like in Toph's case. I also imagine that the younger you learn it, the bigger difficulty you have 'turning it off'.

I like to imagine it can cause migraines and overstimulation in frequent users. But being unable to use it can cause anxiety and distress, as losing any other sense would.

Lin and Su knowing when their mother is lying about coming back home before dinner.

Su listening to her mother and sister's heartbeats and wishing that they'd just speak what was on their hearts.

Lin hearing Tenzin's heart speading up when he would look at Pema and not her. Lin having difficulty walking and keeping herself balanced after losing her bending to Amon, feeling literally blinded. Trying to keep it together in front of Amon and the Equalists but having a panic attack the moment she's alone because she can't feel anything, she can't feel anything, she can't feel anything

Su being hesitant to teach Huan and the twins seismic sense, because she knows how difficult it is for children to handle. But of course, they're stubborn little things and they start learning by themselves.

Its a very rare ability, but it comes surprisingly easy to the Beifongs. Though the cost is thay children are made to deal with senses sharper than their little minds are meant for.

I always headcanon that Huan has a particularly well developed seismic sense, which is the reason he's so testy and emotional. He can feel almost everything around the house (think dolores from encanto lol) and he has difficulty processing the overwhelming amount of stimuli. He tries to express it through art and he wears thick soled shoes to block it all out.

The twins are quite the opposite. They lean into it, so much so that they refused to wear shoes when they were younger. They were also heavily affected by being suspended in a wooden cage after the family's capture. To this day they feel incredibly anxious if seperated from it for too long.

Thinking about Opal and Baatar Jr not getting the sheer magnitude of feeling everything around you like that and thinking that their siblings are just being dramatic.

Thinking about the Beifongs pulling up their feet or trying to touch the ground as little as possible when stressed or overwhelmed. Or walking barefoot if upset or unsure, to get that connection.

Thinking sbout sensing heartbeats. Hearing the moment something or someone dies for the first time. Is it an animal, a random baby bird killed by an alley cat, a beloved pet? Or is it a person?

Lin killing a criminal in the line of duty. It wasn't her fault, technically. She did everything right, she defended the civilians he was holding hostage. But she tried to block the bleeding, hearing his heatbeat get slower and slower, until it stopped completely. How empty her head must've seemed when she could no longer hear it. How visceral the guilt must've been.

Arguments must be difficult. You can feel when you hit a nerve, sense the other person's anger, tell when they go completely cold towards you.

You can never lie, not to your family. No little white lies that make day to day life easier. No secrets. All blunt honesty and beating hearts filling your ears.

You immediately know when you've said something wrong. When you've hurt someone's feelings. The guilt is instantaneous. The slight skip of someone's heartbeat is like a slap to the face.

You know when someone's lying to you. You know they're lying when they say they'll be back for dinner. You know they're lying when they tell you they'll hang out with you tomorrow. You know they're lying when they say that they love you.

Do you call them out?

Or do you keep the peace, grin and bear it?

Can you even lie to yourself, or will your own heart betray you to yourself?

You know when a sibling is crying down the hall, know that they will be witness to every intimate moment you have, as the you will be to them.

Like there's so much to do with seismic sense. I want it to be less of a gimmick and more of a deep psychological experience. Like it is in all its essence a sense. It's probably a big part of its users lives.

[lovelyyandereaddictionpoint]

How do you think the Gorgan sibling reader would fair in twst? Like they were taken in the place of Yuu?

Escaping into Twisted Wonderland | Yandere Gorgan Sisters

Should you finally find some way to escape

It’s likely a purposeful decision to be sent to a separate world

And you can enjoy whatever time you have with them

Whether you're falling in love or joining a club

It won’t last forever 

because your sisters were coming for you

“Did you think we’d let you get away so soon? You’ve barely outgrown your gills!”

What makes it worse is that they don’t immediately begin to attack

Especially with a world full of mages

Granted what they can do is much more violent 

They slip into the cracks

Becoming the nurse that you never see 

“Ace you look so much better, now.”

“Right?! I got a visit from the gorgeous Miss Dusa! I can tell you now she’s so into me!”

“Well, whoever this new nurse is I feel sorry for her.”

“Oi so cruel!”

Or gaining a devoted gaggle of ‘poisoned’ students

“Good work, you truly are a worthy boyfriend. Now for your next task!”

Or even wooing Crowley into answering her every call and whim

“So generous of you my darling crow. You’ve gifted our little…chick enough food.”

