#there is also two similar character to these guys I’ve drawn before

[emuwarum]

the other character I was unable to find for a while. Finally found it in the depths of my art folders within art folders (no clue why past me put it there)

[quibbs126]

And now I have made a part 3 of the human Cookies, this time featuring the Legendaries

You know I’m noticing that recently I’ve been drawing a lot more. I mean I’ve drawn 3 pieces in the last two days and I drew stuff last week. Seems my medication is at least helping something, even if it’s not me doing actual work to get my life together like my parents hoped. But hey, it personally makes me happy I’m drawing more, so it’s at least somewhat of a win

I think I was spurred on to do this one because I was playing around with the Mii maker on my 3DS, and I was making Cookies and started making the Legendaries

I will say, the Legendaries are probably some of the more difficult characters to translate into normal humans, since their designs are more fantastical. Almost all of their hair is made of something not normal, like fire, grass or water, so I have to try and make it at least semi-cohesive. It also means a lot of hair dye

I admit, while Wind Archer doesn’t look terrible, he does look very boring, like a generic guy. But frankly I just don’t see him using hair dye, or getting a lot of piercings. He doesn’t feel like someone who would to me, and so he looks boring

On the subject of designs I’m not satisfied with, I think Sugar Swan came out the worst. I just legit didn’t know what to do with her design. I’m a proponent of short haired Sugar Swan, so I gave her that, but I don’t think it turned out the best. I also wasn’t sure how to incorporate all the wings and swan thing on her head. I got that but it’s not that great

Originally in Sugar Swan’s spot was Millennial Tree, but he wasn’t turning out great so I tried doing Sugar Swan in his spot. Maybe that spot was just cursed or something

I think my personal favorite of the bunch is Sea Fairy, I think she turned out fun. Honestly I can see her going either way with the hair dye, so might as well just give her the blue. The buzz cut thing was actually something I got from another Sea Fairy design that I really like. I was debating between her having black or dirty blonde hair, but I eventually settled on the blonde

Moonlight and Stardust were pretty fun. With Stardust, I wasn’t sure whether I should have him dye his whole hair blue or have him bleach the front of his hair. I asked on Discord and they said the latter, so that’s what I did. But also note, I realized that if I were to try and give him bleached front and also potentially blue tips, he would have had Yugi Moto anime hair, but just flattened down instead of all spiky. Like I’ve seen people draw Yugi with hair similar to it

I wasn’t really feeling it after Sugar Swan’s failed design, but Fire Spirit got my mojo back, I think he turned out good. And with that I was able to make a Millennial Tree design I liked a lot more (while also looking at someone else’s interpretation of his design and deciding to use locs as well). Maybe not the best but not as bad as it was before

I kind of threw in Frost Queen because last spot and also she is an elemental Legendary. With her, instead of her hair being dyed, it’s supposed to be that her hair has actually turned white from either stress or age, with a tiny bit of her blonde still there at the ends. Don’t know why I picked blonde other than light color though

In my head while I was drawing, I was trying to come up with human things for them to do, but I really only got as far as the Dessert guys and the Wizard guys

Moonlight is the heiress of the “Wizard’s” estate, and she lives there and is the self proclaimed custodian. I’m not really sure what Blueberry Pie and Sugar Glass are doing there, but they’re probably also here. I also don’t know what the estate really is, I just have the idea that it’s a big place that the “Wizards” used as a research place, until they just stopped using it or disbanded or died or something. Stardust meanwhile is either Moonlight’s half brother she didn’t know about, or they’re full siblings who were orphaned and then separated at a young age via the foster care system. Stardust’s journey there would be him learning of his sister and her location and then I suppose hitchhiking his way there until he arrived

Meanwhile, Sugar Swan owns this wildlife preserve, which is the Dessert Paradise (probably goes by another name but I can see “Paradise” still being in the name), meanwhile the Dessert guardians, including Wind Archer, are the other caretakers that manage and guard the preserve. Are they also Sugar Swan’s kids? Maybe, I don’t know. Wind Archer probably is though, and maybe Millie’s his dad, I’m not sure

Frost Queen I think is just an accomplished doctor who lives in a more remote area and takes care of patients with a rare condition that she specializes in the treatment of (and also contracted herself when she was younger). She also just kind of dresses like that I guess

Genuinely I don’t know what Fire Spirit does, he might just be like, Pitaya’s adopted son or works under Pitaya, I don’t know. I can’t see him with much of a job

I imagine Sea Fairy has some sort of job (that she might neglect), but I have no clue what that job would be, since it presumably impacts both Black Pearl and Abyss Monarch in some big way, so like, running an aquarium might be too low stakes. Her crush on Moonlight might be something like she met this cute astronomer one time at some sort of astronomy conference or something, but she doesn’t know where she lives and so doesn’t know how to meet her again. Moonlight also thought she was cute, but again, doesn’t know where she lives

And yeah, I think that’s about it. I hope you enjoy these designs

[rosy-crow]

Yeah, after watching the teaser, I’m really starting to think Square is doing the Arcane thing.

I’ve been talking about it with @altocat for a while now, and I feel like it’s starting to get real. So, this is just gonna be my final theory for the story until proven otherwise.

Spoilers for Arcane: League of Legends, but for anyone that doesn’t know, basically Arcane adapted LOL and developed one of their most iconic villains, Jinx, into a very well-written character with a story that showed you exactly who she was and why she eventually lost her mind. Before this show, she was probably about as developed as Seph was in the OG.

Even though Jinx is more flamboyant and emotionally chaotic, she and Seph are weirdly similar villains from what I’ve seen. Seph reminds me a LOT of Jinx and vice-versa. I’ve even drawn them together and compared their designs—it’s funny how mad villains in video games tend to have key similar design points, even down to hair-styles and clothing, but I’ll save that for another post lol.

Anyway, from the FS teaser it looks like we have a big climax in that ultimately leads to this scene with Seph and Rosen, who have been set up to be mirrors of each other.

All I know is that the trailer showed Rosen telling Seph to make a choice about which life he wanted to save (Japanese version made this a bit clearer), and the other lives in danger are Team Glenn. Seph is gonna have to choose between them, and….well, since we know Team Glenn lives….uhh…and also….

Rosen’s dog is trying to alert the others of something. Seph made a choice or did SOMETHING, and I thiiiink it’s gonna result in Rosen’s death. Whether it was intentional or an accident, we don’t know, but it’s clear this is when sane Seph when was still good and caring, even if a little psychologically stunted and conditioned because of Shinra. He’s been consistently this way throughout the First Soldier and doesn’t change until Nibelheim.

But I get the feeling everything went wrong with Rosen. That’s why Glenn is at odds with Seph years later.

This is also why we’re getting Arcane vibes. If it’s a misunderstanding or rift caused by Seph’s intentions to save his friends…well, that’s very familiar to this notorious Arcane scene:

Basically, Jinx…or Powder, as she’s known here, makes a drastic decision to save her friends and sister from genuine danger. However, her own talents are her worst enemy, and she causes twice as much destruction as the enemies her friends were struggling with. Almost everyone ends up dead, except for Powder’s sister. It was a horrific mistake and creates a massive rift between Powder and Vi (that’s the sister).

Vi also cements the idea in Powder’s mind that she’s a “jinx” or a curse of sorts. A complex that Powder had already been struggling with, and one she later embraces as her persona.

Glenn and young Sephiroth have been established to have a bit of a brotherly relationship so far, with Glenn being the down-to-earth and honest older source of influence. There was also the whole arc between these two revolving around Glenn initially calling Sephiroth a “cyborg” as an insult to say the kid was modified and different, not a “normal human.” This lowkey came off like a deliberate reference to Sephiroth’s later meltdown over not being human, yeah?

So you guys see what I mean, the themes here are similar to Arcane and Jinx’s psychology. If Seph makes some fatal mistake or a bad choice to save his team, and they walk in on this? Or get the wrong idea? Yeah, it’s gonna turn what was supposed to be an act of heroism into something much worse. It’s also gonna be the perfect reference to Seph’s later big moment in canon…errr, Nibelheim itself, where he just embraces inhumanity and finally goes berserk against everyone’s expectations, traumatizing the main protagonist and his eventual rival in the process.

Again, the theme of “tragic mistake paralleling or foreshadowing a villain’s first deliberate act of cruelty and evil” would be VERY similar to what happens with Jinx in Arcane.

I’m not saying SE is doing this on purpose, really, but the shared themes of identity collapse and “monsters you created” between Arcane and FF7’s main “mad villains” are interesting. Their stories obviously will play out differently, but it wouldn’t surprise me if The First Soldier ultimately culminates in a life-altering decision that Sephiroth makes, one that does NOT end well and births that conflict between him and Glenn.

That’s my theory for now. These teasers are convincing me more and more. We’ll see.

[mossypidder]

If you click the names of the birds below, you will find photos of the actual birds I’m referring to; mostly provided because the second two are morphs

EDIT: So honestly. Contrary to final poll results and my initial lean toward the grosbeak, I think I might just go with the crow. The design’s grown on me and in the last week I’ve collected many bones and observed many local crows and found myself just quietly very drawn to them. Nothing’s set in stone, but. . . It feels more right than the grosbeak- there are still things that draw me to the latter, and I still really love them and might switch in the future, right now I relate more to crows I think.

Rose Breasted/Cutthroat Grosbeak (female)

Similarities (between myself and the bird) - small and chunky - eats mainly seeds, fruits, and nuts - elusive and relatively solitary aside from nesting season - very intricate, unique nest type - monogamous - take care of young for a month after fledging (which is longer than quite a few birds) - dwells mainly in deciduous forests - I honestly think I do look a bit like a grosbeak overall - there is limited information on them (which is obnoxious, but kinda goes with my aesthetic honestly)

Things I Like About Them - very pretty markings, especially on face which makes for fun character design - they were my favorite bird as a child and I would get so excited during the brief period that they would be at our feeder

Differences - females don’t sing as much as males - I am very much a mimic- I echo other people’s words as well as animal noises a lot, mostly without thinking, and grosbeaks do not mimic. The males learn songs from their fathers, but that’s different, and I’m not male anyway.

