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pushpinsheep · 3 years

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Hopefully this puts things in greater perspective because some tourists just don’t get it and need to hear this. For those who are curious and looking to travel in the future I hope you find this is informative! :) We could all use more perspective on linguistics and traveling imho. I have made some of these mistakes in the past too. We can all learn to be better guests/tourists. This mindset people have that not only is it okay for tourists to exploit and mistreat local populations, but it’s something that should be encouraged is wrong. You’re not entitled to anything special as a tourist just because you have enough money to play around somewhere “exotic” for a few weeks. Regardless of where people travel to. As a guest in someone else’s home you should put more effort into not being a total asshat. You will have a better time and you might learn something cool along the way. I will mostly be using France as an example since I live here and have more insight, but everything I say applies outside of France as well. Note: This information only applies to tourists. Immigrants and refugees are a unique situation and thus face different challenges and have different needs. A tourist chooses where to go and has time (and money) to plan for their trip, which is often only a few weeks or days. Immigrants and refugees often don’t have that same luxury and remain in the country for far longer. (in many cases permanently) Moving to a country places a greater linguistic and cultural demand on an individual. Remember to check your privilege. tourism =/= immigration/asylum. A) English is not the only language in existence. It might be a widely spoken language, but it’s not the most widely spoken language (that honor goes to Chinese) nor is it the only lingua franca. Chinese, Hindu, Spanish, French, and Arabic are all widely spoken across multiple borders and where you are on the planet will obviously dictate which one of these people go with. If you expect that to be English because your sphere of the internet happens to put you in that bubble of “my language or bust” ignorance then like... that’s on you pal. Get with the times and stop assuming everyone should just speak English. English speakers are not the only tourists and English, though widely used, is not the only other language a person might need. I have a friend from Laos who speaks absolutely no English. He doesn’t need it and never has. (even now) He speaks Lao (the regional dialects can be as different as Thai is from Laotian btw), Chinese, a bit of Thai, and French because they still use a lot of French for business dealings there. (something I didn’t know ngl) Assuming he should just speak English because “everyone else does” is ignorant. It’s rude. It puts no thought into his situation. It’s entitled. He’s traveled to visit friends in England and he has an English phrase book. He doesn’t need a lot of English so like... the phrase book is absolutely perfect. Most of what he does in England is sight see and speak Chinese with his friends. Be more like my friend from Laos. B) Official languages may not be the only language a country speaks within its borders. Regional and native languages exist and expecting the locals to speak a 3rd language on top of all that is unbelievably entitled. France has a number of them. There are people who are born and raised in France who don’t speak French in their day to day life. (or at all) Basque, Breton, Occitan, Alsatian, Yiddish, Ladino, Arabic and a number of others are all spoken within French borders. Many are at risk of being permanently lost (that’s why our new regional language law is important btw) and as a result a greater emphasis is placed on preserving them as opposed to learning something new. Most people have to learn the official language as it’s the only language a lot of countries will accept for paperwork, but anything else is up to the individual and you can suck an egg if you don’t like that. (this also applies to immigrants and refugees btw) Heck there are places in the US where people don’t even speak English day to day! Some places actually speak French or Spanish. I heard more Spanish in my day to day life than I did English where I grew up in NC! (moved to Florida and Spanish exploded. loved it!) C) Borders are a thing. People working and living across borders exist and English is often not the language they chose to go with as a result. France borders Germany, Spain, Italy, Belgium, England, and Switzerland. People who share these borders often choose to go with these languages. English is in there, but please note it’s not the only one. D) Culturally speaking a country may not like [insert common language here] and as a result may refuse to speak it. That’s entirely their choice. If you don’t like that then don’t visit the country. It’s really that easy. Colonialism is often a major factor at play in these situations. Respect that choice. You do not get a say in how people reclaim their identity. As for France? This might come as a shock to some people, but France doesn’t like England. I’m 100% certain these two places exist solely to punch each other in the nuts. (ball tap. an international past time) As a result getting English people to speak French or French people to speak English is about as easy as pulling your own teeth. I’ve been spit on for speaking English because people here just assume I’m from England or they hate “annoying Americans” and after seeing how y’all responded to the last post I made... yeah I totally get it now. Granted, that’s no excuse for someone being hostile, but it is something to keep in mind when you visit and applies to more than just France too. E) Retail workers and small shop owners don’t owe you shit. You have absolutely no right waltzing into a shop and demanding the staff speak your language (I don’t care how common it is) for the two weeks you’ve decided to play around in their home. Always ask them first. If they can’t or choose not to then tough luck. This is why a phrase book is important!

Retail workers and small shop owners get treated like shit enough. Some of y’all have never worked retail a day in your life and WOW does it show. Please respect retail workers and small shop owners. You don’t know what their day or life has been like. If they’re tired and don’t want to speak to you in a foreign language then that’s their right. I have had no issues using my phone or a phrase book to help communicate concepts when there is a language barrier. (and I fucking live in France. I’m not even visiting) Emergencies also happen and a phrase book or medical card in the native and/or official language is absolutely essential! Even if you just have an allergy to something! This is a great way to stay safe! When you visit another country being aware of and researching cultural differences includes linguistic differences. Tourists are guests. You don’t live here, you don’t get a say. Remember, learning a second language (esp if you don’t use it often) is really hard. If you’re visiting a country do not expect them to just use whatever language you speak. Mind you a phrase book is also important because people within a country may not have a strong grasp on English even if they do speak it. You can very easily get lost or injured without a phrase book to help you. These things allow you to better experience a country and communicate without actually having to learn the entire language... or any of it. And, once again, they exist for free online! You do not need to learn an entire language to visit somewhere, but you need to be prepared for there to be a barrier. People assuming I mean you need to learn a whole language are uh... really something else. Like do you guys think half the people bending over backwards to communicate with you know the full language? Go ahead. Fuck around and find out. ;) Obviously I’m not saying you should be treated poorly when visiting if you don’t know the language. Unfortunately no matter how much effort you put in there will always be someone who’s a jerk and I’m sorry for that. All I’m saying is as a tourist you owe it to yourself and others to be better prepared. Trust me. You’ll have a better time in the end. (and if you did the research you’d find that Paris is not the best first place to visit... even if you’re french lol) https://www.youtube.com/watch?v=GS64ZT4eWUA Please watch this guy’s video. It is hilarious and touches on a lot of the same points I just made. Thank you for your time. :) ---------------- Cultural tidbit for those who are curious about where I live in France: I live in Alsace currently! (moved from Lyon, but my spouse is from here) In Alsace you might meet people who speak English, but it’s also entirely likely you won’t! Alsace is also a very tourist heavy area because it looks like a German fairy tale and has a lot of tiny villages with cool stuff to do! I highly recommend visiting here over Paris! We have so many storks! (clackclackclack)

Our logo is a pretzel!

That being said, Alsace has its own regional language!

It’s not uncommon to see bilingual signage or to pass someone on the street and hear them speaking Alsatian. You’ll usually hear it from older people, children, or those from rural areas. It’s really fun to listen to and absolutely wild to see written on museum signs! Kids here will start school learning French, regardless of what they speak at home, which has resulted in a downswing of Alsatian speakers in recent years. That’s why the new regional language law I mentioned waaaaaay above is so important. It’ll allow schools to teach most of the day in Alsatian instead of French with the goal being fully bilingual adults! :) As of right now, most kids here choose German or English (depending on the school) as their second language. Some kids pick Alsatian and honestly? Good for them! I’m glad!

#sheep.txt #long text post #very long #txt #traveling #france #alsace #europe #tourism #language #languages

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calliecat93 · 3 years

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Okay, I know that the Spones content in Bread and Circuses has been talked about before, so I’m likely adding nothing new. But heck with it, I’m talking about it anyways cause it’s just too good not to!

The episode has Spock and McCoy somewhat saltier towards each other than usual. From the second the episode resumes after the opening credits, they’re snarking at each other almost immediately. It goes on for so long that we have the guest character outright ask Kirk if they’re enemies, and even he isn’t for sure. It’s almost like one of the writers anticipated the fact that some would legit think that the two genuinely hated each other, and decided to ask the question. For the most part, their banter is mutual and they’re clearly trying to rouse a reaction from the other.Even when at gunpoint, McCoy just HAS to snap at Spock for “[being] so blasted honest?’. Spock’s raised brow to me almost came across like ‘really doctor? must you be like this now?”. It’s got some amusing stuff, like the banter in the beginning and McCoy of all being being the one to suggest illogic regarding sun worshipers has Spock giving some utterly hilarious facial expressions. But still, the banter goes enough that event he audience has to ask: are these two truly enemies.

The rest of their scenes answer the question.

During the gladiator fight, McCoy’s still so pissed off that even fighting to the death won’t stop him from yelling at Spock when he asks if he needs help. Stress and you know… trying not to die is a factor, but still. But since McCoy’s a doctor, not a warrior he’s about to be killed… until Spock takes out his own opponent and nerve punches McCoy’s before he can be harmed. Doing this breaks the rules and Kirk chooses to take what would be their death sentence upon himself. Spock acted on pure instinct in that instant. Or even more bluntly, it was an emotional response. He interfered because he didn’t want McCoy to die, and he was the only one in a positon to save him. He even seems pretty started that he did so. But because of i, now Kirk is going to die in their places and neither he nor McCoy can do anything about it. He outright pulls at the cell bars, according to McCoy, fifteen times. Logically it’s pretty clear that it’s not working.

With this, McCoy’s now cooled down enough that he legitimately tries to thank Spock for saving him. It’s awkward, neither one are very good at having heart-to-hearts with each other. Spock pretty much acts like it’s the usual banter and kind of condescendingly before telling him to get to the point, which causes McCoy to just snap it out at him. Spock tries to go into the usual ‘I’m a logical Vulcan’ spiel, saying quote:

Spock: Oh, yes. You humans have that emotional need to express gratitude. You're welcome, I believe, is the correct response. However, Doctor, you must remember I am entirely motivated by logic. The loss of our ship's surgeon, whatever I think of his skill, would mean a reduction in the efficiency of the Enterprise and therefore-.

Which is what finally gets McCoy pissed off enough to directly confront him about it. Why? Because he knows that Spock’s spitballing here. He’s trying to deny his emotional responses, despite having demonstrated it at least twice with McCoy right there for both of them. Saving McCoy despite knowing the consequences of doing so was an emotional response. Trying to escape the cell due to Jim’s life being in danger despite all efforts failing is an emotional response. He tries to say it’s just due to professionalism, but at this point there’s been enough episodes that the audience knows that that’s not true. McCoy absolutely knows it. He knows how Spock tends to keep his emotions suppressed and deny that he even has them, even though he very clearly does. It is a factor that has continuously frustrated McCoy. He’d never force Spock to be outwardly emotional, Plato’s Stepchildren made that VERY clear. But when it DOES happen and Spock tries to act otherwise? And after having dealt with this for nearly two years now? Yeah, McCoy decides that he’s had it as he grabs Spock, turns him around so that they’re making clear eye-contact, and makes his opinion VERY clear.

McCoy: Do you know why you're not afraid to die, Spock? You're more afraid of living. Each day you stay alive is just one more day you might slip and let your human half peek out. That's it, isn't it? Insecurity. Why, you wouldn't know what to do with a genuine, warm, decent feeling.

Which… he’s not entirely wrong. Even during this, Spock turns away from him like he doesn’t want to talk about it. But McCoy’s right. Spock’s been at war with his Vulcan and human halves for his entire life. He chose to suppress the human half, and it peaking out does concern him. He isn’t able to settle two sides, hence why he’s always insistent about being a logical, unfeelign Vulcan. Now we all know that Vulcans DO feel things. Very strongly in fact, hence why they suppress it to begin with. But I do think it’s safe to say that Spock is afraid of expressing or even talking about his emotions. Whenever he does, he needs to get his grip back on the Vulcan side as quickly as possible. Even though he knows that McCoy knows otherwise. McCoy is pretty damn good at picking up on Spock’s emotional state and Spock knows it. And I think to at least an extent, he knows that McCoy’s correct. McCoy might be being too harsh admittedly, but the point is there. Spock is afraid of letting his human half slip out and the constant struggle of keeping it in check.

I think this is what makes their relationship so important. McCoy’s really the only person who can provoke Spock like this. Sure Kirk can normally reach out to Spock, but he’s not as likely to directly confront Spock and be blunt about it the same way that McCoy can. Spock’s also really the only person who’s ever been able to provoke McCoy and get him think past his own perspective the way that he does. It’s vitriolic in many ways. Like I said, it’s hard for them to really be civil with each other most of the time. Even here when McCoy did try to start off as civil when he tried thanking Spock, it ultimately devolved into another argument. Even McCoy expressed that he isn’t sure why it’s always like this when he says “ I know we've had our disagreements. Maybe they're jokes. I don't know.” But I do think that the episode demonstrates the answer to the queation of if they’re enemies. The short answer is no. The long answer is that they have a very complicated relationship that on a surface level, comes across as hatred. It gets to the point where even they aren’t fully sure. But the truth is they do care about each other greatly. They understand each other a great deal. They’re the only ones who can reach out to the other. The way that they show it is unorthodox sure, but it’s how it works for them.

And even when they are particularly heated, it always ends with them coming down from it and finding a point of unity. In this case, there is absolutely one thing that they can agree on.

Spock: Really, Doctor?

McCoy: I know. I'm worried about Jim, too.

While their concern for Jim is true, I think McCoy brought used that more as a way to bring them both back down after the exchange. Jim and his well-being is very much the one thing that they can agree on. I serves as a calming down point for them n this particular instant. After this while they don’t have anymore direct interactions, they seem to be on good terms and even enter the Bridge together at the end. They still have their heated moments in later episodes such as The Paradise Syndrome and The Tholian Web. But I think that for those who really do think that Spock and McCoy hate each other, I’d say watch this episode again and give their interactios a closer look. Especially the prison scene. Because it shows that for all their banter, for all their differences, there is a strong connection that is very much uniquely them.

#star trek tos #tos #spones #i may be reading these scenes entirely wrong #but that’s what i got out of it haha

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shihalyfie · 3 years

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Yamato, Adventure’s most dramatically emotional cast member

The “edgy cool bishounen rival” has been such a staple of shounen anime for years that the moment you look at Yamato and his position next to Taichi, it’s easy to go “ah, yep, there it is.” But just like how Taichi’s actually very different from the shounen hero stereotype, Yamato, despite what his first impression and character design might suggest, is in fact the complete opposite!

Actually, I’ll start this off with an interesting story from Yamato’s own voice actor, Kazama Yuuto:

Yeah. When my agent asked me which role I wanted to try out, I thought I couldn’t do a pretty boy character like him, so I was really astonished when I was chosen for the role. Afterwards, when I asked Kakudou-san [the director] about it, he said that he’d decided on me the instant I’d come in... I’d heard that Yamato was a cool character, which I thought was a part of him that didn’t agree with me. So there was that factor in the beginning. But I learned that he was actually quite similar to me, and a surprisingly passionate guy.

I don’t generally have a huge tendency to include voice actor comments in analysis about writing, but I do think it says a lot that even his own voice actor walked in expecting the typical “pretty boy rival” character to the extent that he felt he’d have difficulty doing the role at all, only for the actual nature of Yamato’s character to catch him off guard! Because, yeah, that really is the case: Yamato’s first impression really is very deceptive, and his actual personality is, indeed, full of open passion and emotion in nearly every way.

Yamato in Adventure

...No, really, it really does not take long for it to be very clear that Yamato’s immediately not like the stereotype his character archetype would suggest, considering that even as early as Adventure episode 2, he was depicted as very obviously being open about his opinions, even if that made him quick to criticize.

When you talk about “rival” characters, usually, the reason such characters seem cold and standoffish is that there’s a certain degree of pride to them, or, in other words, they want to keep up a facade of being “cool” and rational and thus aren’t quick to show their emotions. But Yamato isn’t like that at all! From the very beginning, he speaks often, is very open and honest about his thoughts, and doesn’t seem to even really care what others think at all.

The Adventure novels do, in fact, make clear that he was more closed-in prior to arriving in the Digital World, and these bursts of emotion were actually unusual behavior for him at the time -- but it’s not because he’s prideful or anything! Firstly, it wasn’t necessarily that he deliberately cut himself off from others -- rather, he was still willing to engage in some degree of friendly interaction:

It wasn’t because he was lonely. In fact, many of his classmates would greet him with a friendly “Yo!” or “Hi~!” when they came across him and, naturally, Yamato would respond back with a smile.

And, in fact, said novel indicates that there’s a lot going on deeper than him merely suppressing his emotions for the sake of it:

The people around Yamato may have thought that he was a cold, aloof person, but that was only because he didn’t show what he thought to other people. When had he become like that? He hadn’t been like that when he was younger. But after his parents decided to divorce and his mom took Takeru by the hand and left home… Don’t go! Please don’t go! Don’t leave me! The truth was, he had wanted to plead with her and cry — but he couldn’t. Part of it had to do with his father standing by his side. Maybe his mother had secretly wished for Yamato to say that to her. But at that moment, Yamato had thought that he would never show weakness in front of his mom, even if he died from it. It was his own decision to follow his dad. Ever since coming to the Digital World, even Yamato was surprised by how much emotion he expressed. All of the emotion that he’d held back while at home, at school, had come bursting out without pause.

It’s also important to understand the reasons why he blows up so easily at Taichi in Adventure episodes 3 and 6 and whatnot -- he does it because he’s constantly looking out for the others and worried about their welfare. Pretty much all of the arguments he has with Taichi for the majority of the series involve him objecting to his perception of Taichi as insensitive, because Taichi has a tendency to tease others or bid for everyone to keep pushing forward into dangerous situations or when they’re tired. So, really, Yamato gets angered and emotional and picks his fights with Taichi because he cares too much, not because he’s deliberately trying to cultivate an image of being detached. Once they were outside the range of his family and their classmates and stranded in another world, Yamato’s bleeding heart instantly won out, and he started advocating for the welfare of everyone else.

This is why Yamato’s the one who gets the Crest of Friendship, because even though he starts off by putting up a defensive wall between himself and the others and seems very difficult to deal with, even when he gets angry and upset, he’s constantly upset on other people’s behalf. Even from the very beginning of the series, he’s actually one of the most caring people in the cast!

Really, the entire first few introductory episodes with Yamato can be pretty succinctly described as Yamato coping really badly with all those years of emotional suppression and letting it out in some pretty severe outbursts, especially when it comes to Takeru, whom he’d never been able to properly take care of as an older brother due to their parents’ divorce. (And while he’s definitely a little better at managing it, Takeru himself is actually also doing a pretty bad job with that whole emotional suppression and lack of catharsis thing.) Standoffish and cold? Nah -- not when Yamato has the single highest count of openly breaking down and crying out of the whole cast in Adventure.

And, for all it’s worth, remember that stereotypical “cold rival” characters in this kind of shounen series would normally be very ashamed at others seeing them so emotional, but Yamato...doesn’t really seem to care about the others seeing him do some really embarrassingly reckless stuff during his episodes of exploding over Takeru’s welfare. Once it’s past him, he doesn’t really dwell on it and moves on. Again: Yamato isn’t the kind of person who actually cares that much about what other people think of him.

Adventure episode 18 is an often-overlooked episode when it comes to Yamato, but it’s significant because it makes it clear that he doesn’t really have a problem being conversational and friendly with others (especially since, remember, any emotional suppression had more to do with the trauma and sensitive feelings surrounding his parents’ divorce and a desire to not show weakness) -- he starts a very lighthearted, friendly chat with Koushirou over why they’re looking for their Crests, and even admits that the reason he wants his own Crest is that he’s self-conscious about the idea of everyone else changing and improving as people while he gets left behind. That’s a really personal thing to admit, and arguably something very sensitive! It’s something you wouldn’t even blame him for potentially being self-conscious about! But he’s perfectly humble in admitting that this is something he wants to improve in, and carries on this entire conversation in a light-hearted, cheerful manner.

This episode takes place during a time where everything seems to be “safe” (they’re within Piccolomon’s barrier and finally have a proper place to sleep), and are on the verge of finding their own Crests in a situation that does not ostensibly involve running for their lives, so this is when you get to see Yamato in a relaxed situation. And, really, he’s very friendly and open, with no restraint about it. He really isn’t the kind of person to be condescending or cold by nature!

It’s even more incorrect to pin Yamato as someone who tries to act more on rationality (again, like the “cold rival” stereotype would suggest) because, in fact, he’s the kind of person who gets completely carried away by his own caring for others to the extent of irrationality. For instance, in Adventure episode 23 when his conflicting loyalties to Takeru versus wanting to help Jou in his situation get all mixed up, and he tries to buy into PicoDevimon's trick to turn Jou against him as a solution to taking sides before Jou clearly indicates this is the case, and Yamato doesn't hesitate to feel really bad about it. Openly so. Condescension? Nah.

