#p: lana lang | Explore Tumblr Posts and Blogs

jellybeanbeing · 3 years

Text

Songs I Listened To While Reading (2020)

SPOTIFY LINK TO THE PLAYLIST:

https://open.spotify.com/playlist/0v1PkCKmE1xyVC6PO3x5gq?si=9BxUwCZZQCyLxnJIedEZhw

Deposing Nathan by Zack Smedley // “Violent Crimes” by Kanye West

Purple Hibiscus by Chimamanda Ngozi Adichie // “Viva La Vida” by Coldplay

The Perks of Being a Wallflower by Stephen Chbosky // “unrequited love (& other cliches)” by breakup shoes

The Raven Boys by Maggie Stiefvater // “You Were Afraid” by Night Beds

Chain of Gold by Cassandra Clare // “listen before i go” by Billie Eilish, “Golden” by Riley Baron, “Hope For Everything That Is Not Here” by Night Beds

Anil’s Ghost by Michael Ondaatje // “Blue Knuckle” by Night Beds, “Bird Song Intro” by Florence and the Machine

An Ember in the Ashes by Sabaa Tahir // “Shake It Out” by Florence and the Machine, “How to Love” by Lil Wayne

A Torch Against the Night by Sabaa Tahir // “Which Witch” by Florence and the Machine

A Reaper at the Gates by Sabaa Tahir // “Power is Power” by The Weeknd, SZA, & Travis Scott, “Pray for Me” by The Weeknd & Kendrick Lamar, “Wish That You Were Here” by Florence and the Machine

Long Way Down by Jason Reynolds // no song

My Heart and Other Black Holes by Jasmine Warga // “You” by Petit Biscuit

Other Words for Home by Jasmine Warga // “Anchor” by Novo Amor

The Case for Jamie by Brittany Cavallaro // “Only You” by Yazoo, “Chateau” by Angus & Julia Stone

Sula by Toni Morrison // “Homemade Dynamite” by Lorde

The Starless Sea by Erin Morgenstern // “Bombs on Monday Morning” by Melanie Martinez, “Falling” by Florence and the Machine, “Misery Loves Company” by Gorgeous Bully

A Song of Wraiths and Ruin by Roseanne A. Brown // “Skyfall” by Adele, “Seven Devils” by Florence and the Machine

Normal People by Sally Rooney // “Why Am I Like This?” by Orla Gartland

Get a Life, Chloe Brown by Talia Hibbert // “Rager teenager!” by Troye Sivan

The Kiss Quotient by Helen Hoang // “Heather” by Conan Gray

The Bride Test by Helen Hoang // “Lookalike” by Conan Gray

Open House by Ruby Lang // “Like Real People Do” by Hozier, “Are You Hurting the One You Love?” by Florence and the Machine

Josh and Hazel’s Guide to Not Dating by Christina Lauren // “Dandelion” by Jealous of the Birds

Howl’s Moving Castle by Diana Wynne Jones // “Black Water Lilies” by AURORA, “Blinding” by Florence and the Machine

The Unhoneymooners by Christina Lauren // “Break My Heart Again” by FINNEAS

The Hating Game by Sally Thorne // “Video Games” by Lana Del Rey

The Worst Best Man by Mia Sosa // “La Lune” by Billie Marten

You Deserve Each Other by Sarah Hogle // “Je te laiserrai des mots” by Patrick Watson

I’m Thinking of Ending Things by Iain Reid // “Drive” by Patrick Watson

How to Make Friends With the Dark by Kathleen Glasgow // “Soft Shock - Acoustic Version” by Yeah Yeah Yeahs

Take a Hint, Dani Brown by Talia Hibbert // “22″ by Night Beds, “Heart of Glass” by Blondie

The Way to Game the Walk of Shame by Jenn P. Nguyen // “Berlin” by RY X, “Ramona” by Night Beds

The Right Swipe by Alisha Rai // “could cry just thinking about you” by Troye Sivan

Beach Read by Emily Henry // “exile” by Taylor Swift & Bon Iver

The Raven Boys by Maggie Stiefvater // “Tell Her You Love Her” by Echosmith, “You Were Afraid” by Night Beds, “Good Grief (SLOWED)” by Bastille

The Dream Thieves by Maggie Stiefvater // “violent” by carolesdaughter, “listen before i go” by Billie Eilish

Blue Lily, Lily Blue by Maggie Stiefvater // “All of Them Dreams” by Tom Rosenthal, “pov” by Ariana Grande, “Can I Call You Tonight?” by Dayglow

The Raven King by Maggie Stiefvater // “Rising, Rising” by Crywolf (Bassnectar Remix), “We Are the Ones” by Son Lux, “Running With the Wolves” by AURORA

Horrid by Katrina Leno // “Exist For Love” by AURORA

Head Over Heels by Hannah Orenstein // “Apocalypse” by Cigarettes After Sex, “Stand Still” by Zayn

Girl Gone Viral by Alisha Rai // “Woodland” by The Paper Kites

A Sky Beyond the Storm by Sabaa Tahir // “Diamonds” by Sam Smith, “Yellow Flicker Beat” by Lorde, “Rising, Rising” by Crywolf (Bassnectar Remix)

The Flatshare by Beth O’Leary // “Halcyon” by The Paper Kites

Marry Christmas by Jane Goodger // “Featherstone” by The Paper Kites

Kids of Appetite by David Arnold // “Goodie Bag” by Still Woozy, “Between the Bars” by Elliott Smith

Challenger Deep by Neal Shusterman // “The Wisp Sings” by Winter Aid

Well Met by Jen DeLuca // “champagne problems” by Taylor Swift

The Porpoise by George Vaughan // “Clementine” by Halsey

38 notes · View notes

sanoiro · 4 years

Text

Lucifer 5x04 - The Mega Meta

This episode, the one all the cast and writers praised turned out to be the most challenging for the audience. Several hated it mainly for interrupting the flow of S5P1 whilst introducing a ‘weak’ story for Lucifer’s ring. Others loved it for all the meta, the concealed trivia and details that exist in that episode.

In my opinion 5x04 took it’s time to warm up to my heart and therefore today it’s time to write a meta on it. I’ll try to cover all the bases and if I miss something I apologise!

This meta will analyse, lines, settings, songs hopefully with the order they appear in the episode, as well as hints that it gives us for P2, the end of the series and many more things.

The credits open to Lucifer whistling as per Netflix’s subtitles ‘Chattanooga Choo Choo’

A song of about a man waiting for his train as he gets a shoe shine. The lyrics reveal at the end that a girl is waiting him at his destination and that he intents to marry her and settle... A good foreshadowing about Lucifer no? Especially after the S3 game night fiasco...

There's gonna be a certain party at the station Satin and lace, I used to call funny face She's gonna cry until I tell her that I'll never roam

By the way what’s this obsession over daggers and them killing people? Didn’t we have enough with the Flaming Sword in S2?

Trixie: Has it ever killed anyone?

Let’s keep it that way kid... Although I doubt it.

Now take a moment to realise that Lucifer was in Hell for thousands of years. He hasn’t had sex since his relationship with Eve and for his last night on Earth he prefers to play a game of Monopoly with Trixie and only when she turns him down Lucifer suggests getting a drink at LUX always in her company. That’s progress...

It also busts all claims of Lucifer being a sex obsessed maniac.

The year is 1946...

WW2 is over and we find Lucifer in a new setting, a familiar one where through the episode we see that he has not just visited again but he is frequent visitor around that time. Just a few years later after all he was seen through Kinley’s photos in Nazi Germany. Now we know it was because apparently he owns a castle there, in the Austrian Alps... Not exactly in mint condition after the war though...

By the way the castle that corresponds to that 22 bedroom description Lucifer gives is Schloss Ernegg Castle which belongs to the same family since the 17th century and it’s in great condition. Actually it operates as a hotel!

The Hurry plays as we see Ellis strolling the WB New York area of the lot. Great old ones were shot there.. Like The Big Sleep (1946) staring Bogart and Bacall which was shot in 1944, reshot some parts in 1945 but was released after all the ‘proper’ war time movies were released first.

A bit like this episode The Big Sleep carries ‘process of a criminal investigation, not its results’. Also around that time we have The Killers coming out, The Killers is important to mention as aside from being based on a story by Hemingway who was in Cuba in 1946 not in New York as Lucifer claims, it was directed by Robert :. Siodmak made most of the Hollywood’s noir classics and was always faithful to the doomed attraction which would always resolve to a nihilistic conclusion... (Thank you wiki! :P)

The connection to Lucifer, between the lines and the off hand comments like Hemingway is that noir films were based on the German Expressionism in cinema, and one of the most prominent figure for the US was that one German director Robert Siodmak.