Black Billed Magpie (cinnamon)

Similarities - eat a lot of fruit and grain - they are skilled mimics - mate for life something I aspire to achieve one day - have only been seen in Michigan ten times in the last hundred years, so it fits the “elusive bird who’s sightings should be documented” narrative - parents allow their young to stay with them as long as needed, sometimes even years - males and females are both very vocal and sing, talk, and chatter quite often - wary of new things and will shy away from bright colors and flashing lights (yes, that includes shiny things) - many widely believed myths spread about them (such as tendencies to thievery, attraction to shiny objects, and hoarding things tho I am guilty of that last one)

Things I Like About Them - Gorgeous wings and tail (though rather plain facial markings which is sad) - they’re just nice, funky little guys and they were one of my favorites when I was younger as well

Differences - not a bird I’d really call chunky lol - they eat meat (mostly bugs) and meat is not my favorite honestly - while some do only stay in groups of two, many others have tribe of up to twelve

Common Crow (cinnamon)

Similarities - will bring people they like random bits of things such leaves, rocks, lost keys, and bones, as gifts - stops for roadkill (though I don’t eat it, I’m just there to steal feathers or check opossum pouches for potential surviving babies) - bones is good, we like bones - also talented at imitating human speech, other animals, and just random noises they find intriguing - mate for life - very family oriented and good at taking care of each other. They’ve even been known to adopt unrelated fledglings - stay in the nest up to forty days after hatching and often remain with a family group for two years, helping their parents look after younger siblings - males and females are very vocal - wants to eat rocks - scavengers - likes fruits, nuts, and seeds - seen as weird or gross by the majority - slow to trust humans, but is very loyal once they do - could be considered chunky - cinnamons tend to have blue or silver eyes

Things I Like About Them - they are just. very good. - wing markings of cinnamons are very interesting, and while I’d like more intricacies to work with for facial markings, they’re still good and simple

Differences - they are very social birds (but most of that social time is spent with their family, which is where most of mine is spent as well, so I’m not sure this is a true difference) - consumes a lot of meat (which, as stated, is not my favorite) - they are very common in Michigan and easy to spot almost anywhere

[waitmyturtles]

Eternal Yesterday. Before I dive into a meditation on memory, let me get a couple words down regarding a memory about memories.

I’ve written before that I’m pretty sure the first piece of Japanese art I ever consumed was Yoshimoto Banana’s novel, “Kitchen.” But also memorably, in college, I watched Koreeda Hirokazu’s film, “After Life.”

“After Life” is about a group of counselors who exist in purgatory. Their job is to meet the souls of those who have recently passed away, and interview them about the memory they want to re-live in their afterlives. Many of them choose memories related to their children or spouses, or moments in time that gave them beautiful feelings, such as snuggling against their parents when they were small children themselves. Over time, it’s revealed that the counselors are living in this purgatory because they themselves haven’t chosen a memory to live with. The story particularly focuses on two counselors who come to terms with their decisions, and how it changes them.

I’m reflecting on this movie because when I watched it, so long ago in college (me, old), it was one of the first pieces of art from Asia in which I saw that a quiet tone and even pace to delivering a message via content was incredibly vital to accurately conveying that message. In this case, the tone and pace of the movie was necessary to indicate that choosing this everlasting memory was a very important decision, indeed — it would be the very last decision these souls would make.

And I think there was something similar happening here in Eternal Yesterday.

The wonderful @bengiyo’s review of the show made me realize that while I was slightly confused and bemused by the magical realism play of Koichi not being quite dead throughout the series, that there was a very deep and real point to the concept that Koichi was a living corpse. I think that point relates, at least for me, to the reflection that I’m having on “After Life.”

It’s not clear if, in the universe of Eternal Yesterday, if people outside the circle of Mitsuru’s life who pass away can also experience a moment of living death; in other words, I’m not clear if this is a common occurrence in the world of this show outside their characters. Nevertheless, I’m only going to focus on Mitsuru for a second:

The fact that this phenomenon happened to two very close people in his life makes me think that the concept was designed here as a means for helping Mitsuru to begin the process of mourning. I think it was designed as a means for preparing Mitsuru to begin the process of letting go -- by leaving him with a slew of gorgeous memories, with the people he loved, as a means of him living out the love he has for them for the rest of his ontological life. 

I am twisted with angst, beautiful and saddened angst, at the thought of this concept. It is unbelievably COMPASSIONATE to me that there would be a concept that the way for someone living, to let go of someone who has passed, with a moment in a kind of purgatory that allows two people to create their final memories together, intentionally -- I mean. How much more humane and empathic can art get?

I was drawn to this show by the intense reviews of the series finale by @gillianthecat and @lelephantsnail, two people with amazing taste in shows, and when I saw how much Eternal Yesterday moved you two, I had to eat this show up, and I totally get why. For me, I’m totally wrapped up in the intensity that BOTH MITSURU AND KOICHI got to have their final moments together, knowingly, INTENTIONALLY. It’s gut-wrenching.

And there’s one more point that’s really getting to me -- it’s something related to why I really need to learn Japanese in my older age. 

Earlier in the series, during the campsite confession scene, I thought that (at least on Viki, I don’t know about other translations), the English translation of the word ichiban to “my number one” was a little inaccurate. I thought it was incredibly cute that the the guys called each other their ichiban, but I thought that “number one” as a translation was a little reductive in the context of a confession.

Ichiban, to me, meant something more like “superlative” in that moment. I think (I think!) it was meant to indicate something like, “I like you the very best of all,” rather than the guys saying to each other that they were each other’s “number ones.”

I’m harping on this because I was totally, utterly wasted and gutted by Mitsuru’s final words in the last episode -- when he said about Koichi, ichiban aishiteru.

I’m a real sucker for aishiteru in doramas, especially BLs. I was wrecked when Adachi used it to describe his love for Kurosawa to Kurosawa’s parents in the Cherry Magic movie earlier this year. 

It’s because I think it’s really necessary that this word is used more in Japanese BLs, because of how it indicates the very heavy and deep love that one partner has for another. For me, the usage of the word is a very welcome BL trope (I remember it being used memorably in Life: Love on the Line, when Akira uses it with Yuki when they meet again in Alaska). 

Aishiteru indicates the only love, the permanent love, the absolute love of a lifetime that exists between two people. It blows away the everyday English “love” by way of intensity and permanence. (I think it belongs in BLs so that audiences can see that aishiteru can exist in same-sex couplings -- it’s not limited to cishet pairings.)

What twisted me about ichiban aishiteru is that it indicated that Mitsuru was going to be OKAY with this reality for his lifetime -- that Koichi was going to be his superlative and permanent love for the rest of Mitsuru’s lived life. Mitsuru wouldn’t say such a heavy thing if it weren’t true. It was SO BEAUTIFUL to me that he used this phrase. I’m so messed up by it because of how concretely and resolutely Mitsuru said it. 

@bengiyo wrote in their review that this show is “poignant queer cinema,” and I could not agree more. Eternal Yesterday was DEEPLY satisfying and moving. And, I think, necessary in the library of BLs, to demonstrate depth of love between two characters that could not stop or help themselves to love each other. 

(THANKS @gillianthecat and @lelephantsnail, for the encouragement! Fantastic recommendation.)

[groovygladiatorsheep]

Ohhhhhhhhh really like your humanizations of Ink and Error!! Do you have any headcanons about their etchnicity? Or headcanons in general

Thank you so much !!! As for Headcanons, I’ve had some in the past but they changed a bit with time.. hcs for these humanized twos on my side currently are - French-Filipino for Ink and Afro-American for Error !! I hope this is what you meant 😭

As for general Headcanons ? I do !!

What I like to imagine is how the whole multiverse works and functions together.

Ink is the protector of aus, I imagine his reputations wildly varies from aus to multiverses, especially after the whole utmv event reputation. In my head, joining the star Sanses was a way to continue to do his job while staying on the good guys sides, you know ?

I see Ink as genuinely a guy doing his best. He needs the creators creations to be alive and to thrive to exist. Upsetting the creators by not letting them do angst ?? No sir. In his head, he’s simply letting characters be characters. He’s aware of the situation he’s in, of the string he’s holding onto ( the emotions and life given to him by the creators. It always comes back to them. )

He shouldn’t have been able to survive ripping his soul apart. He’s a miracle in himself ! But does he sees himself as that ?

Ink being unable to power through life without his vials means so much to me. They’re like the only thing allowing him to exist in his world, without them he’s physically not there. He needs them, and guess what Joku’s Dream ( because fanon Dream is much different ) thought of that ? That Ink is faking his emotions and he’s obviously evil if he can’t feel a thing.

How DAREEEm !!!! It’s so much more than that !!!! Ink’s vials allows him to feel the way he CANT feel, they allows him to show what he would WANT you to show !!!! He’s trying !!!!

Basically, Ink’s vials are a way for him to be able to fuel himself, a side important effect is that the difference flavours allows him to reflects emotions he could have had. Despite that, he still sucks at stuff that requires understanding social cues..

The flavours/different emotions can be hard to get since they come from how the creations were created. With tears ? Happiness ? Anger ? Envy ? That’s where he gets them. I’d imagine he learned to mix them when he needs one in particular !

I’d also imagine his memory makes him lose space and times. My bad memories does !! If he doesn’t have something in mind ? It doesn’t exist, nah. That’s why he notes stuff on the scarf because at least he knows he wears it all the time.

I really love the hc Ink has synesthesia, go check out @sunnemona for deepening information of that hc actually

As for Error !!!!

Error has always been the guy I’ve drawn more than thought about, but I do have so much thoughts on him too.

I see Error as an anomaly. Ink is a miracle ? Error was a mistake. He was not an happy accident held by strings, he’s a mistake that holds itself together by said strings.

His role in the multiverse is pretty interesting !!! He’s that menace everyone except the big guys fears. He destroys aus amongst aus, citizens of the multiverse have rarely seen his face except before their death, he’s a menace, not a balance, not a secret saviour, a machine that had a goal and keeps doing it without even understanding what he’s doing it.

I see it as this : Error goal and motivation , like other errors, was formed the day of his death and birth, the time right before Geno got errorified.

“Why didn’t I get an happy ending ?”

Feelings of hatred turned into a misinterpretation of the people surrounding his lost white space, and there it was : “everyone is a glitch !! They should all die !!!!!”

Aside from that, I Headcanon him to have a nest, a bit like spiders. His souls are his victims stuck on the web, and the strings surrounds his entire little home. Sofa for comfort, etc etc.

He’s very similar to spiders, actually.

[bibururokku]

profile

about me!

name — kurui/rui

I usually go by Kurui on the internet, but some people call me Rui, so feel free to do so as well~!

pronouns — she/her

That's straightforward enough, nothing to elaborate on there.

age —  (20↑)

I’ve brought up my birthday and year on the blog before, so if you couldn’t figure it out, that’s just a skill issue /j (dw, I suck at math too), but yeah, I am an adult.

main oshi(s) — chigiri hyoma, nagi seishirou, kurona ranze, hiori yo, and michael kaiser

This isn't in any particular order for me, though I guess you could consider it as the order of appearance in the series, kind of? Anyways, those guys are my favorite characters. Psychologically speaking, it's said that a person is drawn to people or characters that are similar to them, and here, this generally rings true, but I won't elaborate more on that.

favorite team(s) — manshine city, bastard münchen, and paris x gen

Again, not in any particular order, but Manshine City and Bastard München do have my oshis all in one place, so it's not a surprise that they are among my favorite teams. As for PxG, I just really like the dynamic between all the characters there, so in it goes as one of my favorite teams.

about the blog!

rules — mind your boundaries and manners  • do not edit, repost, or trace my art or oc content without explicit permission

This is supposed to be an incredibly lax and safe space for fun, so there are really just two rules that are easy to follow as long as you're a decent person. If you cannot follow any of the rules, you are not welcome and do not belong here.

general FAQ

why do you show whether asks, submissions, and anon are on or not?

