#prosekai unit swap | Explore Tumblr Posts and Blogs

kawaiichibiart · 1 year

Text

I can't be bothered to go back and find it, but I still think it'd be fucking hilarious for the next April Fools event to be us playing with the NPCs and seeing them as the temp. units.

I'll even give y'all what I would do with each group.

This a long one y'all, buckle in, some units have more info than others, just so ya know.

Leo/need - STANDOUT, leader Iori, other members: Mio, the rest of STANDOUT (do they have names?)

Sekai isn't a school, but rather a live house. Iori and her bandmates all have this desire to go pro, however, much like in the VBS main story line, their bassist, Mio, decides to quit and leave the band, and it hits Iori the hardest. They eventually reconcile, blah blah blah, STANDOUT is formed.

Their VS are Miku and Meiko. Miku's hair leans more blue than teal and has several streaks of black in it rather than having the underside be a hot pink, and is tied in low pigtails. Her outfit consists of a bomber jacket over what looks like a band t. In place of a skirt, she has ripped jeans, similar to that of the male street-parka outfit you can buy in Proseka.

Meiko dresses more like a manager. Very sharp, deep red, suit. She however, also wears crop tops with the same band graphics as Miku's. You don't see it often because she usually has her jacket buttoned all the way, and you only ever see it when she's playing along side Miku, rather than being her manager.

And for the fun of it, no real thought behind the why (for any of these so....): their Untitled Song becomes Unhappy Refrain

youtube

MORE MORE JUMP! - Blossoming ✿ Melodies, leader Mai, other members: Nanami, Yuina, and Ayaka.

Unlike in canon, Haruka, Airi, and Shizuku never go back to being idols. While she has apologized to Haruka, Mai realizes it's too little too late, and starts doubting her own worth as an Idol. She eventually meets Yuina, who shows her videos of a girl who wished to be an idol, but after being rejected so many times, went on to pursue dance. Yuina admired the girl for finding a new passion that wasn't far from what her original dream was. It gave her hope that, even if something didn't work out, it didn't mean that there wasn't anything out there for her to enjoy with her entire being. The two girls will later meet Nanami and Ayaka, and after some thought, Mai asks the girls to form an idol group with her. There's some hesitance, but they all agree to it eventually.

Their Sekai is similar to the Stage Sekai, but it's outdoors rather than inside a huge auditorium. There are several flowers all around that represent one thing: hope. Blossoming ✿ Melodies was created to spread hope not just for a better tomorrow, but for sparks to rekindle in the hearts of people, whether they follow their dreams, or find a new one entirely, in other words, they hope people who listen to them never give up on finding happiness.

Their VS are, much like MMJ, Miku and Rin.

Miku's hair is actually the soft pink of Sakura Miku. Because their Sekai is an outdoor stage with lots of flowers, the VS have floral inspiration. Miku's being cherry blossoms (sakuras). She's dressed in very soft pinks with deep teal as an accent to compliment her eyes. She has cherries and sakura flowers attached to her pigtails.

Rin is dressed in different shades of yellow. This is the only Sekai where rather than her short hair, we see her with longer hair by default. Her bow is much smaller, only visible from the back, and attached to it, in the center, is her flower: the daffodil.

Untitled Song: Upside Reverse Rainbow

youtube

Vivid BAD SQUAD: I don't have name for them tbh :/ anyways..... Leader: Arata, other members: Souma, Nagi, and Taiga.

While the desire to surpass RAD WEEKEND is still there, this groups true feelings is to recreate that event. They want people to come together once again and enjoy music.

If they surpass RAD WEEKEND, great. But they just want to be seen as an impactful and memorable event. They want people to show up and realize that they wanted to pursue music as well.

Taiga tries to get Ken to join him and Nagi once again, but Ken declines. They eventually meet Arata and Souma and after learning they wanted to surpass RAD WEEKEND, they agreed to help them.

Their Sekai, much like Blossoming ✿ Melodies, is similar to their original units (VBS) Sekai. It's a street Sekai, but rather than a cafe, they're close to several live houses, each one reflective of a VS that has yet to appear.

Their VS are Miku and Len. They're dressed very similarly to their OG Street Sekai looks, like in terms of style rather than clothing items:

Miku's pigtails are tied low on her head and she has a leather cap on her head. She wears sweats and an oversized cropped jacket over a simple tank top. She's very active and wants to put on a grand musical event. She's always running around and is filled with determination.

Len forgoes his puffed vest and wears a faded denim jacket over a graphic t. His jeans are covered in paint. He will sometimes add a streak of color to his bangs with temporary hair dye. He's more interested in art than music, so he's been helping Miku make posters and designing things she can wear. He still enjoys music, but finds making the art for said music more fun.

