#p. 251

[returntomytilene]

‘When she [Pauline] got rid of the governesses and even of the guardian and began to write poetry and have poets come to see her, Mr. Shillito had forbidden any further friendship between the girls and her. She was no longer comme il faut. So Violet saw her seldom now—it was difficult to manage meetings. She slept all day and the Shillito girls slept at night! But once in a while Violet stole up there late to Pauline, who adored her younger friend and felt her rarity. Violet spoke of Pauline, three years her senior, as one would of a beautiful, helpless child: “Pauvre chérie!”’

— Mabel Dodge Luhan, Intimate Memories, Vol. I: Background, 1933

[taficuniwo]

T8fg futaba bedienungsanleitung w724v

[ritadcsc]

Ser grata é reconhecer que a vida tem sido tempestuosa, mas que Deus tem sido fiel e, no final, ele continua digno de todo o louvor.

T.D. Jakes em A Dama, Seu Amado e Seu Senhor, p. 251

[mania-sama]

A Look into Mental Health: Jujutsu Kaisen Analysis

"Being a child is not a sin." (Nanami Kento, Jujutsu Kaisen)

With the release of Chapter 251, I've seen many horrible takes from dudebros saying that Megumi has "sold" the team. This makes me unreasonably angry because of course it does, so obviously my next plan of action is to take all of my hour-long rants about the mental health of JJK characters and put it here, where said dudebros will never see my (correct) analysis in their entire life. Oh well.

One thing Gege is really, really good at is creating believable, undeniably human, and complex characters. Every character has a different set of motivations, beliefs, ideals, and especially mental states. The constant theme of Jujutsu Kiasen has been "Strength vs Weakness". While the clearest interpretation can be seen through the physical attributes of the characters (Gojo being the strongest sorcerer of his time due to his abilities, and Miwa being one of the weakest, again, due to her abilities), it is also directly applied to the mental strength of characters. No two characters are able to withstand the same trauma and come out the exact same, just as no two real people can process the same trauma. Not only is it a result of nature, as people are genetically different and therefore process information differently, but a product of nurture - in other words, character motivation and environment.

This is where we come to the current state of the manga, Chapter 251. The fated Yuuji vs Megumi debate. I keep seeing people wildly misunderstanding these two, and why it's so important that Megumi isn't standing up to fight, why he isn't able to handle his trauma, when Yuuji can.

Gege writes phenomenal characters. And I want to express just how well done they are, making Jujutsu Kaisen actually kind of deserve its popularity, because some people only care about power scaling. I'm going to touch on Megumi last, because understanding all of the other characters' makes his visible struggle that much more impactful.

1. Geto Suguru

I want to start this mental health analysis with Geto. He is the best representation of depression I've ever seen in Shonen. It doesn't take a hundred chapters to showcase a character's downfall. It doesn't take a hundred significant events to cause a character to break down. Gege shows the best, realistic mental breakdown using only a handful of chapters, and still makes it slow and painful.

Depression can start because of a big event, but it doesn't take more for it to worsen. Untreated, depression runs a vicious course that eats a person through slowly but effectively. It isn't one screaming session, hands clutched over the head and cursing God and the world. It's everything piled onto each other. It's coming to the end of that pile and realizing that nothing will ever change.

This is Geto Suguru's story. He has a big event: the fight with Toji and the failure to save Riko. But his mental health journey was fated to decline, even without the fight and failure. The root issue of his depression came from his ability: Cursed Spirit Manipulation. As long as he kept devouring the embodiment of every vile, human emotion, the more he would lose himself to that vileness. He wasn't changing anything; he couldn't help but continue to swim in negativity because that's all he could do.

Gege wasn't making a commentary on Geto's ability. He was talking about people, as they are, and how staying in a bad situation will not always make you stronger. It can, and most likely will, make you worse. A direct comparison to the sixteen-year-old Geto would be a sixteen-year-old at school, surrounded by people who bully and pick on them with harsh words. The kid will eventually consume all of that bullying, all of that negativity, into their being, because there is simply nowhere else to go. School is mandatory; they can't just leave. They eventually feel isolated, with all that vileness piled on. Even if they have friends, those people could never understand what it's like to put up with humiliation and cruelty day after day.

It's not rational to push away a support system, but who said human beings are always rational? People make mistakes. They don't make the right decisions. Geto didn't. He saw someone offer him a chance at change, a possible light at the top of his pile and twisted it to match his overwhelming negativity. He left and swore to destroy the world that made him the way he is, just as that bullied child may turn away from school and society in whatever form that may take.

I want to touch on the physical aspects of Geto's depression, too. I noted this in a previous analysis I did on him (his character is just that amazing, what can I say?), but Gege knew that the mind can't be affected alone. Geto was drawn with deep eyebags, a nod to an inability to sleep or needing to sleep all the time. Depression makes you tired all the time. Everything becomes difficult. He sits with his back hunched, resting his weight on his knees, like sitting upright is too hard. When someone speaks to him, he blinks and takes a second too long to look over or respond, like speaking takes too much energy. To me, it even looked like he was becoming thinner. It's extremely difficult to maintain a schedule of exercise and mealtimes when your mind is fighting an active war against itself.

Again, a beautiful representation of depression. Geto means a lot to me in this aspect.

2. Gojo Satoru

In comparison to Geto, Gojo's horrible mental health is a lot subtler. Depression isn't the correct term, but you don't have to be depressed to be sad. Sadness is his stagnant state; he has moments of bliss, goals to work towards, a reason to keep going, to continue living, to continue chasing the sun over the horizon, but he does return to the same place he is always at when the lights turn off and he's painfully reminded of this one fact: he is isolated.

