#purely for the artistic integrity of course

[sanguith]

Not defending ai art, genuinely asking: does the "If you don't make it with your own hands it doesn't count" argument equally apply to photography, in your opinion? The exact same criticism was leveled against it when cameras started to become widespread, which made me start to think more closely about where I draw the line and why.

(From a Baltimore Sun article:

As early as 1842, a magazine writer was complaining that “the artist cannot compete with the minute accuracy of the Daguerreotype.” By 1859, essayist Charles Baudelaire was denouncing photography as “the mortal enemy of art.”

“If photography is allowed to stand in for art in some of its functions,” Baudelaire fumed, “it will soon supplant or corrupt it completely.”

And a few years later, the writer Hippolyte Fandrin lamented: “I greatly fear that photography has dealt a death blow to art.”)

Again, this is a genuine question. I'm not an AI fan I'm just trying to figure out why people (including myself) treat it differently from other image generation or manipulation methods.

Oh! Thanks for the ask! It prompted a lot of thoughts, actually. This got kinda long, but as a philosophy nerd I like this stuff so buckle up! (I'm purely freestyling this btw, consider it more of a philosophical discussion rather than something based on empirical evidence - nearly impossible to do while discussing what defines "art"):

Yeah photography is real art as much as any other kind of art. I should not have limited it to art only being art if it's produced using hands, but rather mainly involving the creative process of a human consciousness somehow. I think my comment in the tags was more of a way to express the opinion that "AI art will never be human in the same intrinsically valuable way that human-made art is". In my opinion, humanity is intrinsically valuable and therefore the human creative component is integral to art. This creative component can of course look very different depending on the medium.

One could however argue that AI art does involve human intention. It is the human that picks the prompts and evaluates the finished image, after all. As with photography, the human picks an object, frames it, clicks the button and then evaluates and perhaps edits/develops the image. The absolute greatest problem I have with AI art however, which the original post focuses a lot on, is the art theft and the fact that many companies are actually using AI art as a direct replacement for human art.

And AI art can imitate a wide range of styles taken from huge datasets of existing images and create something that looks like an oil painting, a photo, watercolour, digital art, graphite, or written works like poems, articles, etc! So AI art can be everything, with much the same creation process behind it. Photography might have replaced a lot of demand for portrait art and photo-realistic art in society, but that is only one single quite small branch of the overall ocean of genres within art (it perhaps rather expanded on it!) and eventually became a whole branch of its own with many different subgenres.

Some questions that popped up in my head while writing this that I realize might actually be quite difficult to answer (these are for thinking about & discussing only, don't read these questions as me trying to justify anything):

Is the process of writing in prompts for an AI work art? Why/why not?

Is non-human art less valuable than human art? Why/why not?

If AI art is theft, does it disqualify it from being art? If so, what makes it different from human-made art that is directly plagiarizing another person's art?

Is the human process of programming an AI considered art?

How could AI art be produced and used ethically?

My own conclusion from this is that Art is a difficult concept to accurately assign one single universal definition to, and just as with everything in human society, it is constantly evolving. Whether or not it does qualify as art or not at the end of the day, however, it does not change the fact that AI art is currently being used in an unethical way that is having complex and direct real life repercussions on artists.

Again, thanks for the ask!! I love stuff like this and I try to think about it as critically as possible. My own opinion is probably still mostly "AI art bad" but mainly because of the negative effects and the unethical practice.

(Asking "why/why not" is so valuable btw, it allows one to continue asking and answering questions almost endlessly and eventually either arrive at some sort of "root" answer or go around in circles)

[avatar-news]

Everything we know about Avatar Studios’ first movie

It’s time for a good ol’ masterpost!

Here’s everything we here at Avatar News know about Avatar Studios’ first movie! Info that Avatar News is the exclusive source for is specified, otherwise everything is official public info from Paramount/Avatar Studios/etc.

Last updated on February 18th, 2023.

Title

The movie is currently designated “ANIMATED AANG AVATAR” in Paramount's slate, but is untitled

The Avatar franchise has been officially named “Avatar Legends” since 2022

A potential working title is Avatar The Last Airbender: Echoes and Aftershocks, based on a Paramount employee’s resume

A rumored title is Hidden Kingdom

Release

Release date: October 10th, 2025

Will be released in theaters exclusively at first, then stream on Paramount+ after

Previously estimated for 2024 internally at Paramount, but not announced publicly (source: Avatar News)

Story

Featuring “Aang and his friends”

Aang and Team Avatar will be young adults (source: Avatar News)

A movie with a Zuko-focused storyline was/is in development, it’s possible that this is that movie (source: Avatar News) - Update: The Zuko movie is separate

Brand-new original story, not an adaptation of an existing story from a comic, novel, etc.

Crew on this specific movie

Director: Lauren Montgomery (storyboard artist on ATLA, supervising producer on TLOK Books 2-4, showrunner of Voltron: Legendary Defender)

Writer: Kenneth Lin (Netflix’s House of Cards, Paramount’s Star Trek: Discovery)

Producers: Michael Dante DiMartino and Bryan Konietzko (showrunners of ATLA and TLOK, Chief Creative Officers of Avatar Studios), Eric Coleman (executive in charge of production of ATLA, suggested the creation of the character of Zuko in early development)

Production companies: Paramount Pictures, Nickelodeon Movies, Paramount Animation, Nickelodeon Animation Studio, Avatar Studios, Flying Bark Productions

Crew at Avatar Studios whose involvement in this specific movie, if any, we don’t know yet

Composer: Jeremy Zuckerman (composer of ATLA and TLOK)

Writer: Tim Hedrick (writer on ATLA/TLOK/VLD, showrunner of Fast & Furious: Spy Racers)

Head of story(board): Steve Ahn (storyboard artist and assistant director on TLOK)

Executive art director: Christie Tseng (character designer on TLOK)

Art director: William Niu (background designer on TLOK)

Consultant on native representation: Migizi Pensoneau (Reservation Dogs)

Many, many more crewmembers, of course.

Animation

Animation studio: Flying Bark Productions (Rise of the Teenage Mutant Ninja Turtles (2018-2020), Glitch Techs (2020), Monkie Kid (2020-), Marvel Studios’ What If...? (2021), Rise of the Teenage Mutant Ninja Turtles: The Movie (2022))

Animation style: traditional 2D + substantial CG

History of statements on animation style: Sep 2 2021: “series of CG films” - Brian Robbins (president and CEO of Nickelodeon and chief content officer of kids and family for Paramount+) Dec 2 2021: “outstanding and customized [...] unique production look” that “integrates [...] traditional 2D and CG” - Paramount recruiting for Avatar Studios Jun 29 2022: “our main bread and butter is 2D animation” / “homage to anime” / “[not] gonna be [...] hardcore straightedge 2D” / “start with hand-drawn, handmade artwork and then: what can technology do to help us enhance it, to help us deepen it, to help the filmmaking, to make it more cinematic” / “not [...] starting purely 3D and then trying to stylize” / “looking hard to form our own look” / “not doing anything purely 3D” - Bryan Konietzko (Avatar Studios co-Chief Creative Officer) Oct 13 2022: “2D Avatar feature film” / “couple traditional 2D animation with substantial CG elements” - Flying Bark Productions (the movie’s animation studio)

Cast

No cast info for this specific movie yet

Dante Basco is attached as Zuko, reprising his role from ATLA

A global casting call is going out for Asian and Indigenous voice actors in their 20s for Aang, Katara, Sokka, and Toph

Janet Varney, the voice of Korra in TLOK (2012-2014) has announced that she doesn’t want to voice Korra in the future; she wants an Indigenous voice actor to voice Korra (Korra is from the Water Tribe in the world of Avatar, which is inspired by Indigenous culture in the real world). It’s possible other voice actors will make the same choice.