The purpose of the above information is in order to tell you that a black & whte effect and a crime story is not what makes a noir episode. The writers were faithful to the core of noir. Entrapment, flashbacks, narration. The tropes of murder, jealousy, backstabbing and crime is also there, easy to replicate after all for sure. A dead man walking and ‘selective’ amnesia is also convenient...

Triumph and tragedy can be found and lost in the maze of the cities and in questionable establishments... Like in bars...

Moving on!

The credits open and we listen to The Hurry Up played by The Heath And His Orchestra. Dear Heath was British not an American. A subtle nod to Ellis probably as the leading man. But here is the thing Heath was the performer not the composer of that piece. The composer was Kenny Graham (Again British) and probably that piece was written after 1958 but anyways it’s an inconsistency we (-I-) can certainly live with!

Lucifer and Lilith last meeting was at around 1770 (Marie Antoinette was born in 1755) now whether in Austria or France who knows.... I would assume that Lucifer stayed in Austria until WW2 as aside from the wars and other issues it had a great cultural field for him to explore such as literature, music and lacked the brashness of the new-founded then US (1776).

Tiny issue here... Moctezuma (The 2nd) who Lilith claims to have met died in 1520, a bit after Cortés arrived in what we know today as Mexico so we can assume that Lilith travelled between the New World and Europe until Lucifer found her in New York in 1946.

Lilith in a relationship with Tommy Stomponato who owned the club, she probably influenced him enough to name it ‘The Garden’ as se admits to Gertie later in the episode, she really loved that Garden hence why she took a small part of it with her.

Now the name Tommy Stomponato is directly influenced by Johnny Stomponato part and bodyguard of the Cohen Mafia boss Mickey Cohen. Now funny thing he was stabbed by Lana Turner’s (Hollywood star) daughter Cheryl Crane... That remind us a bit of Gertie as she yes both were stabbed by a woman but both were not prosecuted. The first as Lilith didn’t want Gertie to lose the limited time she had with her husband and Cheryl because she claimed self-defense.

The first time we see Lesley Ann as Lilith she sings ‘I want to be evil’ originally performed at the debut of Eartha Kitt and first released in 1953. It is considered brilliant for it’s feminism and ‘video clip’ starring Kitt...

youtube

It’s a song that carries Lilith’s agony which even Eve carried. The need for freedom, the need to break the chains of what they should be and what we see that even Maze carries throughout the series. It’s a song that reaffirms that betrayal towards God, Adam and Lucifer in Maze’s case is not an act of evilness but the need of these women to re-sculpture themselves without aid or instructions. In Kitt’s case it was social conformity. Also Johnnie Ray was the ‘guy who cries’ aside from his hit song in 1951 ‘Cry’ him crying after his wedding was received with mixed feelings I believe from the press and his fans.

Now we see that crime for Lucifer was fun and again he wanted to Laugh with Hemingway who again in 1946 was not in New York but had just starting to write his novel ‘Garden of Eden (published posthumously in 1986) and it explored the reversal of gender roles a bit like this Lucifer episode does.

So Lucifer accepts the case of finding the ring but needs help. Jack Monroe is the one that can help him and the name is inspired probably by Iowa’s born Jack Monroe Marvel character who lived in New York, fought the Nazi (See Jack talking about the Battle of the Bulge), sidekick to Captain America - in a way - and ended up shot and killed. The character had many cliche detective phrases. But that’s mostly a likely speculation :P

Now as Jack goes to talk to the ‘rat’ Lucifer comments on Gertie serving him a drink ‘Just what the doctor ordered’ an obvious connection to Harris playing Dr Linda.

A nice prop is the machine gun over the bar an alleged gift from Al Capone who had been arrested 17 years earlier and died in 1947.

Thanks for listening, XOXO A. Capone

Now Lucky Larry who ends up dead is wearing an eyepatch probably a nod to another great director of noir films and of german expressionism in cinematography Fritz Lang.

At that point we have the talk between Lucifer and Jack concerning the laters problem with his wife. The story as everyone has noticed is a parallel with the issue that Lucifer and Chloe never begun on an equal ground. Someone had manipulated them and in both cases both parties suffered. Both men were manipulated by someone over them in hierarchy and both stood on a dilemma on how to proceed. It took Lucifer over 60 years to realise how difficult it was to leave and even then in 2x14 he returned.

As Jack and Lucifer get to Willy’s mansion all the paintings depict him as a great warrior in all possible eras. As Napoleon, Fritz of Austro-Hungarian Empire, Henry the 8th, Ivan, and that armour I believe it was from Carlomagne?

Also Hannibal crossing the Alps?

The little sausages are self-explenatory for the character and perhaps the lilies in his house a connection to the episode and the P1′s plot.

Lucifer checking the armour’s genital protector? Priceless :P As was Willy’s connection to Dan.

Now something that always make me wonder is why Lilith calls God Adam’s father as if she never considered him her own. At the same time she gives us a big hint there. She never walked away she was ‘sent’ away.

Gertie reveals there that her husband was wounded at the Guadalcanal campaign which ended in 1943 meaning that Bill was unresponsive for about three years at that point. The good news is that Bill seems to have been inspired by Bill Lentsch. Lentsch wrote a memoir called My Story and then adapted under the Title Hope For Wounded Warriors.

As a wounded warrior, Bill Lentsch knows the frustrating feelings of apparent helplessness and hopelessness. A sea-going Marine on the cruiser USS Vincennes at the beginning of World War II, he was a "hot shell catcher". The story of Bill's survival when the Vincennes sank is a story of miracles. In contrast, the story of his post-war rehabilitation and readjustment to civilian life, including a bad marriage {Sanoiro: At this point we have a differentiation but you never know}, contains more than its share of dark pages and the consequences of poor choices. Contemplating the option of murder, then suicide, was a vivid reality. Thankfully, the story of his later years brings hope and inspiration as Bill shares his personal journey of discovery.

Meanwhile the investigation continues. In the apartment we see pigeon cages a rather popular hobby back then in New York and not just for the messages they transported. Also do notice the WB water tower in the back. Iconic!

Lucifer finds a cuban cigar. Romeo y Juliet. The meta here obvious bit nonetheless important to our main love story.

With Stomponato dead we have a chance to delve a bit to Egyptian mythology.

First the missing heart. The main organ that according to ancient Egyptians held the answer of how well you had done while you lived and what you deserved after death. It was measured and a conclusion sent you to afterlife or to damnation.

Second the Anubis mask. He was the God of Death who oversaw the heart weighting process. The colour black symbolised the Nile’s sand and thus regeneration as the river was a symbol of life. Anubis was adopted by Isis

Third the Eye of Horus. The Eye of Horus was used as a sign of prosperity and protection, derived from the myth of Isis and Osiris. This symbol has an astonishing connection between neuroanatomical structure and function.

That’s the basics but you can go further from there if you want to just remember that Egyptian deities hold an Ankh the symbol and work of life.

In 504 we learn that death is final, there is no eternal life. It cannot be given as a commodity, the ring cannot help so I would focus more on the stone itself and if Lilith’s immortality is used then it will not be used as it is in my opinion but more about that later on.

The shop sacred eye and the high priest take us back to two episodes of S1. First in 1x07 - Wingman where the high priest parallels the auctioner who was ready to sell everything of ‘supernatural’ worth knowing they were mostly garbage to make money. Second 1x12 - #TeamLucifer the satanic high priest who had said ‘-the Devil ain't gonna buy me an Aston Martin’. In 504 the High Priest wanted a Pontiac.

Lucifer comment on Tutankhamun loving the pre-sacrificed bloody heart might have to do with the Egyptian mythology that If a heart during the scaling was judged to be not pure, Ammit (female demon/god) would devour it, and the person undergoing judgment would not allowed to continue their afterlife journey.

One of the best lines delivered in this episode is also foreshadowing P2 in my opinion and why not some bts but not clear or definite ones.

In the modern age, we are taught to fear death. But the ancients understood that death... is power. - High Priest (Lucifer 5x04)

It is why I always say that death is not the last frontier in our series and as such it should be taken neither as the final chapter to an individual’s story nor as irreversible (with the right collaterals always) somehow. Although you cannot cheat death forever, this is the beauty of our story. Death is valued just as much as life.

As such as we are in the High Priest ‘office’ it is not accidental we see the Tree of Life (See my Tree of Life Meta *Here*). The designs are Celtic around the mirroring tree of Life in what we can assume is in Life and Death is as vibrant and ‘alive’ in both sides.

1) triskelion: meaning the three legs, is an ancient pre-celtic symbol that can be traced to the bronze era. It symbolises the holy trinity in Christianism but also the inner and outer world of spirits. As you can tell it holds a variety of meanings and even if it is just there, picked in random from the WB prop house we should note that it also symbolises the trinity of life, death and rebirth as well as the trinity of the transition of womanhood. The Triple Goddess: maiden, mother and the (older?) wise woman.

