#produce camp icons

[ssecretwrld]

xue bayi

for @dogscomplex !

please reblog / like, credit me if used, do not repost w/o permission :3

[wenjunting]

every so often i think about lelush

[lesbiansagainsttheatre]

its just me and my one sided parasocial beef with the artistic director of a local semi-professional community theatre company that i grew up doing summer camps at against the world

[rthko]

I recently saw a post with Fran Lebowitz saying, "a book isn't supposed to be a mirror; it's supposed to be a door," and it made me think about the state of "representation" discourse online. I thought back to an anon I once received from someone who claims to get "secondhand embarrassment" from "drag queens, leather daddies, and kinksters with pup hoods acting like they represent all gays." Many thought my response was too harsh, that I ought to show more sympathy to people who do not "relate" to nor feel "represented" by these modes of queer being. Blame it on online fandom, blame it on heteronormativity, but we are too concerned with "relatability." It is the sort of "relatability" advertising executives concern themselves with, or "relatability" of people who treat their online presence as a "brand." It is a notion I find alien to queer art and culture.

I have never done drag, nor do I consider myself a part of the leather community beyond befriending others who do and owning some gear. I do not "relate" to these expressions in any vulgar, literal sense, but they are still deeply resonant. And how many of these individuals truly "relate" to the images they peform? Drag artists and leatherfolk are purveyors of fantasy. In their daily lives, they might not be bikers, rockstars, pop divas, or mythical beasts, but they reinvent themselves through metaphors and performances. These theatrical performances are no more absurd than the quotidian performances expected by cis straight society. Larry Mitchell writes, “The faggots act out their fantasies without believing them to be real. The men act out their fantasies always proclaiming that they are real."

This could explain why literal attempts at relatability are often less resonant than campy extravogant fantasies. I once wrote a rant about how Taylor Swift is not a gay icon, and an anon smugly told me, "Taylor makes music for everyone and not just gays." Yes, I suppose she does make music for "everyone," in the same way that the Midwestern weather reporter voice is the universal accent of the English speaking world. But diva worship was never about "relating;" rather, it's about survival through the evocation of patron saints of strength and glamor. Most celebrity or mass media attempts at "relatability" are at best clueless or at worst insulting. I would much rather participate in a campy fantasy, which is in its own right more "real." Susan Sontag describes camp as the "farthest extension, in sensibility, of the metaphor of life as theater.”

I am not telling anyone to stop pushing for the recognition of diverse stories. This is crucial! But the recognition of queer stories should also come with an understanding of queer modes of resonance. When has John Waters ever produced something "relatable?" Who cares? His work resonates, in fact, more than a lot of "safe" gay media that should be all accounts be more "relatable." The "average" listener would not necessarily relate to SOPHIE. They may find her work otherwordly or downright unsettling. But she did not produce music for the "average" listener, at least not before the rest of the musical landscape dragged to catch up with her. Adam Zmith writes: "Inside SOPHIE’s words, performances and final act is the queer utopia of always grasping, always dreaming of a freer life." We are living the wildest dreams of our former, closeted selves, but we are still always grasping, never quite satiated. Queer art is not just autobiographical but aspirational. Let art be a door.

[sarahreesbrennan]

Is Elliot decently muscular and athletic to the people in the Border Camp? Does he realize this?

Absolutely yes, and absolutely no.

Elliot has two superhuman personal trainers. They are intensely motivated by his wellbeing, and he is intensely motivated by his desire to earn their affection.

... He doesn't have to do this, but he doesn't realise that. It was interesting for me to chart Elliot's development over years, both physically, mentally and emotionally. To me his outside is a mirror for his insides, as he grew more socially adept and confident and able to charm and negotiate, but still thought of himself as a social reject even while using those skills, despite the cognitive dissonance inherent. Elliot doesn't realise his deeper qualities attract people's love as he doesn't realise his surface qualities attract admiration.

Being unloved by your primary caregivers in childhood means you carry with you--despite evidence to the contrary, despite your own intelligence arguing otherwise--a deep-rooted conviction you are unlovable. And if you have a prickly personality (with that conviction, it's likely: neglect, like other forms of abuse, does not produce perfect victims) you're going to receive feedback that looks to you like more evidence to back up those beliefs, and you won't see the arguments against it. Elliot is observant as hell, but only sees a certain amount because of his blinkers.

... Also I do enjoy writing characters who are deeply oblivious, and providing the clues for my readers. Every character is a mystery in themselves! And the mystery is both tragic and comic.

To people in the Border Camp, Elliot's less impressive than on our side of the wall: they're accustomed to said superhuman personal trainers, but he is still remarkable enough to be remarked upon by their commander. That's especially significant as many of the 'humans' in the Borderlands have inhuman blood, and thus everyone's approach to 'can a human jump from a tall cliff and land unhurt' is 'that doesn't sound right, but I don't know enough about the capacities of the species to say...'

Elliot's unquestionably seen as the jock of the council course, which would disgust him if he knew. He's picked to play the homme fatale of his school play and put in revealing outfits, and the very night of the school play while still in sexy costume he sleeps with the (widely-considered) hottest girl in school. (Having already romanced the other contestant for hottest girl in school. And then goes on to hook up with the two best-looking boys. Truly a bisexual icon among the beautiful people.) Extremely fit in all senses of the word, and to those of the Border Camp being visibly athletic is especially attractive because it indicates you're more likely to survive.

To those outside the training camp, well, he gets courted by a harpy on sight ('who is that striking gentleman? I must bring him a bouquet of dead rabbits!), propositioned repeatedly by an elf, and kissed by a mermaid during their first encounter. It is fair to suspect that some of his diplomatic missions have been helped out by people responding to him with 'he's not that diplomatic but... that ass.'

To the people of our world, as Jase testifies, Elliot is clearly the product of fairly intensive athletic or military training.

I remember one post that says 'he is so tall and so ripped' and another one saying he is totally jacked and the fastest man alive.

... I endorse them both.

[vintagesffantasyactors]

Miloš Kopecký (The Fabulous Baron Munchausen, The Mysterious Castle in the Carpathians, Dinner for Adele)- I am always begging people to watch Baron Munchausen so yes I'm submitting the Baron himself! The whole movie is on Youtube and if you like vintage stuff, old cinema, romance, swashbuckling, sci fi, fantasy, Jules Verne, and animation, you'll LOVE this. Miloš is the Baron himself and is so silly and fun in this movie.

Georges Méliès (A Trip to the Moon, The Impossible Voyage, The Kingdom of the Fairies)- The man, the myth, the magician: Georges Méliès, the First Wizard of Cinema, one of the founders of 20th-century sf/fantasy media, one of the most influential filmmakers of all time. He was his own producer, director, screenwriter, production designer, and special effects inventor. And as if that weren't enough, look at him in action—a man in his 40s cavorting and leaping and frolicking like an ageless trickster god. He's always on the move, always ON, always completely invested in the bit and the trick and the story. Hot!

Note: It was a bit hard for me to find a clear still photo of Méliès actually in one of this movies, so his main photo is coming from a screen shot of one of the propaganda clips. If anyone does know of a better alternative still photo of him, feel free to let me know!

Additional propaganda:

Miloš Kopecký:

Who can play a debonair fantasy hero and an unhinged steampunk mad scientist with equal aplomb? This Czech legend, that's who. A Jewish actor who had to cope with severe bipolar disorder caused by trauma from the Second World War (his mother died at Auschwitz and he was imprisoned in a labor camp), he rose to fame as one of the greatest stars of the Prague stage. And he did iconic SF/Fantasy film roles working with Karel Zeman, Jan Švankmajer, and Oldřich Lipský.

Georges Méliès:

It's blorbo from my shows! If by "my shows" you mean "iconic works of early cinema" and by "blorbo" you mean "endlessly enthusiastic French genius". tbh if these clips don't convince you he's hot then i can't help you

French stage magician turned pioneer of cinema, an amazing polymath. He is recognized as the first filmmaker to realize the narrative potential of the medium, rather than its use for reportage. He scripted, filmed, directed, produced effects, acted, and has his own theatre and studio.

[feckcops]

What does it mean to erase a people – a nation, culture, identity? In Gaza, we are beginning to find out

“Earlier this month, Gaza’s oldest mosque was destroyed by Israeli airstrikes. The Omari mosque was originally a fifth century Byzantine church, and was an iconic landmark of Gaza: 44,000 sq ft of history, architecture and cultural heritage. But it was also a live site of contemporary practice and worship. A 45-year-old Gazan told Reuters that he had been ‘praying there and playing around it all through my childhood‘. Israel, he said, is ‘trying to wipe out our memories’.

“St Porphyrius church, the oldest in Gaza, also dating back to the fifth century and believed to be the third oldest church in the world, was damaged in another strike in October. It was sheltering displaced people, among them members of the oldest Christian community in the world, one that dates back to the first century. So far, more than 100 heritage sites in Gaza have been damaged or levelled. Among them are a 2,000-year-old Roman cemetery and the Rafah Museum, which was dedicated to the region’s long and mixed religious and architectural heritage.

“As the past is being uprooted, the future is also being curtailed. The Islamic University of Gaza, the first higher education institution established in the Gaza Strip in 1978, and which trains, among others, Gaza’s doctors and engineers, has been destroyed, along with more than 200 schools. Sufian Tayeh, the rector of the university, was killed along with his family in an airstrike. He was the Unesco chair of physical, astrophysical and space sciences in Palestine. Other high-profile academics who have been killed include the microbiologist Dr Muhammad Eid Shabir, and the prominent poet and writer Dr Refaat Alareer, whose poem, If I must die, was widely shared after his death ...