As said before in the explanation for my rules, my blog is a safe space; asks, submissions, and anon are privileges, not rights. If something were to happen in the community that were to cause unrest, I may turn these features off.

do you take oc-related asks? rps? ships? Interactions?

Yes, I do take oc-related asks! In fact, I'd be happy to answer any oc-related ask! I'm a yapper, though, so things can get quite long-winded. Because of that, I don't really do RP, especially text-heavy ones, cause, well... I don't want to write a whole essay. Ships and interactions depend on the other character in question; I have had a bad experience with another fandom, so I've become a little pickier regarding oc shipping and interactions.

are you open to nsfw asks?

Depends on the type of NSFW. I could care less about profane asks, so those are fine. I'm not really one for graphic violence, but I can stomach a discussion, just no visual aid, and we should be all right. Slurs are an absolute no-go. As for sexual content, generally speaking, I prefer the content to be more risque rather than explicit. I am ace-spec, so the topic can be a bit out there for me, and it is usually just material for jokes, as far as I'm concerned. However, I don't mind discussing it from time to time.

you aren't responding or are slow doing so! are you ignoring me, or am i blocked, and why?

I am very liberal with my block button and prone to blocking whatever I don't like, which is also why I don't have many written rules here; if I don't like something, I don't engage with it; it's that simple. Since I've had a bad fandom experience before, I am willing to block people for the smallest of reasons, so don't assume it's personal unless you're aware that you're a terrible or questionable person. If I do respond and it seems like I was ignoring you, I apologize, though I try my best to answer things in a timely manner as quickly as possible. I'm pretty busy between school, clubs, and my part-time job, and I am doing my best to juggle everything and find a good balance now.

[book-ramblings]

URBAN FANTASY

I quite like Urban Fantasy, it’s not my favourite genre, but it is one I sometimes get a hankering for and nothing else will do.

Nowadays Urban Fantasy tends to be very private detective focused, which I don’t mind, but I have read some of the older stuff which could be a lot of different things, but in a city. The writer I have read the most by here is Charles de Lint, I’ve read a handful of books and a couple of short story collections by him. The first thing I read by him was The Blue Girl, which I loved. I want to read more early Urban Fantasy, let me know if you have any recommendations.

When it comes to the more detective style Urban Fantasy, I’ll have to start with the Dresden Files, it’s the most famous. I really like it. I know it’s popular to dump on it for being sexist, and if it bothers you, then you shouldn’t read it. Personally, I’ve never felt that a character or series has to be perfectly in line with my opinions and morals - I have a brain, and I don’t mind using it tackling these kinds of stories. I actually love Harry quite a lot, in fiction I tend to be drawn to broken and traumatised men.

I’ll do one more male main character and then get to my favourite women. Alex Verus (first book: Fated, author: Benedict Jacka) is a mage, who lives and runs a magic shop in London. The series is finished, and there are twelve books. All the books have a one word title, somthing like: Taken, Cursed or Hidden, which makes it impossible for me to remember the order of the books :) There are some similarities to Harry Dresden, Alex is also a broken, traumatised man, but his magic is very different to Harry’s, and he needs to be sneakier and use his brain more to survive, because his power is seeing a little bit into the future - and while it is useful in combat it’s not a violent power. I really like these books, I’ve read them all, and I love Alex and his friends.

On to the female main characters. I’ll start with October Daye by Seanan McGuire. There are sixteen books out and two more coming in the autumn of 2023, according to goodreads. I’ve read six of them, all of them by audiobook so I’m not sure how anything is spelled. The first book is Rosemary and Rue. October is half Fae, half human and she has a troubled past, and works for a local Fae Lord, Sylvester Torquil. October, or Toby, is a great character, her friends and enemies are quite interesting and her adventures, as far as I’ve read at least, are a great mix of exciting, creepy, scary and fun to read about. It’s probably about time that I read more, actually. Also, the narrator for the audio books is Mary Robinette Kowal, who is not only a fantastic narrator, but also one of my favourite authors.

Next is Mercy Thompson, written by Patricia Briggs. The first book is Moon Called, there are 13 books out. I’ve read five, and the sixth is my current audiobook. The thing I like best about this series is Mercy herself. She’s a college graduate, majored in history, works as a mechanic and she’s a shape shifter - she can turn into a coyote. Her father, who died in a car accident before she was born, was Native American. Mercy’s really cool, and she’s also a good character. She’s strong, and I don’t primarily mean physically, and she’s affected by the things that happen to her. Early in the series there is a bit of a love triangle with two guys being interested in her, which isn’t my favourite, but it doesn’t go on forever.

The last series I’m going to talk about may be my favourite: Kate Daniels by Ilona Andrews. There are ten novels, the first one is called Magic Bites. I have read six of them and currently have number seven out from the library. They all have titles like: Magic Burns, Magic Slays etc, so it’s impossible for me to remember the order of the books. I love Kate, she’s strong (not only physically), she’s tough, determined and really, really cool. I have seen some people call her a Mary Sue, because she’s too good a fighter, but she’s been trained her whole life to fight, because a dangerous and powerful man wants to kill her. And I love a sword fighter. I do not agree that she’s a Mary Sue. There are also some fantastic side characters. And some annoying ones.

I’m not a person who worries much about trigger warnings, I don’t have many triggers, and I don’t mind “dealing with them” through reading, so if this is important for you - find out about them before reading. I also don’t always remember books that well, especially when I only read them for entertainment, which is really how I think about Urban Fantasy. I can tell you that there is sexual assault in Mercy Thompson, though I don’t remember which book. And a giant spider side character in Alex Verus.

What are your favourite Urban fantasy series?

[halveablock]

maki

i just wanted to properly verbalize exactly why i love maki so much. in particular, the way her character development is shown through her design. i suppose this is a bit of character design rambling. contains manga spoilers up to chapter 149.

to be quite honest, maki didn’t catch my eye that much when i first read jujutsu kaisen. she felt awkward actually; design-wise, it felt like gege couldn’t commit to a type of feeling. her style felt just vaguely unkempt and bit feminine, but had no real identity. part of that is the characters are all in dark uniforms, but they can be customized to give off a certain feeling. yuji, for example, wears hoodies not because he’s a hoodie guy but because he can be indecisive (volume extra).

but this all changed once i saw this infamous chapter cover:

i immediately went: shit, i wish maki actually looked like that. she didn’t really have this masc energy until this chapter cover. (and then upon rereads, maki really captured my heart...) there, i saw what maki could be, so i was wondering why her pre-shibuya design felt so dissonant to this image, which felt perfect for her.

i think gege decided on her “aesthetic,” so to speak, once he designed toji. not that toji wasn’t designed or concepted before, but it’s possible that gege hadn’t thought to push the toji-maki parallels that early until his design was finalized, since this is just 2 chapters before his appearance. and she has gotten only closer and closer to him in aesthetic until in chapter 149, gege blatantly draws a side by side comparison to make sure you really saw it, in case you hadn’t realized it yet.

it’s interesting then that with ogi’s appearance, maki’s previous ponytail had some meaning.

the way the ponytail is drawn is virtually identical; it’s as if maki was striving to be her father, in a way. i imagine the image of strength she had in her head was ogi before she saw toji on the beach: there, she saw what she could become. (btw, i don’t think it’s a coincidence that she meets toji on the beach as her old self, and then says good-bye to mai on another beach as her new self)

gege most likely designed maki first then ogi, so i think giving him a ponytail was definitely intentional to indicate the shift in maki’s understanding of what she could be.

at any rate, post-shibuya, i think gege had fully embraced the masc style for maki, while keeping up with his high waist fashion obsession for the ladies. he may have also felt creatively limited by jujutsu tech uniforms, so he probably wanted to break some rules around that. the cape gives her a strong leadership look as indicated by her role among the students and a distinct silhouette so i think maki will keep it despite not having it on at the end of ch149.

maki’s new hair has the double function of getting closer to toji while making her look even more identical with mai. a crossroads of sorts: she could either become like toji, or stay in the bottom with mai. we all know what happened at that, albeit it wasn’t really her choice. in another sense though, she became both, gege deliberately putting both maki and mai in their sleeveless outfits (remember maki still had her cape on after waking up, before shedding it in the epic spread) in the beach scene to convey this merging even more.

as for her writing itself: on the surface, she’s a “strong” female character: stubborn, sassy, ambitious. an action girl, if you may. but the recent chapters showed that she’s actually filled with doubts and that a lot of this attitude is airs she put on to live as a self-affirmed human being since her family could never give her that affirmation. her choices, too, were driven by her fierce love for her sister, something she couldn’t openly express for fear of her sister facing even more prejudice.

and just in the meta sense, she’s everything i’ve ever wanted out of a female character in a shonen manga. i’ve seen her type of character for sure, but not really in a shonen: her abused history, insane family drama including a complicated relationship with her sibling, these two chapters becoming her tragic origin story, the way her trauma is carved into her skin with the burns and the eye scar, the way her trauma is reflected in her characterization without her succumbing to it. the way she constantly echoes an existing feral, violent male character, suggesting that she will embody similar traits. the way her goals were centered around her ambitions, but underneath that, her sister as her core motivation; the way the plot actually impacts her goals, and how they are now changed to destroying everything, including the family, the system that refused to acknowledge her.

in short: i love you with my entire heart maki, and i can’t wait to see where you go next.

[lokiondisneyplus]

Yes, Loki series director Kate Herron knows about your fan theory about the show, the analysis you posted to social media. No, she won’t tell you what she thinks about it, or whether you were right.

“I follow all the conversations on Twitter,” Herron told Polygon in an interview shortly after Loki’s season 1 finale. “I don’t always weigh in on them, because I made the show, so they don’t want me weighing in like, ‘Actually, guys…’ I think that’s the whole point of art — it should be up for debate and discussion.”

[Ed. note: Spoilers ahead for season 1 of Loki.]

Loki has been a hit for streaming service Disney Plus — episode 6 of the show, the final installment for this season, was reportedly watched by more households than any of the platform’s MCU finales to date. The series has been a popular source of fan conjecture and argument, with one particularly big rolling conversation focusing on whether the budding romantic relationship between trickster Asgardian Loki (Tom Hiddleston) and his alternate-universe counterpart Sylvie (Sophia Di Martino) is a form of incest.

Herron is willing to speak up about that one. “My interpretation of it is that they’re both Lokis, but they aren’t the same person,” she says. “I don’t see them as being like brother and sister. They have completely different backgrounds […] and I think that’s really important to her character. They sort of have the same role in terms of the universe and destiny, but they won’t make the same decisions.”

