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#reminds me of that awful line in 3x14
gainesha · 2 months
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BSG rewatch notes, cont'd and ended (spoilers, obviously):
it was so nice to watch the whole thing again, once again being reminded why I fell in love with these characters
the second half of Season 4 is much stronger overall as the first one, but the Tigh-Six baby plotline is awful. dumb and ludicrous. gave lots of fantastic acting moments for Hogan and Helfer, at least
Michael Nankin was the GOAT for directing Sometimes a Great Notion
I had loved the piano man story from Someone to Watch Over Me, so I was looking forward to rewatch that, but I completely forgot that the other main plot of the episode is going to be Boomer kidnapping Hera, and jfc, the locker room sequence with Helo and Boomer as Athena and Athena watching them is probably the most horrifying scene of the whole show, genuinely disturbing
I really like the finale. the flashback structure works very well for showing us how far all these characters came, and also crystallizing their story arcs, the stakes of their present-day choices. the last mission is intense and satisfying. the big showdown between Cavil and the Final Five / colonials and the Opera House reveal is a bit bumpy, but I still love the anticlimax of Cavil just saying ah fuck this shit. the ending always made emotional sense for me, and because the emotional farewell was the more important expectation for me (rather than getting a wholly satisfying mythology and precisely worked out plot machinery), and I feel good about the exodus part, too, I can more easily let go of my quibbles of explaining how the people of the fleet actually went along with throwing all their technology into the sun and going into the wild which would realistically mean quite a low life expectancy for them - like, I would not last outside modern civilization at all, but considering the rate with which we have been destroying our planet in the years since the show ended, their choice to have a clean slate is all the more wishful and heartfelt. (also a nice sentiment to forego colonizing the natives of Earth). Kara's "poof" is jarring, but I find her narrative arc complete and wonderful. I don't need to know exactly what she was after she returned from Earth-1. I even didn't mind the epilogue! like, the dancing robots would probably be AI if they remade the show today, but otherwise, the all of this has happened before... message of the show, with all its cheesy directness, still stands. except maybe it's more difficult to share HeadSix's optimistic prognosis
"You know, I know about farming" is the best line reading of the whole show
I wish we got at least one more Leoben-Kara scene after the one in Sometimes a Great Notion. that was a huge turning point in their relationship, but it should have been followed up, and I am sure it would have if not for the unavailability of Callum Keith Rennie. that is the only part of the show that feels incomplete.
I was ranking all the episodes for myself alongside the rewatch, so here's my bottom 5 and my top 10. I still need to rewatch The Plan, which in my memory is barely more than a glorified clipshow with some nice acting, so that could possibly be in the bottom five as well. and yes, that is a 7-parter in the second place, sue me.
Black Market (2x14)
The Woman King (3x14)
Hero (3x08)
Tigh Me Up, Tigh Me Down (1x09)
Deadlock (4x16)
10. The Passage (3x10) 9. Someone to Watch Over Me (4x17) 8. Downloaded (2x18) 7. Pegasus (2x10) 6. The Oath / Blood on the Scales (4x13-14) 5. 33 (1x01) 4. Scar (2x15) 3. Unfinished Business (3x09) - non-extended version 2. New Caprica arc: Lay Your Burdens Down 1-2., Occupation, Precipice, Exodus 1-2., Collaborators (2x19-3x05) 1. Maelstrom (3x17)
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tuiyla · 2 years
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Yes Queen B Quinn you and Santana really had the dream high school careers
you know, apart from the teen pregnancy and outing on state tv and subsequent harassment and disowning by family members and car accident and all that
but you were ~mega-popular~ (except when you weren’t) so all good
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prettygraceful · 4 years
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magnus & the main characters interaction count: a study
an interaction counts as magnus talking specifically to 1 main and that main character responding, or vice versa. (you know like alec does with jace/ clary/ izzy in 95% of the episodes throughout the whole series and luke/ simon in half of s1 and s3.) an interaction is NOT where magnus addresses the group in general with no one responding to him directly, or him being in the same room with all of them, but they only talk to alec or to each other.
this count starts from 2b. s1/ 2a did NOT have anywhere close to an adequate amount, but at least there wasn’t so little that it was total joke like after that. the sad truth of this is so glaringly obvious when it’s listed.
plz take note this post is about magnus/ MAIN character interaction ONLY
and obviously this count is about the 6 mains other than alec
SEASON 2B
2x11: NONE
altho clary/ jace are in the room, they only talk to alec
2x12: NONE
2x13: NONE
2x14: 1 scene with luke
2x15: NONE
altho jace/ izzy are in the room, they don’t talk to him
2x16: NONE
he was not in the episode. he also was not in some episodes in s1. luke and maia have also not been in some.
clary, jace, alec, izzy, and simon have been in every episode. just saying.
2x17: 2 scenes with luke
2x18: 1 scene with luke
2x19: NONE
altho the shadowhunters/ luke are in the room, they don’t talk to him
side note: making literally everyone be against magnus/ glaring at him/ shading him behind his back after all he’s literally done for every single one of them was… a choice. they all didn’t seem to care that he was hurting.
2x20: 1 scene with izzy
final count:
6 episodes (over half the season) with NONE
2 episodes of only 1 scene interaction
only 1 episode where he interacts throughout, yet still only with 1 other main
only 3 scenes where he gets to talk to another main without alec there
no scene where he talks to another main and alec isn’t mentioned
SEASON 3A
3x01: NONE
3X02: NONE
altho shadowhunters/ luke are in the room, they only talk to alec
3X03: 1 scene with izzy
3x04: NONE
altho clary is in room, she only talks to alec
3x05: NONE
3x06: multiple scenes with clary
3x07: NONE
altho clary/ izzy/ simon are in the room, they only talk to alec
3x08: multiple scenes with izzy
no, owl!jace saying alec would chose jace over him doesn’t count
altho luke/ simon are in the room, they only talk to alec
3x09: 1 scene with izzy
3x10: 1 scene with jace
altho should a scene of him telling the parabatai he gave up his magic for them and them not saying anything count?
final count:
5 episodes (half the season) with NONE
3 episodes of only 1 scene interaction
only 2 episodes where he interacts throughout, yet only with 1 other main
only 1 episode where he gets to talk to another main without alec there
no episodes where he talks to another main and alec isn’t mentioned
SEASON 3B
3x11: 1 scene with izzy
altho jace is in the room, he only to talks alec
3x12: NONE
altho jace/ luke are in the room, they only talk to alec
3x13: 1 scene with izzy
and 1 single line to clary, i guess
3x14: NONE
3x15: NONE
aside from 1 single line to simon, i guess
no, clary/ jace/ izzy unkindly questioning him being there doesn’t count
side note: making magnus be surrounded by a room full of racist-coded shadowhunters in s3 was… a choice. what was the point of that? it showed that apparently only laws have changed but not societal sentiment- outside of the main foursome- since s1 in their mindset towards downworlders. and then they had malec get married amongst these racists a few weeks later?? to show him being treated so disrespectfully (again in s3, so nobody’s mindset progressed outside of the 4) and be made so uncomfortable and then never have them show him any love or treat him as an equal later on (as an individual and not just as half of malec) was… a choice. a bad choice.
3x16: NONE
3x17: NONE
3x18: NONE
altho clary/ jace are in the room, they only talk to alec (and then when he’s sad over something that their 3a choices caused, they leave. in the same episode the writers have maryse say “we’re all here for you”…what a joke.)
3x19: NONE
3x20: NONE
altho izzy/ clary/ jace are in the room, they only talk to alec
3x21: NONE
aside from 1 single line to simon, i guess
no, saying only biscuit doesn’t count
3x22: NONE
altho it’s his wedding day, they don’t let jace/ izzy welcome him into the family but instead irrelevant max.
and altho it’s literally the finale, the ONLY person he gets to talk to is his rival. (side note, but lorenzo and underhill should NOT have been at the wedding after their awful treatment towards him. such two-faced people.)
final count:
10 episodes (the length of a normal half season) with NONE
2 episodes of only 1 scene interaction
0 episodes where he interacts throughout
1 scene where he get to talk to another main without alec there
in his 1 scene in 3x13, he talks to another main and alec isn’t mentioned
i think the point i’m making is obvious: the 3 white showrunners and mostly white writers almost never ever let magnus even talk to any of the other main characters. (he also goes three seasons without a single story arc with another main that lasts more than 1 episode. (no, the writers using luke as a mouthpiece to justify alec’s mistake in 2b does not count.) you know, like how alec had big long arcs with both clary and jace in s1, 2a, and 3a and izzy here and there. even maia, the most neglected character on this show, still got to regularly interact with simon and luke- 2 mains. even luke with his limited screentime, still got to regularly at least talk to literally all of the mains in all his group scenes.
and what about the 3 downworlder mains and alec?
well, altho alec and maia only had 2 scenes together, that’s still twice what magnus/ maia got, seeing as they only had the 1 scene together in 2a.
alec and luke had at least 3 scenes together in s1 that i can remember vs magnus/ luke only having 2 lines in 1x06. both duos had about equal in 2b.
in 3a alec/luke had 5 scenes together. magnus/ luke had none where they actually spoke to each other. in group scenes magnus only talked to alec.
in 3b alec/ luke had 3 scenes. magnus/ luke had none. plus luke told alec that he couldn’t go to his wedding, instead of telling magnus.
in s1 magnus/ simon had maybe 1 line. alec/ simon were interacting constantly throughout, i don’t remember how many scenes it was.
in 2a magnus/ simon had 2 episodes together. in 2b they had 1 scene but i don’t really count it since it was only to have it be literally everyone vs magnus. alec/ simon had 1 scene in 2b and none in 2a.
in 3a alec/ simon had 3 scenes interacting together. magnus/ simon had none where they actually spoke to each other.