Characters we know will definitely be in this movie: Aang - previously voiced as a child by Zach Tyler Eisen in ATLA (2005-2008) and as an adult by D. B. Sweeney in TLOK (2012-2013) Katara (source: Avatar News) - previously voiced as a child by Mae Whitman in ATLA (2005-2008) and as an elder by Eva Marie Saint in TLOK (2012-2014) Zuko - see above “Aang[’s] friends”

Other

Three theatrical animated movies are currently in development at Avatar Studios

Each movie has a standalone story-- they’re not a trilogy-- so the story of this movie won’t be continued in the next movie after it

The second movie is focused on Zuko (source: Avatar News)

The third movie is focused on the new earth Avatar after Aang and Korra (source: Avatar News)

The image above is official canon art of the Gaang as adults, but it’s from the lead-up to the release of The Legend of Korra in 2012, not from this upcoming movie. Fun fact: it was drawn by Joaquim Dos Santos, co-showrunner of TLOK and director of Spider-Man: Across the Spider-Verse (2023) and Spider-Man: Beyond the Spider-Verse (2024)!

[demodraws0606]

You know taking art classes and learning about contemporary has made me realise how pointless the discussion around AI art is.

The sudden wave of "well if a robot can do it then what is it worth ?" truly just shows how we have learned nothing from modern art.

Minimalist art, ready made art and all of that all challenged the notion on if effort was necessary for art to have value.

And spoiler alert : it doesn't

It's NEVER been about how complex it looked and how much it took time. Sure you can try and focus on improving how asthetically pleasing your art looks but as much as you think you're focusing on that, that's still not the point.

Art has always been a communication device, it's literally taking a part of you and your thought process and showing it to the public. Contemporary art and all these other types of art simply just stripped down art to it's pure purpose, to communicate.

AI-art is basically the equivalent of wanting to find love and dating a robot, you're not actually doing the thing you want you're just settling for a simulacrum of the experience.

AI-art cannot be art because it's not MADE BY YOU, you can't just say you made a sandwich when really you've just ordered one at Subway. The robot made the art (and even then not really considering the data-base rips off countless artists without their consent but anyways) NOT YOU and therefore you're not an artist.

There will always be the question of jobs and I'm not naive enough to think corporate executives give a shit about artistic integrity, however if we actually like keep our head straight of what art actually means we'll be probably be fine-ish.

Because no one except greedy corporate executives and techbros really wants art to be replaced (at least from what I'm seeing), the only issue is that they unfortunatly have a decent amount of power and voice so it just really seems that way.

In the end this is just history repeating itself as corporate greed tries to convince the masses that art is just pretty pictures and that anyone who gains money off of modern art is a "hack".

Of course this extends to things like writing, etc... which really i just also consider art

[sexydreamgirl]

To the academic validation anon - I’ve literally been in your exact boat. Exactly. Abusive situation and completely fucked up school after years of grade skipping and gifted and talented programs. Struggled with depression, OCD, and eating disorders for years. However, the only thing you cannot come from is the thing you give up on.

However, I had to step back. I had to acknowledge what was stopping me. What was my surroundings like and how did I fall into the nihilistic thought patters that led me to such a downfall. After figuring that out I brainstormed ways to do damage control. I kept trying and failing with the law of assumption (because my severe anxiety and shame surrounding the situation kept leading me to spiral and unknowingly step back into the old story).

How to do damage control? For me it was summer courses. You can do it through taking a supplemental course on your next year’s schedule or studying ahead of time for your next set of courses.

I got an A+ in two summer courses I took for original credit and I knew I could do it. I had to prove it to myself that my potential for success purely within the 3D was still there. That I was capable and competent. I ran for club officer positions, started a YouTube channel to discuss my hobbies, got a job at a local restaurant, and started doing things for my enjoyment. I made to-do lists and built up the discipline to complete them (by pushing through it even if it’s exhausting or seems pointless - you have to break the chains that hold you to your bad habits) even if my motivation was extremely low.

Tip for the to-do list thing: don’t break things down into mini-tasks. Break it down into sub-tasks but I found a long time-do list overwhelmed me. My to-do lists were usually two pages. Example:

Differential Equations

- packet 10 (packet 10 may have 20 different activities within it, but listing those out would only serve to distract, demotivate and overwhelm me and cause me to not complete it all).

- lecture 4

YouTube

- complete research for video 1

- finalize bibliography

Clean room

Etc. Etc. Etc.

Another thing that may be helpful is creating an alter ego. Make up a new name and refer to yourself by it. What does that version of you do? Embody this identity and soon it will become you. Ex. I created the alter ego “Alexandra.” When I was Alexandra I was motivated, unstoppable, and I always won and never gave up. And I began to act like that even when I let go of the alter ego.

I also began to be honest with myself. I hadn’t revised the past or lived in the end yet, so no, I hadn’t failed at the law. Could I have done more at the time to not get into that situation? Yes. Was I ashamed? Yes. Was I jealous? Yes. Did that serve me? No. And so I bought a journal and wrote about it all. The things in my head that I was too ashamed to talk about and I just let it live there. Self-awareness is integral to improvement.

Then I considered what I truly wanted. I wanted to be stress free and successful. I gained a lot of pride from academic success and I wanted it back. And by taking those relatively inconsequential summer courses I proved that if I want - I got it.

I had to find worth in myself and confidence outside of academic validation. My good grades didn’t exist without my intelligence. I.e. the intelligence came before the grades, not the other way around. The discipline came before the grade, not the other way around. I had other traits. I am an optimist and on some level I never ever gave up on myself. I am intelligent and always have been. I am pretty even if the majority of the time I doubted it. People depend on me and I depend on myself. I have dreams and goals I want to achieve. I am creative and have tons of ideas even if I’m not particularly artistic. I promise you, you are an amazing person outside of academics.

By then, I was in a good place with myself and could manifest the circumstance out of existence with little stress and resistance because I had validated my feelings, looked at my actions critically, came up with a game plan that I followed through with to appease my dominant thoughts, and was proud of myself by the end of it all.

You don’t have to do anything in the law of assumption - that’s true. However, that’s usually said by people who don’t have similar circumstances like us that have produced damaging thought patterns, nihilism, and self-sabotage. Doing something in the 3D to ease the situation whether it’s some volunteer work or a published hobby or sport to help your college applications, a few weeks of a course or two to prove that you’re capable, etc.

P.S. here are some miscellaneous habits to do that you might have let slip with the depression:

Hygiene - it can be so hard to keep up with your hygiene when you’re in the dumps but a shower, brushing your teeth, and detangling your hair goes a long way. Make sure your clothes are cleaned often, too. I know it’s overwhelming but tough love from someone who was depressed - change is painful. Doing a pull up for the first time may be hard, it may be painful - but the next time you go to do it, it will be easier.