No, really, I could just keep taking screenshots from Adventure all day if you want evidence of “Yamato is openly and passionately emotional to explosive degrees because he cares too much about others, and makes no real pretense of hiding it.” If you’re still not convinced, I don’t know what to tell you.

When Yamato infamously succumbs to Jureimon’s bait in Adventure episode 44 and ends up picking a fight with Taichi -- possibly his most self-centered action in the entire series -- it’s interesting to see that Jureimon does use the word “rival”, the same word used in anime trope lingo to describe “the person you’re constantly fighting with and competing with in order to improve yourself”. The reason why this is fascinating is that Adventure is making a point here that this kind of “stereotypical anime rival” relationship would be extremely unhealthy for these characters.

No, really: at least as far as Yamato’s concerned, and what defines the kind of “friendship” these particular kids need, what these kids need is mutual emotional support, not engineered conflict that can be passed off as “they fight but it’s a sign of how much they know each other!” Remembering that Adventure is, in many ways, a series that prioritizes wanting to focus on portraying the intimate nature of human behavior, it’s not surprising that it goes out of its way to make clear that centering your relationship with a friend around needing to “outdo” them is a really bad thing. (Observe how 02′s Daisuke and Ken also don’t fit the “rivals” archetype at all and are merely a straightforward relationship of best friends in little to no conflict, despite occupying the stereotypical position.)

But Jureimon successfully digs into all of Yamato’s insecurities about his perceived lack of self-improvement and his tendency to compare himself to the polar-opposite Taichi in terms of Taichi’s charisma and way of (ostensibly) playing better to Takeru’s dislike of being coddled. And so, the engineered conflict happens, and, of course, it traumatizes everyone around them. When Yamato finally manages to get over himself after some timely intervention from “the one who seeks stability” (Homeostasis) in Adventure episode 45, everyone in the group is miserable from the ordeal.

Adventure episode 51 basically lays down the two major issues Yamato had been facing up until that point, and ties it into a neat bow: the reason Yamato had become so obsessed with self-improvement was because he wanted to prove he was "independent" and "not weak", but in the end, he still sees himself as an inferior person compared to everyone else -- culminating in him eventually seeing Taichi as a better person than him. Gabumon reaches out to Yamato by clarifying Yamato’s right to not compete, but be unique; it’s not about competing or being a “better” or “worse” version of others, it’s finding his important niche in the group or in the world with the things only he’s good at. Yamato says it in explicit words in Two-and-a-Half Year Break:

Dad doesn’t remember. On the day when we had to decide whether Takeru or I would go with him… Neither Dad or Mom could decide, so I did. I thought, this way, Takeru would be able to stay with Mom. I chose for myself. And after that, I always chose for myself. Or that’s what I’d planned to. Even though I was called a Chosen Child, it was me who was going to choose what to do. No way was I going to be used for other people’s convenience. Maybe that’s why I went so far to keep myself from making friends. But in the end, I acknowledged that what I was doing was unreasonable. After all, I’m not living in this world by myself. If I hadn’t met Gabumon, I never would have realized that. The person I am right now, is not alone.

As long as Yamato only ever sees himself as a replaceable piece meant to fill in the same niches as everyone else, he’ll continue to be horribly critical of himself for not being a perfect person and ultimately being “useless” or “not necessary”. But it’s not about being perfect or a better or worse replacement, it’s about embracing himself and what he can do in his own way, and, indeed, at the end of the episode, Yamato’s arrival on the scene makes it clear that the group ultimately needs both of them, not just one.

It’s also interesting in that, whereas most of the kids (especially in the Adventure finale) are very open about their own feelings to their own partners, Yamato and Gabumon are capable of “communicating” in some sense just by Yamato playing the harmonica. But it’s perhaps because Yamato is normally so open and passionate about his own feelings that such a tacit method is something they can do -- they’ve already bared themselves to each other so many times already, that in the end, all they need to do is just enjoy the abstract things together.

Yamato in 02 and after

So by the time we get to 02, any trace of coldness or detachment from Yamato has completely vanished.

I cannot emphasize this enough: completely vanished. Even in the middle of being a heartthrob for the teenagers in school thanks to his good looks and work with his band, he’s open and lacking in condescension whatsoever, and it’s basically like seeing the openly friendly Yamato from Adventure episode 18 for a whole series. Actually, it already says a lot that he’s in a band, considering it feels like shifting his music activities to a full-on band is there to make a deliberate statement that Yamato is now much better at socializing and working in organized groups now -- it’s a far cry from having to work solo or independently, and it’s significant that “the person who wanted to be able to do everything by himself” is now interested in doing something a bit more cooperative. (And to lend further to the idea he’s sentimental and constantly thinks of others, his band, the TEEN-AGE WOLVES, is all but confirmed to be named in indirect tribute to Gabumon.)

He’s open, conversational, makes a lot of silly faces throughout the series, and basically the only thing he has left that remotely resembles the “pretty boy rival” stereotype is that he’s deep in the aesthetic. But even then, you get the impression that he just does that because he genuinely likes it, not because he’s trying to be “cooler than you” or anything. And it’s easy to see why: Yamato, quite simply, got over himself. He stopped restraining himself all the time in his attempts to become a perfect person, and simply let himself loose to express himself how he wanted, and ultimately became a perfectly sociable and friendly person who’s now even popular at school!

Yamato’s punch on Taichi in 02 episode 10 is often taken as evidence that Taichi and Yamato embody the “rivals who constantly get in fights but are somehow still friends” trope, but this tends to avoid the actual context of the rest of the scene -- in fact, Daisuke himself rightfully points out that if Yamato had done this out of any actual anger or condescension, this would have been a really cruel thing to do to Taichi when he’s already going through so much. But Yamato’s not doing this out of resentment or condescension, he’s doing this for Taichi’s own sake to help him get out of his stupor, and the important part here is that he immediately holds out a hand to him afterwards. Or, in other words, this isn’t something they’re doing out of conflict, but out of communication, and it’s now at the point where Taichi understands Yamato’s intent, and Yamato knows that what he wanted to do would be conveyed to Taichi, without words.

That is why Taichi and Yamato are finally so close now: they understand each other’s feelings. They’re not competing with each other. They’re not resenting each other. They’re sympathetic and forgiving of each other, and they communicate, verbally or otherwise.

It’s followed by a scene in 02 episode 11 that’s also often construed as Taichi and Yamato advocating fighting as part of a healthy friendship, but, again, this omits context: they talk about their fighting in past tense! They’re referring as fighting having been part of the things they had to do to understand each other now, when they clearly aren’t in that kind of conflict anymore. The idea they’re espousing is that Daisuke and Takeru need to let out their feelings and have some catharsis if they want to truly understand each other (which is, indeed, how Taichi and Yamato eventually settled their differences) and hopefully get to a position of mutual understanding, instead of the others forcing them to have peace for the sake of peace and not letting their feelings get out on the table. (And, ultimately, Daisuke spends the rest of the episode thinking about Takeru’s position, and none of the 02 kids ever end up in this bad of a brawl for the rest of the series, yet manage to build a friendship in spite of that -- so, yes, the important part was that they had their feelings out in the open and got catharsis, not fighting in itself.)

Yamato also has an interesting role in the 02 drama CDs, including one entirely devoted to him (Letter). Said drama CD has quite a few things to note:

Gabumon says that Yamato being rather silent and not speaking up about what he’s thinking is unusual behavior for him.

As much as Yamato’s managed to do a better job opening up in general, he’s still suffering from extreme self-worth issues, considering himself as worthless if he’s not able to do anything for a girl in the hospital, even though it’s of course completely reasonable he can’t do much. Despite that, he continues to emotionally fixate on her welfare and basically self-flagellate and do a lot of pretty emotionally occupied things in the process.

Speaking of getting emotionally occupied, as much as he ends up snapping a bit at the people on the beach who keep annoying the hell out of him, he eventually feels so bad for the shaved ice seller that he forces himself to eat it just for him. (Even though it’s freezing.)

Yamato’s a really poetic person. Almost sappily so.

On top of that, Armor Evolution to the Unknown gives us an ever-so-slight glimpse of his dating life with Sora -- which, while he hadn’t been super-flagrant about, he also hadn’t been hiding either (he’s clearly willing to engage in a bit of PDA as per 02 episode 43), and, if the admittedly-kind-of-crack drama CD is to believed, he’s actually very emotionally passionate about his relationship to her, and very dedicated! Beyond just the (very sudden) passionate declaration of love to her in the middle of tap dancing, when Sora is found to have been worrying about him being cold lately, he immediately goes out of his way to try and make things right and prove his love...

Yamato’s initial appearance in Kizuna pretty much defines in a nutshell what his and Taichi’s relationship eventually turned out to be: they’re willing to banter because they’re comfortable with each other, but when it all comes down to it, they appreciate and trust each other deeply. Again, the point is that Yamato and Taichi are emotionally there for each other, considering that (even if he ribs Taichi a bit for it) Yamato’s willing to come all the way down to meet Taichi for late-night beer and talk to him through his emotional troubles.

And, yes, Yamato’s still there to be a concerned minder for Taichi and to make sure he doesn’t get too inconsiderate of what he’s doing -- but there’s no conflict over it, just the two of them balancing their necessary roles as part of the group and keeping each other in check. Again, as was made clear back in Adventure, it’s not about one person being more necessary than the other, it’s them both working together to fulfill their own roles.

As one of the central characters in the movie, Yamato’s also having an existential crisis of adulthood, and in his case, it’s that he’s playing everything too much by ear but isn’t really sure what he wants to commit to. He’s still enjoying music as a hobby, but it’s apparent he doesn’t want to commit to it as a career (which is, well, quite the common thing for those who have hobbies in middle school) -- and moreover, the novel indicates that it’s not bringing him happiness the way it used to. (The movie goes out of its way to depict Yamato feeling isolated with both a harmonica and a band, referencing that neither Adventure nor 02′s ways are doing it for him anymore.)

Beyond the motorcycle we see Yamato driving a few times in the movie, the official website profile makes it clear that this is one of his major new interests, and it’s presumably why he’s also attending an engineering school -- he can’t decide on a long-term goal, so he’ll at least experiment with the thing he likes. Yamato’s always been someone who thinks with emotions and feelings, so it fits him.

We also learn that he’s surprisingly studious, and is picking up some things that run contrary to his image (the glasses!), including the fact he seems to like school enough that he wants to do more school while he figures out what he wants to do. This is something that happens in real life for a certain kind of person in a career-based existential crisis -- as many people as there are who play very badly with educational structures, there are also people who rely very heavily on the structure of college or grad school basically handing you tasks to do on a plate, and find the job market to be scarier than staying within that bubble. It’s not too unreasonable to imagine that Yamato, who in certain ways has never really been the kind of person to assertively have an idea of “this is what I want to do!” and generally works by immediate feelings instead of long-term goals, would end up becoming that kind of person. As he says, it’s really just him trying to postpone the inevitable decision and get a grace period.

Since “shutting out one’s own partner (and therefore one’s own inner self)” is key to the cause of partner dissolution, Yamato’s way of it isn’t as direct as Taichi or Sora (who end up actively shutting out their partners in a bid to become an adult), but is most certainly there -- especially when he’s the one who drops a mocking line about the idea of bringing Gabumon to his school. (It’s not about whether it’s actually doable or not; it’s the fact that he laughs and scoffs at how stupid this is.) The fact he treats friends drifting apart as an “inevitable” thing, and eventually is shown very obviously to be keeping Gabumon out of the phone conversations (in stark contrast to the 02 quartet going out of their way to keep them involved on the other end) ultimately boils down to: neglect. Yamato’s coasting by on everything he likes, but it also means he’s just letting everything happen, instead of consciously pursuing things and passionately following things with gusto, the way he used to.

But we do see Yamato’s single-minded and passionate side come out again -- while Taichi shuts down and ruminates on what to do about his impending loss of Agumon, Yamato’s the one who desperately runs around trying to figure something out, recruiting the 02 quartet into it, losing sleep over it, and eventually having a passionate confrontation with Taichi as the climax approaches. (Note that this, again, is not a real conflict in nearly the same way the two of them would be spitting insults at each other all the way back in Adventure; it’s just the two baring their own feelings, and Yamato quickly accepts Taichi’s answer very easily because he, too, feels the same. Again: they’ve become very good at communicating.)

Yamato does eventually let Gabumon back into his periphery instead of neglecting him so much, and their final scene together in the movie involves them resuming their old method of tacit communication that they’d once shared together, with Yamato playing the harmonica. It’s a sign of Yamato finally embracing those things in the past that used to make him happy rather than cultivating an uncomfortable relationship with it just because he’d kicked it out of his career prospects, and ultimately coming to terms with what he likes and what makes him happy.

And speaking of career prospects...

The question of “why did Yamato become an astronaut?” is one that’s infamously weirded out people all over the globe because of how much it clashes with his image, and how much of a kind of “out-there” thing it is that had virtually no precedent whatsoever in Yamato’s prior hobbies. (Although, if you really think about it, space travel isn’t that huge of a hurdle as it sounds for a world like this where Digital Gates exist to bend space-time; you just send a probe with a Digital Gate link up there...) The original meta reason was, simply, that it was a holdover from one of the original ideas for the third Adventure series, in which they would be investigating forces that were obstructing evolution from space. (The original logical progression was that Adventure would have a threat from the Digital World, 02 a threat from the real world, so the theoretical third series would be space...) When you think about which of the original Tokyo Chosen Children would be the most likely to actively pursue this route, it actually is likely to be Yamato, given that Taichi is more of a person who’s an overall leader and coordinator, whereas Yamato, who’s much more up-front aggressive and openly passionate, would be more likely to want to tackle the situation with his own hands.

Kizuna -- or, more specifically, its novel -- offers another (and not mutually exclusive!) explanation:

While studying at graduate school, Yamato came up with a dream he had for his future. He wanted to study cosmology, and become an astronaut. The way there would not be easy. There was a whole mountain of things he’d have to do to get there. But Yamato had a certain ambition in mind. Someday, he was going to go to space with Gabumon. Whenever he thought of that future, Yamato was willing to do anything to get there.

Remembering that Yamato was at an engineering school (presumably originally from the motorcycles connection), it seems that he eventually “ran into” the career option by chance and happenstance, and thought about it and decided he wanted to follow it for the sake of going with Gabumon. It’s a very “romantic” and sappy kind of “out-there” dream, and, actually, that’s the point -- Yamato is a ridiculous romanticist, the kind of person who waxed about barbecue back in Adventure episode 6, and compared his relationship with Takeru to Hikoboshi and Orihime back in 02 episode 17, and spouted a bunch of poetic words at the sea during Letter. And, remember, he’s always been openly shameless and passionate about everything he’s felt and liked, and has never cared what other people would think.

And in the context of Kizuna, where Yamato was slowly losing touch with himself and his passions and eventually lost Gabumon as a result, it’s a very important sign that everything’s on its way back to healing, and that he’ll be able to achieve that future where they meet again.

#digimon #digimon adventure #digimon adventure 02 #digimon adventure last evolution kizuna #ishida yamato #yamato ishida #shihameta #kizuna spoilers

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petersasteria · 3 years

Text

Love Documentary - Harry Holland

Harry || Main || Taglist

Pairing: Harry x Reader

Requested? Nah.

3,470 words

TW; one mention of death, heartbreaking

* * * *

“Hi everyone! I’m Harry Holland and what you’re about to see, are short interviews that I did with people as I ask about what great love really is. Sit back, relax, and enjoy this love-filled journey.”

“Are you ready?” Harry asked and the old couple looked at him and nodded with a smile. Harry smiled too and started filming them. “So, how did you two meet?”

“We were childhood best friends.” The old man smiled as he reminisced the early days of his childhood. “I was a hopeless romantic and she wasn’t, but it all worked out in the end.”

“He was really cheesy.” The old man’s wife added with a laugh, causing Harry to laugh too. “He recited lines from movies just to get me to be with him. It was like he knew that we’d end up together.”

“Did the lines work?” Harry asked.

“They didn’t, but look where we are now.” The old lady smiled at her husband.

“We’ve been married for 60 years.” The old man proudly said.

“Are you each other’s greatest love?” Harry asked.

“I’d say we are.” The old man responded as the old lady nodded in agreement.

“We are.”

“So, for you, what is great love?” Harry asked. That was the important question. He needed that to be answered.

“Great love is loving someone unconditionally. No matter what happens between the two of you, you’ll still love them.” The old lady answered. “Right?” She looked at her husband.

“Right.”

Harry sits behind the camera as he watches the old man sit comfortably in his seat. The old man nods at Harry, signaling that he’s ready to be interviewed. Harry smiled softly and started recording.

“Please tell me your name, sir.”

“My name is Henry and I’m 82 years old.” Henry, the old man, said. Harry nodded before looking down on his notebook to write Henry’s name and age. After doing so, he read the question that he wrote there earlier.

“Who is your great love?” Harry asked.

“That’s easy; it’s my wife.” Henry answered with a sweet smile. “She’s the loveliest person you’ll ever meet and she makes the most delicious pancakes from scratch.”

“She sounds lovely.” Harry smiled. “How long have you two been married?”

“55 years this year, but this will be the first time I’ll be celebrating without her. She passed away.” Henry shared. The sadness was evident in his eyes and it made Harry sad.

“How did you two meet?”

“We met at a car repair shop. She was the mechanic and I was there getting my car fixed. She was the only girl I’ve ever been with and I have no regrets. Everyday, she loved me like there was no tomorrow. No one’s ever loved me like that and I will forever yearn for it.” Henry said, not bothering to wipe the tears streaming down his face.

“And, what’s great love for you?” Harry asked.

“For me, great love is being an all in one person for your one and only person. You’re the best friend, the sidekick, the lover; everything. When you meet your great love, you wouldn’t find anyone else.” Henry answered.

“Hi! I’m Harry Holland and I’m just popping in to say that the elderly know so much about great love. So, I asked the youth what they think is great love.”

For you, what is great love?

“I’m Amaranthine LaSpina and I’m 21 years old. They say that great love is what Jesus did for us, but I don’t know about that since I don’t believe in things like that. But in my opinion, great love doesn’t necessarily mean ‘romantic love’. It can take on many forms like friendship, family, etc. The constant factor is that they are people who care for you regardless of the decisions you made and will make. They offer you their full opinions without bias, and still support you even though you go on a different path. In summary, they want what they think is best for you without being control freaks.”

“Hiii, I’m Jaemren and I’m 15 years old. For me, great love means having an instinct, of some sort, to treat someone as part of your family even though you’re in a relationship with them or if they’re just a friend or if they’re an artist who doesn’t know you exist. You will have the sudden urge to protect them at all cost because you don’t want them to get hurt. Because if they get hurt, you feel their pain; you feel like you’re getting hurt too. Of course, you will correct them when they’re wrong and you’ll be comfortable around them because you feel at home when you’re with them, y’know? Like, there’s warmth. Great love is treasuring someone you don’t want to lose in your life and in terms of feeling it, I think reassurance is the best way.”

“Betty Montefalco, here! I’m 20 years old now and great love will always be there. It’ll always fight for you- in fact, it never slept without an argument. It’s great, it’s explosive, it’s annihilating, it could be exhausting, but at the end of the day- it’s what you want and it’s what you go back to. Even when you’re not in that headspace or happenstance anymore, it’s yearning for someone for the rest of your life; consciously, subconsciously, or unconsciously. If you’re lucky enough, maybe you’ll get to see the greatness endure and eventually flourish in this lifetime. If not, I believe you get to have that love elsewhere. Maybe in another lifetime or in a mirrored universe. I believe the people we yearn for were put in our lives for a reason and none of these people go to waste. I try to remind myself that everyday and that not everything’s figured out yet.”

“I’m Lucas and I’m 18 years old. For me, great love just boils down to understanding a person to the deepest level. It doesn’t even need to be exclusive to a romantic kind of love. True love, for me, is knowing the person in every situation. I don’t mean that the person knows your favorites or knows your deepest, darkest secrets. Knowing the person in every situation is knowing how to talk to you in times of your happiness, knowing how to keep you happy, and knowing how to be there for you in tough times without being intrusive or anything. They can sense when something is wrong about you or if you’re feeling off and they really know how to help you. They don’t even need to be your lovers or even best friends. It takes a certain kind of empathy to be able to understand someone’s emotion so well and knowing how to help you with those emotions is what I believe to be the greatest kind of love one can show to another.”

“HAHAHA, great love??? I haven’t experienced that yet. I only have my firsts, but I don’t consider them my great loves. My expectation is that hopefully we’re in the same wavelength-ish. To me, it doesn’t matter how they will be. Hopefully no sacrifices will be made. You can get great love from your friends and family. Like, you do stuff for them just because you love them. Oh, I’m 21 years old and my name is Hebe. It’s pronounced like ‘Phoebe’.”

“I’m Alessandra; 21 years old. Honestly, I don’t know what great love is. But I guess it’s something that makes someone’s world meaningful. Crushes come and go, but great love stays.”