“Yes! This way they won’t be relying on those nasty snakes! Right?”

“...Yes, my dear.”

Eventually, it all leads to you

Making sure your life with your newfound friends crumbles 

So that when they offer their consolation and a path back home you’ll be more willing to go

But should you see through their tricks and are backed up by your friends 

There is no way there will not be bloodshed

The boys you’re so close to are best at subduing mindless monsters of ink or even just outwitting a powerful adversary

Fighting witches with insatiable bloodlust is another

Medusa is likely the worst offender more than eager to call upon the snakes she implemented into the medicine

It’s horrifying to watch her snakes spring out of the brave soul that charged ahead

Next to her is Shaula who personally seeks to destroy those interpersonal relationships as she orders the poisoned students to attack

Watching those poor students use their magic to bring their friends to their deaths

Lastly is Arachne who mostly decides to focus on obtaining you and letting her awestruck minions to bring all the best magical items to her as she prepares to send herself and you back

And your other sisters if they’re fast enough

To make matters worse the most powerful students the ones closest to you are the ones they hone in on

Their pressure is so visceral they make it a point to eliminate them or hypnotize them accordingly

Or align with them

“As promised you’ll have our blessing once those obstacles are dealt with.”

“Do you suggest I…kill them?”

“Kill them, cripple them, heck even eat them for all we care!” 

“But if you are successful I’d be willing to overlook your interest in our little sibling.”

“...consider it done.”

In hindsight maybe it’s better if you don’t leave

That way you don’t have to witness the heartwrenching sight of another world beginning to change

Under the regime of your oh-so-powerful sisters

[sherlockholmeson]

After couple days of sitting on it and fangiriling over other things (cough.. ZB1) I have some toughts regarding 4 minutes.

Honestly I don't know if anyone already pointed this things out, if so yay we noticed same things xD I will probably get to it when I sit in tag a bit more:

that lady that tried to kill herself is most likely Korn mother, all signs point to that, if Tyme is son of second wife then the first mom must have left the picture when Korn was small kid...

the lady who was interviewed by dr Den had exact same symptoms as Great has, so she had heart attack and was seeing 4 minutes to the future, so we can assume Great is also having one, is in coma state/is in a state between life and death

It just downed on me that their names create Great Tyme like lol what a pun to make in a show about seeing your future, Sammon I see what you did here girl

the vibes I got from the show reminded me so much of Triage from the get go, like even if I didn't know if it was written by Sammon then I would feel it deep down...

KornTonkla sex scene is one of couple of things that make the show feel visceral, rough, very adult, dark just overall vibe sets this show apart from your regular BL, it actually doesn't feel very BL-ish

feels like thriller so far which reminds me of another Sammon BL that is Manner of Death - girl I like your style!

cinematography - uhhh there will be probably people better equpped to talk about it but the colors used, scenery locations, something is especially striking to me about hospital location and I know it's probably another clue of what is really going on

obviosly 4 appearing at every corner we can see.

[velvette-hussle]

VELVETTE’S BLACK-CODING & THE HH FANDOM’S RACISM

A lot of y’all (and especially the ones of you that will cry about how ‘not racist’ you are without having actually unpacked any of your racism, and who are more scared of being called racist than actually being racist) are so viscerally against even the mere headcanon— let alone active canonical race-coding of Velvette being black, and I’m so over that shit.

Y’all will fight tooth and nail when a show has one barely purposefully black character — out of an already predominantly white cast of characters & more non-black poc characters than there are black ones (who have speaking roles, most notably) — to deny (black) fans the ability to celebrate and actively acknowledge that character and their race. Especially if y’all can’t ignore that character, or if before you realized they were black/black-coded you liked them.

⚠︎ I wrote this out of pure utter frustration and anger so I’m going to cuss and I sound fairly mean and angry so do with that what you will. ⚠︎

P.S. — This isn’t necessarily meant to be educational; I’m allowed to be angry without having to teach y’all how racism works while crying over my phone (because, yes, I am an emotional bitch) for free.

Some of you people are truly insidious. We get half of a bone tossed to us (because Velvette’s demon form is still dark grey which gives the audience a lot of plausible deniability when it comes to not accepting that she’s black) and everyone is still trying to snatch that half a bone out of our mouths despite the fact that y’all are eating good. It would be embarrassing if you bitches had any shame about your anti-blackness, but y’all don’t.