All of Gojo's problems start and end with isolation. From the moment he was born, everyone knew he was different. He knew he was different. Through glimpses of his childhood and honestly reading between the lines, it's obvious he never played with kids his age. People don't just develop a superiority complex with their only drive to be better than literally everyone else for no other reason than to get better. It comes from somewhere, and in Gojo's case, it's from his young childhood. It seriously messed him up; even now, he can't shake the lesson that "Strength is the only way to success and happiness".

This is what made Geto so important. Geto was somebody who could share the burden of being the strongest. Geto was someone his age who understood him in a way Shoko could not, though they both were able to see Gojo beyond his capabilities as a Jujutsu sorcerer. Gojo then had somebody to base his moral principles on. Because he couldn't connect with anybody else, he had no basis other than strength. Geto taught him why it was important for the strong to protect the weak.

Then everything went wrong. Gojo became isolated again in his strength and lost the only person who could plausibly stand with him. "Are you the strongest because you're Gojo Satoru, or are you Gojo Satoru because you're the strongest?" Gojo was young, then, and fresh-faced into his newfound godhood. He didn't kill Geto in that moment because he wanted to deny the claim that he is nothing without his strength, that he isn't as shallow as he was raised to be.

But he knew better. He grew older, he killed his best friend, and he realized that he was nothing without his strength. He never got over Geto. In order to cope with the guilt of being unable to save him when he left, he adopted a whole kid, thinking that if he wasn't strong enough to save Geto, maybe he could save Megumi. But there it is all over again - he never broke from the cycle of strength defining his worth. Saving Megumi would define his strength, right? It would prove Geto wrong, right? He raised Megumi under the same logic (that the only way to save his sister is to be strong), only ridding the boy of the crushing isolation.

In this way, Gojo isn't mentally weak. He didn't abandon society and everyone who loved him, instead choosing to hone the trauma of his isolated childhood into a weapon and teach the next generation to be better than himself. He isn't depressed, but he isn't happy. You can't be happy if you're alone all of the time. He hoped Megumi could be someone to stand by him, but in the end, he failed to save Megumi. His strength couldn't save him, just as it couldn't save Geto.

He isn't mentally strong. He isn't weak, either. He is horribly, painfully average. He's not weak enough to be saved, but not strong enough to save others. His childhood plagues him, but not to the point where it prevents him from living. He killed Geto but was unable to bury the body. Gojo is everything he never wanted to be.

As it turns out, strength can't buy you happiness. Gojo may have understood that, but he couldn't abandon it, even to the bitter end. Just as a human struggles to shed their conditioning. Not everyone can break the cycle, but we are always trying our best to work with what we've been dealt.

3. Okkotsu Yuuta

I'm putting Yuuta in between Gojo & Geto and Itadori & Megumi because he is, in a way, a bridge between the two. Geto and Gojo have lived their lives; their stories are complete and ended in tragedy. Itadori and Megumi's are not. They are still actively struggling and fighting their physical and mental battles; their stories have yet to be completed.

Yuuta's story isn't technically completed (ignoring everything that happened in the recent chapter with him for the sake of MY mental health), he is still a success story. He is the average protagonist who started from the bottom and ended up at the top. Only he, as Gege has done time and time again, has a slightly stronger focus on mental health than most other Shonen. He is success where Gojo & Geto failed, and the success that Itadori & Megumi are narratively striving for.

At the beginning, Yuuta was depressed and suicidal. He was bullied at school and involuntarily hurting others. Instead of becoming resentful of the world, he pushed all of the vileness inward. His guilt caused him to try to take his life, presumably multiple times, but Rika stopped him before he could succeed. His life was effectively out of his hands; he felt powerless with all of the bodies stacking around him, and he couldn't atone for "his" actions.

His mental health, as it was, was in shambles. Gojo then offered him a way forward. Yuuta's mental health did not improve overnight. It was when he made friends at Jujutsu High, and developed a support system, that he was able to relieve his anxiety and realize that life is not so bad after all. That all of this pain and suffering and loss - it will pass.

The most important thing to acknowledge when it comes to Yuuta is the sheer fact that he was not alone, nor did he allow himself to be alone. Unlike Gojo, who still had Shoko and Nanami after Geto left but refused to connect with them, Yuuta allowed himself to get close to those around him. They didn't know the suffering he'd undergone for so many years. They didn't know what it was like to be him, but that was okay. He knew that they had empathy, that even though they could never experience his life, they could still be there for him now when he falls.

When given the opportunity to surrender, Yuuta stands in the face of one Geto Suguru and swears to protect his friends and fight with Rika. He's so far removed from the boy who tried to kill himself at the beginning of the manga, and that's because he let himself be changed. He did not succumb. He had friends, he knew. People that would miss him if he left, and people whom he would regret leaving.

This stays consistent with his character. He doesn't let himself become isolated in his strength or his experiences. He's much stronger than everyone else in the room, he's a special grade and he knows that, but he still treats everyone like they are equals. Like they are his friends, like they are people who could share this burden of existence with him. This is something that Gojo couldn't accomplish, which lends to the fact that Gojo had a very off-hand teaching method when it came to mentoring Yuuta. Instead of influencing him under this idea of strength conquers all, he let Yuuta develop far away from the ideals of the Japanese Jujutsu Society.

And, in the end, the fact of him being physically strong - a special-grade sorcerer from the get-go - never helped him in his mental health. In fact, it made him miserable until he learned to get a handle on Rika. His winning or losing that fight with Geto wasn't the point of his character, it was reckoning with the fact that he is okay now. That he can embrace the ugly part of him with dignity instead of guilt.

4. Itadori Yuuji

Itadori's entire character is that he has an unbreakable spirit. As the only one who can bear the soul of Sukuna, he started off like Yuuta, only on the opposite end of the mental health spectrum. When we first see him, he's happy, spending his afternoons with the Occult Club and watching movies.

... What happened?