Make routines. Every morning I wake up at the same time, I know what I’m going to have for breakfast, and watch the same docu-series while I cook it. Here’s my morning routine as an example: the night before, I pick out my all of the clothes, bags, etc. I’ll need for the day. I wake up at 5:30AM every morning, I do a workout (which boosts my energy and motivation for the day), I shower, brush my teeth, do my hair, get dressed. Then I go to my kitchen and prepare a breakfast that has protein and carbs (usually an egg and a salad or fruit salad w/ a plain bagel and cream cheese and some water), then I eat it. I go to my room and clean up the space, sit down at my desk and write a to-do list and a short (usually <1 page) journal entry to dump any brain clutter, and then I get started on my to-do list. I try to do everything at once and not take breaks because I’ve found that breaks cause my motivation to drop and I become less productive (and consequently very upset with myself). Your routine is something you should try a bit with. Create one, stick with it for a few days, if it’s making you feel mentally worse then discontinue it.

Never get behind and always show up. By showing up you create a social consequence if you don’t get your work done and you create a relationship with your teachers/professors/lecturers and you won’t want to disappoint them. By getting behind, you clutter your brain with old stuff, shame from not being on top of things, and regret while you scramble to rectify the situation. Just try your best to keep up. Try to get your work done in class or as soon as you have free time. It’s miserable in the moment but it relieves your stress right after.

Acknowledge that you may feel nihilistic and depressed - but you haven’t always and you won’t always. Your concern itself proves that this is important to you and that’s enough to work for a better future.

Only when you’ve reached stability - employ the law of assumption if you still want to revise. Only revise what you want to. If you don’t want to revise your childhood - don’t. I didn’t. It’s very ugly but it’s a part of me and I can be successful despite it. But if it’s something you’d rather not be associated with - stop associating with it.

I completely empathize with you anon and I hope you can find something helpful in this advice.

Give yourself tough love but don’t be derogatory to yourself. You got this anon. Another thing would be to cut out self-deprecation but I’ve gone on too long already ❤️❤️❤️

Oh and to academic validation anon, I assumed you were in high school from the phrasing used and high school was when I went through the same thing. If not, just apply the same to college (it might actually make the advice more manageable depending on your university, mine allows you to complete many units at once at your own risk, I’m not sure of your specific institution though ofc.) Either way, besides the buffing out your college application part it all still applies. And if you plan to go to grad school or pursue a professional degree afterward it might still apply. I’d also recommend internships and shadowing someone in your desired career. You can even contact professors who teach courses in your (desired) major if you’re in college and request to shadow them or research under them. Pre-college programs are great. Scholarships are great. It makes you feel motivated, gives you experience, and buffs out your college, job, and grad school (for me, med school) application. And as much as you don’t want to hear this - again, give yourself some law of assumption downtime and just do something to do something. Yes you could manifest that you already got the degree - but you could also step back and do something cool in the 3D based on your current assumptions and gain a lot of stability from it. All the best ❤️❤️❤️

My love, thank you so much for taking the time out of your day to dedicate such a lengthy and heartfelt response to my anon. I appreciate it from the bottom of my heart. ♡

[prickly-paprikash]

Beyoncé proves once again that the inability to transition from one genre to another is a pure fucking skill issue.

Of course she has millions to sink into excellent producers, the best features, top-tier marketing, etc. That is of course an element that cannot be discounted, but then again there are so many artists of her calibre and prestige that could not make the jump. MGK's purely pathetic pop punk album is as dull as it is redundant. Drake's venture into house/dance and hip-hop fusion was embarrassingly boring. Fall Out Boy's earnest attempt at electro and synth rock was forgettable and at worst really painful to sit through and listen to. These guys also have enough money to reach out and grab the best writers, composers, features, you name it. Not to the level of Beyoncé, but their resources will definitely get the job done.

The Queen herself manages to produce a quality country album that simply does not miss while remaining commercially successful. Beyoncé's Renaissance showed us firsthand that she has the ability to hop between genres like their nothing, and she does it again in Act II. She manages to silence those who would treat her as an outcast to Country, due in no small part to bigotry. (But when Elvis did it no one bats a fucking eye and he gets all the flowers decades after his death. Gets a movie too.)

It is just insane to me how Beyoncé is one of the truly few artists who have such a large following and a storied career, without ever sacrificing artistic integrity for commercial success.

It's also so nice to see Country be interwoven and trap beats and 808's Post-Lil Nas X while carrying with it the prestige that Beyoncé seems to radiate relentlessly.

Cannot wait for the third act of this new era of the Queen Bee.

[rainhalydia]

Hi

So here is a hypothetical question I’m apparently going round the tumblr asking people. Imagine you have a novel about to be published by a moderately successful publishing house and they have given you an advance that would just about allow you to take a sabbatical from your job and focus on writing full time. Netflix have got hold of a press copy of the novel and offer you a life changing amount (let’s say it would buy you your dream home and give you a little to spare). But you will have no creative control over the show Netflix will make and you will have to agree to withhold publication of the novel until Netflix want it released. Would you take the money and let the show possibly be made? Or not? Why?

♥️♥️♥️s

Hi!!!

I took a while to answer this because it was basically impossible to do it before (work), but I've been rotating this scenario in my brain ever since getting this ask.

I think that if a) Netflix actually gives me the money, as they're apparently given to try to steal content from people (and I suppose that goes for most corporations one deals with, sadly) and b) I've not yet signed anything with the publishing house, I'd sell the novel to Netflix. In the end, even if I end up hating the finished product, a life-changing amount would mean I got to write as much as I ever wanted for the rest of my life! Never mind a sabbatical, I could quit work and just dedicated myself to it.

I guess it all comes down to artistic integrity, but to me, that's not irreconciliable with giving up creative control? Maybe I'm cynical or just greedy and irresponsible, but to me artists adapting to their circumstances is just part of that life. Artists have always had sponsors and patrons, and we're not all Tchaikovsky, most people that come offering money also come with opinions and their own agenda. Of course in the ideal world, we'd be able to have complete creative control over our own creations, but that can never happen. Corporate greed aside, even if you're completely independent, the reader, the audience, they'll come with their own subjective baggage and have their own interpretation of your work... it's an illusion to think we can keep our work 'pure' and limit the way it'll be read, so making a deal with a company that will give you enough money to resolve your life in exchange to do something that would happen anyway in some form sounds good to me.

I suppose this opinion comes with the knowledge that most writers are unlikely to be recognized on the street, much less get so famous that people will only ever associate them with one thing - obvious exceptions like GRRM and JKR are too rare to count - and that Netflix is more on the 'woke' side of the spectrum than the alt-right side. I would not do it if you sent this ask using a platform that produces fascist content as an example. Also, I've done plenty of shitty things under my own name, so it's like, no matter what Netflix pulls, I can always do worse! Hell, rather than buy my dream house, I can settle for a small flat and then open my own publishing house, and publish my own garbage forever, campaign to make it part of the public school curriculum, sell it to other companies that are not Netflix, etc. What I mean is, once you're in a comfortable place financially, the sky is the limit. You can keep writing, keep creating, and what you do from then on can be as completely controlled by you as humanly possible.

