#really hope i got them all

[bixels]

Scary Sunset.

I'm concepting things way outta order in this story, but I'm sure you can piece things together. Context is for a storybeat where, after defeating and capturing Adagio (thus having all three sirens in her possession), Sunset enacts her revenge plot to release the sirens on Canterlot as Thea discovers she's been manipulated. In a confrontation, the two scuffle and fight over the siren orbs while Sunset struggles with her conflicting wants and emotions.

[lilybug-02]

Eimmet High...temmiE high. OMG!

Part 28 || First || Previous || Next...

--Full Series--

Next update may take...much longer! I have finals and an internship and not to mention I have to draw- A LOT :')

[kitamars]

gins and ginhiji

[ryllen]

Congrats to the FIRST TEAM to BEAT THE TITAN!

[stil-lindigo]

Source

While reading this interview with a West Bank settler, it's important to remember her views do not represent those of all Israelis just like Israel does not represent all Jews. There has been sizeable protest in Tel Aviv against the genocide (quickly squashed under Netanyahu’s police force just like all other pro-palestinian sentiment) but it’s worth reading to get insight into the minds of average people who cheer on Palestinian deaths, and draw up a chair to watch hellfire rain down on innocents. This is the impact of years of settler-colonial propaganda - a complete dehumanisation of a scapegoat population.

It also has to be said that ALL colonialist countries are complicit in encouraging this kind of extremism, by facilitating and stoking the fires of islamophobia post-9/11. Israel is not an outlier - this kind of sentiment is festering EVERYWHERE and attempting to detach yourself and your country's identity from it is like burying your head in the sand.

If you stand on the side of Palestinians in this crisis, you have to be prepared to recognise the signs of islamophobia and fascism everywhere, and stand against them.

[ipostmysimpingstuffanonymously]

My entry for the SatoSho Discord Weekly Prompt: Just Friends

[haunted-xander]

Do you think Saix' emotional co-dependence started as a Nobody or did it start as human Isa and just grew to an unhealthy degree?

[tea-cat-arts]

A reoccurring thought I had for a while now-

On one hand, I'd like to think someone gave him a hug at least once in those 800 years. On the other, idk who Xie Lian would let himself be vulnerable with

[buwheal]

BEACH OUTFIT 💥💥💥💥

He used to surf the web back in 98'.

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[chirpsythismorning]

“Mike said his life started the day he found El in the woods, which was technically the following night. What he said had nothing to do with offending Will because he went missing the day before.”

[seiwas]

there is a very specific image in my head of early-mid 20’s iwaizumi hajime

[acearadiamegido]

@homestuckss pinch hit for @topfsecret !!

Reluctant face of the Alternian revolution Karkat is NOT quite used to having an entire security detail yet, and isn't sure why they're all dressed like sci fi adventure movie characters??

to which I would say, if you're gonna be planning an underground revolution against a spacefaring despot why WOULDN'T you dress for the occasion. c'mon.

[scary-lasagna]

Hii I love your style of writing so much🫶🫶

I was wondering if I could request the creeps with an s/o that has POTs and/or chronic fainting?

if your too busy please don’t overwork yourself, have a lovely day :D💞

Thank you!!! you too :] I decided to switch things up. Instead of pairing this type of ask with someone who knows what to do I present: Jeff.

Jeff

This mans knows NOTHING.

But he's here for you. Because he loves you so much.

And this guy eats nothing but salty foods, so of course he's gonna eat a chip and then offer you the next one until the bag runs out.

And shit, if you have to take a spoonful of salt with a chaser, then he'll help you with that too.

And he's always hyper-vigilant about any dizzy-like movement you may have, always prepared to catch you.

And when it comes down to it, he'll just carry you wherever you need to go.

He doesn't really know anything else about it except that a.) he needs to catch you when you fall and b.) he loves you and loves to share his food.

Jeff will also check up on you throughout the day if he's working, or just away from home, to make sure you're doing alright.

Jack will give him any tips and advice that Jeff may ask, and will even slide him some prescriptions that may help some of your symptoms.

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[autisticaradiamegido]

day 129

so was anybody going to tell me @adorkastock had their own random pose generator now or was i just supposed to find that out on my own