“As the ability to tell these stories publicly comes under attack, so do the private rituals of mourning and memorialisation. According to a New York Times investigation, Israel ground forces are bulldozing cemeteries in their advance on the Gaza Strip, destroying at least six. Ahmed Masoud, a British Palestinian writer from Gaza, posted a picture of him visiting his father’s grave, alongside a video of its ruins. ‘This is the graveyard in Jabalia camp,’ he wrote, where his father was buried. ‘I went to visit him in May. The Israeli tanks have now destroyed it, and my dad’s grave has gone. I won’t be able to visit or talk to him again.’

“A memory gap is forming. Libraries and museums are being levelled, and what is lost in the documents that have burned joins a larger toll of record-keeping. Meanwhile, the scale of the killings is so large that entire extended families are disappearing. The result is like tearing pages out of a book. Dina Matar, a professor at Soas University of London, told the Financial Times that ‘such loss results in the erasure of shared memories and identities for those who survive. Remembering matters. These are important elements when you want to put together histories and stories of ordinary lives’ ...

“This is what it would look like, to erase a people. In short, to void the architecture of belonging that we all take so much for granted so that, no matter how many Gazans survive, there is, over time, less and less to bind them together into a valid whole. This is what it would look like, when you deprive them of telling their story, of producing their art, of sharing in music, song and poetry, and of a foundational history that lives in their landmarks, mosques, churches, and even in their graves.”

[thethirdromana]

In honour of Doctor Who's 60th birthday, here are 60* things that I like about less popular** Doctor Who stories.

(*in multiple posts because I'm falling foul of the character limit)

(**IMDB rating of less than 7/10)

1. Susan is great in The Sensorites. She's at her absolute best in stories like this where she gets to be genuinely a bit alien and a bit weird.

2. "So," said someone at the BBC, "we're going to produce an allegory for different political systems, using insects. Choreographed by a mime artist. On a budget of about £2.50." The Web Planet might not entirely have succeeded, but my god, you have to love that they tried.

3. They introduced Jamie, the best companion, in The Highlanders! How is does this have less than a 7/10 rating, what is wrong with you people. It's Jamie.

4. I applaud the utter bonkersness of The Underwater Menace, and Patrick Troughton really gives it socks.

5. The Wheel in Space is proper 60s sci-fi: Servo-Robots, x-ray lasers, radio beams! I can practically smell Penguin mass-market paperbacks thinking about it. And with the introduction of Zoe, it completes my all-time favourite TARDIS team.

6. The Dominators contains the Quarks, who are adorable. They weren't supposed to be, but it doesn't matter.

7. Zoe is still relatively new to the TARDIS, but she has heaps to do in The Krotons. Nice having a female companion who's written as smart and capable.

8. We have entered the 70s, so with Colony in Space, we get Social Issues. Especially an Evil Mining Corporation, which are always fun.

9. More Social Issues in The Mutants, but this time they're paired with big sci-fi ideas. Ancient tablets! Strange life cycles! Love how much is going on here.

10. The Time Monster is like the Eurovision of Doctor Who. Deeply silly, but what would Doctor Who be without silliness? I'm sorry about Jo's coccyx too.

11. I love that they returned to Peladon in The Monster of Peladon, especially with the 50-year time jump. I'd like to see that kind of follow-up more often.

12. Is it not cool to love K9 any more? Well, I like my Doctor Who with a dose of silliness, and The Invisible Enemy delivered that. Every time traveller needs a robot dog.

13. The design of the Seers in Underworld is excellent, I love a brass dome.

14. Doctor Who doesn't have enough giant squidmonsters looming on the horizons. I'm glad the The Power of Kroll does something to address the deficit.

15. The Creature from the Pit gave us the line "a teaspoon and an open mind", and I appreciate it for that at least.

16. Romana wears one of her best of many splendid outfits in The Horns of Nimon.

17. I liked all the arch dialogue between the Doctor, Enlightenment and Persuasion in Four to Doomsday.

18. Heathrow airport is an underrated setting. I also appreciate how Time-Flight prominently features Concorde, making it far more 80s than they could ever have planned.

19. I don't intend this to be damning with faint praise (even though it probably sounds like it) but my favourite thing about Arc of Infinity is that we get a little jaunt through 80s Amsterdam. I do love a tram.

20. Babyfaced Martin Clunes doing his spoiled princeling thing in Snakedance is enjoyably disconcerting.

21. Terminus is tense and scary and bleak. Another one that I'd expected to be more highly rated.

22. Warriors of the Deep gives us a very solid base under siege. Silurians + Cold War is a winning combination.

23. Landing in a modern village doing a historical re-enactment in The Awakening is a witty touch.

24. I can’t say I enjoyed the idea of the Doctor’s violent moods in The Twin Dilemma, but I have to commend it as a punchy way to introduce the new regeneration.

25. The Mark of the Rani should surely get some love just for introducing the Rani: camp, delightful, iconic.

26. Herbert turning out to be HG Wells in Timelash is a lovely twist and handled well.

27. The Trial of a Time Lord is so grand and ambitious. If the show hadn't been struggling in general at this point, it would be among the all-time greats.

28. With its colour-coded gangs and faux-urban slang, Paradise Towers is gloriously of its time in a way that currently feels quite naff, but that I suspect will be fascinating to revisit in about 30 years.  

29. Delta and the Bannermen is action-packed and has one of the best titles in 80s Who.

30. Possibly the most terrifying moment in all of Doctor Who is Kane's face melting in Dragonfire. This series is nothing if it doesn't send children running for safety behind the sofa.

31. Got to love it when Who gets aggressively anti-Thatcher, and they never did it more than in The Happiness Patrol.

[linghxr]

I watched all the Chinese idol survival shows so you don’t have to (but you should anyway)

About three years ago, I watched 创造101 Produce 101 China, and it kinda changed my life. Yes, really! This show dragged me down a rabbit hole that eventually led to me watching many more Chinese shows and listening to almost exclusively Chinese music. I’m even branching out to cdramas now. All under the guise of, um, improving my listening comprehension!

OK, so “all the Chinese idol survival shows” might be an exaggeration. I’ll be talking about these three classic idol group survival shows from the “golden age” period of 2018-2021:

>> 偶像练习生 Idol Producer/青春有你 Youth with You (iQiyi)

偶像练习生 Idol Producer

青春有你1 Youth with You 1

青春有你2 Youth with You 2

青春有你3 Youth with You 3

>> 创造101 Produce 101/创造营 Chuang (Tencent)

创造101 Produce 101 China

创造营2019 Produce Camp 2019

创造营2020 Chuang 2020

创造营2021 Chuang 2021

>> 以团之名 All For One/少年之名 We Are Young (Youku)

以团之名 All For One

少年之名 We Are Young

Here is the order I actually watched these 10 seasons in:

创造101 Produce 101 China

青春有你2 Youth with You 2

创造营2020 Chuang 2020

创造营2019 Produce Camp 2019

偶像练习生 Idol Producer

青春有你1 Youth with You 1

青春有你3 Youth with You 3

创造营2021 Chuang 2021

以团之名 All For One

少年之名 We Are Young

I started 创造101 Produce 101 China in late 2019/early 2020 and finished 少年之名 We Are Young on Christmas Day 2022. I was literally tearing up. Three franchises, ten seasons, something around 1000 contestants, and three years of my life.

In order to refresh my memory for this post, I rewatched almost all of the performance clips from these shows. I didn’t watch the initial evaluations or any practice room videos (it’s simply too much content). It was simultaneously fun and exhausting. I will go over why you should/shouldn’t watch each season and give any other notable remarks. Let’s get started!

*Please note that for any YouTube links below, there is a risk of muted sections, parts/entire episodes being unavailable, and missing/out of sync subtitles. For official links, whether or not a VIP subscription is needed may change in the future. Fansubbed content may have sections or entire episodes missing.

>> 偶像练习生 Idol Producer/青春有你 Youth with You (iQiyi)

iQiyi rebranded the series by changing its name from 偶像练习生 Idol Producer to 青春有你 Youth with You after the first season. However, they really didn’t change much about the format at all. From what I’ve heard, iQiyi doesn’t have as large a budget as Tencent, which you can see reflected in the show’s production quality. However, I’ve long felt that this franchise has a real charming quality that makes up for lack of flashy sets.

偶像练习生 Idol Producer

Watch on iQiyi (English subs, VIP needed) Watch via Idol Producer Subs (English fansubs, missing part of finale)

Why you should watch it: Though not China’s first idol survival show, this show was the first of a new era. It’s iconic! The theme song is a bop, 10/10. Also, I had heard of all of the winners before I watched this season, so there’s some real cultural relevance. I can’t believe it was nearly five years ago! The whole top 20 remains iconic to this day. In most seasons, there are at least one or two popular contestants who I don’t really like or don’t see the appeal of, but that wasn’t the case this season. This season is also a lot shorter than later seasons, so it’s easier for those who are new to survival shows.

Why you shouldn’t watch it: As I mentioned, there is a lack of flashy sets/stages here. The background of the stage often looks empty. There were some performances that were better than I remembered, but there were others that were...not. I’m pretty sure 黄明昊 Justin was 15 when the show began, which shocks me in a BAD way. And if you’re a Jackson Wang fan, I think he barely appeared in the second half of the show.

My picks: 郑锐彬 Zheng Ruibin, 周彦辰 Zhou Yanchen, 蔡徐坤 Cai Xukun, 王子异 Wang Ziyi, 朱星杰 Zhu Xingjie, 周锐 Zhou Rui

Favorite performance: PPAP A组 PPAP group A This was a powerhouse group. And it was hilarious to watch the boys’ reaction when they heard the whole song and realized the style was not at all what they had initially expected! They totally pulled it off though.