[cupofkey]

Not the same anon but drop the list. Pls. 👀 (Only if you want to of course)

YES OFC!! I'll sort by artist and list the albums. this playlist is legit 30 hours long and a lot of it is there for atmosphere and vibes, but I'll * the albums that are essential for me and my vision!!

arctic monkeys - am, tranquility base coldplay - *mylo xyloto dance with the dead - near dark destroy boys - make room (+fences) epik high - pieces pt1, epik high is here pt1 florence + the machine - lungs, *how big how blue gorillaz - *demon days, plastic beach hozier - wasteland baby japanese breakfast - psychopomp, *soft sounds, jubilee the japanese house - good at falling lorde - pure heroine maneskin - teatro d'ira v1 miracle musical - hawaii pt2 mitski - be the cowboy, makeout creek, *laurel hell, the land is inhospitable *muse - origins of symmetry, absolution, black holes and revelations, drones, resistance, the 2nd law my chemical romance - danger days the neighbourhood - I love you, wiped out of monsters and men - fever dream pink floyd - *animals, dark side of the moon, shine on you crazy diamond; plus some cuts from the wall poppy - I disagree pvris - white noise, all we know of heaven also, selections from the rent movie (2005) soundtrack, and the entirety of *chess in concert (2008)

thanks for asking! it's definitely an interesting genre mix (some rock, some pop, some alt, edm, industrial metal, khiphop??? musicals???) but I love it and it's an integral part of my writing process.

super different from when I was writing both sides now and I ONLY listened to joni mitchell, although kind of the same in the sense that the music is the thematic and tonal core of the story. you can bet for the next longfic I write there will be musical inspiration and a playlist. I love music so much guys every genre every level. I love talking about music. let's talk more about music what do we fw?? any album suggestions for my massive playlist??

[burlveneer-music]

VA - Luke Una Presents É Soul Cultura Vol.2 - another eclectic selection, 18 tracks over a wide range of moods and rhythms

Mr Bongo presents a much anticipated second volume of ‘É Soul Cultura’, curated by the charismatic Manchester based DJ Luke Una. In May 2022, ‘É Soul Cultura’ Vol.1 seemed to land at exactly the right moment. Post-lockdown, optimism was back on the rise and the dance floors swelled again. For many listeners, Luke Una’s intriguingly woven pattern of new, old, rare and under-discovered music from around the world became the soundtrack to rejuvenated positivity. Piccadilly Records made the release their top compilation of the year, with Rough Trade placing it as their number two. The enthusiasm from the industry was mirrored by record buyers and demonstrated that in the right hands, moving through genres, tempos and decades can make perfect musical sense. It was clear from the get-go that the concept warranted a series, there are many sides to É Soul Cultura and many musical stories to tell. This second volume gives another opportunity for Luke to share his journey of the past four decades of staying up late and getting transcendental whilst listening to holy grail music as the city slept. It follows on from where Vol.1 left off, at times venturing into the deeper, spiritual, soulful, downtempo, experimental aspects of his tastes. From the conscious, street soul fusion gospel of Veronica Mickie's 'Lost Children', to an excursion into Swiss, psych, progressive rock in the form of Pyranha, then onto the classic Indian music-inspired electronic workout of Andi Otto's 'Bangalore Whispers'. Luke hints at his softer side in Avis; a sweet, obscure cover version of Minnie Riperton’s ‘Baby, This Love I Have’, as well as championing local heroes in the shape of Manchester’s Yargo and their driving, obscure, proto-house belter, ‘Marimba’. There’s also Japanese, electronic, slo-mo heaviness from 1979, courtesy of Bach Revolution. House music is integral to the É Soul sound and is represented by Nav Aktah’s deep remix of Mr Scruff, and then there’s Isis ‘In Essense’; a track of such majestic brilliance that it has never left Luke’s record bag. The selection is eclectic, global, and plucked from different times and spaces. In theory, perhaps they shouldn't work together, but there is a mysterious link that makes them gel as a whole. That’s what Luke does best. He creates a sort of musical alchemy, unifying the diverse. This isn’t a compilation focussed purely on the rare, even though many tracks featured do fall into that camp. It is best described by Luke himself, “It’s not about showing off, collector rarity, or ego-strutting, it’s all about telling stories, sharing the music, and making life’s journey mean something. In the end, of course, it’s just a compilation of other people’s music, but hopefully it’s more than that, adding something back to the pot.”

[shegoesbyjoy]

hey just wanted to let you know that zaum take you reposted comes from the overcoat who got institutionalised due to both stress of production and Roberts behaviour (& he was open about RKs influence &it was mentioned in the video in the letter robert sent and chris dismissed just not by name). so idk how much more could they open their mind on this situation really. He was not on video due to the extent of damage suffered & currently is on disability pension due to it all and that repost was the only opinion piece he shared, so idk. you had many better takes than this one is all im saying. peace xx

Hey anon thanks for your message. I find it a bit difficult to believe the OP is who you say they are after checking out the reddit profile from which it was posted, and it's OP's post that I'm specifically commenting on. (Happy to be proven wrong or given a source for what you say here though!)

In any case, I stand by what I said in my tags. But in case it wasn't clear, I do think OP brings up points worth considering. Ilmar's motivations for letting PMG have free reign on interviewing are obviously not because he believes in journalistic integrity—Ilmar clearly wouldn't have done so if he was worried it'd change the eventual outcome of the legal dispute. And yes, this video will sow public division sure, purely because we actually have more information to go off of now (a step up from the very simplistic and limited view we had before due to the sheer lack of info that wasn't just one news outlet reposting another, a tiny handful of press releases from either side, or Martin's tweets).

But where my opinion differs from OP is I do think it was valuable and important to include the perspectives of these employees, because one big aspect of this legal dispute is in fact the grounds on which Kurvitz and co were ousted. Yes, of course it doesn't have any bearing on the final ruling. And I agree that regardless of their interpersonal issues, it was wrong of the IP to be forced out of the original creators' control. Again, I'm not discounting that part. But I object to the callous attitude toward current employees even when it's clear this entire debacle has caused a lot of hurt, and OP's labeling of that entire third of the video as "fluff". To me, it is disingenuous to feel so strongly about Robert being able to get his creation back while entirely ignoring all the effort that went into said creation from the rest of the team. They deserve to be advocated for as well.

Ultimately (and this is my opinion based on what I know), it looks to me that DE was created by a bunch of artists who didn't know much about IP laws or how to protect themselves back then, who then in the ensuing years got taken advantage of by investors. And unfortunately, everyone else on the ground at ZA/UM (who weren't responsible for whatever wrongdoing occurred) got caught in the crossfire, and those people have been either harassed or in this particular case—had their struggles entirely dismissed. I don't think that's fair or kind, do you?

[steampunkforever]

After having only watched passable-to-mediocre movies (or worse, if you read my last filmposting) for the past month, The Thin Red Line was like drinking deep cool water poured from a stoneware decanter left to chill in a cellar on a dusty, hot day. A healthy diet of good artistic media is paramount to my happiness, and I’m miserable without at least one AFI or Criterion collection film a week.

Though I do shill for Terrence Malick (he’s only one or two degrees of separation away from me, after all) you cannot dispute that the man is a cinematic genius. He makes groundbreaking films in the 70s, disappears from the public eye and general hollywood for 20 years, then pops up to make this movie.

The film itself is legitimately incredible, and between the direction, the writing, editing, and frankly mindblowing performances from one of the most star studded casts I’ve ever seen get no screentime whatsoever, I can’t pick what shines brighter. George Clooney is in it for something like a minute. Billy Bob Thornton recorded voice-over for the entire movie that was completely cut from the film. It’s incredible. I love it. I can’t stop gushing.

As far as movies go, we tend to throw around the word “elevated” a lot for anything artsy. Any horror film A24 has put out, for example. Any attempt at taking media with a low-culture inception and tradition boosted to more artistic ambition counts as elevated, hence all the attempts at elevated horror. To make a WWE program an emmy contender measured against breaking bad would be to elevate it.

