One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
And that, while beautiful, is also tragic.
83 notes
·
View notes
GETTING ONE DOODLE IN TODAY YESSSS!!!! 👏💥👏💥👏💥
Okay, not too long ago I was messing around with C.AI and I was talking to Anton as Gustavo (wanted to see what he thought of Gus-) and the ass-hole kept calling him The Monopoly Man from the way I described him. He also kept calling him short names which I thought was kinda funny but I think someone like Gustavo would get a bit upset after a while…don’t you think?
(Also bonus under. A little bit dark I think?)
He got fed up with it.
135 notes
·
View notes
Modern au where Steve notices eddie goes to sleep with earbuds even when Steve is staying over. He’s never been able to see what it is Eddie is listening to and Eddie’s never told him either. One night steve just gives up to his inner nosey bitch and leans over a sleeping eddie to unlock his phone and finds YouTube video playing called ‘SUBLIMINAL SLEEP TRACK “I AM A DRAGON” GUARANTEED RESULTS’
494 notes
·
View notes
So I wanted to share to you that this Sunday there was a festival in my country, and I (the bad hair one) met other two Crowleys (the 2012 version and the Paganini version) unexpectedly and we had fun (there were tons of artists whom sell their Good Omens merchs, much to my surprise). I called us Post-breakup squad, I even prepared the plant mister filled with holy water (just a decent amount of handwash alcohol really).
Someone asked where is my Aziraphale, I should have answered "he's in Heaven now" if I was clever enough in time (sadly, no Aziraphale in this festival).
(Bonus: two of us near a No Smoking sign to show that Earth is somehow not very much different from Hell)
20 notes
·
View notes