For this meta we will take the trinity of life, death and rebirth as well as elevate it to the transition of our lead characters. Chloe as a young woman, a mother and now a ‘wise’ older and more mature woman. Lucifer as the young rebel, a struggling with maturity and responsibility man and what he may become by the end of S5 without shedding any of his prior roles and identities. Only this time his identities no longer ‘stain’ him.

2) Knotted symbol - Eternal knot: We see them in many cultures and religions in Buddhism they represent birth, death and rebirth. In the inside we see Solmon’s Knot a symbol of immortality and eternity but some also parallel it to Lover’s Knot (See True Lover’s Knot), an ancient symbol of commitment and love. From this keep the eternal part of the symbolism which is often depicted in jewish cemeteries.

3) Celtic Cross: They are said to be based on some cases to the Egyptian Ankh (See Coptic Crosses), some also allege the design in the combination of the Christian cross and the pagan sun disk.

4) The Celtic Tree of Life: For this I take what is written in this site

The tree represents rebirth. Trees were said to guard the land and acted as a doorway into the spirit world.

The Tree of Life connects the lower and upper worlds as its roots grow far down while its branches reach high. The tree trunk connects both of these worlds to the Earth’s plane. It was with this connection of worlds, that it was said that people are able communicate with the gods in the heavens using the Tree of Life.

Tree of Life knots symbolize the branches and roots of a tree which are woven together with no end to show how the cycle of life is continuous.

Through the second part of the episode I was always looking at Lucifer’s tie. I might be wrong but it reminded me a lot of gears, with a heart and clocks on it. Essentially the clock is ticking... in more ways that one as well as for Lilith but give me some more lines before I return to this meta point.

As Lucifer asks how humans believe her ring makes her immortal she ends her story with the line:

“I survive, and... somebody writes it on a stone tablet. You know how these things start.”

For me that was always a direct reference to the Favourite Son deal we had with the book in episode 2x17. As Lucifer said in 2x18 when Chloe asked whether his Dad said that Amenadiel was His favourite, Lucifer replies:

In so many Sumerian words.

Later on in S3 (3x14) Lucifer tells to Cain that Amenadiel is the favourite when he asks him as:

But the quick version: a book said it, so it must be true.

To be honest this re-occurring mentioning makes me hold to my belief that something was translated wrong there...

As the 5x04 sceheme to get the ring back is underway Lilith looks at Jack & Shirley’s interaction which is interesting not because it’s when Lilith starts to perhaps thinking of retiring her immortality but because a very special question comes to mind.

Michael knew the ring’s story. He claimed that he was the one who manipulated Lucifer into having his vacation, but his vacation just ‘happened’ to be at the same time Chloe was on Earth?

Here is a speculative meta.

Lilith asks Lucifer if he ever connected with anyone emotionally to which he replies:

Absolutely not. It would take a literal miracle for me to want something like that, and I'm fairly certain my father's not handing those out anymore.

It makes you wonder whether Michael was around listening, planning carefully his next moves. That that’s how he knew the ring’s story, or how he may have plotted Chloe’s miraculous birth by manipulating God.

At this point everything is possible but we should never forget that God at that point is still powerful and omniscience so Michael might be only alf of the explanation why Chloe is on Earth as a key for Michael to take down his brother and materialise his other plans. The other half is only known by God but will he be willing to share in P2 or even in S6 if he appears there?

Lesley-Ann as Lilith starts to sing ‘Someone to Watch Over Me’ a song written over the songwritter’s (Ira Gershwin) wedding anniversary, a true love song on many levels written in 1926 and featured in the Brodway Musical ‘Hey, Kay!’.

The musical’s plot is about an engaged womaniser falls in love with Kay and the song after lots of thought was placed to reveal to the audience of Kay’s realising that she is in love with the male lead, womaniser Jimmy.

We will never perhaps know if by imminence to Lilith’s first song lyrics, Lilith to a point was in love with Lucifer and held on to hope until she surrendered everything for a normal life not wanting to wait for the impossible. Of course that’s just one interpretation not a hard conviction of mine.

An analysis of the song writes:

When first composing this piece, the Gershwin brothers tried to capture the feeling of safety (and love) that everybody longs to have. The addition of the doll (a doll was added as the listener of the song in the rehearsals and stayed in the show) only enhanced the childlike, vulnerable side of the song that was being hinted at in lyrics such as, “I’m a little lamb who’s lost in the woods.”

Although many artists sing this like a love song, its first performance, directed at a doll, gave the piece an aura of safety not usually present in romantic songs.

Perhaps that safety should be also attributed here. Lilith still has her safety still holding on to her immortality knowing though that she will surrender it. Lucifer is unaware he one day will surrender his willingly because he fell in love.

In the end they both carry the vulnerability of needing someone to understand and love them. No matter how cynical we find both Lilith and Lucifer with his brutal Caligula orgy comments, they both crave about someone. Both have lost hope to their Shepard aka God/Dad.

Perhaps I’m wrong on my first impression with Lilith and her affection towards Lucifer. Perhaps they both are the prodigal children, lost in the woods wishing for someone to finally take care of them but no longer hoping for one, until Lilith takes the leap. Lucifer will need almost 80 more years and Chloe Decker to let someone take care of him.

Perhaps that’s why they do a duet on the lyrics:

Someone who'll watch over me

I'm a little lamb who's lost in the wood I know I could, always be good To one who'll watch over me

And the case is back to move the episode forward and enter the present Lucifer Trixie interlude and ‘Forget it Trix. It’s Chinatown!’

That line was the most obvious one as it comes from the more recent noir movie with Bogart and Chinatown (1974). In the movie aside from the mystery plot Evelyn - the mother eventually dies, the twist is that of an abuse which led to her daughter/sister’s birth and although that does not fit our serie’s plot the death of the main lady might. All a speculation so do not be dishearten remember all the above and this is not an S&S it’s a meta :P

After all Lucifer’s line goes back to the complex dealings in Chinatown and how understanding something fully is not always feasible.

Interesting is also how Lucifer shots, albeit the foot not the leg, of willy to prove Willy is not immortal. Like Chloe did to him in 1x04 and to Michael in 5x02. Jewelry is not going to save anyone. Big words but you know me. I believe in other provisions or actions even if they include the ring.

We all die, Lily. And that's okay. Truth is... I'd rather die today trying to save the man I love... than live forever without him.

The past, the present and perhaps the future?

The case is resolved and Jack follows Shirley to Des Moines (Capital of Iowa). That’s an inner joke as Joe Henderson is from Iowa and graduated from the University of Iowa.

Before Jack follows her remember that Shirley had asked more from him when he told her to be careful. A bit like Chloe in the evidence room in 5x08. If some have watched unconditional love then you might remember the scene where Kathy Bates tells to her husband played by Dan Aykroyd that him telling her ‘I love you was never a condition but at that point it now was. Similar to what we saw Chloe asking from Lucifer. A foreshadowing perhaps that eventually Lucifer will follow Chloe.

Now two things. Lucifer in episode 504 prepares their game night. He is now comfortable and even enjoying their game nights, he find himself right where he wants to be without being fearful of being dull. He is a shoe and that’s fine.

When Trixie asks Lucifer whether Jack and Shirley had a happy ending he tells her probably not as they moved to Des Moines meaning it was a boring move between New York and Iowa in general. Iowa and Des Moines have been used several times in jokes by the way due to Henderson.

Now back to Lucifer, at that point he does not see that sometimes sacrifices that lead to ‘boring’ lives are the best outcome and happiness is not equal to excitement but he is a slowly maturing Devil...

That part can help us to analyse the end of the story from 1946.

Lucifer says: Once you do this, there's no going back.

This implies that whether you surrender your immortality or gain it -for the second I’m quite doubtful it can be done on the same terms - it is forever. No going back.

Lilith’s next words reveal a broken woman who gets her Hail Mary and hopes for the best. As a parent she offered her children the best place to never realise they are lacking but Lucifer by bringing Maze to earth undid that as Maze slowly reaches her potential, learning there is a different way. God’s words echo since 3x26.

So was Lucifer a kindergarten guardian for Lilith? In a way yes but Lucifer in 5x04 understood Lilith’s logic. In their distorted image of how you can break an individual, the Lilims seemed safe from Lucifer’s and Lilith’s fates. Cast out, punished, unloved, lonely and in an unspoken despair to connect but too afraid to try again until Lilith tried again. The end of 504 showed she didn’t succeed o find what she was looking for. We have no way of knowing if we will see her again in P2 but it’s probable.

Lilith kisses Lucifer goodbye, making me once again wonder if a part of her did had feelings for him and wishes him back to enjoy the rest of his life as if somehow she knew, although she couldn’t.

The story ends here and perhaps the clock starts ticking for Lucifer through Michael. Perhaps the planning started with Penelope and John that were meant to be born, get married but not have children and then Chloe came along. But that’s just a theory...