Herron says thematically, Loki falling for Sylvie is an exploration of “self-love,” but only in the sense that it’s Loki learning to understand his own motives and integrity. “[The show is] looking at the self and asking ‘What makes us us?’” Herron says. “I mean, look at all the Lokis across the show, they’re all completely different. I think there’s something beautiful about his romantic relationship with Sylvie, but they’re not interchangeable.”

Directing the final kiss between the two characters was a complicated process because it had to communicate something about each of them over the course of just a few seconds. Herron says the primary goal was creating a safe, comfortable environment for Hiddleston and Di Martino, and after that, she had to think about how to bring across Loki and Sylvie’s conflicting goals in that moment.

“It’s an interesting one, right?” she says. “Emotionally, from Sylvie’s perspective, I think it’s a goodbye. But it’s still a buildup of all these feelings. They’ve both grown through each other over the last few episodes. It was important to me that it didn’t feel like a trick, like she was deceiving him. She is obviously doing that, on one hand, but I don’t feel the kiss is any less genuine. I think she’s in a bad place, but her feelings are true.”

Herron says directing Hiddleston in the scene mostly came down to discussing the speech Loki gives Sylvie before the kiss. “That was really important, showing this new place for Loki,” Herron says. “In the first episode, he’s like, ‘I want the throne, I want to rule,’ and by episode 6, he isn’t focused on that selfish want. He just wants her to be okay.”

Loki writer and producer Eric Martin recently tweeted that he wished the show had been able to focus more time on two of its secondary characters, Owen Wilson’s Time Variance Authority agent Mobius M. Mobius, and Gugu Mbatha-Raw’s Ravonna Renslayer. “I wanted to explore her more deeply and really see their relationship,” he says, “But covid got in the way and we just didn’t have time.”

Asked if Loki and Sylvie’s relationship suffered from similar necessary edits, Herron says it’s true that the show’s creators and audience still don’t know everything Sylvie went through to make her so different from the Marvel Cinematic Universe’s original version of Loki. “We’ve seen her as a child, but she’s lived for thousands and thousands of years, in apocalypses on the run,” she says. “I think there’s so much more to delve into with Sylvie […] You’re filling in the blanks. You see [her on the planet] Lamentis, and it’s horrific. And you’re like, “Well, what kind of person would she be, growing up in apocalypses? What kind of personality would that give her?”

Herron says Sylvie’s backstory actually reminds her of the 1995 movie Jumanji, where a young boy is sucked into a magical board game in 1969, and emerges 26 years later as a full-grown man, played by with typical manic energy by Robin Williams. “It’s such a weird reference, but…” she says. “He’s a little boy when he ends up captive in that game, and when he comes out, it’s obviously been a life experience. With Sylvie, it’s similar. She was a child when she had to go on the run, so she’s had a very difficult life. I would love to see more of it. As Eric said, she’s a rich character, there’s so much to be explored.”

Herron says, though, that during her time on the show, material about Sylvie was added rather than cut — specifically, those scenes of her as a child, being kidnapped by the TVA. “This was before my time, but I know in the writers’ room, there were lots of avenues exploring Sylvie on the run and what her life was like,” Herron says. “I wouldn’t want to speak more to those, because I wasn’t there when they were being discussed. But something wasn’t in there that was important to me — I felt we should see her [history] in the TVA. Me and the team were talking about how it made complete sense, because episode 4 is all about twisting the idea that the TVA might be good on its head. And so that’s something that came in later, once I joined, was seeing her as a child. I think we needed to see that, not to understand her completely, but to get an idea of her motivations, why she’s so angry at this place.”

Talking more broadly about the series finale, Herron says the last few episodes weren’t as heavily referential as the first episodes, which she intended as “a love letter to sci-fi.” While early images like the TVA’s interrogation rooms had specific visual references from past science fiction, episode 6’s locations were drawn more from collaborations with the crew.

“The idea of the physical timeline being circular, our storyboard artists came up with that,” Herron says. “I had in the scripts, ‘We move through space to the end of time,” and then me and [storyboard artist Darrin Denlinger] discussed how we could play with the idea of time, while also adding MCU nods. He was like, ‘What if the timeline is circular?’ I think that’s such a striking image, like the Citadel at the End of Time is the needle on a record player. I just thought that was such a cool image, but it wasn’t necessarily taken from anything.”

Episode 6 focuses heavily on the mysterious figure He Who Remains and his citadel, a space she says was largely conceived by production designer Kasra Farahani. “I remember he brought in the art of the Citadel, and I thought it was beautiful,” Herron says. “He said, ‘The Citadel has been carved from an actual meteorite,’ which I thought was such an inspired idea. And He Who Remains’ office is the only finished portion of it.”

She says there are only a few direct homages in episode 6, including the zoom shot through space, which directly referenced a similar sequence in Robert Zemeckis’ 1997 film Contact.

“And then I have my Teletubbies reference for episode 5,” Herron says. “I wanted the Void to feel like an overgrown garden, like a kind of forgotten place. And I realized I’d pitched it as the British countryside. I remember trying to explain it to ILM, who did the visual effects, and saying, ‘Oh, you know, it’s like the Teletubbies. It’s just rolling hills, but they go on forever.’ That actually was quite a helpful reference in the end, which is funny.”

Asked for her favorite set memory from shooting the season, Herron says it comes down to Tom Hiddleston starting a mania for physical exertion before takes. “Sometimes he runs around set to get himself in the right mindset before he performs,” she says. “He does pushups. You know, you’re going into an action scene, you want to look like you’ve just been running. And it became infectious across all the cast. We’ve got so much footage of — I think Jack [Veal] ended up doing it, who plays Kid Loki. I’ve got [shots of] him and Sophia doing pushups and squats, just to get ready. It was so funny watching that echo across all the cast. I think all of them ended up doing those exercises with him at some point. It was so funny.”

“That might be my favorite set story, but it’s honestly, not a sweet one,” she adds. “I would say my favorite thing is his enthusiasm. He’s a very kind empathetic person. We were filming this in quite tough circumstances, a lot of people were far from home and isolating, and he brought this warmth and energy and joy to the set every day. And I think that made everyone feel very safe and very bonded. I’m forever grateful to him for doing that.”

[swordofazrael1992]

opinions on red lantern supergirl?

oooohhhhh this is a good question and not one i’ve really thought about before!! admittedly, i know next to nothing about kara besides the details of her origin, so i don’t know how well her personality matches being a red lantern. however, considering her origins against the origins of the red lantern corps itself is incredibly interesting. also, i have not yet read the n52 red lanterns so, so i may get some details wrong.

for anyone not aware, the red lantern corps was founded by atrocitus. his name might make you think “oh yeah, that’s a bad dude” because. yknow. atrocity. however, the atrocity is not him, but what was done to him. the manhunters (the guardian’s first attempt at a universal peace force) went “rogue”, wiping out almost all life in sector 666. it was later revealed that krona, the rogue guardian, caused the glitch in their programming just to prove a point to the rest of the guardians. one of the five survivors was atrocitus. after an attempt to rise against the guardians, they were imprisoned on ysmault, and atrocitus’ rage was so strong that, alongside the use of blood magic, he was able to tap into the red light of rage, and forge a corps that used both this light.

so, the red lanterns are inseparable from grief, tragedy, and pain that the members were caused, not that they caused. bleez, another member of the corps, was kidnapped, raped, and tortured. dex-starr (who is, for reference, a cat) received a ring after the murder of his owner, life homeless on the street, and almost being thrown off the brooklyn bridge. guy gardner suffered extreme abuse at the hands of his father. each red lantern has a story of extreme trauma emotional hurt that would lead them to anger as a secondary emotion or even coping mechanism.

it is because of this that they are often regarded as anti-heroic. many of them do truly want to prevent what happened to them from happening to other people, but are held back by their rage, or their rage affects the extent to which they can help. for example, during blackest night, atrocitus was convinced to help fight against the black lanterns because of his experience being a survivor of the manhunter massacre. earth was headed towards the same path, the only difference was the culprit. during new52, under the leadership of guy, the red lanterns were actually the guardians of earth.

now how does this actually relate to supergirl? well, comparisons can easily be drawn between her backstory and many red lanterns (mostly, in my opinion, atrocitus and bleez). iirc, she was older than clark during the death of krypton, and had far more memories of that. additionally, i’ve seen a lot of analysis on the oversexualisation and objectification of her character, and from what i’ve seen she’s had some… not good relationships. so, that is two possible sources of the extreme anger, which we can relate back to characters who are red lanterns, and there are probably far more that i am not aware of. does being a red lantern make sense for her character? i’m not sure, because i don’t know if rage was a common secondary emotion for her, but by comparing backstories there are a lot of similarities.

“but wouldn’t being a red lantern make her a villain?” nope! as i mentioned previously, the red lanterns are often anti-heroic, even under the leadership of atrocitus. but, iirc, kara became a red lantern when the majority of the corps was being led by guy gardner. and he is a hero, even under the influence of the red light (which i believe had been minimal at this point, or there were at least ways to correct it for some time).

tl;dr: rage is not an inherently bad emotion, and can even be used as a force of good, or at least a motivation for anti-heroes. kara has several events in her life that could lead to extreme anger, and it makes sense that they would.

[thinkingisadangerouspastime]

Hi, first off I ship Zutara and I come in peace. I was pointed your way by a friend when I asked for people who ship kataang who are nevertheless willing to hear different views. I have lurked on blog a week and finally got up my nerve to ask how you or any other Kataang can deny that the last part of book 3 was completely Zutara but then stopped abruptly with no buildup? You can finesse tone on text so I'm not being sarcastic or bitchy, it is a serious question (1/5)

In The Southern Raiders, Katara realizes she has been wrong about Zuko. In Ember Island Players, she realizes Aang is not as mature as she thought he was, and in the finale, Katara does not care a whit that Aang is gone. I am serious and as someone who is no Aang stan but likes him, I’m actually annoyed by how little anyone cared about his disappearance. It went from “Aang’s gone!” to “Okay whatever, let’s find Iroh so he can kill Ozai.” (2/5)

Katara was all over Zuko (honestly, again not being a jerk) in the finale until for whatever reason, she wasn’t. She was giving him a pep talk about Iroh, she was going with him to Azula, she was healing him and saying he saved her not the other way around. I genuinely don’t get why this isn’t seen as romantic. I will grant you that Zuko would not have allowed Azula to kill anyone but I feel the point here was Zuko realizing his life was pointless if Katara was killed. (4/5)

And then literally at the end, Mai shows up after Zuko not talking about her at all for six episodes and declares herself Zuko’s girlfriend. And Katara kisses Aang after being annoyed with and by him arguably since The Southern Raiders. I get that Kataang “won” and I’ve made peace with that, but ... I can’t understand why Kataang shippers are okay with such a crap story. I swear on my gmom [sic] if they’d done this for [Zvtara], I’d be mad as hell. So I don’t understand, I really don’t. (5/5)

As always, I shall begin with a disclaimer: anon, you do not have to agree with this post. No one has to agree with this post, as it is strictly my own thoughts on the subject matter raised here! As per usual, I will not be putting this in the main tags - much less the Zvtara tag! - because I have basic fandom decency, lmao. If you (the general you, not anon specifically) do disagree with this post, that is totally fine, I simply ask that you are polite in expressing your disagreement (if you choose to do so at all! no one is expected to, lmao. i promise).