Of course you should not attempt to make pro wrestling a sort of prestige product. Its viewers are more likely to hold a knowledge of Coors Light than Carménère, and if we are to use the Roger Ebert scale of “knows what it’s about and achieves it,” then WWE doesn’t need help from anyone credited as a producer on HBO’s Euphoria. Likewise, the Evil Dead films may not be very good but they don’t need the help of anyone who knows what Ari Astor looks like or thinks that horror is really about love.

War movies, for as much as I love them (and know that I love them deeply), have never been shy of blatant propaganda, and therefore are ripe for elevation. Now I know the kneejerk reaction is to point at Jarhead or Full Metal Jacket or Apocalypse Now! and say “well those were artistic!” and to that I will concede that the military propaganda we consume these days is less blatantly pushed out through the war film genre than it was in the day of John Wayne’s Longest Day or Green Beret. We have MARVEL movies for that now. Yet as any number of state-subsidized GoArmy or USAF propaganda films will show, just because Tom Cruise rides his motorbike, it doesn’t make the writing and artistic integrity any less flimsy.

Of course the works of Kubrick, Coppola, and Mendes are all artistic and elevated, but The Thin Red Line tops them all. Kubrick and Coppola both made gorgeous antiwar films that inspired countless young men to join the military and fight for their country in foreign wars. Kubrick’s drill sergeant inspired a generation of men to become marines for some reason, and Coppola’s Valkyries helicopter sequence cemented in the minds of those same soldiers the idea that whatever we were doing over there (in the war that crippled the Army’s domestic reputation for decades after) was regrettable but cool. Mendes’ Jarhead is the closest to The Thin Red Line in regards to the pure lack of wartime glorification, but Malick supersedes all of them in his elevation of the war movie.

For the first two hours or so (rough estimate) of the film, we do not clearly see the enemy. This is a WWII movie, and should we follow the logic of Saving Private Ryan (filmed in the same year!) it would only be logical to intercut shots of Japanese machinegunners firing their iconic banana-clipped pieces down the hill at the approaching Americans. This is our blameless war, and the nuclear blasts aren’t really that bright as long as you squint. The cloth mullet things (which I’m sure have a real name) hanging from the rear of the Japanese headgear even mimic the Stahlhelm flare of Nazi stormtroopers the GIs were fighting in the other WWII theater. The imagery is rich, it’s there, and it’s been done before. Yet for a long time the enemy appears as no more than vague figures and muzzleflashes over the ridgeline. 

Instead, The Thin Red Line first treats us to a few hours of infantrymen being turned into hamburger in various graphic manners as camera pans to lingering shots of the treeline or some exotic bird. Haunting philosophical narration rambles over this, posing existential questions and pondering the nature of mankind. Sometimes there’s a flashback to what appears to be a Texas farmhouse or to a small fishing hamlet in the Solomon islands. There are also lingering shots of trees and sunlight in the flashbacks, don’t worry. #STATUS: ARBOREAL. Brother, I am drinking deep.

When we finally do see direct combat with the enemy, none of it plays to much glory. The chimps killing each other in the opening of Kubrick’s Space Odyssey did so with more splendor and glory than Malick’s infantrymen. Despite all the Japanese atrocities and the war crimes and the vengeance owed to the american side for their fallen comrades, the route and defeat feels neutral. It feels dirty, inhuman. For every slur and murdered Vietnamese civilian in Kubrick and Coppola’s messaging, this is the movie that made war feel much dirtier, much baser than the charge of the light brigade-sort of wartime narrative we are so often fed about the world wars in general.

This is a World War Two film! This was the good one, the war we won, not a Tie like Korea was or the anti-war darling like Vietnam. We can feel good about this one. Yet The Thin Red Line doesn’t let us. It won’t let us look away from the ugliness even during a supposedly heroic bayonet charge. When it does let us look away, the lingering peace of the trees and the birds and the tossing waves only condemn mankind’s savagery all the more.

[suihime]

The Life of Mary Sue

Chapter 2

After leaving the room in a daze, Cheng Xueyi realized that she had taken the blame for the original owner again.

Just now, Xu Qiyan was obviously mocking her for wanting to climb high, but she couldn't refute it.

Cheng Xueyi was a little annoyed. This kind of annoyance was like realizing that she hadn't performed well just after arguing with someone. It was a bit of an afterthought. In fact, if she went back in time, she might not necessarily refute it as well. How could she refute? She knew that the original owner's mind was indeed not pure.

Although the original owner really liked Xu Qiyan, she also liked the dazzling aura attached to his name.

For example, inexhaustible money and supreme status.

It was written in the book that Xu Qiyan's family was an affluent one. Right now, he was only a president of a subsidiary company, but it wouldn't take long before he took over the head position from his father, and become Sheng Jia Group's heir with hundreds of billions of assets.

As a bigwig in the business world, the Xu family has a strong background in addition to their strong financial resources. They have deep connections and contacts in the military, political and business circles. How can such a famous family with background and money not attract everyone?

The original owner naturally wanted to embrace this thick, golden thigh.

Cheng Xueyi disdained this kind of thing, but in Xu Qiyan's eyes, she was the original owner. She couldn't say that she just transmigrated here, and has nothing to do with those things, right?

Forget it, Cheng Xueyi shook her head, thinking that anyway, she would not have many chances to contact Xu Qiyan in the future. At worst, just walk around him.

At the same time, Su Yu, who was walking by the side, finally breathed a sigh of relief.She didn't have a dark face anymore. She began to persuade Cheng Xueyi earnestly, "This matter is over, and you should understand that Xu Qiyan is not someone you can reach. Keep yourself safe and film well in the future, do you hear me?"

"I know, Sister Su, I will do my best."

Satisfied, Su Yu went to the elevator hall and pressed the down button. Then she suddenly remembered something, "Speaking of which, if Shi Yi didn't appear suddenly today, the matter might not be resolved so quickly."

"Shi Yi?" Cheng Xueyi, who was thinking about things, suddenly raised her head. "Sister Su, you said that the person who barged in earlier was Shi Yi?"

Su Yu gave her a strange look. "Yes. Why are you so surprised as if you don't know him?"

"No, it's okay." Cheng Xueyi found that her memories with the original owner might not have been well integrated, and there would be cases where they didn't match up.

Fortunately, Su Yu's focus was not on this. She folded her arms and frowned slightly. "Isn't today's incident too strange? Shi Yi is an artist of Jin Yue . He dares to trespass the President of Shengjia's office but President Xu doesn't seem to be surprised or angry"

Su Yu said that she couldn't umderstand it at all.

But for Cheng Xueyi, who has read the entire book, this was too easy to explain.

Why would he dare?

The reason was very simple, because Shi Yi was the younger brother of the president inside, and the second young master of the Xu family!

Shi Yi was the popular second male lead in the novel. This second brother has no interest in the family property, so he changed his name to join the entertainment industry from scratch. He did not depend on his background, only relying on his excellent appearance and strong professional ability. Mixing well in the circle, he was a well-deserved top traffic niche.

Of course, it was impossible to tell Su Yu about it.

She pretended to be ignorant, and echoed, "It's really strange."

Su Yu didn't expect Cheng Xueyi to express any insight, so she didn't continue the topic after hearing her reply.

The two met today just to meet Xu Qiyan, and now they have to work on their own things.

Cheng Xueyi first returned to the original owner's residence.

The original owner had just debuted and had no money, so she rented a small apartment of about 30 square meters in the outskirts of the city.

As soon as the door was opened, she could see the entire apartment. There was very little furniture. Except for a double bed, there was only a simple wardrobe, and the limited space was filled with clothes.

