#probably. not sure

[liquidstar]

If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)

At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.

Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.

[dearbisexual]

as above (hairy pits), so below (full bush)

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[mcducky1356]

I just watched the 1990 movie for the first time, so now I’m redrawing some scenes with the Rise boys!

[pommegrantaire]

Au lit, le baiser by Henri de Toulous Lautrec but make it Aziracrow

[riverswater]

Genuinely crying at work rn. They have thousands of old photos (from the 50s to the 90s) they asked me to scan (so they can create a digital archive). Today I found a photo from a 80s protest with a banner that says "FOR THE PALESTINIAN CHILDREN". It's been 40 years. It has been a lot more than that, actually. And still.

[wanologic]

fortunately, or unfortunately, they only see each other like 3 times a year…

[crimeronan]

once when i was ten, so seventeen years ago, i was on one of the neopets forums that was in 2006 frequented mostly by edgy teenagers with pete wentz urls who wanted to get around the ban on romance and gay talk to discuss mcr members making out. and it was well past midnight and i was secretly on an extremely clunky laptop the size of a modern desktop, sitting on my top bunk in the tiny room i shared with my sister. and i do not remember the forum topic at all but at some point one of the participants politely asked me, "hey, how old are you, anyway? twelve?" and when i honestly replied "ten," he responded:

"WOAH. Kid, you'd better get off the boards. Wandering the Neoboards at 2 AM is like walking nekkid through the Bronx with your wallet dangling from your nipplz."

and this frightened me so much i slammed the computer shut and went to bed immediately. seventeen years later i still remember this message word for word. including the filter-avoidance misspellings. i need everyone to know about this formative childhood memory. bronx wallet nipplz guy if you're out there hmu and tell me what ur deal was

[floccinaucinihilipilificationa]

[chloesimaginationthings]

FNAF Phone guy was wild for saying that to Michael..

[decaffeinatedpartymuggoop]

My favorite thing about Annabeth is her wardrobe.

Cause like, Rick simplifies her clothes in a way a man would, and you can tell.

Cause in EVERY book, from The Lightning Thief to Chalice, she’s in the goddamn CHB shirt. With like some shorts or cargo pants. Nothing more, nothing less.

He’s made improvements over the years, giving her some other clothes. But he’ll always come back to old faithful.

Like, he most definitely did it on accident, but he made her so Adam Sandler and I love it

[lazylittledragon]

the only thing scarier than vampire lords/mind flayers/death cults is meeting the in-laws

[idiotsonlyevent]

i really like this detail in chapter 51 where tall-man chilchuck pulls ahead of the party as they're walking.

i know it's in part because there are gaps and grates in the floors, and since he's physically larger, it's easier for him to walk around or over them, and his step length has increased, but it also makes me think that he's had to adopt a faster walking speed to compensate for his size. now that he's larger, he's turned into the dungeon's faster speed walker lol

[reyenii]

a) charles and edwin’s safe place is their office:

b) this scene was so domestic. charles is wearing his white tank top. edwin is wearing a shirt with the sleeves rolled up and the buttons on his top collar unbuttoned. he’s sitting on the couch in a comfortable pose.

c) but we don’t see anything like this when the boys are in port townsend. they "hide" behind their clothes almost all the time cause this is a new “place” for them which is not safe to be in

[autistic-katara]

pls rb for a larger sample size c: