#responding paper

[comradekatara]

2 kinds of grad students (both massive nerds)

[meltedwax87]

Self-Ish thing but I made it a paper puppet!

[linderosse]

I LOVE YOUR WIELDERS OF WISDOM COMIC!!!! i think its wonderful and so absolutely necessary (if u will excuse my feminism)... the art style is GORGEOUS and im just so grateful someone is giving love to all the zeldas <33

sorry that this is anon but. i dislike being perceived lmao

Thank you so much!!

And heck yeah on the representation front! I’m doing my best to write a variety of interesting characters that will help me tell the stories I want to tell. To me, the fact that they’re mostly women is both incidental and vitally important at the same time.

Tetra was my first Zelda, and I always loved her pirate captain badassery and no-nonsense attitude. I was a bit of a ‘tomboy’ (used in the non-insulting sense, simply referring to a girl who liked traditionally boyish hobbies/clothing) growing up, so I identified with Tetra real hard <3. Heckin’ loved her practical, forthright nature— and the way the games don’t hesitate to show her wackier side and how her actions sometimes get her in trouble— and how she gets out of it, with or without help.

And of course, girls can also be girly and get things done! Love the more traditionally feminine Zeldas as well; shirking feminine mannerisms definitely isn’t a requirement for a well-written female character. You can have a character wear a tiara, battle in a dress, and still be cool. Heck, you can have ’em don a soft gown, not fight at all, and still be an awesome character: maybe she genuinely wants good for the world, or maybe she controls the board with gentle magic and soft “feminine” persuasion to achieve her goals, turning foes into friends— or her pawns.

And characters don’t always have to succeed! Sometimes persuasion fails. Sometimes they argue with someone they know is right. Sometimes her sword falters. But that’s fine! That’s what makes for a good, realistic, fun character— that’s how humans are.

(continued under the cut)

See, I feel like some popular media is trending towards forcing women to be *exclusively* badass, almost flawless in their physical skill yet boyish in their mannerisms.

Like, as a random example: Peach in the Mario movie. Movie Peach no longer giggles and blows kisses, because that would be too girly. And Movie Peach is a perfect platformer and politician, because female empowerment. Same thing with Galadriel in RoP (and it’s honestly a bit different and way worse with RoP Galadriel, because her mother-name is Nerwen which translates to man-maiden and she is canonically a tomboy, but they write it so badly in RoP that not even the rest of the characters in the show respect her for her over-the-top ‘female badassery.’) And as a huge, longtime fan of both the Mario series and the Silmarillion, it kinda hurt to see those Mary Sue-esque, somewhat shallow depictions of what should be complex characters.

Now, the thing is: one or two perfect characters like that are just fine! The problem lies in the fact that many of these shows have only a few female characters to begin with, and they’re all like that. Peach is kinda alright, but Galadriel’s major flaws are barely even shown because the writing has to try to make her look badass even when she’s making objectively terrible decisions.

Because here’s the thing— depicting only perfect women and minimizing flaws isn’t supporting female empowerment. Girls have flaws too, folks. Popular media relying only on the immaculate femme fatale badass just makes for a more cliche story, and imposes higher standards on young girls who look up to these characters. And the forced boyishness forces standards as well.

Why can’t Peach flutter her eyelashes, giggle, and still knock bad guys on their asses? Or, better yet, why can’t Peach flutter her eyelashes, giggle, knock bad guys on their asses, help Mario out, also get helped by Mario, and maybe admit that it took practice for her to get to where she is now?

That’s how she used to be in the middle Mario era, like Super Mario RPG, Thousand Year Door, and Super Paper Mario. Peach was feminine and still relatable to a young tomboy like myself.

I’ve rambled on for far too long, but anyways, that’s what I’m gonna try to do here with the Wisdomverse: tell stories of a bunch of different types of people, where each of them has their own take on what it means to be Zelda.

I can’t promise I’ll be perfect at writing this either, honestly. Perhaps I’ll fall into some of the same traps— I’m sure it’s hard to avoid them.

And perhaps my thoughts on this will evolve over time as well, and I’ll later have an even better understanding of how to write the characters I want to write.

Either way, I’ll certainly do my best!

Tl;dr: I got really sidetracked, but thank you for the kind message! Glad to hear you’re enjoying Wielders of Wisdom; hope to keep building my characters into interesting and at least somewhat complex women as things progress :)

[entity-of-the-opera]

"but raoul broke into her dressing room but raoul downplayed her situation but raoul--" my brother in christ erik literally drugged and abducted her more than once to the point of her wanting to die.

was raoul perfect? no. are you? also no. shut up.