Iconic moments: 蔡徐坤 Cai Xukun’s outfit (and ego) in the initial evaluation, B-A-L-A-N-C-E, when we realized 朱星杰 Zhu Xingjie can sing too, 林彦俊 Lin Yanjun's platinum hair, one of the songs was called Mack Daddy which causes me great distress to this day, 周锐 Zhou Rui aka 周美锐 Zhou Meirui, I’m still laughing over 朱星杰 Zhu Xingjie’s resemblance to 胡巴 Huba.

Verdict: Though this was not my first idol survival show, I think it would be a great first foray for anyone. It’s iconic for a reason. You should watch it (and I might rewatch it). 

青春有你1 Youth with You 1

Watch on iQiyi (English subs, VIP needed) Watch via Qing Chun You Ni Subs (English fansubs)

Why you should watch it: This season is the forgotten child of the franchise, but it still had some great performances and a lot of talented contestants. The theme song is also probably my favorite out of all ten theme songs! It was love at first listen. Personally, I enjoyed this team of mentors more than the first season’s. I also feel that the vocal-based performances were stronger this season. For instance, there were great performances of 李荣浩 Li Ronghao songs.

Why you shouldn’t watch it: I feel that some of the magic of the first season was lost, and overall the contestants were not as memorable or charismatic in my opinion. There were also several contestants I found extremely irritating and some contestants who ranked much higher and last much longer on the show than I feel they should have based on their skill level...but I won’t name names.

My picks: 夏瀚宇 Xia Hanyu, 李振宁 Li Zhenning, 周士原 Zhou Shiyuan, 连淮伟 Li Huaiwei

Favorite performance: 隔壁泰山 A组 Neighboring Tarzan group A This is a very unusal song, but it’s so catchy and memorable. 夏瀚宇 Xia Hanyu really made this performance for me. And this song still gets stuck in my head months later!

Iconic moments: 冯俊杰 Feng Junjie and 夏瀚宇 Xia Hanyu trying to outdo each other, 胡春杨 Hu Chunyang looked angry 24/7 for no reason, they literally got 蔡依林! Jolin Tsai! as a mentor, 李汶翰 Li Wenhan was everyone’s older brother, their performance made me fall in love with the song 耳朵 Erduo, they kinda did a steampunk concept which I love.

Verdict: It’s not necessarily a must-watch, but I still enjoyed it. If you’ve fallen into the black hole of survival shows and want more, I think it’s worth your time.

青春有你2 Youth with You 2

Watch on iQiyi (English subs, VIP needed) Watch on YouTube (English subs) Watch on YouTube (no English subs, missing several parts/episodes)

Why you should watch it: As iQiyi’s first time with female contestants, this season was highly anticipated. iQiyi stepped it up with subtitles, got Lisa from BLACKPINK as a mentor (I saw people say they came for Lisa and stayed for the trainees), and made a lot of content available on YouTube. As a result, some of the performances from this season have millions of views. It’s well deserved—a lot of the contestants are overflowing with talent and charisma. And honestly, you should watch this for 蔡徐坤. He’s a great MC/mentor to the girls and was truly a highlight of the season for me.

Why you shouldn’t watch it: This is the only season that I watched week by week as it was airing. It was EXHAUSTING. iQiyi started pumping out two episodes a week, doubling the overall episode count. I was literally burnt out by the finale. So if you watch this, please take it slow. Also, I forgot how much they did that thing where they cut away from the performances to show other contestant/mentor reactions and then have to go rewind on the performance...it really drives me nuts. They overdid it for sure.

My picks: 刘雨昕 Liu Yuxin, 喻言 Yu Yan, 王承渲 Wang Chengxuan, 刘令姿 Liu Lingzi, 许馨文 Xu Xinwen

Favorite performance: 不奉陪 No Company This was a tough choice! I went with this performance because I actively sought it out for relistens. That’s so rare for 主题考核 theme evaluation songs for me. All the members got to shine yet they were a very cohesive team.

Iconic moments: Bad Guy was the ultimate dark horse, how no one knew the song 想见你想见你想见你 Miss You 3000, 王承渲 Wang Chengxuan defeated the evil quads, 乃万 Nineone basically replaced Jony J as rap mentor, seeing 刘雨昕 Liu Yuxin with a wig was terrifying, they let the girls wear shorts if they didn’t like skirts #feminism, I still think about 张钰 Zhang Yu and 王清 Wang Qing’s initial performance all the time.

Verdict: I don’t think I could rewatch this season due to its length, but if you can commit the time, I think you should watch it. I’m sad I’ll never get to see a second 青春有你 Youth with You female season.

青春有你3 Youth with You 3

Watch on iQiyi (English subs, no VIP needed) Watch on iQiyi (no English subs, no VIP needed) Watch on YouTube (no English subs, missing several parts/episodes)

Why you should watch it: This season was probably the one I felt most emotionally invested in. I feel like I got to know the boys and was in it together with them (parasocial relationships, I know). And the friendships between contestants were so touching. Like 青春有你2 Youth with You 2, this season was also extra long, but I watched this season after it aired, going at my own pace. There were so many charming contestants and memorable performances. The dancing especially shone, but we got some great vocal moments too. I think iQiyi did a really good job picking songs this season.

Why you shouldn’t watch it: Sadly, the finale never aired. Due to the infamous milk-wasting scandal, the show was cancelled (but a winning group still formed and debuted). Even though I knew this before watching the show, it was still quite sad to never see a conclusion. Additionally, I believe this show started with more like 120 contestants, and I felt that increased number. Lastly, there was some painful singing and lots of very uninspired rapping. I feel like the gap in skill between the contestants was larger, and some of the teams felt very unbalanced as a result.

My picks: 姜京佐 Jiang Jingzuo, 杨昊铭 Yang Haoming, 十七 Shiqi, 徐子未 Xu Ziwei, 张思源 Zhang Siyuan, 连淮伟 Lian Huaiwei

Favorite performance: 燕尾蝶 Wings of Love This performance was everything I could ever dream of. 徐子未 won the world over instantly. He has the voice of an angel. Love the song, love the concept, love everything about it.

Iconic moments: 罗一舟 Luo Yizhou and 余景天 Tony Yu Jingtians’s friendly rivalry, 徐子未 Xu Ziwei’s back-to-back victories, Yuta’s adorable accent, 王南钧 Wang Nanjun would not shut up about 竹 Bamboo, touch 梁森 Liang Sen’s head for good luck, 刘隽 Liu Jun dances like he’s possessed (in a good way), that 雨爱 Rainie Love stage was a trainwreck tbh.

Verdict: Despite the scandals and lack of a finale, it was worth the watch for me. I feel so fond thinking of this season. Truthfully, season three has surpassed season two for me.

>> 创造101 Produce 101/创造营 Chuang (Tencent)

I read somewhere that Tencent officially licensed the Produce 101 name from Mnet, making this franchise more “official.” For season two, they ended up changing the name to 创造营 Produce Camp. The Chinese name remained the same for seasons three and four, but the in English they started promoting the show under the name Chuang. I think they wanted to beat iQiyi in the contest to see who can have the most titles for the same show.

创造101 Produce 101 China

Watch on Tencent Video (English subs, no VIP needed) Watch on 腾讯视频 (no English subs, VIP needed) Watch on YouTube (no English subs) Watch on YouTube (no English subs, episode 7 here, episode 10 here) Watch via Produce 101 China Subs (English fansubs)

Why you should watch it: This is the only season I’ve seen twice, so that says something I guess! This season holds a special place in my heart as my first survival show, so I rewatched it earlier this year with some friends who hadn’t seen it previously. One thing that stood out to me about this season was that it felt like there were several dark horses who started to shine closer to the middle/end of the show. I liked this because it’s boring when the debut lineup is completely predictable! And if you’re not already a 孟美岐 Meng Meiqi fan, you will leave as a 孟美岐 Meng Meiqi fan, guaranteed.

Why you shouldn’t watch it: Not gonna lie, I was not a huge fan of this mentor team. I am fine with these people individually, but together it was not an ideal combo in my opinion. They collectively made some very odd decisions that I strongly disagree with. After my rewatch, I’m just kinda done with 黄子韬 Huang Zitao. I also realized there were a lot more instances of...rough singing than I remembered, so be warned.

My picks: 孟美岐 Meng Meiqi, Yamy, 刘人语 Liu Renyu, 许靖韵 Angela Xu Jingyun, 吴映香 Lucia Wu Yingxiang, 李紫婷 Mimi Li Ziting

Favorite performance: 别人家的小孩 Other People’s Kids This is one of the most iconic performances (and one of my favorites) ever from all of these shows! It’s so unique and really has everything you could want. It was truly a perfect collab performance.

Iconic moments: When they had to tap 杨超越 Yang Chaoyue so she wouldn’t miss the beat, 王一博 Wang Yibo’s blue hair was gorgeous, Triple A group reunion, Look What You Made Me Do with creepy marionettes was perfect, when 陈嘉桦 Ella went barefoot on stage, 黄子韬 Huang Zitao literally screamed at them all, I’ll never forget the iconic 乐华 Yuehua performance.

Verdict: Even the second time, this was a season filled with surprises. It’s not perfect, but I think it will manage to charm you anyway. There are some real hidden gems here.

创造营2019 Produce Camp 2019

Watch on Tencent Video (English subs, VIP needed) Watch on 腾讯视频 (no English subs, VIP needed) Watch on YouTube (no English subs)

Why you should watch it: This was the first ever male season I watched, and I remember being apprehensive. I ended up having a lot of fun! This season really tugged at my heartstrings with the touching friendships between the boys and the intense 导师推荐生 mentor recommendees segments. I felt like I went through the wringer with them as they were forced to repack all their belongings, endure the brutal F班 demotions, hike across the beach, and more. There were countless hilarious moments too. If I were to rewatch, it would be for 周震南 Zhou Zhennan AKA 南南 Nannan. He just dominates the stage (despite his short stature)!

