#revenge of the sith read through

[he-wrote-that-one-song]

hey hey. guess what

revenge of the sith novel

[billowypantss]

the revenge of the sith novelization to obikin shipper pipeline is so real. like that book changes lives

[theprotagonistisdead]

I can feel my star wars hyperfixation coming back to me...

[thebestestbat]

wait my texas girl is a ntt fan as well as a WELL DOCUMENTED star wars fan. and wait im also remembering that i already floated my "anakin and raven share narrative implications" theory by her :3

[vadersassistant]

Hiiii

wo dering if you could do an enemies to lover anakin imagine. kind of like friends to enemies to lovers or something like that and it ends in them making out o whatever you are comfortable with.

Anyways thank youuu

Denial One Shot (Darth Vader x Reader)

Summary: After venturing into a Sith Temple to try and find an edge on the current war, (Y/N) meets her enemy, Lord Vader, the man who killed her best friend and secret lover. He has been hunting both her and her alias down for months, following her across the galaxy, but little does she know, he has no plans to kill her. Takes place in the temple seen in the Star Wars Rebels season two finale. Reader was previously a Jedi and is in hiding due to order 66.

Warnings: Make out session

A/N: (Y/N) does not know Vader is Anakin, and Vader does not know (Y/N) is the Fugitive he has been searching for. This is once again a mix of suited Vader and nightfall Vader. In which, Vader wears the suit and mask, but he can take it off and looks like the Anakin we know and love.

The temple was eerie, an odd feeling passing by with each step you took. It was the opposite of the one I grew up in, representing everything I was told to dislike, and yet I was here anyways. I had made up my mind to fight instead of continuing to run from the problem. I wasn’t a rebel, but I wasn’t an imperial either. I was the middle ground, a former Jedi with a new identity, a mask to shield my face so that I could live freely, but the saber still gave it away. I was good, too good to be a civilian having fun with an old relic, even though some still used them publicly. Some, as in him.

The Jedi fell and Lord Vader rose out of thin air. There was no preface, no foreshadowing, he just came, and everyone bowed their heads.

To outsiders he was a military leader trained in combat, who happened to use an imaginary power. To force users, like Obi-Wan, Ahsoka, and I, he was a Sith. We all knew it the second he began hunting us down. He wanted the Jedi dead and made it clear when he began searching for my alias as well. Everyone knew who she was, I was put on every single imperial security watch available, but I evaded it all I could. I forged a new saber, so that they couldn’t track me that way, and told people about how the female jedi on the Holonets from the clone wars died. The only people who truly knew were Obi-Wan and Ahsoka, since they too had done something similar. He was Ben, she was Ashla, and I gained the name Fugitive, a mask being the only way to keep track of my identity.

I couldn’t count how many storm-troopers I had killed by now, just that I did. I was forced to, to keep myself alive, because he wanted me turned in. I was always told to run, to flee from Vader because of what he’s done, but all I wanted was for the man to wind up dead. A lust for revenge had developed ever since I learned what he did to my best friend, Anakin Skywalker.

I don’t even know how he could have killed a warrior like him, but he did and now he’s gone. Slaughtered like any other while trying to save people in the temple, something someone with his character would have done naturally. The worst part is that everyone he was trying to save is dead too, and that he could have escaped with us, had he not done what he did. He had a wife, Senator Amidala, a good friend of mine, who also died that night, although I wasn’t sure if they ended on good terms.

The two had been arguing for a while, he believed she was cheating on him with Obi Wan, although she continued to deny it along with everyone else. I was the only one who he talked to about his problems willingly, even Kenobi would have to go through reading his mind to talk about personal issues. It was only when Anakin died that the truth came out, that being that Anakin was right, and she was seeing Kenobi.

I hadn’t recognized him after that point. I knew he was afraid he would be kicked out of the Jedi order if we found out he was dating another woman. Even further, the fact he knowingly was allowing the affair to happen, but it occurred anyways, and he lost everything with it. That was consequence enough, he didn’t need me to yell at him any further for going that far.

Still, I was angry, because I cared about Anakin.

And also loved him.

I denied it for years, the helpless prodding’s from Ahsoka when the two of us would spend hours upon hours with each other. We carried out the entire war effort, working extremely close together on missions. It was no surprise that I liked him, he had even mentioned subtly what things would be like if he hadn’t met her. It sounded like he regretted it, but I had no clue, due to us being force users.

I now stood in front of the man who took him away, the one that gutted him in the chest like a fish with no care whatsoever. The man that had been hunting me down under both my names since the night of the fall, the one that was known for murdering everyone in his path. I don’t know how he found me, I had a feeling we were being followed, but I didn’t care. We needed the Holocron inside of the temple, and Ahsoka now had it in hand. I could sense their distraught, both behind me looking at the Sith in front of us. They didn’t want to fight him; they were afraid to fight him. I felt differently, looking at his mask through the visors of my own.

“It was foretold that you would be here, our long-awaited meeting has come at last."

“This meeting is over,” Ahsoka said.

“Are you so sure?” the Sith questioned through the modulated voice his mask provided him, as I stepped forward.

“What are you doing?” Obi-Wan asked me, his breath becoming short.

“Leave."

“No," he shook his head. "Don’t do this."

“Leave. Now.”

I looked up at the temple’s ceiling as the walls started to drop down. It was collapsing on itself, since the Holocron had been taken from the Obelisk. There wasn’t much to do, but I knew I didn’t want to pull them into this. I turned around and outstretched a hand.  

Ahsoka screamed as I force pushed both her and Obi-Wan back while the temple’s walls crashed down. I saw her figure fly back just before the drop and felt her gently land. There was a ship, they could leave, I would worry about myself after I killed him.

“We’re finishing this here,” I said. "I know you've been hunting me for the past months."

“You are courageous, unlike your friends,” the Sith mused. “Hateful.”

“You killed my best friend," I pointed out. "I want you to experience that same pain."

“Revenge is not the Jedi way,” he reminded. "Your confidence dilutes your ability to make rational decisions."

“I am no Jedi.”

“Then who are you? Your saber is unlike any I have ever seen, an identity successfully hidden behind a helm.”

“That’s none of your business, why have you been hunting me?” I asked. I felt the pressure of the Dark Side creeping against my mind's barriers, he was trying to invade.

“You would make a wonderful apprentice in the dark side,” Vader said. "You have already abandoned your training as a Jedi."

“I don’t side with murderers.”

“And yet you are one. I have seen your way of fighting Fugitive; you have killed countless of our troops and inquisitors.”

“Your Inquisitorious is an embarrassment, and I will never join you, not after what you did,” I called my saber to my hand, igniting it.

“Then you will die.”

There was this feeling of fear that attempted to wash over me, like he was attempting to throw me off, but I wasn't thinking about it anymore.

I ran full speed at him, force pushing myself up off the ground and into the air to try and put myself on the offensive. My blade met his right over his helmet, as he angled me back and I landed behind him. My automatic response was to try and swing for his legs, a move he evaded but had been surprised by. I knew I needed to be careful with how I played things. He would try and tire me out by just playing the defensive, but I also didn’t get that tired frow much stamina I built up during the war. Vader was also bigger, and stronger, meaning I’d need to use his weight to my advantage. I was quick, less stable, and grounded, and more agile in my movements.

We continued to take shots at each other, as he seemingly began to test me. It was a constant switch from the right to the left, bashing at each other from different angles and walking along with it. It was something Anakin and I always did, and it almost felt familiar. For whatever reason, I could feel myself getting into the rhythm Skywalker and I got into when we would train every day. After a certain point I would always switch my grip and force him to back off, and I did it purely out of muscle memory, shoving the Sith back.

“Your anger focuses you,” he commented. “Join me and I can enhance that power.”

“You killed him, the man I loved, do you truly believe I would ever consider that?”

“He is gone for a reason,” Vader said.

“He was the chosen one!” I shouted, interlocking lightsabers in a pursuit for power over the other. "You know why he lost his life?! Because he was trying to save everyone else, instead of actually caring for himself for once."

“(Y/N)."

I stumbled back immediately, hearing that name leave his mouth,

"What?"

My eyes widened beneath the visors, letting my guard down for just a moment.

It was all he needed.

I felt his immense force break through my walls and invade my mind, clawing through my memories and thoughts like a file. Not only that, but he immediately took me to the ground. It was quick, as he now straddled me, muscular thighs resting over my lower waist. Both my arms were pinned to either side with by the force, my saber in his hand.

I grunted, struggling under him and thrusting against his cod piece hoping it would make him budge but it barely made a difference. I couldn’t do a thing, as the Sith reached for my mask and pressed down on the sides. I felt it depressurize, as his gloved digits lifted it off my head, and I looked into his mask with my own eyes.

"How do you know my name?" I asked angrily as I fought underneath him to free myself.

There was no way of telling what he truly felt in that moment, holding the helm silently, breathing being the only indication he was still alive. I continued to try and do everything to get out of his grasp, but the Sith only sat there and took me in, his body heat lingering over my own. I felt like a mess, wondering where Ahsoka and Obi-Wan might be right now, realizing why Anakin lost his life to this man. I didn’t know how he knew my name, my real name, the one that no one had called me in months. I was fully pinned down, not giving up until I saw him reach for his own helmet.

"What are you do—"

My throat ran dry, amber eyes piercing through my body like a blade.

"Anakin."

It was him, with brown hair that held golden streaks just above his armor.

"(Y/N)."

Hearing his voice sent a shiver down my entire back, as I shuddered underneath him.

“I thought you died—they said Vader killed you—" there were tears welling up in my eyes, looking up at him.

“I am alive."

“Why did you turn?"

“The Jedi council was using us, Obi-Wan lied to me about Padme (Y/N), they were having an affair. But you know that already.”

“Obi Wan told us,” I trailed off.

“I know.”

“Do you plan to kill me?”

“No, that was never my intent," he emphasized lowly.

“So, what will you do?” I questioned.

“After separating myself from the order, I reflected much upon it,” Anakin started. "And came to terms with several of my mistakes."

“What mistakes?”

Still straddling me Anakin leaned down, placing his hands by either sides of my head and lowering himself to my ear.

“I was blindly dating filthy senator, when I had the love of my life right next to me the entire time."

"What do you mean?" I emphasized each word, my abdomen tensing as he got so close to me.

"There wasn't a day that went by that I didn't think of my future and imagine you by my side. I told myself it was our strong bond causing me to think of you constantly, due to the amount of time we spent together, but now, I feel completely different."

"Anakin," my heart was racing, as he continued to whisper into my ear.

"Maker, I missed you so much."

He was just trying to be friendly, that's all this was.

"Now, I know you are not that naive," he let out a deep chuckle, reading my mind.

"Is this your way of coercing me into joining the dark side?" I said softly, trying to play it off.

"There is no need to coerce you (Y/N), your heart is already doing all the work," Anakin told me. "All there is to do is to make up for lost time."

"No.."

"Continuing to deny it is only stalling the inevitable," he spoke in a playful way. "Your hatred towards the one you believed to be my killer only proves it more."

"I—" I cut myself off, as Anakin moved his head, now right over mine.

"What is it?" he asked me, his golden eyes flicking from my lips up to my eyes in quick fashion.

I gave in, nodding to his silent question and feeling the force lift off my hands.

Anakin pressed his lips to mine as I lifted my head up and met him midway. His robotic hand came down to my waist, the other combing through my hair as he helped hold my head steady. It was delicate and prepared, goosebumps crawling over my skin as his weight pressed me onto the cold temple floors. He was an expert in the way he worked around my mouth, the first time I had ever kissed anyone to begin with.

To think such a sacred place would be ruined due to our own shenanigans.

A Jedi and a Sith, making out in a temple with no care for sentiment.

His lips were chapped yet soft, and the more breaths we took between kissing the more swollen they became. Anakin didn’t seem to care though, continuing to go down on my neck allowing me to breath. He wasn’t going too far, but it was enough for the occasion, leaving marks I that wouldn’t leave for days.

It was madness.

Everything around us screamed in pleasure, the force happily chiming along with the two sides agreeing on something, even if it wasn’t an argument. Anakin had changed, and I couldn’t decide if it was for better or for worse.

If only those two could see me now, making love to the man that we had been running from for months. The copious amounts of rage had turned to attraction in a blink of an eye, rejoicing in his presence as my hand pressed against his tunic and I felt his abdomen underneath the fabric. He was such light and yet the darkness itself, drowning me in it as we sunk into a pool of ecstasy.

The cold stone floors were soon heated, as the temple grew humid and we both simultaneously agreed to take our tops off. It was the definition of multitasking, as I took off his armor and tunic, leaving behind a black pair of pants, and his boots. With the force he slipped my top off, gaining access to my collar bone and gracing it with his mouth. There was a possessive feeling in the air, as he took in my body for the first time with his own eyes as I did to him.

"You are so beautiful, it is intoxicating."

I felt myself smiling, sitting up and wrapping my arms around his neck, the both of us kissing deeply. This was it, holding our breath as we enjoyed one another, but the force was warning the both of us.

The temple shook, I almost forgot it was collapsing.

"We need to escape before we become trapped inside," Anakin said. "My ship is outside."

"And you assume I'm coming?"

"I know you are."

I laughed, acknowledging his foresight. We put on our clothes hurriedly yet thoroughly, as someone trained to handle life or death would. In truth, that was what we stood for, as Jedi and Sith both came together as one, in ways that would be frowned upon.

Except we didn't care.

We weren't denying it any longer.

Back in business since the recent Ahsoka episode. Hope you all enjoyed!

[david-talks-sw]

Finished Star Wars on Trial and Matthew Stover manages to perfectly encapsulate how I think everyone should approach watching Star Wars material they don't like.

"The plot holes are essential. Because inside every single hole in the entire Star Wars saga - in every flaw in the franchise - you can find a Cheshire grin floating above a flannel shirt, and a fading echo of... "Ha-ha - made you look!" When I was at Skywalker Ranch to meet with George Lucas, I brought up the sliding-around-the-turboshaft business in Revenge of the Sith. I said, "They're in orbit -- gravity just doesn't work like that-" The answer I got, verbatim, was: "That's the point." Each of you on this jury - each of you reading this book - is here because you have one of two fundamental reactions to this. One is to frown. "Quit it! Quit or I'm telling! And I won't be your friend anymore!" The other is to grin right back. "Okay, you got me. What's next? Let's go!" Because your reaction is a choice: You can take that made you look as an insult. Or you can take it in the spirit it is intended. As an invitation to play. George says: "Let's pretend!" What do you say? Me? I grin. I always have, ever since a hot summer afternoon in 1977, when I was fifteen years old and a kid knocked on my door and told me about this goofy movie he wanted to see."

The whole point of Star Wars is to help you be creative and think outside the box. It's a fun make-believe story.

If there's something you don't like about a Star Wars movie, or any movie, you can either rage about it or get creative and come up with a headcanon that makes it work better for you.

Instead of saying "TLJ Luke wouldn't do that!" I try to ask myself "what would make Luke do that?"

Instead of disliking the Dooku episodes in Tales of the Jedi, I just tell myself that they're all seen through Dooku's own unreliable lens and immediately it all makes sense.

It's a lot more fun when you choose to grin instead just going "Quit it!" and I'm making an effort to do the former more than the latter, especially when The Acolyte will come out.

[intermundia]

so starting around page 375 in revenge of the sith, the book begins to bleed highlighter from the amount of psychic damage i was taking while reading it. it's one thing to see on screen and another thing to peel back the visual to stare directly at obi-wan's mind as he takes in something incomprehensibly painful.

just.... twisting the knife!! it was only a week since the conversation where anakin apologized about his arrogance and wished him well!! since then obi-wan has been shot at by his friends and had to walk through the halls of his home strewn with the bodies of his slain family, but it is seeing the truth about anakin that makes him give in to despair.

it's a good thing that yoda is there, for all his brutal honesty. "Make a Jedi fall, one cannot; beyond even Lord Sidious, this is. Chose this, Skywalker did." i love how explicitly clear he makes this for obi-wan, not letting him evade the truth: anakin did it on purpose. nobody forced him to do it, sidious merely invited him forward but he took the step, and "why matters not" because there is no excuse, no valid, acceptable, or moral rationale for what he's done.

"out of his misery, you must put him." while i think yoda is right to associate anakin's potent mixture of fear, anger, and suffering with misery, there is also some level of dramatic irony in these words from the audience knowing that obi-wan's confrontation with anakin on mustafar will do the exact opposite of that, putting anakin in far more misery than most human beings could possibly withstand.

[gffa]

Hi, since you’ve been reading the star wars books, do you have one you’d recommend as a starting point for someone who’s never read any of them and is interested in seeing what they’re like?

Hi! This is going to be very subjective, given that I'm not sure what your favorite characters are or which era you're interested in, and if you're interested in the best books out there or ones that typify what the books are overall like. BEST BOOKS: - Revenge of the Sith novelization by Matthew Stover, god-tier ability to take my favorite SW movie and make it even more emotional and hard-hitting. It adds even more depth to the story, has beautiful writing, and just is a really satisfying read imo. - Padawan by Kiersten White, which is a story about a young Obi-Wan going on an adventure by himself and I think really captures how I see his youth, that there was struggle and difficulty, but overall it explains why he loves being a Jedi and why there's so much joy in his life. - Light of the Jedi by Charles Soule is good for if you're interested in the High Republic stories and I still think is easily my favorite of the entire line. There was so much good foreshadowing and banger lines that really got Star Wars and was an exciting plot to really hook me on THR.

BOOKS THAT MOST TYPIFY WHAT SW BOOKS ARE LIKE: - Brotherhood by Mike Chen is one that I have some stuff I side-eye in it (everything with Mace) and some stuff I was over the moon for (everything with Obi-Wan) and some stuff I was in the middle about (everything with Anakin). That's Star Wars novels in a nutshell for you! (I also think Dooku: Jedi Lost by Cavan Scott is another good starting place, it's an audiodrama, but it gives an interesting backstory to the character, has some interesting Jedi worldbuilding, and does some really great character work with Asajj Ventress.) - Wild Space by Karen Miller is a Legends book (and I usually try to stick to Disney continuity just for ease's sake) but it has some eyeroll-worthy stuff, some unearned stuff, and some absolutely batshit bonkers in the best way stuff. It's a RIDE to read and maybe not one to take super seriously but I feel like it captures the spirit of SW books. (Alternate suggestion: Dark Rendezvous by Sean Stewart is a really good Yoda & Dooku book with a lot of good appearances by other Jedi characters and one of the better books for Jedi stuff, plus lots of feelings and banger conversations between characters.) (Alternate-alternate suggestion: Another Legends suggestion, since there are a lot of SW books in that continuity, you could read the Jedi Apprentice series by Dave Wolverton and Jude Watson, as long as you know they're aimed at a pre-teen audience and are written accordingly and they are SUPER dramatic and put Obi-Wan through the wringer. I'm not always wild about Watson's writing, but when she writes a banger line, she writes a BANGER line, and they're very fun books that a lot of fandom still folds into their writing.) - The Aftermath trilogy by Chuck Wendig is a good place to start if you want to explore the connective tissue between the originals and the sequels, though I always recommend that I think they work a thousand times better as audiobooks. It's mostly new characters (which, welcome to SW novels) but it also has some really good Leia and Mon Mothma scenes, too. - Leia: Princess of Alderaan by Claudia Gray is for if you're more interested in the Original Trilogy characters and while I wish there'd been more worldbuilding in this one, it's a solid story from someone who genuinely loves this character, and will give you a good idea of what you can expect from Leia books. (If you're more interested in a Han/Leia story, The Princess and the Scoundrel by Beth Revis is on the same level. Solid story with occasional moments of fantastic. I had a blast with the Leia sections especially!)

[nimata-beroya]

Questions about Asajj Ventress' return that TBB didn't answer 😞

(I knew it wouldn't, but I still had hoped)

The "I have a few lives left" line explains very little. And I still have a bunch of questions after reading Dark Disciple. I can guess she was resurrected by Nightsister magic, obviously. The mechanics of how she's back doesn't worry me. I wonder the when and what happened after.

My first question is how long it took her to come back. Does Quinlan and/or Obi-Wan know that she's alive? Did she come back as soon as the book was over while Vos and OWK were still on Dathomir? Was it after? But how much after? Was it before or after Order 66? Does she know Quinlan survived the purge?

Dark Disciple spans like 5 or 6 months through the timeline, by my calculations. Let's see: I took Quinlan a month or so to find Asajj and gain her trust while working together, and another few weeks while they trained on Dathomir. Yet another month until Ventress tried to rescue Quinlan after their failed mission. Who knows how long it passed after he fell to the Dark Side (this is Star Wars, so of course the time passing clues are as vague as possible). Then another whole month (as the book says) after OBK and Ventress did rescue Vos (and nobody noticed he had fallen except her). And it should have passed at least another month after she "died" before Revenge of The Sith, assuming Obi-Wan was again in charge of Quinlan's recovery (as the book hinted at, but I may be wrong) and Vos was nowhere to be seen during the movie, meaning that he was well enough to leave unsupervised. I know, I know, TCW and the book were made after the movie and all that, but I'm trying to make sense out of this mess, logically. So, logic tells me that if the book is set on 19 BBY between seasons 6 and 7 of TCW, which doesn't even encompasses the entire year, there's little time between the end of the book and Order 66.

Considering that, I'm divided between 2 possibilities of when she was reborn:

If she came back to life before Order 66 was executed, there are 2 ways in which things went. A) She told Quinlan she was alive, and they're happy together now (even if he didn't appear on TBB). This is the option my shipping heart wants. However, my head tells me, it's the least likely 😭. B) She didn't tell him. She sacrificed their relationship, as not make him chose between her and the Jedi and/or not to tempt him to fall again with attachments. And then Order 66 happened, and now she thinks he's dead 😭😭😭

Or she was reborn after Order 66, and she thinks he's dead anyway😭😭😭

See, this is why I shouldn't consume more new (to me) media. I get attached to characters and ships, and then I suffer. I need answers! I need to know!!!

[hanasnx]

can you share some of thosr anakin-related-content-you-consumed on ur anakin fixation era cz im fixating on anakin aswell rn and i want to study him!! please, idk where to start 🙇🏻‍♀️

supercut of star wars I - III reddit link with instructions to receive them via google docs

i've seen both tpm and aotc supercuts but i have yet to finish the rots supercut because of it being so long. there are also deleted scenes on youtube that were not included in the supercuts linked here:

star wars episodes I and II extended edition - unused deleted scenes youtube video

revenge of the sith 4 hour supercut - unused deleted scenes youtube video

if you cannot get a hold of the supercuts for some reason, no sweat. the same channel listed in the above links has a bunch of videos on their channel of all "restored deleted scenes" that you can watch individually. of course, that is without the "siege of mandalore" that's included in the rots supercut. but that's just the bits you would see from season 7 of the clone wars spliced in, so you wouldn't be missing anything.

star wars: episode I - the phantom menace

if you cannot get a hold of the supercuts for whatever reason, start here. one of my favorite star wars movies. features young anakin, about nine years old, and how comes to live with the jedi, how he meets padme, and where he comes from.

star wars: episode II - attack of the clones

we follow older anakin, about nineteen years old, where he reunites with padme and they fall in love. the cracks of the dark side's influences are beginning to show.

star wars: clone wars

this is the mini-series released in 2003-2005 to depict anakin's journy throughout the beginning of the clone wars to prepare audiences for star wars: revenge of the sith coming out in 2005. it has since been de-canonized and replaced with the clone series that comes out in 2008. it is still worth the watch. anakin's voice actor is supremely talented and sounds a lot like hayden christensen. albiet he is dramatic, as it is a kid's show, i still very much enjoy his characterization. it's actually pretty funny too, it did get me to laugh a couple times. chapter 24-25 i believe is where anakin undergoes a sort of spiritual awakening, and the ending always makes me cry.

star wars: the clone wars movie

it was honestly boring to me, but i still watched it for much needed context on the show.

star wars: the clone wars

as i’ve said before, i don’t really care for tcw!anakin, but this was still a fun and enjoyable watch. it wasn’t completely worthless to me, i did learn some more things about anakin that applied to hayden’s rendition.

unreleased star wars: the clone wars arc - crystal crisis on utapau (full) youtube video

i didn’t finish it but from what i’ve seen so far it’s pretty funny.

anakin & obi-wan | let my people go youtube video edit

one of my favorite edits to one of my favorite songs from one of my favorite movies. i think about it a lot, especially during the “this was my home.” lyric. hammering in the betrayal of brothers that grew up alongside one another, and if you resonate with that song and movie it provides another layer of context. it’s deliciously painful. when anakin’s side of “you who i called brother,” cuts through and interrupts the melody, impatient to speak about his perspective using ramses’ narrative to do it, it’s acutely accurate to anakin’s character in my eyes.

clone wars: battle of the heroes - a star wars fan animation youtube video

i haven’t seen this yet but i’ve been waiting to enjoy it to its fullest. the creator worked very hard on it for a long time, so it’s worth the link.

star wars episode III: revenge of the sith novel by matthew stover

i have not read this, but i’ve seen hundreds of excerpts over the course of this hyperfixation on tumblr. it’s widely accepted even though it’s decanonized, and offers insight into anakin’s head that you can’t access with just watching the movie. i thoroughly enjoy and reblog the excerpts i come across, but since i’m not a reader i haven’t picked it up to complete it myself.

star wars: episode III - revenge of the sith

the third installment in the prequel series, and where shit goes down. twenty-three year old anakin grapples with his desires overcoming his sense of obligations, warping his own ideals to fit into selfish purposes. you see how he betrays the republic, his wife, his brother, and himself, all for power.

star wars episode III revenge of the sith (xbox) no commentary walkthrough full game [1080p60fps] youtube video

i haven’t gotten to watch this yet but i’d like to soon, i’ve seen bits and pieces and i believe there are alternate endings that prove interesting. if you like gameplay movies i think you should give it a shot, but if not, go ahead and skip this one.

star wars: episode III - revenge of the sith - making the game youtube video

it’s short and sweet. about hayden’s view of the character anakin and how he acts in combat.

star wars: tales of the jedi

s1e5 where we receive insight as to how anakin trains his padawan.

vader: complete canon comic series 1-25 in chronological order youtube video

i loved this so much. so many good moments that i ate the fuck up. we follow vader in his first year of becoming the sith lord, grappling with identity, past, and recognition. we also get insight into the very sensitive time of jedi eradication, i learned a lot. my favorite parts are when vader has to fight without a saber against clones, make his own red saber by retrieving one from a surviving jedi, and the arc that includes jocasta nu.

star wars the force unleashed- full game walkthrough gameplay no commentary youtube video

star wars the force unleashed 2 - full game walkthrough gameplay no commentary youtube video

both of these i've been meaning to watch, but i haven't been in the mood. i figured i'd link them in case you were interested in more gameplay movies.

star wars rebels

i didn't finish this, but i did watch a lot of the vader content and the scarce anakin content. i'll watch anything that mentions him tbh.

star wars jedi: fallen order - full game - no commentary youtube video

i played this game and loved it. the ending is the money shot tbh.

star wars: obi-wan kenobi

this was probably the first sw show i watched after i got back into darth vader in august 2022. reawakened a lot for me, i really enjoyed vader's part in this story. reva is also one of my favorites, and i thought her being a mirror image to anakin in this situation was clever, i thought her backstory was unique and refreshing. but what really shines for me is vader's contribution as both an extension of the emperor and a vessel for his own selfish desires. there are parts where i can see he's more machine than man. there are also some anakin parts as well! which i didn't enjoy as much, funnily enough.

rogue one: a star wars story

i haven't seen this one in years, but i do remember darth vader's appearances being both funny and badass.

star wars: episode IV - a new hope

star wars: episode V - the empire strikes back

it took me a long time to come around on this one. now it's one of my favorites. especially because we start to get the first glimpses within the original trilogy of vader's humanity, and his ability to demonstrate faint loyalty to his blood.

star wars: episode VI - return of the jedi

fave sw movie tbh since childhood. you can't get better than the ending. vader's sacrifice is everything to me.

lego star wars: the skywalker saga

i had played this game back in may 2022 when i visited my sister. she and i used to play lego games together when we were kids, and one of my first video games ever was lego star wars: the video game from 2005 which she introduced me to. it holds a special place in my heart, and i really liked playing skywalker saga even though at this point i hadn't cared about star wars in years. when i got back home i couldn't stop thinking about the saga game so i bought it myself, and then played it so obsessively i didn't do anything else. it got me back in the mood for darth vader so i watched obi-wan kenobi, and one thing leads to another now here i am with a smut blog about anakin skywalker's entire life and his every iteration. i loved the game, i think you should play it even though it's just lego versions of everything, it's still really fun.

star wars: ahsoka

you see him in this and the cinematography is breathtaking at times, but i didn't care for it. i only cared about the glimpses of anakin/vader's appearances even if they didn't contribute anything to the story for me.

anakin skywalker vs palpatine full fight scene (hd) - star wars episode IX [alternative ending] youtube video

this is a fan edit! i think about it a lot even though i haven't seen the sequels.

the life of anakin skywalker: darth vader (star wars) youtube video

i haven't finished this, but from what i've seen it's taught me things even i didn't know. i really appreciated the facts that aren't even on wookiepedia.

any books on it i've only seen the excerpts here on tumblr, i haven't read any because i'm not a big reader but i've seen some great posts that i reblog. so don't sleep on the books/comics

great ask

[samaspic31]

Get To Know Me Tag Game

Rules: Tag 8 people you want to know better (or just because you feel like it).

thanks for the tag @brother-genitivi !

Relationship status: single and not particularly dissatisfied with it

Favourite colour: dark red, bordeaux

Last song listened to: probably The Chain, in that one order 66 edit

Last movie watched: Matrix reloaded

Top 3 shows: Andor, Community, derry girls

Top 3 characters: luke skywalker, dick grayson, obi-wan kenobi

What I'm currently reading: i just finished Check Please ! and im still working through the revenge of the sith novelisation

Tagging (no pressure!!): @pyrose-the-flame @sleepycrowhours @lavenderboybee @shutuperce @voidika @tycwi

[septembercfawkes]

Turning Relationship Arcs into Plotlines

Most stories will feature a relationship arc as a key plotline. But in order for a relationship to be a plotline, it not only needs an arc, it needs a plot. 

Showcasing an amusing friendship or a fiery rivalry, or throwing in a love triangle or family feud here and there doesn't make it a plotline any more than having an entertaining protagonist doing random things makes a plotline.

You can have ideas for a riveting relationship, but if it isn't arcing because of the story, it's probably just cleverly disguised "plot" filler.

We usually don't want a protagonist without an arc doing random things. That's not really the protagonist's story.

The same is true with relationships.

Now, real quick, not all relationships in a story will need a plot--that would be near impossible, overdramatic, and would read as soap opera.

This is one of the reasons why there is a difference between a relationship arc and a relationship plotline. 

Recently I did an article on the four basic relationship arcs. For convenience here is a quick recap:

Positive Change Relationship Arc: 

The characters start distant--they may be strangers or downright enemies--and grow closer in love and respect. Ex. Elizabeth and Mr. Darcy, Mulder and Scully, Sulley and Boo

Positive Steadfast Relationship Arc:

The characters start close--already having some love and respect for each other--and have their relationship tested through the obstacles of the plot. Ultimately, they stand by one another at the end; often their love and respect grow by degree. Ex. Frodo and Sam, Harry and Dumbledore (in book 7), Peter Parker and Mary Jane (depending on the rendition)

Negative Change Relationship Arc:

The characters start close with love and respect and are ultimately pulled apart and become distant, as strangers or enemies. They grow in dislike or disrespect for each other. Ex. Anakin and Obi-wan (in Revenge of the Sith), Mike and Will (Stranger Things seasons 1 - 4), Katniss and Gale (in The Hunger Games).

Negative Steadfast Relationship Arc:

The characters start distant--as strangers or enemies--and might be pushed together through the plot, but ultimately won't stand by one another at the end. In the end, they are strangers or enemies. Often their dislike and disrespect will grow by degree. Ex. Winston and Julia in 1984, Angier and Borden in The Prestige, Estella and the Baronness in Cruella

These are just basic relationship arcs and there is room for variations, so don't panic if yours doesn't fit any description perfectly. However, it should, more or less, be able to fit into one of them, which can be useful to get started.

Now we need to take some time to address plotlines, because how much you develop your relationship plotline will depend on how prominent it is. And the more prominent, the more it needs to be on the page. So hang with me as we cover some bases.

Relationship Plots for A Stories, B Stories, C Stories & More

Usually a relationship plotline is a key plotline, but where it fits in priority isn't the same for every story or even every genre. 

Most stories, specifically long stories (a novel as opposed to a short story), will have at least three kinds of plotlines. The most popular combo is this: the protagonist's external journey, the protagonist's internal journey, and the protagonist's relationship journey (with the Influence Character). This is a great combo, because it has a broad conflict (the external journey), a deeply personal conflict (the internal journey), and something that fits between those (the relationship journey)--giving the story clear dimension.

However, with that said, you can create other combos as well. For example, sometimes there is a world/society plotline, and no internal journey. So while a relationship plotline is key to most stories, I'm not gonna say it's key for every single story (despite what some say in the community).

If you are reading this article, you obviously want to learn more about writing relationship plotlines. At this point, it's a good idea for us to take our usual pit stop and talk a little bit about terminology in the writing industry.

Some in the industry actually lump together the protagonist's internal and external journey and call the weave the "A Story," or the primary plot. 

With this in mind, often the relationship plotline is considered the "B Story, " meaning it's the secondary plot that unfolds, more or less, alongside the A Story.

Some people in the community use the term "B Story" synonymously with "relationship plotline." In truth, not all B Stories are relationship plotlines, and not all relationship plotlines are B Stories. That's just what is most common.

In some narratives, the relationship journey is the A Story--the main plotline. This happens when the story is primarily about a relationship. The most obvious examples of this would come from the romance genre. Pride and Prejudice is primarily about Elizabeth and Mr. Darcy's relationship journey. 

But this doesn't mean you have to write a romance novel to write a relationship A Story. In The Prestige, the whole story is driven by Angier and Borden trying to undo or outdo each other. The A Story is a relationship plotline about a negative relationship.

So there are a lot of options in regard to plotlines.

But whether the relationship journey is the A Story, B Story, C Story, or what have you, it still needs to have an arc and plot to be a Story. It's just that the less prominent the plotline, the less you need to develop it and show it on the page.

In contrast to a romance, The X-Files is more about the external journey and the internal journeys of each of the leads, than it is about Mulder and Scully's relationship. That doesn't mean their relationship journey isn't impactful (far from it). But less of that plotline makes up screen time . . . with the relationship arc stretched out over nearly a decade. If it had been the A Story, it wouldn't have been The X-Files, and it wouldn't have survived as perhaps the slowest burn in television.

Whether your characters' relationship journey is the A Story, B Story, C Story, or what have you, that's ultimately what we want: something impactful.

So let's dig into plot. . . .

Some of the problems that can come up with relationship plotlines stem from the writer not understanding that even though this journey appears quite different than the external or internal journeys, it still follows basic principles.

But if you don't write romance, this may be difficult to wrap your head around . . . because there are almost no resources to teach you how to do it! 

People will mention relationship plotlines, but they'll be vague or general about it--or say it has to be a romance or that it must be a positive change relationship arc. It doesn't. But for this reason, this plotline has often felt vague to me, personally. If I'm not writing romance--what am I supposed to be doing here? And how?

Let's start with the basics and feed the relationship journey into them.

I already did a long and lengthy series on the principles of plot, so I won't be repeating the details of each element (nor will I be going through every element for this). This means if you are confused or need more information, you should look through the series, starting here.

Keep your relationship arc in mind as we go through the pieces, and soon it will become clearer and clearer how to write a relationship plot.

The Goal in Relationship Plots

Plot starts with a goal. This is because a goal provides context for plot. Until there is a goal, what happens doesn't really matter, since no one is trying to get anywhere. And the audience can't measure whether what happens is progress or a setback.

We know characters should have external, measurable goals. And even if they have abstract wants, they should manifest in concrete goals.

Not all characters keep the same goals for the whole story. In fact, some characters will have a different goal for each act (I'm looking at you, Star Wars IV: A New Hope). And some will have both an overarching goal and act-level goals inside it.

This can be applied to relationship plotlines. In fact, it's highly likely the relationship goal will change through the story (and often on the act level).

At the most basic, abstract level, there are only three goals your characters can have in a relationship, and they may not be the same as the other person's.

The 3 Basic Relationship Goals:

1. Draw closer and/or get along with this person 2. Push away and/or cause dysfunction with this person 3. Maintain the relationship as is

Worth noting is that the last one will likely turn into one of the other two, because something will disrupt "normal," and the character will either be trying to draw closer or push away in order to get "normal" back.

At this point, some of you may already be confused. My characters want to get along to get the plot goal, but they also hate each other and want to push each other away! you may be thinking.

Don't panic.

The relationship plotline is usually intimately woven with the external and internal plotlines. 

Remember what I said earlier? It fits below the external plotline and above the internal plotline.

This means what happens externally will trickle down and complicate the relationship, while what happens internally will bubble up and complicate the relationship.

This is one of the reasons the relationship plotline can feel tricky and vague, especially if it's not the A Story.

Just focus on the relationship itself. Does the character want to draw closer to this person? Or does she want to be distant from this person? Or does she want to keep things the way they already are?

Relationship Goal Examples (Basic):

Elizabeth judges Mr. Darcy unfavorably--she wants to be distant from him through more than half the book. Scully wants to get to know Mulder, despite his poor reputation in the FBI. Sulley is afraid of Boo. He wants to send her away from him and Monstropolis. Sam wants to follow, be near, and support Frodo. Peter wants to be in a relationship with Mary Jane. Will hopes to maintain a close bond with Mike . . . and maybe draw even closer. While attracted to Julia, Winston thinks she's a spy and hates her (this one is a little more complicated, and that's okay). Estella wants to work for and be like the Baroness.

Notice that the other person in the relationship may not have the same want. . . .

Mr. Darcy falls for and wants to marry Elizabeth. Frodo doesn't want Sam to bear his burdens, so tries to create distance. Mike isn't interested in maintaining a relationship with Will and is blind to Will's efforts (also a little more complicated) Julia wants to be involved with Winston (which changes his relationship goal).

And sometimes the participants do have the same wants. . . .

Mary Jane wants to be close to Peter. Despite being suspicious Scully is there to spy on him, Mulder is ultimately fine with opening up to her--after all, his purpose in life is to reveal the truth. Angier and Borden are trying to push the other further away by outdoing each other and creating more dysfunction. Gale and Katniss would prefer to be close (though at some parts, Katniss is only interested in maintenance)

As you can already see at the basic level, things aren't always simple, and again, wants can change, but we are just getting some basics down to build from.

You'll also notice that while the goals will play into how the relationship arcs on the page, they aren't determined by the relationship arc. Strangers can want to get close. Enemies may want to mend their ways. Friends may want to draw close or part ways. And each person may want something different.

The basic goals are the characters' desires. And the arc is what happens in reality.

Just as with external plotline goals, it's helpful if we get more concrete and specific. This will make the plotline stronger and allow the audience to better measure progress. So, consider, what does "success" in this relationship look like to the character? Darcy wedding Elizabeth? Boo being thrown back to where she came from? Mike accepting Will's gift and playing D&D with him? Winston and Julia having a secret rendezvous? Keeping Sam away from the Ring? Angier besting Borden in magic? Scully making sure Mulder makes it back in one piece to D.C. (and vice versa)?

It's important to realize that what success looks like may be influenced by the external and/or internal journeys. The external journey informs Scully what success in her relationship with Mulder looks like. It determines what Sulley's goal is for Boo. The internal journey informs Will what success looks like with Mike. It determines why Frodo wants to keep Sam away from the Ring.

So, look at each participant in the relationship--do they want to grow closer or apart? (Or maintain?) What does "success" look like in this relationship, to each participant?

The Antagonistic Force in Relationship Plots

The antagonistic force is a form of opposition. I emphasize "opposition" because the antagonistic force is something in the way of the goal. 

We know what the characters want. And we know what success looks like. 

What is keeping the characters from simply getting that? (Or, in some cases, maintaining that?)

That's the antagonistic force. And just like the goal, it doesn't need to be one thing, and it doesn't need to be the same thing throughout the whole relationship plotline. If you think of the antagonistic force as the obstacle in the way of or resistance to getting the goal, you'll have both a broader and more accurate understanding of what an antagonistic force really is. Or likely, forces. 

For relationships, the antagonistic forces can come from several places.

The 3 Sources for Relationship Antagonists:

1. External: What's happening externally may trickle down and get in the way of the relationship goal. For example, two characters may wish to live their lives separately (or may even be enemies), but external circumstances force them together. This is common in the enemies to friends/lovers arc. In these situations, often there is a shared external plotline goal that the characters have to work together to achieve.

In contrast, you may have two characters who want to be close, but external forces are pulling them apart. In 1984, Winston and Julia want to be together in Acts II and III, but the Party wants them separated. You can see a similar thing in Romeo & Juliet.

And just as a note, even if the characters have different relationship goals, you can still have external antagonistic forces--it just gets a little more complex.

2. Within the Relationship: Antagonistic forces may come from the relationship itself. The characters may have opposing goals or methodologies or worldviews or mannerisms that clash.

Sam wants to be near Frodo. But Frodo tries to lose Sam. (Opposing goals.) Sam wants to ditch Smeagol, but Frodo wants to use him as a guide. (Opposing methods.) Untempted by and unexperienced with the Ring, Sam doesn't share compassion for Smeagol. Frodo, who suffers from both, pities him. (Opposing worldviews.)

Neither character is necessarily "good" or "bad" (though you can do that if you want). They're just different, and this creates obstacles. 

It's usually very common for the protagonist and Influence Character to have opposing methodologies.

3. Internal: One or both participants may have internal struggles, flaws, or misbeliefs that bubble up into the relationship plotline. 

In Sherlock, Sherlock's inability to be socially sensitive causes problems in all of his relationships. In Pride and Prejudice, it's pride and prejudice that often cause problems. Frodo's personal struggle with the Ring creates friction with Sam.

One familiar trope is that one character feels undeserving or unworthy of the other character, because of how he views himself--Edward does this sort of thing in Twilight.

Weaving All Three

Remember, just as the external and internal journeys influence each other, so do they influence the relationship plotline. When we weave three different plotlines, it can get complicated. Or perhaps more accurately said, complex. 

For example, in The Hunger Games, one may argue that the antagonistic forces that ultimately drive Katniss and Gale apart come from all three places. The external plotline pulls them apart by not only creating literal distance, but emotional distance, as Katniss has to leave District 12 and pretend to be in love with Peeta. 

Their relationship pulls them apart because they have different worldviews and methodologies. Gale wants to incite a revolution and overthrow the Capitol, whatever the cost. Katniss wants to survive and keep her loved ones safe. 

In the internal sense, Katniss has so much going on inside her, that she doesn't have the time or wherewithal to focus on her relationship with Gale. And Gale is moving closer and closer to the anti-theme.

With that said, please don't give yourself "paralysis by analysis." You don't need to overthink the relationship plotline. The point is that you need antagonistic forces to create a relationship plotline. Those forces can come from any of those three places, or a combination of them. So if you need more (or don't have any), those are the areas to go looking. This can be especially helpful when both participants want the same "success" for the relationship--you'll need to look at external or internal obstacles.

It's Complicated

Certain setups are more complex, or at least more uncommon, than others. And I just want to acknowledge and illustrate that, so we don't get stuck thinking everything in writing needs to fit a specific mold.

In The Prestige, the A Story is a negative arc relationship between Angier and Borden. They don't want to be pals. Angier's goal is to undo Borden and best him in magic. This is informed by Angier's internal journey of obsessive revenge (also a negative arc). But Borden is also the antagonist--because he doesn't want to be undone and have his life ruined, and so fights back. They are the main obstacles for each other.

This is an atypical situation, but you'll see it has the same parts: a relationship goal and an antagonist, and of course, a relationship arc.

As Brandon Sanderson likes to say, as writers, we want to be chefs, not cooks. We want to understand the parts, and be able to arrange them in different ways to create the story we want--not follow the same recipe every time. The Prestige is a great example of that, in regard to relationship plotlines.

The Relationship Antagonist Simplified

For most stories, the antagonist will work like this:

If the character wants to draw closer, the antagonistic force is what's keeping them apart. If the character wants to grow apart, the antagonistic force is what's pushing them closer. If the character wants to maintain, then the antagonistic force is what's disrupting normal. * Sometimes the antagonistic force is the other person in the relationship.

IMPORTANT: Beware of Weak Antagonistic Forces!

We've all seen relationship plotlines that made us roll our eyes, or worse, want to scratch out the writer's eyes. This is most obvious in sequels. It usually happens like this:

In the first installment, the writers create a positive change relationship arc, where the participants become best friends, found family, or significant others--and we all let out a satisfying sigh.

In the second installment, the writers don't know how else to arc a relationship, so they try to undo and redo what they already did.

It usually fails.

Other times the writers understand on some level they need to create a positive steadfast relationship arc, but don't know how to really do that, so they put together one that has about as much depth and emotion as a cardboard cut-out.

And finally, there is the relationship "plotline" that could be easily resolved by something that the characters seem too stupid to do, such as make a simple phone call.

These situations stem from the same problem: weak or unbelievable(derogatory) antagonistic forces.

If Sulley and Boo overcame all the adversity of Monsters Inc. and then we did a follow-up where they had an argument about bedtime, and we used that as a driving force to pull them apart (so we can push them back together again), it'd be stupid. The audience already watched them survive way worse. They know their bond is stronger than that.

Now, if the argument about bedtime was really subtext for deeper issues and those are going to be the driving force, and the issues are going to manifest in a lot of different ways, then maybe something like that would work.

Otherwise? The audience doesn't buy it.

The antagonist needs to be a real, powerful threat. If the characters already have a strong relationship that has been through the wringer, what could believably fray that? (And the answer can't be a simple misunderstanding.) It needs to be greater than what they've already overcome. Or, it needs to be different and just as difficult. Or, it needs to be long-lasting but still as significant. Look at the different places antagonistic forces can come from--that might help you find something you hadn't considered before. Or maybe, you need a combination of antagonistic forces to create a worthy threat. 

Often(like I touched on above), rather than think of one thing or one moment that is causing problems in the relationship, it's better to find something abstract that manifests in different concrete ways. For example, in Pride and Prejudice, both pride and prejudice are abstract concepts, but they manifest concretely in different ways throughout the story to create problems. The issue isn't so much that the ladies have no one to dance with, and that Mr. Darcy should be dancing with one. The real underlying issue is the pride Mr. Darcy seems to have.

Whatever the story, it's helpful to remember that the antagonistic force should be big enough to test the characters' commitments to the relationship goal (which will lead them to either change the goal or hold steadfast to it). This can be particularly important for positive steadfast relationships. Sulley and Boo arguing about bedtime isn't a "test." It's a disagreement.

The Conflict in Relationship Plots

The relationship goal and the antagonistic force lead to conflict. These characters hate each other and want to be apart, but the external antagonist locks them together. . . . and when they finally decide they want to be together, the external antagonist yanks them apart. Or maybe one person wants to draw close and the other wants to push away. Or maybe they both want to be together, but one is crippled by a sense of unworthiness.

There are a lot of directions you can go with this, but I think you get the idea.

There shouldn't be an easy, foreseeable way to fix these situations--because the antagonist should be a real threat (see above). So we get conflict.

The more the characters want the relationship goal and the stronger the antagonist, the bigger the struggle. And struggle is often what creates a powerful arc. As the characters face worthy opposition in conflict, we illustrate how bad they want the relationship goal. We confront them with difficult situations--choices--that require sacrifice of one kind or another. How devoted are they to their relationship goal? What costs are they willing to pay? Is he willing to risk drowning to follow Frodo? Is she willing to sacrifice her career reputation and give up personal dreams to get her FBI partner back safely? Is he willing to risk torture and brainwashing at the hands of the Party to be with Julia? 

How the characters choose to address the conflict will usually create the arc in the plotline. Ultimately, nothing stops Sam from helping Frodo--this leads to their positive relationship arc. We know, Sam is in it 100%. On the other hand, Katniss won't agree that sacrificing innocent people like Prim is worth a victory for the self, so she ends her relationship with Gale. This leads to their negative relationship arc. Notice, however, this doesn't mean Katniss is a "bad" person by any means. It simply illustrates that upholding the thematic argument means more to her than this relationship.

And never forget that other plotlines weave in. An external plotline victory may mean sacrificing a relationship goal. Or it may mean succeeding in the relationship enables success in the external goal. And internal victory may mean success or failure in a relationship goal. There are so many different combinations, I fear listing them may create more confusion rather than clarity. 

But just to show how this can be done in an atypical way, in The Prestige, the relationship goal is to undo, best, and push away the other magician, who is resisting and fighting back (as the antagonist). This leads to powerful conflict. What is the character willing to do to succeed? Angier is ultimately willing to frame his enemy, get him hanged, steal away his daughter, and kill "himself" a hundred times to possibly succeed in this negative relationship arc. But he fails in an internal way: He's so obsessed with revenge, so unwilling to change internally, that he failed as a human being and missed out on developing new meaningful relationships. (. . . and this all starts to bleed into the want vs. need concept . . . . and I think I'll save that for another day, in regards to relationships (I promised not to get confusing)).

The point is the conflict creates struggles that show what the characters are willing or unwilling to do for the relationship goal, and their choices will ultimately arc the relationship in the plotline.

The Consequences in Relationship Plots

In order for there to be a strong plotline, there need to be consequences to the conflicts' outcomes. Otherwise, it's just conflict for the sake of conflict.

Now, with that said, conflict for the sake of conflict can sometimes work in relationships for things like banter and disagreements. Those can be effective and fun, but remember, they aren't what make up a strong relationship plotline. Don't confuse banter or disagreements as the sum of a relationship plotline. It may be part of a plotline--the banter may stem from antagonistic forces within the relationship that the characters need to overcome--but it's not the plotline itself. In order to be part of the plotline, it needs to have significant consequences, like any good conflict should have.

Plot isn't just random stuff strung together. It has a sense of cause and effect.

So, what do the characters have to gain (and/or lose) in overcoming the conflict? What do they have to lose (and/or gain) in being overcome by the conflict?

If we are strictly focused on the relationship plotline, this may seem rather simple, as it is often the relationship or relationship goal itself. If Elizabeth overcomes the obstacles between her and Mr. Darcy, they can get married. If she doesn't, she won't be with the person she loves. If Sherlock and John can work through their differences and struggles, they can be best friends. If Katniss and Gale can't, they will become strangers. If Angier succeeds, he successfully punishes Borden.

But ideally, the consequences will bleed into other plotlines. If Harry's relationship with Dumbledore is ruined, Harry won't continue to hunt for Horcruxes. In Death Note, if Light succeeds in besting L, he can continue his plans of exacting justice and creating a new world, where he is the leader.

Commonly, the relationship characters need to work together to reach the external goal. In Moana, Moana and Maui ultimately need each other to right the world--neither can do it alone. Frodo and Sam's relationship needs to work to bring the Ring to Mount Doom. Mulder can't succeed in uncovering the truth of government conspiracy and experimentation without Scully by his side.

And of course, it can bleed into the internal plotline. Once Winston betrays Julia, it means that the Party has successfully brainwashed him--he is no longer a free-thinker but part of mass psychosis. 

Not only will the relationship likely affect the consequences of other plotlines, but the other plotlines will likely bring consequences into the relationship.

Just make sure the consequences are there, and that they are significant. They need to be important enough to shift the direction of the story. This will help the audience know why this relationship matters. And as a reminder . . .

Stakes = potential consequences (projecting cause and effect into the future)

Ramifications = actual consequences

Conflict in relationships without any outcomes isn't really a story.

A relationship plotline is meant to be a Story. 

We'll delve more into relationship plots next time.

Related Articles

The 4 Basic Types of Relationship Arcs

The Primary Principles of Plot: Goal, Antagonist, Conflict, Consequences

Writing the Influence Character

What is a B Story? 6 Key Qualities of B Stories

Writing Relationships Readers can't Resist

How Plotlines Add Dimension

[vibrantbirdy]

Hiii. Firstly, I just want to say how much I LOVE your work. I think you’re fantastic!

I was hoping to request an Obi-Wan Kenobi x Senator or Princess female reader (always a sucker for this). Maybe Clone wars or pre- ending of Revenge of the Sith. Peppered with Obi-Wan denying his feelings for the sake of the Jedi code, and then confessing true emotions in the Kenobi series era. (gotta love angst with some feels after a whole lot of yearning).

Thank you so much 💙

Thank you so much for your kind words and this wonderful request. I was so excited to write for Obi-Wan as it's been years since I have, and it's really cool to write for him in the wake of the Kenobi series. So thank you for this lovely prompt and I hope this is the sort of thing you were looking for.

(Requests for Character x Reader fics are currently open in my Asks. Please read the guidelines first.)

(Masterlist of my fics can be found here.)

Title: Relics Fandom: Star Wars: The Skywalker Saga Setting: Pre the Phantom Menace to post the Kenobi Series. Genres: Sci-fi; Romance; Minor Angst Warnings: mild/moderate sexuality; mild references to Reader family losses due to old age; mild references to the Empire being baddies and doing baddie things Pairing: Obi-Wan Kenobi x Princess Female Reader Chapters: 1/1 (Complete) Word Count: c.5k Author's Note: It's late and I need to proofread this properly, sorry for any mistakes in the mean time!

Summary: You and Obi-Wan Kenobi have a connection that spans decades as your lives intersect throughout the years. Will you find each other again in the most unlikely of places?

Now

Inevitably, the Empire discovered that you have been siphoning off funds to various Rebel factions across the Galaxy for years. As Queen of Vitis, you planned to stay on your home world and face the consequences of defying the Imperial tyrants with your people.

But your Bodyguard, loyal to a fault, had other ideas. The night before an Imperial delegation was set to arrive, your Captain of the Guard, Old Paltrum, hired a bounty hunter to abduct you from your chambers in the middle of the night and drop you off somewhere "safe." This apparently meant any random, obscure world in the Outer Rim of the mercenary's choosing.

Seemingly, the desert planet of Tatooine was the farthest flung rock in the Galaxy that the brute could think of.

At night, you dream of home. Of Vitis. A beautiful planet, full of lush forests and green meadows where wildflowers gleam through the grass like little jewels.

Too often, these dreams turn to nightmares and you watch, helpless, as the rivers run red with the blood of your people and the Imperial flag flies like Death's victory banner above the royal citadel.

You fear you'll forever be known as the Vitisian Queen who abandoned her subjects in their most desperate hour of need.

Tatooine is not like home. The heat during the day is a constant, inescapable blanket of oppression. No matter what you do, the sand works its way into your eyes, between your teeth, into your clothes and tracks its way all the way through the small one room home you managed to purchase with the few credits Paltrum obviously appropriated for you from the palace treasury. And you are always so thirsty, no matter how much water you consume.

Still, you have been on the desert planet for almost three months now, and despite your belligerent determination not to, you are beginning to settle and acclimatise. Slowly.

You like Tatooine best in the evening, just as dusk falls. It's cooler and there is a rare, strange beauty to be found as the twin suns set in the sky which turns from blood red to pink to purple and finally to a deep, midnight blue.

You make your living selling the clothing you make at the stall you have acquired in the market in Mos Eisley. It is mid-afternoon when you catch sight of a man you know walking across the far side of the square. You jump up from your stool, knocking it over in your haste and sending your weaving unravelling to the floor.

Ducking and weaving and apologising to the people you bump into, you track the man making his way across the market through the obstructions of clothing and clutter and trinkets hanging from the stalls of your neighbours' and your own.

Your heart leaps. It is him. Obi-Wan Kenobi.

What is he doing here? Of all places.

You want to run to him, to call out his name but something stops you.

He looks older. Of course he does, it's been over a decade since you last saw him. But that's not it.

The Obi-Wan you remember carried himself with a charismatic air of confidence which, on other men, could easily have been perceived as arrogance. But Kenobi was always able to temper this with his good humour and dignified manner.

Now, he looks downtrodden, smaller, as if he's been on Tatooine so long that the years have started to grind him into the sand. His once well kempt hair and beard are scruffy and his dirty, torn clothes are little more than rags.

You are suddenly struck by the idea that he might not want you to see him like this. Then, you think about what happened to the Jedi Order and the rumoured purge said to have been commanded by the Emperor himself.

Obi-Wan must be in exile or in hiding. Just like you.

With this revelation, you are paralysed by indecision. By the time you come to the realisation that you can't let this chance to reunite with him slip away, he is already gone.

***************************************************

30 years ago

The Republic have sent a diplomatic envoy to Vitis to discuss with leading politicians from the surrounding worlds the increasing Separatist pressure on the system's trade routes. The delegation of two Jedi, Master Qui-Gon Jinn and his young apprentice, Obi-Wan Kenobi, arrive at the Vitisian royal citadel early in the morning.

Although you really think you should be sitting at the table with the other delegates, you've reluctantly agreed with the wishes of your parents, the King and Queen, to show Obi-Wan the palace grounds and some of the countryside beyond.

He's a young man about your age, probably eighteen or nineteen. Upon first introduction, you get the distinct impression that he feels like he should be present at the discussions too. But, following a brief period of stilted conversation as you lead him through the palace and out into the lush gardens, it quickly becomes apparent that you and Obi-Wan just click. Any interest in trade or commerce is soon forgotten by both of you.

When he speaks, his pronunciation is clipped and proper, but his voice is full of a charming vitality. He has a graceful, purposeful physicality and moves his body with a self-assuredness many young men his age don't seem to possess quite yet. And he's handsome. He has an open, honest face with well-proportioned features, adored with two impossibly bright blue eyes. He has sandy coloured hair which, apart from a small pony tail at the back of his head and a long, thin braid that runs down behind his ear and to his chest, is cropped short.

As you walk through Vitis's lush, green surroundings together, the conversations flows easily. You notice that he has a perpetual, good-natured smirk on his face, as if he constantly has an amusing quip on the tip of his tongue. Sometimes he speaks these out loud and his blue eyes twinkle with mischief.

His little barbs are never unkind. In fact, you find it refreshing, the way he makes you think on your feet in an effort to fire out your own witty retorts.

One time, you're too slow to think of anything clever to say, so all you can think to do is to pull, gently, at the strange braid affixed to the side of his head.

"What's this?"

What's what?" He asks with mock ignorance, and you shove him playfully.

"It's my Padawan braid," he explains, "It signifies that I'm not yet a Jedi. Once I've completed the trials, I'll cut it off as part of the ceremony when I become a Knight."

"Oh," you say, faltering.

It all sounds rather meaningful and symbolic.

"I'm sorry, maybe I shouldn't have..."

He smiles reassuringly.

"It's ok, I have a bad habit of tugging at it myself when I'm nervous."

Hours have passed and you've wandered all the way through the grounds as far as the great lake before either of you notice the time. You take the short cut back through the woods and past the gargantuan Whispering Tree, which stands sentinel like a great, leafy guardian on the border of the royal forest.

Obi-Wan stops to admire the tree, his eyes following its massive trunk and he cranes his neck in a futile attempt to try and get a glimpse of the top as it disappears into the canopy. The tree is putting on a magnificent show today. Its peculiar white leaves are dazzling in the sunlight and the pale silver bark shines like precious metal.

"What is it?" he asks, his voice filled with awe, "I've never seen a tree like it."

"It's called the Whispering Tree because of the noise it makes in the wind. It sounds like someone speaking. It's the only one left of its kind - a white Vitisian Birch. Traditionally, first born royal daughters are charged with its care," you run a hand against the smooth bark fondly," and that happens to be me."

Obi-Wan smiles almost absent-mindedly as he presses his palm against the tree and closes his eyes.

"Are you talking to it? Using the Force?" You ask, excitedly, "What's it saying?"

"That's not how it works," he chuckles, but he stops immediately as he sees your cheeks redden and realises that you're embarrassed.

"Uh, but if it could talk," he continues, earnestly, "It would say that it feels very lucky to have someone like you to care for it."

You beam widely at him and, unable to stop yourself, you lean in and plant an impulsive kiss on his lips. At first, he stiffens, his eyes wide in surprise, but then he seems to melt into you and you feel a thrill of excitement course through you as his lips start to move against yours.

"Obi-Wan!" A stern voice makes you both jump and you leap away from each other as if you've been electrocuted.

The tall figure of Obi-Wan's mentor is striding towards where you are standing at the tree line, his Jedi robes and long silver hair billowing in the breeze together making him seem even bigger and more imposing.

"Master Qui-Gon..."

"You were supposed to escort the Princess to dinner an hour ago!"

"I know, Master, I'm sorry..."

Obi-Wan starts to explain, but Qui-Gon Jinn cuts him off abruptly.

"I don't want to hear it."

Side by side, you and Obi-Wan traipse silently back to the palace behind Master Jinn. You find yourself having to scurry to keep up with his long strides, but Obi-Wan appears to be used to it.

He looks rather crestfallen following Qui-Gon's admonishment, and you reach out to touch the back of his hand lightly with your own. At first, he doesn't look at you, instead just allowing the corners of his mouth to lift slightly as he runs his knuckles back and forth against your own.

Then, you exchange a sheepish, secret smile, behind Master Jinn's back, before breaking the touch and you both return your gaze to the ground with suitably chastised expressions.

--------------------------------------------------------

It becomes apparent over dinner that Master Jinn, mercifully, has not informed your parents of your little indiscretion with Obi-Wan. You don't know what story he has concocted to explain your tardiness, but you are grateful for it.

Over the course of the evening, as you observe him, you realise that Qui-Gon Jinn is a kind man. Although he appears slightly terse with Obi-Wan to begin with, his manner softens as time goes on and to you, the relationship between the two Jedi seems almost akin to that of father and son.

Although you still feel a guilty, watching the two Jedi helps soothe your worries that Obi-Wan might face some severe reprimand on account of your actions.

Soon, it is time to see the guests off and the Jedi delegation is last to leave. You take advantage of the long conversation Master Jinn and your father apparently couldn't possibly have finished over dinner to say goodbye to Obi-Wan.

"I'm sorry, did you get in trouble?" You say quickly and quietly into his ear as you give him a formal, chaste kiss farewell on the cheek. "Yes, but it was worth it," he whispers back and a wide, boyish grin spreads across his face as he pulls away.

You can't do anything other than return it, and you look at each other for just a moment longer before he gives you a courteous nod of his head.

"Goodbye, Princess."

"Goodbye, Obi-Wan."

********************************************************

Now

You next see Obi-Wan a few weeks after your first glimpse of him at the market.

You almost approach him this time, but again, something holds you back.

He is heading towards Mos Eisley's space port and he has a more purposeful stride to his walk than when you last saw him.

Yet it's still not the walk of the composed, dignified man you once knew. In fact, his sense of urgency seems alarmingly close to panic.

Presumably, he is going off-world for some reason. He's not carrying much with him.

You hope he'll be back.

******************************************************** 12 years ago You are arriving on Coruscant, the sprawling city covered planet at the heart of the Galaxy, the seat of the Republic's power. Your father has sent you to make a representation to the Senate to officially declare an end to Vitis's neutrality.

It's not what you or your people want. But the Separatists have been pushing in on Vitisian interests on all sides in the past several months, disrupting trade routes, placing droid garrisons on nearby worlds, even muscling in on mineral mining operations on several moons within the Vitisian system. There is now really is very little choice. Vitis needs the protection of the Republic.

As you step off your ship, Obi-Wan Kenobi, now a Jedi Master, strides across the landing platform to greet you. You are so high up it gives the impression that the Coruscant sun which hangs large and low and golden in the sky behind you is about to swallow you whole. There is a strong breeze, which catches your hair and sends the flowing train of your green travelling dress snaking into the air like an emerald river.

Obi-Wan has grown into a fine looking man, tall and broad shouldered. He is clothed in traditional Jedi attire, a long brown robe draped elegantly over a cream tunic, fawn pants, and knee length, brown leather boots. His sandy hair is neatly cropped at the back and sides, with more length on the top and he had grown a distinguished golden beard since you last saw him.

"Princess," he says with a warm smile, those piercing blue eyes of his just as full of life as you remember.

"Master Kenobi," you respond, beaming, as he stoops to kiss you on both cheeks.

You'd been concerned that, in the almost two decades since you last saw him, his long years at war in service to the Jedi might have dulled that bright spark you so admired in the young man you once knew.

But you needn't have worried. As he escorts you to your chambers within the accommodation wing of the grand Senate building, you find yourself falling back into easy, cheerful conversation with him, as if no time has passed at all.

Obi-Wan's youthful spirit is still present but it has evolved into a sort of refined, contained exuberance that sits elegantly on him. He is as quick to laughter as ever and the eloquent wit he possessed even as a boy is just as sharp.

----------------------------------------------------------

You are sitting in the lavish parlour of the rooms you've been assigned. It is a fine suite, decorated in bright colours with a beautiful view out across Coruscant's endless cityscape. The arching floor to ceiling windows let in as much natural light at the metropolis' towering spires will allow.

Suddenly, you wonder what it would feel like to kiss Obi-Wan again, now that he has that dashing beard.

"Princess?"

Obi-Wan is standing at the sideboard, holding a steaming teapot and a glass mug out towards you. From the amused, questioning look on his face, you get the distinct impression that he has proffered the beverage more than once.

"I apologise, Master Jedi, I was parsecs away, yes please."

"Oh really?" he asks, conversationally as he drops into the lounge chair opposite you, and hands you the glass vessel across the low, marble table, "Where were you?"

"Well, I was actually thinking about when we first met, do you remember?"

It's not quite a lie.

"How could I forget?" He laughs, "Master Qui-Gon was furious with me."

A shadow of uncharacteristic sadness suddenly passes over his face.

Remembering the rumours you have heard of the violence of Qui-Gon Jinn's death at the hands of a mysterious, fearsome warrior, you put down your tea and reach across the table to take Obi-Wan's hands in yours.

"I was so very sorry to hear about Master Jinn, Obi-Wan," you say kindly.

"Thank you, it was a long time ago now."

He smiles, but it doesn't quite reach his eyes. He squeezes your hands gently before he stands up.

"I'll let you get settled."

Obi-Wan makes for the door and as he reaches for the handle, he turns and grins at you disarmingly.

"It really is very good to see you again, Princess."

----------------------------------------------------

You had only planned to stay on Coruscant for a week. However, politics being as they are, you have ended up staying for much longer.

One day, during a gap in the Senate proceedings, Obi-Wan takes you to visit the magnificent Jedi Temple. He wants to show you the terraced garden, knowing that you are missing the greenery of Vitis.

It is a paradise. You can't believe that at the centre of this endless cityscape is this bubble of serenity. The variety of plants that are grown here, the vibrancy of the colours, the wonderful aroma of a hundred different blossoms all intermingled - it makes you giddy.

You and Obi-Wan stay in the gardens for hours strolling and conversing and sitting together, then strolling some more.

"Strange how so many years have gone by yet I feel as if no time at all has passed between us," you say plainly as soon as the thought pops into your head.

You don't mean it to sound quite so romantic, but then you realise you really don't mind if that's how Obi-Wan choses to interpret it.

"I feel the same," he agrees and you are surprised to see a hint of bashfulness in the smile he offers.

You allow the back of your hand to graze against his. He turns his head and raises his eyebrows at you, an amused smirk of recognition on his face. He runs his knuckles along yours as he once did so many years ago.

Unlike then, Obi-Wan allows his hand to stay resting against yours this time and you walk like that, not quite hand in hand, through the vast gardens of the Temple long after the sun starts to set and the descent of the cool, evening air releases the sweet, heady scent of Coruscanti night blossoms all around you.

-----------------------------------------------------

The month you have spent on Coruscant has been stressful, busy, and filled with difficult negotiations and decisions which weigh heavily upon on you. Your father is in ailing health, ever since the death of your mother, and you know that soon you will be Queen. It is not a thought you relish, but now, at least, you know that when you take the oath to serve your people for the rest of your life as sovereign, you will be able to do so knowing you can hold your own on their behalf in the Rancor's den of the Republic Senate.

Yet, aside from all the worry, this has also been one of the happiest times of your life. When you are not working, and when he is not galivanting off-world on some Jedi business or another, you have spent every moment you can spare with Obi-Wan.