“I’m 18 years old and my name is Dash. Great love is where you can experience the good and bad without ever getting tired nor ever get sick of the person. It’s trusting the person who you experience great love with.”

“I’m Jai and I’m 18 years old. Greatest love. As someone who ceases to exist, but lives by the quote ‘we accept the love we think we deserve’, I definitely have no idea what love truly is. In the first place, we shouldn’t even be rationalizing what it is. I once told a friend that I never believed in love. I was teased about it, but sometimes I just want someone to take me in their tender arms and cover me in dirt, cover me in roses. As gravity pulls me in their arms; I’ll feel warmth, I’ll feel safe, I’ll feel at home. Oh, to have someone be the mark of who I need to be, to have a blossoming reverie with, like the way they came in my life would feel so right. I think greatest love would make me want to twist and turn, cry and burn, but I’d like it.”

Harry sat in his room editing his ‘great love documentary’ and he’s frustrated. He couldn’t feel a thing from it. He felt as if he’s lacking some kind of passion, but he doesn’t know what it is; he can’t put his finger on it. So, he saved the video and went to the kitchen to fix himself a sandwich. While doing so, he took out his phone and called his mum.

“Harry!” Nikki happily said through the phone. “How are you?”

“I’m alright. ‘M just a bit stressed, that’s all. You?” Harry asked before putting his mum on speaker, so he can decently make a sandwich.

“I’m alright. I’m just editing pictures. How’s the documentary coming along? Is it like you pictured in your head?” Nikki asked.

“Yeah, it’s alright. It’s not finished, but it’s all coming together. The documentary isn’t the problem, though. It’s me. I feel like something’s lacking in me. Like, I don’t feel a thing while asking those ‘for you, what is great love?’ questions. When I asked old couples, I didn’t feel my heart swelling with joy and love. Is something wrong with me?” Harry explained.

“No, there’s nothing wrong with you.”

“Then, what is it? I want this documentary to work, I really do. I just want to be a great director. Not just for this project, but also in projects that I’ll do in the future. But I can’t do that if my feelings aren’t in the right mood or place. Am I making any sense, mum?” Harry sighed before taking a bite out of his sandwich.

Nikki laughed, “I definitely know what you’re talking about. Harry, darling, you’re not inspired. That’s it. You’re doing a documentary about ‘great love’, but you don’t have one yourself.”

“Do I have to find someone as soon as possible?” Harry asked. “I don’t want to put this documentary on hold.”

“You don’t have to find someone as soon as possible and you don’t have to put your documentary on hold. You’ll find someone along the way, I promise you that. Just do what you have to do.”

“How do I know if I meet the right one?”

“You’ll just know. Trust me.”

Harry sighed, “Okay. Thanks, mum.”

“You’re welcome. I love you.”

“I love you too.” Harry hung up and finished his sandwich before going back to his room to continue editing.

Harry took his time with the documentary. He needed the inspiration to continue, so he took a break from it. He was in the neighborhood with a small ball in his hand as he walked Tessa for a little bit of exercise. That’s when he saw you. You were painting a piece of cardboard as you sat on the grass. Your eyebrows were knit as you concentrated on what you were doing. He walked up to where you were and stood next to you. He removed the leash from Tessa’s collar and threw the ball. Tessa immediately ran off to find the ball and Harry finally gave you his attention.

You felt his presence next to you, but you didn’t mind him. After all, he was a stranger.

“Um, hi!” Harry spoke, causing you to look up from painting. You gave him a tight-lipped smile and said, “Hello.”

“What’re you doing?” Harry asked as he crouched down to see it better.

“I’m doing a miniature version of The Office. Right now, I’m painting the walls. So, when I put them together, it looks like an empty office. I already have the grey felt paper for the carpet flooring of the whole office. I haven’t sticked it yet because I have to cut out the exact shape of the floor if that makes sense.” You rambled as you continued painting.

“That sounds… tiring.” Harry said. He looked around and saw Tessa coming back to him. He pats her head before throwing the ball once more, making the dog leave again.

“It’s really tiring. I’m just glad that I have all the materials and the patience to make things like this. A few months ago, I did Rachel and Monica’s apartment. It was epic!” You grinned before looking at him. “What do you do?”

“Excuse me?” Harry asked, sitting down next to you to stretch his legs.

“Like, what do you do in your free time, or just in general? What are your hobbies? Anything.” You asked him.

“Oh! I, uh, I’m a filmmaker.” Harry answered. You looked at him for a while and nodded. “That’s interesting. I’ve never met a filmmaker before. I guess this’ll be my first time meeting one.”

“There’s a first time for everything.” Harry chuckled awkwardly. “I’m Harry, by the way.” He extended his hand to you.

“Like the prince?” You asked and he laughed, but nodded. “I’m Y/N.” You shook hands before you continued painting. Tessa came back with the ball and Harry took it from her before throwing it again.

“What kind of films do you make?” You asked as you carefully put the cardboard down on the spot next to you to let it dry. You grabbed another cardboard and started painting it.

“Just anything that comes to mind, really. Right now, I’m making a documentary about ‘great love’.” Harry said and you nodded.

“Why?”

“What do you mean why?”

“Why are you making a documentary about ‘great love’?” You asked. You paused painting to look at him with curious eyes. Harry looked at you and shrugged, “There’s no special reason, actually. I just want to experiment. It sucks, though. I don’t feel it and I hate that I don’t feel it.”

You nodded in understanding, “You need a muse, y’know, like an inspiration.”

“Funny. My mum said the same thing.” Harry chuckled which made you smile.

“Great minds think alike.” You giggled. “Your mum and I should hang out, then. We clearly have the same thoughts.”

“I’ll tell her.” Harry said. You both laughed and you looked at your watch. The sun was about to set and you decided it’s best to start packing up your materials. Harry helped you pack up and when you were done, you smiled at him.

“Thank you.” You said and he just grinned in return. “I have to go. It was nice meeting you, Harry.”

“It was nice meeting you too, Y/N.” Harry said. At that moment he realized that if he lets you go, he probably would never see you again. If he never sees you again, his mind will swarm with what could have been’s and what if’s. He didn’t like it already. He knew he had to decide now and he did.

“Can I have your number, Y/N?”

As cheesy as it sounds, Harry became motivated in his work again. He began to really feel things towards you and it made him soar. His mum was right. He’ll know when he meets the right person for him. Lucky for him, he found that person at 22 years old while others aren’t so lucky.

He never doubted you for one second. He knew that you were the right person for him. That’s why he confidently asked you on a date. He was delighted when you agreed to go on a date with him. Eventually, one date turned into multiple dates. You even met his family. You thought it was too soon, but he insisted on introducing his great love to his loved ones.

You and Harry didn’t have a label yet and you were still at the ‘getting to know’ stage of your ‘relationship’. Harry learned about your quirks while you learned about his likes and dislikes. It was truly an exciting experience for you because it’s different and new; it’s refreshing.

Harry was your breath of fresh air on a sunny day. He was your quiet life in the countryside. With him, you were peaceful and safe. Your life would come to a pause when you’re around him because you want to live in the moment. You were merely a passerby in this situation.

Of course, passersby come and go. People who pass through the countryside rarely stay because it would only be a matter of time until they make their way back to the hustle bustle of the city.

And it happened to you.

His name was Jack. You and Jack had a long history together, but you both went your separate ways for reasons you could barely recall. You know how people have something consistent in their lives? Jack was yours and you were his. Even if you weren’t together anymore, both of you knew that you’d have each other no matter what. You didn’t know how Jack found you, but he did. After all, that’s how fate works.

Then suddenly the life in the countryside didn’t seem as enticing as it was anymore. The air made you feel suffocated and the sun started burning your skin. Your quiet life in the countryside began to make you feel agitated. Your life desperately wanted to play, but it stayed on a pause and you feared that it would stay that way. You wanted to move on and go through the roads up ahead, but something- someone, rather, was holding you back.

You knew it was time to come clean. As much as you enjoyed and liked Harry’s company, you just couldn’t stay with him. It pained you to realize that the countryside wasn’t for you even if it seemed so perfect. But fate tied you to the city and a city person, you’ll remain. When you told Harry, he didn’t understand it. You didn’t expect him to understand immediately, but you knew that in time, he will.

And he did.

He didn’t let you go; you just left. Besides, he could never let you go. You were the best thing that’s ever happened to him. He was crestfallen for a long time, but his mum told him that things would get better. And she was right… again.

Harry moved on too, but he never forgot about you. To him, you’ll always be in his heart. He finally finished the documentary and he was happy with the outcome.

“Hi, it’s Harry! I’ve decided to add a little clip of me saying stuff that I’ve learned throughout this documentary.” Harry said with a small smile on his face.

“I’ve learned that great love is different for everyone. Great love is loving someone unconditionally and great love is also being an all in one person for your one and only person. Great love is or are people who care for you regardless of the decisions you make and will make. They also want what’s best for you. You have the urge to protect them at all costs and you treasure them because you don’t want to lose them in your life.”

“Great love will always be there; it stays. It’s what you want and will go back to, no matter what. It’s yearning someone for the rest of your life. Great love is understanding someone on the deepest level and you do things for them just because you love them. It’s something that makes someone’s world meaningful. Greatest love would make you want to twist and turn, cry and burn, but you’d like it. You’d like it because it comes with it.”

“During the process of this documentary, I’ve met my great love. I realized that all the answers that I’ve heard made sense when I met this person.”

“Unfortunately, this person isn’t in my life anymore. I used to curse life because of it, but now I get it. I was not their great love, but they were mine. What I felt for them was special and I will never feel that way for someone ever again. I now understand that just because I found great love for me, doesn’t mean that I’m their great love too. I will forever yearn for this person, but I will move on. I am moving on.”

Harry paused for a second and smiled at the camera, “Thank you for watching.”

* * * *

lol what do yall think??? i personally like how it turned out. feedback would be greatly appreciated. you are all my great loves 🤍

𝐍𝐄𝐖 𝐇𝐀𝐑𝐑𝐘 𝐇𝐎𝐋𝐋𝐀𝐍𝐃 𝐓𝐀𝐆𝐋𝐈𝐒𝐓: @thatforgottenangel @turtoix @givebuckyhisplumsnow @just-here-to-escape-from-reality @yourstrulyamour @euphorichxlland @thevelvetseries @buckymylove @more-like-reyna @aayaissaa

𝐍𝐄𝐖 𝐆𝐄𝐍𝐄𝐑𝐀𝐋 𝐓𝐀𝐆𝐋𝐈𝐒𝐓: @holland-styles @trustfundparker @calltothewild @felicityparkers @hufflepuffprincess24 @tommysparker @justasmisunderstoodasloki @quaksonhehe @call-me-baby-gir1 @itstaskeen @theonly1outof-a-billion @lost-in-the-stars03 @justafangirlduh @piscesparker @speedymaximoff @miraclesoflove @lexirv @blairscott @getbywithasmile @pqrkerr @lavender-writer @blackbat2020 @hoodpankow @bi-lmg @emmastarz

+ @leafy-holland (oml why cant i tag u??)

#harry holland #harry holland one shots #harry holland x reader #harry holland x y/n #in-a-lot-of-fandoms-tbh

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uncloseted · 3 years

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saying "people who identify as girls are girls" is not simple. at all. i mean ok i am a girl. why? because i identify as one. but why? there's nothing that unites all girls. which doesn't mean that all girls have to be exactly the same but they at least need to have ONE thing in common. i mean if people say yeah i like women, when i'm in the street i look at women not men. how do you know? how do you know who's a man and who's a woman and who's anything else? and even woke people look at someone

1and think "girl" then think, or maybe they're non binary! but they never say or maybe they're a man. never. a person who looks like me has two options: girl or one of the hundreds of non binary identities. but to be a man, I'd have to try harder. it's not enough to IDENTIFY AS. ffs I can't be the only one who sees this. and just to clarify, i sent the joke about Emily being transphobic and i sent the first two of the three asks that you answered together i forgot this. you seriously thinl that if you raise a baby completely gender neutral, like one of those "theybies" and you tell them a girl is someone who identifies as a girl a boy is anyone who identifies as a boy nb is someone who identifies as neither, that they will deep down, without taking into account any stereotypes or biological essentialism, know what gender they are? even if they end up saying I'm a girl/boy, it will be because they will be exposed to girls and boys and "choose" the one they relate most to, or even because they like how the word "girl" or "boy" sounds.

I think you're asking some really good questions here. You're raising a lot of very philosophically interesting questions about the metaphysics of gender (what does it mean to have a gender, what does it mean to be transgender, is gender a social construct or is it innate to humans, etc) and how gender, as a social construct, impacts our lives on a day to day basis. Better philosophers than I have struggled with these questions for decades, but I'll do my best not to get too into the weeds on their different theories in this post. Instead, I'll offer my thoughts on what gender is and then investigate how we interact with it on a practical level. This is likely to be a long post, so apologies in advance, but it's a complicated issue that touches everyone's lives and I want to be mindful of that while writing this. Also apologies that this is going to be a pretty binary post. I don't mean to exclude nonbinary identities from this conversation, but to illustrate the points I'm trying to make, I think it's easier to talk about binary identities first. Just know that I do think nonbinary identities are real, valid and worthy of recognition and respect. Lastly, I'm not attached to any of the views expressed in this post. They reflect my thinking at this moment in time, but that might change as I learn more about these topics. I apologize if any of the views presented here are inadvertently hurtful. That's not my intention at all, but I recognize that regardless of intention, some things can cause harm. My goal in this post is to explore some ideas, and I would love to hear other people's opinions on this topic or criticism of these ideas. The Metaphysics of Gender So, to start out with, what is gender? Why are you a girl? Why do you identify as a girl? Why does anyone, and what links those people who identify as "girls" together? Is identifying as a girl enough to be one? These are complicated questions, both philosophically and culturally, and they've become more visible as we've become more culturally aware of gender variances (recently in the West. Third genders have always existed, and do continue to exist, in many cultures around the world). In biology and philosophy, there's a concept called "homeostatic property clusters" (stay with me here, I promise I'm going somewhere with this). "Homeostatic property clusters" is basically just a fancy phrase for the idea that if a creature has enough of a certain set of characteristics, they can be defined as part of a larger category, even if they don't have all of the traits that creatures in that category might have. In the PhilosophyTube video "Social Constructs", Abigail offers the category "mammals" as an example of a "homeostatic property cluster". Mammals are creatures that have warm blood, produce milk, and birth live offspring. Humans are mammals based on these characteristics, and so are seals and giraffes. But platypuses are also mammals, even though they lay eggs instead of birthing live offspring. These three properties, having warm blood, producing milk, and birthing live offspring, tend to "cluster" together, but they don't have to all be present in order for the creature to be "a mammal"- in this case, two out of three is fine. I think gender is similar. It's a homeostatic property cluster that includes biological, psychological, and social traits. Not all of those traits must be present for a person to "be a girl" or "be a boy", but enough of them have to be present in order for the person to be considered as part of that category ("girl" or "boy"). That cluster of traits is what all "girls" have in common, even if those traits aren't exactly the same for each individual. So, then, in the context of gender, what are those traits? "Biopsychosocial traits" is all very good as an academic term, but what does it actually mean? Let's start with the biological traits, since I think they're what most people default to when talking about gender. Biological Sex and Gender One trait we might consider when talking about whether someone "is a

girl" is sex characteristics. Sex and gender are fundamentally separate concepts, but for many people, they're linked. Many cis people consider themselves cis because they were "born in the right body" or lack the desire to medically transition. They have a "subconscious sex" that matches their physical body. So I think this is a good place to start. We might ask the question, "does this person have primary or secondary sex characteristics associated with being "a girl"?" It feels like the answer should be obvious- do they have tits and fanny, or don't they? But in reality, "biological sex" itself is kind of a homeostatic property cluster. Female sex characteristics include XX chromosomes, ovaries, estrogen and gestagen, a vagina, uterus, and fallopain tubes, breasts, and a menstrual cycle. But there are people without some of these traits that are still "girls". For example, some girls don't have a menstrual cycle (due to menopause, hormonal birth control, low body weight, PCOS, etc), but they're still girls. Some girls don't have a uterus (for example, if they've had a hysterectomy), but they're still girls. Some girls never develop breasts, but they're still girls. Some girls are born with Swyer syndrome, where they have a uterus, fallopian tubes, a cervix and a vagina, but have XY sex chromosomes. They're still girls. Any one of those traits by themselves can't be enough to decide if a person "is a biological girl" or "isn't a biological girl", but if a person has enough traits in that cluster, then they can be considered part of the larger category "biological girl". That by itself is kind of a TERFy take, so I would offer that the biological trait in the cluster "girl" is "has a cluster of female sex characteristics, either naturally or artificially, or gender dysphoria resulting in a desire to acquire those sex characteristics." But that alone can't be enough to determine if someone is or isn't "a girl". If it was, it would exclude pre-medical transition trans boys, even pre-medical transition trans boys who are living their lives as boys. It's also a transmedicalist take- it would also exclude trans people who never medically transition. To me, that doesn't feel right. People shouldn't be considered "a girl" or "a boy" based on biological essentialism, the pain of gender dysphoria, or their access to medical transition. So there have to be other factors at play- other traits in the cluster. Gender as Identity On the other side of the spectrum, some people say that gender is identity. You are "a girl" or "a boy" because that's how you identify- it's how you see yourself. In this viewpoint, gender is something innate to a person, that they instinctively know about themselves. It's perhaps a "female soul" in a "male body". In your ask, you express some scepticism about this view, and I'm inclined to agree. If humans have souls, I'm inclined to think they're not gendered, since what constitutes gender varies so widely across cultures and time periods. But I do also think that "identifying as" is an important element of "being a girl". Identifying as a girl is a basic criteria for being a girl. No person who doesn't identify as a girl can be a girl. It's an innate property of "girlness", the same way that an innate property of triangles is that they have three sides. But I do agree with you that I'm not convinced it's enough to only "identify as". Other traits in the cluster have to be present, because without a physical or social transition (or at least, the desire for a physical or social transition, particularly in cases of people for whom it's not safe or possible for them to transition), a person's identification doesn't have much practical value. Gender as a Social Role If "identifying as" isn't enough, then perhaps an important part of the gender conversation is the social role that gender plays in our lives. A gender is put upon us when we're born, and people continue to expect us to fill our assigned gender role throughout our lives. Maybe what's important isn't our body

parts or our internal identity, but instead, the gender role society lets us adopt. Perhaps society has to let you adopt the gender role you identify as. Either you're perceived as a woman or you aren't, either you "pass" or you don't. Perhaps those expectations that others have of you are what defines your gender. Intuitively, this seems to be tapping into something that feels true, at least to me. "Identifying as" isn't enough because society has to acknowledge that we are who we say we are. As you say, perhaps we have to "try harder" to "be a girl" or "be a boy" than just "identifying as". But this, too, has its problems. What about trans people who can't or don't pass? Does their transness get revoked for not appearing like they're trying hard enough? And what constitutes "hard enough"? Is trying at all "hard enough", or is there a point at which you "become" your gender? How many people need to reach a consensus on your gender before that's who you "are"? Does it get revoked by one person who misgenders you? And what about people who are cis, but occasionally put into an opposite gender role because of the way they present themselves? It seems to me that relying on other people to confer gender onto us is at once too limiting and not limiting enough. Gender as Gender Expression Going off of the idea of gender as a social role, then maybe gender is how you physically express yourself to the world- how you look to others. Maybe if you choose to express yourself as a given gender (through hair, clothes, makeup, voice, etc.), that's the gender that you are (or a reflection of the gender that you are), because that's how society will gender you. But that seems insufficient as well, for a lot of the same reasons that gender as a social role does. There are people who express themselves in stereotypically "masculine" ways but who identify as girls and who are understood to be girls by those around them. Their "girlness" is not culturally taken away from them based on their gender expression (unless there's another trait within the cluster of "being a girl" that they appear to not have). A girl can wear a full face of makeup, a dress and high heels, or have a pixie cut, no makeup, and wear a flannel and Doc Martens, but that alone isn't enough to say that she's not "a girl". This is especially true now, where very few ways of presenting are viewed as inherently gendered. Dresses and skirts are no longer exclusively "a girl thing" and pants have long been gender neutral. And what constitutes "presenting as a girl" and "presenting as a boy" changes across culture, time, and based on other characteristics an individual has (like class, race, size, or level of ability). So gender expression doesn't seem sufficient by itself to determine gender identity. Gender as Behaviors and Actions (aka Gender Performativity) Okay, so gender isn't just gender expression. But what about gender as a set of behaviors, something that you do? Gender performativity is a theory presented by Judith Butler in 1990 (sorry, I know I promised I wouldn't namedrop philosophical theories, but this is important to the conversation). Butler says that gender is constructed through a set of "acts" that are in line with societal ideas of what it means to "be a girl" or "be a boy". This performance of gendered acts is ongoing, even when we're alone, and is out of our control. Butler believes that there's no such thing as a "non-stylized" act- that is to say, everything we do is an act, and there's no such thing as an act that is not perceived as being somewhere on the spectrum of masculinity and femininity (at least, not in the current world we live in). The way we stylize these acts have the possibility to change over time. So Judith Butler believes that we "do" gender rather than "being" gender- that a girl "does girlness" over time. Put another way, a girl does behaviors, actions, and expressions that are stylized as "girly", which is what makes her gender identity "girl". And this gender, "girl", is constantly being