Alright. Formalities are out of the way!

I’ll admit I giggled a little bit when you say you lurked on my blog for a week, because I’ve actually talked about this subject numerous times in the past! I just found it funny you hadn’t stumbled across any posts about it yet, lol. So, as a heads up, know that I will be providing several links in this post since - again - this subject and related subjects have been analyzed a multitude of times before. I highly recommend reading them all! Mostly because I don’t intend to spend forever restating what’s been said over and over and over lmaooo. I will provide the resources, but it is up to each individual to take advantage of them.

To begin: your ask actually contains a few logical fallacies, anon! I do not mean this as shade or to belittle you - I fall victim to this issue all the time myself. Anyone who writes analyses or participates in debates does! Humans are imperfect and often like to cut corners to reach a conclusion. It is nothing to be embarrassed or ashamed about because - as the existence of your ask in inbox indicates - you are willing to learn more. So kudos to you, my friend!

Alright. So what logical fallacies am I talking about here? (For the record: specific definitions of logical fallacies were taken from here.)

1. Hasty Generalization.

“A hasty generalization is a general statement without sufficient evidence to support it.” Numerous claims are made in this ask that I have absolutely no doubt you believe to be true, anon, but there really isn’t any concrete evidence to support it! I will go into more detail later, of course, but let’s quickly look at one example:

“In Ember Island Players, [Katara] realizes Aang is not as mature as she thought he was…”

For the time being, I will ask but one question: from the show itself, not fanon, how do you know this?

2. Causal Fallacy

Ah, this guy. My own worst enemy, tbh! “A causal fallacy is any logical breakdown when identifying a cause,” of which there are several types. “One causal fallacy is the false cause or non causa pro causa (‘not the-cause for a cause’) fallacy, which is when you conclude about a cause without enough evidence to do so.” In your ask, you claim:

“I will grant you that Zuko would not have allowed Azula to kill anyone but I feel the point here was Zuko realizing his life was pointless if Katara was killed.”

Again, for the time being, I will ask only one question: from the show itself, not fanon, what led you to believe this statement?

“Another kind of causal fallacy is the correlational fallacy also known as cum hoc ergo propter hoc (Lat., ‘with this therefore because of this’). This fallacy happens when you mistakenly interpret two things found together as being causally related.” In your ask, you claim:

“Katara was all over Zuko (honestly, again not being a jerk) in the finale until for whatever reason, she wasn’t. She was giving him a pep talk about Iroh, she was going with him to Azula, she was healing him and saying he saved her not the other way around. I genuinely don’t get why this isn’t seen as romantic.”

I will ask one question: from the show itself, not fanon, why would you believe these are indicative of romance? (Consider the context the show is situated in, too - e.g. the war, Katara being Azula’s only available match in skill, etc.)

The reason I bring up the issue of logical fallacies is again not at all to make you feel bad, anon!! You were simply trying to express your point to me and I greatly appreciate you taking the time to do so. See, your ask actually presents a larger fandom trend:

Misconstruing fanon as canon.

What you have offered to me, anon, are fanon conclusions. To clarify: there is absolutely nothing wrong with fanon. I adore fanon interpretations (an example I have used in the past is Kuzaang - like, I don’t care that there’s no canon basis! I do what I want lmao!), but a line has to be drawn between exploring fanon interpretations and expecting everyone to take that fanon as canon. Again, anon, this is not your fault! It is not any one person’s fault, lmao. It is an issue of fandom as a whole, and all of us fall victim to it.

With that in mind, I will break down the different components of your ask. I will also do my best to be brief - as aforementioned, I and others have analyzed this issue numerous times before, lmao. To avoid confusion, it would be best to read through each or at least most links as they are provided!

Firstly, there are two posts I have made in the past that almost directly answer your overarching question here in this ask. Please read them prior to continuing, as I will occasionally reference them:

This post explains how Zvtara was not built up from TSR/EIP-onwards, and how their supposed “canon enemies to lovers arc” is a completely fanon construction.

This post explains the issue of the “canon Zvtara” rhetoric from rabid zkers (and you, anon, are absolutely NOT one, in case you were worried).

Alrighty. With that out the way, let’s get into it!

“In The Southern Raiders, Katara realizes she has been wrong about Zuko.”

Gotta start by saying that TSR is not about Zuko. TSR is, first and foremost, about Katara. Katara does not realize she was wrong about Zuko, because here’s the truth - she wasn’t wrong about him. Zuko did horrible things to the Gaang. Katara was not wrong to hold him accountable for that. What Katara does realize is that holding such rage so close to her chest is bad for her. This rage was not solely anger against Zuko, either; it was of course about Yon Rha, too, but it was also anger towards Kya and Katara herself. Essentially, TSR is where Katara realizes she has to forgive herself. Zuko is only one part of her journey (similar to Aang’s role in the episode, if a different end of the spectrum).

This post explains how TSR was fundamentally about Katara.

Additional resources about TSR:

This post explains Aang’s comments to Katara in TSR and how Katara herself recognized their validity.

This post explains why both Aang and Zuko were important to Katara in TSR.

This post is an extensive breakdown of Aang and Katara’s relationship within TSR.

“In Ember Island Players, [Katara] realizes Aang is not as mature as she thought he was…”

You provide no context for this claim, so I’m going to work with the assumption this is about their reactions to the play itself and the infamous kiss!

There is something important we must keep in mind when discussing EIP: the play they watch is literally imperialist propaganda. It is meant to demean the entire Gaang, and indeed it does exactly that. You mention Katara and Aang specifically, so I will recap what I have explained before about their depictions in EIP: Katara, an indigenous woman, is hypersexualized and portrayed as overly emotional (and thus “irrational”). This reinforces the Fire Nation sentiment that women of the Water Tribes are less intelligent and less suited for “responsibility” than Fire Nation women. Aang, a pacifist and the sole survivor of genocide who is also canonly the male character most comfortable with femininity and spirituality, is portrayed as a flighty, airheaded woman (this is a well-known imperialist tactic meant to emasculate the target, seeing as masculinity was often equated with power in fascist regimes; thus, they effectively belittled Aang before the FN audience). This reinforces the Fire Nation sentiment that the Air Nomads were foolish, weak people who deserved to die.

In other words, of course Aang and Katara were upset about how they portrayed in the play. It is understandable that tensions would be running high and consequently that mistakes (we all know the one) would be made.

This post explains how EIP belittles each member of the Gaang (and why the play is not indicative of Zvtara).

This post talks specifically about EIP and their portrayal of Aang and Katara.

Now onto the kiss. As everyone knows and no one has ever disagreed with, Aang was wrong to kiss Katara. Point blank!

But what people do misunderstand is Katara and Aang’s feelings regarding the kiss. Given your above quote, I assume you believe Aang kissing Katara supposedly made her realize that Aang wasn’t as mature as she once thought. On the surface, this seems like a logical conclusion! But digging deeper reveals… well, there’s nothing that indicates this conclusion at all. Even jumping ahead to the finale, when Zuko has doubts over Aang’s return, Katara demonstrates her faith in Aang (although of course she’s nervous - I won’t deny the obvious, lmao) as she says, “Aang won’t lose. He’s gonna come back. He has to.”

In other words, nothing in canon suggests that Katara believes Aang is immature because of what happened in EIP. She still trusts in his return, as she did even before she knew him (and arguably is more confident in him now, given the 60~ episodes of them growing closer). Furthermore, when Aang does disappear, Katara doesn’t have an outburst about how “immature” it was for him to “run away again.” The viewers know Aang didn’t run away, of course (fans who insist he did are not worth arguing with, anon - they don’t understand the show, rip), but that is a luxury the rest of the Gaang is not afforded. And yet even though Aang has vanished off the face of the planet, Katara still believes he will save the world. If anything, that signifies the utmost confidence in his skill and maturity!

To go back to the kiss itself, this post explains the true source of Katara’s conflict in turning down Aang (hint: she says it herself in the episode! you know, the whole war going on) and why the EIP kiss did not sink Kataang’s relationship.

Additional sources about EIP:

This post explains how the EIP kiss was resolved through narrative parallels.

This post explains how the EIP kiss is so often blown out of proportion.

“… and in the finale, Katara does not care a whit that Aang is gone. I am serious and as someone who is no Aang stan but likes him, I’m actually annoyed by how little anyone cared about his disappearance. It went from ‘Aang’s gone!’ to ‘Okay whatever, let’s find Iroh so he can kill Ozai.’”

As I already touched upon, Katara didn’t need a soliloquy to emphasize her connection to Aang once he disappeared. She trusts that he will return. She says so herself. I guess I just don’t understand how you got from Point A, Katara has consistent faith in Aang, to Point B, Katara and the rest of the Gaang didn’t care about Aang’s disappearance. It’s honestly a bit more like Point A to Point Z, lmao! If you would like to expand on your logic here, I would love to hear more!!

There are a few specific aspects I want to note about your rationale, though. You argue the Gaang moves from ‘Aang disappeared’ to ‘let’s find Iroh,’ but the Gaang actually went from:

1. Aang disappeared!

2. They search the entire island for him.

3. Okay, they couldn’t find him, so they track down June and have her try to find Aang.

4. June says to them, “No, I mean he’s gone gone. He doesn’t exist.” (And she clarifies to Sokka that she doesn’t mean dead, either - she means Aang has totally blinked out of their world.)

5. Only after all of this do they decide to track down Iroh.

The Gaang cares immensely about the fact that Aang is gone, and you could actually argue they waste time by trying to track him down. They don’t give up until June essentially tells them that some Spirit World shenanigans were involved. Even if you don’t think they reached that specific conclusion, I have to ask: What else were they supposed to do? They were told Aang didn’t exist! How are they supposed to fix that?

Well, they can’t. So they do the next best thing: they find Iroh, the man who knows Ozai better than anyone and is also one of the most talented firebenders in the world. In my opinion, that’s a very logical step to take.

“Katara was all over Zuko (honestly, again not being a jerk) in the finale until for whatever reason, she wasn’t. She was giving him a pep talk about Iroh, she was going with him to Azula, she was healing him and saying he saved her not the other way around. I genuinely don’t get why this isn’t seen as romantic.”