[iamthepulta]

How much outdoor experience did you have BEFORE choosing Geoscience as a major? Poll Results and Analysis

Despite total response at 67 people, I think the curve is very interesting. Traveling and being outdoors does seem to be a reason people choose geology.

If I could run the poll again with a larger sample size, I would include Year of Graduation (if possible), to see if there are changing trends over time, and also a Rural Travel/Rural Non-Travel to see if there are specific trends within Rural community responders.

-=- Discussion -=-

Geoscience programs show declining enrollment across the world and many smaller programs have closed due to that lack of enrollment.

I argue from the poll results that this trend might reflect larger cultural trends. The people who choose geoscience are driven by curiosity in the differences of the world around them. Exposure to those differences is enhanced by Travel, second only to the outdoors being readily available in rural areas.

Yet in America at least, travel is often cost-prohibitive except to Middle Class to Upper-Middle Class families. I propose that the decline of geoscience as a major might be connected to a decline in outdoor exposure, whether than be in time available to go hiking, outdoor access, travel being cost-prohibitive, school field trip funding, or suburban areas.

-=- Description of Options Given -=-

Not a lot (grew up in the suburbs/city; no hiking)

Urban Exposure (grew up in the suburbs/city; outdoors a lot)

Travel Exposure (grew up in the suburbs/city; traveled and was outdoors a lot)

Rural Exposure (grew up in a smaller city/town; outdoors a lot)

Familial Exposure (urban or rural community; family member was in geosci)

Familial and Natural Exposure (Lots of outdoor experience with family member in geosci)

[codenamesazanka]

extremely questionable methodology but i compiled all the dialogue spoken between Shigaraki and Deku starting from when Shigaraki breaks out of AFO’s control in Chapter 379 up to Chapter 412.

(There are chapters where they appear but do not speak. Those are the chapter numbers.)

The takeaway is that Shigaraki is extremely chatty! A lot of it is taunts, but Shigaraki’s also revealing a lot of stuff about his plans and his opinions.

Deku does not seem as interested in returning the conversation, however. Whenever he does speak, it’s less in response to any of the content of Shigaraki’s chatter, and more heroic statements of intent. (The ‘you’re still human’ is the only direct refutation, I think.)

To be fair, his focus is all on surviving Shigaraki’s attacks. Nearly all his internal thoughts are strategy - combining a quirk with this quirk, how exactly he can physically stop Shigaraki. Additionally, before Chapter 410, he was probably too worried about All Might; while for most of Chapter 412, he was asphyxiating. Hard to chat when so much shit is happening.

And you can argue Shigaraki is just Villain monologuing. Deku doesn’t have to pay attention to anything he says - a lot which are, after all, taunts - he doesn’t have to engage with Shigaraki’s dumb rants.

His goal is to save Shigaraki/The Crying Child, and only that - not like talking or asking questions about anything or responding is required for that.

[lemm-moxx]

Drawing you is fun as fuck cuz I get to draw in your artstyle and it's so fun

I feel like i forgot something tho

KJFOWIHIFHOUFAFJUFWEFFQUFWUFHWOEFHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH-STOP GIVING ME FREE ART!!!

Also maybe his freckles and hair floof?

[autisticangus]

someone pls help me WHERE is the scene that istus like. stops and looks at her tapestry and says "huh" and then just fuckin. rips the thread or whatever out. where does that happen. im looking thru transcripts to try and find it and im not finding it WHERE IS IT

edit: i found it! its episode 68 in the finale after taako makes a taco

[zipndots]

have you ever wondered what its like to live forever

[bleue-flora]

...Q running in an election, which he was completely allowed to do, during which he played 100% by Wilbur's rules and won fairly according to said rules, means that getting abused by his boss was his own fault?