And before the screen fades to dark, Lilith walks away with Lucifer standing in the middle of the street and we listen to ‘This Is Ours’ by Peter Sivo’s Band (1946-1961).

This is Ours lyrics are the words of a man which mystify me. For me it is a song that gives us a couple together after a very long time that reconnects. It was a meant to be couple but the past had to happen. He had to get married, for both of them to live apart their own lives until one day they get back together and now they can be together. There is no sadness, there is relief, contentment.

Several say that How I Met Your Mother had an awful ending. If you have not watched it and want to please stop here but know that I believe that the ending was just right.

In How I Met Your Mother, the lead (father) marries the mother of his children but it is revealed that she eventually dies and some years later he starts telling them a story that lasts ten years as all aspects of it in his belief is about how he met their mother. His daughter interrupts him saying that no it’s about how he met the woman he wants to be together now. They all know that the Mother was loved and was the One but in this life there is more, there are second chances because life happens and it’s not a bad thing and the time in between is as joyful as the future despite of the tragedies in between.

So a part of me wonders if Deckerstar will go a bit through that to a point.

Forget the past, for this is ours...

The thing is that a bittersweet ending gives as a possibility and then we are left wondering past that.

Trixie: I bet Jack and Shirley talked the whole bus ride and fixed everything. Lucifer: Yes. Yes, perhaps they did.

After all they did move to Des Moines... After that we can only guess.

#lucifer meta #lucifer season 5 #lucifer s5p1 #lucifer speculation

21 notes · View notes

crimsoncityhq · 3 years

Note

mwf?

alexandra grey (trans)**, **chloe bailey, **halle bailey, **abigail cowen, **caitlin stasey,aja naomi king**, natalie dormer**, laura dern, britt robertson, jamie chung**, keke palmer, ariana grande, victoria justice, jurnee smollet,han hyo-joo**, nadia hilker, logan browning, madison iseman**, kristen stewart, **arden cho, issa rae, diane guerrero, jackie cruz, bae suzy**,krystal jung**, reese witherspoon**, laura harrier**, bang min-ah**, sophie turner**, jessica chastain, adeline rudolph**, Chloe Bennet, Elizabeth Lail, ashleigh murray**, Jessica Parker Kennedy, park shin-he**, Kim Raver, Lauren Graham, hunter schafer(trans)**, laverne cox (trans)**, Lauren German, jang seungyeon**, Lesley-Ann Brandt,nyara shahidi**, claire holt, vanessa morgan, alycia debnam-carey, tiana tolstoi**, kat graham, alisha boe**,madelyn cline, lana candor, elizabeth lail, Meghan Ory**, nicole kidman, madison bailey, sophia bush, lee sunmi**, tati gabrielle,lulu antariksa**, amy adams, choi ri**, samantha logan**, angela bassett, jaz sinclair**, charlize theron, kim seul-gi**, angelina jolie, taraji p. henson**, ruby rose, gabrielle union, saoirse ronan, evangeline lily, ming-na wen**, thandie newton, krysten ritter, kerry washington, awkwafina, melora hardin**, shelley hennig, meagan goode, jessica lange, Barrett Doss, kim hye-yoon**, Jaina Lee Ortiz, Natacha Karam, Sierra A. McClain,rachel weisz**, eliza taylor, dichen lachman, alycia-debnam carey,lupita nyong'o**, gugu mbatha-raw**, jazzy jones**, aisha hinds, emmy-raver lampman, dua lipa, emmy rossum, stella maeve,lucy liu**, normani, mj rodriguez, china anne mcclain, emma stone, brittany snow, rebel wilson, anne hathaway, cate blanchett, olivia dudley, jade tailor, dilan çiçek deniz, renee elise goldsberry, nichole beharie**,jeri ryan**, winona ryder**, hayley law, scarlett byrne, bianca lawson, bianca santos, sarah bolger, brittany o'grady, shantel vansanten, viola davis, & sofia black-d'elia

**’s have specific wcs listed below, but I also listed any gender wcs currently open & female wcs if they fit what you’re thinking!

( candice patton, cisfemale, thirty one ) I hear that TIA VALENTINE is looking for their YOUNGER SISTER(S).. Word on the street is they look like CHLOE BAILEY, HALLE BAILEY, UTP,, and that the last time they saw them was TWO WEEKS AGO WHEN THEY MOVED INTO CHICAGO SHE LEFT HOME SO SHE COULD GET AWAY FROM THE TOXIC ENVIRONMENT BUT KEPT IN TOUCH WITH HER SISTERS UNTIL THEY WERE OLD ENOUGH TO MOVE OUT OF THE HOUSE AND OFFERED THEM A PLACE TO STAY. . You SHOULD NOT reach out toCRIMSXNED. ( madelaine petsch, cis female, 22 ) I hear that VIOLET MADDEN is looking for their OLDER SISTER. Word on the street is they look like ABIGAIL COWEN or UTP AS LONG AS THEY ARE A REDHEAD, and that the last time they saw them was A FEW MONTHS AGO. IT WAS ALWAYS HER PLAN TO JOIN HER YOUNGER SIBLINGS OUT IN CHICAGO, SOMETHING HELD HER UP BACK HOME WHICH CAN BE UTP. SHOULD reach out to VIMADDEN. ( adelaide kane, cisfemale, 30 ) I hear that KATYA IVANOVA is looking for their FORMER TRAINING PARTNER Word on the street is they look like CAITLIN STASEYand that the last time they saw them wasWHEN SHE WAS 18 AND THEY WERE 19, BEFORE KATYA LEFT FOR AMERICA AFTER MAKING THE DECISION TWO WEEKS PRIOR TO GO BACK HOME AND SHOW HER PARENTS WHAT THEY’D MISSED ON THE LAST TWO YEARS. You SHOULD reach out to PUREXIVANOVA. ( sandra oh, cisfemale, 53 ) I hear that DEIJI "DAISY" RAU-BYRNE is looking for their ELDEST CHILD Word on the street is they look like STEVEN YEUN,JAMIE CHUNG,ARDEN CHO, BAEK SUNG HYUN, HAN HYO-JOO, KIM SOOHYUN, KIM WOO BIN, YOON PARK, UTP (30-36, MUST BE KOREAN IF BLOOD)and that the last time they saw them wasYESTERDAY. DEIJI HAS HIGH EXPECTATIONS WHEN IT COMES TO HER CHILDREN. THEY LIKELY ALL BELONG TO THE WALSH MAFIA. MSG ME AND WE CAN HASH OUT THE DEETS OF THEIR RELATIONSHIP. IT'S UTP IF THE CHILD NOTICES THE TENSION BETWEEN THE PARENTS. You SHOULD reach out to CRIMSONFAUX.

( tessa thompson, she/her, 35 ) I hear that LORELAI FAUST is looking for their STAGE TECHNICIAN EMPLOYEE AT DIRTY HARRY’S. Word on the street is they look like ANY FC, and that the last time they saw them was THEY’RE A NEW EMPLOYEE FOR RECENTLY OPENED DIRTY HARRY’S. THEY DO NOT KNOW ABOUT LORELAI’S CRIMINAL SIDE VENTURE BELOW THE BAR. You SHOULD NOT reach out to REVELAARE.