produced as the girl produces more of those "girly" acts. Instead of having an innate gender or expressing our internal gender through the way that we present, Butler thinks our outward gendered acts create our inner gender identity. Those acts and the way we perform them are shaped from the minute that we're born, when we're thrown into a pre-existing gender category and taught that "people like us" do things "in this way". This theory offers an answer to the question we asked in the previous section about gender as presentation; someone who is dressed "masculine" can still be "a girl" because they're performing "girlness"- they're doing acts that are in line with what we think of as "a girl". Because Butler doesn't believe that you're born with an internal gender, her work is controversial in trans spaces and are sometimes thought of as being trans-exclusionary (although Butler herself is a trans advocate). But I think disagree. Presumably, a person could change the stylization of the acts they perform. A person who was performing "boy" can begin to instead perform "girl", although they did not grow up performing "girl". It may be difficult, as they haven't had the performance of "girl" thrust upon them their entire lives, and have not experienced the "oppression experiences of girlhood" that can shape the performance of "girl". But gender performance and gender socialization are a lifelong process, and so the more a person "does girlness", the more they will be perceived as "doing girlness", and the more they will be expected to "perform girlness." I think it becomes something of a feedback loop where performance feeds socialization and socialization feeds performance. What about the "theybies"? What would happen if you raise a baby completely gender neutral? What would happen if a baby wasn't thrown into a pre-existing gender category upon birth? Would they identify as a gender without taking stereotypes or biological essentialism into account? This is essentially a question about social constructs. If we raised a baby with the understanding that some people have male sex characteristics, some have female sex characteristics, and some people have a combination of both, but removed the social constructs we have around gender, would gender still exist to this child? What you've created here is a "Twin Earth" thought experiment- a hypothetical where there are two Earths that are identical in every way except for one. Our Earth has the social construct of Gender, but Twin Earth does not. Would our Theyby still have a gender if they lived on Twin Earth? I think no. They wouldn't have a context to understand the social systems that we've created around sex characteristics, and so they wouldn't be able to place themselves within those systems. They wouldn't understand why we've based our whole society around sex characteristics as opposed to something else. They would be able to identify that they have the sex characteristics associated with "boys" or "girls", but not what it means to "be a girl" or "be a boy". (If you want to dig further into this idea of Social Constructs, that PhilosophyTube video I linked above is a good place to start). They could learn, but it wouldn't be innate to them. We, however, don't live on Twin Earth. We live on Earth. And on Earth, we do have the social construct of gender. So even if you raise a child completely gender neutral, they still have a concept of what it is to "be a girl" or "be a boy". They might learn that "girls" have long hair, or wear dresses, or are nice and caring, or are emotional, or walk and talk a certain way, or wear pink, or whatever other social constructs we ascribe to the gender "girl". They might learn that "boys" have short hair, wear pants, are mischievous, are aggressive, or walk a different way, or wear blue, or whatever other social constructs we ascribe to the gender "boy". Kids who are raised gender neutral look at the physical characteristics of other kids, the gender expression of other kids, the performance of "girlness" or

"boyness" that other kids do, and compare them to the physical characteristics they have, the gender expression they like, the gender expression that's expected of them from others, the performance of gender that they gravitate towards, and the performance of gender expected of them from others, and they tend to pick the one that feels more like their category. Most kids start conceptualizing their gender identity around age 3 or 4, and that's true for kids who are raised gender-neutral as well. When they start spending more time out in the world, they notice that they're different from some kids and similar to others, and they learn the language to describe those differences. But all of this is kind of beside the point, because raising a child as a "theyby" doesn't ultimately have the goal of the child not having a gender or growing up to be agender or genderqueer. It has the goal of allowing children to develop their likes, dislikes, and views of themselves without the contribution of harmful gender stereotypes. And I think that's actually a really great goal- how many of us that were raised female were discouraged from pursuing certain interests (especially science and technology related interests) because those "aren't girl things"? Kids will be exposed to those harmful stereotypes eventually, but if a kid is raised until age 3 without them, they might be more resilient to them when those ideas are presented. And for kids who do end up being transgender, being raised without gender lets them know that they'll be accepted by their family no matter their identity. Okay, but give us some answers... what is gender? So, we've gone over a lot of things that gender isn't, or at least, a lot of things that can't exclusively constitute a gender. But where does that leave us? What does that make gender? I propose it's something like the following: There are lots of ways to have or experience a gender. In order to have a gender, a person must:

1. Identify as that gender and: 2. have a cluster of sex characteristics matching the biological sex associated with that gender, either naturally or artificially, or gender dysphoria resulting in a desire to acquire those sex characteristics AND/OR 3. socially inhabit that gender, through gender expression or gender performance, or have a desire to socially inhabit that gender

I think that covers pretty much every case I can think of. People who identify as a gender and have the sex characteristics matching that gender are cis people, regardless of their social presentation. People who identify as a gender and have gender dysphoria or who have medically transitioned are the gender they identify as. People who identify as a gender and socially inhabit that gender are also the gender they identify as, and so are people who identify as a gender and would like to socially inhabit that gender but can't due to financial constraints or safety concerns. They're just experiencing trans identity in a different way to medically transitioned people. Gender as a Social Construct Okay, so that's the metaphysics of gender, or at least, an approach to the metaphysics of gender. I want to make it clear that I'm not attached to this theory, and I don't necessarily think I'm right. This is just where I've landed in my thinking right now, and I'm open to hearing other people's opinions and criticisms. In any case, it's very abstract, very philosophical, but maybe not super practical for the other questions you're asking here, and definitely not simple. So why, in my original answer, was I making the claim that "people who identify as girls are girls" is simple, then? I was making that claim because the way we interact with other people isn't metaphysical. It's practical. And practically speaking, all you need to do is acknowledge a person the way they ask to be acknowledged. Does someone say they're a boy named Jack who uses he/him pronouns? Great, call him Jack and use he/him pronouns. Does someone say their name is Sarah and use she/her pronouns? Great, call her Sarah and use she/her pronouns. Does someone say their name is Alex and they use they/them pronouns? Great, call them Alex and use they/them pronouns. Does someone say their name is Cloud and they use ze/zir pronouns? Great, call them Cloud and use ze/zir pronouns. You don't have to understand their relationship with their gender or what their gender means at all. You can even think their gender is "cringe". But you do have to respect the way they view themselves, and acknowledge them how they want to be seen. Think about it this way- if you were at an event and someone had a nametag that said, "Hi! My name is Taylor", but when they introduced themselves, they said, "I know my nametag says Taylor, but actually I go by Riley," what would you do? You'd just... call them Riley, right? You don't need to know why they have the wrong nametag to respect that their nametag is wrong. You probably wouldn't insist on calling them Taylor because that's what the nametag says. You probably wouldn't even ask how they ended up with a nametag that was wrong. Trans people are people, and they deserve respect just like anyone else. That's why this is simple- all you have to do is listen and be respectful, even if you don't understand. Wrapping up, here's my question to you. What is it about trans people that makes you uncomfortable? Think about it honestly, and try not to default to, "it's political correctness run amok! People are offended if you breathe too loudly!" Does it feel like a challenge to your own identity, either your gender identity or your sexuality? Is it a discomfort with society changing? Is it a fear of getting something wrong and offending someone? The vast majority of trans people I've met just want to be acknowledged for who they are. They'll politely correct people who misgender them or accidentally say something transphobic. And the ones who are the most aggressive or militant are the ones who have been hurt the most by a system that won't acknowledge them for who they are. It's a plea to be seen in a world that denies them that visibility. Maybe it isn't trans people that need to become less sensitive, but us who need to become more accepting. Some resources that you might be interested in if you liked this post: The Aesthetic | ContraPoints Social Constructs | Philosophy Tube "Transtrenders" |

ContraPoints Gender Critical | ContraPoints Judith Butler's Theory of Gender Performativity, Explained

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fromtheplanethexagon · 4 years

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the robot problem: a critical look at tobecky, 5 years late

hello wordgirl fandom i am back :) and i have a lot of thoughts that i never got around to expressing before i moved on from the show. so be aware that everything i'm saying is based on my experiences during the 2012-2016 era of the fandom & state of tumblr in general, and i am not familiar with more recent fan content.

it's been over five years since the show ended, and @ifbrd reminded me (along with some great analysis) that while tobecky was super popular since before the show technically started (thanks to the play date shorts), it's pretty unhealthy in a lot of ways that tend to be excused or flat out ignored in fanworks. i'd like to reflect on that a bit (a lot); specifically, how both the show and the fandom approached this enemies-to-lovers ship, and how easily this ship can slip into uncomfortable territory if we're careless about how we interpret the ship and create fan content of it.

i will admit, i'm mostly writing this as a response to past me and my old creations - though i moved on from the show as a whole years ago, i do like taking the time to reflect on old interests once in a while, and reevaluating my thoughts on them. and this ship is probably the biggest one that still lurks in the corners of my mind once in a while, so let's go.

cherish is the word: a short positive note before a much longer negative one

i wanted to start this essay off with some positivity, because i am going to be very negative after this. tobecky was, in some ways, cute. it's obvious from the very beginning that these two characters are on pretty equal ground, even if one of them isn't aware of it. and that's part of the fun - the irony of how unaware tobey is that his nemesis/crush/person that pretty much always wins against him is someone that he completely dismisses as incompetent. i want to point this out because honestly, in general i don't like enemies-to-lovers because a lot of them use a power imbalance within the dynamic, and i hate power imbalances, especially when it comes to actual life-or-death scenarios (at least, as much as cartoons can do that). in most episodes, becky is never actually forced to go along with his wishes. she's not held in a 'date' against her will, nor is she ever really outwitted by him. i bring this up because there is one huge, uncomfortable exception, which i will get to later.

another big plus to the ship is the fact that they just... get along? even when fighting? of course we get brief moments where they just hang out and talk about paintings or whatever, but i'm talking about how much they get each other, even if they don't realize it. like the word banter, for example. been there since day one. becky loves words, and while most other people in her life don't really care (ranging from 'eh, that's cool i guess' to her brother calling it annoying), tobey gives her a chance to show off and thus treats her as a worthy adversary as herself, not because of her more generic superpowers - something that we've seen in canon that she feels self-conscious about (see: her motivation in patch game). one of the less noticed examples, to me, is "it's your party and i'll cry if I want to", because it's just - okay. they both are excluded from a social event, and while it's obvious that tobey deals with it by destroying the city, it's also pretty obvious that becky also deals with her frustration by fighting in that battle. like, yes, realistically it's just objectively bad that he's destroying buildings. but they're also providing each other with a way to work through their frustrations, first by fighting and then by talking things out, and finally by hanging out together instead of dwelling on being excluded from the party.

so it makes a lot of sense to me that many tobecky fans gravitated towards writing far-in-the-future fic, usually by implying that some growth had taken place before starting to write the ship. (there are, as far as i'm aware, 2... maybe 3 exceptions, that take the time to attempt a real redemption for him, at least when i left the fandom.) because if you take away his worst moments, either by reasoning out that he was 10 years old and a mess, or that he was a cartoon character in a cartoon world where everyone's actions are over-the-top, or by just flat-out pretending that certain episodes never happened, there's some pretty solid ground to start a ship on.

go gadget go: we all do not see it, we simply close our eyes (review of canon)

when the show began, i was the same age as the characters. a lot of other people were, too - at least in my cohort of the fandom. i think it's pretty safe to say that many of us have fond memories of the show's earlier seasons, and held on to that interest as we got older, for whatever reasons. so like, not to be all 'as an OG fan...', but i remember seeing the shorts air for the first time in 2006. i have a diary entry in july of 2009 about how i, a 12yo with no concept of the idea of 'shipping', was disappointed in the new tobey episode because i wanted more tobecky interactions. (that was robo-camping, btw, lol.) and so i remember how exciting their rivalry felt, watching them as someone literally their exact same age, and then watching that again as a nostalgic 17yo, and then uh... growing up, to put it frankly, and realizing just how unhealthy most of their interactions were.

okay what i meant to say was, this section is an overview of the relationship's canon portrayal throughout the years.

first, we have early tobecky: this includes the shorts and the first few seasons. this is their classic relationship: he likes her and takes robots on rampages to get her attention, she majorly disapproves and has fun taking him down. we've all seen the show, you know what i'm talking about. his backhanded ways of trying to find out her identity often feature prominently in the episodes, which - sigh, i've mentioned this whole issue before, but it's kind of a grey area in the whole uncomfortable-factor thing, because while trying to find out her identity is VERY invasive, it's something that like... everyone in the show tries to do, even her canon crush (scoops). on the one hand, it's really not a great look, but on the other hand, this is a cartoon meant to parody a genre in which this trope is extremely common. so i just wanna say that i have Issues and Thoughts on this aspect of their relationship, but there are other things i find more important to discuss here.

second, we have late tobecky: this is seasons 7-8. this is... a very strange and huge shift from the previous dynamic, though it's not necessarily obvious. what i mean by that is that for some reason, the show writers made it so that half of tobey’s rampages have nothing to do with his crush on wordgirl, even though that used to be the sole reason for his villainy. seriously. we have the birthday episode, where he's upset because he feels left out; wg vs tobey vs the dentist, where he's mad that he has a cavity; and trustworthy tobey, where his robot goes on a rampage... after becky accidentally makes it malfunction. the two outliers are ‘guess who’s coming to thanksgiving dinner’ and ‘patch game’, but they still differ from previous seasons because 1) his destruction is isolated to a forest far away from the city, and 2) his motive is still to impress wordgirl, but his methods are relatively tame. also he completely gives up on the secret identity thing??? i may have missed some things but i think he straight up tells her 'yeah there's no way you're wordgirl, lol' and the subject is just dropped for the rest of the show.

i also want to include 'the robot problem' here, because it's one of two season 6 tobey episodes, and follows the 'doesn't destroy buildings to get her attention' pattern: in fact, he teams up with her to try and stop someone else from going on a rampage (even if his reasons are selfish, lol).

and finally. the other season 6 episode. we have go gadget go, the bane of my time spent in the fandom. because GGG is the single episode where tobey truly manages to take away her autonomy, and proceeds to abuse that power for an extended period of time, for his own amusement. it's bad. it's Very Bad. put in the context that it's a white boy doing this to an (ambiguously) brown girl, it's REALLY REALLY BAD. and the more i look back on it, tbh, the more weirded out i am that the show not only made it seem like she wasn't affected at all within the episode, it just... forgot about it (which is not unusual for shows and especially children’s shows, but WG does make some efforts to either retain continuity or create canon reasons for why things are forgotten about). it's the kind of thing that you can't excuse and honestly you can't redeem (like at this point, you gotta ask yourself why you're spending so much effort trying to redeem this guy when becky has several other possible ships that are nowhere near this unhealthy - violet, scoops, honestly even victoria if you want another hero/villain ship, my absolute fave rarepair rose, etc).

so if you want to still ship it you have to just pretend that it never happened. (i remember trying for weeks to write something exploring the aftermath of this episode, to try and make myself feel better about it, but the more i wrote the more i realized just how traumatic this event should've been, so i eventually just dropped it.) and i brought up my own timeline of experiences earlier to point out that this episode aired eight whole years after the show started. which means that when i saw it, even though i was a huge stickler for canon at the time, i'd built up my own idea of the show and characters strongly enough to go 'yeah, no, this episode sucks and i am going to pretend that it doesn't exist'. and i think a lot of other people did too, because i really saw like... no one mention it, ever, except for some rogue fanfics over on ff dot net that already liked dynamics like that.

because here's the thing, and i don't know if people nowadays are aware of it? but i'm 80% sure (cannot find a source, so the other 20% is that it was just a rumor) that the show was originally supposed to end after season 6. and even if it's a rumor, it makes a ton of sense, because we get 1) an 'ending' to tobecky, which is a bad one, 2) a permanent wordgirl identity reveal that significantly changes one of the major dynamics in the show, 3) an episode where TJ gets to work with wordgirl and get a nice potential ending for their sibling dynamic, 4) an episode where we see Two-Brains explore life without his henchmen... the list goes on, and idk how many of these are just major stretches. but the point is. if the show had ended there, that would've been a pretty solid ending for many things, including their relationship: aka, it would prove that it was only ever heading somewhere bad, and when tobey finally has his moment of triumph, he is truly evil about it. and this provides us fans who HATE go gadget go with an easy reason to dismiss it - we can say that it was an attempt to conclude things in a way that wouldn't have happened if the writers had known they'd get more time. but despite that... it is still a canon episode.

it is odd to me how dramatically the dynamic shifts after that, though, because we seriously go from 'worst case ever, tobecky is toxic, your ship is dead' to 'no actually they get along and hang out and get ice cream together and tobey isn't even pressuring her into it, she's happy to go along with it :)' like, immediately. i never knew much about the show writers, so i don't know if the writers changed in between these seasons, but i would absolutely not be surprised if they did.

the earlier episodes are definitely problematic as well (though they pale in comparison to GGG) but i think everyone who ships it is aware considering that tobey is, yknow, a villain. from memory, he destroys buildings to get her attention, lies to her about the level of danger that people are in to trick her into spending more time with him, blackmails her into reading his poetry, and he creates a robot based on her that’s supposed to be devoted to him (but of course, all of these things backfire). not great stuff of course, but like... he’s a villain, that’s the point of his character. and considering that he’s a child these are things that can be redeemed, if done thoughtfully.

anyway, to sum up this section, the show starts off with a pretty standard 'enemies with an unrequited crush' setup, takes a really dark turn for a single episode, and then for the rest of the show takes their dynamic in a direction that makes it much, much easier to ship. as long as you ignore a lot of previous content.

wordbot: where's becky's autonomy in all of this? (misogyny)

we've finally gotten to the fandom. i recognize that a lot of this is going to come across as hypocritical considering how active i used to be re: this ship, but like... i'm a very different person now. anyway. disclaimer i guess - i don't write this to accuse all tobecky shippers of being like this - i know a lot of us aren't/weren't! but boy do i have things to point out, so without further ado:

it is very hard to ship this without allowing some bit of misogyny to slip into it. very, very hard. the entire premise of the ship involves a girl falling in love with a boy that repeatedly pressures her to date him via threats to the safety of herself and people she cares about, which... it's 2020, i shouldn't have to explain why that's terrible & a terrible example to set for children (which is why i am glad they never made it canon, tbh). best-case fan content has tobey stop pressuring her and start working to redeem himself out of an actual change of heart, which leads to becky seeing him in a new light. worst-case fan content treats his incessant pressuring and sometimes outright threats as something romantic - and even worse, romantic to the point where he deserves her attention and love as a reward for not giving up or whatever. i did see this pretty frequently for a while, especially in the earlier 2010s (didn't read much, Not My Thing At All), but i don't feel like going into detail here because of how obviously problematic it is. one medium (but still bad) case is where the fan content makes him start his redemption, but treats her liking him back as a reward for not knocking buildings over anymore. another not great case is where she tries to fix him with her love, which is a very common and very dangerous romantic trope. both are just... so incredibly unfair to her.

in content where she tries to 'fix him'... yeah i feel like it's really obvious how misogynistic that is. girls and women should not feel responsible for the evil actions of men, plain and simple. idk what else to say here i just really hate that trope and hated it back then and it just sucks! so can we not do that anymore, thanks.

in content that treats her like a reward for good behavior, there really isn't much of an explanation for what she sees in him. if she just goes 'oh wow, you're good now, i am going to fall in love with you for it' the whole thing falls flat because it makes NO sense whatsoever. we get to hear so much about tobey and his feelings and why he likes her and how he feels about it, but where is that energy for becky? why does she choose to trust him, to spend time around him, what does she enjoy about his presence? where is her getting over scoops in the process of falling for tobey? where is her telling her friends about this, confiding in them, asking them for advice? where is her choice in the matter?

win a day with wordgirl: do you guys even like becky or do you just like the idea of her (misogyny... 2!)

it was pretty standard for all fandoms the early-mid 2010s, but that's still not a good excuse for why so many tobecky fanfictions centered specifically around tobey's feelings while refusing to give becky the same level of empathy and nuance. it is true that to ship them comfortably you have to redeem him to some degree, which means spending time figuring him out and trying to find ways to pull him to the light without feeling super OOC. but ships take two people??? and there was so much potential for fanfics to explore becky's complex feelings on the matter - because she is! complex! she's heroic and kind but she's petty and has a competitive streak, she easily befriends villains but also doesn't trust them and doesn't believe they can ever really change, she's the savior of an entire planet but has feelings of inadequacy as her civilian identity and struggles with feeling like she can be successful without superpowers, she's great at the straightforward meanings and uses of words and loves reading but struggles to write passages that aren't dry as hell, it can be easily headcannoned that she's neurodivergent (special interests, issues with fitting in with her peers, taking things very literally, etc)... seriously there is SO MUCH to explore about her character, and a lot of it comes into play when you add tobey into the mix (literally ALL of the things i mentioned are explored at some point using tobey as a parallel or foil), but i rarely saw fanfiction that explored her thoughts on things further than 'he's evil but... maybe good?' or 'he's evil but... i kind of like him anyway?'.

if you want her to fall for him while being a villain, explore it!! why does she go against her morals? does she lie to herself about it to feel better? does she feel like she has to 'fix him' as part of her superhero duties to the city, and if so, how does that affect her as she tries and fails to help him? does she fall for him when she believes that he's turning good, only to feel betrayed when he starts acting worse because he feels like he can get away with it? it's such a shame that fanworks spend so little time even considering these questions, and it is absolutely a product of how deeply misogyny is/was baked into how we approach media (especially back then).

tobey goes good: but wait, i thought this show was progressive (a conclusion, i guess)

ifbrd wrote a great meta recently about how the show is a bit misogynist, despite being progressive in several ways. honestly i don't have much to add, but i'd really recommend reading through this; it makes a lot of great observations about the ways that male and female characters are presented differently through the show

i have little to add, so i'd just like to conclude with a reflection on the ship from my current viewpoint. i do think part of the reason so many of us latched onto the ship, despite how obviously problematic it was, is that the show treats a lot of things that would be serious in real life as normal or even comedic - which is fine lol, i'm not going to pretend that it's not a show for little kids, so they have to keep the tone light.

but if we, as teens/adults, decide to engage with this content in a more realistic manner, we have to be prepared to confront how messed up so many of the things going on really are. and if you still want to ship it, there's nothing inherently wrong with that! there's a lot of interesting things to explore in this ship, no matter what stage of enemies-to-friends-to-lovers you write them at, and it can be really helpful to have a space where you can explore a dynamic such as this in fiction. (speaking from experience here tbh, writing some fic for them helped me deal with complicated feelings about some ex-longtime friends.)

so to write this ship at all means that there are canon issues that you need to deal with if you want to have them end up in a healthy relationship in any manner that makes sense (unless you create an AU where none of that is applicable, which, power to you then). and i’m not saying ‘write them with a healthy endgame or you’re Bad’, not at all lol. but at least please, please take a step back once in a while to examine the dynamic that you’re writing, and please be careful about whether you mean to be romanticizing whatever behaviors you end up portraying as good.