It looked really shabby.

Fortunately, Cheng Xueyi didn't have a good life in her previous life, so the sense of gap was not too big.

She locked the door, threw her bag on the bed and went to the bathroom.

Speaking of which, she still didn't know what the original owner looked like.

The description of the female supporting role in the book was that her temperament was similar to that of the female lead, her appearance was pure and outstanding, but she was stupid and vicious on the inside, and she couldn't play well with a good hand.

The female supporting lead should look pretty good.

The face in the mirror did not disappoint Cheng Xueyi.

The original owner had a delicate oval face, fair skin, full of collagen, beautiful smiling lips, and a distinct pair of slightly raised almond eyes.

This kind of pure and unaffected beauty was natural. Although she was mentally prepared, this… this was too beautiful!

Cheng Xueyi liked this look very much. All of a sudden, the uneasiness of being a newcomer dissipated a lot, her whole body seemed to be running on the Hulunbuir prairie, and her mood became more open.

With such a face, as long as she didn't act like a demon, she should be able to live well.

Cheng Xueyi was really afraid of the bad luck from her previous life. Now that her identity has changed, she secretly made up her mind to live a different life from her previous life.

That night, Cheng Xueyi was so excited that she couldn't fall asleep because of her beautiful vision of the future.

Seeing the sky outside the window gradually changed from dark blue to duck-egg cyan, and the sun also appeared from the east, she felt a little drowsy.

However, not long after closing her eyes, the phone beside the pillow buzzed and vibrated.

She dazedly pressed the answer button and heard Su Yu slapped her face on the other end of the line and said: "I suddenly remembered, you should go to the crew early today. The filming schedule was delayed yesterday, so see if there is any scene that needs to be re-shot today. Didn't I say that you, as a newcomer, needs to be more diligent and self-conscious? Don't let me worry about everything."

Cheng Xueyi recalled that she was currently filming with the group, and she had to ask for leave yesterday to see Xu Qiyan.

The hour hand of the wall clock on the wall just pointed to seven. Cheng Xue thought about the bright future she had imagined, gritted her teeth and sat up, "Sister Su, I'm getting up now."

...

The director was staring at several staff members that were making preparations before shooting.

Cheng Xueyi walked over and greeted the director politely, "Morning Director Liu."

Liu Yuan didn't like Cheng Xueyi. He thought this girl was very difficult to deal with, her acting skills were terrible, and she was arrogant like a peacock, which gave him a headache.

At this moment, although he was surprised by her polite greeting, he didn't have a good face. He cleared his throat, and only gave a serious hum in response.

Cheng Xueyi felt that the original owner's poor performance in the past had a lot to do with her low IQ. Obviously, she was not well-known, and yet she was so arrogant. and her mouth was not sweet.

Now that this body has changed souls, she must work hard to change this situation with an attitude of being responsible to herself and the original owner.

But changing everyone's opinion was not an overnight matter, she couldn't be in a hurry.

Cheng Xueyi pursed her lips and smiled sincerely. "Director Liu, I'm sorry. I asked for leave yesterday and delayed the progress of the filming."

"Heh." A mocking voice suddenly came from behind, "You've become eloquent after not seeing you for a day."

Looking over her head, she saw Song Qing and her assistant walking towards her.

Song Qing was the heroine of this play. Although they were both newcomers, it was said that Song Qing has a background, so she naturally poses high.

"Xueyi, you don't even know how smooth our filming was without you yesterday," Song Qing frowned, "After all, there is no NG queen, and we finished work before dark!

"But it's a pity " She clicked her tongue twice, pretending to be disappointed, "I missed a chance to see your fancy NG."

The people around burst into laughter.

The original owner has no reputation nor background, so everyone didn't need to take her emotions and face into consideration.

It was embarrassing to be ridiculed openly, but Cheng Xueyi didn't want to admit defeat, so she said, "I will also let everyone finish work early today."

Song Qing covered her lips as if she heard some joke. She smiled, and then said to the staffs present, "Did you hear that? Xueyi said that we will stop working early today."

Song Qing originally had a pure and lovely appearance, but at this moment it was distorted by her mean expression. She moved closer to Cheng Xueyi and used a voice that was not too loud or too low and could be heard by everyone around,

"Then, if you can't do it, please invite the whole crew to drink milk tea."

Song Qing probably knew that the original owner was very poor so she made this bet.

Cheng Xueyi checked the original owner's savings yesterday. How poor was the original owner? Let's put it this way, it would cost about one-third of her savings to invite the entire crew to drink a cup of milk tea. It could be said that poverty was very real.

This time, she couldn't lose, or she would lose face.

Cheng Xueyi put away her cautiousness, and put on a calm calm face.

"Then if I succeded, will Sister Qing invite the whole crew to drink milk tea?"

"Of course, it's no problem."

"That's a deal."

...

After putting on makeup, Song Qing's scene was filmed first.

Cheng Xueyi obediently sat next to the director and studied the script carefully. This was a campus web drama called "Sentimental Memorial". It was a story about a school bully and an innocent little fairy that was very popular nowadays. Cheng Xueyi played the role of the male lead's unrequitted love, an arrogant school flower.

The reason why Cheng Xueyi dared to argue with Song Qing was not because she was too proud. She had been a backround performer for three years in her previous life, an extra, and she had put in a lot of hard work during that time. Although she hadn't played characters with lines, she usually observed others carefully. So this kind of role was not too difficult for her.

Soon, it was Cheng Xueyi's turn to play with Song Qing. She took off her coat and began to walk calmly.

Director Liu stared closely at the monitor. The girl in the camera was slender. At this moment, she raised her head slightly, with a look of arrogance and contempt.

Emotions were well under control.

The cameraman and background performers next to him looked like they were waiting to see a good show: "I don't know how many times we're going to NG again today~"

Director Liu didn't take his eyes off the monitor, and just stopped in a low voice. "Shut up."

Xueyi was not affected at all in front of the camera. She stood in front of Song Qing, like a tall and arrogant young lady, but there was a trace of uncertain fragility in the corners of her eyes and brows. "Why are you wearing Ah Zhe's coat? He hates others touching his stuff the most."

Song Qing was still holding on to the mentality of watching a good show and with ridicule a second ago, but she was a little confused when Cheng Xueyi opened her mouth. She shouldn't be this smooth with her lines!

How could that be possible? Obviously a few days ago, she played a scene more than 20 times.

Song Qing who was leaning against the bare corner of the wall, forgot to respond for a while, and was stunned before saying. "He lent this to me."

Following these words, Cheng Xueyi's mood began to change, and her original calm mask was broken. She stretched out her hand hysterically to pull Song Qing's gray woolen coat, "It's impossible! You take it off! What right do you have to wear his clothes?"

The studio staff and waiting actors were stunned.

Today, the queen of NG, has no NG?

And she seemed to be completely in the play?

Everyone was still in shock, when they suddenly heard the director call cut.

Everyone turned their gazes to Director Liu, only to hear Liu Yuan say: "Song Qing was bad just now, another take!"

? ? ? ! ! !

This plot was so magical!

And this magical plot seemed to have no intention to end.

Cheng Xueyi completed the following scenes very smoothly.

Silky smooth without errors.

So in the evening, all the crew members were happy to call it a day. And by the way, each of them were holding a cup of milk tea that Song Qing had bought.

When Cheng Xueyi came out after changing her clothes, it was a coincidence that she ran into Song Qing who had just come out of the waiting room. Her expression was dark that the King of Hell would be afraid to see her.