Why you shouldn’t watch it: I’ll admit, this season probably has the greatest number of contestants that annoy me. Sometimes it’s for no good reason...I just look at them and go ugh. The first round especially has some pretty painful singing, so be warned of that as well. Also, my rewatch made me realize I remembered very few performances from this season, which probably isn’t a good sign. Also, a lot of the performances were very short, sub-three minutes, which personally bothers me.

My picks: 周震南 Zhou Zhennan, 高嘉朗 Gao Jialang, 姚琛 Yao Chen, 陆思恒 Lu Siheng, 李鑫一 Li Xinyi, 贺俊雄 He Junxiong

Favorite performance: 开门见山 Kaimenjianshan I’ll admit that this performance was not as good as I remembered it being (probably because now I’ve heard the original by A-Mei many times), but I picked it anyway to acknowledge the amazing 高嘉朗 Gao Jialang.

Iconic moments: 张颜齐 Zhang Yanqi giving away jars of 老干妈 Lao Gan Ma, we never saw 王晨艺 Wang Chenyi again, 姚琛来了~ (Yao Chen is coming), when 周震南 Zhou Zhennan had his hoodie on but his ears were sticking out omg, try saying 李昀锐 Li Yunrui's name ten times fast, they had 30+ year old men here, this was the OG 乘风破浪 chengfengpolang.

Verdict: Among so many seasons, I don’t think this season stands out that much, but I still remember it fondly. If you want a good laugh and some fun, check it out.

创造营2020 Chuang 2020

Watch on Tencent Video (English subs, VIP needed) Watch on 腾讯视频 (no English subs, VIP needed) Watch on YouTube (English subs, missing episode 3) Watch on YouTube (English subs, missing episode 3) Watch on Viki (English subs, no Viki Pass needed)

Why you should watch it: They went all out on the sets, the location, the accommodations, everything. The performance setup was that the seats were in the middle and various stages were located around the perimeter. The seats would rotate to face the stages!! Some of the stages were stunning. I also want to mention that there were some great vocalists this season and I feel like they got to shine, which always makes me happy. The best round by far was the second round (专业方向). We got some beautiful vocal performances and intense dance performances.

Why you shouldn’t watch it: This season felt messy to me. I think they tried to mix things up, but not everything landed. The beautiful sets almost got distracting…they were more interesting than some of the performances. Several very talented and promising contestants never even made it past the first round. And since the final group only had seven people, the finale was just a frustrating experience. I never want to hear that 小摩托 xiao motuo song or 夏天的风 Summer Wind again. I don’t feel this season lived up to 创造101 Produce 101 China (unless you wanted MORE comments about weight/thinness).

My picks: 王柯 Wang Ke, 华承妍 Hua Chengyan, 刘些宁 Liu Xiening, 苏芮琪 Su Ruiqi, 朱主爱, Joyce Zhu Zhu’ai, 王一桥 Wang Yiqiao

Favorite performance: Manta There were a lot of performances I liked, but I really struggled to pick a favorite. I ultimately went with this because it’s one of the most memorable dance performances I’ve seen on these shows.

Iconic moments: That thin waist contest was simply the worst, they were in a literal castle, we all went crazy for the band and 王柯 Wang Ke, 朱主爱 Joyce Zhu Zhu’ai won the collab stage, wtf stop filming 姜贞羽 Jiang Zhenyu, I want to ride that cute train up the mountain, 毛不易 Mao Buyi did not want to talk, pretend that 吴亦凡 Wu Yifan wasn’t there.

Verdict: This season was competing against 青春有你2 Youth with You 2, and I chose to prioritize 青春有你2 Youth with You 2. I would make the same choice now. If you decide to watch, just be warned it may be a frustrating experience.

创造营2021 Chuang 2021

Watch on Tencent Video (English subs, VIP needed) Watch on 腾讯视频 (no English subs, VIP needed)

Why you should watch it: I wasn’t sure I was going to watch this season because of its international theme. Having foreigners is nothing new, but such a large number was certainly going to alter the show’s dynamic. Well, I watched it anyway. Overall, I’m glad I did. There were some talented and lovable contestants that made this season all worth it. The mentor squad (mostly 宁静 Ning Jing, 邓超 Deng Chao, and 周深 Zhou Shen) were so entertaining. Lastly, compared to the 2019 season, there were more popular vocalists this season, which I 100% support. I’ll be honest, I didn’t remember a lot of the performances from this season, but I ended up pleasantly surprised by how many great ones there were!

Why you shouldn’t watch it: It felt like there was so much focus on Nine and Patrick, Santa and Riki, the Intersection boys, and eventually Lelush as well. The other foreign contestants honestly had very little impact. This didn’t ruin the show or anything, but sometimes I got a little sick of the Santa and Mika show, you know? Also, none of my favorites made it into the winning group unfortunately. While I acknowledge the talent of the winning members, for whatever reason I wasn’t really that invested in most of them.

My picks: 俞更寅 Yu Gengying, 井胧 Jing Long, 林墨 Lin Mo, 奥斯卡 Oscar, 张星特 Zhang Xingte

Favorite performance: Lover Boy 88 This performance was simply infectious! I even made my friends watch to it. 林墨 Lin Mo is so charming. And 张腾 Zhang Teng and 张星特 Zhang Xingte’s vocals were perfect. Just wish it had been longer!

Iconic moments: Mika and 曾涵江 Zeng Hanjiang = my last two brain cells trying to communicate, I still can’t believe Lelush went viral worldwide, 刘宇 Liu Yu broke the Produce curse, Nine and Patrick only learned Chinese for how long???, Caelan kinda does look like Leonardo DiCaprio, Oscar AKA 熊熊 Xiongxiong, the 网红 wanghong group was so talented actually.

Verdict: I think this season got more international attention than 青春有你3 Youth with You 3, and while I prefer 青春有你3 Youth with You 3, this season is worth a watch for its uniqueness and improvements over the previous year.

>> 以团之名 All For One/少年之名 We Are Young (Youku)

I watched both seasons of Youku’s shorter-lived franchise in 2022 only after (and only because) I had finished the other two franchises. I think Youku had a smaller budget and thus tried to stand out by shaking up the traditional survival show formula. I think they made some poor choices and some good choices. I don’t know the story behind the name change between seasons, but the seasons are so different from each other that it makes sense.

以团之名 All For One

Watch on Youku (no English subs, VIP needed) Watch on YouTube (no English subs)

Why you should watch it: I’m going to say a lot of negative stuff below, but I wanted to add at least a few positive words. During the finale, the remaining contestants sang S.H.E’s 你曾是少年 Wings Of My Words, and I don’t think I’ve ever gotten so emotional over a performance ever. 任家萱 Selina was a delight throughout. I also really grew to appreciate 奶茶 Naicha and what a great and thoughtful leader he was.

Why you shouldn’t watch it: As I mentioned, this show had some unique features that made it stand out. The contestants formed ten groups of eight, and the composition of the groups remained unchanged throughout. Entire groups got eliminated together. This created a dynamic where some really talented contestants went home too soon due to their group. It also meant that some groups were popular really just due to having one popular member. In the end, one group won...but I guess they realized this was a bad idea, so they formed a second winning group of the most popular contestants from the non-winning groups. I didn’t like this format and felt is really negatively impacted my viewing. Personally, seeing new team lineups form is one of my favorite parts of survival shows. And because the leaders were constant, they had there was too much focus on them. Also, the mentors were so harsh all the time. Maybe it was deserved, but it really bummed me out to watch them constantly talk about how disappointed they were.

My picks: 奶茶 Naicha, 田书臣 Tian Shuchen, 龙泓昊 Long Honghao, 赖煜哲 AJ Lai Yuzhe, 热亚提 Reyati, 赵品霖 Zhao Pinlin

Favorite performance: 饕餮 Taotie This was not one of the performances that stood out in my memory, but it stood out to me when I did my rewatch. I feel like they really nailed every element, and I don’t think the other teams could have pulled off this song.

Iconic moments: 何展成 Jonathan Ha gave up on speaking Chinese and 袁娅维 Tia Ray had to translate for him, the 王霏霏 Wang Feifei and 孟佳 Meng Jia reunion, 龙泓昊 Long Honghao’s beautiful dance to a Shawn Mendes song, I’m not sure why 奶茶 Naicha chose milk tea as stage name, AJ vs. the hidden snacks, they made 周艺轩 Zhou Yixuan perform a UNIQ song.

Verdict: Maybe you can skip this one. I definitely didn’t devote my full attention while I was watching it. And it felt like the show and the mentors were being mean to the boys all the time.

少年之名 We Are Young

Watch on Youku (no English subs, VIP needed) Watch on YouTube (no English subs) Watch via We Are Young Subs (English fansubs)

Why you should watch it: They improved on basically all the issues I had with the first season, and I was pleasantly surprised. Also, this is basically a 青春有你1 Youth with You 1 mini reunion with a few 偶像练习生 Idol Producer alums plus some future 青春有你3 You with You 3 contestants. It was so wonderful to see how the contestants I already knew had grown, and I loved seeing them get new opportunities to shine. There was surprisingly a lot of good raps/rappers on this show! Also, there were some truly incredible performances this season that aren’t like anything I’ve seen on other idol survival shows. And I enjoyed almost every performance—there were only a few that I disliked or thought were, um, not good. The mentors did not always agree...but I don’t care!

Why you shouldn’t watch it: Because they have to be different, when doing the initial evaluations, only about 50 contestants advanced to the next round. This was nice because it meant fewer names/faces, but wow, it felt so mean. Sometimes I wished they had stuck to a more traditional format. Besides that, I don’t have much else negative to say!

My picks: 郭震 Guo Zhen, 寇聪 Kuo Cong, 胡文煊 Hu Wenxuan, 左林杰 Zuo Linjie, 李希侃 Li Xikan, 崔少鹏 Cui Shaopeng, 杨超文 Yang Chaowen

Favorite performance: Don’t Start Now I don’t think I’ve ever seen this exact concept on one of these shows before. This performance was instantly a standout for me, especially because it had some of my favorite contestants!

