#ray baretto

[plus-low-overthrow]

Deodato - September 13 (CTI Records)

Open Drums Intro, Flutes, 1972.

[reverbradio]

Reverberation #369 1. Bobby Hutcherson - Montara 2. Emerson Kitamura - Rock Your Baby 3. Larry Marshall - I've Got To Make It 4. Eunice Collins - At The Hotel 5. Ralfi Pagan - No Soy De Ti 6. Dennis Alcapone - Cassius Clay 7. Ray Barretto - Acid  8. Shahram Shabpareh - Prison Song 9. The Supreme Jubilees - It'll All Be Over

[bandacoribantes]

2020- Latin Sessions on YouTube

1. Quimbara / Celia Cruz

 https://www.youtube.com/watch?v=H3RQBV49u34

2. Guararé / Ray Baretto

 https://www.youtube.com/watch?v=Bq4wmOfg6ZU

3. Yo No Sé Mañana / Luis Enrique

 https://www.youtube.com/watch?v=1MDw2W8SuKY

Salsa Bachata Japan様のYouTubeチャンネルに、「Latin Sessions by BANDA CORIBANTES」として3度登場させていただきました。

Special Thanks: HIDE&PEKO (Salsa Dancers /2) / 松永夏弥(Pf /3))/ 池本茂貴(Tb /1.2) / 山川権(PA /All) / Suzu Sakai(Video & Edit /All) 

[balcony-music]

Acid, майна

Ada’s pick

[mokhosz]

In his acclaimed debut as a filmmaker, Ahmir “Questlove” Thompson presents a powerful and transporting documentary—part music film, part historical record created around an epic event that celebrated Black history, culture and fashion. Over the course of six weeks in the summer of 1969, just one hundred miles south of Woodstock, The Harlem Cultural Festival was filmed in Mount Morris Park (now Marcus Garvey Park).  The footage was never seen and largely forgotten–until now. SUMMER OF SOUL shines a light on the importance of history to our spiritual well-being and stands as a testament to the healing power of music during times of unrest, both past and present. The feature includes never-before-seen concert performances by Stevie Wonder, Nina Simone, Sly & the Family Stone, Gladys Knight & the Pips, Ray Baretto, Abbey Lincoln & Max Roach and more. 

 Summer of Soul premiered at the Sundance Film Festival, where it won both the Grand Jury Prize and Audience Award. 

[secretpainterpanda]

LA HIPOCRECIA Y LA FALSEDAD, CONSEJO TE VOY A DAR TRAICION TRAE SOLEDAD

Ray Baretto

[louxosenjoyables]

Power- Ray Baretto

[honest-xpression]

i was tagged by @defjux put my music player on shuffle and post the first 10 tracks, and then tag others to do the same.

Stxnx - Like It Wuz Yesterday

Radicule. - Erksine

Ayzic - Solace

Pete Rock - Harps of Heaven

Ronni Rich - Forever Filthy

Space Gang - The City

Julie Driscoll, Brian Auger, The Trinity - Let the Sunshine In

Jhershey - Black Timb$

Nohidea - Haiku

Raw Life, Luvsic111 - Rollin

Glenn Underground - Head of House

Major Dynamic - Just a Tribe Wave

JVXTA - Suzuku Dream

Y Society - How Many Of Us

Chicano Batman - Scab

Poik Lounge - Abstract Future

Zmeyev - Morning Stroll

Ray Baretto - Together

A good mix of beats, rap, house, and funk! 💯

I tag @notoriousbarby @vegetas-sidepiece @briggggggy @knowledgeiskingg @j-uliettem @mamineedy @zzoldyy @petalos-de-hiphop @desvel4da @imhigh-asf and whoever else I don't mind. Can't remember names off the top lol

[briannaandgracekoha-blog]

Artists

Len Lye 

Len Lye, a film maker, kinetic artist, painter, writer and theorist. Born New Zealand 1901, died New York 1980, one of the first modernist artists in New Zealand and Australia

“All of a sudden it hit me-if there was such a thing as composing music, there could be such a thing as composing motion.  After all, there are melodic figures, why can’t there be figures of motion?” – Len Lye

Tusalava, 1929, 10 mins

This remarkable animation film was first screened by the London Film Society in 1929. Jack Ellitt’s original piano music for Tusalava has unfortunately been lost. The film imagines the beginnings of life on earth. Single-cell creatures evolve into more complex forms of life. Evolution leads to conflict, and two species fight for supremacy. The title is a Samoan word which suggests that things go full circle.  In this film Lye based his style of animation partly on the ancient Aboriginal art of Australia. Tusalava is unique as a film example of what art critics describe as “modernist primitivism”. In contrast to the Cubist painters (who were influenced by African art), Lye drew upon traditions of indigenous art from his own region of the world (New Zealand, Australia and Samoa).

https://www.youtube.com/watch?v=flJOXMln4C0

Kaleidoscope, 1935, 4 mins

Lye’s second direct film was sponsored by Churchman Cigarettes. At the same time his friend Oskar Fischinger in Germany was also financing his great experimental films by making cigarette commercials. In Kaleidoscope Lye animated stencilled cigarette shapes and is said to have experimented with cutting out some of the shapes so that the light of the projector hit the screen directly. He developed a number of stencils such as “a yin-yang, a diamond shape, a wheel, a star” to complement his hand-painted images. The way these shapes spun and rolled across the screen anticipated the movements of his later kinetic sculptures. Like A Colour Box, this film had music by Don Baretto and his Cuban Orchestra.