Then all the little pussyfooting-ass bench sitters can sit around talking about how they don’t care either way, they just don’t think everything should be focused on race (which is what y’all always say, but if people didn’t care ‘too much’ about rights and how a lack there of for minority groups seeps into everything including our entertainment media most of you wouldn’t have the rights or entertainment you do now - these things are systematic so you have to attack and address the racism everywhere, not just in the areas y’all find it more appropriate/appealing to be hit with that reality in) - but fuck it if real people are actively being exposed to the fandom’s racism though, right? Or how they just prefer Velvette white (while explaining away her afro as her just having been a curly haired ginger in her human life so that’s not actual evidence towards her being black-coded or over-emphasizing that she’s WHITE British as if black British people are some nonexistent group) and they don’t see how that should be labeled as them being racist when it’s “just a preference”; but why does the sheer idea of Velvette being black repulse you in such a way in the first place?

Like everyone will accept Vaggie’s, roughly Valentino’s and even Carmilla’s coding as some form of ethnically Latino because they speak Spanish and because their voice actors are Latino of some sort, but when the same type of evidence gets brought up for Velvette’s black-coding (her VA being a black woman, her hair being in an Afro, the type of British accent she has sounding like it took inspiration from predominantly black British areas - though definitely less so than a character like ATSV!Hobie Brown, and the audition sheet for her character allegedly specifying that she was to be a black woman even) all of a sudden coding doesn’t exist, because y’all said so I guess. It’s the same fans of the show too that will whip out Alastor’s being black biracial to brandish it like a fucking weapon against those who call out Medrano for her racism and misrepresentation/demonization of vodou and voodoo in order to absolve her of any culpability or fault that will then turn around and deny the hell out of Velvette being black, and ain’t that just a bitch? Fandom has a racism problem (and me saying this is NOT new) but despite y’all thinking your radical because of some of the shows you watch and characters you like y’all are so obsessed with keeping the status quo in tact that every time someone points out a fandom’s racism it somehow manages to keep getting swept under the rug every time.

Regardless, Alastor’s alleged page in Medrano’s Pitch Bible says he could be ‘Any Ethnicity’ which was then retroactively changed for poor accountability reasons (but most everyone takes even that retroactive change as gospel and acknowledges that, as he is now, Alastor is biracial), but when Velvette’s alleged page in the Pitch Bible explicitly states that she’s a ‘black woman’ (and that hasn’t been redacted)

now everyone spontaneously doesn’t care about treating Medrano’s words like they’re the word of God and Velvette’s race is in the “eye of the beholder” or some shit. At this point just admit that you guys are racist and can’t stand the idea of having to regularly see, having genuine enjoyment for and interest in, or having an attraction to a black character. Y’all are so transparent in your anti-blackness, but too cowardly to admit it, that it’s almost painful.

Velvette’s coding (especially before you hear her voice, see who her VA is, and see her character’s appearance in s1ep8 where she’s depicted with textured hair) is not great, and I’d be remiss not to acknowledge that. She’s got the same skin tone color-coding problem as the other black - and only supposedly black - characters where she’s somewhere between a medium to dark grey in lieu of just making her brown skinned (which I get is because she’s a demon, but still), and in general there’s just enough not going on to make her black-coding more explicit that all the ‘I don’t really see her as black’ people can have a field day, and that makes arguing her blackness a necessity because you have to provide a whole bunch of evidence before people concede defeat or call you some backhanded insult that’s almost a slur before blocking you. That’s the reality and it sucks, but I am glad that there is at least things we can point to and that (even though not the best established/depicted) Velvette is supposed to be black.

All this to say, VELVETTE IS A BLACK BRITISH WOMAN (just black-coded or otherwise) and you can certainly argue about it, but I will not be responding; I have better shit to do.🫶🏾