Like Geto, everything piled on very slowly. So slow that I'm not even sure he felt the true effects of everything he experienced up until the fall of Shibuya. It starts with the death of grandfather, whose parting words "Just save as many people as you can" haunt him even now during the final fight with Sukuna. He was never given time to properly grieve his grandfather, just as he never had time to grieve the brother curses, Junpei, Nanami, Nobara, Gojo, Higurama. At the end of it all, when the fighting is over, I have to wonder what will become of the boy that realizes he's lost most of the people he loved.

The one time he did try to process it, when he realized that he couldn't control Sukuna, was when he broke down in Shibuya. Sukuna leveled an entire city. For the boy who never wanted to kill another human being for fear of devaluing life, the weight of his weakness killing thousands was crushing. Then Nanami died. Nobara died (still hanging onto that unknown status but I digress). Both are right in front of him, and powerless to prevent Mahito from disintegrating their bodies. So, obviously, Itadori broke down. The boy with the unshakeable spirit, the only person who could contain the King of Curses, has his psyche completely shattered.

He laid on the ground, and he wouldn't have gotten back up if there wasn't somebody to help him, to be there with him. Todo pulled him back together, stitched back up the broken into somebody who has allies and people to fight for. Itadori has the success that Yuuta had, only Itadori did not come out of it with better mental health.

After the breakdown, his unshakeable spirit was nothing more than the will to keep fighting. He cares little for himself, and he tries to distance himself from people to prevent them from dying from his cursed hands. He is jumping, quickly, down the same rabbit hole that Geto fell down. One big event, and they realize just how tall the pile already is, and that it will never stop growing. Unlike Geto, however, he continues to get overbearing support from those around him. Against his will. He can't push them away, for they refuse to leave his side. Yuuta, Choso, Megumi, even Higurama. They won't let him fall. This makes him better off than someone alone, in a sense. He can withstand his trauma when others may not.

Even so, even so, there is only so much support, the lack of self-isolation, can do when the traumas keep actively repeating. When he says that he will gladly die to defeat Sukuna, it is not said with the same tone that another Shonen protagonist would say it. Take Naruto for example. If he were to go into a battle to protect, say, Sasuke, he would scream, "I'll die to protect him." We understand that his willpower is stronger than his self-preservation, but we don't get the idea that he actively wants to die. He'll die if he has to. Now, Itadori says the same thing, but about saving Megumi. He says, "I'll gladly die." There is something different. His willpower is leaps and bounds stronger than his self-preservation, but that's not only it. There is an undercurrent of severe suicidal ideation prevalent in Itadori's tone. It's not that he will die to win, it's that a part of him wants for this to be his final fight. For it all to be over. To save Megumi, then atone for the sin of being too weak to save Shibuya, or being unable to stop the Culling Games, or letting Megumi get hurt when all he wanted was to keep him safe.

I'd call it more along the lines of passive suicidal ideation. He doesn't plan to kill himself, but what would it mean for him to go into dangerous situations without protection? What would it mean for him to succumb to his wounds after he wakes Megumi's soul and kills Sukuna? To not even try to seek medical attention? He's guilty. He believes everything that happened in Shibuya and after is his fault. When faced with the executioner's sword, he was ready to die for his sins, if not for the goal of ending the Games. There is a fine line between willing to die for those you love versus wanting to die for those you love.

Right now, Itadori is fighting to save one person, like his grandfather said. He is not fighting to survive. And that's what people fail to understand about Itadori when they compare him to the other members of the cast. These power-scaling dudebros don't understand that their favorite OP main character has fallen apart at the seams, that his unshakeable spirit to save people doesn't include himself.

5. Fushiguro Megumi

Here we finally come to the question: Why can Itadori take it when Megumi can't? There is a very similar quote that you probably think of whenever you hear this question asked. It's from The Outsiders: "Dally is tougher than I am. Why can I take it when Dally can't?" The answer to this question that Ponyboy gives is the same we can attribute to Megumi. "And then I knew. Johnny was the only thing Dally loved. And now Johnny was gone."

The entire reason Megumi became a Jujutsu sorcerer was to protect his sister. When he was five years old and probably too young to understand most of the words Gojo said, he accepted the offer of training to become a sorcerer in exchange for Tsumiki's happiness. Every day, he fought to protect her. He only had one goal in entering the Culling Games: to prevent Tsumiki from having to participate.

It's easy to attribute Megumi's constant attempts at summoning Mahoraga to a lack of will to live - suicidal ideation, the same that Itadori now experiences. On one hand, I do understand that he has a fundamental lack of care for his own life, but on the other, I don't think that he intends to throw it all away every single time. He just didn't know any better. Ignorance can lead to death as easily as intentionally seeking it out. That's why he changes his habit after Gojo gives him a lesson in risking death versus dying to win; Megumi still has someone to live for, after all.

Megumi's mental health was already rocky from the start. Not that it was in shambles like Yuuta, but he wasn't fully stable. Like a lot of teenagers, he's moody, somewhat reclusive, and only really likes one or two people maximum. Teenagers aren't known for their sunshine mental health anyway.

Megumi was given time to grieve Itadori after he first died. This trauma of losing him in front of his eyes stuck with him, but he was allowed a grace period of two months to grieve with Nobara. He experienced Shibuya, too, but he still had that one important person to protect. His mental health was alright at this point, all things considered. As long as his sister was alive, he would be fine.

Sukuna knew this. So Sukuna killed Tsumiki using only the Ten Shadows Teqchnique. The one person Megumi spent his whole life dedicated to, was killed by his own cursed technique, his own failure to suppress Sukuna.

In the void of his soul, Megumi was alone. Truly, utterly alone. The only person nearby was Sukuna, the murderer of his sister, the murderer of thousands upon thousands of people. He drowned in the ceremonial bath of crushed curses to hold his soul down in the depths of despair, literally drenched in all of the vileness the world has to offer. Sukuna killed Gojo using Mahoraga's adaption ability, and before that, Megumi was forced to take several of Gojo's mind-altering domain expansions.