in 3b all the fans complaining really paid off! 2 scenes in 3x15. 1 scene each in 3x17, 3x19, 3x20, and 3x21 for a grand total of 6 scenes. plus no talking- yet still in a scene together- in 1 other scene in 3x15, 3x17, 3x18, and 2 others in 3x19, for a grand total of 5, not counting the edom finale scenes. magnus/ simon only said 2 lines to each other in 3b.
not to mention alec stood next to simon in a nice two-shot in 4 separate scenes. it really reminded me of what they do with clary/ alec in group scenes. the writers don’t always give them a lot of dialogue together, but they’re sure to get that dynamic in at least visually. alec always has at least crumbs vs magnus getting nothing. where is that energy from the writers, directors, or fans with magnus and literally any main? really, where is it?
i mean, there was no reason for alec/ simon not to have scenes, but i’m so truly disappointed that this is where the fan effort was spent instead of lobbying for magnus to get to interact with even one main character other than alec, seeing as alec always already get to constantly have many, many, many duo and group scenes and big arcs with the 3 other shadowhunters. and now he gets to be more bonded with all of the main downworlders too instead of magnus with his own people. the writers are so so so wack.
also obviously magnus interacts with alec on a regular basis. the point is that’s it. malec is the main reason why i watch the show, so it matters a great deal, but when every other main is getting vastly more interactions, it’s a problem. also in nearly all of the episodes when alec has scenes with other mains- and magnus is not there- magnus is not mentioned. not so when it’s vice versa.
why not count any supporting characters you may be saying? because that’s not what i hear everyone demanding for alec or the others, is it? because he didn’t interact with raphael, his supposed son, in s1, or at all after 3x01 to the actual finale. because aside from her bringing madzie over in 3x11, catatrina and and him didn’t speak in 3b. she wasn’t even introduced until 3a (so 2 seasons w/o any friends.) they only spoke in 4 scenes total in all of s3. she was his best man, yet that’s not important enough to show on screen. ragnor was literally only 1 episode. who’s left- his jealous, bitter pathetic rival or his father who has obvious gross, creepy incestuous, jealous feelings for him. or alec’s mother, who only had scenes with him for the same reason maia/ jordan had all those scenes- to give them something to do away from the group/ main plotlines. why couldn’t magnus and maia had scenes together also or instead? and being bffs with his bf’s mom but not getting to even TALK to his parabatai, the person alec’s closest to platonically, let alone be friends, is truly beyond words. and also harry and matt are only 5 years apart (kat/ dom have more of an age difference) so i’m tired of the writers/ fans keeping alec in the playpen with his younger co-stars while magnus is separated to only older ones.
and also i just really don’t care about supporting characters. i see them as just taking screentime away from the mains, specifically the downworlder mains, who are already running on limited time. look at 3x13 when they want to do a whole heidi arc, who gets cut- magnus. or in 3x17 when they want to introduce helen and aline, i resented them right off the bat for getting twice as much screentime than magnus, a main character, in that important episode for him. throughout the whole show, whenever supporting characters are getting screentime, it always means magnus, maia, and luke are not. that’s not good.
some final thoughts, nearly every single malec fan spent the entire 9 month hiatus from 3a to 3b relentlessly saying alec needs interactions. as if he didn’t get huge bonding arcs with clary and jace in s1 and 2a and 3a. as if he doesn’t talk to and go places and do things with clary, jace, and izzy nearly every single episode, every single season since the beginning. mighty handy to not count the 3 of them when you want to cry “alec has no friends” every single day, as if he hasn’t had an enemy to friendship arc with clary 3 times in 3 seasons. as if he hasn’t had a dying, can’t live without you arc with jace 3 times in 3 seasons. as if he doesn’t hug jace twice more than magnus per half season. as if he doesn’t have izzy there to lean on and talk to. funny how siblings don’t count as friends when it’s mighty convenient that’s they’re the only mains to have siblings. i would kill, KILL, for magnus to be even talk to jace and izzy let alone be real friends, yet fans are taking their friendships with alec for granted, while simultaneously saying they’re robbed of the parabatai dynamic. that’s rich.
if alec having scenes every other ep, and melodramatic arcs every other half season, wasn’t such a guarantee the fans have learned they could count on, nobody would say that his siblings and clary don’t count. but everyone knew they could say that because we know it wouldn’t be taken away. i mean, look at the stark siblings in game of thrones. they never interacted, and the entire fandom cried about that being the most important friendships to show, but it wasn’t shown. this fandom needs to put things in perspective and stop taking the lightwoods sibs and the shadowhunters squad dyamic for granted and realize that magnus and maia don’t get even a minuscule fraction of that. also want to add that simon got plenty of constant sturdy dynamics too, with clary, jace, luke, maia, and izzy. and fans got their alec/ simon content and yet still so ungrateful. i beg the malecs to compare what magnus gets before complaining.
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multimetaverse · 5 years
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Andi Mack 3x14 & 3x15 Reviews
Hammer Time and Unloading Zone were two good eps that were somewhat marred by filler. Let’s dig in!
Positives: 
It’s good to teach kids early that there’s no ethical consumption under capitalism. 
I’ll give them credit for not bearding TJ and for having him explicitly say that that he and Kira are not together. Also really drove home how petty and manipulative Kira is. 
The Tyrus scenes were brief but not as angsty as I thought. It’s very clear they’re pushing the bounds of subtext and showing that Cyrus has a crush on TJ and wants to make that known but of course we can’t start moving into text until after the cut episode. I think this is the ep that probably clues in the casual audience that Cyrus does in fact like TJ as more than a friend though knowledge that they’re being set up to be a couple won’t come until Something to Talk A-Boot (unless they happen to see the promo with the Bench scene).
They’ve clearly set up Buffy as Cyrus’ crush confidante, making sure all talk of TJ is kept away from Andi and Jonah which is sad but unsurprising. It wouldn’t shock me if Andi and Jonah don’t explicitly know about Cyrus’ crush until after the bench scene itself. Great to see Buffy being so encouraging although she can’t explicitly say anything yet. 
I wonder if that whole ‘’brings out his eyes’’ bit will come back during or after the bench scene. TJ is wearing a green shirt at the party that would bring out his eyes. Maybe that will be a Disney approved gay version of the typical straight guy calling his love interest pretty.
Those were some great Muffy scenes. I know there were some worries on tumblr about their chemistry after 3x13 but those should be put to rest now I think.
Extremely easy to see the Muffy arc ending in a kiss in the finale. 
Bringing Garren back was a very wise decision on the writers part. That ‘’ I want to cross the finish line’’ with you line was a great little nod to them being endgame. And that piggyback ride Marty gave Buffy was sweet. 
Really good subtle message sent by the camp out that it should be totally normal for a straight guy to have sleepovers with his gay friend. 
Andi’s line about Jonah maybe not being capable of more emotional connection than his usual 6 emojis is damning but I also wonder if it’s set up for him to subvert that when he sings You Girl.
A sad reminder about Amber’s awful home life. It’s clear she’s seeking the love and attention she’s not getting at home from her parents but Jonah is really not the solution. 
In 3x15 we get some foreshadowing for Buffy’s later foot injury
Nice to see Jonah participating in the protest and I always enjoy when they lean into Jonah being kind of dumb.
We still managed to get an Alpaca cameo after all. Also confirms that the original 3x18 at Snuck Farm was indeed planned as the original wedding. 
The don’t hurt yourself lines Cyrus and Jonah had were very funny. 
Cyrus referenced the Tunguska event most likely
Lauren Tom knocked it out of the park with her emotional scenes in both eps. i wish we had seen more of this Celia in S3 instead of wacky grandma 
Liked Officer Penn’s Clint Eastwood impression. And interesting that they used a white male cop as a bad guy. 
Celia’s snow globe was a lovely gift. According to Disney PR, it was inspired by Terri’s snow globe collection and Lilan and Trent didn’t know what was inside the box until they opened it. 
Liked the Game of Thrones reference (at least the Andi Mack finale can’t be worse than that show’s) 
Loved the music in the cold open, it was the same they used for scene transitions in 3x07. 
I try not to pass judgment on the show because the whole Ham situation is so awful and unprecedented but that convo about him going to India really skated close to dark humour especially when Celia said ‘’don’t worry you’ll see him again’’.
Negatives: 
Notice how they kept Kira making TJ feel bad about his crush out of the previously on and instead focused on her disliking Cyrus because he’s Buffy’s friend. I do think Kira gets called out for that by TJ during the finale but it’s clear for now that they’re trying to pass this off as her hating Buffy and liking TJ and wanting him for herself. 
They had Luke and Raquel for a day but filmed quite a bit less than their typical maximum. TJ himself only got 2:45 minutes of screentime, including being in the background, which is a little less than his usual 3 minutes. 
Which isn’t a surprise, TJ’s screen time operates by a different math than other recurring characters. It’s the same pattern in both S2 and S3, he can be in 9 aired eps max and only 3 eps after the 13th ep of the season. Luckily in S3 Disney only ordered 21 eps so instead of only 3 TJ eps spread out over 12 eps we got 3 spread out over 8 until the FBI knocked that down to 7. 
It’s not a question of budget, they had a much higher per ep budget in S3, nor was it scheduling since Luke had no other projects and they were able to work around Garren’s GH filming schedule right through the finale and re-shoots nor was there a 9 ep limit on recurring characters as Emily was in 11 of the original 21 this season. 
Not to mention they’ve been drastically cutting TJ’s screentime with Cyrus. Luckily they do probably have to give him a bit more than 3 minutes in Something to Talk A-Boot and hopefully gets more than 3 in the finale. 
The Cyrus and Jonah plot was sweet but pure filler. I never expected Cyrus to talk to Jonah about his feelings or anything related to his sexuality but was there nothing else they could even briefly touch on? Jonah’s anxiety? Cyrus’ anxiety? Jonah’s family problems? It’s not like Terri didn’t know the show was going to end just 7 eps later in otl so why waste this time? It’s most likely the last significant solo time those two have and they should have used it more wisely.
