Anthony Amies (British, 1945-2000), Landscape with Pylons, c.1973-75. Oil on canvas, 189 x 189 cm. UCL Art Museum, London
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somewhere out the train window
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Angels are everywhere. Transmission towers. Telephone poles. Cable cars. Trains. Road tunnels. Computers and Supercomputers. Synthesisers. Circuit boards. Robots and AI.
We are the gods and these are our angels.
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Sergei Shutov (Russian, 1955), Electricity 5, 2006. Acrylic on canvas, 24 х 18 cm.
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been very slowly trying to get into drawing and im particularly proud of this piece :3
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If we understand the machine as a conduit, and the divine as the power source, the fusion of the two creates the angel, when combining the angel with the the rot (the incorporation of blight) you get the electrical pylon, a conduit for immense power that carries a message linearly through massive structures that both dominate and become the landscape
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Electricity pylon between the Bánhidai Power Plant (Talbot Centrale) and Budapest, 1930. From the Budapest Municipal Photography Company archive.
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