Already, he had given up. He gave up when his sister died, but the rest ground a pointed spur into his neck. When Itadori shakes his soul, Megumi is repeating, "That's enough." He was at the end of his rope a long time ago. What more is there to keep living for? He doesn't want to live with the blood of his sister, the blood of the man who practically raised him, and the blood of countless others drenching his hands.

Sukuna killed all of these people, not Megumi. But then, Sukuna killed of those people in Shibuya, not Itadori. Why can Itadori take it? Why can he keep fighting when Megumi lays broken on the ground? Itadori wasn't alone. And Megumi has never been known for his unshakeable spirit. That is the one thing that Itadori can hold over everybody else, the one trait that everyone admires. He was born to shoulder the burden of the world. Megumi wasn't. Megumi wants to die. He is not passively suicidal, for he has no goals left to complete, a plan to die within the body no longer inhabited alone. He is suicidal. He would drive a stake through his heart if it meant relieving his pain. He doesn't want to do it anymore. He's had enough.

And Itadori was in this position once, too? Perhaps not as directly, but he was there. Here is the moment that the protagonist gives the motivating speech to will someone to keep fighting, that life is worth living. I realized today that this is not something Itadori has done yet. He hasn't had a grand speech that's not been about his own willpower. He's never encouraged someone else to keep living in the way that you would expect from the main character. This is his moment, I suppose. He needs to be the person for Megumi that Todo was for him. He has to show Megumi that he isn't alone.

He needs to save Megumi when, all those years ago, Gojo couldn't save Geto.

I don't think some of this fanbase understands how horrible Gege has to be at writing if he just. Let Megumi get up to fight in Chapter 251. All this time, he has shown how Megumi has been defeated. He showed him crumbled on the ground, unmoving. It shouldn't be a surprise that all of the measures Sukuna took to ensnare Megumi's soul worked. Megumi is suicidal after the people he loves have all died because of his technique. God forbid a sixteen-year-old is unable to cope with his trauma alone.

Honorable Mentions:

There are a lot more characters in this story that represent/show mental illness that I didn't go into depth on but are worth mentioning. It was easier to only talk about the major characters since we spend so much time with them and I can fully flesh out everything that should/can be said about them. Anyway, here are a few more that are notably well-written in their mental struggles:

Yoshino Junpei. His story arc follows very similarly to Geto, except he is the bullied student I was making a reference to. Depressed, alone with a mother whose habits he can't stand, he turned to someone he thought could provide him a better life. Interestingly, he is a good representation of the type of children that tend to be groomed. That's surely what happened to him. Mahito used him, then discarded him for his own gains.

Ieiri Shoko. Her main struggle can be seen through her smoking habits. She's been through a lot, lost so many people, and has to keep healing sorcerers only for them to die. Eventually, she was able to come to terms with this. She kicked her smoking habit at the same time she kicked the vicious mental cycle of caring too much about the patient on her table. It's no wonder she picked up a cigarette, for the first time in a while, when Geto led the phantom parade.

Zenin Maki. She works as a very good contrast to Megumi. They both lost their sisters, the people they loved the most, but she turned all of her grief to killing the Zenin clan and gaining Heavenly Restriction. But this, this is because she could do so. There is simply nothing Megumi can do as a soul trapped in his own body. Her grief made her stronger, while for most, it made them weaker.

Inumaki Toge. He isn't seen a lot, but his story is ultimately quite compelling. A boy who hurt many when he was young. He turned his guilt into kindness, a will to protect. He tends a garden to raise plants healthily, for God's sake. He's one of the examples that shows Yuuta that your past actions don't define you, but instead, what you choose to do going forward.

I am not proofreading any of this before I post it. Sorry if it is borderline unreadable with spelling / grammatical errors.

[mdzs-fanon-exposed]

MDZS Fanon VS Canon: 2/?

Wen Ning fits Jiang Cheng's list of requirements for a wife

Rating: FANON – NEUTRAL

A lot of ships involving Jiang Cheng will use a list detailing the characteristics of his ideal woman as evidence for one pairing for another, and the character brought to me to evaluate as a suitable match was Wen Ning. Unfortunately, I have to rate this as fanon because Jiang Cheng's wife requirements... aren't canon to the novels.

In terms of the official adaptations, Jiang Cheng's requirements for his perfect wife seem to be Untamed-only canon, as part of the Jiang Cheng/Wen Qing subplot the drama invented. However, the MDZS Fandom Wiki (which, side note, is a horrible source for anything) credits the following list of requirements to a since-deleted Tumblr post:

Naturally beautiful, graceful and obedient, hard-working and thrifty, coming from a respected family, cultivation level not too high, personality not too strong, not too talkative, voice not too loud and must treat Jin Ling nicely. (source)

Using the Wayback Machine, I managed to find the original Tumblr post in question (seen here). According to the user who posted it, this is a translated excerpt from a Weibo post written by MXTX herself, listing 10 supplemental facts about the books – supposedly posted a year before The Untamed was first announced.

I do not have Weibo and cannot verify this claim, but regardless, I do not consider "word of God" to be canon for the purposes of this blog. Whatever MXTX's intentions were when writing this list, Jiang Cheng's requirements are not mentioned anywhere in the actual text, and so I cannot rate this suggestion as anything but fanon. You, the reader, are free to choose whether you think MXTX's supplemental material is canon-accurate.

As for Wen Ning himself: Canonically, Jiang Cheng "could never tolerate" him (Seven Seas Ch. 19, p. 251), and so unfortunately this ship cannot officially sail. Even if Wen Ning does fit every entry on this list, Jiang Cheng would not consider him a prospective match. I do not consider the list canon, and so any attempts to figure out if Wen Ning fits the letter of the list (if not the spirit) can not be anything but subjective.