RAD WEEKEND eventually becomes something less and less spoken of and just hosting a music event becomes their priority.

Arata still wants to surpass it though and has often left when he's told he doesn't have to have every performance be done with the sole intention of surpassing an event.

He feels like the other three don't get it. That Taiga and Nagi forgot about how it impacted people. They were there. Surely they would see where he was coming from. They had to. But they didn't.

The group splits apart several times before they all realize they were being dumbasses about this.

Taiga even talks with Ken to get his opinion and is told to get a grip. He wanted to continue this, right? Continue making music events that brought people together and opened dreams? Ken knew An wanted to put on her own event one day with her maybe girlfriend (he hoped he was right about their relationship, An always mentioned Kohane Asuzawa when they spoke and it always sounded like they were more than friends). He knew that Akito Shinonome and Touya Aoyagi bonded over street music, Akito had told him himself that RAD WEEKEND made him realize music could be something he could pursue and how he hadn't felt passionate for something in so long until he saw RAD WEEKEND.

RAD WEEKEND wasn't meant to be seen as something to compete with. It was something that brought people together. In his eyes, as long as people came together, enjoyed themselves and found something about themselves, anyone could surpass RAD WEEKEND. But if they just wanted the fame and glory, it didn't how big of a crowd they got. It wouldn't have the same impact.

The group still has struggles and will often go to Ken for advice.

Miku and Len share similar opinions as Ken. They want an impactful and memorable event rather than a big event that will make them famous. What's the point in making an event if people don't remember it or only remember the size and aren't impacted by it (very much a "did this once, it was fun, let's move on" thing).

The first event they host is very small, almost no one shows up and the group feels frustrated. But outta the few people who do show up, a young, blonde, girl walks up to them with her friend, thanking them for letting her experience the event and letting her and her friend perform despite not having played in years. She didn't realize how long it's been since she played her keyboard. She didn't realize how much she missed it until they let her play. It was messy, short and rough, but she did it. She left with her friend, thanking them still as she left for reminding her of something she loved.

It was one person, but they did it. They made an impact. They helped someone find their passion for music again.

With that, they began to plan more events.

One day, they will surpass RAD WEEKEND, and if they don't, as long as they make an impact like they did for that one girl (Nagi tells them how she found out the girl and her friend began posting videos of them playing their instruments and singing alongside a boy that seems related to the blonde haired girl, a girl with pink hair, and sometimes a boy with two toned hair) than that's all that matters.

Untitled song: FREELY TOMORROW

youtube

Wonderlands x Showtime: Phoenix ReIncartion, leader Sakurako, other members: Hinata, Keisuke and Shousuke.

After numerous attempts at failing to get the park's number of visiters up, the three eldest Otori siblings agree with their father that the best thing to do was to remodel more. And while she fought and fought for it, their younger sister, Emu, wasn't able to save the Wonder Stage. They tried telling her it was for the best, but she wouldn't listen. They were tearing apart their grandfather's park, his dream, did they not care?! She left that night to stay with a friend (it's Tsukasa, if you're wondering). The three elder Otoris were unsure what to do. Hinata eventually spoke with Sakurako, wanting her judgement on the tearing down of the Wonder Stage since she A. works at PXL and B. is close to Emu's age. She agrees that it was old and that it would have gone down at some point. Why wait for the inevitable to happen? Of course, she doesn't tell Hinata her worries. With the park changing so much, how long will it be before they decide she isn't needed? She also doesn't want to be seen as immature for being upset with changes coming to the park, she's only about 17-18 after all.

Hinata decides that it's up to her, her brothers and Sakurako to bring more people to the park. She chooses the name Phoenix ReIncarnation for their group as a tie to both bringing back Phoenix Wonderland to it's former glory, and because phoenixes rise from the ashes, they're reborn, reincarnated if you will.

They all agree the park has to change, but Sakurako eventually does fess up and say she could understand where Emu was coming from. Changes to the park were fine, but the point of the park shouldn't change. The park was made to make people happy, to make them leave with a smile no matter how old they were. She understands why their sister is upset and why she refuses to talk to them. She understands that change is good for the park, but she also understands how it feels to not be heard, to have something that makes her happy be ripped away from her. It was less so the Wonder Stage being torn down and moreso being told after it was already set in stone to be demolished. Sure, Emu would still be upset, but she'd likely still be on speaking terms with her family if she didn't find out at the very last second. And by last second, I mean LAST second. She thought she had time. That she was being given a chance but she wasn't. That's why she's upset. She never got to prove she could bring the Wonder Stage back. She never got the chance to perform on it. By the time she found one person to help her, the stage was being torn down. So it's no surprise to Sakurako that Emu chose to stay with the one person who did listen to her and wanted to help, as opposed to her family who seemed to never hear her out. This confession leads to more conflict as Shousuke and Keisuke were still in the belief they did nothing wrong and that Emu needed to "grow up" eventually.