Vivian turned out to be completely useless. Seems like they cut some of her lines but I really don’t get her purpose. 
The clothing protest was rushed and the ending was very unsatisfying. It hurt the plot that we never actually saw anyone connected to the company.
Celia and Bex didn’t really patch up either and I’m guessing things weren’t truly fixed until Bex agreed to put the wedding back on in 3x17 in otl. 
Amber is in love with Jonah? This is what they’re dedicating so much screen time to in these final eps? 
They really ruined the swings for nothing. At least we get nice scenes in Something to Talk A-Boot and the finale
Kira really is something. She’s trying to get a a guy she knows is gay to date her which is insane
I was expecting there to be very little in this final TJ ep before the original wedding in part because of Terri’s instagram post back in November right after Josh revealed the endgame had changed and right before they shot the original 3x18 where she screenshotted a tweet that said Andi Mack fans should stop accusing the show of queer baiting or blaming Disney censorship in regards to Cyrus’ story line. Writers let their work speak for them and that Terri posted that was a sign that the criticism hit to close to home. 
The show is not queer baiting and 3x11 was an all time great but to pretend there hasn’t been long running censorship from Disney is a straight up lie and excluding 3x11 there’s really been very little. I’m sure she had planned for the bench scene for a while but she couldn’t have known that she’d get it approved until it was time to write the finale. Disney seemed committed to some sort of Tyrus endgame but it very easily could have been just them standing together smiling at the end in which case this whole mess of a plot would have been for nothing. She was reckless but got very lucky that Disney didn’t screw her over. I hope whoever ends up making the next Disney show with a gay story line will know not to bite off more than they can chew. 
Looking Ahead:
Things are in some ways simpler and in some ways messier for Tyrus. TJ seems to have accepted Kira as a friend but is refusing to use her as a beard and still wants to hang with Cyrus. Cyrus thinks TJ is straight but has seemingly forgiven him for costume day so that conflict is swept under the rug. Either Kira does a complete 180 off screen and apologizes in her 45 seconds of speaking time in the finale or she’s just there so Cyrus can be sad and TJ tells her off and then goes to speak to Cyrus without her getting any real development or redemption. Either way it’s going to be wild going from closeted TJ to TJ having a boyfriend and being out to at least several people all in like 3-4 minutes of screentime.  
She really is only looking at something like 30-45 seconds of speaking time in the finale and not all that much more of background time if she’s lucky as Raquel was only on set for one day and it was the same day all the other main and recurring kids were also filming and she was only 14 at the time which means she can be on set a little less than most of the other kids. And her insta story shows that it was just her and Luke in the school room and after she finished class she was just hanging on set until they wrapped for the day. 
If she’s not getting a redemption arc than most likely they’ll follow up with what Buffy said and she’ll say something mean about Cyrus that will cause TJ to drop his willful blindness and tell her off or she gets tired of waiting and tries to demand that TJ dates her and he tells her off. Either way Cyrus would likely see them and mistake it for them having a moment. 
 This does mean that TJ doesn’t need to redeem himself so much in Something to Talk A-Boot at the theatre or the game. That TJ is even at those events and hanging with Cyrus over at least two days in universe means he’s either not hanging with Kira or he still is but is less vulnerable to her manipulation.
So the prop garbage was for community service after all. Wild
They really went there with the stereotypes about Asian people. I think great things can come of this plot and I’m excited to see Andi’s art plot line take off. 
Now we know why Jonah says ‘’why can’t it just be fun? Why does it have to be love?’’ There’s almost no chance this Amber in love with Jonah story won’t be a trainwreck but hopefully it’s an entertaining one. I really don’t know if there’s anything they can do for Amber’s home life. Her parents divorcing would probably help in the long term but it would be a very depressing ending to her arc. 
Really does seem to be no set up for Jandi but we’ll see how long they can keep their lead girl completely romance free. Lilan and Asher have both talked about Jonah and Andi being settled and Disney has been hyping up Jandi moments and of course Jonah sings You Girl so something is going to happen. With the new promos suggesting Andi might be moving away in the finale, probably for her art, I wonder if they have an ending where they’re not officially together but they know they like each other and that the universe will always guide them back to one another or some hippy crap like that. 
Presumably Bowie still wants to get married. Wonder how they’ll get the wedding back on track without Ham’s help. 
Mack chat kids hate Kira but no mention of Tyrus which is no surprise. On the plus side this means we get Luke guest starring for either Something to Talk A-Boot or the finale and it seems that Josh was a finale guest so they will have to talk about Tyrus even if only briefly. 
I’ll talk more about the new promos tomorrow but I’m so glad that they’re teasing the bench scene.
Only 5 more weeks left!
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travllingbunny · 5 years
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The 100 rewatch: episodes 3x11-3x16
This post contains reviews of the following episodes:
3x11 Nevermore
3x12 Demons
3x13 Join or Die
3x14 Red Sky at Morning
3x15 Perverse Instantiation, Part One
3x16 Perverse Instantiation, Part Two
And with this, I’ve finally finished season 3. It took much longer than I planned, because I got behind with these write-ups due to actual work, and had to write a bunch of them at the same time. But the good thing is, since, like so many other fans, I’ve already seen 6x01 and 6x02, I can now give myself more time to finish my rewatch - two more weeks, before 6x03 premieres. 18 days should be enough for 26 episodes, I hope. It’s also a good thing that I’ll be able to talk about the first 2 episodes of season 6 in my season 5 write-ups.
In these posts, I spoil all of the first 5 seasons, but I won’t talk about season 6 before it officially premieres.
3x11 Nevermore
More literary allusions: after Dante, we get an Edgar Alan Poe reference – and of course an episode focusing on Raven Reyes would be named after a quote from “Raven”.
Timeline: This episode starts pretty much immediately after the end of 3x10 (Jasper, taking a rover to save Raven and run from Arkadia, runs into Clarke) and takes place during one night, during which our group of friends stay at Niylah’s place and try to free Raven from ALIE’s control, while ALIE is trying to find out their whereabouts, because she wants to find the second AI, which is contained in the Flame/chip that’s currently in Clarke’s possession.
This is where the season finally has a big upswing in quality, and it really helps that this one and the following episodes are focused on the original characters from season 1, whose bonds with each other have been developed since the start of the show, but who have mostly been apart, not just physically and emotionally but also narratively - as part of different storylines – during the first part of the season. It also helps that it’s so focused and that it is not all about the plot, but about the characters’ emotional states.
The interactions between Jasper and Clarke are just as unpleasant as you could expect, knowing that Jasper blames Clarke for Maya’s death and for pretty much anything ever, which he does throughout season 3 and at least some of season 4. It’s understandable and annoying at the same time – he’s being very unfair most of the time, but he’s also in a bad place, struggling with mental illness, so I can’t really blame him.
Just as Jasper is blaming Clarke for everything, Octavia is blaming Bellamy for pretty much everything, and that also continues throughout season 3 and a lot of season 4, but I’m struggling more with this – after all, Jasper may say harsh things to and about Clarke, but he hasn’t beaten her up. Octavia sums up Bellamy’s actions in season 3 this way: "You were hurt and you lashed out, because that's what you do"… which is not wrong, but it’s also ironic she says that, because who does that also remind you of…?
Jasper also has a moment where he calls Bellamy out (which is a really rare thing for him, since he’s usually focused on blaming Clarke, except for an occasional moment when he blames Monty), when he gets annoyed with Bellamy for trying to calm him down and telling him not to get angry, and reports: “When you are angry, people die” Which reminds me of Bellamy’s angry words to Clarke in 3x05: “When you’re in charge, people die”.
There’s also the 4th time, by my count, that Clarke’s friends tell Clarke she doesn’t have the right to give them orders (Bellamy, Raven and Octavia did that at various points in season 2) – this time it’s Jasper. But while Clarke normally does have a tendency to take charge when there’s a problem, this time it makes perfect sense for her to be telling them what to do since she’s the only one with a clue what’s going on.
Good thing Clarke noticed one of the Delinquents’ wristbands at Niylah’s place in 3x01, since they turned out to be crucial for disconnecting the chip and ALIE’s influence from Raven (through some technological mumbo-jumbo I won’t even try to understand). But until they do, ALIE uses the opportunity to use Raven to taunt the others and try to torment them emotionally by trying to get to what she thinks are their secret fears and insecurities, so they would lose their cool and maybe reveal theie location to ALIE. However, since ALIE has never been inside Clarke’s, Bellamy’s and Jasper’s minds, this has to mean that the things ALIE!Raven says are at least partially the things Raven has thought about her friends or that Raven thinks would be a good way to hurt them. And while Raven normally wouldn’t say such hurtful things, she can certainly be b*tchy at times and say harsh things to her friends – but this is way exaggerated beyond what normal Raven would say.
When it comes to the actual things ALIE!Raven says to taunt them, the first two things that always came to my mind were: it’s all kind of sexist? Just compare the way she tries to undermine Clarke’s confidence - telling her she’s “poison” to everyone who gets close to her, including blaming her for Finn’s death not just because she mercy killed him but because she previously “broke his heart” (because it’s a woman’s fault when a guy does awful things because of his feelings for her, even though she did nothing wrong and definitely never wanted him to do any of those awful things? Let’s blame her “feminine wiles” or whatever instead of the guy who chose to do these things?) to how she tries to do it with the men – calling Jasper weak and calling him out on failing to save his girlfriend; trying to undermine Bellamy’s sexual confidence (that was the first thing she went for, but it didn’t seem to do anything), later implying that Bellamy is in subjugated position to Clarke and is taking her orders? Which is BS. If she wanted to make a case for Bellamy being a “follower”, citing his relationship with Pike would have been a much better argument. But what’s worse for a man than to be taking orders from a woman, right? I choose to interpret that as ALIE being sexist or thinking that sexist ideas are what humans believe in, so that’s how she should get them, because otherwise I’d have to think that either Raven is sexist (which I don’t think is true – in spite of her bias in how she blamed Clarke for Finn’s failings, which is more of a reflection of her blind spot regarding Finn and her bitterness over him falling in love with Clarke and loving her more) or that the writers are.