Iconic moments: They literally had a corgi, 林 (Lin) MUA, everyone shipping 薛恩 Xue En and 程潇 Cheng Xiao, 胡文煊 Hu Wenxuan in a CROP TOP, 胡彦斌 Hu Yanbin told 寇聪 Kou Cong to wear less to show off his body what, 崔少鹏 Cui Shaopeng’s entrance through the pink smoke, 左林杰 Zuo Linjie really bungee jumped with his eyes closed, how 郭震 Guo Zhen, 左叶 Zuo Ye, and 胡文煊 Hu Wenxuan were in the same group four times without anyone noticing.

Verdict: This season ended up being better than it had any right to be! I think it’s worth checking out, especially if you are missing the boys from the 偶像练习生 Idol Producer/青春有你 Youth with You series.

>> Conclusion

If you actually read this entire post, I’m thoroughly impressed. If you, like me, have spent way too much time watching these shows, feel free to send me a message because I need someone to commiserate with. 

I honestly have this weird feeling that a chapter of my life is over. I have so many treasured memories from watching these shows—moments of laughter, tears, shock, pride, and more. They’ve provided a way to ground my language studies and engage with Chinese pop culture. They made me feel less alone during earlier COVID times.

Well, I’m off to find something to fill the survival show-size hole in my heart...maybe I’ll just rewatch 偶像练习生 Idol Producer.

[madaboutmunson]

Ok because the other two little fics were so well liked my brain could stop thinking about it.

So we've got how the song in question was written, the song when Corroded Coffin make it big, so consider this one the last time that song is ever played live by Corroded Coffin.

It starts with a little shocker so I've hidden the story under a read more so people don't accidently read it, in case it upsets anyone, but trust me when I say it's not all doom and gloom 😉 I got you 💚

The day the news of music legend Eddie Munson passing breaks, it plunged the world into deep, dark despair. A shocking departure that stopped newsreaders in their tracks to announce it.

The bombshell news was plastered everywhere for weeks, billboards, posters, newspapers, magazines, murals, tv show opening monologues, and this thing slowly emerging, the internet, had its forums full of theories as to what had happened, as no announcement had come from the Corroded Coffin camp as yet.

There was no sign of illness or injury. No accident or crime details. He seemed to have just...died.

The outpourings of condolences from countless heavy metal icons, hundreds of celebrities, some of which you would never have even guessed, liked Corroded Coffin, millions of fans worldwide held candle-lit vigils and sang their songs sombrely acapella in meeting places all around the world.

A week later, the band finally released a written statement.

"It was during the hellish times of high school that Eddie found us, protected us, guided us and forged this band of brothers that would go on to conquer not just our fears but the entire world. Impossible dreams came true countless times over, but now we sit in a waking nightmare at the loss of our leader, so now our time must come to an end.

A band is a sum of its parts, and with any one of us gone, this is simply not Corroded Coffin anymore. So it is with the deepest sadness but no regrets we have to say goodnight to you one last time.

Thank you for sticking by us all these years.

Remember to look out for one another.

HFC 4 Eva

The Remains of Corroded Coffin"

With the statement is an announcement that there will be a tribute show organised by Corroded Coffin, but they declined to play all but one song, which a special guest on guitar.

A month later, the tribute show goes ahead, but no stadium can hold it due to demand, mainly because the band had to fulfil Eddie's final wishes.

One of which was causing the most problems, Eddie wanted every member of the Corroded Coffin fan club to get the first refusal on a space at the tribute show. So no matter where in the world they were from, they were invited and their travel expenses paid, or something set up so they could join the live feed.

Eddie had jokingly set up the fan club at a merch table in the early days. It got you a Corroded Coffin badge, a hand-painted d20, a poster, access to a monthly newsletter/comic and a hand-drawn membership card signed on the back by the band, all for the price of five dollars. As the band grew, the fan club pack stayed the same, except the merch was better quality, it had to be mass-produced, and the price was lowered to one dollar.

The band also often had membership cards on their person or gave them out for free to fans that wanted them through their music charity for kids living in low-income areas.

So as you can imagine, there were thousands of potential attendees, but if you didn't have the card, you weren't getting in, no matter how much money you had or how famous you were.

The crowd is a sea of Corroded Coffin fans of all ages and all walks of life.

The first people out on stage are Corroded Coffin.

All of them.

The three band members wheel out an enormous coffin encased in rusted metal sheets with haphazardly driven rivets to keep it together, standing up tall, onto a platform at the back of the stage. They do this in absolute silence. The crowd is so hushed that on the recording, you can hear the ting of someone dropping a can.

Then the chants start, "Eddie! Eddie! Eddie! Eddie!" Hauntingly fierce like an army ready for battle, they know they can't win.

It spreads across the ocean of fans like a ripple of deafening voices.

Then the concert begins. Not only is the lineup littered with some of the most famous musical artists in the world, but also many of Eddie's favourite bands, and to introduce each of them is a celebrity pairing.

Nancy Wheeler and Robin Buckley. Prize-winning journalist and film director, respectively.

Tech Whiz Kids Dustin Henderson and Erica Sinclair.

Internet entrepreneur duo Jargyle.

Jim Hopper and Joyce Byers. Heads of a missing children's charity.

Award-winning scientists Mike and Will Byler.

Novelist Lucas Sinclair and Skateboarding legend Mad Max.

Then lastly, a fan favourite, Eddie's Uncle Wayne. He had made a cameo appearance in every video they had ever made, was on every concert video and was always thanked in the album notes.

"It is my greatest honour that the boys chose me to introduce the last performance of the evening. I know this song was his favourite, and many of yours also. So without further ado...Sadly, for the final time, Ladies and Gentleman, I give you Corroded Coffin," he shouts finally over the crowd's roar as flames shoot out of the sides of the coffin on stage, and the three remaining members walk out.

They say nothing and launch into the heaviest song Corroded Coffin ever wrote.

A lead guitar joins in but with no guitarist to be seen.

As the song draws to a close, a man walks out in a denim battle vest a little too snug for him, his hair voluminous but dishevelled. He's holding the prop guitar.

He swings it around, smashing it into the floor behind him, and with an almighty swing back in front of him, the guitar must know this is its last show because the body splits in two. The man rips the neck of the guitar out of the body and holds it above his head. The fake blood spills out of his mouth, and the tears flood down his face as he punches the air in time with the Eddie chants before he blows a kiss at the crowd and then one at the coffin.

There is a curtain call for all involved as pyros and flames fill the air around the stage until the last fan leaves the area. Then the curtain finally drops.

Everyone heads backstage or to the trailers behind it for food and drinks. 

All except one person. Steve Harrington.

He looks around to ensure the coast is clear, approaches the giant coffin structure, and puts his hand on it, still warm from the flames.

"I never did find the right time to tell you this, and it looks like I'm too late." The tears prick his eyes again, and the first one that escapes down his cheek causes the rest to follow in droves. 

His sobs are so loud he covers his mouth to quiet them for fear of anyone overhearing, "I love you, Eddie. I just didn't know how to say it, I-I d-didn't know if you felt the same, so I'd act like I didn't care and hoped you'd make the first move, but you didn't. And then you got famous, and were gone. I saw you a handful of times, and every time I wanted to tell you, something got in the way, or I chickened out, you know, because...well, because maybe you'd reject me and hate me or worse, you'd want what I did, and the press would eat you for breakfast. It would have ruined everything you built, and I couldn't handle that." 

He runs his hands through his hair, bows his head, and presses his forehead against the warm sheet metal. "I couldn't take that chance because I loved you so much, so very very much, Eddie." He plants a kiss on his fingertips and presses it against the name plaque on the coffin. He lets out a final guttural sob. "See you on the other side, Munson", he manages finally and walks away.

He takes a last look back over his shoulder as he wipes the tears from his eyes, and Steve swears he sees the thing move.

He shakes his head and takes a few more steps, he can hear Eddie cursing under his breath in his mind, and it makes him smile.

But then Steve freezes to the spot because there is a loud clang behind him. He doesn't want to turn around and fix Eddie's coffin, but who else is going to do it, right?

"Well, that was suffocating!" Eddies voice rings in Steve's head.

Steve steels himself and prepares to see the worst as he turns back towards the coffin, only to find the front of it completely off its hinges, and standing draped in his guitar, with crumbs in his hair and hat with two beer cans in with straws, is one, very alive Eddie Munson.

Steve cannot move. He mutters, "Oh god, I've finally lost it."

Eddie looks at Steve with a perplexed look on his face, "Ah, yeah, you have" he puts his hands on his hips, "Keeping a secret like that from me for like a decade. First of all, how fucking dare you wait until I end everything to tell me, and secondly, get over here, you big stud, and give me some well overdue sugar."

"What...the...fuck..." Steve fearfully whispers to himself, "I'm actually insane."

"Eddie!!" Dustin's excited voice rings out behind Steve as he charges forward, embracing him.

"Hey, watch my guitar, you little shrimp!" Eddie giggles and Ruffles Dustin's hair.

"Wait a second now," Steve says, finger pointed out in front of him, slowly stepping forward, "You can see him?"

Now it's Dustin's turn to look confused at Steve. He scoffs out a laugh, "Well, of course, I can! Are you feeling ok, Steve?"

"But...but...but he died...again...is he like... immortal, or something. Like a-a vamp.. vampire?" Steve tries gingerly, moving closer, one hand still stretched out in front of him like he's trying to ward off something evil.

Dustin and Eddie look at one another in confusion and start laughing.

"Steve, have you sampled some of the special backstage treats?" Eddie asks and turns back to Dustin, "I mean, that might explain why he also just confessed he's had a massive boner about me for over a decade!"