However, Cheng Xueyi didn't seem to notice it, she raised the milk tea in her hand to Song Qing, and smiled very humbly and respectfully: "Thank you sister Qing for the milk tea."

Table of Contents

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[normally0]

Echoes of Eternity: The Pure Vision of Edwin Landseer Lutyens in Britannic House

The name "Edwin Landseer Lutyens" carries an aura of significance and depth, echoing the legacy of a visionary architect whose creations transcend mere structures to embody profound cultural and historical narratives. Born in 1869, Lutyens emerged as one of the most influential architects of the early 20th century, renowned for his mastery of classical forms and innovative approaches to design.

The purity inherent in Lutyens' architectural vision lies not merely in the physical construction of buildings, but in his ability to channel timeless principles and ideals into tangible forms. His name, with its evocative combination of "Edwin Landseer" and "Lutyens," hints at a fusion of artistic sensibility and practical craftsmanship, akin to the blending of two complementary elements to create something greater than the sum of its parts.

"Pure" in the context of Lutyens' work can be interpreted as a dedication to architectural integrity, a commitment to harmonizing function with beauty, and an unwavering pursuit of excellence. Like a seer who glimpses into the future, Lutyens possessed a keen foresight that enabled him to anticipate the evolving needs of society while remaining grounded in timeless architectural principles.

Britannic House on City Road, London, stands as a testament to Lutyens' purity of vision. Completed in 1925, this imposing structure exemplifies his signature style, characterized by classical symmetry, monumental scale, and meticulous attention to detail. Rising amidst the bustling urban landscape, Britannic House commands attention not through ostentation, but through the quiet dignity of its design.

As a narrative, the story of Britannic House unfolds as a dialogue between tradition and modernity, heritage and progress. Lutyens, like a prophet of architectural enlightenment, envisioned a future where the past could coexist harmoniously with the present, where the grandeur of antiquity could be reinterpreted through a contemporary lens.

In Britannic House, every column, arch, and cornice speaks of a bygone era, yet resonates with timeless relevance. The purity of Lutyens' design lies in its ability to transcend the ephemeral trends of its time, offering a timeless sanctuary amidst the ceaseless flux of urban life.

Just as a seer foretells the course of events, Lutyens' architectural legacy continues to shape the landscape of our cities, inspiring generations of architects and urban planners to strive for purity of vision in their own creations. In Britannic House and beyond, his name endures as a beacon of architectural excellence, a testament to the enduring power of visionary foresight and creative integrity.

[euroweekend]

Tipy na dovolenou

Introduction:

Embarking on a dovolená trip to Europe over the weekend is like stepping into a realm of enchantment where every cobblestone street whispers tales of history, and each cityscape is a canvas painted with cultural vibrancy. In this whirlwind adventure, the term "Euro weekend" takes on a whole new meaning – a delightful blend of exploration, relaxation, and discovery.

European Capitals: Unveiling Treasures in a Weekend

Europe, with its myriad of capitals, beckons travelers with promises of unique experiences. Begin your Euro weekend extravaganza in the City of Lights – Paris. Allow the Eiffel Tower to cast its spell on you as you indulge in decadent pastries along the Seine. Then, hop over to Rome, where ancient wonders like the Colosseum and the Roman Forum transport you through the annals of time. In just a weekend, these capitals unfold a tapestry of memories that linger long after you've returned home.

Culinary Sojourn: A Feast for the Senses

No Euro weekend is complete without a culinary odyssey through the heart of Europe. Vienna, with its imperial charm, invites you to savor delicate pastries in ornate coffeehouses. Barcelona's bustling markets present a sensory fiesta of tapas, while Florence's gelato parlors promise a sweet escape. Each bite is a passport to the diverse flavors that define the essence of each European destination, creating a gastronomic mosaic that mirrors the continent's rich heritage.

Scenic Retreats: Nature's Embrace

Escape the urban hustle for a day and immerse yourself in Europe's natural wonders. Traverse the fjords of Norway, where rugged landscapes meet serene waters, or unwind in the vineyards of Tuscany, where rolling hills are adorned with grapevines. The Amalfi Coast beckons with its picturesque beaches, offering a perfect blend of relaxation and awe-inspiring beauty. A Euro weekend trip seamlessly integrates urban exploration with nature's serenity.

Cultural Odyssey: Navigating Europe's Rich Heritage

Delve into the heart of Europe's cultural tapestry by attending a flamenco show in Madrid, meandering through the artistic streets of Amsterdam, or witnessing the grandeur of the Changing of the Guard at Buckingham Palace in London. A Euro weekend is a crash course in cultural immersion, providing a snapshot of the traditions, arts, and histories that shape each unique destination.

Travel Tips for a Seamless Euro Weekend:

Strategic Planning: Given the limited time, plan your itinerary strategically. Prioritize must-see attractions and allocate time efficiently.

Light Packing: Pack essentials for a short trip, including comfortable shoes for exploring on foot and a versatile wardrobe for varying weather.

Local Transport: Utilize efficient local transportation options to maximize your time spent sightseeing.

Language Essentials: While English is often spoken, familiarize yourself with basic phrases in the local language to enhance your travel experience.

Conclusion:

A Euro weekend trip is a microcosm of adventure, offering a taste of Europe's wonders in a condensed timeframe. From the grandeur of historic landmarks to the warmth of local hospitality, each moment contributes to a mosaic of memories that will linger long after your return. So, heed the call of wanderlust, pack your bags, and let the magic of a Euro weekend escapade unfold before you – a journey of discovery, cultural immersion, and the pure joy of exploration.

[jugaadjn]

Unveiling Laxmisagar’s Pure Veg Dining Scene in Bhubaneswar

Nestled within the heart of Laxmisagar, Bhubaneswar lies a culinary haven, a sanctuary for those who relish the vibrant flavors and cultural richness of pure vegetarian cuisine. In a city renowned for its diverse gastronomy, the significance of the Best pure veg restaurants in Laxmisagar, bhubaneswar destinations is paramount, reflecting both tradition and innovation.

Laxmisagar, Bhubaneswar a city steeped in history and revered for its cultural tapestry, holds vegetarianism close to its heart. The intertwining of vegetarianism with everyday life, rituals, and festivities showcases a unique culinary heritage that has stood the test of time.

Today, we explore The Best Pure Veg Restaurant in Laxmisagar, Bhubaneswar, where flavors dance on your palate and tradition meets contemporary culinary artistry. Join us on this gastronomic odyssey as we unveil the essence of this esteemed establishment and delve into the soulful world of vegetarian delights that define the city’s culinary landscape.

Top of Form

Vegetarianism isn’t just about food; it’s a cultural continuum interwoven into the very fabric of everyday existence. Local households, bustling marketplaces, and revered eateries reflect this ethos. Here, vegetarianism isn’t a preference but a way of being, an echo of reverence for life and nature. It’s showcased in the savory offerings during religious festivals, where sumptuous vegetarian feasts are integral to celebratory rituals.

The kaleidoscope of local festivities, from the spirited celebrations of Rath Yatra to the solemnity of Durga Puja, resonates with vegetarian fare. Traditional delicacies crafted with precision and love adorn households during these festivities, inviting everyone to partake in the culinary heritage that defines Laxmisagar, Bhubaneswar.

Vegetarianism transcends the realm of mere dietary choices; it embodies a cultural saga that speaks volumes about the city’s rich heritage, spirituality, and culinary prowess. In Laxmisagar, Bhubaneswar, every dish narrates a story steeped in tradition, creating a tapestry where flavor meets cultural significance.