#wordgirl #becky botsford #tobey mccallister #tobecky #tobecky critical #has anyone ever used that tag before LMAO #anyway: i may come back and reword the ending because i am not totally happy with it #but wow this is so many words. so many. send help

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kyidyl · 4 years

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Kyidyl Does Archaeology - Part 5

(as per usual, all these posts are collected under the KyidylCL tag)

Pottery and shErds

So, what are we talking about today? Well, I think the next thing is gonna be pottery. This is where we’re gonna talk about time, space, and dating a site. Because most people think that the only way to date an archaeological site is via C14. That’s not true, and actually we don’t always do it. C14 dating can have some problems, including that the wood used in the fire is likely older than the time in which it was cut down and burned. It also only goes back 50,000 years, so anything older than that won’t have any carbon isotopes (it’ll have all decayed), and we have to use other things that are more expensive. And c14 testing itself is expensive - we sent in 2 samples and it was around $500/sample so we spent about $1000 on testing. Instead, there are other ways to date a site and one of the most accurate is pottery.

See, like all other kinds of material culture (AKA, stuff people leave behind. Non-material culture is like...song and story and stuff like that.), pottery follows stylistic trends and trends in how it was made. And it does this both regionally and chronologically. Which is great, because if we find bits of one type of pottery we know is made in one place in a settlement in another place, then we know the two people traded with each other. But I have to explain something else so that determining a date from pottery makes sense.

Every area of the country has what’s called a “type site” for a given period of time. In undergrad I was lucky enough to actually get to work on the type site for the Safety Harbour period, which is Weedon Island....ironically enough there’s a Weedon Island period and Weedon Island isn’t the type site for that period so uuuhhh...yeah it’s weird lol. Anyway, a type site is a site that is considered stereotypical for a given time and place in history. Usually they’re large and well-preserved, and they’re often the first sites found in that time period/area (but not always, which is how the above weirdness happened.). And so what happens is we dig ‘em and analyze the finds and do testing on those finds. So now we know “hey, this kind of pottery comes from here and it is X years old”. Now you know when you find it in other places where and when it comes from. This is all a very generalized explanation, but I think any more is like extraneous detail you don’t need. Just know that things like type sites help us determine where and when stuff like pottery was made. Lots of literature usually exists for type sites, but I actually can’t remember the type site for this area for this time period.

We also use a term called “diagnostic”, which is used much as it is in medicine. If we find a certain thing that was only made during a specific time period or in a certain place, then it’s diagnostic. IE, a certain kind of pottery is diagnostic of the late, middle, or early Woodland. The pottery we have at our site is diagnostic of the late Woodland. Some of the lithics we thought might be a bit earlier, but honestly I think that was just misidentification by the site director bc we were in the field at the time. Lastly, identifying pottery has a few components. Color and decoration I think are easy to understand (they didn’t have glazes, but you can make different colored pottery by varying the composition of the clay and the temperature at which it is fired.). Paste and temper are the other two. IDK how modern pottery is made, but old ass pottery is made with paste - the main body of the clay, the matrix that contains the temper - and temper. Temper is stuff they’d crush up and mix in to help it not break during firing and heating during normal use. So we combine these factors to ID the pottery and thus the age of the site and trading habits of the people in question. One last thing you need to understand about pottery - ancient people used pottery the way that we use disposable things. They didn’t think it was like an important thing that had to keep safe. They’d use it until it broke and then toss it in the garbage pit and make a new one. So it’s really common and we find it all over the place, but TBH in the future pottery *won’t* be diagnostic anymore because our ceramics come in such a wide variety that we couldn’t possibly hope to narrow down time or place.

Alright, so who wants pictures? You, of course. Who *doesn’t* want pictures? Here’s some of the pottery we found:

This is the larger shard that I found in the features I’ve talked about in previous installments. You can see where I accidentally broke it. >.> Anyway it’s kind of unique bc of the light color outside and the black inside. It’s like...idk, 4 or so inches long.

This is a rim piece that I happened to find two matching sherds of. I always check the rim pieces because the patterns on them usually make them easier to fit together. Honestly I’ve got hundreds of pot sherds from this site and I don’t have the sanity to try and make pots from them.

This is the outside and inside respectively of the largest piece we have. TBH taking this thing out of its box and handling it makes me nervous because of how large it is - about the size of my hand, but I did include my earbuds for scale. The black is charring from both firing and subsequent use, and it came out of the pit feature I’ve been talking about. And do you wanna know the cool thing about the inner surface of pottery? Because they didn’t use glazes, the surface was porous and retains the unique chemical traces of what was made in them. However, the vast majority of the time those kinds of tests aren’t done because archaeology as a whole is extremely underfunded and trace chemical analysis of pot residue is an expensive test requiring expensive equipment and expensive scientists. Funnily enough I probably could do some of this testing bc I used to be premed and so I’ve taken a lot of chemistry and know how to read a mass spec thing, but I don’t have access to the chemicals or tools to do these kinds of tests. Plus, they’re often destructive...which....I mean...there’s so much pottery that it doesn’t really matter if one piece gets destroyed but like you do still have to be careful *which* piece you destroy.

Anyway, you also can see the striations on the outside piece, and that’s decoration on the pot. It probably also helped with gripping it. This is a piece of Shepardware, which is diagnostic of the late Woodland period in the Shenandoah valley. Here’s some more cool pottery:

This is a random assortment of the kind of stuff we regularly pull out of the ground when it comes to pottery. The most common kind we have is the orange on one side black on the other (3 upper rt pieces), whiteish (upper left 2), orange on both sides (lower left 3) and totally black (lower right 3). All of ‘em are some variety of shepard or pageware. You can see the texture on a lot of them, too. We have a good mix of textured and untextured, and that’s why the composition of the pottery is more diagnostic than the decoration. Frankly, people can and will put whatever design they think looks cool. But they made that particular design by wrapping twine around the end of a flat stick and pressing it into the surface of the wet clay. I also chose those two upper right pieces because they have really visible temper. Here’s a side shot of one of them:

You can see how big the bits are compared to my fingers (yeah, there’s dirt under my nails....I haven’t taken some tweezers to them yet after working on the car.). And...wait, I WAS going to try to describe this to you but then I was like “no, they deserve better” and I broke out my DSLR and my macro lens and took some pics. Here are some macros of the temper:

The white balance is a little off on the top one...the bottom one is more true to color (they aren’t the same piece of pottery, but they are a similar color). So you can see that it’s crushed up limestone. Pardon the depth of field on those...I had to open the aperture pretty wide to get one that wasn’t blurry bc I don’t exactly have bright lights in my room.

Anyway....so that’s the pottery we’ve gotten at the site and what we can learn from it. It’s going to take some time before we can start determining patterns and whatnot in regards to style, but we do have some evidence of trading here because some of the pottery we have is from the piedmont culture....

...wait, let me explain what that means. When archaeologists need to describe a group of people who existed in a given place in a given time based on similarities in material culture regardless of ethnic and social grouping we call it a culture. This is different than the standard meaning of the world culture, or even the way a cultural anthropologist would use the word. So when I say the piedmont culture, I mean people that lived in the general area of the Piedmont plateau during the late woodland. They were of varying tribes, languages, etc. And we do this to describe the extant boundaries of cultural influence of particular trends in physical objects and not the social groupings of the humans in question. So, for example, lots of people are familiar with the Clovis culture. When archaeologists use this term we mean “these are the boundaries of the places we are finding physical objects in the group we’ve named Clovis” not “everyone in this area was a Clovis person”. Like no, obviously, they weren’t. There were tons of social groups, tribes, etc. that were all distinct and different. It’s a way of mapping cultural influence via physical objects to see how far they spread and who was using them.

So, we have some piedmont stuff despite not being in the piedmont area, so we know that they were trading with those natives. If you’re interested in more detail here, this is the VDHR resource I use for IDing pottery. It looks like it came to visit you from the late 1990s, but the info is good and it’s easy to use.

Anyway, that’s it for tonight. Tomorrow is gonna be rocks and weird stuff, depending on how much I end up saying about rocks. Probably not much bc we know how I feel about rocks. ;)

#kyidylCL #archaeology #science #pottery #native pottery #native americans #anthropology

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stereden · 4 years

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Author commentary: THE BOYS FINALLY BREAKING DOWN IN SHANKS CABIN PLEASE AND THANK YOU

One of my all time favourite scenes and also one of the ones where I made myself cry writing it xD

Buggy’s breakdown had been planned from the very first moment Buggy appeared at Marineford: even without that particular clusterfuck, Buggy had just spent months in Impel Down with no news of his crew, then had to deal with the nerve wracking experience that is Monkey D. Luffy and the escape of Impel Down itself, which, honestly, would be enough to give any reasonable person a nervous breakdown (hence why it had no effect whatsoever on Luffy)

But then came Marineford, and with it multiple triggers and aggravating factors for Buggy.

Psychological/emotional factors, first: having all these escaped prisoners look to him for leadership; the realisation that his captain had had a kid and never told them; the realisation that the Rogers gathered to save the kid but couldn’t be bothered to come and save him; the setting, much too reminiscent to Loguetown and Roger’s death; a kid being held responsible for his father’s sins; the emotional toll of having oversensitive Haki and being in the middle of the biggest battlefield ever, bigger even than Edd War had been; seeing the Rogers again for the first time since Roger’s death; seeing Crocus again, with everything that happened there; being alone until Rockstar makes it there; being terrified of being recognised and hunted down again; the parallels between Roger’s death and Newgate’s attempt at going out in a blast of glory while allowing his kids to escape

Add in the physical factors: a battlefield full of giants on both side; Devil fruits aplenty rewriting the laws of physics; too much noise; too many smells; the very buildings being liable to collapse at any moment because of Devil Fruit fuckery; Buggy’s own physical state being... very not good after Impel Down; Buggy being very aware of just how small a fish he is compared to everyone else there...

Buggy’s breakdown was sealed in stone long before he decided to step in between Akainu and his prey - that part just made it even worse than it would have been. Add in Sengoku targetting him, then Blackbeard getting a bit too interested, and the fact that Buggy didn’t have a panic attack right there and then is a testament to his survival instincts, honestly.

Now Shanks, Shanks on the other hand would have been mostly fine if Buggy hadn’t been in danger. It sounds callous, putting it like this, but it’s definitely Buggy’s role in it that pushed him over the edge. Sure, he would have been very worried about Luffy, and probably would have had a heart attack or ten, but he would be nowhere as badly off as he was with Buggy in the middle of things - and, he would probably have been even more worried but a lot less on the edge of a flashback himself if it hadn’t been broadcasted.

Because this whole thing, this is way too similar to what happened to them when they were kids and being hunted down by Roger’s enemies. Having Buggy be in danger, be hurt while Shanks can do nothing but watch, is the worst form of torture, a reminder of those years they got separated and Buggy went through hell without Shanks being there to help him. And, unlike with Luffy where he can at least somewhat trust that Newgate’s people won’t let the reckless brat die on them, if only for Ace’s sake... He has no such assurances in Buggy’s case, with the exception of Rockstar, who he couldn’t be sure had made it to Marineford until he showed up on the screen. Until he saw Rockstar, he had absolutely zero assurance that someone out there was watching Buggy’s back. Worse, he knows Buggy is this close to a breakdown and has no guarantee that he’ll be able to keep it at bay until Shanks can get there. And then Buggy, who’s not exactly a crack shot with a gun, is suddenly facing a rampaging Akainu with only a gun in hand, and he somehow manages the perfect shot, but then Sengoku is about to attack him and then Blackbeard, and yeah, no, that does it, Shanks is done with everything.

Now on to the breakdown proper (after six huge paragraphs of what led to the breakdown itself xD)

It was very important for me that the breakdown take place privately, in a space that feels safe for both of them: so, of course, it had to happen in Shanks’ cabin. Not only is it isolated and you would have to go through every single Akagami + Force and Speed in order to get to them, this is a space that is basically infused with Shanks presence, which would have a soothing and comforting effect for Buggy.

They both really, really needed a hug, so of course that’s the first thing that happens in that scene. Physical reassurrance that the other is real, is here and alive.

It was also important that, while Shanks was also on edge and about to have his own breakdown, Buggy had his first: he’d been pretending to be fine for too long, but now his mask is breaking, and Shanks has already proven himself to be very, very good at pushing his own breakdown aside to care for those he loves (see: Smiling at Luffy and comforting him despite just getting his entire arm bitten off by a giant seamonster). And Shanks, objectively, has been through less, emotionally and physically speaking, than Buggy, and the best way for Shanks to help himself right now is to help Buggy.

The shower scene just had to happen, because I’m a sucker for someone crying fully clothed in the shower and someone else stepping in to comfort them scenes.

The fact that they maintain physical contact during the entire scene is very much deliberate. They are both very much codependent and tend to touch all the time whenever they meet up, but this is compounded by Buggy having just spent months alone in an unsafe environment where any touch meant pain. Buggy is very much touchstarved, and also needs the grounding effect of Shanks’ touch to prevent himself from spiralling or dissociating. In return, Shanks very much needs the reassurance that Buggy is right there, alive and breathing despite everything that happened.

Same for the sleep schedule and nightmares: it’s in part a return to habits they got while on the run (one sleeping, one keeping watch for enemies, which also means someone being there to wake you up if you’re having a nightmare) and also a way to help each other through the nightmares that they’re both going to have for a long time after this mess.

I’m also a sucker for non-sexual intimacy, so that added to that part as well.

The thing is, while both of them have crews that they love and who love them right back, and who can and do support them and help them as much as they can, the fact remain that, most of the time, the only person that can really help them is each other. It’s not just the shared past and shared trauma, though that plays a role as well; it’s also a matter of a. unconditional trust and b. their position as equal vs their position as captain over their own crews. Even if they’re not too big on authority and hierarchy within their own crews, the fact remains that their nakama are their responsabilities and they don’t want to burden them with their problem or feel like their crew needs to protect them when it’s their jobs to protect their crews.

(And also, maybe, not wanting their crews to go on a murder spree on their behalf, but that’s another matter entirely)

So the only person they can really go to when they reach their limit is each other, but because of circumstances (cough cough Garp throwing a tantrum cough cough) they hadn’t been able to see each other in person in over three years. Denden calls help, but they’re not the same. So it’s not just Impel Down and Marineford and seeing the Rogers that just hit them, it’s also over three years without seeing each other and being able to help each other through memories and nightmares both.

One of the things I really wanted to get through with this scene is that there’s no shame in having emotions, nor in expressing them - expressing your emotions is healthy! No toxic mascuilinity here, no sire! Not expressing them in a situation where it could be dangerous is one thing, but you are allowed to be vulnerable and need help and ask for it.

This is probably a much longer commentary than you expected haha but I hope you enjoyed it!

#stereden talks #one piece #dvd commentary #stereden writes #buggy the clown #akagami no shanks #Watashitachi wa Roger kaizoku desu (we still stand proud)#the breakdown scene #yes i made myself cry writing that particular scene #Anonymous

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juniaships · 4 years

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Actiontoongorlz's Top 8 Canon x OC Ships 💖💖

I've been looking at OTP/Couples memes for a while and decided that it's time for me to make my own! For an extra surprise I'm not putting Ben Tennyson x Jora Holiday on this list because I focus too much on them anyways & I want my other OCs & their loves to have the spotlight for a change. The timing couldn't be more perfect as we're close to Valentine's Day!!! If you don't support canon x oc or find my ships displeasing then move along because this is a Happy Place! 😁😁 Again these are couples that I consider my personal OTPs in regards to canon x oc. That and making more content with my ships in general! Be warned the text is long and contains spoilers for certain shows and such!!

Clarify: these are my own ocs so there's not going to be anyone else's oc/canon. I might have to save that for another post in the future! 💚 But yeah these are characters that I came up with :]

Alright I'm done ranting, let's get started!

1. Sonic x Lani: I never quite gave much thought into this pair as I should so I promise to do something with them in the future! I promise! What I appreciate about SonLani is that there's little drama, like everything is super chill because both parties are chill. It's not a big deal and they don't need grand gestures to show how much they care about each other. Unlike Preboot Archie with its carts full of poorly written romance and strangely OOC moments on Sonic's end, SonLani had a lot of time to grow, while keeping his established personality in check. They actually communicate with each other, and stick by each other thick and thin. Lani loves Sonic for who he is & has no plans on changing him. Likewise Sonic has someone he can rely on when things get tough; not to mention he can really be himself around her without going all "iLl sLOw dOWn fOr U." Plus the ship name I gave them is a huge nod to the games ^_^

2. Jason x Vanessa: A recent pair due to Vanessa being a new creation but I'm honestly in love with them right now. In-universe they are regarded as the prime example of 'Opposites Attract' in Odyssey. They didn't get along very well in Jason's first couple of months in town due to his hardheaded self and her aloof demeanor. But through events such as Blackgaard and Novacom they gradually learn to trust one another. They see each other in a different light, Vanessa realising that Jason is a lot more thoughtful than he lets on, and Jason discovering her hidden fun side and kindness. Vanessa provides challenges and a sense of normalcy Jason can enjoy away from spy business. Meanwhile Jason fulfills her thirst of adventure & simultaneous desire for a peaceful life as well as spirituality. They're a equals, regarding each other as such and not to mention the BANTER! Hard to believe a former nun can keep up with a secret agent both physically and trading barbs XD. There's also the Forbidden Love factor of Vanessa being the duaghter of Regis Blackgaard, Jason defending her because he KNOWS she is nothing like her old man. Their friendship and romance overcome so many obstacles. I can honestly say that if Vanessa was canon she'd be the type of person Jason would like to be with especially over Jillian Marshall *gags*

3. Kaysha Wallace x Leo Hamato: Now here's a ship that I want to get more into 😁😁 Honestly I love the idea of this pairing: the serious leadee x bubbly spirit! Kaysha is very perky yet understands Leo's feelings on shouldering so much responsibility (she being the oldest child in her family). She's very willing to support him because she doesn't want to see him get all weary from burden. Likewise Leo can be himself around her, and teach her to be more responsible. He doesn't doubt her potential and sees her as an equal even during those periods where she was not on par with the other ninja. Kaysha shows Leo it's okay to relax and let other people help him out and not shut everyone out. When Leo expresses his ability to give her a safe life she simply laughs it off; the way she sees it him simply there in her life is enough. The most interesting facet is their dynamic varies between shows, so you'd see different scenarios and reactions as well as similarities and differences in their romance subplot.