( sandra oh, cisfemale, 53 ) I hear that DEIJI "DAISY" RAU-BYRNE is looking for their MIDDLE CHILD Word on the street is they look like AHN HEE-YEON, BAE SUZY, BANG MINAH, KRYSTAL JUNG, PARK SHIN-HYE, SYDNEY PARK, JANG SEUNGYEON, TIANA TOLSTOI, ADELINE RUDOLPH,LEE SUNMI, CHOI-RI, KIM HYE YOON, KIM SEULGI, FIVEL STEWART, UTP (25-30, MUST BE KOREAN IF BLOOD)and that the last time they saw them wasYESTERDAY. DEIJI HAS HIGH EXPECTATIONS WHEN IT COMES TO HER CHILDREN. THE MIDDLE CHILD IS LIKELY THE ONE SHE WOULD HAVE GONE HARDER ON TO SUCCEED. THE KIDS LIKELY ALL BELONG TO THE WALSH MAFIA. MSG ME AND WE CAN HASH OUT THE DEETS OF THEIR RELATIONSHIP. IT'S UTP IF THE CHILD NOTICES THE TENSION BETWEEN THE PARENTS. You SHOULD reach out to CRIMSONFAUX. ( sandra oh, cisfemale, 53 ) I hear that DEIJI "DAISY" RAU-BYRNE is looking for their SPOUSE Word on the street is they look like JOHN CHO,LAVERNE COX,IDRIS ELBA,LUCY LIU,JERI RYAN,REESE WITHERSPOON,JAVIER BARDEM, PAUL RUDD, WINONA RYDER, MING-NA WEN, JASON BATEMAN, ADAM SCOTT, MELORA HARDIN, JOSH DUHAMEL,JOHN LIGHT,RACHEL WEISZ,JULIAN MCMAHON, TARAJI P HENSON, WILL YUN LEE, MICHAEL EALY, DAVID LEE MCINNIS,LORNE CARDINAL, ANY FC 45+ PREFand that the last time they saw them wasLAST NIGHT. YOUR CHARACTER HAD ARRIVED IN CHICAGO MONTHS BEFORE DEIJI LANDED WITH THE REST OF THE COUNCIL. TO BE HER EYES, AND BECAUSE SHE HAD MANIPULATED YOUR CHARACTER IN BELIEVING SHE WOULD SIGN THE DIVORCE PAPERS. THEIR RELATIONSHIP HAS BEEN VOLATILE, WORSE WITHIN THE LAST FEW MONTHS SHE HAS BEEN IN CHICAGO. THE COUPLE HAVE 3 KIDS.You SHOULD reach out to CRIMSONFAUX. ( jamie dornan, male, thirty-four ) I hear that LIAM O'SHEA is looking for their EX-GIRLFRIEND/HIGH SCHOOL SWEETHEART. Word on the street is they look like NICOLE BEHARIE, MEGHAN ORY, AJA NAOMI KING, PRIYANKA CHOPRA, NATALIE DORMER, ARDEN CHO, UTP, and that the last time they saw them was THE SUMMER AFTER SHE GRADUATED HIGH SCHOOL; LIAM NEVER FINISHED SCHOOL BUT THEY STAYED TOGETHER DESPITE HER BEING BUSY WILL SCHOOL AND APPLYING TO COLLEGES AND HIM BEING BUSY WITH THE FAMILY. LIAM TRULY THOUGHT SHE WAS GOING TO BE HIS FOREVER AND WAS FINE WITH DEALING WITH THE LONG DISTANCE BECAUSE OF HER GOING TO SCHOOL AND WAS EVEN PLANNING TO PROPOSE BUT A MONTH BEFORE SHE LEFT FOR SCHOOL, SHE BROKE UP WITH HIM IN A LETTER LEAVING HIM HEARTBROKEN AND WITH COMMITMENT ISSUES. HE STILL HOLDS ANIMOSITY TOWARDS HER FOR ENDING THINGS THE WAY SHE DID BUT HE STILL LOVES HER DEEP DOWN THOUGH HE WON’T EVER ADMIT IT. You SHOULD reach out to CRIMSXNSINS. ( lucien laviscount, cismale, 29 ) I hear that ZANE WASHINGTON is looking for their EX GIRLFRIEND(S).. Word on the street is they look like FC UTP ( CIS OR TRANS FEMALES AGED 23 - 40 ), and that the last time they saw them was (0/4) SPORADIC DATES. ZANE OFTEN TRAVELED THE WORLD BEFORE HE GOT STUCK TAKING CARE OF THE FUNERAL HOME. HE HAD A HABIT OF BRINGING HIS GIRLFRIEND AT THE TIME WITH HIM TO CHICAGO AND THEN DUMPING HER SOON AFTER. HIS LAST GIRLFRIEND HE WOULD HAVE LAST SEEN ONE MONTH AGO AND WOULD HAVE CAME BACK TO CHICAGO WITH HIM IN 2019 TO RUN THE FUNERAL HOME. THESE CHARACTERS CAN'T BE A CHICAGO NATIVE. ALL OTHER DETAILS ARE UTP. . You SHOULD reach out toCRIMSONFAUX. ( chance perdomo, cismale, 25 ) I hear that AUDRIC NOIRE is looking for their ELDER SIBLING. Word on the street is they look like LAKEITH STANFIELD, REGÉ JEAN PAGE, JEFF PIERRE, BJ BRITT, WUNMI MOSAKU, ALEX NEWELL, ALEXANDRA GREY, LUPITA NYONG'O, NATHAN STEWART-JARRETT, BRIAN MICHAEL SMITH, GUGU MBATHA-RAW, YAHYA ABDUL-MATEEN II, JAZZY JONES, ASHLEIGH MURRAY, ANY BLACK POC FC , and that the last time they saw them was IN A PHOTO WITH HIS FATHER. AUDRIC IS UNAWARE OF HIS FATHER'S SIDE OF THE FAMILY, ANY SIBLINGS ETC, AND HIS FATHER HAS SINCE PASSED. You SHOULD reach out to CRIMSONFAUX. ( emma watson, cis female, 26 ) I hear that KATERINA VASILE is looking for their RADIO COHOST. Word on the street is they look like DANIEL RADCLIFFE, BOO BOO STEWART, MADISON ISEMAN, LAURA HARRIER, REALLY ANY FC 25+,, and that the last time they saw them was TODAY.THE PAIR STARTED OUT WORKING FOR THE RADIO STUDIO SIX YEARS AGO. TOGETHER THEY MANAGED TO BUILD FROM A LITTLE EVENING SHOW TO ONE OF THE BIGGEST BREAKFAST SHOWS IN THE CITY. THEY’RE REALLY CLOSE FRIENDS AND KNOW THAT THEIR FRIENDSHIP IS WHY EVERYTHING WORKS SO WELL FOR THEM. THIS MEMBER WOULD HAVE TO BE A CIVILIAN OR VASILE AFFILIATED. You SHOULD NOT reach out to ROSESJUSTDIE. ( zendaya, female, 22 ) I hear that DIAMOND WASHINGTON is looking for their PERSONAL ASSISTANT. Word on the street is they look like UTP ANY GENDER, and that the last time they saw them was A DAY AGO, WHEN THEY CAME OVER TO CHECK ON DIAMOND - CHECKING ON HER WAS A NEARLY DAILY THING…IF IT WASN’T FOR HER ASSISTANT, DIAMOND’S LIFE WOULD BE CHAOS. SHE LITERALLY DEPENDS ON THEM FOR EVERYTHING. THEY HAVE BEEN DIAMOND’S PERSONAL ASSISTANT FOR THE PASSED FOUR YEARS, AND THE TWO OF THEM HAVE BECOME EXTREMELY CLOSE. THEY TAKE THEIR JOB SERIOUSLY AND MAKE SURE THAT DIAMOND’S DAILY SCHEDULE IS RUNNING SMOOTHLY. THEY’VE VERY MUCH BECOME LIKE AN OLDER SIBLING / BEST FRIEND TO DIAMOND. THE TWO MEET UP NEARLY DAILY FOR WORK AND NON-WORK RELATED HANGOUTS. OUT OF EVERYONE ELSE IN DIAMOND’S LIFE (EVEN HER FAMILY), HER PA IS THE ONLY ONE THAT REALLY KNOWS OF THE STRUGGLES DIAMOND IS GOING THROUGH, MENTALLY. THIS WC CAN BE ANY GENDER, ANY FC, SO LONG AS THEY’RE 25+ IN AGE You SHOULD NOT / BUT CAN reach out to SILVERNCRIMSON. ( lauren cohan, cisfemale, 33) I hear that EDITH COHEN is looking for their SOBER COACH. Word on the street is they look like ANY FC (25+), and the last time they saw them was I HAVE A FEW IDEAS TO BOUNCE AROUND ABOUT THEM. I DON’T PLAN ON THIS BEING A SHIPPY CONNECTION. THIS PERSON WILL HELP BRIDGE HER SOBRIETY SO SHE CAN START TO FLY AGAIN. You SHOULD reach out to CRIMSONFAUX. . ( luke pasqualino, cismale, 36 ) I hear that OLIVER FAUST is looking for their PSEUDO CHILD.. Word on the street is they look like TOM HOLLAND, YARA SHAHIDI, SOPHIE TURNER, ALEX WOLFF,TAYLOR HICKSON, JEREMY SHADA, JOEL COURTNEY, KATHRYN NEWTON, ALISHA BOE, BENJAMIN WADSWORTH,NICK ROBINSON, JACK MULHERN, FROY GUTIERREZ, ELLIOT FLETCHER, DYLAN SPRAYBERRY,GIORGIA WHIGHAM, JOACOB ELORDI,LIANA LIBERTO, DIANA SILVERS,SAMANTHA LOGAN, LULU ANTARIKSA, DYLAN MINNETE, MADISON PETTIS, HUNTER SCHAFER, JAZ SINCLAIR, FC UTP, GENDER & ETHNICITY UTP. CHARACTER AGE PREF TO BE 21-25, and that the last time they saw them was UTP GOOD WITH EITHER YESTERDAY OR END OF 2020.OLIVER TOOK YOUR CHARACTER UNDER HIS WING WHEN HE WAS TEENAGER AND YOUR CHARACTER WAS AROUND 5-7. YOUR CHARACTER SEES HIM AS A PARENTAL FIGURE AFTER YOUR CHARACTER WAS ORPHANED. THEY WOULD BE A PART OF THE FAUST CRIME FAMILY. PLS REACH OUT TO BRAINSTORM! . You SHOULD reach out toCRIMSONFAUX.