Yeah your views are definitely scuffed. You don't have to sympathize with a character you don't like but holy shit

Perhaps fault isn’t the right word. Just to clarify, I didn’t mean it was his fault for being abused, not saying anyone deserves that. So, I didn’t mean like he asked for it or like it is karma or comeuppance for running in the election. And by no means am I saying he was wrong to do so in the first place and whether or not he followed c!Wilbur’s rules is irrelevant. So perhaps comparing that with exile is unfair to c!Quackity, after all c!Tommy did provoke Dream and there’s not necessarily evidence for c!Quackity provoking c!Schlatt into that behavior. But at the end of the day, it is a result of his own actions. It is a consequence of his own actions whether or not it was intended or deserved. He chose to side with c!Schlatt so he could win even though it’s not like c!Schlatt was necessarily hiding his true colors, and he chose to stay. Did he know he was going to be abused, did he chose to be abused, did he deserve being abused. No. Of course not. But it happened because of the choices he made and he could’ve always made different choices to escape that. Actions just have consequences whether good or bad, you pay them or someone else does, whether intentional or not. - I forget an umbrella and I get wet and I get the floor wet and then someone slips on the wet floor and falls - I made a choice or perhaps a series of choices whether to put my umbrella by the door or make sure to dry my shoes off… etc. did I know that was going to happen? Did I intend for that? Did I or the person who fell deserve that? No, I made choices and those were the consequences that happened as a result so one could say it is my fault even if it’s not only my fault and even if it’s not like I intentionally meant for that to happen.

So obviously c!Quackity didn’t deserve to be abused, nor choose it, nor mean for it to happen, nor make it happen, nor is his hurt invalid. But c!Schlatt had a bad reputation to start off with, I mean one of the first things he does is betray c!Wilbur and c!Tommy in the first place. So all I’m saying is c!Quackity chose to ally himself with the devil and the devil lived up to his name.

(And I know I said you can call me cold, but that is kinda accusatory. c!Quackity isn’t a real person, these do not reflect my view irl, this is my view on a sadistic, manipulative, fictional character who lives in a world where people stab, kill, insult, harass for a fun afternoon.)

[e77y]

Guy from my student newspaper just emailed me to ask what hot-button legislative issues young people are concerned with so he can ask a local politician about it??? At a political internship interview???? In this deep red county????????? I am the WRONG guy to ask buddy

[justanechoflower]

My name is Walter Hartwell White. I live at 308 Negra Arroyo Lane, Albuquerque, New Mexico, 87104. This is my confession. If you're watching this tape, I'm probably dead, murdered by my brother-in-law Hank Schrader. Hank has been building a meth empire for over a year now and using me as his chemist. Shortly after my 50th birthday, Hank came to me with a rather, shocking proposition. He asked that I use my chemistry knowledge to cook methamphetamine, which he would then sell using his connections in the drug world. Connections that he made through his career with the DEA. I was... astounded, I... I always thought that Hank was a very moral man and I was... thrown, confused, but I was also particularly vulnerable at the time, something he knew and took advantage of. I was reeling from a cancer diagnosis that was poised to bankrupt my family. Hank took me on a ride along, and showed me just how much money even a small meth operation could make. And I was weak. I didn't want my family to go into financial ruin so I agreed. Every day, I think back at that moment with regret. I quickly realized that I was in way over my head, and Hank had a partner, a man named Gustavo Fring, a businessman. Hank essentially sold me into servitude to this man, and when I tried to quit, Fring threatened my family. I didn't know where to turn. Eventually, Hank and Fring had a falling out. From what I can gather, Hank was always pushing for a greater share of the business, to which Fring flatly refused to give him, and things escalated. Fring was able to arrange, uh I guess I guess you call it a "hit" on my brother-in-law, and failed, but Hank was seriously injured, and I wound up paying his medical bills which amounted to a little over $177,000. Upon recovery, Hank was bent on revenge, working with a man named Hector Salamanca, he plotted to kill Fring, and did so. In fact, the bomb that he used was built by me, and he gave me no option in it. I have often contemplated suicide, but I'm a coward. I wanted to go to the police, but I was frightened. Hank had risen in the ranks to become the head of the Albuquerque DEA, and about that time, to keep me in line, he took my children from me. For 3 months he kept them. My wife, who up until that point, had no idea of my criminal activities, was horrified to learn what I had done, why Hank had taken our children. We were scared. I was in Hell, I hated myself for what I had brought upon my family. Recently, I tried once again to quit, to end this nightmare, and in response, he gave me this. I can't take this anymore. I live in fear every day that Hank will kill me, or worse, hurt my family. I... All I could think to do was to make this video in hope that the world will finally see this man, for what he really is.

[oozeandgoo-art]

This is going to sound unexpectedly specific compared to my usual vague-as-fuck questions. Context being: I want money, I cannot commit to doing commissions at the moment and drawing is my only marketable skill.

If you were to buy a character "adopt" - premade design for your use, art by me and no rights retained except to like merchandising that original art - would it be a significant factor in either a positive or negative direction if the art were originally done digitally vs traditionally?