4. Artie x Rhodanthe: Another couple I seriously need to give more attention to, they're meant to be is the foil to Shrek and Fiona in several ways. Artie and Rho may come from different social classes but they're both searching for a purpose to prove their haters wrong. Artie lacked confidence while Rho was overconfident believing she didn't need help. Together Artie learns to stand up for not only for his kingdom and loved ones hut also for himself; Rho's pride gets tempered by Artie's kindness and willingness to compromise. Another thing I like is that Artie has someone who loves him for him not because he is attractive and of royal blood. Likewise Rho has someone who respects her in spite of her social standing & shares her beliefs in making life easier for the poor & outcasts. While both lacke the physical prowess of Shrek and Fiona they rely on each other's resourcefulness and strategic thinking to get by. Unlike Shrek and Fiona they don't get married at the end of their focus movie, resolving to figure out where to take their relationship next. They still have their own life goals and don't want to rush into a relationship which sends a pretty good message. However they have their disagreements - in fact they got a huge argument that became a plot point in Shrek Forever After - but through it all they rediscover the things that made them fall in true love with each other. I'm really loving the subplot I have planned where they forget their memories and slowly fall back in love again.

5. Finn x Alma: Surprise! Yes8 I have a Cars OC (that was originally a fanon Disney Princess) who is the niece of Tow Mater in my verse and she enters a relationship with Finn McMissile. The thing I love about this pair is that it allows Alma to use her skills to flourish, treating amd healing injured spies. She's also into travel and adventure so she can pretty much keep up with Finn. Likewise Finn realizes she is more than just a pretty face or a one-off fling but someone with the passion to face challenges head on; Finn seems to love a good challenge! But overall they'd make a nice pairing, Finn showing Alma the world and Alma showing Finn some of the more simpler things in life.

6. Alexander Paine & Qiu Jin: Well well well look at what the cat dragged in? If it isn't our first villain pairing? XD Just kidding only one half is a genuine villain. What makes this couple so unique in that their storyline goes way back to before the events of the show, he being a agent and she a mechanic. They loved each other deeply, even to the point of starting a family, but forced apart due to some troubling events. When they do get back together it's not so much a bittersweet reunion as Paine became a full villain and Qiu Jin had spent years in&out mental institution before being released There's visible pain & regret, Alexander desperately wanting a semblance of what they once had. He seeks power not just for himself for to heal her. But Jin refuses to go along with his schemes wanting nothing more than to move on and see their children. Jin is a huge Mortality Pet for him, but his own selfish desires for power is a major obstacle their love can't overcome. It's the more bittersweet of my pairings but an important one nonetheless.

7. Bruce Wayne x Nicola Holden: Ok the Brooding Guy/Gentle Girl trope is a mixed bag these days but I really like this trope in regards to Brucola. Like with Artie/Rho, Bruce and Nicola come from different social classes but has that same compassion and drive to help others. Nicola is someone Bruce can trust but at the same time she lets him know there are boundaries (aka don't use my weaknesses as a contingency plan). I also feel like Bruce needs a sort of normal love interest, while he has canon normal girlfriends most of them were pretty boring. At least with Nicola she has has a life outside being a love interest her own goals and motivations. She also loves Bruce for him, not because of his money and good looks. It's a generally healthy dynamic built on honesty & empathy. Another reason why I find this pair adorable is that it actually matches with the rest of the Trinity; you know, like how Superman is with a journalist and Wondy is with a soldier/agent. Nicola & Bruce having different ways of pursuing justice while still sharing similar moral codes. It helps that Nicola is actually a hero rather than an antihero/villain/straight villain (Bruce dating a villan would only make him look like a hypocrite). Nicola sees all facets of Bruce's life and makes the choice to stay; provides some much needed light not just in his life but also the rest of the Batfam. In turn Bruce has another connection to the normal world that is willing to be in his life and see him genuinely happy. They're mature adults who ground each other and build each other up.

8. Optimus Prime x Malina Lovelace: Okay is it just me or do I think TFA Optimus Prime needs more love? What's funny is that at first Malina didn't like the thought of being outshined by newcomers in her superhero career. Spending time with Optimus makes her realize that there's more to being a superhero than fame. Optimus doesn't look down on her, and is more than willing to work with her and appreciate her work. She becomes touched by his friendliness and aceepts him and the other Bots. At the same time Malina reminds Optimus that it's okay to make mistakes and move on, and that it's okay to cut toxic people out. I even wrote a noncanon ficlet where Malina calls out Sentinel and Blackarachnia for the way they treat Optimus. OptMalina is a romance built on respect despite the obvious differences. Not to mention they have each other's back, and they learn about each other each time. And just like with KayLeo and BatRose there's different continuities which means unique versions of the Optlina pair. The Bayverse *chortle* and Prime versions are a few I'd love to explore in the future!

Miscellaneous

- Chad Charming x Soraya Nedakh: Essentially snobby rich kid who learns to be self sufficient and see past appearances through a positive influence. Soraya helps Chad to understand that being royalty isn't just pretty clothes and parties but actually using that status to help others. And Chad actually has his views challenged: Soraya doesn't back down easily.

- Jetta x Zane: The concept of JettaZane (or A Touch Of Snow/IceMagic) is that the robot teaches the human what it's like to be human. Jetta started out as an extremely cold person and a loner, but her time with Zane - the literal ninja of ice - gradually melts her heart & she becomes more caring and accepting. So the robot programmed to be human helps the human raised to be a cold machine unlearn her toxic traits and reclaim her humanity. Also Pixane is kinda boring imo, like they're only together because they're both robots. Not very compelling if you ask me.

- Brian Crown x Kelly Arbol: The wellmeaning goofball and the beatnik poet are something I rarely see much of, but that pretty much sums up their ship. Brian may be a bit self centered but he has a heart of gold and through Kelly's influence he becomes more confident in being a worthy successor to his dad. Meanwhile Brian respects Kelly in and out costume and teaches her how to have fun. Not to mention Kelly interacts with someone outside her circle, which is a welcome change from the trope of only dating someone within your circle.

- Janus Lee x Lenora Rose: Another pair from the same show as Paine and Qiu Jin, there's not much to say on them other than it's one of the most tragic couples. Lenora died a long time ago due to circumstances beyond her & Mr. Lee's control and it's her death that was the catalyst to his gradual descent into evil. As the show goes on we see glimpses of their life together and realize that Lenora is more than the Ghost, she was someone with her own dreams and motivations. She and Janus were outcasts who found companionship in each other, and were able to build a life together using their hard-earned resources to help others. Even in the last few months of her life she didn't go down without a fight, wanting her legacy to be one of love and hope. It's her memory that may be the key to redeeming Mr. Lee in the future of A.T.O.M.

- Ben Florian x Paige: Again not much else to say but they're the antithesis of Mal x Ben. One thing that bothers me about Mal & Ben is that they are supposed to be equals when it's pretty darn obvious from the scenes they were not. With PaigeBen it's clear that they ARE equals who respect each other. Ben's agency isn't reduced to just love interest, he has someone he has good communication with and wants to see him succeed. Paige has someone who shares her interests and see her more than just that One American Newbie. They LEARN to work together without love potions involved. Plus we haven't had a commoner Disney Princess in a while so Paige fills in as someone who works her way into high status then uses that status to help others with Ben at her side.

That's enough of my Canon x OC OTPs! I hope to explore them more throughout the year :) I work hard to flesh out my OCs and their romantic storylines as if they're real 💚😌

I do have KayLeo week planned for Feb 14 to Feb 21 so don't be shocked when I start posting rottmnt stuff or art of Kaysha! Anyways these are my personal ships that I enjoy despite the lack of content I made of them, so hopefully I have the creative juices flowing to make more stuff! Final note I'm working on a platonic oc x canon meme to show that love doesn't have to be romantic. A

#canon x oc #oc x canon #otp #multifandom #actiontoongorlz #oc meme #oc x canon meme #long text tw

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wendibird · 4 years

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SPN 15X16 Observations

Alrighty folks! This week, both my TV AND internet were working! (Helped that this past week a repairperson came out and checked things out and turned out our cable box needed to be replaced because the one they’d given us was defective or something.) So, good part of that was that I was able to watch it on my actual TV! Bad news is, that meant I was left trying to take notes on my phone, which isn’t as easy for me as it is on my computer which my keyboard. But ah well. Here are my episode notes and post-watching break-down of what I thought about it.

- getting "IT" vibes

- "IT" vibes still there

- Nyooooooom

- DEAN! YOU DIDN'T TELL HIM YOU BASTARD!!!

(FLASHBACK) - Dang Dean.... "this is our life" Even then he was trying to make Sam accept it. - Poor Sammy - That's a big gun for a little kid...

- Poor (other) kid!

(Commercial thoughts) So this is the second time this season that Cas had a conversation with Dean and then left and Dean lied to Sam about it. So Sam's in the dark still.

First time I think Dean just didn't want to admit his part in Cas leaving. This time, I have a feeling he doesn't want Sam to know what Cas (probably) said about Jack. Maybe thinks Sam will try to stop the plan. And Dean wants it to happen? Because at least this time it's not them making the sacrifice? *salty*

- Dean's pretty quick to call it. (That it's not their kind of thing.)

- Ring??

- He brought the ring back

- That woke her up

- NOW he (Dean) believes her...

(Commercial) Dean is closing down connections between him and the people he usually connects with. Like, it's harder to hold onto those. Like, he's willing to let Jack go (I think) And he was ready to write off Caitlin's brother.

Also tied up with his slef image. He thought he'd taken care of it back then. She prayed on his sense of duty and shame of failure.

Interesting that the knife wasn't really there.

Could it have killed him anyway?

- "We used to keep a lot of secrets from each other."

- I still hate how Dean gets lumped up as "Sam and Dean" as if his POV is the only one important. (Reference to what Billy told Jack to get him to agree. It was pitched as if his sacrifice to take out Chuck is the only way to earn both their forgiveness. But that's only true for Dean. Not Sam.)

- Dean knows Sam isn't going to like it. That's why he hasn't told him yet.

- BABA YAGA!!! (Wonder if there'll be any references to her hut on chicken legs.)

- *LOL* Poor bong girl.

- So, hallucinating or teleportation? (Apparently hallucination)

- Sammy to the rescue?

- Well, he got to help....

(Commercial) (Still disappointed that there was no mention of her hut on chicken legs or the fact that she rode around on a mortar and pestle. She felt more like an SPN interpretation of IT.)

- "You tell the truth more because you know that lies don't make anything better." (Is that an anvil I hear falling in the distance?)

- Okay. That (Dean fessing-up to Sam) predictably went horribly, but I'm glad it did. I'm glad Sam had a freaking voice. And an opinion. And wouldn't let Dean talk him around. Because he's right. It was shitty to hide it from him. And the plan is shitty. He knows what it's like to be the guy who has to die to save the world. And he's right to have ethical questions.

- "You wouldn't have handled it." (Or however it was phrased is Dean's internal justification for why he's right and Sam isn't. And why it was okay to hide it from him.)

(Post-episode thoughts)

(And again, apologies if these aren't exactly coherent.)

I liked the Weechester parts. Gotta admit, it took me a bit to warm up to the new actors, but I think that's mostly because we had Colin Ford for a good long run, and Dylan Everett for a decent amount of time too. I kind of got used to them. But these two did a good job.

I felt the writing for their parts might have had a few continuity issues. This was supposed to be in 1993 right? (Have only watched through it once so far.) So Sam would have been 10-ish (depending on the time of year) and Dean would have been 14. (Probably safe to assume this wasn't intended to be early January.) And it took place sometime after the flashbacks from "Just My Imagination" but before "After School Special" or "Bad Boys" So I found it a bit odd that Sam already is being shown as not wanting to hunt. (When in "Just My Imagination" he wanted to join his Dad and Dean on the hunt. And in After School Special he was definitely not about hunting but he hadn't seemed to considered that he even had the option to try for anything else. So I found it odd that they had a 10-year-old already looking at books about going to college. I feel like maybe if this had taken place a few years later maybe that would have made more sense? Ah well, I still enjoyed it overall.

Now, about the MOTW, I was all giddy when they revealed it was the Baba Yaga. (When I was in band in college, we played a musical piece from "Pictures at an Exhibition" titled "The Hut of the Baba Yaga". And I hadn't heard of it before that so I did some research on it and found out it was basically the Russian folklore version of the Boogy Man. She lived in a hut that walked around on fowls' leggs, and she rode around on a mortar and pestle, and she was greatly feared. So, they got the "greatly feared" part right. But.... (just did some double-checking on the episode) OKAY! So, I take it back. They didn't make a HUGE deal of it, but the motel where it all happened was called the "Rooster's Sunrise". So yey! They did have a nod to the Hut on Fowl's Legs thing! And it's not anything close to a hut, but it does have wooden siding on the upper part of it. (Like, not painted wood, but wooden-wood. *LOL*) Still though, overall I was getting more of an "IT" vibe from it. (At least the old IT, with Tim Curry. I haven't seen the new one.)

I did think they did an overall good job with the creepiness factor. But in the end, it didn't feel like she had much of a personality. She was just kind of there to move the plot where it needed to go.

To me, I felt like most of the emotional weight of the episode was on the secret Dean was keeping from Sam. And you could tell that it was eating at him. But at the same time, he didn't want to go there. Because he knew Sam would react badly.

Before I get to that though, I want to touch on something I mentioned up in my notes, after the conversation Billy and Dean had. She said that she'd gotten Jack to agree to the plan by saying that the only way to earn their forgiveness was by dying to end Chuck's threat. (I know, in this episode she specifically said Dean. But in the last episode, when Jack was telling Cas about it, he'd said Sam and Dean. So either he's merged them together in his head, or Billy did when pitching it, or she just left an open implication and he took it.) Either way, there's still that idea floating around out there that Sam and Dean are a matched-set, and that what one wants, the other wants too. Despite the fact that that's not how it plays out. And despite the fact that Sam has pretty openly shown Jack that he's forgiven him, and cares about him, and that Jack doesn't need to "earn" his affection. So why is Dean the only one who matters here?

Maybe it's the writers lumping them both together when convenient? But the fight between Sam and Dean at the end of this episode shows that they're not on the same page as far as Jack is concerned, so the writers DO know. Does Billy see them as a single unit? Or is it the opposite? Has she been coming to Dean with her plans and talks because it's easier for her to manipulate him? Because Sam's the one who stops to ask things like "Does Amara deserve to die? Does Jack deserve to die? Is there another way to do this? (Should I maybe NOT lock myself into a coffin and then yeet myself into the ocean?)" She was pretty firm to Dean about "getting his house in order" because she wants the plan to go smoothly. Is that because she knows Sam could/would find a way to stop it if he's not on-board? I mean, old Death was very aware of how persistent Sam could be if he put his mind to something.

Anyway, forgive my ramblings. Most of my questions don't have answers yet, but sometimes it helps to get them actually written out.

As for the fight between the brothers at the end, I'm actually glad it happened. I get where Dean is coming from. He's focused on the goal (getting out from under Chuck's control) and especially since he and Sam aren't the sacrificial lambs this time around, he's willing to let Jack do what he needs to do in order to get the job done. Especially since Jack seems to be willing.

(Though I do have issues with the fact that Jack is willing because he thinks it's the ONLY way he can earn forgiveness. But, that is yet another parallel to Sam from S5, who not only knew and accepted that he was the only one who could stop Lucifer, but that it was all apparently his fault and he needed to atone. When in fact, he was just one of MANY who'd had a hand in the Apocalypse happening. And I'd say most of the blame for it fell on the angels and demons. Both Winchesters broke seals without knowing it. Sam thought he was outright preventing a seal from being broken. But regardless... I wonder if Sam sees this too, at least from the perspective of "I know what this feels like, and it sucks, and Jack doesn't deserve this, and there HAS to be some other way!" I guess my point is, emotional manipulation can be considered a form of coersion. Letting Jack believe that this is the only way to be forgiven, holding that forgiveness over his head... how much "free will" is actually going on here if that's why he's willing to go through with it?)

Sorry, tangents. I tend to live in them. *LOL* So yeah, while I don't agree with Dean's mindset, I do get why he feels the way he does. And I'm just glad that Sam wasn't written as "a little upset but willing to let it go." Down to his bones he knows this is wrong. And he let Dean know. And I'm also glad that he's asking the questions he's been asking. It's not a weakness as Dean kind of implied. (With the whole "you can't get the job done.") Sam isn't being wishy-washy. He just cares about what's right. Chuck or no Chuck, it still matters to him. And getting what you want "by any means"... well, he's been down that road himself. He knows how that can end. And plus, he cares about Jack. Like, genuinely cares about him, as a person. Not just what he can do for them. Not because he's powerful. But for who he is.

Also, I don't know if it was intentional, or just the way it came off to me, but I feel like... well, for a lot of this season to be honest, Dean's view of what and who is "vitally important" has severely shrunk down. To like, himself and Sam. I'm not saying he'll tell everyone to go hang. But I feel like maybe as a reaction to finding out how much of their lives were "set-up" he kind of withdrew emotionally. He's more willing to let go of other people they care about. The connections he forms don't feel as strong as they used to even a season or two ago. Like, in "The Gamblers", he felt a little sorry for the other people trapped there, but he was willing to get what they needed and get out of there. Sam was the one who insisted on trying to free them too.

And speaking of Sam, at the end of last season I felt like one of the reasons why he went along with Dean's plan (to lock Jack up) despite how he CLEARLY didn't like it, and everything about it felt wrong, was that at that point in time he severely doubted his own judgement. Because by that point, so many of his decisions which had been made with good intentions and with the best information he'd had at the time wound up blowing-up in his face. (i.e. Training the AU refugees into Hunters to help them with Dean/Michael and then after with just Hunting in general only to have most of them slaughtered by Michael. And him trying to give Nick a chance because he knew what it was like to be branded as evil for things that had been done to you. And he knew what it was like to be a vessel for Lucifer. And then when Nick went off the rails and they caught him that first time, they handed him over to Donna, because he was a human so they thought they'd let human justice deal with him. And then he escaped and hurt Donatello and was trying to free Lucifer, and Sam almost beat him to death but then stopped, because he didn't want to kill him in what he felt was cold blood. (Though I'd argue self-defense would've been valid.) After which Nick hit him repeatedly in the head with a rock and almost DID free Lucifer, which Jack stopped, but that lead to Mary's death and, and, and, the list goes on. So by the time they figured out (somewhat, I don't think they ever got the full story) what happened to Mary, I think Sam was feeling like he couldn't trust his own judgement, and so he let Dean lead. And that... didn't go well.

So I'm glad that he is starting to question again. He'd started to with Mrs. Butters but then everything seemed fine, but as they found out, he should have heeded his instincts and researched her more. And now this. At the end of last season when the idea of Jack dying/being killed came up he said he wasn't okay with it, and he did run to try to stop Dean, but I feel like there's more assertiveness behind it now. He's not saying "Please don't do this!" he's saying "This is NOT okay! I'm NOT going to accept this! No!"

So, in conclusion: Overall I liked the episode, though for me anyway, most of the emotional weight came from the secret Dean was keeping and then what happened when he finally told Sam. I did however like some of the little moments, like young!Dean's line about "We made a pretty good team." and it's callback to the Pilot episode.

I'm sorry this got a bit rambly. Again.

#spn 15x16 spoilers #spn season 15 spoilers #episode review #my thoughts #tangents: i tend to live in them #sam winchester #dean winchester #young!sam winchester #young!dean winchester #weechesters #teenchesters #keeping secrets #the baba yaga

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lyriquette · 3 years

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RWBY farming au

Conceived in the Frosen Steel server, a RWBY farming / hydroponics AU. I’ll probably use some of the ideas in this for Rising Snow. Mostly background with scattered pieces of actual fic. - lilac

If people don’t mind this format, I’ll probably post similar world-building AUs in the future.

Featuring: Penny Polendina, Oscar Pine, Whitley Schnee.

Because of the freezing cold and the years of industrialization in Mantle, Mantle/Atlas soil is incredibly poor for growing plants. Most food product is imported from Vale, and in turn Atlas supports Vale in terms of sharing their technology. It's why the two Kingdoms are more modern in appearance than the other two kingdoms, not to mention that they were originally good allies during the Great War.

In this AU, Watts develops his murder machines first and ends up winning whatever contract Atlas was offering. The Penny Project is later realized by Pietro, and Pietro later resigns as he picks up on the increasing militarization in Atlas as if General Ironwood was preparing something big - and he wanted his daughter not to be involved.

Pietro decides to move down to the Crater in Mantle to facilitate that. That way no one would know about Penny. He then creates a small shop to help repair electronics and create prosthetics for the unfortunate. It’s through this change in locale that Penny learns how bad things are down at Mantle.