But, well, this post is about the list itself, not Jiang Cheng's feelings about it. So while I'm here, I might as well have some fun with it.... Feel free to use the notes to debate whether or not you think Wen Ning is secretly right for Jiang Cheng's dubiously-canon standards.

Naturally beautiful: Wen Ning is ADORABLE and I LOVE HIM. You can't look at him and NOT call him cute; even Wei Wuxian thinks his "side profile [is] delicate and refined" (Seven Seas Ch. 12, p. 141). Would Jiang Cheng think this? Um,

Graceful and obedient: He's pretty meek and he's described as a yes-man (Seven Seas Ch. 16, p. 22), and he does what Wei Wuxian says a lot (under magical flute coercion or otherwise), but he can be pretty stubborn when he wants to be. I wouldn't call him falling off a roof "graceful," but I suppose that was after he was zombified.

Hard-working and thrifty: Yes – I can't imagine he got all those Wen subordinates by being completely lazy. And if anything he's kind of the pack horse for the Burial Mounds crew lol.

Coming from a respected family: Technically? Yes. The Wens have historically been a powerful and influential family, and Wen Ning is the younger brother of someone of "a rank on par with Wen Chao" (Seven Seas Ch. 12, p. 148). Functionally? Uhhhh

Cultivation level not too high: This one is debatable, but probably a yes. We don't receive much information about Wen Ning's cultivation level, since his fighting prowess isn't really plot-relevant until he dies, but he is described as "unremarkable" in comparison to Wen Qing. Just like, in general, I guess. (Seven Seas Ch. 12, p. 149)

Personality not too strong: See #2. I would say yes with some caveats. Especially (and ironically) when Jiang Cheng is involved.

Not too talkative/voice not too loud: Also a match! Wen Ning stutters a lot and doesn't really raise his voice unless he's angry, so he's pretty quiet. Remember that time he and wangxian were on that boat and Wei Wuxian straight up didn't notice him for like five minutes? Poor guy. Can you believe this happened to him twice.

Must treat Jin Ling nicely: Do we count murdering his dad? Because if we don't, then Wen Ning treats Jin Ling very nicely. He even saves his life multiple times!

In conclusion: ?????????

[rainbowtailz]

Black Swan & Acheron

Get it as a print on my Etsy!!

[bleach-smashorpass]

Stats for characters P through R!

Sixth round of stats! There are 14 characters in the P - R group. Shinigami make up the majority with 6, followed by Quincy with 5, Arrancar with 2 and Hollow with 1.

👍 Most Smashable Characters.

SHINIGAMI: Rangiku Matsumoto with a 93.1% smash rate across 1011 votes (940 Smashed / 71 Passed) — also the Overall winner of this group.

QUINCY: Ryūken Ishida with a 75.5% smash rate across 522 votes (392 Smashed / 131 Passed)

ARRANCAR: Rudbornn Chelute with a 24.7% smash rate across 251 votes (63 Smashed / 188 Passed)

👎 Least Smashable Characters.

SHINIGAMI: Rikū Togakushi with a 60.4% pass rate across 225 votes (90 Smashed / 135 Passed)

QUINCY: PePe Waccabrada with a 96.4% pass rate across 251 votes (10 Smashed / 241 Passed) — also the Overall loser of this group.

ARRANCAR: Pesche Guatiche with an 80% pass rate across 250 votes (50 Smashed / 200 Passed)

The singular Hollow was Runuganga with a 95.8% pass rate across 260 votes (10 Smashed / 250 Passed)

The Unohana battle was fairly even! For this purpose, Retsu had an 80.2% smash rate across 631 votes (505 Smashed / 126 Passed) while Yachiru had an 80.9% smash rate across 691 votes (560 Smashed / 131 Passed) — the conclusion here is it doesn't matter if she's playing nice or covered in blood, y'all love her.

[compneuropapers]

Interesting Papers for Week 30, 2023

Adult-born neurons inhibit developmentally-born neurons during spatial learning. Ash, A. M., Regele-Blasco, E., Seib, D. R., Chahley, E., Skelton, P. D., Luikart, B. W., & Snyder, J. S. (2023). Neurobiology of Learning and Memory, 198, 107710.

Behavioral origin of sound-evoked activity in mouse visual cortex. Bimbard, C., Sit, T. P. H., Lebedeva, A., Reddy, C. B., Harris, K. D., & Carandini, M. (2023). Nature Neuroscience, 26(2), 251–258.

Exploration patterns shape cognitive map learning. Brunec, I. K., Nantais, M. M., Sutton, J. E., Epstein, R. A., & Newcombe, N. S. (2023). Cognition, 233, 105360.

Distinct contributions of ventral CA1/amygdala co-activation to the induction and maintenance of synaptic plasticity. Chong, Y. S., Wong, L.-W., Gaunt, J., Lee, Y. J., Goh, C. S., Morris, R. G. M., … Sajikumar, S. (2023). Cerebral Cortex, 33(3), 676–690.

 An intrinsic oscillator underlies visual navigation in ants. Clement, L., Schwarz, S., & Wystrach, A. (2023). Current Biology, 33(3), 411-422.e5.

Not so optimal: The evolution of mutual information in potassium voltage-gated channels. Duran-Urriago, A., & Marzen, S. (2023). PLOS ONE, 18(2), e0264424.

Successor-like representation guides the prediction of future events in human visual cortex and hippocampus. Ekman, M., Kusch, S., & de Lange, F. P. (2023). eLife, 12, e78904.

Residual dynamics resolves recurrent contributions to neural computation. Galgali, A. R., Sahani, M., & Mante, V. (2023). Nature Neuroscience, 26(2), 326–338.

Dorsal attention network activity during perceptual organization is distinct in schizophrenia and predictive of cognitive disorganization. Keane, B. P., Krekelberg, B., Mill, R. D., Silverstein, S. M., Thompson, J. L., Serody, M. R., … Cole, M. W. (2023). European Journal of Neuroscience, 57(3), 458–478.