Likewise, if you were to buy a traditionally-drawn adopt, would the inclusion of the original paper-and-ink drawing be a significant benefit to you that you would consider paying more than just "base" price for?

Third, regardless of medium, would you want "scratch" papers where I did the brainstorming before the final concept was finished - this wouldn't be at any extra cost i just wonder.

Fourth, would you prefer a "flat" sale or an auction? (I like buying things at auction-style sales, and it means you might get a cheaper price than i'd normally list whatever it is for, but I am given to understand that my preferences vary from the norm pretty significantly lol) .

Fifth, would TF or at lesat mecha designs be more interesting than non-TF ones or would more general "can use this as any oc for anything" type characters be more appealing?

Ah - sixth and last, do regular ocs appeal more or less than kink/fetish-oriented ocs like "suspiciously wide-hipped lady who just so happens to have a mouth in her crotch" or stuff in that vein lol? I'm not sure I can stop myself from coming up with at least one erotic as fuck design because that's just how my brain works, but it's good to know if i should try and focus on that or leave it be and just focus on concepts that seem interesting enough to get a shape out of.

[wantbytaemin]

the fucking shitshow i experienced today…

[karinyosa]

one action that i haven't seen a ton of people discuss online is writing a letter to the editor (not one specific editor, that's just what they're called). i'm thinking of palestine, but a lot of this can apply to other things. jvp has a letter to the editor guide here if u think you'd find that helpful. it's specific to jvp members from what i remember, so take what applies. individual papers will sometimes have their own sets of guidelines as well so be mindful of those. letters are generally more likely to make it to print when it comes to local papers, but you can also write letters to like. the nyt or wapo. you're just more likely to not get a response. as tools for social change, letters' purpose is to sway public opinion and pressure via institutions of media. i focus on local papers because, like with bds campaigns targeting college campuses, this stuff is going to start on a smaller scale first, but can and does build over time. think of one berkeley branch voting to divest very soon after another did first. this is like that to me.

i recommend seeing what other articles individual papers have about palestine just to get a feel for what might be most impactful for you to write about, or what still needs to be said. for local papers, you might want to tie it to your community in some way (and that might even be a requirement to get in the paper), so you can talk about, for example, how much money comes out of your specific area for israel, using uscpr's funding map. you can talk about protests in your area. if there are arab, palestinian, and/or muslim communities in your area, you talk about them. if there are medical facilities or lots of families in your area, you can talk about them. if there's a big tech presence in your area, you can relate it to that. education, youth, food, policing, etc. there's something. there are probably multiple lines of connection between your local community and palestine. you can also just respond to a published article or lte.

if you are writing a letter to the editor, it will be considered an opinion piece, so you can include opinions or things that may be seen as more subjective. check out other letters to the editor to get a sense for the type of tone/content/etc they are looking for. don't be afraid to break or bend those rules, but it's helpful to be aware of the general vibe of the paper, what's likely to get published, and what needs to be said.

what do you want your community to be talking about? what needs to be brought to their attention? what misconceptions need to be corrected? what issues do you want to put on the table? what do you want to add to the conversation? what's missing? what should be done about it?

if you can't make it to in-person actions, this can all be done online. and if you consider yourself good with words, this may be an area in which you're uniquely effective.

ps: citing other articles or sources is always helpful and is a way to platform other articles/books/texts that u think should be shared, although i don't think that's usually a requirement for ltes. if u can't think of one, ask around.

[mewsmagic]

Hii! I love your art so much! I have a question if you do not mind; how do you shade? Or well, it kinda looks like you added a "noise effect" layer over it but then again it also doesn't look like that. I just want to know how you make your art look so,,- texture-y??? I hope you understand what I mean ^-^" have a nice day! (And keep up the nice artwork 🫶🏻)

Thank you so much, I'm really glad you like my texture sm!! It's one of my favorite features for sure so I hope that helps <333

I know this isn't exactly tumblr's thing but I figured it'd be easier for me to show you how I do it rather than tell!!

I basically use this method on the video to add the realistic texture on top of the finished art, and in general I use a LOT of textured brushes!! For lineart, for base colors, textured brushes are your best friends! My favorites are chalk brushes and pencil brushes but there're tons of other types of textures you can try, like gouache, watercolor, oil painting, and all of them look wonderful with the paper texture above!!

As for the brush I used in the video for the light texture layer, it's this type of brush:

You'll find the link in my "brushes" highlight on instagram!

If you don't use procreate, just look for similar brushes and I'm sure you'll be able to achieve the same effect!!