The main reason is food. Though Atlas and Mantle do have greenhouses, they're only able to supply food for a small amount of people - and it's usually just to the rich who want to eat fresh produce up in Atlas. The rest of the food is imported and thus expensive. In a way, food is a means to keep Mantle underneath Atlas's thumb because if its citizens don't work, they can't eat. If they quit, someone else would gladly take that job just to feed themselves and their family. Thus, a cycle of control is created where people simply can't break free of the poor conditions nor could they really complain, because to them it's happening everywhere.

The SDC is the main actor in that, given their non-essential businesses are everywhere. If they decide to forcibly close down those businesses, many many people would be out of a job and likely die. Whether the government would act or not is a coin flip - the SDC needs Mantle for labor, but Atlas could run effectively without it - they have robots for labor, the rich for funding, and a military arm in the form of Atlas Academy.

---------------

Most of the Faunus who lived in the Crater did not trust Penny and Pietro at first, but given Pietro's generosity and Penny's kind demeanor, they slowly warm up to them. The White Fang within Atlas is more of a community hub that supports each other because they can't afford to be militant; attacks of SDC buildings end up having extremely bad repercussions on Mantle Faunus which includes unofficial anti-Faunus hiring policies or firings - the whim of the SDC can easily kill a couple thousand of them from that alone.

----------------

Penny initially started this project, not because she wanted to change the world, but because her father had been getting more sick lately, getting thinner, and starting to get sores in his gums and bleeding more easily. She later on would learn that these were signs of malnutrition - scurvy - things that those living more centrally in Mantle or up in Atlas didn't get but was a problem now because of where they lived. Though buying vitamin supplements did help, it didn't quite replace actual food - and nutrients were often better absorbed and palated in the form of food, especially when it came to the nonessential but still important minerals.

However, she knew that things simply did not grow in Mantle. And the things that did grow were usually hardy weeds turned poisonous due to absorbing heavy metals from the ground. It was all too common to see a desperate man or woman just collapse shaking from eating too many wild weeds because they couldn't eat anything else. Maybe one day, they could plant enough weeds to help improve Mantle's soil quality, but it didn't help her dad now.

She's heard of hydroponics before. It wasn't exactly a secret; however, the science was in its infancy stages. Part of it was because people in the food importing business did not want others to grow cheap, domestic food - greenhouses were already bad enough for them. However, the main reason was that people didn't quite know what made plants succeed in growing and creating produce (farmers were the least likely people to work in permanently cold Solitas) - usually the plants failed to germinate, died drooping (overwatering), or end up growing but don't create produce (never bore fruit). Even though there was limited success, the yield would be extremely poor, and the amount of time and energy could've just be used to create another greenhouse instead.

But this was okay for Penny cause all she really had was time and energy. And it wasn't like she was selling food. She just wanted to grow produce, so her dad could eat healthier.

Her dad supported her efforts by getting the short experiment logs of the initial hydroponics projects at Atlas. And it became clear to Penny that there were many holes in that research with the main factor being that there was not an actual farmer to help with the research. And with the arrogance of Atlasian scientists (Watts being the archetypical example), who would bring a down-to-earth farmer who knew nothing of science and the like? Lacking expertise and knowing that the entirety of Atlas would be of no help, Penny sought the CCT for assistance.

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Oscar didn't particularly like farming. He wanted to become a Hunter, but his aunt wouldn't let him. Too dangerous, she said. He might end up mixing with the darker elements of Mistral because of it, not to mention the fact he’d be fighting the Grimm on a regular basis. Better to be a farmer in central Mistral with a nice stable income like how his parents and their parents and their parents' parents lived.

Still, he never complained out loud. After going to school in the morning, he helped worked the fields in the afternoon, the same as the other farmhands like his uncle and his cousins. He was living under their roof, and he knew it was hard to provide for a thirteen-year old who was just starting his growth spurt. He probably ate more than his aunt and his baby cousins combined now. And their family generously paid for his living conditions without forcing him into anything he didn't want to do.

As of late, he's been a bit happier with his lot in life. Using the CCT, someone from Solitas had contacted him in regard to farming - about how they wanted to grow things in Mantle and potentially revolutionize the lives of people there. But they couldn't due to the soil being bad. In what way, he didn't particularly know. They discussed the issue with each other through voice-chat, talking about their very different lives and even the possibility of something called hydroponics - honestly, it felt like finding a kindred spirit. And he looked forward to the days he could talk things out with his new friend.

"Hey, wait. Check this out," Oscar said as he checked the CCT forums, "Your thread got replied too."

"Really?" said a bewildered voice on the other line.

"Yeah, a Penny123 is asking about farming in Mantle too. Even mentioned hydroponics."

"...Let's try bringing this Penny in."

"You sure, Whitley?"

"Yeah. As much as I want us to keep the credit, it's not like we're going anywhere right now. Maybe this person will have new ideas."

==========

So a duo became a trio. And Whitley was right. What Penny brought to the table was the scientific expertise. She might not know how hydroponics actually worked, but she did have the means to analyze the soil content (retrofitting some of her sensors for more specialized purposes) and simply put - she was a scientist. On the other hand, Oscar had the farming expertise - he knew what soils worked well with which crop, the habits of each plant he grew, he knew what plants liked more water and which ones preferred less, and what a plant should like when it was growing well.

Whitley was the odd duck in the group. First of all, he wasn't quite doing it for altruism's sake. He was doing it because he disliked his family - and really hated the Schnee Dust Company, seeing that it's responsible for his mother's drinking, his parents' loveless marriage, Winter abandoning the rest of the family for Ironwood and the Hunters/Huntresses, and Weiss's likely plans to abandon ship on him too (he's angry at her for that, but after having Oscar to confide in, it wasn't as bad as being left alone and isolated completely.)

He's also responsible for making sure that his two partners weren't murdered in their sleep. Going this route infringes upon the interests of several major corporations including the SDC and the food import companies. Seeds and food products coming from and going to Solitas were tracked very closely. Penny is also given some chilling news from Whitley: people have tried building greenhouses at the Crater before, and all of them were destroyed without a perpetrator to be found.

The danger was serious enough that Oscar was also planning to move to Solitas to not implicate his aunt and uncle when he and Whitley finally started the project in earnest. With Penny around, Oscar potentially had a place to stay (Oscar also was like "i can do heavy lifting, the dishes, cooking, farming, etc" as part of his self-advertisement).

Even Whitley acknowledges that he himself might not be safe. One wrong move on his part - and well, if his father was able to endure nearly a decade of loveless marriage just to take over the SDC, there's no telling what he'll do when he realizes he's working against his interests.

Penny needs some time to think. She now knows that her tiny project of letting her father eat better is connected to the livelihoods of so many and also brings a lot of danger along with it. Not just to herself but to her father - her dad would also be a target if things go south. With her partners’ agreement (since it's inevitable Pietro would get wind of things since the project will be occurring in his house), Penny talks to her dad about the hydroponics / farming project. He's worried for her but understands what she wants to do - she's filled with purpose now and wants to help the people out. As much as he's scared for her and doesn't want her to do this, he can't help but feel a bit of pride about his daughter growing up. Still, he makes her promise that as soon as things start looking bad, they'll stop. They'll quit and not look back. He asks to speak to the other two, not quite realizing they're a pair of thirteen-year olds, and extracts the same promise for their sake.

------

As plans for moving and gathering soil samples are being made, Pietro starts building Floating Array.

Penny begins dragging several abandoned shipping containers to the "backyard" of their store, saying her dad needed some raw material for experimentation when in reality it's gonna be where the heart of their project is.

Weiss starts getting worried about her younger, now constantly sneaking around and speaking to the scroll in hushed tones. She overhears part of his conversation - about how he'd get in a lot of trouble for a certain course of action (directly smuggling goods in using his authority) - and worries that he's getting bullied.

Oscar tells his family that his friend found him a job working as an engineer's assistance in Solitas, and he'd like to stay there for a year. His place of employment has already paid for the transcontinental ticket.

#rwby #rwby fic #rwby au #penny polendina #whitley schnee #oscar pine #farming au #lilac writes #throws my au at the universe

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botanyshitposts · 5 years

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pls explain the news in laymans terms 😭

okay lads buckle up, this is gonna be a long one. the paper is “A phylogenomic analysis of Nepenthes (Nepenthaceae)” from Murphy et al. i’m gonna link it here, and i encourage anyone interested to read it for themselves and draw their own conclusions, but otherwise i’m gonna give an overview as i understand it.

if you do not want to see 394023 words of in-depth carnivorous plant genetics content you should start scrolling now.

so. Nepenthes is a carnivorous plant family colloquially known as ‘asian pitcher plants’ or ‘monkey cups’. it’s one of the largest carnivorous plant families in the world, and without a doubt one of the most diverse, but we’ll get to that in a minute. these plants have pitchers that fill with fluid and digest bugs alive (important note in terms of nep anatomy 101: unlike venus fly traps or sundews, Nepenthes are passive traps and don’t move or curl up or anything, just sit and watch it all unfold). their range has china and korea on the northern edge, the tip of australia on the southern edge, and most of indonesia, the philippines, and most associated landmasses encompassed between. there are a couple outliers, but for the most part these are jungle plants with a vining growth form that weaves through trees and just….eats.

now, putting aside the fact that they’re carnivorous, one of the biggest points of Nepenthes is their diversity as a family. if anyone out there remembers the term ‘adaptive radiation’ from an intro bio class, Nepenthes is THE family of adaptive radiation. in addition to common species that grow everywhere in their range, these lads can be so specialized that there are species you can only find on single specific ridges on single specific mountains on single specific islands; as you can imagine, this makes them especially vulnerable to climate change, habitat destruction, and poachers.

the most obvious point of diversity here is the pitcher traps themselves: there are hundreds of different pitcher morphologies, ranging from special peristome adaptations to bizzare patterns and colorations to the addition of fang-like structures and symbiosis with bats, ants, and rodents. the list goes on. these lads are so specialized it’s unbelievable. one might think that, in terms of figuring out how these different species are related to each other, that it would be pretty obvious, since everything is so distinctive.

but there is a problem.

they fuck.

Nepenthes as a family is established to be one of the oldest carnivorous plant families, but the 200+ species identified over the years are suspected to be the result of very recent (in evolutionary time) modern radiation. one of the most common definitions of what a ‘species’ is that i see circulated is the idea that something is a species when it can no longer breed with another species, but it’s important to realize that this is one definition of what a ‘species’ is. in the case of Nepenthes, the knowledge that a bunch of scientists have decided they are different does not stop them.

it was hoped, with the advent of DNA testing, that maybe we would be able to assemble a semi-full map of how all these species relate to one another and how they came to be (a phylogenetic tree), but as it turns out the lads fuck so much between themselves and other Nepenthes species that figuring out how they became the species they became, even with DNA, is extremely difficult. ‘breeding complexes’ not too different than what i wrote about in the fern sex triangle post a while back are a very nepenthes-esque thing to have happen.

a quote from the paper:

“These uncertainties are not unique to Nepenthes but various factors make them important in this group: the frequency of natural hybrids and apparent lack of intrinsic reproductive barriers between taxa, the extent of intraspecific morphological variation and the reliance by taxonomists on the pitchers.”

in short, these plants have no control. they are not practicing safe sex. they are living lavishly in their own tropical jungle paradise with as much hedonism as a plant can muster as botanists try to connect how one pitcher might be the evolutionary origin of another while somehow all the pitchers are either functionally the same or radically different.

which brings us to this study. when people compare DNA, they’re rarely comparing the entire genome (although that can be done), but rather they identify a set of consistently mutable genes that are present across an entire subsection of life, and look at just those genes at just their locations on various chromosomes. instead of trying to find a couple genes fit to compare plants across the Nepenthes genus, as past studies did, this study took and applied a set of DNA probes developed previously to compare 353 genes present across the entire subkingdom of flowering plants.

as you can imagine, this provides a significantly larger set of data to work with. sure, it’s not perfect and this take will need more research to confirm (basing the entire Nepenthes phylogenetic tree off of a single study is a dangerous game, especially when things are so saucy in the forest), but it’s significantly better than the results past Nepenthes phylogenetic analyses generated, where researchers were able to see some general outlines and attempted to sort the genus into a few groups, but were ultimately unable to see where species themselves split and what their relations to each other were (you know, because of all the sex).

so. this paper:

-obtained samples from 151 different Nepenthes species from different collectors, herbariums, and conservatories. for those familiar with Nepenthes as a hobby, Andreas Wistuba might ring a bell; he contributed some samples from his plants to this study. otherwise, the KEW botanical gardens is more ubiquitously recognized donor.

-for more common species, more samples were taken from different places to account for different populations.

-another quote from the paper that i think is interesting on multiple levels: “We also include two unpublished species, N. sp. Anipahan and N. sp. taminii. The former, from Palawan, is discussed by McPherson (2011) and may be a synonym of N. leonardoi. The latter is an undescribed species from Sumatra that has been circulating amongst Nepenthes growers and resembles N. rhombicaulis but is perhaps distinguished by its leaves. Also sampled here are N. echinostoma Hook. f., a commonly collected plant usually considered a variant of N. mirabilis, and a sample we liken to N. angustifolia Mast., a species usually considered synonymous with N. gracilis.”

i mentioned earlier that previous molecular analyses done by other people were able to see a general outline but weren’t able to see anything more distinct; the results of this paper for the most part confirm these general outlines, which means that if nothing else we have strong support for the relationship the entire Nepenthes family has to other, more closely related plant families, which the paper resolves in this tree:

note that the above tree describes the family’s relation to various other families, followed by ‘Nepenthes clade 1′ and ‘Nepenthes clade 2′. these two clades contain most of the Nepenthes genus sampled; the six species shown in red, according to the results, are considered sister species to the entire rest of the genus, separate from those two clades.

now, what personally gets me the most excited here is the plant they confirmed as being the sister species to that subsection of sister species, effectively making it the outgroup to like, literally everything else: Nepenthes pervillei, from the republic of seychelles.

yeah. you know back at the beginning of this response when i said there were some exceptions to the Nepenthes habitat range? this would be one of those exceptions. the republic of seychelles is off the coast of africa, closer to madagascar than indonesia. to be fair, there are also Nepenthes along the eastern coast of madagascar, but because Nepenthes is so strongly geographically coordinated (this paper goes on to describe clades literally just named after the countries they’re in) this is pretty goddamn cool. this species got cut off in the middle of the ocean and now looks…….like a Nepenthes, but just off enough to be kind of weird (the biggest thing i realized just…staring at pictures of it is that it doesn’t seem to have wings down the front, which to be fair isn’t required of neps but makes it look super naked as a result). forbidden uncanny valley Nepenthes cast from the fuck zone. i love it.

the other main outgroup species (the sister species to all the ‘typical’ asian species, specifically, aka clades 1 and 2) they identified was Nepenthes danseri, which is native to waigeo island in indonesia (that’s in the fuck zone, for those keeping score at home) and, i would argue, has the same kind of thin-peristomed, simple-ribbed kind of look to it that pervillei has, but it definitely looks more traditionally Nepenthes-like.

now, with that, we really get into the meat of their results here. this is the full phylogenetic tree with all tested species laid out according to their results:

i….have no idea if tumblr will let you zoom in on this pic so im just gonna write down some notes.

the color-coded names on the tree to the right match their respective habitats down in the map on the bottom left, which is neat, but it’s also interesting to see how some of these species have apparently been fucking between islands. i know this is gonna be low-res but look at this swath at the top, some of what they’ve identified as being ‘clade 1′ (mostly common, widespread lowland species):

- man………. i mean, first of all i wanna point out the lone bicalcarata branches at the top #representing, having somehow maintained their chastity despite being the sexiest of the Nepenthes.

- hookeriana being the outgroup for ampullaria seems to fit well by adorable chubbiness factor alone.

- one thing that seems weird but not totally out of character is that halfway down in yellow we see mirabilis in multiple populations in yellow, then down from there a little ways we see different mirabilis populations in green and purple and red, all but N. echinostoma and N. orbiculate, which are both outgroups. i knew it was a common species, but for some reason i wasn’t expecting it to be like………that (there’s an entire second section of them in red just below where this screenshot cuts off). like, good for them.

going down the main tree, we get into clade 2, the more specialized highland species, which are always very exciting.

there’s my personal favorite, N. villosa:

not surprised at N. edwardsiana’s relation, because how else would you be able to achieve such absolutely enormous teeth, but N. macrophylla surprises me. it’s got good teeth, but both edwardsiana and villosa are like, TEETH, you know? i guess it makes sense that it split from villosa, though.

moving from that, VERY glad that the littlest known lad, N. argentii, made it on here. i know i’ve talked about argentii on this blog before, as the Nepenthes species that was so tiny the paper describing it’s discovery warned that population counts could be skewed by the plants ‘hiding under bushes’. their tinyness, which kills me every time i look at an image of them, is somehow weird in terms of being related to N. graciliflora, which is…..pretty normal sized. same with N. armin. makes me wonder how the hell they got so tiny.

of course we can’t leave out the group with the largest currently known species, N. attenboroughii. the hilarity of the smallest and largest Nepenthes species being a single clade apart, if not very distantly diversified down their respective evolutionary lines, is not lost on me.

N. palawanensis is a chonker, but i gotta say i wasn’t expecting it to be the sister species to the one and only megachonker, the plant literally famous for its sheer chonk. imagine being that overshadowed by your sibling.

on a more general note– the paper noted this, too –it’s interesting to see how the lowland species seem to be happier about jumping islands and being promiscuous than the highland species, which seem to clump together by location. i guess it’s not surprising, knowing how specialized some of these highland species can be; villosa, for example, is native to a single side of a single mountain, and is positioned so that the populations are hit by cool wind coming up from the sea. still, lowland species need hot and humid environments, and can be just as picky. it’s gotta be a matter of isolation.

anyway, there’s probably more i could talk about here but…man there’s a lot of data. the paper goes in-depth with how they constructed the more problematic branches, and trouble they had with some over others, confirming that we shouldn’t take this phylogenetic tree as 100% correct; things will almost certainly change or become clearer as more research is done, and phylogenetic trees in particular are known for being constructed and reconstructed time and time again.

still though, it’s like…to see these relationships at this resolution for the first time is just really fucking cool, man. this isn’t even all the species. i remember i went to a carnivorous plant conference two years ago now, and there was a lecture by researchers attempting to untangle the phylogeny of Nepenthes and coming up short aside from a low-resolution tree of some of the more major species and the relation of Nepenthes to other families, their science blocked by the sheer feral chadness on display in the tropical jungles encompassing the land between china and australia. like, i really just want to take a moment, as an end note, to appreciate that these plants fucked so much in the past couple million years that it took multiple major advancements in technology and the examination of hundreds of genes just to get an approximate look at the phylogeny. like, that’s an Isoetes level power move and im not over it

#Anonymous #long post #me reading a new nepenthes paper: *sight narrows into a tunnel* *writes for two hours*#nepenthes #carnivorous plants #asks #plont asks

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onthepageoftears · 5 years

Text

Kill Your Darlings — Ch. 2 (Jaskier x Assassin!Reader) || Witcher

A/N: Hey everyone! The second chapter is here! This also fills another box for my @thewitcherbingo sheet, as will some of the other chapters for this series.

Please don’t forget to leave comments/feedback, they are much much appreciated :)

Summary: Y/N finds out that not every assignment goes as expected...

Bingo Square Filled: Spy/Assassin

Warnings: language, mentions of death, alcohol consumption, mentions of r*pe, mentions of killing/murder, anger, violence

Words: 3,013

Support Me?

Please Don’t Plagiarize my Work!

It didn’t take long for you to make it to the city; the paths were sparse and you happened to only run into one group of Nekkers and a couple of bandits on the way there. Soon, you found yourself standing in the middle of Hierarch Square, scanning the notice board for any sign of your target.

It was late at night, but the torches in the streets lit the city up just enough for you. The square was far from empty despite the time of night; drunks stumbled along and beggars huddled under whatever they could to get some sleep. You supposed cities were meant to always be lively — but this liveliness was far from happy. It was a dark and dreary place, especially at night, when the only thing to guide you was the dim glow of the torches and the sound of whispers in the darkness.

Your eyes glazed over the notice board. It was littered with pleas for killing monsters, finding lost persons — you would keep those in mind for later. For now, your eyes only yearned for something, anything, that would lead you to your target.

Luckily, tucked in the top left corner of the notice board was a particularly bright flier. You reached up and pulled it out from underneath a missing person’s poster — your skin itched to pick that up as well, but you shook off the feeling. Rauf would want you to finish your assignment as soon as possible, no matter what.

The flier was a mess of colors and advertisement material that you didn’t care about. The first thing you saw was ‘Jaskier’ in big giant letters; then, a sketch of what you assumed to be him. You snorted at the smolder your target bore — perhaps he posed like that to make himself feel more handsome, more important. Your eyes focused on the bottom of the page. It had the date of the performance, the time, but most importantly, the place.