And secondly, while some of what she said may sound like “harsh truths”, it’s actually mostly very skewed, unfair or just pure BS. I would hope that there aren’t many people take these things literally. But, unfortunately, I know that there are portions of the fandom who do take some of it as gospel truth, in spite of what source is comes from. I think (or at least hope) that there that there aren’t many people who really think Clarke is to blame for her father’s or Wells’ or Finn’s or Lexa’s deaths (blaming her for Finn’s death especially gets me angry, because of all the reasons above and because she has already been blamed for that and for Finn’s murder spree in season 2, which was the biggest bull*hit ever and angered me the first time as well). And whatever Jasper is, he’s certainly not a coward, as ALIE!Raven calls him. But I can see a lot of people in the fandom agreeing with her when she says “we’ve all lost someone – you don’t see us falling apart” – which is an unfair argument as people simply react to trauma differently; some people break, but that doesn’t make them weak and annoying, and some people can endure and soldier on, but that doesn’t make them insensitive. Or, for instance, she blames Bellamy not only for deaths he directly caused, but also those he indirectly caused (the culling) and even his mother’s death – because he tried to do something nice for his sister. This is a small child’s – or an android’s - view of how morality works – only the consequence of actions matter, not the motivations, intent and whether you even know what would happen, or whether your action was good or bad in itself, all it matters is what the result was. (Which is, for instance, why small children can’t understand why an attempted murder is a worse crime than accidental killing.) But some fans will cite statistics from the 100 wiki as to how many deaths this or that character “caused”, directly or indirectly, as if context and motivation don’t matter. And then there’s another thing that a lot of fans definitely take too literally…
“A good little knight and his queen” – This line is interesting for more than one reason. First off, it’s the first time anyone in the show has ever tried to define the relationship between Clarke and Bellamy in any way – except for the general reference to Bellamy as one of Clarke’s “friends” or her “people, and vice versa. (The fandom, reviewers, people working on the show may talk about them as friends, best friends, platonic partners, non-romantic soulmates at the moment, etc. but on the show, Clarke and Bellamy have never actually defined their relationship or put it in words what they are to each other. Most of the time, neither do people around them. ) And it’s a romantic reference – “knight and his queen” invokes the Courtly Love tradition. (The other time someone on the outside – in that case, not a close friend, but someone who’s just met and observed them – puts a label on their relationship, it’s Diyoza in season 5, who assumed Clarke was Bellamy’s  girlfriend.) In case someone missed that, ALIE!Raven also taunts Bellamy by comparing his feelings for Clarke and his feelings for his now dead girlfriend: “Too bad you were never that devoted to Gina”. Bellamy says she has no idea what she’s talking about, so he may not be thinking of his relationship with Clarke in the same terms, though, not at this point. I don’t think he has really defined what Clarke is to him, at this point. (He doesn’t stay silent and look guilty, as he does in season 5 when Octavia calls him out on loving Clarke.)
But there’s also the implication that Bellamy is supposedly subjugated to Clarke and is a “follower” – (“She has just returned and you’re already taking orders”), which a lot of people in the fandom have cited (usually to bash Clarke and Bellarke). And I’m asking, when? How? This may be what Raven/ALIE senses Bellamy fears or is insecure about, maybe what he really is insecure about – but I really don’t think it’s the objective reality.  Bellamy and Clarke have always had an equal relationship; sometimes they work together and consult and support each other, other times they disagree and even get into conflicts, and things don’t go as well then. They were co-leaders in season 1; in season 2, Bellamy got demoted, but that wasn’t because of Clarke, it was because Kane and Abby and the other adult elite from the Ark came down and took over. Clarke only had some say because she was the Chancellor’s daughter. Then Lexa, and with her the rest of the Grounders, saw Clarke as the leaders, which allowed Clarke to take the power away from her mother – and Bellamy was already on his mission in Mount Weather at the time. Mission which was always his idea and his plan and that he insisted he wanted to. (Something that many fans, oddly, tend to forget.) Then she left and he was the one who was looking over the Delinquents, though with Abby and Kane as the official power in Arkadia. (Which was the objective reality, even if Bellamy had wanted to challenge that status quo, he didn’t have Grounders behind him to stage a coup like Clarke did in season 2.) ALIE!Raven even asks him if he’s upset that he doesn’t get “credit” for the “genocide” at Mount Weather – I think he was upset because he wanted to share that responsibility, but Clarke kept taking it all on herself. But as to the reason why Clarke was called “Wanheda” and considered her the only one responsible – that’s simply because Grounders saw her as the leader in season 2, and Grounders tend to assign all responsibility to just one person that they see as the leader (because they can’t imagine a power structure that isn’t as hierarchical and based on obedience as theirs is). Bellamy was in subjugated position to the Chancellors, and one can certainly argue he started acting like a follower in season 3 with Pike, and to the lesser extent Kane previously, but Clarke? She already came back in 3x05, and she couldn’t Bellamy to do what she wanted, at all (she had much more success with getting Lexa to do what she wanted). And now that Clarke is back again… well, as I said, the fact is that she’s the only one (except Raven) who knows what’s up with the chip and the Flame and what to do, so it makes sense for people to listen to her. (And in season 4, when Clarke is the leader in Arkadia, she is consulting with Bellamy the same way he did with her in season 1, when he was more in the semi-formal leadership position.) Frankly, I think this is something similar to the phenomenon of people thinking that women dominate conversation if they talk 30% of the time, let alone 50%, because women being in power = shocking, conspicuous, OMG, let’s all talk about it. But Clarke was shown listening exactly at this point, so she may have been thinking, is this how Bellamy, Raven and the others see her, as someone who just goes around and gives them orders and acts like some sort of a tyrant?
Also, regarding the “knight/queen” thing is a pretty big oversimplification of their relationship, since Clarke has done at least as many things to save/protect Bellamy as vice versa,  (Not to mention, if we’re talking Courtly Romance, the Knight’s “subjugation” to the Lady was basically a poetic convention, a pretend thing, not actual social reality – in reality, it was the Lady’s husband who usually had all the social power.)
Bellamy was the only one out of the three who did not lose his cool, no matter what ALIE!Raven was throwing at him – and she kept throwing various things and changing tactics. But he later showed anger when he left the room, so at least some of it was actually upsetting him. I would say that most of all, it’s the guilt over his recent actions and killing people, because that’s what actually bothers him - making mistakes that cost lives, causing deaths, failing to save people. I don’t think he loses much sleep over the rest.
But ALIE gets lucky because, while Bellamy didn’t crack, Niylah overheard the part about his role in the killing of Lexa’s army. And, as she told Clarke earlier in the episode, her father was one of the warriors who were killed – but Clarke claimed that none of them had anything to do with it. So not only does Niylah find out one of Clarke’s friends she brought with her was one of the people responsible for her father’s death, but she finds out in a really bad way – so it’s no surprise she loses it and lets ALIE see her, which lets ALIE know where they are.
I was a bit uncomfortable the first time I watched season 3 with the way Clarke was treating Niylah – not that it was ever malicious or callous, it was the situations she was in, but she was kind of using Niylah whenever she needed something, first she found a place to stay when she was roaming around on her own, some comfort and casual sex in 3x01 when she was only able to get intimate with someone she had no stronger feelings for, then she left without goodbye, and only returned now that she needed help with Raven and brought a bunch of friends, and then lied about Bellamy because she was scared they wouldn’t be let in (understandable, but not right), which Niylah called her out on. And Niylah just told her she lost her father recently, but Clarke is instead spending all the time worrying about how Bellamy feels and trying to comfort him. But to be fair, at least Clarke never pretends to feel anything stronger than she does – Clarke may be manipulative, but she’s never using love or sex or friendship for that purpose. Instead, she gets people to do what she wants by appealing to who they are – like telling Niylah she knew she isn’t someone who would let an innocent girl (Raven) suffer. And I feel better now that we know Niylah was eventually pretty chill about all of it, as we see in season 4, and didn’t expect anything from Clarke emotionally that she knew she couldn’t give her (if she had some feelings of that kind in season 3, she certainly got over them), so no one was getting hurt.
Bellamy being confronted with Niylah was a very important moment for him, because seeing someone who lost a loved one because of him made him confront his guilt the way he hadn’t before – not just saying “I’m sorry” to Niylah (an apology which she wasn’t ready to take– though later she seemed to not have a problem with him, though we’ve never really seen them talk to each other again since), but to really question his whole mindset and change it. This is where he realized “I was just trying to save my people” is not a good enough justification, if you end up hurting/destroying other people. It allowed him to progress beyond that mindset.
Another callback to season 2: “What do you do when you realize you may not be a good guy?” – Bellamy questioning everything he had believed in. He was where she was before. And Clarke’s answer is Abby’s line “Maybe there are no good guys”.
Like Bellamy, Clarke also gave an apology that wasn’t accepted – to Jasper, for Maya’s death.
Bellamy/Clarke moments in this episode are quiet, subtle and, at first, somewhat awkward. It’s the first time they see each other after their last, explosive confrontation, and at first, they just stop in their tracks and look at each other. If this was Clarke from seasons 1-2, I would have found it weird that she wasn’t even somewhat upset with Bellamy over the way he treated her that last time, but she’s been much mellower this season and more forgiving in general, and after she forgave Lexa for a massive betrayal in just a couple of days, it’s not surprising that she’s not showing any anger at Bellamy. Especially since she is still worrying whether he is still angry at her, feeling bad that she hurt him by leaving after MW, and feels relieved that he doesn’t act like he hates her. They are not ready to talk about any of it, but while they’re wrapping each other’s wrists, the physical touch looks a lot more meaningful and feels like the first step towards reconciliation (and visually recalls and feels like a contrast to the handcuffing scene).