The one thing about fandom and fan spaces - and just any media I consume for joy, period - that has always stayed consistent is the racism (and especially the anti-blackness & misogynoir). I can never escape that shit and I hate you people for it, I really do. Y’all’s favorite phrases to hit black people with are either ‘it’s not that deep’ (which it is, because your fandom preferences and reactions likely channel into how you vote, for instance, and how you regard the real life human beings in front of you’s worth at a given moment; I’ve seen it, because the same way that y’all take in misinformation about irrelevant shit like HH & HB is the same way y’all take misinformation and run with it when we’re discussing real life instances of oppression & discrimination) and that ‘be the ones to give black characters attention/make your own black character & predominantly black media’ bullshit. News flash though, a couple of black people in every fandom cannot cure the levels of systemic racism that’s sunk into you all like a fucking disease, but that so many people are just totally fine repping. If you’re “tired” of hearing black people complain about racism don’t you think black people are tired of feeling it? Of never being able to escape the effects of it? Of dealing with it? We hate this shit (at its most extreme it gets us killed and at it’s tamest it ensures we have less enjoyment & feel less welcomed in a given space), but if we can’t enter a physical or digital space without being hit by racism and anti-blackness then neither will you bitches. Also - because I’m looking back at this & can’t help but edit - I fully understand the desire other black people have to go into entertainment/fandom spaces and not have to think about racism, and so we’ll ignore the racism we do see (and sometimes even push back against its existence & downplay its harm), but ignoring the problem doesn’t fix anything. So while I also feel that desire and the majority of my stuff (especially my posts and creative endeavors) that’s aimed at black people is “escapist” or just not “trauma porn” to some extent, there is a point where I have to deviate and bring the shitty side of reality back into focus. So yeah.

P.S. — I kept saying alleged to the Pitch Bible because I didn’t trace the Bible pages all the way down to some official Vivziepop page, but you certainly can if you want to.

And here’s the full Pitch Bible page if you want it:

It also fucks over the people that want to insist Velvette stay Vox and Valentino’s ‘daughter’ figure despite Velvette’s redesign and characterization in season one of HH— and her age.

If you’ve made it this far, thank you for reading (if you actually read the whole thing that as, but if not then whatever)!🩷

[kaiju-krew]

Hey there! Firstly, big big fan of your art and headcanons, ty for your cool and awesome big brain ❤️ Now that you’ve seen the movie, I’m wondering what your thoughts are on Shimo??? I’ve just seen impressions of her so scattered. (I saw your post on how she will NOT be treated as a pet, and I so appreciate that.)

I will say, for me the ‘old gal’ vibes are so strong and I’m here for it. Like when Goji blasts his atomic breath into the sky at the end and she’s looking at it with such awe and her cute super gummy smile, it reminds me of when a grandma gets shown some common piece of technology that the rest of us are used to, but she just can’t heckin believe it because she lives in a damn cave??? I loved that.

hi hi! omg u think i have a big brain...... compliment of the century.... i must have ppl fooled bcuz i am viscerally dumb most of the time

anywAYS. gxk spoilers below (and a lot of ranting)

shimo my beloved💙 i appreciate most interpretations of her, besides people who are just straight up caling her a dog. and like, not in the way i’d compare goji to a cat? for me it's more mannerisms based, so for goji my main expression/mannerism inspirations are cats, wolves, and komodo dragons (obviously), and for mosu it's owls and cats, with a crumb of horses because of their 'ear' communication so i use that with her antennae.

sorry for tangent but anyways. i dont need someone barking at me that i call goji a cat/draw him acting like a cat so calling shimo ‘kong’s pet dog’ is fine. i think its the difference between goji having the personality i characterize him with + mannerisms inspired by other animals, vs. him having no personality besides Being A Cat. like, he’s a dumbfuck but he’s clearly an intelligent creature capable of communication and understanding. i make a lot of shitposts but truly in my personal hc i’d never reduce him to ‘pet level intelligence’

i think i’m extra touchy about people calling her ‘kong’s pet’ because like. dawg. did you watch the movie? she was JUST freed from being skar’s slave/beast of burden/abused pet whatever you wanna call it. why would you want her to become another creature’s pet again?(obviously minus the abuse) idk mannn it just feels…. reductive somehow. she clearly shows intelligence and understanding when she realizes what’s happening during the fight and helps to kill skar. i just refuse to reduce her entire character to kong’s pet status bcuz that makes me uncomfortable asf.

as a disclaimer, you’re welcome to have whatever hc you enjoy. me expressing my personal thoughts on the matter isn’t an attack on anyone who characterizes her that way, i’m just not interested in engaging with it in the slightest.