A striatal circuit balances learned fear in the presence and absence of sensory cues. Kintscher, M., Kochubey, O., & Schneggenburger, R. (2023). eLife, 12, e75703.

Hippocampal engram networks for fear memory recruit new synapses and modify pre-existing synapses in vivo. Lee, C., Lee, B. H., Jung, H., Lee, C., Sung, Y., Kim, H., … Kaang, B.-K. (2023). Current Biology, 33(3), 507-516.e3.

Neocortical synaptic engrams for remote contextual memories. Lee, J.-H., Kim, W. Bin, Park, E. H., & Cho, J.-H. (2023). Nature Neuroscience, 26(2), 259–273.

The effect of temporal expectation on the correlations of frontal neural activity with alpha oscillation and sensory-motor latency. Lee, J. (2023). Scientific Reports, 13, 2012.

Describing movement learning using metric learning. Loriette, A., Liu, W., Bevilacqua, F., & Caramiaux, B. (2023). PLOS ONE, 18(2), e0272509.

The geometry of cortical representations of touch in rodents. Nogueira, R., Rodgers, C. C., Bruno, R. M., & Fusi, S. (2023). Nature Neuroscience, 26(2), 239–250.

Contextual and pure time coding for self and other in the hippocampus. Omer, D. B., Las, L., & Ulanovsky, N. (2023). Nature Neuroscience, 26(2), 285–294.

Reshaping the full body illusion through visuo-electro-tactile sensations. Preatoni, G., Dell’Eva, F., Valle, G., Pedrocchi, A., & Raspopovic, S. (2023). PLOS ONE, 18(2), e0280628.

Experiencing sweet taste is associated with an increase in prosocial behavior. Schaefer, M., Kühnel, A., Schweitzer, F., Rumpel, F., & Gärtner, M. (2023). Scientific Reports, 13, 1954.

Cortical encoding of rhythmic kinematic structures in biological motion. Shen, L., Lu, X., Yuan, X., Hu, R., Wang, Y., & Jiang, Y. (2023). NeuroImage, 268, 119893.

Mindful self-focus–an interaction affecting Theory of Mind? Wundrack, R., & Specht, J. (2023). PLOS ONE, 18(2), e0279544.

[lilacsupernova]

Gender identity theory can thus be described as consisting of three layers, where each new layer erases the previous one. The outermost layer is a veneer of tolerance, celebrating diversity and everyone's right to be themselves. This layer is peeled back to reveal a rigid thinking about gender norms in which only baby blue and baby pink exist and the only choice is to conform, if necessary through medical interventions. In this second layer, no tolerance exists for femininity in boys and a terrible end is said to befall those who fail to adapt to gender norms: death. It is said this is set in stone, has been so since time immemorial, and transcends history and culture. Yet no sooner have we resigned ourselves to this state of affairs, than another layer is uncovered overthrowing the diktats of the previous one. Now there is no sign of biology as far as the eye can see and every man who claims he is a woman is one, regardless of his appearance or behaviour. Thus, with one single utterance, he can turn the tables and claim to be the victim of gender discrimination all the while continuing to be a man physically. It is notable that this is the only category of discrimination which can be invisible and depend entirely on the individual's feelings.

– Kajsa Ekis Ekman (2023) On the Meaning of Sex: Thoughts on the New Definition of Woman, p. 251.

[severitus-big-bang]

Prompts and ideas for your SeveritusBB work

Categories

as taken from the Potions and Snitches site:

Big Brother Snape [23] Stories where Snape and Harry have the same parents, or one parent in common with each other. May be biological or adopted, officially or not.

Snape Equal Status to Harry [279] Snape and Harry have the same status and are equals in social power. Subcategories are Colleagues Snape and Harry, Foes Snape and Harry, and Comrades Snape and Harry.

Healer Snape [251] Stories where Snape heals Harry in some way. Healer - one that heals or attempts to heal. Healing: the process of recovery, repair, and restoration.

Master Snape [38] Stories where Snape has absolute authority over Harry; consists of Apprentice Harry, Headmaster Snape, and Slave Harry.

Parental Snape [1159] Snape exercises paternal care over Harry; to perform the tasks or duties of a parent or father. Subcategories include Biological Father Snape (Sevitis and Severitus stories), Stepfather Snape, and Guardian Snape.

Reverse Roles [51] Harry Potter takes care of Severus Snape. Roles are opposite or contrary in position, direction, order, or character. Subcategories include Big Brother Harry, Healer Harry, Master Harry, Parental Harry, Teacher Harry.

Teacher Snape [1002] Snape teaches or instructs Harry, esp. as a profession; instructor. Contains Trusted Advisor Snape, Professor Snape, and Unofficially teaching Snape.

Starting points

Which relationship are you aiming for? - see categories and Severitus relationship

Canon/Canon divergent/AU

In which time is the story set? (era)

Is there a background Severus/xy ship (for example Lily, James, Sirius, Petunia, OC, …) or a background Harry/xy ship (Ginny, Hermione, Ron, Draco, Cho, OC, whoever you can think about)

Tropes

Hurt/Comfort - injury at school/after encounter with Voldemort/ because of the Dursleys

Family fluff

Time travel (reversed Severitus?)

Angst

Humour

…

Setting

Hogwarts

Spinner's End/Cokeworth

Potter Residence/Gordic’s Hollow

Surrey

…

How old are the characters

Toddler

Kid

Student

Adults

…

Classic prompt ideas

Hogwarts setting

Severus is the only adult at Hogwarts to notice how Harry is doing after Quirrel's death/ Cedric’s death/Sirius’ death

Severus is the one to find out about the Dursley’s neglect/abuse

Someone discloses that Severus is in fact Harry’s biological father, but Lily had to hide it

Harry is put in Slytherin and therefore Snape can’t [be seen to] hate him

Friendship between two professors

Reverse Severitus

Harry travels back in time (to prevent Severus’ death?) by looking after him from a young age Either as a professor/mentor or he adopts him

Severus is de-aged and Harry decides to look after him

AU where their roles are reversed and Harry notices how much Severus struggles

Early in Harry’s life

Severus decides to adopt/care for Harry directly after Lily’s death (he is godfather?)