After being freed from ALIE, Raven smiles at Jasper and apologizes for the things she told him. (We don’t see her apologizing to Clarke or Bellamy, though.) Those two have always had a sweet friendship.
Speaking of sweet friendships, Octavia and Monty’s friendship never got a huge focus, but it has some of the nicest moments between Octavia and anyone. These two go on a mission to the dropship to get an important piece of technology, and run into Monty’s mother, chipped and determined and almost unstoppable, the way chipped people are, due to not feeling any pain. Monty has always been the unsung hero of The 100, but season 3 is when we really get to see his quiet strength and heroism. He suffers some of the biggest losses and has to make one of the biggest sacrifices, when he is forced to kill his mother to save Octavia.
Earlier, Octavia wanted to leave and said she feels like she has no home because she lost Lincoln, who was her home. But Monty reminds her of the bond she shares with the rest of the original 100. This bond was something that was severely tested and almost broken for all of them. He gets through to her – in the end, she changes her mindset and tells the others that they will survive together.
But Monty and Jasper’s friendship is still in a bad place, and this time, Jasper tried to offer Monty comfort for his mother’s death, but Monty didn’t want to accept it. Maybe he felt angry because Jasper is always showing his pain, while Monty swallows it and soldiers on.
When Octavia thanks Niylah before leaving, it’s the first little signs of the friendship between Octavia and Niylah, which is going to develop in season 4.
They come pretty close in this episode to destroying the Flame (and this is not the last time this happens – see: fake Flame-smashing scene from season 4). What saves it is Clarke not wanting to destroy it because “it’s Lexa”. Kind of? I’ve never been sure how exactly the Flame is supposed to work, but this is another thing that the fandom tends to take too literally – a version of/remnant of Lexa may be in it, but so are Becca and a bunch of other past Commanders, so whatever it is, it’s not exactly a person, or not one person.  In any case, it’s fortunate they didn’t destroy it this time, since they needed it to defeat ALIE, but at that point, they still weren’t aware of it. But there was also the fact that they needed it to expose Ontari and get her away from power – another good reason for Clarke to not want it destroyed.
Body count: 
Hannah Green, killed by her son – another character still “alive” in the City of Light.
Rating: 9/10
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3x12 Demons
I like the way the opening scene plays with the horror genre tropes. It happens at night, Miller tells a creepy ghost story to Harper and Bryan, and then they all get abducted in what looks like a scene from slasher movie. In fact, the entire episode plays out a lot like a slasher movie, with creepy atmosphere and an initially threat/monster abducting the characters one by one.
Most of the episode is about Emerson’s attempt to get his revenge on Clarke by watching him kill her friends before killing her. It was always obvious that letting Emerson go would result in him returning to cause more trouble, and kill more people (poor Sinclair was the victim - RIP). But at least he’s finally dead. All the leading figures of the Mount Weather regime were evil, but none of them were as annoying as Emerson had become by season 3. I have zero sympathy for his obsession with revenge, because dude is a major hypocrite. Here he was doing things like using his dead son’s toy/music box (IIRC) as a distraction and symbolically, because it’s supposed to make Clarke feel bad for the deaths of the children at MW, including his son. I kind of wish someone had told him that they feel sorry for his son but not at all for him, which is how I feel. Dude, you were killing and torturing people in cold blood for years and tried to kill all of Clarke’s people, and you have the gall to blame them for defending themselves when you pushed them into a corner and left them no choice? F*ck off.
Emerson again says that Clarke “murdered 381 people” – which is a wrong number, but as I realized after 3x06, the writers were clearly lazy and didn’t bother checking the numbers of Mountain Men still alive by the time of season 2 finale.
Before the whole Emerson thing goes down, our heroes go back to Arkadia, now completely empty. They find Lincoln’s body and his things.
Clarke explains the whole Nightblood and Flame thing for everyone and why they have to look for Luna to achieve both goals – expose Ontari and remove her from power, and defeat ALIE. Octavia finds a drawing in Lincoln’s sketchbook that includes a drawing of the map to Luna’s place.
Becca’s journal, which Clarke took with her together with the Flame, proves useful, as Raven reads it and starts figuring out how to activate the Flame. It has a password, as an actual computer, and Sinclair is the one who figures out, thanks to his knowledge of Latin, that it’s Ascende superius” – “Seek higher things”. This proves especially important later when Clarke uses the Flame to kill Emerson, because it kills non-Nightblood people it bonds with. (BTW, the Flame looks creepy AF when it starts connecting with someone’s head – it looks like the computer version of a parasite or the Thing.) So, in a way, Sinclair gave Clarke the means to kill his murderer.
Raven says that the Flame’s program got degraded over time and that parts of it have been lost. This may be a way for the writers to try to explain the plot holes such as, why did the Grounders lack all of Becca’s technological knowledge? But then we later see that Madi does have some other Becca’s memories…? Also, it’s weird that this has never come up since.
In any case, we know from 3x11 that Clarke genuinely thinks, at least at this point, that Lexa is really in the Flame, and this episode and at a couple of other late season 3 episodes have moments when she tenderly looks at the computer chip (she even says “Sorry” to it in 3x15 after not being able to find it a host), and little moments when Bellamy notices her looking at it. It’s only been about 2 or 3 days since Lexa’s death (and the rest of season 3 finale takes place over a few days, so the season 3 finale happens less than a week since her death), so that wound is very raw.
Just like with the Flame, there’s some debate over whether people are still “alive” in some way in the City of Light. When Monty wonders if his mom is still alive, Raven says “that depends on what you think is alive”.
A lot of nice relationship moments in this episode:
Seeing Octavia grieve, Jasper tells her he knows how she feels. It’s the first time they’ve interacted since 3x02, when she was offering him comfort.
Sinclair and Raven try to save each other (and trying to save Sinclair is how Raven gets caught).
Even though Bellamy and Clarke have not really made up yet, they work together and reaffirm the trust and care they have for each other: Clarke entrusts Bellamy with taking the Flame to Luna, because she plans to offer herself to Emerson for their friends. She says blames herself for letting Emerson go and feels responsible for Sinclair’s death, and says she won’t let anyone else die for her mistake – which is almost the same as what Bellamy said earlier in the season (when she was not around) “I won’t let anyone else die for my mistakes”. But Bellamy, of course, says there’s no way he’s letting her risk her life herself, and this time he does suggest something else when she asks him to give her another plan, to attack Emerson while she distracts him. But unsurprisingly, this fails the moment Emerson uses Bellamy’s ‘weakness” and threatens Octavia’s life.
How many times throughout the show has Clarke offered her life for her the lives of people she cares about? How many times has she saved them? Count this episode on the list.
Before Clarke, Bellamy, Octavia and Jasper leave to find Luna, while the others stay in Arkadia, they have a funeral/cremation for Sinclair and Lincoln, Bellamy says “Your fight is over” in Grounder speak.
The B-plot takes place in Polis and is mostly about Murphy and Emori. 
Emori has learned that Murphy was Ontari’s new Skaikru “Flamekeeper” and believes that he’s running a really good scam. He kind of tries to explain to her that things aren’t exactly like that and that Ontari is crazy (“and coming from me, that says a lot” – good line), but doesn’t tell her the whole story or or the fact that he’s her sex slave.
Memori have sex for the first time (that we know of) – in Becca Pramheda’s shrine.
They have a talk about Becca, and it turns out that Emori had no idea how Commanders were made, Murphy had to explain it to her. I find this really hard to believe, that ordinary Grounders would know so little about their whole tradition/religion/succession rules.
Unfortunately, Emori has already been chipped, so their relationship is, at this point, mixed with betrayal, because chipped people would do anything ALIE tells them to. It turns out that Jaha is planning to chip Ontari. Murphy’s hatred for Jaha resurfaces as he hopes Ontari would kill Jaha, but she instead almost kills Murphy for revealing her secrets to Emori and this way to Jaha. Murphy is locked up again, while Jaha wins Ontari over, convincing her that he can make her a “real Commander”.
And with this, all our season 3 villains have fallen by the wayside as ALIE becomes the one and only threat.
Body count:
Sinclair, killed by Emerson
Emerson is FINALLY dead, killed by Clarke using the Flame as a weapon, which connected to him and made him bleed internally (certainly an original way to kill someone!)
Rating: 8/10
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3x13 Join or Die
This is by far my favorite season 3 episode, and this is in large part because of the flashbacks. I always love getting flashbacks to the life on the Ark before the timeline of the show (so far, there has been four such episodes – the previous ones were 1x03 with Clarke’s flashbacks involving her father, mother, Wells and Thelonius Jaha; 1x07 with Bellamy’s flashbacks about his relationship with Octavia, going as far back as her birth; and 2x08 with Raven’s flashbacks that showed her relationship with Finn, what really happened with the ‘spacewalking’ and how Finn ended up imprisoned, and Sinclair deciding to give her a job as mechanic in spite of her health issues).
But this time they don’t only help give more insight into Pike and who he was as a teacher of “Earth skills” on the Ark, they are also a nostalgic look into the past – very recent past, technically, as they set only six months before the present day due to the show’s compressed timeline, but it feels so distant. It’s a reminder of just how much everyone has changed, including the show itself. Nothing highlights the difference more than the brilliant show motion scene in the last flashback, with the Delinquents walking towards the dropship, set to the Koda slow, plaintive cover of “Radiactive”. It’s one of the best uses of music on the show, with a stark contrast to the energetic, poppy original by Imagine Dragons, which played in the Pilot when the kids landed on the planet – and which seemed to promise a relatively light-hearted teen soap.