Kingfisher Inn. You folded up the paper and placed it in your pocket — it didn’t matter when the bard performed, only where he did it. Bards tended to stick around their venues for a while, in hopes the innkeeper would ask them to perform another night. They also tended to mooch off of their free stay there, for as long as they could.

You stepped away from the notice board and headed in the direction of the Inn. You had only been to Novigrad a couple times before, but you had to become pretty familiar with the streets. As an assassin, knowing the ins and outs of different cities was almost mandatory. Tracking a target and losing them just because you didn’t know where the hell you were was more embarrassing than it was a setback.

Thankfully, you didn’t have to wander around the streets of Novigrad too long, since the Kingfisher Inn was relatively close. You rounded a corner and just missed tripping over a passed out man — you were close to the inn, alright. And soon, the sound of unrestrained cheers echoed from the large building in front of you.

The first step of securing your target was to scope the building out. You first noted the lack of guards as you stepped into the inn, then the vastness of the space. It had a good crowd, with around twenty people sitting just on the main floor. You had seen crowds like this before, but what really struck you was the quality of the inn. It was probably one of the nicest taverns you had ever gone into; there was a proper stage where bards would perform, along with a separate somewhat higher section with even more tables. The ceilings were taller than you had ever seen, with balconies that looked over on other floors. The stage itself had large red curtains draping along the outside, with candelabras lit on both corners.

The crowd looked like they were anticipating a performance, so you tried to make your way to the second level of the inn as quickly as possible. You walked up the stairs to the somewhat higher floor and found a table in perfect view of both the stage and the rest of the tavern. As you sat down, a poster on the wall next to you caught your eye. It was the same one crumpled up in your pocket, only bigger.

“Can I get you something, dear?” The server brought your attention away from the poster.

“Um, yeah.” You tried to make your voice hold utmost enthusiasm; though you didn’t want to drink on the job, scoping out a location meant looking as natural as possible. And in a tavern, looking natural meant getting seemingly shit faced. “I’ll have a Viziman Champion. Please.”

You tried not to think of the cost of your drink as the server walked away. The pay for your jobs was usually a good amount, but it didn’t come too often. Rauf had a whole guild of assassins to deal out assignments too, and he was especially conscious of the favoritism he could show you. So, when you didn’t get assignments from him, you did some side work that people posted on their notice boards; some like the missing persons cases, others for help around farms, etc. It wasn’t a glorious amount of work, but it held you over until Rauf contacted you for another target.

“Your drink.” The server placed the drink in front of you with a smile. She gestured to the poster on the wall next to you. “Here for the show?”

You watched her from under your hood. “Yes. He any good?”

“Jaskier?” She giggled a bit, then frowned when she realized you weren’t joking. “Yes. Why, he’s one of the best around. I mean, just look at the crowd.”

“Hm.” You glanced to your left; the crowd grew twice as big since you sat down — it must have been getting closer to the performance time. You turned your gaze back to the server and leaned forward, bringing your voice just above a whisper. “I would…keep a distance from him if I were you.”

Her eyes widened in slight fear, but soon returned to a playful glint. “Ah, right. The charm of celebrity bards. I hear they’re quite handsy.”

You breathed in sharply, then sighed. “You could say that.”

The server smiled at you once more before leaving to tend to other patrons. You made a mental note to watch out for her the rest of the night, just in case she got too close to the target. The bard probably preyed on his fans, making her especially vulnerable.

In cases like these, it was important to stick to the basics of your training. Watch from a distance. Keep a low profile. Attack when the time is right. These cases usually went the same; you watched the person in their unwarranted glory, waited until they thought they were safe and alone, then attacked. The job was done quickly, quietly, with little to no issue. Patience was one of the biggest factors of the job — that, and ruthlessness. But you would have time for that later.

You were tentatively sipping your drink when a loud cheering erupted from around you. Your eyes searched the crowd, looking for the man you kept on your mind since you got this assignment. It was the sound of a lute that brought your attention back to the stage, simultaneously bringing the crowd to a low murmur of excitement. Then, a man stepped out from the side and walked to center stage.

In almost a second, you knew it was him. He wasn’t sporting the famous smoldering expression, but he had the same hair that was brushed to one side; and, even though you were relatively far from the stage, you noticed his eyes were more lively than either of the fliers showed you. He seemed…harmless.

But your mind quickly pushed that away as he started strumming his instrument. Men could easily falsify a sensitive, caring exterior. You had seen it many times with your own eyes; some men liked to be seen as kind, but behind closed doors they were monsters. Others were monsters through and through. There were cases of both, and each time, you felt the same amount of satisfaction when you got to watch them die.

You watched your target’s mannerisms through his performance. Smiling at the crowd, sending a wink to particularly beautiful women. It made your stomach rumble with anger, so much so that you finished your drink before the first song was over. For the duration of his performance, you ran a finger over the dagger you kept up your sleeve — it was a reminder of the assignment, of the reputation you needed to uphold during this mission.

Your eyes never left your target during the performance. Not when he jumped down from the stage to interact with certain audience members, or when he took a break to drink some ale. You didn’t even look away when he would casually look up towards your section of the tavern, sometimes seemingly right at you. It didn’t matter if he suspected something suspicious — so long as he didn’t bring it up to anyone else. But even if you couldn’t keep your stealth, you would finish your job, no matter who got in your way. The bard could hire a mass of professional guards and you would kill him before the sun rose.

The end of the performance could not have come quicker. You grit your teeth as soon as the crowd erupted in cries and cheers of joy; you clenched a fist as the bard bowed with a bright smile. Rauf would be disappointed at your lack of emotional control.

Save it for the kill, Y/N. You closed your eyes and bit your tongue to try and contain your anger, at least for the time being. Right now, what was important was following your target’s every move.

Your stomach dropped when you looked back to the stage — it was empty, with no sign of your target. Shit. You sat up from your spot and craned your neck, searching for the bard in the crowd of people. Instead, you saw drunk after drunk, no bard in sight.

“Looking for someone?”

Your head snapped to the person standing on the opposite side of your table. Your eyes widened slightly, just for a moment. Never, in your years of work, had a target come to you.

The bard placed his lute on the table and sat on the bench across from you, his eyes still sparkling from the performance he had given. You blinked for a moment, trying to compose yourself. This was not apart of the plan. This was never apart of the plan. You took a deep breath and leaned back against the wall behind you.

You must always be in control of the situation. One wrong move and you’re the one being killed. Or worse — made a fool of.

“Rating, from one to five. Go.”

You blinked slowly at your target. “Excuse me?”

“Rate my performance. I know you have an opinion — no one sits in the best spot of the tavern just to ‘enjoy a beverage’.”

You grit your teeth at his eagerness. He was more annoying than you could ever imagine. “Two.”

He leaned forward, waiting for you to speak. When you didn’t, he scoffed. “What, a number like that and I don’t even get a sentence explanation?”

“I’ve seen better performances from bards on the streets.”

“Okay. Ouch.” Your target turned his head just in time to catch the server from before. She was already blushing by the time she walked over to the table.

“Oh. Um. Hi! How can I help?” You narrowed your eyes at the bard, waiting for him to make a wrong move. One sharp turn, one wrong comment — you would jab him in the neck right in front of the crowd if you had to.

“I’ll have the usual. And you?” He turned to you, once again waiting for a response. You didn’t give it. He turned back to the server. “Your finest mead will do fine.”

The bard looked like he might speak again until another cheer from the crowd cut him off. He turned to look at the stage, where a group of bards had started another set. While he was distracted, you scanned his features. Your impressions of him from before were right; you noticed, as he turned to face you once again, that his eyes were a stark blue, matching the blue of his doublet. They would be mesmerizing if you didn’t have the compelling urge to stab him in the jaw.

“You look like you don’t belong here.” He said it matter-of-factly, only clicking his tongue when your eyebrows raised at his forwardness. “I mean it as a compliment. Beautiful people, such as ourselves, have no business in a city like this.”

“And why is that?”

“Novigrad is great, don’t get me wrong. But the people…” He jutted his head towards the crowd behind him, the crowd that was just calling his name and admiring his talent. “They can be quite sad.”

Your mouth twitched slightly at his ignorance. “You don’t say?”

“Cities are full of people searching for something more than what they have. But the real adventure, the real thrills — are out there.” He gestured in the air towards who knows what. “Besides, all cities are a bit dingy.”

The server returned to place the drinks in front of you, not failing to blush as she smiled at the bard.

You swallowed the lump in your throat and thumbed the handle of the knife that was positioned just inside your right sleeve. Though you didn’t expect your target to come to you, it could work in your favor. But, if you wanted to get the job done with a relative amount of stealth, you had to isolate the bard and make sure no one noticed him leave. The second part was already done; the people were too busy downing their drinks to worry about the likes of him — especially since the new bards were filling the tavern with upbeat music. You decided to swallow your pride and pull out the charm.

“Do you have a room here, bard?”

He nearly choked on his drink, wiping his mouth with the back of his hand before answering, “Do—do I? Yes, I have a room. Why—exactly, would you like to know?”

“You say this city is dingy.” You leaned forward, making more deliberate eye contact from underneath your hood. “I’m just wondering if your room is.”

The Bard’s eyes lit up, his mouth slightly ajar. He quickly closed it, composing any confidence he had left. “We could…finish our drinks first—“

“I would rather we didn’t.” It wasn’t a lie — though, you weren’t opposed to lying in favor of the greater good.

He nodded and stood from the bench, picking up his lute before giving a slight bow. “Right. Follow me.”

You followed after him, making sure no one paid you any attention. The server from before was distracted as she cleaned up a mess on the floor, and everyone else had their eyes glued to the stage. Everything was going smoothly as the two of you walked up the stairs to the next floor, where you assumed the rooms were located.

The bard kept looking back at you, sending you nervous smiles. Something about his demeanor made you question his past actions — but only for a second.

Your target led you to a room at the end of the hall; he spoke over his shoulder, “I have a…friend, he was here before, but he left. I’m only telling you because he is quite messy, so that’s why there are clothes everywhere — and, here we are.”

He held open the door for you, gesturing for you to go inside. You blinked at him until he gave in and walked inside himself. For the few seconds you stood in the doorway, you admired the similar vastness of this room to the main tavern — there was a very large bed, a nice table with nearly full bottles of alcohol on top, and a large dresser he didn’t seem to be using. But you shook the admiration away, instead walking into the room and closing the door behind you.

When you turned back around, the bard was pouring yet another drink at the table. You took a few tentative steps towards him, making sure he didn’t turn around.

He was putting the cap back on the bottle as you slid the knife out of your sleeve, and in one swift motion gripped the handle.

You let out a slow, yet sharp breath. For the twelve. Letting the anger finally fill your veins, you held the knife so the blade lined up with the length of your arm. The more fire that crackled in your fingertips, the more you wanted to get this kill over with.

For the twelve.

You lifted the blade and took your last step towards the target, holding it so you could plunge it in the side of his neck. He cluelessly hummed to himself and continued to drink from his cup.

For the twelve, you recited in your head, then pulled back your arm a bit, and, with one brisk movement, you stabbed him in the neck.

Except, you didn’t.

You frowned as you looked up to your wrist, where it was stuck midair. It took you a second too long to realize someone’s hand had stopped your wrist; it was a tight grip — a very tight grip — and just as you were about to react, the hand pushed your wrist towards you with so much strength that you couldn’t even push back. The sharp pain of your own knife being sunken into your shoulder made you cry out — but then, another pain erupted in your skull, turning everything to darkness.

———————————————————————————————————

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honhonluigi · 3 years

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I'm curious. You've said you dislike religion (which is valid as fuck and I have the same opinion), but if that's the case then why is Angie one of your favorite characters?

(I don't mean anything offensive or anything by this, by the way! If it makes you uncomfortable feel free to delete it.)

No, no, man, I totally get it. I’m sure it looks confusing from the outside. I can explain myself no problem.

I guess it’s probably important to give a little explanation of why I hate religion so much, because it’ll make more sense then. I don’t hate religion because I’m an atheist. I am an atheist because of evidence and facts. Because I want to draw my conclusions based on fact and evidence. If I saw what I thought was undeniable proof of any god’s existence, I’d change my mind. Nah, I hate religion because I was raised in a cult. Not like a “my parents were heavily evangelical/strict” way. My parents were actual official members in an actual cult, listed as a cult by government officials (though they’re considering removing it from the list which would be a supremely bad idea.) You look up all the fucked up things that cults do? Those lists of “How To Tell If You’re In A Cult?” You’re describing this religion to a tee. It gets an A+ in every aspect of cultism. It wasn’t a cape-and-fire-chanting-in-the-woods cult. Those aren’t real. This was a Christian-based cult. (Most real-life cults are. Aside from like...Scientology maybe?) But they weren’t just Christians who took it seriously, like I said. It was a separate cult religion and the entire religion is officially cited as a cult. It was just Christianity-based. See if you can guess what it is. Based on the clues I gave I’d say there’s like...two choices.

Anyway, that’s why I hate religion. Because I’ve seen and suffered first-hand all the damage that religion can cause innocent people. Not just in religious wars and acts of prejudice, but just in individual thought and life control aspects and so much fucking trauma. In torment and guilt and wasted years. In passed opportunities and ended relationships and sexual repression. Religion sucks. (In my opinion, all religions are fundamentally cults at their core. Or they would be, if the worshippers actually adhered strictly to the rules that they made. Which they usually don’t, hence why most mainstream religions aren’t thought of as cults.) I hate religion for the core principles of ‘sinning’, hell/heaven/paradise, good vs evil, thought-crime, religion-over-family, faith, not thinking for yourself, and believing whatever you’re told. That’s so damaging. But I don’t hate religion just because “lol it’s so stupid, I can’t believe people believe that shit!” or “religion is just too mainstream for me!” I can see why people would believe that in the old days, when things couldn’t be explained by science. I hate all religions, even the non-mainstream ones like wicca and shit. And I actually think studying ancient religions is really interesting. It’s an aspect of culture, and I can respect that.

What does this have to do with my opinion of Angie? A lot, actually. I didn’t just go off on a religion rant for no reason.

So, for starter’s, I don’t hate religion because I think it’s “too stupid to be believable” or that being religious is “too mainstream”, like I said. I don’t look down on religious people for being stupid, gullible, or trend-followers (more on that later.) That means that I can still respect Angie as a person, even if she’s religious. That’s important to know going forward.

But the main reason is, I hate religion, not religious people. I hate the institution of religion, any religion. I hate the ideas that it carries and the practices it puts into play. But Angie is not any of those things. She’s just a person. She’s not responsible for any of the things that any religion, including hers, will do. She just believes in it. She, as a person, is not the thing that is doing all the damage I hate so much. Maybe her religion is, but she as an individual is not.

Religious people are victims. I know. I was there. 10 years ago, I was an indoctrinated, god-obsessed homophobe, shivering in anticipation of a doomsday when god slaughtered billions of sinners. I won’t say I was different, and I always knew something was wrong about religion. No, I believed like everyone else. I was indoctrinated as much anybody. Religious people can’t help what they believe. They are the victims of peer pressure, cultural expectations, propaganda, lack of information/education, deliberate thought control, family pressures, and many other factors. Trust me when I say: they really can’t control what they believe. That’s why it’s pointless to argue with them. Their beliefs don’t come from logic. They are all victims. And I see everyone in my former cult as a victim, not an enemy. They really can’t help it. I can’t express that enough.

So it’s not Angie’s fault that she’s so deeply ingrained in a religion. It’s not a character flaw for her, and it doesn’t make her evil or bad. In fact, it makes me like her more. I feel sorry for her. I sympathize with her. I was exactly where she was when I was 13. I know to everyone else, Angie’s religion is just a caricature or a joke. But to me, it makes her character deeper, more interesting, and sadder.

Also, Angie’s not a cultist. Oh, this one makes me so mad. Everyone who says “Angie is in a cult!” or “Angie became a cult leader!” has absolutely no idea what an actual cult is like. The DR writers don’t know. The fans don’t know. It’s nothing like what Angie does. She never becomes a cult leader. Trust me. I would fucking know.

When she becomes Student Council President or w/e, the Student Council has nothing to do with her religion. She’s doing that because she believes she knows what’s best to stop people from killing each other. She’s not doing it because “my religion is right and you all need to convert!” Otherwise, she’d have done that at the start. The rules she makes, like the night time curfew, have nothing to do with religion. (Also, her rules about flashback lights and night time curfews were completely correct and were good ideas, but go off I guess.) Yeah, she might say “Atua told me to do this!” But all hyper-religious people credit their creativity, ideas, or achievements to god. Whether or not those had anything to do with religion. She’s doing it because she has ideas that she thinks can help, not because she wants to push her religion.

Case in point: in order to join her Student Council, you don’t have to believe in Atua. You don’t have to convert. K1-B0 and Himiko make that choice, but Tsumugi and Tenko don’t. And Angie doesn’t care. You’re allowed to be one of their group without sharing Angie’s religion. And once Angie’s Student Council is in power, then what? Fucking nothing. She doesn’t force anyone else to convert to her religion either. Even the people who didn’t join the student council. They’re allowed to not believe. She never approaches them being like “you have to join my religion now that I’m in power.” And she still treats Shuichi and Kaito as politely and friendly as always. (Not Maki and Kokichi, but for obvious reasons. She was right not to trust Maki, after what they learned about her.) Angie not once ever uses her power to push or pressure or threaten or force anyone to worship Atua with her. It doesn’t happen. She’s not a cult leader. If she was, it wouldn’t be optional. There would be grotesque amounts of threats, social isolation, pressure, etc even to those in her own student council if they didn’t believe. I won’t go into detail here, but trust me, it would be so fucking different if her little group actually followed the criteria for being a cult. Even when Tenko goes behind Angie’s back and escorts Shuichi into the school after dark, Angie doesn’t threaten her or oust her. She forgives her. She doesn’t say “no one is ever allowed to talk to you again” or “you have to do a horrible punishment” or “you have to die”. She just...forgives her. Yeah, she insults her a little, but she has a right to be angry after being lied to, betrayed, and used by Tenko. Still, she forgives her. Also: Tenko being in the school after dark and Angie being upset at that has nothing to do with Angie’s religion at all. The rule of not being out after dark doesn’t either.

Also, her actions before her rise to power weren’t culty either. Angie never pushed her religion on anyone. I hate people like that. People who want to force others to believe the way they do. They’re the fucking worst and the scum of the earth. Some of the worst, most evil people alive, in my opinion. Angie’s not like that. She only talked to people about her religion if they asked her. As she explained to Tenko “I wasn’t brainwashing anyone. I was just answering questions.” Himiko, Gonta, and K1-B0 asked her questions because they were curious about her religion. She answered them. When they showed interest, she kept talking to them about it. They were the ones who said they wanted to convert. She never even asked them. And then when they wanted to, she welcomed them with open arms. They approached her. All she did was speak openly and honestly with them. She never forced anyone to convert to her religion. She never even forced anyone to listen to her talk about her religion. When Kaede and Shuichi got uncomfortable about it and changed the subject, she let it fucking go. She stopped talking about it. She never made the first move when talking to someone about Atua. They always approached her first. That’s definitely not culty. That’s just a religious person being honest when they’re asked questions, or getting excited when someone shows genuine interest in their beliefs. Of course she would be excited. These are her friends, and she truly believes that her religion is correct. She would be happy to see them safely in it. In her eyes, it’s the only place where they’re safe. Also, if she was truly a bad religious person, she would think that everyone who didn’t convert to her religion deserved to die. Mark of cults. But she doesn’t. She loves all her classmates, tries to keep them safe, and prays for them when they do die. Also, she believes that they get into Atua’s kingdom simply for being good people, even when they don’t believe in him. That’s definitely not culty. A cult is like “everyone who doesn’t worship like you is always evil, and they always deserve to die, and if they don’t convert then they are not worth saving. If you don’t believe in our religion you will definitely be killed at judgement day no matter what.”

But, most importantly: Angie’s religion is not the only aspect of her character. Angie’s religion actually has nothing to do with my opinion of her. I like her because she’s cute, bright, hopeful, happy, and persistent. She’s kind and selfless and she tries her best to keep everyone happy. She’s confident in herself, even if other people ridicule her. She’s got an interesting twisted side to her, with her composure in the face of death and her desire for blood sacrifices. But that doesn’t stop her from being kind and friendly to everyone. And she’s surprisingly smart, in her own ways. And appropriately ruthless when going after her goals, which is always something I admire. (I loved that she was willing to turn on Himiko when it seemed obvious that Himiko was the culprit, instead of obnoxiously ignoring facts like Tenko. Um, hello? If Himiko is the culprit, you all die? And if she’s the culprit, she’s trying to kill everyone, which kind of gives Angie the right to revoke her friendship from Himiko, yeah?) Angie’s character goes so much deeper than her religion. As far as her religion influencing my opinion of her, it...doesn’t. I pretty much just ignore it. I love her for who she is, not what she believes.

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