#appless rp #town rp #crime rp #oc rp #mature rp

5 notes · View notes

backstagechatter · 4 years

Text

📜Today I Music History 📜(RHC)

Hello Rockers 🤘 Welcome to Backstage Chatter🤩

What Happened Today In Music:

June 22nd

1956 - Elvis Presley

Elvis Presley started a three-day run playing 10 shows at the Paramount Theater in Atlanta, Georgia. The stage manager was told; “Pull all white lights. Presley works all in color, Presley act has no encore. When he leaves the stage, immediately close curtains.”

1963 - Stevie Wonder

13-year old Stevie Wonder first entered the US singles chart as Little Stevie Wonder with ‘Fingertips Parts One and Two.’ 'Fingertips’ which featured a young Marvin Gaye on drums was the first live, non-studio recording to reach No.1 on the Billboard Pop Singles chart in the United States since Johnny Standley’s 1952 comic monologue 'It’s in the Book’.

1964 - The Beatles

The Beatles played their first ever show in New Zealand at Wellington Town Hall. The local Chief Constable refused a police escort for The Beatles leaving just two policemen to control over 5,000 fans.

1968 - Herb Alpert

Herb Alpert started a four week run at No.1 on the US singles chart with 'This Guys In Love With You’. His first No.1 plus first No.1 for the A&M label and the writer’s Bacharach and David’s first chart topper. A No.3 hit in the UK.

1968 - Rod Stewart

The Jeff Beck group featuring Rod Stewart made their US debut at the Fillmore East, New York.

1968 - Otis Redding

The Otis Redding album Dock Of The Bay went to No.1 in the UK. The posthumously released album, and his sixth studio album contained a number of singles and B-sides dating back to 1965 and one of his best known songs, the posthumous hit (Sittin’ On The Dock) Of The Bay.

1969 - Judy Garland

American singer, actress, Judy Garland, died of a barbiturate overdose aged 47, she was found on the floor of her rented Chelsea home, in London, UK. Made more than two dozen films, played Dorothy in the 1939 film 'Wizard Of Oz’, sang 'Over The Rainbow’ in the film, (voted the 'Song Of The Century’ in a 2001 poll published in America). 1961 US No.1 comeback album 'Judy At Carnegie Hall’.

1970 - Led Zeppelin

Led Zeppelin appeared at Laugardalsholl Hall, Reykjavik, Iceland on the group’s one and only visit to Iceland. It is suggested that Robert Plant was inspired to write the lyrics to 'Immigrant Song’ during this trip.“

1971 - David Bowie

The second Glastonbury Festival in England took place. Held over 5 days to coincide with the summer solstice, (the weather was, for a British 'summer’ very good). Acts who appeared included: Melanie, Quintessence, David Bowie, The Edgar Broughton Band, Pink Fairies, Terry Reid - with David Lyndley and Linda Lewis, Gong, Hawkwind, Arthur Brown, Brinsley Schwarz, Fairport Convention, Family and Traffic. Over 7,000 fans attended the event.

1971 - Joni Mitchell

Joni Mitchell released her fourth studio album Blue. The album is now generally regarded by music critics as one of the greatest albums of all time. In July 2017, Blue was chosen by NPR as the greatest album of all time made by a woman.

1980 - Don McLean

Don McLean had his second UK No.1 single with the Roy Orbison song 'Crying’. The song had been a No.2 US hit for Orbison in July 1961. In 1987, Orbison re-recorded the song as a duet with k.d. lang as part of the soundtrack for the motion picture, Hiding Out. Their collaboration won the Grammy Award.

1981 - Mark Chapman

Mark Chapman pleaded guilty to the charge of murdering John Lennon in 1980. He was later sentenced to 20 years to life.

1985 - Bryan Adams

Bryan Adams started a two week run at No.1 on the US singles chart with 'Heaven’, his first No.1 single, it made No.35 in the UK. The song had been featured in the film 'Night In Heaven’.

1988 - Jesse Ed Davis

American session guitarist Jesse Ed Davis died of a heroin overdose after collapsing in a laundry room in Venice, California, aged 43. Worked with Conway Twitty, The Monkees, John Lennon, Eric Clapton, Leonard Cohen, Keith Moon, Jackson Browne, Steve Miller, Harry Nilsson and Taj Mahal.

1990 - Ry Cooder

Ry Cooder and David Lindley, The Cure, Happy Mondays, Sinead O’Connor, Deacon Blue, De La Soul, Adamski, Blue Aeroplanes, Julian Cope, Del Amitri, Jesus Jones, James and The Pale Saints all appeared on the first day of this years Glastonbury Festival. A three day ticket cost £38.

1992 - Kurt Cobain

Nirvana’s Kurt Cobain was rushed to hospital after a gig in Belfast, Northern Ireland suffering from acute stomach pains brought on by ulcers.

1992 - MC Hammer

Three members of M.C. Hammer’s tour crew were wounded in a drive in shooting incident, three days later Joseph Mack, a dancer in Hammer’s entourage was shot on stage during a concert in Nevada.

1996 - Arthur Ross

The brother of singer Diana Ross, Arthur Ross and his wife were murdered by suffocation in the basement of their rented Detroit home. The badly decomposed bodies were discovered after neighbors complained of a foul odor coming from the house. Two men were later charged with murder and robbery. Arthur Ross had written songs for Marvin Gaye, The Miracles and Madonna.

2002 - The Edge

U2 guitarist 'The Edge’ married his girlfriend of ten years Morleigh Steinberg in Eze in the south of France. The couple first met when she was a belly dancer on the bands Zoo TV tour. Guest’s included Bono, Eurythmics Dave Stewart and Lenny Kravitz.

2003 - Clay Aiken

Clay Aiken, runner-up in the 2003 US American Idol went to No.1 on the US singles chart with 'This Is The Night.’ Luther Vandross was at No.1 on the US album chart with 'Dance With My Father’.

2008 - Coldplay

Coldplay went to No.1 on the UK singles chart with 'Viva La Vida’, their first UK No.1. History was made by this single, as it had no physical CD-single release in the UK, being available by internet download only. The song won a Grammy Award for Song of the Year in 2009.

2011 - Bono

It was reported in the Irish press that Bono’s wandering peahen was causing havoc for some south Dublin residents. The peahen the less spectacular-coloured female partner to a male peacock had arrived in the Ard Mhuire housing estate in Killiney near to where the singer lived. One newspaper ran the headline: "Bono’s cock drives me nuts”. Local woman Susan McKeon said she first noticed the bird at night. “It had a tiny head and a huge body. It was actually quite ugly but I don’t think it’s fully grown.”

2012 - Isle of Wight Festival

MP Andrew Turner called for a review of procedures after thousands of rock fans were delayed for hours heading to the Isle of Wight Festival. After heavy rain cars were unable to park on waterlogged fields - leading to gridlock as about 55,000 people headed to the site. Some fans were stuck in traffic for up to 16 hours on the way to the festival. Elbow, Lana Del Rey, Tom Petty and the Heartbreakers, Bruce Springsteen and Pearl Jam all appeared at this year’s festival.

2013 - Robin Thicke

'Blurred Lines’ by Robin Thicke started a 13 week run at No.1 on the US singles chart. Featuring American rapper T.I. and American singer and producer Pharrell Williams, the video was made in two versions; the first video features models Emily Ratajkowski, Jessi M'Bengue, and Elle Evans being topless, the second features them covered. The topless version of the video was removed from YouTube for violating the site’s terms of service regarding nudity, though it was later restored, but flagged as inappropriate. 'Blurred Lines" peaked at No.1 in 14 countries.

2015 - P Diddy

P Diddy was arrested on suspicion of assault with a deadly weapon in Los Angeles. The alleged incident occurred on the University of California campus where his son was on the football team. The weapon in question was a kettlebell, which is used for weight training. Diddy - whose real name is Sean Combs - was released on $160,000 (£101,000) bail.

2016 - Led Zeppelin

Led Zeppelin singer Robert Plant told a court hearing the 'Stairway To Heaven’ copyright dispute that he had a dim memory of the time the song was written. Plant also said he could not remember meeting the band Spirit, who claimed the band stole their guitar riff for Stairway to Heaven in the 1970s. “I don’t have a recollection of almost anyone I’ve hung out with,” Plant said, causing roars of laughter in the court. The case was brought on behalf of Spirit’s late guitarist, Randy Wolfe. His estate claimed the opening riff of the 1968 song Taurus is fundamentally the same as the iconic opening bars of Stairway to Heaven.

