#rewatch

[fallimentiquotidiani]

[irat-that-s-me]

the original

[mishaesque]

my issue is that just rewatching Supernatural isn’t enough. It takes too long. I want it all at once. I need a room covered in 327 monitors that feed me every single episode at the same time. I need the DVDs melted down and put into an IV drip. I want every single minute of the show tattooed on the inside of my eyelids. I need to live inside its flesh.

[deansleftasscheek]

just leave it to dean "i don't swing that way" winchester to have a throuple's argument in the middle of purgatory

[gayofthefae]

Showing a girl Stranger Things and all I told her is that there are gay people in this universe and she should know that. She saw something I never even noticed, Mike's reaction to Dustin saying he was gonna go ask out the other group of girls at the Snow Ball, and shouted out of nowhere "HE'S GAY"

And, I mean, she's right. He looks like he's responding to "I'm gonna go get those girls" with "Why?"

[andichoseyou]

Little Miss Sunshine (2006)

Dir. Jonathan Dayton & Valerie Faris

[asraeas]

louis + fade ins / pre-season two rewatch

[mustbebunnys]

"We sure do a lot of patching each other up these days." Wynonna Earp rewatch ➤ Steel Bars and Stone Walls, s02e01

[foxtrot91]

I’ll never get over that scene in The Old Guard where they’re getting into the plane after being kidnapped and Nicky’s like “There’s a TV, Joe!” And Joe’s all like “Champagne?” like it's a fucking party or something.

[castielfucks]

6.03 The Third Man

deans face kills me

[that1overthere]

I was watching Reanimator in the library with my friend (her first viewing) and she goes on her phone, I thought she was disinterested but instead her clown ass PULLS UP THIS PIC???

WHY WAS SHE SO RIGHT??????

[genderlesssinner]

I will never get over the pure fear on Travis's face when Matt locks eyes with him right before the lil fan boy is introduced

[mishaesque]

obsessed with this shot from dead in the water in which the guys shouting from the dock are clearly two completely different people in sam and deans clothes but like???? they didn't even get the height the right way round?????

[brothermayihavesome0ats]

Criminal Minds S01E01 - a scene analysis/things I noticed

(The text in the images is the same, I just worried you can't read my handwriting)

1. In the beginning scene where Gideon is asked to return to the BAU, the way the characters are positioned is representative of their power dynamic or role within the BAU at that point as well as representing the dilemma within the scene

- Reid is in the background since he is the youngest and least experienced, also the least in focus atp. He's also positioned in front of a map, which could be foreshadowing for his ample ability of geographical profiling

- Morgan is in front of Reid but still behind Hotch and Gideon

- At first, Gideon is positioned as the main focus with the camera showing him debating returning to the BAU for the first time since the Boston incident. As Hotch tells him that “the order came from the director” the camera focus switches as in the team “came back into focus” as Gideon realizes he has to come back.

- The camera then focuses on Hotch since he is the leader of the team. This shows that now that Gideons dilemma isn't the only thing in focus, the team has dynamics and roles which are also a large aspect of the show

2. In this scene with the family of the unsub, although the family isn't centered they are very clearly the focus of attention due to the clear blue colour tint around them. This suggests the grief they are in after finding out their family member committed a crime. The family is surrounded by green tints as well, showing their grief is surrounded by the unsubs world (explanation in next observation)

- In the next scene if you look at the family portrait you will see that everyone in the family except the unsub is in blue, showing that the entire family was affected by his actions in their grief but also that he stands out from them.

- When Elle comes in from the left in the next frame, her red outfit is a contrast to the blue. She is from the outside world, an outsider to the family's grief.

3. The general lighting in this scene shows an outside world (the warmer lights in the hallway) and the inside world of the unsub, with the darker green colors. In the frame pictured, the unsub is looking away from the outside world.

- Gideon is wearing red to contrast the green

- The family portrait shows how the unsub is an outsider with the rest of the family positioned in a tight triangle and him in the bottom right corner, also wearing different colors from the rest of the family

- The family photo is centered in this scene, showing a clear contrast between them surrounding the unsub versus him now being all alone

- The table in front of him is empty, showing he has no future in front of him. In a few seconds Gideon places his book in front of him, showing that the only future now is the BAUs work

- There is a chair facing backwards behind the unsub. This is like an interrogation, so the two chairs are for the two unsubs. But because the team doesn't know this yet, the chair faces away from Gideon, the interrogator.

4. Following the train of thought about the colors, we can see that the car the unsub used to lure the women into is red. The contact with the outside world is red, and in the scene where we see him kidnap a victim we can see he is wearing a green jacket as he locks the girl in the red car, showing that she is being locked away by the inside world of the unsub.

5. In this scene with Hotch interrogating the unsub, he is centered as he walks into the interrogation room to show his importance.

6. In the scene at the very end of the episode, the unsub is once again shown in green lighting. His truck is shown in red, while Gideon is also in green. This shows how Gideon Has stepped into the inner world of the unsub, and is looking out on the outside world from within as he realizes who he's talking to.

Colour contrast throughout the episode:

[kittykattymwah]

born to be shoujo dragged into seinen

[mikimeiko]

The Expanse | Season 2 (2017), Mark Fergus and Hawk Ostby