#pay my therapy bill

[maeriavizsendingjpmdose]

Dear directors,

If you don't stop making Evan Peters play roles of serial killers / bad guys just to make them look hot.. Y'all will be responsible to pay my therapy bill. Thank you.

Respectfully,

Maeviz.

[hansoeii]

it’s okay, babygirl.

[dingledraw]

“That's not what I asked” comic (2/2) based on the lovely art and fic by @chernozemm

Part 1

[lispunk]

me, scared of needles and on my way to get a tattoo: I should listen to the new magnus protocol on the way there

[wylanslcve]

This genre of Freddy Carter smiling like a proud little kid after filming the most gut-wrenching scenes in the entire show.

[brielyasmin]

“ 𝑩𝒆𝒇𝒐𝒓𝒆 𝒕𝒉𝒂𝒕 𝒅𝒂𝒓𝒌 𝒘𝒊𝒏𝒅 𝒔𝒘𝒆𝒑𝒕 𝒊𝒏, 𝑳𝒖𝒄𝒊𝒆𝒏 𝒍𝒐𝒐𝒌𝒆𝒅 𝒃𝒂𝒄𝒌. 𝑵𝒐𝒕 𝒕𝒐 𝒎𝒆, 𝑰 𝒓𝒆𝒂𝒍𝒊𝒛𝒆𝒅— 𝒕𝒐 𝒔𝒐𝒎𝒆𝒐𝒏𝒆 𝒃𝒆𝒉𝒊𝒏𝒅 𝒎𝒆. 𝑷𝒂𝒍𝒆 𝒂𝒏𝒅 𝒕𝒉𝒊𝒏, 𝑬𝒍𝒂𝒊𝒏 𝒔𝒕𝒐𝒐𝒅 𝒂𝒕𝒐𝒑 𝒕𝒉𝒆 𝒔𝒕𝒂𝒊𝒓𝒔. 𝑻𝒉𝒆𝒊𝒓 𝒈𝒂𝒛𝒆𝒔 𝐥𝐨𝐜𝐤𝐞𝐝 𝒂𝒏𝒅 𝐡𝐞𝐥𝐝. 𝑩𝒖𝒕 𝑬𝒍𝒂𝒊𝒏 𝒔𝒂𝒊𝒅 𝒏𝒐𝒕𝒉𝒊𝒏𝒈. 𝑫𝒊𝒅 𝒏𝒐𝒕 𝒔𝒐 𝒎𝒖𝒄𝒉 𝒂𝒔 𝐭𝐚𝐤𝐞 𝐨𝐧𝐞 𝐬𝐭𝐞𝐩 𝐝𝐨𝐰𝐧𝐰𝐚𝐫𝐝. 𝑳𝒖𝒄𝒊𝒆𝒏 𝒊𝒏𝒄𝒍𝒊𝒏𝒆𝒅 𝒉𝒊𝒔 𝒉𝒆𝒂𝒅 𝒊𝒏 𝒂 𝒃𝒐𝒘, 𝒕𝒉𝒆 𝒎𝒐𝒗𝒆𝒎𝒆𝒏𝒕 𝒉𝒊𝒅𝒊𝒏𝒈 𝒕𝒉𝒆 𝐠𝐥𝐞𝐚𝐦 𝒊𝒏 𝒉𝒊𝒔 𝒆𝒚𝒆 — 𝒕𝒉𝒆 𝐥𝐨𝐧𝐠𝐢𝐧𝐠 𝒂𝒏𝒅 𝐬𝐚𝐝𝐧𝐞𝐬𝐬. 𝑨𝒏𝒅 𝒘𝒉𝒆𝒏 𝑳𝒖𝒄𝒊𝒆𝒏 𝒕𝒖𝒓𝒏𝒆𝒅 𝒕𝒐 𝒔𝒊𝒈𝒏𝒂𝒍 𝒕𝒐 𝑹𝒉𝒚𝒔 𝒕𝒐 𝒈𝒐 … 𝑯𝒆 𝒅𝒊𝒅 𝒏𝒐𝒕 𝒈𝒍𝒂𝒏𝒄𝒆 𝒃𝒂𝒄𝒌 𝒂𝒕 𝑬𝒍𝒂𝒊𝒏. 𝑫𝒊𝒅 𝒏𝒐𝒕 𝒔𝒆𝒆 𝒕𝒉𝒆 𝒉𝒂𝒍𝒇 𝒔𝒕𝒆𝒑 𝒔𝒉𝒆 𝒕𝒐𝒐𝒌 𝐭𝐨𝐰𝐚𝐫𝐝 𝒕𝒉𝒆 𝒔𝒕𝒂𝒊𝒓𝒔 — 𝒂𝒔 𝒊𝒇 𝒔𝒉𝒆’𝒅 𝒔𝒑𝒆𝒂𝒌 𝒕𝒐 𝒉𝒊𝒎. 𝐒𝐭𝐨𝐩 𝐡𝐢𝐦. ”