2019 - Elton John

Sir Elton John was awarded France’s highest civilian award, the Legion d'Honneur. The British musician was presented with the award by President Emmanuel Macron during a ceremony at the Élysée Palace. President Macron’s office praised Sir Elton as a “melodic genius” and as one of the first gay artists to give a voice to the LGBT community.

2019 - Jerry Carrigan

American drummer and record producer Jerry Carrigan died age 75. He first achieved widespread recognition by being part of the first wave of the Muscle Shoals Rhythm Section and later as a first-call session musician in Nashville for over three decades. He recorded with Elvis Presley, Johnny Cash, Charlie Rich, Kenny Rogers Jerry Lee Lewis, Ray Stevens and Dolly Parton.

Born Today In Music

June 22nd

1936 - Kris Kristofferson

Kris Kristofferson, musician, actor, and writer, known for such hits as 'Me and Bobby McGee’, 'For the Good Times’, 'Sunday Mornin’ Comin’ Down’, and 'Help Me Make It Through the Night’. In 1985, Kristofferson joined fellow country artists Waylon Jennings, Willie Nelson and Johnny Cash in forming the country music supergroup The Highwaymen. In 2004, Kristofferson was inducted into the Country Music Hall of Fame.

1944 - Peter Asher

Peter Asher, Peter &Gordon, who had the 1964 UK & US No.1 single 'World Without Love’, written by Lennon & McCartney. Asher was a producer and Head of Apple Records in late 60s and went on to become James Taylor and Linda Ronstadt’s manager.

1947 - Howard Kaylan

Howard Kaylan, from the The Turtles who had the US 1967 No.1 single 'Happy Together’ and the 1967 hit 'She’d Rather Be with Me’. He later worked with Frank Zappa, alongside his friend and partner Mark Volman who used the stage names of Flo & Eddie.

1948 - Todd Rundgren

American multi-instrumentalist, singer, songwriter, and record producer Todd Rundgren. Member of Nazz and Utopia. Had the solo 1972 US No.16 & 1973 UK No.36 single 'I Saw The Light’. Rundgren engineered / produced many notable albums for other acts, including The Band’s Stage Fright (1970), Badfinger’s Straight Up (1971), Grand Funk Railroad’s We’re an American Band (1973), the New York Dolls’s New York Dolls (1973), Hall & Oates’s War Babies (1974), Bat Out Of Hell’s Bat Out of Hell (1977).

1949 - Alan Osmond

Alan Osmond from American family group The Osmonds. They had the 1971 US No.1 single 'One Bad Apple’, the 1974 hit 'Crazy Horses’ and the 1974 UK No.1 single 'Love Me For A Reason’. They had their own 1972–1973 Saturday morning cartoon series, The Osmonds, on ABC-TV. The Osmonds have sold over 75 million records world wide.

1949 - Larry Junstrom

Larry Junstrom, a founding member of Lynyrd Skynyrd and longstanding bassist with the band .38 Special. Junstrom played bass with Lynyrd Skynyrd from its formation in 1964 until he was replaced by Leon Wilkeson in 1971. He then joined .38 Special in 1976 with Donnie Van Zant, the younger brother of the Lynyrd Skynyrd frontman Ronnie Van Zant. He died on 6 October 2019 at the age of 70.

1953 - Cyndi Lauper

American singer, songwriter Cyndi Lauper, who had the 1984 US No.1 single 'Time After Time’, and the UK & US No.2 single 'Girls Just Want To Have Fun’, (first recorded in 1979 by American musician Robert Hazard). The song received Grammy Award nominations for Record of the Year and Best Female Pop Vocal Performance.

1956 - Derek Forbes

Derek Forbes, bassist with Scottish rock band, Simple Minds, who had the 1985 US No.1 single 'Don’t You, Forget About Me’, and the 1989 UK No.1 single 'Belfast Child’, plus over 20 other UK Top 40 singles.

1956 - Green Gartside

Green Gartside, singer, songwriter from British band Scritti Politti, who had the 1984 UK No.10 single 'Wood Beez, Pray Like Aretha Franklin’, and the hit 'The Word Girl’, as well as a US Top 20 hit 'Perfect Way’.

1957 - Gary Beers

Gary Beers, bassist from Australian rock band INXS, who had the 1988 UK No.2 & US No.1 single 'Need You Tonight’. Their 1987 album Kick has sold over 10m copies in the US alone and features four Top 10 singles; 'Need You Tonight,’ 'Devil Inside’, 'New Sensation,’ and 'Never Tear Us Apart.’ INXS has sold over 55 million records worldwide.

1959 - Alan Anton

Alan Anton, bassist with Canadian alternative country/blues/folk rock band, Cowboy Junkies.

1961 - Jimmy Somerville

Jimmy Somerville, UK singer, who with Bronski Beat had the 1984 UK No.3 single 'Smalltown Boy’. With British pop duo The Communards had the 1986 UK No.1 single with a cover version of the Thelma Houston hit 'Don’t Leave Me This Way’.

1962 - Ruby Turner

British Jamaican R&B and soul singer, Ruby Turner, who scored the 1987 UK hit single 'I’d Rather Go Blind’. As a session backing vocalist, she has worked with Bryan Ferry, UB40, Steel Pulse, Steve Winwood, Jools Holland and Mick Jagger.

1964 - Bobby Gillespie

Bobby Gillespie, guitar, vocals, from Scottish rock band Primal Scream who had the 1994 UK No.7 single 'Rocks’ and the 1991 UK No.8 album Screamadelica.

1964 - Mike Edwards

Mike Edwards, vocals with English group Jesus Jones who had the 1990 US No.2 hit with 'Right Here Right Now’ and the 1991 UK No.7 single 'International Bright Young Thing’.

1965 - Tom Cunningham

Tom Cunningham, drummer with Scottish band Wet Wet Wet who formed in 1982. They are best known for their 1994 cover of The Troggs’ 1960s hit 'Love Is All Around’, which spent 15 weeks at No.1 on the UK charts.

1970 - Steven Page

Steven Page, guitar, vocals, with Canadian rock band Barenaked Ladies who scored the 1998 US No.1 & UK No.5 single 'One Week’. The group has sold over 15 million records including albums and singles, and were inducted into the Canadian Music Hall of Fame in March of 2018.

1976 - Sally Polihronas

Sally Polihronas, Australian singer from Bardot, winners of the Australian Popstars reality show, who had the 2000 Australian No.1 single ‘Poison’, and 2000 Australian No.1 self-titled album.

1981 - Chris Urbanowicz

Chris Urbanowicz, guitarist, with English rock band The Editors, who had the 2007 UK No.1 album An End Has a Start and earned the band a Brit Awards nomination for best British Band.

3 notes · View notes

antoniosbanderas · 5 years

Photo

Smallville Rewatch: 2x19 → Precipice Besides, it's not everyday that Lana Lang gets to save Clark Kent.

#userel #userrobin #userpat #usergina #svedit #dcedit #dcmultiverse #svrewatch #smallville #gifs

139 notes · View notes

notesonfilm1 · 4 years

Text

Burt Lancaster got his contract with Hal B. Wallis at Paramount on the basis of a test directed by Byron Haskin with Wendell Corey and Lizabeth Scott for Desert Fury. Lucky for him, the film was not ready to shoot for another six months and he was able to fit in Robert Siodmak’s The Killers(1946) for producer Mark Hallinger at Universal beforehand. Desert Fury started shooting two weeks before the release of The Killers but there were already whisperings of Lancaster as a big new star, and the whisperings were so loud that Hallinger gave him first billing and a big publicity build-up rather than the little ‘and introducing….’ title at the end of the credits that was then typical, and is indeed the billing offered Wendell Corey in Desert Fury as you can see in the poster above. Before Desert Fury started shooting, Hal Wallis knew he had a big fat star on his hands and that his part had to be beefed up so as to capitalise on it.

By the time the film was released on September 24th, 1947,, Burt Lancaster was the biggest star in the film. The Killers hit screens on the 29th of August 1946. As Kate Buford writes, Ít was an extraordinary debut for a complete unknown. Overnight he was a star with a meteoric rise ¨faster than Gable´s, Garbo´s or Lana Turner,¨as Cosmopolitan said years later (Buford, loc 1260). In New York the movie, ‘played twenty-four hours a day at the Winter Garden theatre, ‘where over 120,000 picture-goers filled the 1,300 seat theatre in the first two weeks, figures Variety called “unbelievably sensational.”‘ Brute Force was the fourth film Lancaster made, after I Walk Alone, but it was the second to be released, on June 30th 1947. According to Kate Buford, it too ‘set set first-week records at movie houses across the country’ (loc 1412).

Lancaster’s status as a star is reflected in the lobby card and poster above, where in spite of being billed third, what´s being sold is what Burt Lancaster already represented, the publicity materials giving a false impression that he is much more central to the narrative than is in fact the case. His image dominates in both, and even the tag lines are attributed to him: ‘I got a memory for faces…killer´s faces…Get away from my girl…and get going’, is the tagline in the lobby card. The text on the poster reads, ´Two men wanted her love…the third wanted her life.