Quite a few of the dead Delinquents made a comeback in the flashbacks: while Finn was not there (he was presumably in another group, since 98 students in one class would be too much), we see a lot of minor characters like Roma, Dax, John Mbege (died in season 1), Fox (season 2) and Monroe, who died very recently in season 3. (There’s one other guy called Jones, but I had to look him up and we never saw him die.) We also get to see Octavia, Jasper, Murphy, Harper and Miller with their season 1 looks and remember the way they used to be then, which is a stark contrast in the case of Jasper and Octavia.
There’s also non-chipped, rational Jaha, Kane and Abby at the time when they still didn’t get along because Kane was a bit of a d1ck back then.
How convenient that there were 99 teenage prisoners they were initially going to send to Earth, two weeks before the Pilot (including Clarke, who was in solitary still, as she had been for a year, because Jaha didn’t want to risk her telling the population the truth about the Ark dying) - so when Wells got himself arrested for something so he could follow Clarke, just a day before they were to leave (just how much more obvious he could be?), he made up the nice round number of 100.
Some people have argued that Pike’s flashbacks should have happened much earlier in the season, so viewers would get a more complete and sympathetic picture of him, but for me, they only confirmed what I figured in the first place, that he is a fighter and was someone who genuinely wanted to protect his people, but that this eventually led him down a dark path. You can see his basic character traits in the flashbacks – that he wanted to protect the kids so much that he begged Jaha to let him go with them, and his final and main lesson to the kids – to “keep fighting at all costs, against all odds” is very much in character. You even see him resorting to questionable methods in desperation – like hitting Murphy to get all the kids to fight against him, in order to teach them to stick together and fight, since he wasn’t allowed to tell them the truth that they were going to be sent to the ground, and they didn’t take anything seriously since they didn’t know the truth. (Ironically, he decided to play the role of a villain in that ‘graduation’ class to spur them into action.)
The last flashback also includes an unconscious Clarke being carried onto the dropship, while Kane has a moment when he’s nice to Abby and tells her he’s sorry about Clarke; and Bellamy barging in pretending to be a guard and dragging a random girl by the hand - which happened to be Roma; the same girl who would later become one of his friends with benefits and a part of the group who went to rescue Octavia and died at the hands of the Grounders in 1x06, which Bellamy felt guilty about, because he knew she only came along because of him. The last flashback is a reused shot from the Pilot, with Clarke awake on the dropship, and brief glimpse of Wells
The flashbacks were nicely intertwined with the present day scenes, which highlighted the contrast between the characters as they were then and now – e.g. between the old Kane, and the new, idealistic, bearded and Jesus-like Kane, who gets literally crucified for refusing to take the chip. ALIE observes that Kane is strong (as she had previously said about Raven), and Jaha agrees:  Yes. Always has been”.
The initial attempt to have chipped Abby seduce and manipulate Kane into taking the chip fails, because Kane knows her well enough to see the difference between chipped Abby and the way she is when she is herself. He withstands torture, but eventually caves in when Jaha threatens to kill Abby. Threatening loved ones is one of ALIE’s methods to get people to do what she wants – that’s how she got Abby to take the chip (to save Raven’s life), it’s how in 3x14 she gets Luna’s husband to take the chip (by threatening Luna) and how in 3x15 she tries to get Clarke to tell her the password, to save Abby’s life, but that time she failed.
The scenes in Polis were generally horrific, with ALIE’s army of chipped, almost mindless slaves, blood in the streets, and crucified people. The cinematography was interesting: ALIE’s red dress deliberately stood out in, while everything and everyone else was in muted greenish-yellow colors.
This is where the unlikely alliances of everyone not-chipped start, with the really unexpected partnership-by-necessity between Indra and Pike. But first, after they found themselves in the same big cell with Murphy and a few others, Indra starts having her revenge by doing the “300 cuts thing”. Pike is also being himself and going “so get on with it” and enduring it, as she apparently does quite a few cuts (but conveniently, those are mostly surface cuts across his chest and not the horrific scenario Lincoln described in season 2 as something that would happen to Finn; actually, we didn’t see that scenario – mutilation, gorging eyes, etc. – with Gustus, either, for obvious reasons, it’s CW) that didn’t disable him, before Murphy and another Grounder woman changed Indra’s mind (just as she was about to kill Pike) and convinced her that they need Pike, as a strong fighter he is, to fight their way out and fight ALIE’s chipper army.  Murphy asks Indra: “Do you want revenge or do you want your people to survive?” and she decides she wants both, but “I’ll get my revenge but not today”. Getting that pragmatic is a sign how much character development she’s had since she was introduced in early season 2.  
(But since Indra used a rusty nail she pulled from the wall to cut Pike, realistically he was going to get an infection if Octavia hadn’t killed him in the S3 finale.)
Meanwhile, Clarke, Bellamy, Octavia and Jasper find the way to Luna’s place but are confused since it’s a beach with some rocks, but with some luck and help from Lincoln’s notebook, they find a way to signal Luna’s Boat people. They spend most of the episode on the beach before Luna’s people show up, but it is an opportunity for some important character moments.
I was glad to see that Bellamy has finally had enough of Octavia’s constant blaming, and that he stands up for himself a bit, by reminding her of the fact that he came to her and offered help to get Lincoln out, and she declined it. But as he starts to say: “If you had trusted me...”, he stops himself, probably realizing what he’d be saying and that it’s the last thing she needs to hear - that Lincoln’s death was partially her fault. It is much easier for her emotionally if she just blames him instead. So he just turns and walks away, while Clarke is looking at him, concerned.
I think that their confrontation in 3x05 made Clarke realize how hurt Bellamy was because she left, and chose to deal with her Mount Weather trauma on her own, instead of letting him support her emotionally and supporting him emotionally, so she is now very attentive to Bellamy’s emotional needs, and she now believes they can only get through their traumas together. It’s a bit funny that Bellamy starts by trying to act tough and telling her he doesn’t need her help, even calls her Wanheda and tries to talk as if he did in 3x05, but as she just keeps looking at him in the same caring, compassionate way, it all falls away in 2 seconds and he starts confiding in her about his problems with his sister. This is a dynamic that continues well into season 4 – Octavia still blaming Bellamy, Bellamy unhappy over it, Clarke trying to comfort him about it.
Bellamy says “Forgiveness is hard for us” – and some may see it differently, but I think he means himself and Octavia. Clarke has, in fact, become one of the people who forgive fastest and most easily, and she rarely even holds grudges the way she did in season 1 (against her mother, Wells, Finn to an extent). Octavia definitely finds it hard to forgive; Bellamy is debatable. He can hold grudges, but he’s also shown an extraordinary capacity for forgiveness. But at the same time, that does not have to mean full forgiveness. After all, he already has had a pseudo-parental relationship with Kane – but he’ll still throw it in Kane’s face in season 4: “You floated my mother”. The fact that by season 5, not only is Murphy one of his best friends, but Echo is his girlfriend, says a lot. But it did take him 3 years of being stuck with her on a ship with just 5 other people to forgive her. He forgave Clarke at the end of season 5 pretty quickly, as soon as he realized how she felt about him – but whether it is full forgiveness in his heart… that’s another matter. Back to this episode – he tells Clarke “I was so angry at you for leaving… I don’t want to feel that way anymore”. It’s not that he’s not angry anymore, but that he tries to work on not being angry. And he’s certainly right about his relationship with Octavia, as she is the one person he is refusing to forgive as of the end of S5.
When the Boat people turn up, their Captain calls them “Skaikru are Bringers of Death” – which is something we saw a Grounder say in season 2. So, that term (which I’ll never stop rolling my eyes at, since it’s obvious that Grounders had lots and lots of death in wars between clans and at the hands of Mountain Men way before any of the Sky people landed) has been a thing for a while, we don’t know how it started – maybe because of those llares that ended up burning a village. But how did the Boat people hear it, when they seem so isolated from everyone?
Octavia is the first to go with it and take the pill that makes people lose consciousness (but that, as far as they know, may as well be a poison) – saying “I trust Lincoln”. Jasper does it next and says his repetitive catchphrase “See you on the other side” (which he first said in the Pilot, and which will never sound again after you have seen 4x11).
Sorry, but it’s almost funny – these Bellamy/Clarke scenes are some of the most romantic-looking stuff I’ve seen:  the incredibly intense and long hug, where both of them seem to lose themselves in the physical comfort of it, and which only ends because Luna’s people interrupt them; the way they drink the potion at the same time, gazing into each other’s eyes and repeating their catchphrase “Together”- “Together”(it’s the second time they are using it, the first one was in the season 2 finale). It’s almost as if the people making the show are running some sort of a social experiment to see how far they can go and still have many people argue “What? It’s just how BFFs act with each other!”
Luna finally makes an appearance, after being talked about since season 1. The rising music and everything in the scene makes it look like it’s going to be a big moment where she says yes to Clarke’s suggestion to take the Flame and become the next Commander, but she flat-out says “no”.  
The episode ends on the reveal that Luna’s people live on oil rig. (Which is the second time that an episode ends with a reveal that a Grounder location is actually something we recognize as a piece of modern technology.)
Timeline. The present day events seem to take place over one day, as most episodes of The 100 do –they start during daytime (when Clarke, Bellamy, Octavia and Jasper get to the beach), continue during that night (which the four of them spend on the beach) and it’s morning/daytime at the end of the episode when they wake up on the oil rig. Most of the action in Polis scene takes place during the night.  Which should mean that it’s been about 3 days since Clarke reunited with her friends, or about 19-21 days since the start of season 3.
Flashbacks: The first flashback is set six months before, which is two weeks before the Pilot. This is the first time we get a clear info on how much time has passed since the 100 first landed on Earth. The last flashback takes place at the time when the 100 plus one are on the dropship, five and a half months before the present day action. Season 1 probably lasted a little over 3 weeks, season 2 even less than that, then there was a time jump of almost 3 months (86 days) between the seasons, and with the 3 weeks that season 3 has lasted – it makes up almost 5 and a half months (a little less, actually).