Severus is sent to look if everything in Privet Drive is all right and finds out about cupboard 

Dumbledore places Harry with him against his will

Sev decides to take Harry away

Dursleys refuse to take Harry in - needs to be places somewhere else

Harry runs away - is taken in by Severus

Severus finds him by accident

Severus is tasked to find him

Lily put in her will that Harry should go to Severus (turns out he is his father but didn’t know)

Severus knows he is Harry’s father but promised Lily not to tell, after the Potters' deaths he takes on his responsibilities

AU - Potters survive

Severus and Lily are together

Severus and James are together 

Triad Severus/Lily/James

Godfather Severus, Uncle Severus…

(Adoptive) brother Severus

...

Actual prompts

Challenges created by P&S members can be found here:

[returntomytilene]

‘We stayed a few weeks in Paris. Sometimes Mrs. Shillito would go shopping in the Rue de la Paix, or to her dress-maker’s, and would take us along in her ample open carriage. We would wait for her as she dallied in the peculiarly leisurely ways of ladies a generation ago, and we scanned the faces of the men and women who passed and talked about them and their “kinds.” Almost all the men Mary and Violet sized up rapidly as cochon, petit cochon, grand cochon, and really they did seem so to our taste, fed as we were upon the delicate heroes of 1830. They were terribly disgusting creatures. The men in the Rue de la Paix or any street in Paris of the early nineties were beastly-looking in our fastidious eyes. We were great spiritual snobs at that time.’

— Mabel Dodge Luhan, Intimate Memories, Vol. I: Background, 1933

[journeytothewestresearch]

The Worship of Red Son

Fans of Lego Monkie Kid, did you know that Red Son (Hong hai'er, 紅孩兒), this guy ...

... is worshiped in Chinese folk religion? Journey to the West (Xiyouji, 西遊記, 1592) states that Guanyin (觀音) gives "Red Boy" the religious title "Child of Goodly Wealth" (Shancai tongzi, 善財童子) upon his initial capture and fake submission to Buddhism:

"Since you have received my commandments," said the Bodhisattva, "I won't treat you lightly. I'll call you the Child of Goodly Wealth. How's that?" The fiend nodded his head in agreement, for all he hoped for was that his life be spared. [1]

菩薩道：「你今既受我戒，我卻也不慢你，稱你做善財童子，如何？」 那妖點頭受持，只望饒命。

This is the Chinese name of an established Buddhist deity called "Sudhana". He is best known as a young cultivator from the Gaṇḍavyūha Sutra (c. 200 to 300 CE) who studies under 53 respective gods, goddesses, bodhisattvas, holy monks, and lay practitioners to achieve enlightenment. [2] He is commonly depicted as one of Guanyin's two disciples, the other being the Dragon Girl (Longnu, 龍女). For instance, here is a Malaysian religious statue of the trio in my personal collection:

Here is a detail of the Child of Goodly Wealth (his right leg is not broken, just bent at the knee). Take note of the Monkey King-like curlicue band around his neck and the golden rings around his wrists and ankle(s).

The bands/rings are very similar to those worn by Nezha in Monkie Kid (more on this below):

Here is a stand alone statue of the Child in my collection. The curlicue-style neck band is not included:

While the rings are likely connected to the kinds of adornments historically worn by South Asian religious practitioners, Journey to the West states that Red Boy/the Child's ornaments serve the same function as Monkey's golden headband. They are used to further submit the stubborn demon:

Dear Bodhisattva! She took the fillet and waved it at the wind once, crying, "Change!" It changed into five fillets, which she threw at the body of [Red Boy/the Child], crying, "Hit!" One fillet enveloped the boy's head, while the rest caught his two hands and two feet. "Stand aside, Wukong," said the Bodhisattva, "and let me recite for a while the Golden-Fillet Spell" (Wu & Yu, 2012, p. 251).

好菩薩，將箍兒迎風一幌，叫聲：「變！」即變作五個箍兒，望童子身上拋了去，喝聲：「著！」一個套在他頭頂上，��個套在他左右手上，兩個套在他左右腳上。菩薩道：「悟空，走開些，等我念念金箍兒咒。」

I should note that this is not a case of later believers copying details from the novel. It's actually the reverse; Journey to the West simply gives a fanciful origin for the rings that have been associated with the deity for centuries. For instance, here is a Japanese statue from the 13th-century.

This is where it gets interesting. Some modern practitioners worship the Child of Goodly Wealth in his Red Boy form, as evidenced by these circa 1970s drawings from a Singaporean idol maker's shop (photos by Keith Stevens/courtesy of Ronni Pinsler of the BOXS project). Notice how they are strikingly similar to Nezha:

They are so similar, in fact, that modern statues of Nezha and Red Boy are easy to confuse. Here is a prime example. The figure on the left is Nezha in his "Lotus Prince" (Hualian taizi, 蓮花太子) form. [3] The leaves on his shoulders look just like those from the first Red Boy drawing above. The one in the middle is his "Wrapped Stomach" (Du wei, 肚圍) form, which shows Nezha wearing a baby's stomach apron. And the last is Red Boy. He wears the same apron and even stands on a fire wheel just like Nezha (refer back to the second Red Boy drawing).

Update #1

This website notes how someone added a spear to their Child of Goodly Wealth to make Red Boy.

Update #2

An informant states that more recent practitioners consider the Child of Goodly Wealth and Red Boy two different deities:

[H]ave to wonder just why wu cheng en decided to hybridise existing buddhist figure sudhana with red boy, these days many devotees subscribe to pov that shan cai and red boy are two seperate individuals with shan cai statues unarmed and red boy statues wielding weapons

They also directed me to this (likely custom) statue of Red Boy. I love the flames shooting from his mouth:

Note:

Original source changed slightly.