I’ll be blunt here, lol: in my opinion, nothing of what you listed in your ask is inherently romantic.

Okay. I am going to assume you’ve read the first two posts I linked earlier (“Zvtara did not have an E-L arc” and “the ‘canon’ Zvtara of rabid zkers has issues”), because I do not intend to rehash everything they contain, lol. Consequently, I presume you realize by now that there was no canon romantic interest between Zuko and Katara.

And as I always say, just because there wasn’t a canon romance doesn’t mean people can’t take fanon routes! Of course they can! That’s the entire point of fanon! But fanon is not canon, and I am strictly referring to canon in my discussions.

You claim Katara was all over Zuko, which in itself I don’t think is an accurate assessment, because she doesn’t really do anything with Zuko outside the three points you bring up (other than the June gag, which I addressed in one of the aforementioned linked posts). So I’ll go ahead and break down each instance you provide!

1. “[Katara] was giving [Zuko] a pep talk about Iroh”

Katara asked Zuko if he was okay. She asked him if he was genuinely sorry. She reassures him that Iroh will forgive him. That’s… all. Not to diminish the significance of this conversation, but it’s not exactly an intimate, romantically-charged discussion (unless fanon-ized). But on that note, let’s tackle the canon significance of this moment!

Katara knows firsthand the challenge of forgiving Zuko. And she knows that Zuko understands how hard it was for her to forgive him (note: Katara’s anger was totally justified, and anyone who disagrees is probably a rabid Zuko stan lmao). She also recognizes that Zuko is terrified it will take Iroh the same struggle to forgive him that Katara went through. This scene is not related to romance at all. It’s about compassion. It’s about Katara and Zuko’s friendship having progressed, slowly but surely, to the point where she’s not afraid to extend empathy to him anymore (seeing as the first time, beneath Ba Sing Se, did not go so well; you know - Aang died and all). It’s about Zuko recognizing his own fallibility (and the audience recognizing how much he’s grown). He questions how he can even face his uncle after all he’s done to the man, which is a far cry from his entitled attitude in TSR, where he demanded to know why Katara didn’t trust him when everyone else had forgiven him.

To make this moment, this moment about Zuko’s relationship with his uncle who is all but a literal father to him, this moment of vulnerability, of guilt, of remorse, of growth, to claim this powerful moment is about a nonexistent romantic relationship? In my opinion, that is incredibly reductive to what this scene is supposed to signify. And again, there is nothing wrong with people exploring such a possibility in fanon, but in canon? Nah. It doesn’t track.

2. “[Katara] was going with [Zuko] to Azula”

Don’t forget that at first, Zuko planned to take on Azula alone. He doesn’t request Katara to accompany him until Iroh tells him that he’ll need help. As such, Zuko’s immediate agreement with Iroh is reflective of his personal growth (Book 1 and 2 Zuko would have argued and insisted he didn’t need any help). It also demonstrates, however, that Katara was not obsessively on Zuko’s mind. He doesn’t choose Katara until Iroh points out that Zuko will need assistance in taking Azula down. This means that Zuko’s choice of Katara to join him is a tactical decision, not an emotional one. And by all accounts, it’s a damn good decision! Zuko witnessed firsthand beneath Ba Sing Se a) how powerful Katara was (e.g. that wave after Aang died) and b) how Katara was the only one who could take on Azula*.

Of course, besides the fact that Katara was the only match for Azula, who else was Zuko going to choose? Sokka and Suki, while talented in their own right, were no competition for Azula. Toph, while the greatest earthbender in the world, was needed to metalbend the airships. Katara was the only (and the best!) option.

Also, on their trip to face Azula, the only thing they talk about within their three lines of canon conversation are Azula and Aang. Not exactly a romantic flight, lmao.

*Zuko never saw Aang fight Azula on the drill.

3. “[Katara] was healing [Zuko] and saying he saved her not the other way around”

Actually, this is what the transcript says:

Zuko: Thank you, Katara.

Katara: I think I’m the one who should be thanking you.

You’re right about how their lines refer to them saving each other, but you posit it as a romantic moment, when the lines are actually pretty straightforward. Zuko thanks Katara as she heals him from the partially-redirected lightning strike, and Katara thanks him for trying to redirect the lightning away from her and in doing so saving her life. In terms of canon, there’s nothing romantic about this, lol! (Which I talked about extensively in the E-L post, if you need to reference it again.) The reason being is that you have to take the show itself into context when you do analysis. If there was no canon romantic buildup between Zuko and Katara, why would these lines in canon (not fanon! fanon is free rein, lmao) be interpreted through a romantic lens?

Well, they wouldn’t be interpreted as such. Plain and simple.

“I genuinely don’t get why this isn’t seen as romantic.”

Because looking through a canon lens, they aren’t romantic. That’s all. You are of course welcome to view them as such through a fanon lens!! It’s just about recognizing the line between canon and fanon.

“I will grant you that Zuko would not have allowed Azula to kill anyone but I feel the point here was Zuko realizing his life was pointless if Katara was killed.”

I asked earlier what content in the show itself led you to believe. I have wracked my own mind, and I cannot think of anything that would point to this conclusion. Zuko was in Katara’s good graces for 5 episodes. That’s 8% of the show. Not exactly a lot of time for Zuko to start believing his life would be pointless if Katara was killed, is it?

This post explains the improbability of Zuko having a crush on Katara within canon.

This post explains how Zuko’s racism towards the Air Nomads in TSR and the finale is, well, exactly that - racism (and not a sign of a crush on Katara).

And, of course, as has been said a million times, Zuko taking the lightning for Katara out of romantic interest would completely undermine his redemption arc. Since it has been said over and over and over, I will be brief: Zuko taking the lightning is significant because it is a selfless act (one of his only in the series), and it directly parallels his selfish act of choosing not to intervene when Azula killed Aang with lightning beneath Ba Sing Se. This moment demonstrates Zuko’s growth, how he has learned to accept unconditional love from Iroh and the Gaang and Mai and even Ty Lee and sure, even from Appa and Momo, too. To make this moment of pure selflessness about a nonexistent romance? To force a fanon romance in replacement of canon redemption and canon platonic significance?

Such a decision speaks wonders about a person’s priorities, in my opinion, as well as how amatonormativity impacts them.

Furthermore, Zuko’s choice cements Katara’s position as his surrogate sibling, as she is Azula’s primary foil. Zuko chooses the sister who heals over the sister who harms. I won’t go too much into it here, because it has already been talked about extensively before! Thus, I offer you this post that explains how Zuko and Katara - in canon - are positioned as surrogate siblings as well as Azula’s role in this matter. I also offer this post that lays out through screencaps how Zuko and Katara - in canon - treat each other like family.

Additional sources about the final Agni Kai:

This post in part discusses fanon misinterpretation of the final Agni Kai and why such a lens is not true to canon relationships.

This post explains why the final Agni Kai is not intended to be romantic.

This post explains how the final Agni Kai is primarily about Azula and how reducing it to be a big Zvtara moment is detrimental to both her and to Zuko and Katara themselves.

“And then literally at the end, Mai shows up after Zuko not talking about her at all for six episodes and declares herself Zuko’s girlfriend.”

This point could probably get a post of its own, lol, but fortunately I and others have already written a few! I will link them below - first, however, I question your choice of “declares.” Technically, yes, Mai does say outright that it doesn’t hurt how the new Fire Lord is her boyfriend, but your phrasing implies Zuko resisted her proclamation. When… he doesn’t. In fact, he embraces it, asking if that means she doesn’t hate him anymore (read: he asks if they’re back on good terms again). Zuko clearly doesn’t have a problem with the girl he loves wanting to be with him again - so why do some parts of fandom so adamantly insist he does? (Not you, anon - I am referring to the rabid fanoners, lol.)

Also, regarding how Zuko hasn’t talked about Mai for six episodes, we’ve gotta be realistic with this assessment in terms of canon:

1. It was the crux of the war. They were either going to live or die. There was no time for romance at this point! Sokka and Suki weren’t professing their love on the battlefield, lmao, so it’s not exactly strange that Zuko didn’t bust into a monologue about how he missed Mai. I think they were just a little bit distracted by the possible end of the world, lol, and all that jazz.

2. Zuko probably thought Mai was dead. He knows what Azula is like. He knows his sister doesn’t have time for people who get in her way (Aang can testify to this, lmao). So can you blame him for not wanting to think about how the girl he loved had died (to his knowledge) to save him?

You gotta cut the kid some slack, lol. Anyways! Additional sources about Maiko:

This post breaks down the notion of Maiko and “deserve.”

This post rationalizes through a canon lens why Mai’s arrival at the palace surprised Zuko.

This post is the mother of Maiko metas, explaining in tremendous detail why their relationships works, is relevant to canon, and was well-implemented for what its role was.

“And Katara kisses Aang after being annoyed with and by him arguably since The Southern Raiders.”

What in canon has led you to the conclusion that Katara was annoyed with Aang? What specific moments from TSR to the finale made you think Katara was annoyed with Aang and remained annoyed with Aang? Are there any, or are you thinking about fanon interpretation? (Canon vs fanon strikes again!)

In TSR, Katara explicitly thanks Aang for understanding her perspective. Nothing there is indicative of annoyance (and as in the links provided earlier, she was not angry at Aang/Zuko/etc. so much as she was at herself. well, she was a little bit angry with Zuko, lmao). In EIP, Katara is understandably angry at Aang’s decision to kiss her, but Aang completely backs off, and we see in the part 1 of the finale that there are no hard feelings or weird tension between them. Katara in fact actively expresses concern for Aang after Zuko sporadically attacked him when she demands of the firebender, “What’s wrong with you? You could have hurt Aang!” Even when Aang and Katara do butt heads later in the episode as Aang tries to think of a way to defeat Ozai without killing him, Katara doesn’t stay frustrated. Like I said - when she and Zuko are flying to Azula, she demonstrates her unwavering faith in Aang through her belief that he will return. So… where is the annoyance that you feel was present?

With all this mind, i.e. looking strictly at canon, Katara wasn’t annoyed with Aang during this time. Thus, Katara kisses Aang because she loved him. Because he backed off and gave her the space she needed to make a decision about if she wanted to be with him (hence Katara being the one to initiate the kiss). Because the issue was never about if she reciprocated his feelings (they both knew they loved each other) but rather it had to do with the war. At the end of the finale, the war is over, and there is nothing that prevents them from being together. Simple.

This post explains how Katara’s feelings for Aang develop throughout the series (and were not neglected, as rabid zkers like to claim, for some reason? again - you are not one of them, anon).

This post also covers Katara’s interest in Aang throughout the series.

“I can’t understand why Kataang shippers are okay with such a crap story.”

I mean, you definitely don’t have to ship Kataang. It may not be your cup of tea, and that’s totally okay! But as the above links demonstrate, Kataang was a fantastic story. It was well-implemented into the narrative from Day 1. The soulmateism is unparalleled!