Body count: An unknown number of people in Polis-(some are seen crucified, blood is in the streets) – presumably the 3% who refused to take the chip, so it depends how many people lived in Polis to begin with
Rating: 10/10
===================
3x14 Red Sky at Morning
According to The 100 wiki, the title comes from an old saying that goes:"Red sky at night, sailors' delight. Red sky at morning, sailors take warning". I suppose that’s a way of saying, dangerous waters ahead for our characters?
Luna was one of the most interesting and charismatic characters on the show, and her Boat People are a refreshing new addition – as the first Grounder group we see that doesn’t have the warlike way of life and doesn’t believe in Blood must have blood and all that stuff. They’re unique so far, almost like an isolated hippie commune, who accept orphans and try to help people in need, and maybe the only community in the show that seems like they’re living a good life.
Clarke and Luna discuss Lexa briefly, and Clarke says that Lexa was “special, she was working towards peace”. I get why Clarke says that, since she had fallen in love with Lexa and Lexa died just a few days ago, but it’s a pretty simplified and idealized picture. Lexa only worked for peace for the last few days of her life, after Clarke convinced her; before that, she spent most of her life and rule adhering to the traditionalist views of war, and revenge, ruthlessness in service of your people – so it’s ironic that Clarke is saying that to Luna, who had rejected violence all on her own when she was a little girl.
Luna’s history, which we learn here, is also fascinating – that she was traumatized by being pitted against her own brother in the Conclave and killing him, and then ran away from that terrible custom not because she was afraid of losing, but because she knew she would win – killing other kids and getting to be the next Commander. Lexa was the one she was supposed to meet in the next round, which I guess was why Lexa was reluctant to talk about Luna.
Clarke’s decision to force the Flame onto Luna is something that initially quite upset me, because it’s obviously wrong and a serious violation. I was agreeing with Octavia, who was against it. Bellamy wasn’t too happy about it, but since he (just as in Mount Weather) couldn’t come up with a better plan when Clarke asked him to, he agrees with Clarke’s decision. This is one of the reasons why I don’t understand why so many fans argue that Bellamy convincing Madi to take the Flame in season was OOC, which was motivated by the same things that this was – a pragmatic move to save your people by making a new Commander who will have the authority among Grounders to oppose a tyrant.
Well, this time, the Sky people did end up being the “Bringers of death” – because ALIE was following them, and found the Boat people that way, which resulted in several deaths – including Luna reliving her trauma and having to kill her husband Derrick, after he had been chipped (which he agreed to because ALIE made other chipped people torture Luna).
A minor in-character moment: Bellamy is naturally the one to immediately look to the little girl, Luna’s daughter, and make sure she’s safe.
Jasper meets a new love interest, only to lose her immediately because of ALIE. This brief moment of hope and the way it is crushed made his emotional state even worse and more vulnerable – making him take the chip (which is only hinted in this episode and revealed in the next).
I used to like Luna a lot (I still do quite a bit), and I was upset when she had her sudden character turn in 4x10, going from her non-violent philosophy to “everyone should die”. But now on rewatch, her flaws are more obvious to me. She gives good anti-violence speeches to Octavia (immediately reading Octavia and summing her up: “You know only of fighting and death”) and she makes good points to Clarke that she has become too ruthless, too ‘end justifies the means’, which is indeed a problem with how Clarke has changed because of everything she has had to do. But when she said: “You believe that to defeat an enemy that will stop at nothing, you must stop at nothing… How is that different from blood must have blood?” – I was thinking: but it is different… because one is about revenge, which is not necessary, and the other is about doing whatever it takes to save the world and stop an absolute disaster, such as ALIE making everyone into brainwashed slaves. By refusing to get involved, Luna is basically shirking responsibility and letting the rest of the world go to hell, even though she has the power to save it, because she doesn’t want to get her hands dirty again. She prefers to keep her moral high ground and judge others, like Clarke, for ruthless things they do to save people and the world. But Clarke is the one trying to save the world. Maybe Luna’s eventual turn is not so out-of-character after all – it was the ultimate expression of her judgmental views of people: either they are perfectly good and don’t engage in violence or any ruthless actions out of necessity and desperation, or they don’t deserve to survive and should all die.
Seeing the outcome of this plotline – after pretending to agree to take the Flame, Luna makes the group drink something to lose their consciousness and sends them back to the shore after the boat has left – makes all of this like a huge waste of time. After all the build-up, Clarke, Bellamy and Octavia are left where they started, wondering what to do to stop ALIE. But knowing Luna’s role in season 4, the story had a purpose.
In Arkadia, Monty had two huge things happen to him: the beginning of his relationship with Harper, and having to “kill” his mother for the second time.
Marper would become one of the healthiest and happiest romantic relationships on the show, but it starts more or less out of the blue, with very little build-up (except for Monty defending Harper in season 1 when Jasper called her “low hanging fruit”, and a few scenes of Monty caring about Harper’s life in season 2). Harper decides to make a move and Monty is pleasantly surprised and goes for it. It seems like a “we could all die, so let’s have sex” kind of thing. But Harper says in bed that she hasn’t felt happy and safe in a long time.
Raven is determined to find a way to shut down ALIE for good, instead of waiting for Clarke to come back. It’s personal for her at this point – she even tells ALIE “I’m coming for you!” But Jaha again has an idea how to get to people – by using Hannah against Monty. (Jaha has been a huge asset to ALIE because he understands humans, which ALIE probably does not by herself.) But Monty stays stronge even after his mother’s consciousness tells him “I love you” – he says “I love you, too” and deletes her code. This is probably one of the two best scenes in this episode.
But just as Raven was preparing to hit the kill switch, ALIE withdraws, It’s one of the rare moments when Monty loses his temper (and they all happened this season – the last one was after he had to kill his mother in 3x11) and takes it out on Raven, blaming her and asking her if she wants to take the chip again.
The best moment in this episode and one of the best lines belongs to Emori. Unlike her brother and Gideon, she did not change her body in its digital version in the City of Light. When Jaha tells her she could correct her defects, she replies “I would, if I had any”. She has not internalized ableism, her disability is something she accepts as a part of herself – she just would love to change the fact that the world treats her as an outcast over it.
Timeline: It has been two days since 3x12 (Harper says: “Two days no one has been trying to kill us”), so I guess it’s been 20 to 22 days since the start of season 1.
Body count:
Shay, because all of Jasper’s love interests must die.
4 people in Polis controlled by ALIE: 2 killed by Indra, 2 by Pike,
4 Boat People controlled by ALIE, killed by Luna – including her husband/partner Derrick and the Captain
A Polis sentry who got to live on in the City of Light. Interesting that everyone in the City of Light modern clothes, including the Grounders – though the guy still has the Grounder tattoos.
Arguably, the consciousness of Hannah Green
Rating: 8/10
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3x15 Perverse Instantiation, Part One
I prefer this first part of the season finale to the second, because it has some strong and tense emotional scenes, especially between Jasper and Monty, and between Clarke and Abby.
Roan is an interesting character, and it’s fun to see him again. He has an fun dynamic with Clarke and Bellamy, and there’s even a rare light-hearted moment when Bellamy shoots and lightly injures Roan to make sure he’s not chipped – taking an opportunity to get him back for the knee injury in 3x02 – and Roan comments: “Now we’re even”.
The fact that Clarke is now ready to put the Flame into Ontari shows just how desperate she is to stop ALIE. After the Luna plan failed, she thinks she can either do that, or go looking for another Nightblood throughout Grounder villages. But the latter might make ALIE destroy another community and they could still fail.
But plans keep failing – the plan they come up with fails because Jasper is chipped and ALIE has all the info about it. Roan gets injured and everyone is captured by Jaha and ALIE’s other slaves. The plan was for Clarke to tell Raven the kill switch, but now that it failed, Raven wants  to find a way to kill ALIE herself.
In Arkadia, the reveal about Jasper being chipped comes right after a too-good-to-be-true scene in which Jasper seemed happy and at peace and apologized to Monty for all the trouble he had caused. But he was happy only because of the chip. ALIE-controlled Jasper goes on to stab Monty and knocks out and takes Harper hostage, trying to stop Raven in her plan to shut down ALIE. Monty, Raven and Harper have to find a way to defeat their friend.
Jasper reveals the full depth of his hopelessness in this speech where he says to Monty: “They sent down here to see if the Earth is survivable… from what I can see, it is not” and starts listing all the Delinquent deaths that happened since they landed. (Some of what he says is factually wrong – he’s skewing facts the same way a Clarke hater fan would: for instance, he says Clarke killed Dax, when it was Bellamy, and it was in self-defense after Clarke saved Bellamy’s life; he also says “death by Clarke” as a cause of death of Atom and Finn, not mentioning that both were mercy kills.)
Clarke is captured and tortured by ALIE, chipped Abby and Jaha, trying to make her tell them the password that ALIE needs to access the Flame. Clarke tries to do the “mom, I know you’re still in there” thing, but it doesn’t work – you can’t just talk down a chipped person.
After Clarke withstands torture, Abby tells ALIE that she was right when she pointed out that Clarke is more likely to break if someone she cares about is tortured or threatened: “Her friends are her weakness… Start with Bellamy Blake”. This is the second time it’s been implied that Bellamy is Clarke’s “weakness” – since 2x09, when Clarke first heard that “Love is weakness” and tried to not let her feelings for him interfere in leadership decisions, so she wouldn’t be “weak”. Abby is right that a danger to Bellamy’s life is the easiest way to get Clarke to agree to something – as we’ve seen in 2x12, 3x02, and later in 4x05. Clarke is terrified and in tears at the prospect of Bellamy being tortured or possibly killed if she doesn’t give up the password. But it never comes to that, since Murphy, Pike and Indra come at the right moment and save Bellamy and the others.
Instead, Abby decides to threaten/take her own life to make Clarke fold, so she hangs herself. It’s a very intense, emotional scene, where Clarke is crying and begging her mom to stop, but somehow manages to stay strong and not give up the password, knowing she would be condemning the human race to being brainwashed and enslaved.