Their Sekai is the Theater Sekai. Unlike the Wonderland Sekai, which is filled with so much life, the Theater Sekai is very empty and has a loud echo to it. The chairs are always empty. Dust is everywhere. The posters are faded and torn. The curtains are stained.

Their VS are Miku and Luka.

Miku never has a consistent look, having her teal hair in different styles, and always dressing up different ways (think World is Mine Miku). She's very demanding and tells them that this is what they wanted, wasn't it. They got their glorious theatrical stage. They got a worthy star (Miku herself) to perform for them. What's wrong? This is what they wanted, right?

Luka is very cold and snippy with them. She, much like Meiko in the Live House Sekai, dresses in sharp suits. However, she's very strict with her dress code and with adjusting things without asking, which leads to her and Miku fighting a lot.

Phoenix ReIncarnation learns through them that family business can be messy and it can lead to many people getting hurt or becoming distant. The Theater Sekai was once full of people. People loved their shows. But eventually, Miku wanted more and more and more, to the point she was making so many demands the other VS left. Luka, being her older sister figure, stood by her but eventually she began making decisions without telling Miku, because she saw that their Theater was losing its once former glory. They learn that Miku is very much a mix of them, wanting the best and deciding to go forward with plans purely for business, but also a reflection of Emu, the younger sibling who wanted to prove she could save something she loved if given the chance. It was an odd combo and left them wondering if Emu would have turned out like her if she had gone with their plans so long as she got something in return, as opposed to wanting to save one single stage and eventually the rest of the park in opposition to them making any changes.

Luka was more like the Otori's father. She forgot what the theater represented, why she, Miku, and the rest of VS opened it. She only saw Miku's desire to do bigger, grander, things, and she decided to go with it. It led to them opening a bigger theater, to having lavish curtains and beautiful costumes, but it also led to fights. The Kagamines were the first to leave, neither of them happy with their ideas being ignored and not being listened to in general (also a reflection of Emu), KAITO left shortly after, just to keep an eye out on them. MEIKO was the last to leave, finally fed up with everything and that all the changed Miku and Luka were making would ruin the theater that had once been so full of life.

Phoenix ReIncarnation realize the Sekai was reflecting a very strong probability. The fall of Phoenix Wonderland. Changes were meant to be good, but they can also be bad. They wanted glory, they wanted more, but it was splitting the Otori family apart and less people kept showing up despite having popular characters and shiny new rides.

They struggle convincing Mr. Otori to cut back on some major changes and to rather fix old attractions that were popular before they broke down.

They do promotions outside the park. Sakurako does snippets of her own shows. But it never felt like enough.

And out of pure desperation, Sakurako looks for Emu, and finds her walking side by side with a boy with blond hair that had peach colored tips. She asked to talk and Emu refused to at first, so when her friend said they should sit down somewhere more private, Sakurako thanked the gods.

Once they were seated in a café, she began to talk. She asked them to listen. And she told them everything she could. She left out the Sekai and VS, she didn't want to sound weird to them, and asked Emu if she was willing to help.

Phoenix Wonderland was losing more and more visitors with every passing day. And damn it, Sakurako missed it. She missed the old rides. She missed the genuine smile the park once brought to her face. She didn't want to be a part of this dying park, but she also didn't want to give up on her dreams.

And with some encouragement from the boy next to her, Emu agreed to help her on one condition. Her friend, her performing partner, got a say in things. And thus, Emu Otori and Tsukasa Tenma begin doing small shows to promote PXL.

It takes a long time, but eventually the park begins to go back to what it once was. There aren't as many visits as before, but there's enough for Phoenix ReIncarnation to feel assured that everything they were doing would bring the park back to life completely one day.

Hinata, Shousuke, and Keisuke eventually show up at the Tenma residence, after learning from Sakurako that that's where Emu was staying, in hopes of talking with their sister.

And when they're let in by the boy they denied employment to, they sit down and finally decide to listen. Hinata told her brothers that they were going to hear what Emu had to say first. That the three of them would keep their mouths shut for once and listen to their baby sister. And they did.