https://www.youtube.com/watch?v=-DksmbDMDUU

Color Cry, 1952, 3 mins

 In Color Cry, his first major American film, Len Lye found a striking new way to use Man Ray’s “rayogram” or “shadow cast” process, arranging a variety of fabrics and stencils on strips of film. Strips of film with sprocket holes were also used as stencils. Lye synchronised his film to some haunting music by blues-singer Sonny Terry, which he imagined to represent the anguished cry of a runaway slave. Lye used the 16mm format for this and for his other American films.

https://www.youtube.com/watch?v=ZPQrH0OxBLA 

Manddy Wyckens

- Grace

[kevindurkiin]

Shaken not Stirred

Shaken not Stirred – Loungelegends meets 007

Frank Chacksfield & His Orchestra – The James Bond Theme (2:06) The New Cascading Strings – Diamonds Are Forever (2:42) Roland Shaw – On her majesty’s secret service (2:11) Billy Strange – Casino Royale (2:58) Hugo Montenegro – Theme from dr.No (2:17) David Arkenstone – Under The Mango Tree (from dr.No) (4:39) Ray Baretto – 007 (2:12) Joe Loss – Nobody Does It Better (2:39) Jackie Gleason – From Russia With Love (2:54) Xavier Cugat – Goldfinger (2:35) Mantovani – You Only Live Twice (2:45) Franck Pourcel – Mister Kiss Kiss Bang Bang (2:28) James Last – Live and Let Die (3:05) Carlten & Orchester – For Your Eyes Only (2:51) Dieter Reith & SWR Rundfunkorchester – We Have All The Time in the World (3:13) Neil Norman – Moonraker (2:33) The London Starlight Orchestra – Theme from A view to a kill (3:35) Dieter Reith & SWR Rundfunkorchester – Licence to Kill (3:29) Cincinnati Pops Orchestra; Erich Kunzel – All Time High From Octopussy Geoff Love and Orchestra – The Man with the Golden Gun (2:51) Roland Shaw – Twisting with James (2:52) Percy Faith & His Orchestra – Thunderball (2:06) Brass Band de Wâldsang – GoldenEye (3:25) Perez Prado – James Bond goes Mambo (1:52) Stanley Black – Bonus : The James Bond Suite (9:15)

Shaken not Stirred published first on https://soundwizreview.tumblr.com/

[philajazzproject]

BLAST FROM THE PAST: Reflection from Another Holiday For Skins featuring vocalist @iamshamikabyrd at the @ihousephilly back in 2014. The historic Another Holiday For Skins concert was a celebration of drum master, Art Blakey's exceptional recordings with Sabu Martinez and Ray Baretto from the late 1950s. See The Video: https://youtu.be/_ddF0fMzWNM #PhillyJazz #PJPGallery #PhillyJazz #ShamikaByrd #DocGibbs #RobertKenyatta #Percussion #SingPhillySing (at International House Philadelphia) https://www.instagram.com/p/CORX8uQj5mU/?igshid=sm9kpl3n0wbp

[theloniousbach]

ON OLIVER NELSON'S AFRO AMERICAN SKETCHES, WGTE's JAZZ SPECTRUM, 27 FEBRUARY 2021

The first two sets of Toledo Public Radio's Jazz Spectrum featured this album on Saturday, February 27, 2021.   

As the show's, ahem, Contributing Writer, this is the writing I contributed. On the heels of his masterful “Blues and the Abstract Truth,” Oliver Nelson released later in 1961 “Afro/American Sketches.”  Think of that masterwork’s meticulous compositions and arrangements writ large with Nelson having a full orchestra at his disposal.

It is a programmatic work striving to tell, like Duke Ellington’s “Black, Brown, and Beige” the African experience as it was forcibly wrenched to America.  

Nelson’s attached liner notes are candid and gripping.  The project did not immediately appeal to him, but listening extensively to African music—often field recordings—won him with their rich variety and dignity.  What he synthesizes is a complex, thoughtful work that builds from Ed Shaugnessy and Ray Baretto on drums and percussion but also includes cello (using that instrument’s melancholy to capture the “Disillusioned” Northern experience after the Great Migration), French horns, and tuba.

There is Ellingtonian scope and eloquence combined with Gil Evans’s rich musical palette.  It is a serious work that Jazz Spectrum is rightly showcasing this week.

https://jazzstl.us11.list-manage.com/track/click?u=740a79dcf988d7631d581a401&id=58e9bafa77&e=7dc524cdee 

[puredamien]

Ray Baretto - Acid

[ubbaicb]

The Coffee Shop

Having a hard time to choose where to eat near Olongapo? "Tara na sa The Coffee Shop!"

In 1984, the owner named Rosita came up with the idea of making her own restaurant. Its been the series of up and down in their business (and her sister said that they started with only five tables) but now many people come to their restaurant to taste their best- selling tacos.

So Joyce, John Ray and I went all the way to Baretto to eat and do a review of the foods in their restaurant. It is my first time to eat their other menu besides tacos and indeed it was my first time to go upstairs of the restaurant which you can see the blue sky and the busy street. The ambiance of tranquility was in there even the sun shines so brightly.

My top three favorites in their menu are clubhouse sandwich, lumpiang shanghai and of course their famous tacos. Their foods have various tastes definitely fitting everyone tastes.

[witse10meeussen-blog]

Week 17: Salsa of samba?

Salsa is een muziekstijl die voortkomt uit de Cubaanse son en Amerikaanse jazz. Deze muziekstijl is vooral populair in Latijns-Amerika maar kent zijn oorsprong in New York. Enkele voorbeelden van salsa-artiesten zijn Celia Cruz en Ray Baretto. De belangrijkste instrumenten binnen de salsa zijn claves, conga’s, bongo’s en trompetten. Als ik moet kiezen tussen deze twee muziekstijlen, kies ik voor salsa. Als voorbeeld kies ik voor het nummer Salsa Tequila van Anders Nilsen.