When the time finally comes to leave Coruscant, Obi-Wan volunteers to escort you back to Vitis. You'd sent Paltrum home weeks ago, poor old sod. City air has never agreed with him and you just knew his wife, Ina, would be worried sick about him.

As you finally land back on your home world, it is amid thunder and lightning. It is perhaps the most violent storm you've seen on Vitis in a decade.

You almost can't believe it when you and Obi-Wan step off the ship and see Old Paltrum soaked through, standing sentry at the palace doors.

"Paltrum, get inside, for the love of the Maker!" You scold the ancient Captain as you approach.

Obi-Wan is holding his cloak over your head in a valiant effort to keep you dry, but it is making not one bit of difference and you can feel the water seeping through your travelling clothes and into your bones.

"It's always been my job to watch for you, your Highness, I'm not about to stop now," Paltrum responds indignantly and you feel a pang of guilt for your rather patronising tone.

"I know, thank you, Captain," and you have to shout over the roar of the wind and the lashing rain, "It's late. I'll see my father in the morning, don't disturb him."

"As you wish, my lady," Paltrum says with a gracious nod, and you stifle a laugh as a deluge of water floods off the peak of his cap with the motion.

The Captain turns to Obi-Wan as he opens the huge, ornate doors to let you through.

"Master Kenobi, there are guest quarters ready for you in the east wing."

------------------------------------------------------------

Obi-Wan does not go to the east wing. Instead, you lead him towards your own chambers. Someone, thankfully, has lit a fire in your sitting room and you both sit cross-legged on the rug on the floor as close as is possible next to the roaring flames.

You've each taken off your sodden outerwear. If possible, Obi-Wan looks even more dashing wet through, his light undershirt clinging to his muscled torso underneath.

Neither of you have spoken since you sat down and as you both watch the flames from the fire reflect in the other's eyes, a tension-filled silence fills the room and sets your heart racing until you think it might burst.

When you can bear it no longer and you see no point in prolonging further pretence, you grab Obi-Wan by the front of his shirt and pull him into a kiss. It is not like your first, so many years ago. This is a deep and passionate embrace, full of desire. He responds immediately to your touch this time, his lips crashing almost roughly against yours.

The Jedi's hands are round your waist, at the nape of your neck, the small of your back, tangled up in your hair, seemingly all at once. You start to unbutton the fastenings on his shirt, tearing at them with one hand, while the other travels urgently down his chest towards his abdomen.

Suddenly, Obi-Wan leaps to his feet and turns his back to you, his broad shoulders rising and falling rapidly. As you've seen him do so often in recent weeks, he brings a hand to his face and rubs his beard. You think this new habit has probably replaced the old one of tugging on his Padawan braid.

"Have I upset you?" you ask quietly, the sting of confusion and rejection, worrying its way under your skin.

"No, Princess," his voice is an earnest whisper as he sits back down in front of you, grasping your hands in his, "Never."

"I still dream of that kiss we shared all those years ago," he admits suddenly, his voice low and full of longing.

Obi-Wan cups your face gently in his hands and looks at you, brows furrowed with emotion, his gaze penetrating right through your soul and setting it aflame.

"Now, seeing you again after all these years, I dream of what it would be like to hold you, to share your life, to....share your bed. These past weeks, I have yearned for you, you must know that."

Your foreheads are touching now, your nose presses into his face, and your fingers are suddenly entwined in his wet, golden hair. You can feel his heart raging against his chest as if it is fighting to escape, just as your own is.

"Obi-Wan..." you say, open-mouthed against his cheek, breathless with need for him.

He closes his eyes and brushes his lips against yours, but he doesn't quite allow himself to kiss you. Instead, after a moment of breathing each other in and out, he pulls away gently.

"But that's all they are," his voice has returned to it's usual refined timbre, "I'm sorry, but they are just dreams. It's all I can allow them to be."

His words are like a thousand tiny knives to your heart and you can't help feeling how cruel it was of him to give you hope and then tear it away like that. You stand up sharply and walk to the window, gazing out onto the storm raging across Vitis, a mere spring shower compared to the tumult now roiling within you.

"You must understand, I have pledged my life to the Jedi Order..."

"You were a child when you made that pledge..." you scoff and you despise the bitterness in your own voice.

He walks across the room to join you and puts his hand on your shoulder.

"All the same. It is made. And now we are at war. I have obligations, I have responsibilities to the Order and to the Republic"

You turn to him and place your hands on his broad chest. His heartbeat has slowed and you know you are losing him. It's like he's flicked some internal switch and raised a barrier between you.

"Then let us have each other, just this once," you whisper urgently, emboldened by desire and the fear that this chance to love him as you've always wanted is slipping away forever.

Obi-Wan touches your face and smiles sadly.

"If we did, I would never be able to leave you again, not for a single moment. I would be your prisoner forever."

"Then stay," you plead through tears, even though you already know his answer, "Stay with me."

"I can't."

***********************************************

Now

Obi-Wan Kenobi is sitting on a wall in Mos Eisley's market place. You are pleased to see that he looks much more like his old self. His head is held high and there is a look of calm on his handsome face. The clothes he is wearing are much neater than before, almost reminiscent of his old Jedi robes, and he has tidied up his hair and beard.

You walk towards him, but he doesn't notice you. You don't say his name. Instead, you quietly sit down next to him and let the back of your hand rest against his. You feel the strong tendons there tense.

He doesn't look at you. His head drops, and his eyes close as if he couldn't stand for it not to be you. Lightly, he moves his hand so that his knuckles rub gently against yours.

"Hello old friend," you say.

"Princess."

The use of your old title sounds natural and right on his tongue and you hope he never stops using it.

Obi-Wan finally looks up at you and his eyes, still dazzling shards of icy blue, gleam with tears. You reach out and touch his face, his stubble pleasantly rough under your hand. You take in the lines around his eyes, deeper now, and the distinguished flecks of silver in his beard and hair. The sight of him is more beautiful, more familiar to you than you can bear.

"You still look the same," you say, your voice shaking slightly.

He smiles and turns his face to gently kiss the heel of your palm that is resting against his cheek.

"And you are more radiant than ever."

He helps you take down your market stall early for the day and you take him into your home where you speak for hours in hushed tones and tell each other everything of your lives in the years since you were last together.

Then, as the twin suns of Tatooine set behind your little domed house in the sand, you lead him to your bed.

----------------------------------------------------

You are curled up on your side against Obi-Wan's solid, warm chest. For the first time in years you feel safe, entwined in his strong arms, listening to the steady, sonorous rhythm of his heartbeat.

"I have always loved you," he whispers tenderly in your ear, tucking away a stray lock of hair back from your cheek.

"And I you," you say and you mean it.

Still, you can't help but smile sadly as you think of the last time you saw him that fateful night of the storm of Vitis before everything fell apart.

"But of course, you already knew that," you add.

"I am sorry, truly."

"Obi-Wan..." you start to interrupt, worried that your words sounded resentful.

"For all the wasted years," he continues.

He needs to say this, you realise. So you let him.

"If I'd known how the Republic would fall, how the Jedi Order would fail, how the Empire... Well, I never would have denied us this."

He brings his lips to your shoulder and traces a trail of kisses down your arm. His beard tickles.

"No one could have known, Obi-Wan. You did what you thought was right at the time. We all did. And now here we are together again. We made it back to each other. Two old relics of a past age."

"Oh come now, we're not that old," he quips, and you are happy to hear that his tone has lightened again.

You grin mischievously and wriggle out of his arms to push him down onto his back and roll on top of him.

"Prove it," you whisper, as you come to rest on his abdomen and lean down to kiss him on the nose.

His eyes widen in surprise and then in boyish delight as he grasps you firmly by your hips. "Again?!" he laughs and he throws his head back in mirth at his own joke, his eyes squeezing shut so that they crinkle beautifully at the corners.

It is a joyful, youthful, transcendental sound and suddenly, you are back under the Whispering Tree in the green meadows of Vitis with a young Jedi, an unwritten future together stretching out endlessly in front of you.

[lanabenikosdoormat]

JED MASTERPOST

Fast on his feet with an even sharper mind, Jed worked as a cipher agent for the Galactic Empire. Under the alias Cipher Nine - he was a prodigal secret weapon for the Empire's goals. As time passed, so did the stakes. When Imperial Intelligence disbanded, Jed found himself pursuing more independent ventures, outsourcing his work to broader horizons. He garnered quite a lofty reputation.

Through his extraordinary acts, Jed rose through the ranks, becoming a leading figure in the war that later broke out between the two superpowers. He would eventually become known as the Outlander and later, The Alliance Commander and serves as my main OC, not just for SWTOR - but my artist career as a whole.

MOST OF THIS IS PULLED DIRECTLY FROM HIS TOYHOUSE, WHICH CAN BE FOUND BELOW AND IS MORE COMPREHESIVE

BIO BELOW THE CUT!

Overview:

Full Name: Jedidiah Solaris

Alias: Cipher Nine, Commander Solaris, The Outlander, "The Ginger" (belovingly by friends)

Age: 35 around Onslaught

Gender: Male

Sexuality: Gay, Biromantic

Mental Conditions: OCD, PTSD

Birthday: March 20th, 11 BTC

Birthplace: Sacorria,  Corellian Sector

Species/Race: Human - Augmented with cybernetics

Occupation: Alliance Commander

Status: Engaged (Theron Shan)

-

Design:

Height: 6'0

Weight: 168 lbs

Body Type: Athletic, inverted triangle

Eye Color: Medium Brown (right eye is a prosthetic and is red)

Cybernetics: Mostly internal but there are two peaking out from the side of his head, just above the top of his ears.

Features: High cheekbones, scar through right eyebrow, clean shaven, well groomed, handsome. Personal hygiene is a high priority.

Markings: Various scars, faint freckles in summer seasons, bruised knuckles

-

Relationships:

Family: Deceased. KIA on Sacorria during the skirmish.

Love Interests: Hunter ✞ (Enemies to lovers, enemies with benefits type situationship), Theron Shan (Fiancé)

Friends/Allies: Closest friend is Lana Beniko. Additionally close with various others including Vector Hyllus, Koth Vortena, Arcann Tiral and the Them Group (OC group consisting of four of my irl friends ocs and my own sith warrior as follows: Verity Dante, Exxus Gun, LIX, and Obi-Two)

-

Personality:

He is both practical and visionary as well as a staunch realist. He is imaginative and eloquent, able to problem solve and get himself and his team out of tight situations.

As a leader, he is disciplined and thorough, leaving no stone unturned. Jed is strongly independent and is opposed to authority that he doesn't respect.

-

Background (pre-imp agent campaign and expacs):

As a young child, Jedidiah came from a tiny community of modest agriculturalists. For the first seven years of his life, he lived fair off. However, war struck and their little slice of the galaxy was caught in the crossfire. Jed was struck by blaster fire, directly in his right side of his skull. The wound was lethal and desperately his mother took a final stand to carry him to the Imperial outpost stationed on the planet. Because of his late uncle's contributions to the Empire, Jed was able to be taken into Imperial custody on one condition: he was never to return home again.

For the next 12 or so years, Jed was stationed on Ziost and Dromound Kaas interchangeably as he completed his initiation and mandatory military training. His superiors noticed he had a natural affinity for sneaking around in the shadows, as well as persuasion and ruthlessness. As such, at the age of just 14, he was transferred to the Imperial Intelligence division where he would begin training as an agent of the Empire.