Octavia showed concern for Bellamy when they were about to take him away, which is one of the very few times she shows warmer feelings for him in season 3b and 4.
There’s some snark between Murphy and Miller, and then Bellamy and Murphy have their first conversation since season 2. It’s kind of awkward, because Bellamy doesn’t trust Murphy yet and is confused as to why Murphy is doing anything heroic. Murphy is like ‘you’re welcome” – but he should understand that saving people doesn’t mean you don’t have to apologize for the crap he did in the past (and he will realize that and start really trying to do better in season 4). He compares Bellamy’s concern for Clarke for his concern for Emori, saying “You’re not the only one trying to save someone you care about”, but he’s still doing putting on the antiheroic, cynical front, saying he will stop doing the right thing after this.
The reunion between Bellamy and Pike also may be slightly awkward, since Bellamy turned him over to the Grounders the last time they saw each other, but Pike doesn’t seem to particularly care about this. He’s still his old self, but now focused on the new threat (or rather, the threat whose importance he failed to realize back in Arkadia when he was in power and Jaha started preaching about the City of Light, but Pike doesn’t tend to question himself or look in the past, as Bellamy does).
There’s a lot of fighting in this and the next episode, but at moments, it was hard to see what was going on, because it all took place inside the tower, in half-dark.
Indra has finally started using guns! She also gets to fight chipped Kane and saves him.
Bellamy tells everyone to try to not kill any of the chipped people, but Pike and Indra don’t care about that and kill them anyway. Bellamy only does it when he’s forced to in order to save Murphy’s life, even though it is obviously difficult for him now and that he feels bad about killing someone again.
Octavia can’t stop thinking about killing Pike, even though Indra tells her they have to focus on fighting ALIE’s slaves instead. Octavia again expresses how hopeless she feels without Lincoln, saying “he was my home”.
As they finally get to the throne room, Murphy saves Abby, while Bellamy gets the Flame, but the plan to put it into Ontari can’t work because Jaha hit her on the head with a hammer ,which left her braindead.
Is this the only time in the entire show when an episode has ended with “TO BE CONTINUED”?
Timeline: This episode seems to take place over roughly 24 hours – during daytime, night, and the daytime of the following day. Which means, by my count, it’s been 21-23 days since the start of season 3.
Body count:
9 chipped people: 1 is killed by Roan, 5 by Pike and Indra (2 Grounders, 2 Arkadia guards, 1 Delinquent - ?), 2 Grounders shot by Pike, 1 Arker shot by Bellamy  
Ontari is braindead, which made me incredibly relieved the first time I watched season 3.
Several other people were injured – Roan was shot and injured, Pike and Bryan were by Kane, Jaha shot by Bellamy (again!), but all the major characters except Ontari survived.
Rating: 8/10
==============================
3x15 Perverse Instantiation Part Two
This is the only The 100 season finale I’m not a big fan of. The first time I watched it, it was one of my least favorite season 3 episodes. The fact that, after all the tensions and complicated conflicts in the previous part of season 3, everything turned into “let all fight together against the evil robot” felt dull and anticlimactic, and it didn’t help when so much of the finale was Matrix-lite. After all, it’s not like the viewers were ever in any doubt if they were going to defeat ALIE or not. Yes, we could guess they were going to defeat the Mountain Men in season 2, but what was shocking was how they had to do it; season 1 finale wasn’t that surprising, but the shocking part was what Clarke had to do to save the Delinquents. There was no real sense of danger in this fainel. The only thing I really found exciting was the reveal about the upcoming Praimfaya.
I liked it a bit more this time, but not much more, because I didn’t expect anything from it this time, so I could focus on the good moments.
After all the talk about how only people with Nightblood could take the Flame, it feels like a bit of a cop-out that, as it turns out, one can temporarily bond with it if they simply get a transfusion of black blood – though, of course, it’s still a risk. And of course it’s Clarke who takes it upon herself to have a transfusion from Ontari, take the Flame and take the chip in order to defeat ALIE.
The Matrix-lite scenes in the City of Light were moderately OK, but nowhere near as good as many other virtual reality storylines I’ve watched. It was a nice touch to see Clarke having the hair and clothes more like those from seasons 1-2, instead of the ugly Grounder-style pseudo-dreadlocks (WTF was that even about?) and an equally ugly dress that looks like a cheap reject that no one wanted to buy at a Goth clothing store, which she has been wearing throughout season 3. But there’s just not enough interesting things happening:
Clarke sees a bunch of people who don’t see her, I liked the part where Clarke meets Jasper eating an ice-cream.
Then they see her, after ALIE alerted them, and she is chased by them.
Then Flame!Lexa appears, fights them and saves her, and they kiss and Clarke tells her “I love you” for the first time. It says a lot about how messed up Clarke’s love life has been, that she’s only ever said ILY to people who are about to die (Finn) or already dead (Lexa). The only time she’s managed to say ILY to someone who’s alive and likely to stay alive was not romantic - it was to Madi in season 5. I used to think this Lexa was very OOC, because she was much warmer, nicer and more open than real Lexa was ever when alive. But I suppose Flame versions of people are different – maybe that’s what Lexa would be like without the role of Commander, without power and responsibility.
However, where are all the other Commanders? Why do we only see Lexa and Becca? Aren’t the others at all interested in what’s going on with ALIE? Also, for some reason, Flame!Lexa repeats the line about her spirit choosing wisely – even though it doesn’t make sense. Her spirit didn’t choose anything – Clarke chose to have the transfusion and the Flame and the chip so she could save the day. That line never made sense once we learned about the Conclave, anyway: previous Commanders didn’t choose anything, it was a bunch of kids fighting and killing each other.
Then Clarke meets Becca and ALIE and they have a talk, which is supposed to be the climax of theseason, but I still find Becca to be an insufferable megalomaniac and don’t care about her. Clarke argues with ALIE about pain and happiness, and that pain should not be removed, as ALIE believes – one must overcome it. Clarke admits that she tried to run away from pain, and this should be a great moment that rounds up her season 3 arc. This would work if Clarke had a great, well developed arc in season 3 about learning to overcome her pain, but unfortunately, I don’t see it. She did start off running away from everyone and ended up getting back and acting more like her old self, but what was in the middle felt plot-driven and ships-driven more than it was about any deep characterization. I see really good character arcs for other characters in season 3 – Bellamy, Jasper, Monty, Raven, even Octavia, but Clarke, not so much.
In the real world, Octavia lets her desire for revenge overtake the need to fight the chipped army, and gets Pike in danger, before Bellamy saves him. Bellamy has two conversations that are supposed to be resolutions of his character arc in S3. To Octavia, he says that she shouldn’t let the desire for revenge overtake her, and that his own “need for revenge” made him to awful things. But that line doesn’t work, because that’s not what actually happened – back in 3x04-3x08, Bellamy was not motivated by revenge. At no point was he like “Grrr, Grounders killed my girlfriend, now I want to kill them!” No, he was motivated by the desire to protect his people in a better way, and his fear that trusting the Grounders again would make him fail them and make the same mistakes that he did when he trusted Echo in 3x03.
The talk between Pike and Bellamy is better-written. They argue about whether they chose to wrong side – and Pike says it wasn’t the wrong side and brings up the likelihood that the Grounder army would have attacked Arkadia the moment Lexa was killed and Ontari took over. Which is a good point. That’s the thing with Pike, he makes some good points, but his solutions are all too extreme and unlikely to ever lead to any positive outcome, just a constant cycle of war and violence. Pike doesn’t question himself or feel guilty, which is a huge difference between him and Bellamy, who thinks of the people he killed and replies that all he knows is that he has to live with the things he has done.
One really bizarre minor moment is when Abby makes Murphy massage the heart of his braindead former rapist, so the transfusion could work. And hey, how funny is it that we literally get to see Ontari’s black heart?
In the final moments of fighting, there was a mayhem where Pike saved Octavia’s life, while chipped Kane almost strangled Bellamy. After ALIE is defeated, everyone is relieved, except Jasper, who is again in pain and desperate, while Monty tries to comfort him, and they apologize to each other for the violent things they did to each other while Jasper was chipped. Clarke tells Abby to go to Kane (she’s picked up on her mom’s new relationship pretty quickly – maybe she had already figured out before that something was going on there). Clarke and Bellamy have a moment, but he sees that she doesn’t seem like someone who has saved the world, and she replies that the world is not saved, because she’s learned about Praimfaya from ALIE.
And then the last moment of the finale is Pike about to make some sort of a gesture of respect/”you fought well”/bygones, and Octavia stabbing Pike. It says a lot about how bored I was with this finale the first time I watched it, that I was glad this happened even though I didn’t hate Pike or want him dead. I was simply glad to see at least one character not singing Kumbaya like everyone else was doing. I didn’t want all the tensions and conflicts of season 3 – even if they were badly done – to be simply forgotten because the evil robot was defeated. And Octavia was being in character; that’s who she is, and you always knew that’s what she was going to do to the person who killed Lincoln. In hindsight, it was a necessary moment in Octavia’s arc. I’m neither upset nor happy about Pike’s death – he simply had Pike “had” to die not because his crimes were too bad for him to live (I mean, come on, even Echo, who was worse and less developed, got to survive and get a so-called ‘redemption”…) but because Octavia would never spare him.
Timeline: the entire episode lasts a few hours, and season 3 on the whole between 22 and 24 days, at most.
Body count: 
Four chipped Grounders, 2 shot by Bellamy, 1 killed by Pike, 1 shot by Abby (I took this from The 100 wiki, there’s no way I would have noticed how many people were being killed in all that mayhem.) This is the first time Abby has killed someone.
ALIE, terminated by Clarke.
Ontari, braindead and then presumably dead-dead after Murphy stopped massaging her heart.
Pike, stabbed by Octavia.
Rating: 6/10
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