They listened to every word, all filled with anger, sadness, hurt and disappointment. They listened to her cry over the loss of the Wonder Stage, over feeling like she was lied to when she was told she was given a chance to save it just to find out they were tearing it down anyways shortly after she met Tsukasa and got him to agree to help her. How she felt like she couldn't trust them anymore and if they would continue to lie to her. They listened as she just cried and cried and eventually were gently kicked out by Tsukasa who had all but welcomed their sister into his family by now. He wished then luck and shut the door in their faces.

It wasn't until they begged Tsukasa to bring Emu to the park that the siblings began to reconcile. Because in place of a new attraction, they convinced their father to rebuild the Wonder Stage. Bigger, better and safer to use, and in honor of the man who created the park in the first place. It was still being rebuilt when they showed Emu, but it was made with the promise of being hers, if she wanted it. And that was the first time in months that she smiled at them with joy.

She didn't accept it, not yet, not when she still felt hurt. But maybe one day. Just maybe one day.

Untitled song: CONNECT with the World!

youtube

Nightcord @ 25:00 - The Night • Watchers, leader Shinei, other members: Harumichi, Mrs. Asahina and Kounosuke Otori.

AKA, Shitty Parents™.

They all got together to discuss their children, how they had certain expectations for them or wanted to care for them but were met with malice and rebellion.

They think they're in the right.

Shinei and Harumichi don't get along that much though. Harumichi blames Akito for Touya's rebellious attitude, while Shinei blames Touya for influencing his son to continue street music when he could have focused on something else. His son would get nowhere in music, but he kept pushing forward because of Harumichi's son.

Konouseke barely talks to any of them, because he's too focused on his park.

Mrs. Asahina decide she want to help the two men that are fighting, seeing how her daughter is so well behaved.

Eventually they all begin calling each other to talk about what their kids did. They complained, spoke of the past, etc.

At one point, Mrs. Asahina had to ask what Shinei and Harumichi did when their kids ran away.

Kounosuke also asks when Emu runs away.

Shinei just waited until Akito and/or Ena came back and they just fought again.

Harumichi used to go to the Tenma residence to bring Touya back home, because that's where he always went, but stopped when the eldest Tenma child chased him out with a frying pan and with a threat of calling the police on him (and surprise surprise, the neighbors heard and one was an elderly woman who threatened him with her rolling pin, because how dare he bother the Tenmas? Especially since Tsukasa was chasing him out of his home, Harumichi must be bad news if such a polite young man like Tsukasa doesn't want him arround, go back home Tsukasa, we know you've been helping a friend out, you don't need more stress. See? That's a polite gentleman, not like you, someone who enters someone's home and has to be chased out >:/). Now he waits for Touya to come home whenever he runs off. Surprisingly he's been returning with glitter stickers on his face (Emu's doing btw, Saki usually does his nails) but he's been staying away longer and longer every time he runs away.

Essentially, they weren't of any help.

Mrs. Asahina are worried because Mafuyu is usually so well behaved. She didn't even know she had friends that close to her nor did she know where any of them lived. She didn't know what happened to her perfect, well behaved, daughter.

Kounosuke is moreso annoyed than worried, because, much like his sons, he believes Emu is being childish and just doesn't understand that's he's doing what's best for the park (he's also annoyed at his eldest three and Sakurako because they began to talk him out of things when they should just trust he has the best intention at heart).

Their Sekai is the Manor Sekai. A large mansion in a place that's almost always night time. It's very quiet, much like the Theater Sekai. But unlike the Theater Sekai, which slowly begins to go back to it's glory after Phoenix Reincarnation decided to change how they approached changes to the park and how to save it, it's always eerily quiet and dusty. It's not even like the Empty Sekai, which while empty, has this peace to it.

Their VS are Miku and KAITO.

Miku is dressed in a nightgown. Her hair is loose and she is always hiding from the adults. She's quiet and prefers being alone. The only person she talks to is KAITO (and the other VS when they finally show up).

KAITO is the butler of the manor. He's dressed in a crisp suit with a black tie and a towel in hand. He's very polite and always has this strained smile on his face when any of the four adults visit. He's Miku's caretaker and he didn't like the stress the four brought to her, so he oftened kicked them out and told them to explore the gardens and to leave his charge alone.

Miku: *hiding behind KAITO* KAITO, they scare me :(

KAITO: *to the Shitty Parents™* Get the fuck out you're scaring my kid :)

This is probably the one Unit that doesn't change their ways or rekindle a relationship. They're very much stuck in their ways and refuse to see they're in the wrong. The only one who does slightly is Kounosuke and he's barely changing. He's really only doing it so PXL doesn't close down for good, not because he wants to.

Untitled Song: A Lie and a Stuffed Animal