Also, it’s worth noting that A:TLA itself was essentially pre-written. The writers knew how the story would end from the get-go, including that the show would end with Kataang. A few Zvtara gags were thrown in to add a sense of “who will Katara choose?” drama as the show aired, but Zuko and Katara were never planned to end up together. One reason so many newer fans are fine with Kataang from the start is that there’s no tension of waiting a week for a new episode when you can watch all 61 episodes straight through on Netflix, lmao. It’s even more obvious now than when A:TLA was airing that Aang and Katara will end up together, if that makes sense. (Although I talked about this in the E-L post linked earlier, so you probably understand this point already, as it was explained in detail there!)

All of this is to say that Kataang is not a “crap story” in terms of writing (again, personal taste is a different matter) because it was woven in from the beginning and had powerful narrative significance! (Kataang represented numerous complementary components of the series, such as yin and yang, push and pull, air and water, Oma and Shu, etc.)

Now. If you really and truly want to understand why Kataang shippers like Kataang, anon, consider reading some Kataang fanfics or exploring some Kataang headcanons. I read fics involving Zvtara more regularly than you might think, lol, because… well, it’s just a ship. I understand the appeal of romantic Zvtara and I can actually appreciate it when it’s well-written! I’m sure if you’re willing to put in just a little legwork (you don’t need to go the whole mile, lmao - ‘tis just fandom), you’ll realize why people like Kataang, even if it isn’t exactly your thing. You have the range, anon!! You got this!

I hope I managed to answer your questions, my friend! As always, you do not have to agree with anything I have said here. It is totally fine if you and anyone else disagrees! Everything above is simply my own perspective on the matter. Thank you for taking the time to read my response and all the different links I provided! I hope it has expanded your understanding of the subject at hand!

[gomgeomeogmeogmy]

Hi :) my friend recommended me your Tumblr and I've asked stuff before so I thought maybe I should do it again

I really like the theme of this fic https://archiveofourown.org/works/33668362/chapters/83671462 and it hasnt been updated

TW: s3lfh@rm

I'd like to ask for headcanons about Todd dealing with depression and self harm (with Neil helping him cuz i luv anderperry)

I'm sorry if this triggers you, i wanted to see my favourite character dealing with similar struggles as me

Tysm anyways

Okay!! So, before I get into this, I do want to put a HUGE TW on this post, this post WILL mention self-harm and struggles with depression and anxiety.

I want to make it clear: I am by no means attempting to romanticize this topic, as someone who struggles with SH, that is the last thing I ever want to do. If I write something that seems like that, please do not hesitate to call me out.

Here we go! Last TW

Todd dealing with SH and depression/anxiety

Switching to Welton was extremely difficult for Todd, we know this

He felt the pressure of living up to his brothers standards, pleasing his parents, his teachers, and worrying about not fitting in

He always struggled with SH, since he was in grade school, so it was nothing new, but it definitely got a lot worse once he started at Welton

Meeting Neil, Charlie and all the others helped him feel more comfortable, but at the same point it kind of made it harder for him

He couldn’t help but feel like he was intruding in their dynamic, all of them having been friends for their previous years at Welton, a few even before that, and here he was trying to shove his way in

One night, Neil was out late at a play rehearsal and Todd had one of the worst anxiety attacks of his teen years

He wanted so desperately to go get Charlie or Knox, maybe even Meeks, but he couldn’t get himself to, he was so scared of what they would think about him, so he resorted to his usual coping mechanism, self harm

He didn’t want to, but it didn’t feel like he was in control, he didn’t feel like he had a choice

The next few days after that, he was really off, everyone noticed

He was talking even less than usual, walking behind the group instead of with them, wearing extra layers, always seemed to be making himself as small as he possibly could

What really worried them was the way he winced Every time someone touched his leg

Neil and Charlie were the first two who saw it

Charlie had gone to pat Todd’s leg after making a joke, but he quickly pulled his hand away when he saw the pained wince

He and Neil shared a quick, knowing look. Something was seriously wrong

Neil was cautious with Todd the rest of the day, keeping a close eye on him to notice every change in his behavior to see if he could figure out what was wrong

That night, when Todd got up to go to the restroom, Neil got a gut feeling that he needed to look through the trash

He felt weird about it, but he did it, and his heart suck to his feet when he saw the bloodied tissues. Him and charlie were right

Todd walked in right as Neil found them, both of them stopped and stared at each other

“Todd…?”

Todd broke down again, instantly hyperventilating and sobbing and apologizing profusely

Neil panicked, no doubt crying himself as he attempted to comfort his friend

He quickly pulled todd into a tight hug, carefully sitting both of them down on Neil’s bed as he shushed and comforted Todd

After about a half an hour, todd stopped crying, but he was still shaking and refusing to meet Neil’s eyes

(The rest of this will be in writing/story form)

“Todd, you know I’m not angry, right?”

Todd stayed silent, keeping his head down.

“I’m really not mad. I’m just- worried about you… we all are.”

Todd’s head snapped up, his eyes wide and afraid.

“The others know too?!”

“No no no! And-and they won’t know if you don’t want me to tell them, I promise, but you’ve been off for the last few days, we’ve all been worried sick about you, Todd.”

“I’m…im sorry, I don’t want to worry you guys-“

“Well, that’s part of what being a friend is. We love you Todd, I love you, we all just want you to be okay. Can… can I ask why?”

Todd went quiet again, the tension so thick you could slice it with a knife.

“I didn’t want to… I was just-I had an anxiety attack, and I didn’t want to annoy Charlie or Knox or any of the guys, I tried to stop myself but it didn’t feel like I was in control, I’m sor-“

“Todd, you don’t need to apologize. Look, I’ve been there before, okay? I’ve done the same thing, I know exactly what it feels like. I also know that Charlie, Knox and any of the others would never be annoyed if you came to them for help, shit, I think most of them would be flattered that you trusted them enough.”

Todd looked away again, obviously not believing a word Neil said. Neil sighed and grabbed Todd’s hands, giving them a reassuring squeeze.

“I know it’s hard, I know that better than anyone, but we love you, so much todd, all of us do, and we want you to be okay. You don’t have to ever tell us anything you don’t want to, but please, if you ever get the urge again can you just…come to one of us? Any of us, really. You don’t need to give details just-just talk to us, be with us, we care, and we’ll all help as much as we possibly can.”

Todd met Neil’s eyes, and Neil gave him a soft smile. Todd’s eyes grew glossy, a single tear slipping down his cheek.

“Yeah. Yeah I’ll try…”

Neil’s smile grew. He pulled Todd into a tight hug, and Todd couldn’t help but melt into the comforting touch.

“You’re so important to us Todd. Don’t ever think for a second that we don’t want you around, or that you’re annoying us. We love you so so so much. I love you, so much more than you know. Everyone here just wants you to be okay.”

“I…thank you, Neil.”

Back to HC style

The next day, Todd was already seeming a little better

Neil made sure to keep a close eye on him, but he acted like everything was normal, he knew it sucked to have the attention drawn to you when you weren’t feeling good, so he tried to avoid making that happen

The group was obviously thrilled that they had their Todd back, all of them talking to him and joking with him like they hadn’t seen him in days

Neil and Charlie looked at each other again, charlie giving him an “is everything okay?” Look, to which Neil simply nodded and grinned

Todd might not have been fantastic right now, but he was better than yesterday, and that’s all that really mattered

Please, if you ever have the urge to hurt yourself, reach out to someone you trust or find a way to distract yourself. I know what the feeling is like, I know it all too well, but I can also promise you that it is not worth it.

You are so important, and you do not deserve to be hurt.

If you need alternatives to self harming, please look at this list. It gives lots of good alternatives that are far better than harming yourself in anyway

You are loved, you are important, and you matter. <3

[partnersatfazbear]

Sketchbook Pages 41, 42 (according to my notes)

Hope you guys are enjoying all these double uploads of art and fanfic =XD I’m just really wanting to leave yall with something to tide yourselves over!

To give some background info, I’ve been: drawing a lot of anatomy, especially legs; drawing a lot of non-FNAF fan art (because I’ve been playing old games as a comfort mechanism--I am absolutely miserable without my things and it sucks)

Page 41: I scribbled a lot of notes... Spoilers for RS Chapter... 17? Some fluff, some crazy!Will. I drew his face upside down and like... ya know without turning the paper, and it came out pretty creepy. I hate it XD I reread RS and I just really love William talking to the Spring Bonnie head. I’d probably watch an entire movie of him just crazy rambling, venting, and crying over this inanimate thing he loves. It’s really where you can tell William has gone off the deep end. Even though this was an idea I had originally, I’m glad that TSE’s actually reinforced the idea somewhat. Rewatching FNAF 6 again cuz why not... my wife and I always joke that Henry would encourage Mike to purposely fuck up the Scraptrap salvage mini-game. XD Drew a little comparison of my Mike and William, since they are very similar. The top drawings were done in a pen I prefer, but I misplaced it (like always) and had to switch to a more liquid pen and... well, my sketches get super sloppy with it since the heavier ink tends to dab and smear. I drew this spoiler sketch for Sammy and the AlmagAfton and was wondering where I got the inspiration from (pretty sure it was End of Evangelion. I’ve been biding my time waiting for my wife’s vacation to watch Evangelion 4.0 and it sucks waiting. End of Evangelion, which 4.0 is a recreation of, happens to be in like my top 3 anime films of all time, so...) ANYWAY, I decided to give CEO!Sammy a rabbit... he names it PJ... I very very much picture him like a Bond villain and that’s OK. =:) Oh, the random girl in the center is my personal OC. I wanted to draw her in the night guard uniform >>; She’s a cop in my universe, anyway...

Page 42: The top left has some scraps from other pages (you aren’t missing anything, I was doing non FNAF comic page planning underneath). These were done in pencil, hence the shade difference. Drawing faces and emotions is a huge comfort for me.Like I said before, I reread RS and it’s such a shame Elizabeth and Charlotte didn’t hang out more “on screen”, as I think Charlotte would be this quiet, mature type; Elizabeth is an impulsive and stubborn type (like their old men, I guess). So, like, Elizabeth could get Charlotte to open up more and Charlotte could teach Elizabeth some manners XD There’s a small sketch in the center of a (badly drawn) William for the scene when the Mangle prototype briefly comes to life due to the dog remnant. It’s a creepy scene in the story, even if the theory is universally hated now. It’s not something I believe, really, but I NEEDED it to happen so William could discover Remnant. There’s more angry William and a few more sketches of CEO!Sammy. I really have fun drawing him and I was refining the idea from the previous page. He’s one of many posessed by Glitchtrap, so I tried to show that... (Also, it bothers me that he looks like Rasputin from Devil Summoner: Raidou Kuzunoha 1, BUT its fine. I’ll deal with it.) Please ignore my Aerith sketches. Since my PS4 HDMI died and I can’t get it repaired and I can’t find/afford a PS5 and I haven’t experimented with remote play as a back up yet, I can’t replay FFVIIR, so I’m playing FFVII on my Switch again. Aerith is probably my favorite character of all time, so...