In the ad below, he´s billed second, as ´the sensation of The Killers, Dynamite with the fuse lit’

When trying to recapture a past moment in relation to cinema, it´s often useful to look at trailers and other paratextual publicity materials. Trailers hold and try to disseminate the film´s promise to viewers. Of course, its purpose is to sell, to dramatise its attractions so that viewers will go see it. And of course, they often lie, dramatising not what is but what they hope will sell. That said, those promises, lies and hopes are often very revealing.

youtube

As you can see above, the trailer is selling melodrama — violent passions — in a magnificent natural setting filmed in Technicolor. Burt Lancaster’s name is only mentioned 39 second into the 1.41 trailer, after Lizabeth Scott with her strangeness and her defiance of convention and after John Hodiak with his secrets and coiled snakeyness. And Lancaster’s introduced as ‘hammer fisted’ Tom Hanson, erroneously giving the impression that this will be an action film. But note too that by the end of the trailer, Lancaster is given top billing.

According to Kate Buford, in Burt Lancaster: An American Life, Lancaster thought ‘Desert Fury would not have lunched anybody’, later ‘dismissing it as having ‘starred a station wagon’ (loc 1157). The film is really a series of triangles: Eddie (John Hodiak) and Tom (Burt Lancaster) are both in love with Paula (Lizabeth Scott), Fritzy (Mary Astor) has already had an affair with Tom who is currently pursuing an affair with her daughter Paula, Paula and Johnny (Wendell Corey) are both in love with Eddie etc. I have made a not-quite-video essay that nonetheless well illustrates the Johnny-Eddie-Paula triangle, surely one of the queerest of the classic period, which can be seen here:

Tom is really a fifth wheel in the narrative. But by the time the film started shooting, Burt Lancaster was already the biggest star in it. His part was beefed up to take his new status into account, scenes were added, According to Gary Fishgall, the film was based on a 1945 novel, Desert Town by Ramona Stewart, and ‘ Lancaster’s role was an amalgam of two of the novel’s characters: the embittered, sadistic deputy sheriff, Tom Hansen, and a likeable highway patrolman named Luke Sheridan. Neither character was romantically linked to Paula (p.55). But in the film, he ends up with Lizabeth Scott at the end. All these additions probably contributed to the film seeming so structurally disjointed.

In Desert Fury Tom, a former rodeo rider, just hangs around waiting for Paula to get wise to Eddie, leaving her enough rope to act freely, as he does with colts when taming them, but not enough so that she hangs herself, or so he thinks. Really, he’s extraneous. He gets to walk into the sunset with Paula at the end of the film but the film really ends once Paula and Fritzy kiss, on the lips. He certainly doesn’t get much to do during it, except for a couple of great scenes where Fritzy tries to buy him into marrying her daughter (above) and another bit of banter when she thinks he’s come to accept her offer (below). Mary Astor steals both scenes. In fact she steals everything. Every time she appears, her wit, weariness, intelligence, the intensity of her love for her daughter — she lifts the film to a level it probably doesn’t deserve to be in. But Lancaster is good. These are the only scenes in the film where he looks like he’s enjoying himself.

Tom is the closest the film has to a ´normal character’. Indeed, aside from the character he plays in All My Sons (1948) this is the closest he’d come to such a type during the whole of his period in film noir in the late 40s and which includes all of his films up to The Flame and the Arrow in 1950. Even in Variety Girl, which is an all-star comedy where he and Lizabeth Scott spoof the hardboiled characters they’re associated with, the surprise is that they’ve already created personas to spoof in such a short time (see below).

According to Fishgall, ‘Lancaster –billed third before the film’s title — acquitted himself well in the essentially thankless other man’ role. Still, if Desert Fury had marked his screen debut as originally planned, it is unlikely that he would have achieved stardom quite so quickly. Not only did the film lack the stylish impact of The Killers, but so did the actor. Without the smouldering intensity of the Swede and his first pictures’ moody black and white photography, he appeared to be more of a regular fellow, and guy-next-door types rarely become overnight sensations’ (p. 67).

In Desert Fury we’re told that unlike the drugstore cowboys who are now criticising him, Tom used to be the best rodeo rider there was but a while back, whilst wrestling a steer, he got thrown off and is now all busted up inside. Being ‘busted up inside’ is what all the characters Burt Lancaster plays in the late ’40s have in common. He thinks of returning to the rodeo all the time but knows he can never be as good. He used to be a champ, now all he can hope for is to be second best. He knows he ‘ain’t got what it takes anymore’. He’s in love with Paula and she knows it. But she doesn’t know what she wants. He think he does: ‘you’re looking for what I used to get when I rode in the rodeo. The kick of having people say “that’s a mighty special person” I’d like to get that kick again. Maybe I can get it with just one person saying it’. He will, but he’ll have to wait until the end of the movie.

But even in this, Lancaster doesn´t play entirely nicey-poo, true-blue, throughout, and his Tom is given moments of wanton bullying and cruelty where he gets to abuse Eddie just because he’s a cop and wants to. And it´s interesting that it´s that moment, which jives so well with the ´brute force´Lancaster was already known for, and which would attach itself to his persona for many a year, that is the one chosen for the trailer.

According to Robyn Karney, in Burt Lancaster: A Singular Man, ‘As the straightforward moral law officer in a small Arizona town who rescues the object of his affections from the dangerous clutches of a murderous professional gambler, Burt had little to do other than look strong, handsome and reliable. Despite Wallis’ much vaunted rewrites, the role of the Sheriff Tom Hanson remained stubbornly secondary and uninteresting, with the limelight focused on John Hodiak as the villain, fellow contract players Elizabeth Scott and Wendell Corey’ (p.31).

I mainly agree with Robyn Karney except for four points, two textual and stated above: the first is that even in this Lancaster is playing a failure, someone once a somebody that people talked about but now all busted up inside; the second is that that element of being ´busted up inside´leads to a longing that gets displaced onto Paula. If the rodeo is what made feel alive and gave him a reason to live before his accident, now it´s Paula, and the idea that she might also be an unobtainable goal leads to his outbursts of unprovoked violence towards the rival for his affections, Eddie (John Hodiak).

The other two points of interest are extra textual. Desert Fury is gloriously filmed by Charles Lang. A few years later, in Rope of Fury, Lang would film Lancaster as a beauty queen: eyelashes, shadows and smoke, lips and hair (see below):

Here, even with his pre-stardom teeth and his bird´s nest of a hairdo, Lancaster sets the prototype for the Malboro Man:

He looks good in technicolour, and Lang brings out the blue of his eyes:

More importantly, the film visualises him, for the first time, as Wester Hero, a genre that would become a mainstay of his career from Vengeance Valley (1951) right through Ulzana´s Raid (1972) and even onto Cattle Annie and Little Britches (1981):

Desert Fury was not well reviewed. According to the Daily Herald ‘The acting is first-class. But except for Mr. Lancaster as a speed cop, the characters in the Arizona town with their lavish clothes and luxury roadsters, are contemptible to the point of being more than slightly nauseating’ (cited in Hunter p. 27),

The Monthly Film Bulletin labelled the film a western melodrama, claiming, surprisingly, that ‘The vivid technicolor and grand stretches of burning Arizona desert give a certain air of reality to the film’. Hard for us to see this thrillingly melodramatic film, lurid, in every aspect, evaluated in the light of realism. The MFB continued with, ´This reality is however counteracted by the way in which the sharply defined, but extremely unnatural characters act. Everything is over dramatised, and the title is a mystery in that the desert is comparatively peaceful compared with the way the human beings behaved…Lizabeth Scott is suitably beautiful as Paula and Burt Lancaster suitably tough as Tom. (Jan 1, 1947, p. 139)

Thus, we can see that on the evidence above, the film was badly reviewed, Time magazine going so far as to call it, ‘impossible to take with a straight face’ (Buford, loc1293). But Burt Lancaster´s performance was either exempted from the criticism or its faults where attributed to the film rather than to himself. More importantly still, the film was a hit, Burt Lancaster´s third in a row. Finally, as I´ve discussed elsewhere, the film is now considered by many a kind of camp classic, a leading example of noir in technicolor as well as arguably the gayest film ever produced in the classic period.

José Arroyo

Burt Lancaster in Desert Fury: Third Film, Fifth Wheel Burt Lancaster got his contract with Hal B. Wallis at Paramount on the basis of a test directed by Byron Haskin with Wendell Corey and Lizabeth Scott for…

#Burt Lancaster #Desert Fury #Lewis Allen #Lizabeth Scott #melodrama #noir #post-war cinema #post-war stardom #stardom #Third Film Fifth Wheel #westerns

2 notes · View notes