DOUBLE ANYWAYS i just needed to get that outta my system. TIME FOR CUTE FUN IDEAS YAHOOO

i’m seeing mixed info about her age so idk where she actually sits there?? i remember seeing something like she’s the First Titan but i also think the novelization of the movie said she’s only 3 million years old?? when im p sure they’ve said goji is 250+ million years old so…. i have no clue there lol. personally she feels less jaded and grumpy than goji does to me so my brain automatically sees her as similar or younger bcuz of my Grumpy Old Man bias.

i’m still workin out my ideas for her but based on how the movie ends i like to think she helps kong with relocating the apes to a better home, and they mostly live in HE. her n kong venture up for surface dates bcuz she gets what she fucking deserves 💙

goji nearly has an aneurysm the first time they come up, since mosu literally takes them for a lil tour of monster island. bro standing there clenching his fist like the arthur meme, he begrudgingly knows she’s right and eventually he gets used to it

i got more ideas cookin for her but this post is already too damn long cuz of my ranting time to stfu

SHIMO BEST GIRL 10/10

[rayshippouuchiha]

(tw: abuse, self-harm, suicide)

to child-free anon: you are absolutely valid. my mom has a similar problem. she's great to anyone who could enact consequences on her, but she made my and my siblings' childhood a living hell. it was an incredibly toxic environment to grow up in. i was regularly hit, yelled at, and manipulated by suicide threats, etc., all because a single thing ticked off my mom. the first time i contemplated suicide, i was 9. the first time i considered about killing her, i was 13.

as a child, i was convinced that she had two separate people in her brain, and i only wanted the "nice one". overall, she was an good mom. she took me on walks, baked with me, helped me with homework, and all the things a parent would normally do. sometimes she would be giddy and playful like a kid, and other times she would beat me for writing too hard in my notebook. i was deathly scared of the other half, constantly on edge for when it would come out.

she fucked me up so bad, and i loved her the entire time, because she was the only person who ever stayed with me. i craved her approval so viscerally in everything i did, but nothing was ever enough. she wanted everything from me, and i could only give so much.

i'm absolutely terrified of turning out like her because i can recognize so many of her behaviors in me too. i get auditory overloads easily, i bottle my anger up, and i have graphic intrusive thoughts that i can't always push away or ignore. my mom used to get severe light migraines and would scream for hours on end when she had them. i always think of them whenever i get panic attacks from an overload, and how much worse i would be if i had to deal with a kid during my migraines.

i adore children, but i would break any child i had myself. my peace and quiet is one of the few things i value above all else, and if someone breaks it, i wouldn't be able to restrain myself no matter how much i loved them. i know my mom despised herself for how she treated us, but she still did it.

you're saving someone by not having kids, and you're saving yourself too. never let anyone try to convince you otherwise.

Trauma is absolutely a completely valid reason to not want children, no matter the source. Just, I think it's so much more responsible to see these kinds of things in oneself and choose to take steps to contain any possible damage that could spill over onto others than to just ignore it or think it doesn't matter.

[koshiaoi]

More sif from In Galaxies And Eons, he gets a bit worn-out whenever he loops.

My hc is he is affected by the craft exhaustion way more than normal sif, by way more I mean while in the loops, and that's because it's not just local to Vaugarde and is instead just reversing time completely! But his body does still feel the effects of it harshly, as each time he dies the scar on his cheek and the black bits of his hair, hat, and the inside of his clothes gains another star. All the black bits slowly turn a dark blue! Just cuz I wanna and I love blue.

If anyone is wondering, the scar on his cheek he got from loop, this loop spent way longer in the time loops than the original loop (around 10k I think?) And doesn't really talk to siffrin because of this. Loop attacked sif because he wanted to replace him and get back his actors.

From everyone else's perspective, they were a few days before they got to dormant and were taking a break when they heard sif scream, they rushed over and saw him almost dead being attacked by a "sadness" that somehow could talk? They hear it say something about ripping his skin off and replacing him, at which point they were able to save sif. Frightening loop, causing them to run away. Isa and odile noticed something in its eyes though... a weird shade that gave them a visceral feeling.

Bonnie wouldn't be able to leave sifs side after this, as they were told that he was 'just going to take a nap' and he ended up getting attacked. So bonnie sees this and knows that they can't leave the rest of the party anymore, but what's worse about it is that even though frin looks half dead, they're not bleeding, like at all. Instead, every scratch and wound is this weird back nothingness, which is even more reason to not let him alone ever again!

Mira tries her best to heal him, but nothing happens, almost like its permanent damage, like its scars, which stress her out even more! The person who she thought she could trust with her life is now badly injured because of her! If she just didn't ask him to come along, he would never have gotten hurt! It's all her fault! Its-

And isa would hide his true feelings about the entire thing, just trying to cheer sif up by telling him how cool he is for being able to hold his own against that sadness, they that couldn't even damage... wait what? Why couldn't they damage it? Why could only sif damage it? Well that doesn't matter! Sif looks really cool now! He tries his best to help out the freaking out siffrin.