for @elucienweekofficial

find my art.

[alienwlw]

ALIENWLW’S TOP QL DRAMAS | Love for Love's Sake (2024)

[turgid-cucumber]

Middle-aged man Yaoi

[bluerasbunny]

this scene did things to me idk man

[genevawren38]

There's...a lot to unpack in this next bit.

First of all. The yelling at Tallulah? That is the first time I have ever heard him raise his voice in anger at his children.

Second. She can tell Phil, that something isn't right. She knows her Dad, though emotionally distant in a lot of respects, would never ever turn his rage upon her. And the fact he has been gone so regularly on this quest for lining their pockets, completely unlike how he used to be. At the beginning all he wanted to do was build a house and spend time with his eggs.

Now he is often gone the moment he wakes up to loot or find more treasures, away more often than home. His want for earthly goods has begun to outweigh the value of familial love, so wrapped up in this desire to protect his family and gathering more shinies.

She knows his heart. And she knows his intentions have begun to warp to unhealthy levels.

She knows her Papa as one with a joyful laugh, kind words, gentle hands and a willingness, above all else, to help others.

This stranger wearing the blonde's face is not her father.

She was the one to widen the gap in Phil's armour after Fit broke the initial hole. She knows how to speak to his emotions, to find his soul and try to revive it as it decays.

Then....this.

I think this is the moment it hit how serious she was.

I never quite clocked the fact she held that accidently swing against Philza from months ago now...she's just a kid. How often did she think or worry about the possibility of it happening again?

I think the worst part for Phil is he realises she isn't upset with him. She's scared of him. And that's so much worse.

Another thing I also just remembered; she hates having things withheld from her knowledge, its a breach of trust.

This is terrifying for her. To watch the steadiest thing she has ever known to shatter and break apart. To fall into the clutches of endless needs over what truly matters.

Spending time with those you love.

It doesn't matter if you own the most expensive things in the world, some happiness is only found eternally in the souls of those you came to grow close too in this small blip on a forever timeline.

Tallulah's only thing she can hold in a storm is her family. To see the head of it become hostile and deliberately ignore his own descent....goddess she must feel so hopeless.

[owldee]

didn’t get to tell this story on tumblr yet but i was lucky enough to get to see nimona early at a special screening + q&a with nd, the directors and producers…and when i got to talk with nate after i told him the movie made me cry nearly 10 times and he was just like “ah yes, i love inflicting emotional damage” and i was like “yeah I’VE NOTICED”

[stormyoceans]

jimmy jitaraphol ‘certified unhinged method actor who is all about the process’ potiwihok truly king of understanding the assignment of grasping the implications of comprehending the intricacies of the thing and of killing us all while doing so

[cavotarchives]

You see, I'm a time-traveler, and my partner Cavendish died on the job. So I went back in time and saved him. But now that means there's two me's, two Dakotas in this time period and only one Cavendish, and you can't do that.

MILO MURPHY'S LAW (2016-2019) 01x17b | Island of Lost Dakotas

[o-wild-west-wind]

okay, here’s my actual thoughtful post: I get why people are upset about the finale…I really do. but I want to mention that there’s a bigger picture to this story that’s missing if you’re zooming too close onto Izzy as a character, and I’m honestly so grateful that the show stuck to the thematic arc it introduced in season 1 because, as per usual, it’s about the themes 🤌 and this show never skimps on the symbolism!!

so here’s the thing: the primary themes are toxic masculinity (& it’s opposite, queer joy); trauma; love as a healing force for the above; and, title alert—DEATH. because it’s so much more than a cool title!

now, Izzy has always represented something metaphorical about all of these points; most directly, he’s always represented masculinity, and s2 has been an arc of toxicity deconstruction. but crucially, he’s also represented all that for Ed, who is the deuteragonist of this show. because—don’t forget—Stede and Ed are the show.