"Really?" Dustin says curiously, and Eddie nods as he takes off his guitar. "Wow."

Then the others start piling onto the stage, all of Eddie's nearest and dearest, and all of them are smiling and laughing and joking, except for Steve, who is watching this happen around him until he erupts.

"How can you all be so god damn normal about this??!!!!! He's just come back from the dead. Not like last time when he passed out. He's been dead for like a fucking month, and your all just-just fucking OK WITH THAT??!!" Steve is yelling at the top of his lungs, hands gesticulating wildly at them all, still keeping his distance, and the group falls silent.

"Oh, no, honey," Joyce says soothingly, walking towards Steve. "It's ok, it must be really scary to see this kind of thing, but you remember, right? It's all just for show." She turns and whispers to Hopper, "I knew all those bumps to the head needed looking at."

"FOR SHOW?! WHAT DO YOU MEAN FOR SHOW?! IT WAS EVERY-FUCKING-WHERE" Steve starts counting on his fingers, "It-it was on the news, and-and in all the papers, and-and the fans did all those vigils" He points accusingly at the band, "You were at least three of those!!"

Robin's eyes go wide "Steve, it's me, Robin. Hi!" She approaches him slowly, "I'm real. We're all real here. Everything is ok" Once Robin is within arms distance of Steve, he pokes at her and squeezes her arm to make sure she is, in fact, real, "OW!! Jesus!!!"

She bats Steve's hands away, "Ok, enough. Listen, did you open the fan club mail this month?"

"The fan cl-? What the hell are you talking about?? Is this a nightmare? Am I dead??!! Is this Hell??!!!" Steve shouts into the air.

"In this month's fanzine, it explained everything. The band wanted to stop and spend time with their families and start new projects, but the press was getting to a fever pitch with them. Gareth had his bins rifled through. Jeff couldn't even take his kid out for his birthday without getting hounded. So Eddie came up with this plan. That way, no one gets blamed for breaking up the band. It just is no more." Robin explains compassionately to Steve.

"So the whole crowd, all of you and the bands, they all knew it was fake?" Steve asks quietly whilst everyone is still staring at him and Robin.

Robin nods but then adds, "Well, not the other bands. We couldn't risk it, but we and the fans are loyal enough to keep a secret. Plus, if anyone even tries to say they've seen him, they'll be labelled like those Bigfoot-spotting people."

Steve shakes his head, "But I'm not a member of the fan club?!"

"The absolute audacity!!! What, you fucking love me, but you're not a member of my band's fan club? What kind of half-assed groupie are you?" Eddie shouts, astounded and a little insulted at Steve.

Jeff turns to Eddie, "You knew he wasn't, man. You made him that special membership card at the hideout for valentine's day, but you never gave it to him, remember?"

"Shut up!" Eddie says through gritted teeth at Jeff.

Steve stands more confidently, his hands on his hips, "Oh, is that so?"

"Yeah, that's right", Gareth laughs, "And then when we were talking about this, you said you'd call him and tell him yourself, Eddie, remember?"

Eddie bites his bottom lip and tries to look as innocent as he can from under his hair, smirking over at Steve, "Did I say that? Really? Funny thing that... I don't remember"

Steve's eyes go wide, "Why, you little shit!!" Steve runs and lunges for Eddie. Eddie is laughing and yelling as he's being chased around the stage by Steve, who eventually captures him in a bear hug when he runs the wrong way around the drum kit.

"urgh...god...let me..." Eddie struggles angrily and tries to wriggle free as Steve squeezes him.

"Oh-hoh no, you are going nowhere, you little prick!" Steve says, squeezing him tighter, making Eddie's face screw up, "What you did, was so not cool!"

"I...only...did...it...cus..." Eddie tries to talk, but it is difficult. He can hardly breathe.

"Yeah, yeah, yeah. Excuses. You wanted to make me look like an idiot!" Steve says with an unimpressed tone.

Eddie's face is turning pink as he frantically shakes his head in a no.

"Oh, you didn't? Then why?" Steve says, loosening his grip enough for Eddie to take a breath.

Eddie's body sags a little as he takes a deep breath, "Because... I wanted to see if you'd be sad if I died." Eddie says quickly, "I mean, I didn't expect you to agree to headline and the whole speech, you know?" Eddie says, trying to hold back an adoring smile.

Steve squeezes his eyes shut and shakes his head in disbelief, "You made me go through a month of grief to see if I would be sad if you died?"

"Well...it was supposed to be just a day, but then I got genuinely distracted by everything, and then it was two weeks later, and then I thought I could surprise you by jumping out of the coffin, and you'd be overjoyed and I'd say something romantic to maybe win you over, like..." Eddie looks everywhere but at Steve as he details everything.

"Like what? What could you possibly say to make up for that, you complete shithead!" Steve says with an angry squeeze, making Eddie wince and groan.

"That I fought an army of angels and the hordes of hell for one kiss from your sinfully perfect heavenly lips because you're my muse, my love." Eddie manages to get the words out with a struggle.

"What?" Steve says, lessening his grip.

"The songs I write, the ones with my name next to them on the albums, they're all about you," Eddie says as he catches his breath.

"What?" Steve says again, wholly bewildered and fully releases Eddie.

"Our first number one, the one that got a Grammy, and was used in a bunch of movies. That's about you. The um, slow one with the choir on the unplugged album, that's about you. The one we close the shows with, the one with no words, that's about you too. And loads more," Eddie says, adjusting his clothes, looking back up at a dumbfounded Steve, "What? You had no idea? You don't remember? in the garage? You corrected the spelling of sleeve, but it was supposed to be Steve. I just forgot to cross the t" Eddie looks between Steve's eyes for a glimmer of comprehension.

"Ohhh", Steve says finally and points at himself and smiles.

Eddie smiles back at this lovable weirdo and nods.

Steve claps his hands together and looks pleased as punch, turning to the others still pointing at himself with a look of happy surprise. 

Everyone nods at him except for Mike, who throws his hands up, "Are you kidding me? The song we danced to at our wedding was about Steve??? Oh my god!" Mike has to be consoled by Will and Nancy.

Steve eventually turns back to Eddie with a massive smile on his face.

Eddie plays with his hair and looks coyly up at Steve swaying from left to right, "So I dunno, do you maybe wanna come live on a secret island with me for a few years until people forget about me, maybe? I mean, I'll have to get my hair buzzed first, and um, lose the whole rockstar get up" Eddie looks up hopefully and gives a cute little shrug.

Steve folds his arms and taps his lips thoughtfully, "Hmmm."

"OH, MY GOD! Could you grown-ass idiots just kiss already? I could be solving the mysteries of the goddamn world, ok? But instead, I'm stuck here waiting for a long-haired freak and his little ex-sailor boy bride to figure out what everyone else knew years ago!!" Erica shouts, exasperated.

"Apart from Mike", Dustin whispers.

"Yeah, except Mike, who is also on team dumbass!" Erica adds.

"Hey!!" Mike says, annoyed, and is immediately swamped by Will, Joyce and Nancy as Hopper pats Erica on the shoulder with a smile.

"Get offa me, sasquatch!" She says, rolling her eyes.

"Well, you heard the lady," Steve says with a smile walking with an over-the-top swagger towards Eddie.

Eddie grins mischievously, jumps up to grip onto Steve like a koala on a eucalyptus tree, and kisses him, once on the lips, with an audible mwah sound.

Steve looks at him with a laugh, "I hope you've got more where that came from because you've got a lot to make up for, Eddie Munson."

AO3 Link

[ofmanycol0rs]

↶*ೃ✧˚. Hello everyone! Welcome back to another video with LuckieDuckie. Today we will be discussing Rainbow Entertainment’s Best Eras!

As a disclaimer so people don’t come for me in the comments: this is in no particular order. I’m not ranking these eras, just factually stating that they are the best. Also, if you don’t agree with me, I don’t care. Keep it to yourself, I don’t want to see a million comments like “Duckie! Where’s blah blah? Where’s… Chu?” It’s up your [redacted]. Don’t try and tell me I’m wrong either because respectfully… I’m not. Anyway.

Starting off strong, we have LOVE DIVE!

LOVE DIVE! Is That Girl for a reason. Not only was she literally SOTY (4 times btw), but she had the vibes to back it up. I was a big fan of the ethereal cupid aesthetics they had going on and the styling just always looked so expensive. I’m a Chaehee stan, but Blue’s Hime Cut look was literally unmatched. Even the b-sides went crazy this era, with the iconic Sour Grapes taking over everyone’s For You pages. This song was actually inescapable for months, so of course this era had some iconic moments too. My personal favorite moment was Summer’s solo live ban being instated after she called Angelico’s Jinhwa a “fucking weirdo” in front of 45 million Dream. Free her tbh, she did nothing wrong!

Next up… Neverland’s Sugar Rush!

This song was so addicting honestly, the concept, the vocals, the dance, the silly little whistle chorus, it all ate down. We all know where we were when those shirtless concept pics dropped. The whole Peter Pan vibe obviously went with their concept as a whole, but how do I get to that woodland raver’s paradise? Where do I buy tickets? One thing about Neverland is they’re throwing a party and I need an invite. Speaking of parties, the iconic MakoDae club pics dropped this era. All I’m saying is that you can’t prove the girl throwing ass on Mako isn’t me.

Next, we have my favorite Eunji era, Forgive Me.

Honestly, I don’t really stan Eunji like that. I won’t deny that she is the superior Golden Goose producer, of course. But I don’t know all that much about her. What I do know is that whoever this song is about is going straight to hell. She ate them up, your honor! The rock instrumentals had me so shaken when I first listened to this song that I couldn’t stop listening to this song. Ginger Eunji in her rockstar era was peak cunt, The Revenge Era was so serious for her. Not to mention, this song had the most iconic performance of all time. If you haven’t seen it yet, immediately look up Eunji Halloween Bash Forgive Me Carrie. It will change your life. Miss girl is a performer.