As you guys may have guessed I’m really revving up on inspiration to try and finish Truth Seeker... I think I will be posting more of it soon as the final two chapters of RS come out.

If you like my work, please reblog it, share it, or at least comment and let me know what you loved =:) I really wanna cater more to you guys, but I have no idea where to begin!

[aro-comics]

Aro Culture (Part 4)

Part 4 - so this was originally going to be a shorter update but I realized I couldn’t fit what I needed to say into three panels haha 😅 I honestly have a lot of complicated feelings about everything I’ve talked about here haha. To clarify on the last panel - I want all of these things explicitly WITHOUT the romance. I feel the need to clarify b/c a lot of people may want similar things, but it’s just assumed that unless you explicitly state you don’t want to fall in love people just assume that is *of course* a part of your plans 🙄 I guess that’s just amatonormativity for you. I once was like “yeah I just ... can’t see myself getting married” when we were talking about our future plans and a girl literally told me “OMG!!! No that’s so sad!! Why??” 🙃 so yeah, that’s been my experience with not wanting romance. What about you guys? What makes you happy???

Also another Note: My friend had been helping me type some of these descriptions up until now (she’s an angel, shoutout to you RK <3), and I took over from around here on out, hence the permanent change in describing each image from panel to slide 🙃 Small detail, but just thought I’d clarify in case it seems like things are different! 

[Image Descriptions:

Slide 1: Celia standing in front of the submission bowl again, holding another piece of paper. She says “In terms of general experiences aros seem to have, I think most of us can relate to the following …”

Slide 2: Title slide. Text reads: “#2: Never thinking that you "need" a partner in life to be happy”

Slide 3: 

“I’ve always loved writing stories - ”

Drawing of young celia drawing on the floor (an arrow points at her, which reads “me, a lot younger”). The child-like drawing appears to be two stick figures on hill, one of them raising a sword. A speech bubble coming from her says “... and they became adventurer best friends!” 

Slide 4: 

 “ - which as a kid, I would use to project what I wanted in life. Dinosaurs and cool swords aside, my key themes were friendship and devoting life to exploring and learning about the world.”

Drawing of young Celia kneeling over a pile of papers which she had drawn more on. A speech bubble: “The base’ll be a lighthouse”. 

Slide 5: 

“I wanted to be like my characters.” 

Celia from the back, staring at a bunch of coloured pictures she has posted on the wall. Speech bubble: “ … it’d be so nice to do stuff like this when I grow up!”.

Slide 6: A pure text slide set against a green background with stars and wavy lines. The text says: “I know, a lot of people might say ‘yeah, every kid’s like that. You don’t think about romance when you’re young.’”

Slide 7: Another pure text slide like the one before. Text says: “But lots of kids also think about the kind of person they want to marry, and imagine their wedding. The thought of being married has always made me feel confused. It was never a part of the life I imagined for myself. And that never changed.”

Slide 8:

Celia sitting at a table with her friend, talking in university. Her friend says: “So, where do you see yourself as a ‘real adult’ - like what do you want?”

Slide 9:

Celia responds: “I guess … to work everywhere. Explore, learn how to really design for sustainability … maybe a kid one day.”’ ]

[runephoenix6769]

“What is with the Blake / Yang hate this week? Folks seem particularly fired up.” I asked this question on a forum because of something I’ve noticed the last few days on discussions about Blake and Yang/Bumbleby/shipping in general. I keep seeing the same answers.  “It ruins the team’s dynamic.”

Welp, I’m pretty certain none of those people would say that Raven/Tai and Tai/Summer ruined the team’s dynamic. Or that Ren and Nora are currently  ruining the team’s dynamic.  What is this holy than thou crusading to protect the sanctity of the team dynamic? Rwby has always been first and foremost about interpersonal relationships. It’s what drives the actual plot. Character growth, failing relationships/friendships. How they change over time, either to grow or crumble. 

“It’s being shoehorned in, for fanwank.” How? How is it being shoehorned in? Give me a narrative breakdown as to where/how/when this occurs? Compare it to the Sun/Blake narrative and show me the glaring differences between the Yang/Blake narrative to prove that bumbleby was never planned yet blacksun was?  (Sidenote. Anyone that has been asked to do this on the forum has yet to do it.)

“Yang showed interest in boys.”“ Yes, yes she passed comment once. In vol 1 episode 1. 8 VOLUMES AGO. She has shown not a lick of interest in guys since. Its almost as if she’s like any normal 17 year old girl who is growing into adulthood and figuring herself out, who might be realising her interest in Blake isn’t strictly platonic and is trying to navigate that whilst also grappling with what that means with regards to their friendship. And dealing with an over arching situation that is, ya know, potentially the end of the world as they know it.  It’s about two years in universe, right? Which is about right of an amount of time for what its happening between them to play out. It only feels like longer to the audience because, well, its taken 8/9 years to tell the story up until that point. 

“The Fans are too loud/vocal/come on too strong.” Ok, this one I agree with, we are loud and vocal and that might come across as coming on strong  (here’s a huge) BUT, there is actually a genuine explanation for why it seems that way.   If you really think about it, objectively. 

Hear me out.  Fans are excited about the potential representation we don't otherwise usually get in media. I mean, if you have 10,000 pieces of media and only ONE of them represents lgbtq people, of course we’re gonna be excited and talk about the ONE quite a bit with others who are like us. This might also be the first time we’ve seen anything like this, or seen ourselves represented in a somewhat positive light. It stands to reason that the other 9999 pieces aren't going to hold our attention as much, esp if its the same hetero romance played out a bajillion times before, right? I mean, if you have a group of people who are constantly represented in the 9999 other shows, their voices are going to spread thinner, right? They aren’t going to be gathered all on one place, talking about the same thing because there are 9999 other choices to connect them to other people. They aren’t going to care as much if their straight ship happens/doesnt happen 

“Hey, I can move onto another piece of media that is churned out by the status quo. No big deal.”

Hetero romances are ten a penny. Flick through netflix, hulu, crunchy roll etc.  Where as if you have a group of people who are only represented in ONE show out of the 10,000 those people are going to gather in one place to connect with others and its only going to seem like they are louder due to the densely packed space.  These same people have been majority silent about the other 9999 pieces of media as their voice isn't usually represented in a positive light - being queer characters are usually brutally murdered or sidelined. (Thankyou Hays Code.)- or not even represented at all. (Bury Your Gays is a trope for a reason, folks.) And we are NEVER the titular characters. We’ve been living on crumbs and subtext for decades! Not to mention showrunners who actively queerbait the hell out of us for ratings and viewership. The almighty Pink Pound as its often referred to in business. “But why do they have to make them gay?” You’re not made gay, you’re born gay. It just takes longer for some people to realise than others. It can be a gradual realisation. And this is quite possibly the case with Yang/Blake, slowly coming to realise their own burgeoning sexualities and attraction to each other.

”Why do they have to be gay?” They don't need a reason to be queer! They just are! Queerness is only a part of a person, not their everything. It’s actually quite refreshing to see Yang/Blake being portrayed as much more than their potential sexuality.  Ask yourself, ‘Why does a character have to be straight? And why doesn’t a straight character have to constantly reaffirm their sexuality? Why is ‘straightness’ assumed by default?’ Heteronormativity, is something that has been perpetuated by decades of media. (helped by the Hays Code with its out of date moral code. To be other is to be punished within the narrative.) That straight is the default setting. It’s not! We exist! Everywhere! We always have and we are going to talk to each other about it when we see a glimpse of ourselves represented in what has been a relative Sahara Desert when it comes to queer content were we are not villainised.   “The romance is detracting from the plot.” Two seconds ago, people were claiming that the romance was none existent. Which is it? But Nora and Ren’s romance that is being held up as a mirror to bumbleby is fine? That Jaune relentlessly pursuing Weiss was perfectly ok. Neptune openly hitting on female characters is fine. 

“I don’t have a problem with LGBT. I just don’t want it forced down my throat.” Again, out of 10,000 pieces of media, this is just ONE show. Nobody is forcing anyone to watch it or participate.  Queer people have had to stomach literal 100′s of years of straight media forced upon them. Since the very conception of the written word and narrative storytelling. In plays, theatre, art, music, tv, film, on billboards, advertising, in places of education and learning etc etc. Queer people are bombarded with it whilst also being surrounded by negativity towards queerness. 

“They are shoving it down my throat!” part two Is hand holding, compassion and expressing concern for another person and comforting them somehow offensive? Renora kissed, not a problem. Arkos kissed, not a problem. Show me in the sand where the line is drawn. What is the difference? Please explain this to me? Why is the expression of queerness somehow offensive? Is this because decades of media have perpetuated the false idea that all queer people are sex crazed perverts? That you’ve been groomed into thinking that queer sexuality is only based in the act of sex itself? That queer sexuality couldn’t possibly be similar to heterosexuality in its expression?

That it couldn’t possibly be about attraction, emotional, mental and maybe one day blossom into physical between two consenting adults, a pure expression of love the exact same as heterosexuality. 

That some how queer love stems from some sort of deviancy or mental health issue. That queer people are some how bad or evil, and therefore their expression of affection is wrong? Oh, I wonder where those beliefs have possibly stemmed from?  “Why are they in my face?” part three.  50% of of the titular cast are potentially queer. Blake and Yang. But if you look at the overall cast ensemble that runs at minimum 16 any given volume, that’s a measly 12.5% (prolly a lot smaller if you actually counted the whole cast that appears in rotation each volume) Also, someone did the math. Blake - a titular character- actually has less spoken lines that Jaune. ffs. B&Y spent neatly a whole two volumes of 8 apart. 25% of the narrative as it stands on entirely different continents. 

I fail to see how it being in someone’s face could be the case.

  “I just don't see it!”

That’s ok and perfectly valid But listen when people who have lived this experience are telling you that their experience is being portrayed on the screen. That they see themselves being represented.  OK, This completely got away from me. In conclusion. They are more straight people than queer people and media often reflects that.   We are usually the silent minority, we are sick of it but we are used to it and we are very excited that things seem to be finally changing.

It’s two characters in an large cast in ONE show out of 10,000. Its a piece of media that, for a change, hasn’t been 100% curated for straight people.  We are often not allowed to play in the sand box and if we are, we’re told to play with the broken toys, be grateful and quiet. So when we are given a sandbox to play in with new unbroken toys, we are gonna dog pile in there and make a ruckas, calling our friends over. What I’m trying to say is, it’s gonna get rowdy.  and here’s something to think about.  “When you are used to privilege, equality feels like deprivation.”