Top of Form

Embarking on a culinary voyage at Jugaad Jn. , patrons are greeted with a menu that’s not just a list of dishes but a symphony of flavors meticulously curated to tantalize taste buds and evoke delight.

The menu at this pure veg haven embodies diversity, featuring an array of dishes that reflect the city’s culinary heritage while embracing innovation. From traditional Odia delicacies infused with a modern twist to globally inspired creations, every offering is a testament to the chefs’ culinary artistry.

Among the lineup of tantalizing treats, signature dishes reign supreme, capturing the essence of the restaurant’s culinary prowess. Take, for instance, the “Temple Thali,” a cornucopia of flavors that brings together an assortment of regional specialties — each bite a delightful journey through the rich tapestry of Odia cuisine. Patrons often rave about the “Masala Dosa Medley,” a medley of dosas filled with an eclectic mix of fillings, a testament to the fusion of tradition and innovation.

What sets this destination apart is not just the dishes but the sheer creativity and innovation that goes into each plate. Chefs here are akin to artists, sculpting flavors with precision and infusing each dish with a unique touch. The fusion of traditional recipes with contemporary techniques results in dishes that surprise and delight, presenting familiar flavors in refreshing ways.

Behind every creation is a story — an ode to local produce, culinary heritage, and a dedication to pushing the boundaries of taste. Whether it’s a simple appetizer or an elaborate main course, each dish encapsulates the essence of the restaurant’s commitment to culinary excellence.

Embarking on a gastronomic journey at Jugaad Jn. , one is met with an enticing menu that beckons exploration

[dan6085]

Here are 20 degustation foods, which are part of elaborate tasting menus often found in fine dining restaurants, along with brief details about each dish:

1. **Amuse-Bouche (France):** A bite-sized appetizer served before the first course, meant to excite the palate and set the tone for the meal. It can be anything from a tiny soup to a delicate morsel of seafood.

2. **Foie Gras (France):** A luxury food product made of the liver of a duck or goose. It is often served in terrine form with toast or brioche and fruit compote.

3. **Oysters Rockefeller (United States):** Oysters on the half shell topped with a mixture of finely chopped greens, herbs, and breadcrumbs, then baked or broiled.

4. **Lobster Bisque (France):** Creamy soup made with lobster, vegetables, and seasoned with herbs and spices, often served with a dollop of crème fraîche.

5. **Beef Carpaccio (Italy):** Thinly sliced raw beef or veal served with arugula, shaved Parmesan cheese, and a drizzle of olive oil and lemon juice.

6. **Truffle Risotto (Italy):** Creamy risotto made with Arborio rice, truffle oil, and often garnished with shaved black truffles for a rich, earthy flavor.

7. **Sous-Vide Salmon (Various):** Salmon cooked in a vacuum-sealed bag in low-temperature water, resulting in a tender and perfectly cooked piece of fish.

8. **Duck Confit (France):** Duck leg slow-cooked in its own fat until tender and crispy, often served with roasted vegetables or a flavorful sauce.

9. **Escargot (France):** Land snails cooked with garlic, butter, and parsley, served in their shells and typically eaten with a special fork.

10. **Caviar (Various):** Delicate fish eggs, usually from sturgeon, served on blinis or toast points with crème fraîche or sour cream.

11. **Quail with Berry Reduction (Various):** Roasted quail served with a reduction sauce made from berries, wine, and aromatics, adding a sweet and tangy flavor.

12. **Artisanal Cheese Plate (Various):** A selection of fine cheeses, both local and international, served with crackers, fruits, and honey or jam.

13. **Grilled Octopus (Various):** Tender octopus tentacles marinated and grilled, often served with a refreshing salad or a flavorful sauce like chimichurri.

14. **Pork Belly (Various):** Fatty and flavorful cut of pork slow-cooked until tender, then crisped up, served with accompaniments like apple puree or braised greens.

15. **Deconstructed Tiramisu (Italy):** A modern twist on the classic Italian dessert, with coffee-soaked ladyfingers, mascarpone mousse, and cocoa powder presented in layers or artistic arrangements.

16. **Lamb Chops with Mint Sauce (Various):** Tender lamb chops grilled or roasted to perfection, served with a refreshing mint sauce and vegetables.

17. **Scallop Ceviche (Various):** Fresh scallops marinated in citrus juices, mixed with diced vegetables, cilantro, and chili peppers, creating a zesty and refreshing appetizer.

18. **Chocolate Fondant (France):** Warm, gooey chocolate cake with a liquid chocolate center, often served with vanilla ice cream or a dollop of whipped cream.

19. **Molecular Gastronomy Creations (Various):** Innovative dishes using techniques like spherification, foams, and liquid nitrogen to create visually stunning and unique culinary experiences.

20. **Edible Flowers and Petals (Various):** Delicate and colorful flowers used as garnishes or integral parts of dishes, adding a touch of elegance and sometimes unique flavors.

These dishes represent the creativity and artistry of chefs in the realm of degustation menus, offering diners an exquisite and memorable culinary journey. Enjoy your gastronomic adventures!

[santelmomusic]

The Future of Music And Video

Unlocking Musical Magic: A Glimpse into the AI-Powered Future of Music Integration

Hey there, folks! Imagine this: I'm just your average music lover and tech geek, and recently, I went on this incredible journey. I wanted to dive into the fascinating world where music and technology collide, and I can't wait to share my adventure with you.

Voice Changer: Giving My Sound a Unique Twist

So, I had this crazy idea to spice up my music by using a voice changer. You know, like those cool gadgets that can make your voice sound totally different. My goal? To capture some of the magic that Ed Sheeran brings to his vocals. I wanted to emulate his style, and with the help of an AI-driven voice changer, I did just that. It was like my voice got a makeover, and I was singing in a whole new way that blended seamlessly with Ed's signature tone.

AI-Driven Integration

Now, here's where the real magic happened. I turned to some cutting-edge AI tech to help me blend my original song with Ed Sheeran's music. These AI algorithms went to work, analyzing the structure, melodies, and chords in both our songs. They figured out what made our music tick and then fused it all together. It was like a musical puzzle coming to life, resulting in a song that was pure harmony.

Stable Diffusion: Creating Futuristic Visuals

Of course, music isn't just about what you hear; it's also about what you see. I wanted to create a visual experience that matched the futuristic vibe of our music. So, I delved into the world of stable diffusion, this mind-blowing technique in visual art. With the help of stable diffusion algorithms, I conjured up visuals that were out of this world. Think intricate patterns and mesmerizing kaleidoscopic visuals that danced in sync with the music. It was like taking a trip to a whole new dimension.

The Future of Music Integration

My experiment showed me that the future of music is wild, exciting, and full of endless possibilities. As technology keeps on advancing, artists like me are going to have a blast exploring new ways to make music and art collide in ways we never thought possible.

In this age of innovation, the lines between music, art, and technology are blurring. We're no longer confined by the old limits of creativity. Instead, we have all these incredible tools at our disposal to push the boundaries and create experiences that feel like pure magic. The fusion of AI and music is opening up new doors, and I can't wait to see what lies ahead.

To wrap it up, my journey into the world of AI-powered music integration and stable diffusion has been nothing short of mind-blowing. It's a thrilling time to be an artist, and I'm just grateful I get to ride this wave of creativity. The future of music integration is here, and it's like a whole new kind of magic.