Next up is one of Lucky’s most iconic eras, which is difficult to say because they’re all so iconic, I know… but I mean Ping-Pong! 

This era could get the title solely from the styling. So many people love to hate it, but they just do not see the camp of it all! The bright pink and blue hair duo lives in my head constantly. I fear Kpop may never see styling so creative and unique again… Someone please rescue Hidae from 4Luvs because they are literally the most hated duo even though they make the cuntiest comebacks! I need them back together asap. Not to mention, these two have the best chemistry. And who could forget the iconic Twister video dropped this era. This video was so divisive among fans but I personally think they looked like they were having a lot of fun answering all the questions while playing Twister. We all know how those two treat competitions and they were undeniably getting flirty up in there, liiiike…

The Song of the Summer is up next… La Vie’s Fruit Salad!

This song is It. One of Rainbow’s most iconic songs by far. I don’t think there’s a single kpop stan out there that doesn’t know this song or even this dance. Honestly, they were the queens of summer before, but this song just solidified their title and made them simply unbeatable. No one else can ever wear the crown when this song exists. The concept and styling is also so perfect, one of my favorites out of La Vie, with the bright colors and quintessential summer vibes. Red-haired Tomi still rules my heart, honestly, and Sohee’s baby bangs were so quirky and cute. One of my favorite variety shows from RBE also comes from this era, I find myself rewatching Lovie’s Fruit Stand all the time. I think it’s so nice to see them getting time to rest and doing fun summer activities together, and its just so nostalgic to me.

Next we have Roly Poly by XOX!

Listen… I know they were flops. But they served with this one, I can't lie! They had no budget, no fans, and no future. All they had was a dance floor and a dream, and yet they still had fun with it. This was the age of camp and techno and XOX ran with it. And in doing so, they created every single RBE idol’s go-to karaoke song. It almost seems like an inside joke at the company because there is at least 2 videos of every single group covering or dancing to this song. And now she’s made her way on to TikTok and the legacy lives on. Everyone say RIP XOX, you will always be famous. Kind of.

Up next is Thee Lucid! Era… TOMBOY!

This is their most iconic era by far and if you think I’m wrong then argue with the wall or something. The song, the styling, the lyrics, the message, the music video, the performances, the moments… need I go on? I fear they ate the whole industry up with this comeback and the industry knew it too! I guarantee you that every single one of yall’s favs was caught doing this dance. Just the sheer amount of people, specifically men, that this song pissed off already puts her high up on my cuntiest songs roster and that was before they went on national television and said fuck! Speaking of fuck, Lucid! did not give a single one this era. My personal favorite Blue moment happened this era when sasaengs leaked pictures of her and Youngho leaving practice for together before their collab stage dropped and sparked dating rumors, and the Next Day she posted “ew wtf? him of all men?” on her public Instagram story on accident… which then started a nuclear fan war on Twitter. Dare I say; iconic. The Tomboy vibes had possessed the whole group I fear, because even Chaehee got man-hating rumors after she ignored Haruki’s hand to help her down the steps at a music show. Not to mention, Minji’s rap verse got so much shit and yet every single time she took her cutesy ass to center stage and ate down. I could literally go on and on about how much I love this era for hours, so if you want to hear more, click the link in the description for my full explanation on why it was the best era kpop has seen from the fourth generation.

Anyway. Next up is La Vie’s Fancy You!

This era was directly after Fruit Salad which means they had a tough act to follow… yet they absolutely came through. They were giving galactic space princesses, rulers of the cosmos, sparkling amongst the stars. Basically… they served. Tomi and Mari’s pink and purple hair duo is still one of my favs and don’t even get me started on the styling. Gogo boots and sequins and hot shorts, god. It was so cunty. And this era isn’t one of their best just because of the concept (even though that is one of their best too) but the vibes. The song and instrumental produced by the iconic ROZE Mari duo that gags to this day. It seems like every 6 months the song is back on TikTok for its cunty instrumentals or choreography. The Anya Kai dating rumors first started this era and you really just had to be there. The entire kpop world imploded on itself. Speaking of Anya Kai dating rumors, my favorite Sol video of all time is from this era in her cute blue highlights making a face in the back of an interview when Kai is brought up… EXO-Ls came for her for weeks until she finally took to Twitter to tell them she doesn’t give a shit about boy groups and their stans with internalized misogyny complexes! If that’s not mother I don’t know who is.

Next, we have DAZED, a Neverland classic.

Remember when I said that one thing Neverland is gonna do is throw a party? Well this is That Party. Out of all 130 million views of this mv, I’m probably 26 million of them. It’s so addicting with the concept and the cinematography… like what are you doing if you show up to this hot guy’s rager birthday party and find out that him and his friends are faeries after you drink their wine and dance for eternity? The ACoTaR girlies (me) went wild for this one, let me tell you. I loved the way they took their whole Neverland Lost Boys concept and twisted it to give us faeries which totally works but it’s also something new? They gave the girls what they want! Howie absolutely owned this era, especially after an edit of him as Rhysand went viral and he had to google the series on live when people asked him about it. I still think about that clip of him saying “What do you mean fairy porn?” every single day.

Finally, last but certainly not least, is the best Rainbow era of all time. NEW WAVE.

I know I said I wasn’t ranking them and all that and that is still true, but… this era is inarguably the best out of all of them so I had to put it last. And of course I'm not biased just because I ult Lucky. I’m convinced that Jung Jisoo tried acid for the first time and then came up with this concept based off of that. And I support it. She was Euphoria before her time, a true masterpiece of neon glitter and debauchery. If I could pick one place anywhere on the space time continuum to live out the rest of my days, it would be the set of this mv. They were literally taking shots in the making video. This song was nearly banned from broadcasts and I’m still surprised that Lucky hasn’t had one of their songs banned yet. Queens Eunbi and Jisoo just know the exact line between cunt and can’t, I guess. This era gave the vibes of the early 2000s club craze tabloid era in the best way both in the concept and for the members. The rumor mill was working over time going after them! Angel was accused of sleeping with fans and cheating on Jennie even though the dating rumors didn’t exist until after the cheating rumors? Sunnie’s gay rumors started this era, although she has since been pretty clear that they weren’t just rumors, LOL. Even baby Han got into one of his first scandals after he got caught with a pack of cigs in his back pocket. The most groundbreaking scandal this era though, one of the only times Lucky has had to issue an apology over the years despite being notorious for saying fuck it, Hiro’s infamous AKB video. Iconic or not, it had impact! But it wasn’t just bad things that came out of this era, of course. It was their most successful ot4 comeback, winning 8 music show wins and PAK as a full group. Plus, they still make room for it on every set list, so they clearly feel the same way about it as 4luvs do. You cannot deny that this era is the most iconic eras of both Lucky and RBE as a whole.

Thank you for tuning in to this video everyone! Feel free to comment below which of these you think is best, or even another one I didn't mention, I guess. But I don't want to see any fighting about it!

Til next time! Mwah!!

find more mentions of jinhwa in the myahverse @venusvity and haruki at @intoloopin !!

[cinegeek237]

Horror is Queer

Horror has always had queer creators behind and infront of it.

F.W. Murnau directed Nosferatu (1922)

James Whale directed Frankenstein (1931), The Bride of Frankenstein (1935), The Invisible Man (1933), The Old Dark House (1932).

Clive Barker is a well known horror writer, I know Stephen King isn't the only one shocking. He's also directed some of his own work, notably, Hellraiser (1987), Nightbreed (1990), and Lord of Illusions (1995).

Kevin Williamson is the creator of Dawson's Creek, as well as, the screenwriter of Scream (1996), I Know What You Did Last Summer (1997), The Faculty (1998), and Sick (2022). He also did a treatment for and produced Halloween: H20 (1998).

Don Mancini is responsible for the Child's Play/Chucky franchise. He also wrote the screenplay for Dweller Celler (1998).

Eliva is a goth, camp, queen, ICON! She's a horror host, and lifestyle.

Christopher Landon wrote the screenplays for Disturbia (2007), Paranormal Activity 2, 3, 4, Next of Kin, and the Marked Ones which he also directed. He wrote and directed Scouts Guide to Zombie Apocalypse (2015), Happy Death Day (2017) and it's sequel (2019), Freaky (2020), oh and he's slated to direct Scream 7!

Bryan Fuller was the showrunner of NBC's Hannibal and is now working on the Friday the 13th prequel series, Crystal Lake.

Mary Shelley wrote Frankenstien.

Daphne Du Maurier wrote Rebecca and a short story that would become The Birds. Hitchcock was clearly a fan.

Joel Schumacher directed The Lost Boys. Meanwhile Tom Holland made Fright Night which might be the queerest vampire movie ever made... huh.

Gus Van Sant... well he directed the Psycho remake... so that happened...

Carter Smith directed Ruins (2008), Swallowed (2022), The Passenger (2023), and a few others. OH and Swallowed has Mark Patton from Nightmare On Elm Street II: Freddy's Revenge.

I'm sure I missed some.

Then you get into some phenomenal actors...