-

Other Information:

Likes:

Killing Time

Sharpshooting

Revenge

Physical Touch

Dislikes:

Sucking Up

Unwarranted violence

The Sith

Helplessness

Hobbies:

Dejarik

Target Practice

Reading

Binge watching holo-dramas

Gambling

Social Drinking

Habits: Finger flexing, Pacing

Trivia:

He is ambidextrous, and uses a variety of different weapons depending on the given scenario.

Jed is excellent with kids and animals, he gets very soft and sweet and knows just what to say to them, especially in times of distress.

His favorite color used to be navy, and he'd wear it a lot in his downtime. However, these days its the red color of Theron's jacket as seeing it always reminds Jed of him.

[maxverstappensflatbrim]

Show Me Yours | Matty Healy [36]

chapter thirty-six, act five: the ballad of me and my brain

masterlist

little Author's note /TW before this act begins. There's going to be alot of talk of drug use and addiction within the chapters coming, if you're not comfortable with these kinds of things please don't read.

January 14th 2017

Tommie yawns, one big loud yawn as she shuffles through her house to the front door.

Gabby grins when it’s opened and tugs her little suitcase in behind her. “Hey, babes.”

“Gabs? What are you doing here?”

Gabby sighs, “I miss my best mate, is that a crime?” She asks kicking her shoes off and lining them up neatly besides Tommie who quickly shakes her head and opens her arms for a hug, “Haven’t seen you since Christmas, I missed you.”

Tommie smiles, breathing in slowly as she accepts the hug from her friend. “Okay, I have so much planned for us, tonight is movie night, tomorrow I’m driving us to Cardiff and we’re having a shopping day, monday we’re going to go to the cinema, I haven’t decided on tuesday yet, struggling between a pamper day and a trip to a beach, but that might be too cold now I’m thinking about it.”

“Okay, let’s start with movie day-”

“Okay, but I’m picking. I cannot watch Fantastic Mr Fox again.”

“But it’s my favourite.”

“It’s the only film you watch besides Revenge of the Sith.”

“They’re good films.”

⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☾ 

The flashes are bright, too bright and she’d forgotten her sunglasses to protect herself from them.

The bag on her shoulder weighs her down more than everyone else, her laptop, books, writing books, hoodie and a pair of shoes she couldn’t fit into her suitcase make their weight known against her muscles.

Ross’ body blocks some of the light, but when he’s moved over by Jamie and towards the side her shield is gone.

The screams of teenage girls are too loud as they push against the old creaking barrier to try and get closer to Matty, he’s upfront, sunglasses and leather jacket on looking like a guy out of a Corey Hart song.

He revels in the attention whereas Tommie hates it, shying away as much as she can, hiding into the darkness of her hoodie as her hands fumble with the strap of her bag.

Then someone is breaking over the barrier, she can’t tell who gets over first, the fan or the rogue photographer.

They both shove each other, the poor teenage girl is on the floor, Tommie’s standing there above her, photographer’s camera in her face.

Without thinking she’s shoving the camera away, it clatters and smashes on the floor, hitting the girl who’s being helped up by other fans.

“Tommie! Tommie!”

Hands are gripping her from both sides of the barriers, the walkway hasn't been made big enough. Strangers are touching her and she holds her breath not to be sick right there.

“Tommie! Matty!”

Someone gripped her and pulled her into them, arms wrapped around and guiding her into the van, straight into the back.

George sits beside her, holding her hand in his lap as the rest pile in, Matty coming in last after signing a few screaming fans shirts.

Matty raises his brows as he peers over the drummer, but George shakes his head, wraps one arm around her, tugs her into his side and blocks her from the singer’s view.

“Tom.”

“Leave her be, Matty.”

“You alright?”

He ignores George and moves his arm to brush his knuckles across the top of her head, reaching around the back of George awkwardly to do it.

“Matty-”

“I’m fine.”

“You sure?”

George elbows him, giving him a look that he once again ignores. 

“I’m fine, Matt.”

Her tone is sharp, and he leans back, taking his arm away and resting his hands in his lap. “Okay, I was just asking.”

“You’re always just asking.”

“What’s that supposed to mean?”

Ross looks between them slowly, the tension has been building between them for weeks and no one knows why.

Adam gives one harsh look to Matty and he’s pausing, shrinking back in his seat and mumbles an apology. “I jus-” He cuts himself off before he can finish the word, “I wanted to make sure you were okay.”

⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☾ 

February 21st 2017

“Just be honest with me, Jamie. Be brutal. It’s bad.”

Jamie sighs, “It can easily be fixed.” He assures, “I’m sure Matty will do something bad next week.”

She sighs and leans forward, head in her hands, Adam moving to rub up and down her back, “God, this is bad.”

“It’s fine, it’ll blow over.”

“Yeah, but I-”

“So what? Have you seen the way the Gallaghers act? Or any other mildly popular artists? People have done worse.”

She looks at the newspaper on the table. An article about her blowing off the fans at the airport, talks of assault as she’d accidentally shoved someone in a hurry to the awaiting car.

The truth was the flight had been bad, she’d been seated beside Matty, the pair still haven’t talked since he showed up at her house, and with the show after show after show routine she’d already been on edge.

It’s all falling apart. Something she used to be so good at, touring endlessly with no rest, is no longer her strong suit.

And to top it off, she hasn’t seen Button in two months, the dog has been staying with her grandparents back in South Wales to give her a break from moving around.

Usually articles like these would mean nothing to Tommie, she’d brush it aside with a half-arsed shrug.

But it's the fact they’re dragging Caleb and his band down with her, knowing the 1975 are far too popular around the world to be touched by a little article they’ve targeted Dirty Delights.

She knows they probably won’t see this. It’s a European news outlet, there’s no chance, right?

Nope.

Caleb had called her the moment it came out.

That’s why she’s panicking.

She doesn’t want to ruin Caleb’s career before it’s even begun.

George sighs, finally sitting down, “It’ll be forgotten next week. They’ll start talking about Taylor Swift again or a shitty Kardashian boob job or something, don’t worry.”

She sighs, “What if this ruins Caleb’s career?”

“What career?” Comes a snort from across the room.

Ross smiles, but it's quickly dropped when he sees the glare that Tommie is sending to Matty across the room.

“I can’t be the reason his band fails before they’ve even had the chance to start.”

“They’ve had plenty of chances, they’re the ones who's fucking up. I wouldn’t lose sleep over it.”

“Matty-” Adam tries but Tommie’s standing now.

“You’re forgetting you guys were in a band for ten years before you got the chance.”

“Yeah, but we had fans. People who’d turn up to our gigs-”

“Oh, you mean your groupies who’d give you money to suck you di-”

“Alright.” It’s Gabby who’s breaking them up, brows raised as she looks between them weirdly, she sighs as she moves to Matty pushing him back down, “Shut up.” She tells him as she moves to sit on the other side of Tommie, bringing her back down to rub her arms.

“Give it a few days, ignore it, don’t comment on it. You get things like this all the time.” 

She shrugs, picking at her jeans as she nods, “I know.”

“Never usually bothers you like this.”

“I know.”

Matty’s jaw wiggles as he watches his girlfriend comfort Tommie quietly, arms around her with Tommie resting her head on her shoulder.

The door opens then, Caleb steps in, eyes falling to his girlfriend who sits up quickly. He smiles walking over to greet her and she stands as he hugs her.

He mutters a ‘don't worry about it all, we’ll talk later’ and she nods quickly.

Then Jamie's standing too, “Come on, five minutes and you’re all on.”

On her way out he grabs her hand, “I’ll sort it.”

“Thank you.”

⋆｡ ﾟ☁︎｡ ⋆｡ ﾟ☾ ﾟ

“I’m sorry.”

Caleb shrugs as they enter their hotel room in London, he sheds his jacket hanging it on the chair and starts unlacing his shoes.

“It was all too much, everything, I-”

“Babe.”

He turns, holding his hands out for her and she slowly accepts it, “It’s okay. It’s not your fault, I know how you get.”

“How I get?”

He nods, wincing at his words of choice, “You know what I mean.”

“No, no, I don’t.”

“Well, you’re… different, Tommie.”

“Different?”

He sighs, bowing his head, “I’m not winning this no matter what I say so whatever it is you’re building up to just get it out with.”

“I just want to know what you mean.” She says, knowing full well she does in fact know what he means, and she also is in fact building up to say something. 

She sighs looking down, “I’ve always been called different, Caleb, but what does that mean?”

He sighs slowly, “You’re just… not like everyone else.” She raises a brow and he sighs, “It’s not a bad thing.”

She nods, then steps back shedding her blouse and jeans to put on her pyjamas.

“Tommie.” He says, watching her carefully, “You’re just a little more… I don’t know, sensitive I guess.”

“Sensitive?”

“Yeah. But also weirdly emotionless at the same time.” He says looking up at thought.

“I’m not different.” She says, as she glances up over his head at the mirror hanging on the wall to stare at herself. Picking apart everything, her straightened hair, the makeup still on her face, the gold necklace he got her for her birthday, the bags under her eyes, the little scar on her eyebrow from when she hit her head as a kid. It’s not her. It’s Caleb.

Straightened hair because he likes it like that, makeup left over despite how hard she’s scrubbed her face because she put so much on to hide the bags given to her by sleepless nights made no better by his comforting hands, a golden necklace replacing her favourite silver one because he caused an argument when she didn't wear it. The scar on her eyebrow he points out way too much, that he avoids touching when his fingers trace her features. 

“I’m just me.”

Caleb watches her as she climbs into bed and hangs his head, “Tommie…”

“Goodnight, Caleb. Big day tomorrow.”

taglist

@thereisaplaceintheheart, @indierockgirrl, @sofaritsalrightt, @julezs-bl0g, @eaglestar31, @sophinthealpss, @noacfemcel, @if-my-heart-bleeds, @befrwime, @fallingforel, @sexorchocolateorpillowsorclouds, @3terna15unshin3, @1975sophie1975, @thesocraticjunkiewannabe, @littlesoldierelleora, @procrastinatinglikeapro

-let me know if you want to be added :)

[intermundia]

aside from rots, what others books do you recommend for some obikin content?

There's a lot of fandom famous obikin content in the works of Karen Miller, like Wild Space in particular, but also in the Clone Wars Gambit duology, so her work is what I would probably recommend next after Revenge of the Sith. I think there’s some great moments in Labyrinth of Evil by James Luceno too. After that, there’s a few good obikin interactions in The Approaching Storm by Alan Dean Foster and Dark Disciple by Christie Golden. Jude Watson’s short story “The Last One Standing” will give you psychic damage from depressed post-Mustafar Obi-Wan and his thoughts about Anakin, so be prepared for that, but it is absolutely worth a read.

I will add that Greg Bear’s Rogue Planet is a book that shouldn't be read through a ship lens as Anakin is in his early teens, but rather for the sake of understanding who Anakin and Obi-Wan are as individuals at their core, so that you see the cracks in the foundation of their relationship that are exacerbated by the Clone Wars and Anakin’s transition to adulthood. Similarly, the comic Star Wars: Obi-Wan and Anakin is about Anakin's Padawan years but also sets up this foundation. Obi-Wan and Anakin's relationship goes through many phases, and it's interesting to see the early ones to understand what happens later.

If you are willing to look into Legends comics, there is a 5 issue arc called “Obsession” collected in Clone Wars Volume 7: When They Were Brothers, which contains homoerotic sparring, jealousy between the two of them, Obi-Wan over Anakin’s attention to Padmé and Anakin over Obi-Wan’s attention to Ventress, and other fun things. It is in continuity with Republic comics #55-58, where Ventress takes Obi-Wan captive during the Battle of Jabiim, and Anakin believes that he is dead, which believe it or not, he doesn’t handle very well lmao. Both of these I recommend very highly.