Odile on the other hand would take that thought and run with it. When she saw that when they tried to attack the sadness, not only did it not flinch, like at all, it's form also didn't even react! No small bits of water, nothing. And then there's the fact that whatever it did to siffrin is permanent and can't be healed, what it said was weird to, not to mention that IT COULD TALK? No something wasn't right here... they should really talk to siffrin later.

Yes! I am using some headcannons for this! Specifically the loop appeared before the loops and was just hiding, the loop being sap!sif but I made him worse, and one thing that's just true, is that odile will know that isa also saw the weird thing and will talk to them about it and everything.

[ludinusdaleth]

i feel like the mere idea of bringing up orym & ludinus and their entwined threads of fate is taboo, but i cant stop thinking about it.

orym is a rare, nearly impossible kind of protector - a guard, somehow not attached to a corrupt, brutal system. he just wishes to protect his home, his leader. but ludinus, via otohan, attacks this peaceful place. he turns the ashari cautious & agrieved. he turns the society of air into the eye of a hurricane. orym is turned into a widow. his title as guard is marred; he failed. maybe zephrah is forever marked as a battleground & graveyard, now.

orym walks across tal'dorei & marquet, slowly healing beside his friends, protecting them as best he can. but then he learns who killed his family, and she kills his friends, too - and him, for a moment, giving him visions of his dead husband, reopening the wound. he is in the eye of a sandstorm, tinged red by the moon. he is a pilgrim no longer. his attempt to be a guard has once again been thwarted. maybe you cant have peace if you're a protector.

orym is at the center of the goddamn planet, the leylines aligning as he witnesses his leader fall at the hands of otohan, again at the center of his home's wound, and ludinus, again pulling the strings. a protector far stronger, more capable, than him, adorned in feathers, alight with divinity, falls worse. his friends are flung to the far sides of the world. he once again fails as a guard. maybe a guard is too small in the scale of this world's forces to impact the tide at all.

and so, orym nods to laudna as she rips bor'dor's life from him. he shears his hair ever more, adorns tougher armor. he makes a deal with a hag, desperate for any chance someone he cares for could maybe fucking make it out okay - even if his vastly increased sternness to keep them safe pushes all of them farther into fear of their own. he sneers with unfathomable anguish as he sees ludinus at the volcano and wastes every one of his action points to rip his soldiers apart. he uses ludinus's harness. he takes the willmaster's power. he keeps pushing into the bloodred storm. he could never be a guard right. so it is time to be a soldier. to truly protect must mean to run to the source of all of it and end it once and for all.

all of the bells have been forged by ludinus, a horseman of war, but orym takes it most viscerally. he does everything in his power to stop ludinus, but in a way the elf has already won - or perhaps, in his need for exandria to be "saved" (as he percieves his actions will do), he's failed, but the bells have still lost. because this new generation isnt at peace. they arent even heroes. they are soldiers. orym more than anyone else has accepted that is his life, his death, his fate. there is no goal of his that doesnt end at ludinus. ludinus, who just like him, lost everything in a war involving gods. who has felt the way the world keeps turning, unbothered by what destroyed his society. who uses that accursed harness to take power for a cause. who doesnt want to force someones mind to get what he needs, or kill, but does, because it is necessary. who has pushed himself to the point he is a means to an end more than a person, willing to rip himself apart because he doesnt matter, his goal does. who cant see anything but war on the horizon anymore.

when the two are mentioned together it causes folk to bristle. the idea orym could be in ludinus's shadow is seen as a suggestion that orym is evil as him. but, thats not what i intend. it is a terrible thing, watching someone's gaze harden after tragedy. once a long time ago, as the gods fought across exandria, ludinus saw his world destroyed. and so he enacted a plan to ensure that would never happen again. that they would suffer, and mortals would thrive. but his plan was a god's foot, trampling mortal society upon society. and so orym saw his world destroyed. and he knows killing ludinus is how to let it mend. as the two march forward, in a second calamity, i can think of nothing but the first scene of exu: calamity, when pelor & asmodeus fought as avalir fell below them. despite ludinus's raging, incredible hatred of the gods, the biggest tragedy of all is that mortals really are crafted in the gods' image: and he, & orym, are most representative of that endless cycle of war, of this war, a failure of the past generations, of ludinus, to ensure a "true" freedom of mortals. of peace.

willmaster edmunda was a terrible person, but i fear she was on the right track when she spat at orym "some would like to live in harmony [with Exandrians]. some... know the nature of violence, that others like you carry."

he would never have carried it if ludinus had not dropped it at his feet.