[transmutationisms]

this is so stupid but like so do u know about total institutions as defined in Erving Goffman's Asylums? uh if yes. do you think that reality tv shows that basically separate the contestants into a house where they are constantly on film, being prodded by producers, in some cases don't even have access to phones, etc. like is that a total institution? are reality shows inherently manipulative? do you think people dying by suicide after appearing on shows like Love Island are related to this? is there any scholarship on reality tv?

sorry if u know none of this I thought to ask u bc my initial thought was "the bachelor house is a bit like a psych ward." which is an insane thing to think. but truly I think shows like Jersey Shore, Rock of Love, Married at First Sight, Ultimatum, etc. that ply contestants with alcohol while controlling every aspect of contestants life for weeks are like. like thats bad. and then people harshly judge them for their behavior! like a psychiatrist saying a patient is very ill bc they do badly in a high level of care.

i don't think it's stupid. i don't really read much on this but yes there is definitely scholarship on reality tv---these shows are media objects and cultural productions as much as any 'prestige' drama.

obviously a tv shoot differs from an institution proper in that it's a temporary arrangement. however, the level of control and surveillance participants are subject to is something you would rarely see outside the conditions of an institution, and there is certainly something heterotopic about many of these sets as a kind of 'local institution'.

i think some of the most interesting shows have made this part of their conscious onscreen presentation. plenty of people have written about 'big brother' as a conscious gamification of the experience of being subjected to neoliberal workplace surveillance, for example. then there's something like 'secret eaters', which iirc literally had a little security camera icon on its title card even? that one didn't restrict people's movement, but if anything it did imply that doing so would have been in their best interests---because it was the unrestricted, unsurveilled eating behaviours that were configured as the result of laziness / lack of knowledge / lack of willpower, and the cause of weight gain.

so, if 'big brother' demanded the affective performance of enjoyment from those in an institution-like setting, 'secret eaters' presented the panoptic surveillance state as a benevolent kind of medical overlord, and the wayward citizen as someone insufficiently disciplined and too free for their own good. you can see variations on this latter argument in, eg, 'supersize vs superskinny', or any of the programs about weight-loss 'camps', or, on the meaner and more american end, 'the biggest loser' and even many episodes of 'my 600lb life'.

this is obviously a little different from the question of whether the shoot itself is institutional, which is essentially a question about working conditions. i watched a lot of 'america's next top model' as a teen and i remember even then thinking it was a leetle fucked up how much control the producers seemed to have over the contestants. so like, again i would say pretty much all of these shows that isolate participants in some closed house or whatever are patterned off institutional models of control, restriction, and surveillance, even though obviously they're not permanent commitments and they also usually allow some contact with the outside (grocery shopping or photoshoots or what have you).

i do also think there's something to be said about reality as a genre that often finds success by capitalising as cheaply as possible on some common social anxiety or malaise. so, the neoliberal workplace of 'big brother' and the success of weight loss shows following declarations of an 'obesity epidemic' in the us and uk. but then there's also, say, a franchise like 'survivor', which flourished in the post-9/11 years and often operated in a particular ecological niche that married body demands (strength, thinness) to the obvious survivalist fears. there was kind of a double reassurance being sold there: if civilisation collapses, you, too can learn to sustain yourself just like these starving people on a tv shoot; but also, look at how these bodies are becoming more disciplined, such that they can successfully perform physical challenges that we market as having some resemblance to military training exercises...! i remember even 'antm' dabbled in that a bit: the phrase "model boot camp" got thrown around more than once, and in the first couple of seasons there was more of an emphasis on 'fitness' and even a couple of challenges that were basically just "wear camo and pretend to do an obstacle course" lmao.

i guess to return to your initial question... there are ways in which a reality shoot often mimics, temporarily, characteristics of an institution; and then there are also ways in which it presents institutionalisation, or aspects of it, onscreen. so, without flattening the distinction between being on a reality show and being institutionalised, there's a lot to unpack here about reality as a genre that frequently constructs itself around the functions of, and justifications for, the institution.

to oversimplify (and certainly there are exceptions and edge cases) i think you could say that where scripted tv tends to rely on the closed family home or the workplace as its sphere of narrative construction, reality is more likely to construct a kind of temporary fantasy setting where contestants can be subjected to the kind of surveillance and restrictions typically associated with an institution or at least a high-control group. and this is both because of producers' need to generate 'drama', and because the shows are often successful precisely by replicating and intensifying those elements of control and surveillance that are (perceived to be) on the rise even outside of the total institution.

[listen-to-the-inner-walrus]

okay so as suggested by @fromkenari (big thank btw), ive decided to make a post about one of my idols who happens to be a part of queer history i dont hear people talk about much.

and said icon is james whale.

he was an english director working in early hollywood, as well directing theatre and acting. his most well known films are probably the invisible man (1933), frankenstein (1931) and bride of frankenstein (1935).

(you might also know him from the road back (1937) if films about ww1 are your thing)

and while part of why i idolise him is those films and making horror art, i bring up the dates specifically because james whale was openly queer throughout his entire hollywood career.

said career began in the 1920s and continued up to 1950. he was pressured to step into the closet but he never did, and its likely a big factor as to why his career ended.

a lot of his films are packed with queer subtext, particularly bride of frankenstein. that film has so much camp packed into it and pretorius is so damn queer coded. theres a lot of queer readings of it you can explore, its fucking incredible.

and mind you, the hays code went into effect in 1934.

the hays code also happened to massively effect frankenstein in retrospect due to scene-cuts in re-releases, and bear with me on this one:

see the original cut had a scene where the monster meets a young girl named maria who asks him to play a game with her. in the game, they sit together and throw flowers onto a lake where they float. when the monster runs out of flowers, he throws his new friend, maria, in, assuming that she would float like the flowers. she doesnt; rather she drowns.

and this scene was specifically created by james whale in reaction to a then moral panic in america basically about the creepy man in the shadows who lures your child away and molests them. this deviant shadowy figure was essentially synonymised with gay men, who were falsely arrested on sodomy charges or died at the hands of mob "justice".

the flower scene challenges that idea because the monster isnt, well, a monster. in 1931, the monster was almost unilaterally perceived as this perverted evil thing that would steal your children; he was practically the same as these "predatory gay men", and then the monster wasnt a monster.

he was misjudged, he wasnt inherently evil, and he was unjustly punished. and if that applies to the monster, surely it applies to whale and all the other openly queer men.

as a scene in 1930s hollywood , it was so divisive because it portrayed the "villain" in a more morally grey area, and essentially said "hey, maybe this queer witch hunt is misguided"

unsurprisingly, producers at universal wanted to end the scene before the drowning. ending the scene there would leave it to the imagination as to what the monster did to maria, and given the sex offender moral panic sweeping the nation, the implication would be that he raped her.

but james whale fought for the scene to be kept and he won. specific states still forced the studios to censor parts of the film, but his film was intact.

BUT when this film was re-released in 1938, they entirely cut out this scene. and this fundamentally changed the character of the monster and the film itself.

by some fucking miracle, the scene was found in the british national film atchive in the 1980s, and modern cuts of the film now include. unfortunately, whale himself would not live to see that as he committed suicide in 1957.

what james whale did with frankenstein in 1931 was revolutionary in the same way that tod brownings freaks (1932) was. both men created films that portrayed the people society called monsters as real, complex beings who are not pure evil, and both faced censorship hell for it.

(go watch freaks btw, its so good)

and, you know, i get emotional talking about james whale. both because i have so much admiration for him as a queer person who refused to lock his queerness away, and because his name is never one i hear in discussions of queer history, and also because hes from the same area as me.

(im yet to find any clips of him speaking so i dont know if he has our accent or not. i like to think he did. he was the sixth out of a seven child working class family and first worked as a cobbler so its as likely as it could be.)

i would like for more queer folks to know about him because i think he deserves more of a legacy.

ian mckellen plays him in gods and monster (1998), and if youre ever in england with spare time, he does have a memorial sculpture. its in dudley which is where he was born, and if you know it, its right at castlegate.

but yeah no, this is my ramble post about a lesser known queer icon. originally i wrote an abridged version in the tags of a different post but @fromkenari was right, it deserves its own post.

[blackswaneuroparedux]

The very secret of life for me, I believed, was to maintain in the midst of rushing events an inner tranquility.

- Margaret Bourke-White, Portrait of Myself

Margaret Bourke-White was a photojournalist who achieved fame in a predominantly male environment. Working at the heart of major historical events, she produced some of the most memorable images of the 20th century, some of which would later become iconic. Bourke-White was a pioneering photojournalist whose insightful pictures of 1930s Russia, German industry, and the impact of the Depression and drought in the American midwest established her reputation. She took some of the first photographs inside German concentration camps at Erla and Buchenwald following the end of World War II and captured the last pictures of Mahatma Gandhi, in India.

[ncisfranchise-source]

Move over, Young Sheldon. It’s time for… Young Gibbs! CBS has given a straight-to-series order to NCIS: Origins, a new series that will turn back the clock on Mark Harmon‘s iconic character, revealing how Leroy Jethro Gibbs came to be the man he is today (and presumably how he amassed all those rules).

Set in 1991, NCIS: Origins picks up with Gibbs as a “newly minted special agent at the fledgling NCIS Camp Pendleton office where he forges his place on a gritty, ragtag team led by NCIS legend Mike Franks.”

In addition to executive-producing the series, Harmon will also return to narrate NCIS: Origins. He starred on the original NCIS for its first 19 seasons, eventually making a dramatic exit in 2021.

Mark Harmon’s son Sean Harmon, who came up with the idea for NCIS: Origins, will also executive-produce, along with co-showrunners Gina Lucita Monreal and David J. North. Though Harmon played a younger version of his dad’s character on NCIS, a new actor is being tapped to portray him in NCIS: Origins.

“We’re thrilled to be bringing this new chapter to life along with Mark and Sean Harmon,” Monreal and North said in a statement. “This really is the making of Leroy Jethro Gibbs. And even the most dedicated NCIS fans will discover that they don’t know the whole story.”

“The character of Gibbs has been an important part of my life for 20 years, both in watching my father craft the role and previously having the honor to play young Gibbs myself,” adds Sean Harmon. “I always felt there was a tale worth telling about his earlier years, so I am thrilled to be stepping into a producing role alongside Gina, David and my dad as we tell this story and reveal a new side of this beloved character.”