His spiritual journey is summarized in Fontein, 1967, pp. 5-14.

After sacrificing his life, Nezha's physical body is replaced with a divine one constructed from a lotus. See Creation of the Gods (c. 1620).

Source:

Wu, C., & Yu, A. C. (2012). The Journey to the West (Vol. 2). Chicago: University of Chicago Press.

Fontein J. (1967). The Pilgrimage of Sudhana: A Study of Gandavyuha Illustrations in China, Japan and Java. The Hague: Mouton & Co.

[tylerknott]

Typewriter Series #251. Do you even watch me reading these in the morning? Anyone? (at Helena, Montana) https://www.instagram.com/p/CmNoVCdLNAU/?igshid=NGJjMDIxMWI=

[wifiwuxians]

20 questions writer meme.

tagged by @heyholmesletsgo THANK YOUUU

1. How many works do you have on AO3?

not counting things i'd rather remained anonymous, 21!

2. What's your total AO3 word count?

513,621 lol

3. What fandoms do you write for?

mdzs, vaguely tgcf, hotline miami (though mostly past tense) and we'll see about the future

4. What are your top 5 fics by kudos?

Wei Wuxian's Super Special Super Secret Book Club still reigns supreme with 1229 kudos, and will most likely be my legacy despite it being the second fic i ever wrote for the fandom (i think?)

If You're Reading This, It's Too Late with 513, one would think i'd still be messing around with this AU but i'm happy to leave it where it is and just keep messing around with the crackship

Dawn Chorus, my most precious baby, at 251 by some miracle despite being oc/canon. you guys spoiled me with the love for this one tbh. none of my other xue yang centric works got anywhere near this close and i'm at peace with that because he's bonking my oc in this one and they have a kid.

The Book Club Extras at 232, which is hilarious when compared to the original but at least new readers will see there's more and maybe in the year 2055 i will publish them for fun

Frozen Pond with 156 at the end of the list, written for my friend @petitjams and taking place in a silly AU we made together (wen chao stays winning on here which is very funny)

i'm attributing the popularity of the first two to mostly being centered around super popular characters, because my later stuff is naturally better yet struggling haha

5. Do you respond to comments? Why or why not?

always unless they're like just emoji, because i like conversation! though i may also reply with a little heart hehe

6. What is a fic you wrote with the angstiest ending?

i wouldn't call it angstiest ending, it's bittersweet, but the threads that bind us is my top pick. and it also needs more readers so go read it. your hands and mine has a bit of an 'angsty' ending but only for song lan. xue yang had it coming :p 💖

7. What's the fic you wrote with the happiest ending?

excluding the two above, so far they all have a happy ending, or at least neutral??? i'd say Book Club, though, because that's the massive 'everybody lives!!' silly fixit fic

8. Do you get hate on fics?

nope. i hope i didn't just jinx it. i get hate on art and through anon though! woo! (not anymore on here tho thank god)

9. Do you write smut? If so, what kind?

i do and i feel like it sucks so i almost always end up fading to black LMAO my actual explicit stuff remains private... it's like too embarrassing for me. i got judged for it as an 18 year old and 10 years later haven't gotten over it. i like bondage and bdsm though and that seems to crop up in private 😏

10. Do you write crossovers? What's the craziest one you've written?

i do on occasion! i love roleplaying them, but the only one i have out there is The Way To His Heart Is Through His Stomach (Oh God Please Don't Eat Me), which mixes mdzs and tgcf characters in a unique setting :3

11. Have you ever had a fic stolen?

not to my knowledge, but i've had art stolen plenty so i wouldn't even be surprised

12. Have you ever had a fic translated?

yes, a few have been translated into russian!

13. Have you ever co-written a fic before?

NOT YET BUT IT'S IN THE CARDS

14. What's your all-time favorite ship?

all time? jeez. somebody tell me why i always freeze up and go blank when asked these simple questions? it's like i forget who the fuck i am. i feel like i should also say songxiao? but they're relatively new so it doesn't seem correct. fuck it. my all time favorite ship is [DATA MISSING OR CORRUPTED-- PLEASE PROCEED TO NEXT QUESTION]

15. What's a wip you want to finish, but doubt you ever will?

haha... (looks at my abandoned hlm fic with the seventh chapter halfway written) haha...

16. What are your writing strengths?

i'd definitely say dialog. it makes sense, since the stuff i'm most used to doing is drawing silly comics. i also like to ping-pong emotions around and feel like i'm pretty good at that too

17. What are your writing weaknesses?

using the same words over and over and feeling like i never write Enough, like everything is always light and never in depth. i don't like making scenes too heavy with padding but i also feel like i need to find a balance

18. Thoughts on writing dialogue in another language for a fic?

i'll do it only if it's a language i speak!!! this doesn't apply to peppering words like gege and stuff just for funsies. i think the best way to go about it is to just tell the audience what language they're speaking in that moment

19. First fandom you wrote for?

we're gonna have to go back to when i was 10 years old here lol... i think it was tokyo mew mew in terms of stuff i put online (oh god)

20. Favorite fic you've written?

it's hard to pick favorites, but i once again must say the threads that bind us in terms of work i'm most proud of.

i tag whoever sees it, plus @sugarapplebaby because ily

[fightingwithallreality]

Best Horse Stories (1991) compilation by Lesley O'Mara illustrations by Lucy Kemp-Welch p. 29, 219, 235, 238, 251

@antiqueanimals

[balu8]

Black Canary

World's Finest #251: The Vertigo Version

by Gerry Conway (W.); Trevor Von Eeden (P.); Vince Colleta (I.); Mario Sen (C.) and Ben Oda (L.)