I’ve always doubted myself for feeling this after seeing how fandom saw Izzy as a third romantic figure (which like by all means have a blast in your fanfics I don’t care it’s about joy at the end of the day and pursue that as you want to), but after hearing something about djenks referring to Izzy as a father figure, it confirms a major point for me—Izzy is also in a lot of ways a parallel to Ed’s dad, and a representation of the trauma and guilt Ed felt from that formative killing. for so long, Izzy was an aggressive shadow in Ed’s life, and a tangible reminder of those daddy issues—someone telling him what to do, keeping him Blackbeard—and the beautiful thing is how that changed this season, how Izzy became a version of masculinity that could love and be beautiful and make good from the hurt, the literal poison into positivity. someone antithetical to his own paternalistic force, healing our daddy issues one drag show at a time. BUT, Izzy is still thematically representative within Ed’s arc—and by also representing the trauma that made Ed “Blackbeard,” it does make smart writing sense as to why Izzy died (NOT saying you can’t be sad about it—stick with me for a moment).

because here’s the thing—as aforementioned, this show is also about DEATH. killing is the root of everyone’s trauma, and reconciling a relationship with death is the ultimate arc Ed and Stede are both on, with the ultimate path of learning to live despite its inevitability. there’s a reason it was such a huge thing that Ed couldn’t personally kill, and then in this episode killed so many people with his bare hands in the name of love—and there’s a reason that was framed as a good thing. and there’s also Ed’s (and arguably Stede’s) active suicidality, which has been a huge force driving this season. these are characters who see death as this all-consuming thing, and they see their own deaths as the only solution. death is the traumatic force driving almost everything about their being for so long—and its reconciliation is everything for them, the greatest sign of growth. so Izzy’s death, and everyone beginning again with love—healing each other with love—is a cap to it all. it’s death as a positive force, for once. it’s death as love, not trauma. it’s death as something that will always happen, but this time not forced by your own hand. it’s a death to everything toxic, to what “Blackbeard” represented, and all the while a sort of rebirth. it’s kind of a death to…death? it’s functionally like the real physical moon replacing the giant romantic imaginary orb: it’s taking the thing that’s been artificially morphed in Stede and Ed’s heads and making it real this time, with all the bittersweet emotions that come with tangible reality.

and honestly, I’m glad that it was tragic and emotional. I didn’t think I’d be so devastated to see Izzy die, but it really did get to me, especially because of everything he said to Ricky and then to Ed. but think of it this way: Izzy and Ed might be romantically compelling because they were toxic and charged (and I hope people still enjoy everything they get from that dynamic in fan work), but imagine if the show had actually gone in that direction—where would it take us thematically? it would kill the thesis; it would be love as chaos and entertainment, but not healing. instead, this show gave us something so much more powerful: a legitimate, fully-fleshed trauma arc.

trauma hurts. Izzy’s death hurts. but that’s okay. that’s great, actually! it means the storytelling was effective—that Izzy’s arc made you feel something. and i know this won’t be every viewer’s experience, but honestly? I’m glad I can have this grieving process in such a beautifully framed light in the safe space ship of this show, because let’s be real—death, real life death, fucks you up. and let me tell you, I could’ve used this show during so many episodes of grief in my life. but here it is now, reminding us that our grief and trauma doesn’t define us—and WHAT a powerful thing for queer love, especially, to be presented as the thing that heals us all. ESPECIALLY when so much grief and death in this community is woven so deeply with the trauma of our identity.

so grieve as you need to, but don’t forget to turn the poison into positivity 💛 because that’s what the show is telling us—choose live, despite!

[beekneebabey]

When you visit your serial killer ex boyfriend and he asks you why you're not leaving and you can't say it's because you need him to love you and your acting teacher says the adoration is hard to resist and you can't say it's because you know him because you've killed a man too

But he knows that and he's not ratting you out and that's almost love and you say you feel safe with him but the second it's out of your mouth you realize it's not true and your career is in the tank and you watch him mouth I love you through the glass and you wonder if adoration is enough to fix you at this point

[incorrect-soc]

It's all jokes and games until you realize that Heleen is probably still alive and that Inej will inevitably see her again on the spin off and that Amita will act the hell out of that scene and-