#same as time and mask they have plot reasons tm for both being here

[hyliagirl42-art]

I am taking way too long making official redesigns of my dreamverse links to show off so have some random doodles. Part one because tumblr doesnt wanna let me do all of them at once

[beardedhandstoadshark]

*turns into pile of dust because of black magic*

Btw your oc looks cool!! what’s their name and backstory? got a reference sheet we could learn more about?

Thank you! But about that…yeaaa the drawing probably made him look a lot cooler than they usually look like, I‘m afraid- sorry about that ^^;

Anyways, I‘ve actually talked a bit about my current oc‘s on here (affectionately and uncreatively called main gang due to them being my current main gang of oc’s) and he‘s the purple one in those posts; you can find a few under the „original character do not steal [tm]“ tag on both blogs. He‘s the first one I made and was originally just one of a few fun (vaguely fantasy) chibi drawing ideas I had…which might also be the reason he‘s the most frequently depicted one (and totally not my fave to draw nope)

And I do have a reference sheet! (though not everything‘s on there and details tend to change a lot over time, even if his design is the only one of the 5 that’s stayed the same so far-)

(This post accidentally got a bit long, the rest the rest under this cut is mostly just lots of side-info)

The main inspo: The weird amount of merchant characters who‘re very knowledgeable about magic stuff and maybe slightly (read: very) sus (Happy Mask Salesman, Magolor, the shop guy from Link‘s Awakening who obliterates you with a laser if you steal, Volo I guess?) But unlike Mags and Volo, Mage isn’t gonna betray the party and turn into the endboss of course. Probably. …nah. (<- a lie? who knows =) )

in a lot of videogames, no matter where they are or what‘s currently happening in the plot, if the game‘s got merchants to buy from, they will be available- even in the deepest dungeons or during the apocalypse. So I thought- wait a minute, if they’re here in the dungeon, and they’re here before the mc‘s who‘re supposedly the chosen ones and the first to set foot here in 500 years- then they must secretly be super strong actually and are just hiding it in plain sight!

A „what if“ thought- what if you had a cliche rpg party but their respective cliche classes are actually the secondary classes. And the primary ones are jobs, or just being an NPC? (That’s where the other four come in)

—————

This also influenced his personality a bit, but not completely: cunning, a bit laid back, cares a lot about making some bank, needs to know things, practiced smile but only when it’s needed, otherwise it’s side smirks- lots of too much smiling in any case. Usually on the friendly side- (also, but not always in that cliche „oh HELLO dear customer! :D“ voice you’d usually get. Again, he’s a bit more laid back and [whatever the vibe fitting a side smirk is called] than that )- unless you wrong him, that is- or he thinks bickering with you is fun. Usually puts his own safety over that of others, the first one to result to backstabbing in order to get what he wants- but both the people he betrayed in that moment and whoever he betrayed them for. (And even if the second option is less profitable; if it grants even the tiniest chance of getting him welcomed by rest of the gang again, well then they couldn’t possibly not pick that, right?). In any case, Mage has clear morals- he’s just very good at setting them aside for the sake of efficiency.

Regarding his backstory, here’s not much too it, really- he‘s just a merchant selling their wares (or info) to adventurers on the road or in his shop when he isn’t traveling; you might find a curious item or two if you go pay them a visit! But whatever you do- do not try to steal anything. You will regret it. He’s lost someonething once, he will not let it happen again. Do you understand? Yes? Good. :) So, do you need anything else, dear customer? What’s this about dark magic? Yes, that’s what he just used, but that doesn’t make him a mage yet-this is just for protecting their wares from thieves. Mages are rarely traveling, he last saw one years ago- and by now, if some thieves, nature or the Roots didn’t get him, the monsters sure did.

Besides, the missing dark mage had a different eye color than him, didn’t they?

———————————

(if this reads weirdly it’s because I’m trying to hide all the parts that are only half-thought out and prone to change a lot. Might add a second version that’s exclusively character information, especially since it’s in the context of a setting that hasn’t been built yet. I kinda just hijacked this ask to finally put all my ideas for this pal into one place lol)

[crimeronan]

Can you explain the appeal of Julian Blackthorn? This is a genuine question because I read the books and came away utterly bored by him and unconvinced of his moral greyness as opposed to like, Adam Parrish’s. He seemed so one dimensional to me but I want to know if I’m Wrong TM considering I tend to be very very biased toward my favourite characters and bored by the rest, and my favourites were Mark and Kieran. So maybe I just didn’t pay him enough attention??

it’s been a while since i wrote any earnest tsc meta but cringe culture is dead and the chance to infodump about my julian thoughts has me vibrating where i’m sitting so.  yes okay.

technical stuff

(aka: things pertaining to How The Story Is Constructed)

cassandra clare’s characterization has become much stronger just in general since she first began writing the series like twenty years ago

perhaps most importantly: the more recent stuff i’ve read from her has involved characters who actually grow, change, and learn from their past mistakes 

rather than repeating the same stupid decisions over and over again

and over and over and over some more

seriously take a shot every time someone in tmi miscommunicates or self-destructs in ways They Have Learned Not To Do for no real reason. u will die of alcohol poisoning

in tda this shines ESPECIALLY with the evolution of mark, kieran, and cristina’s relationship, but that’s a separate post

clare’s trademark is also the angsty traumatized jerkass love interest with a secret heart of gold

the woman is almost singlehandedly responsible for draco in leather pants and the proliferation of this kind of character type in fandom and teen lit. this isn’t a criticism it’s me marveling at how if you commit hard enough to a single trope you truly can change the world.  follow your dreams

sad jackass with a heart of gold isn’t an Inherently Problematic Character Type

but poorly done it can lead to relationship dynamics in which one partner is constantly being hurt by and then forgiving the other despite them making no real effort to change, because they are narratively absolved due to being sad

(there’s a lot of this with earlier jace content.  in some ways i think will was later created specifically to be a same-archetype protagonist who actually does get called on his shit and grow. that’s also another post)

also if all of your sexy male love interests are tortured jackasses with a heart of gold then people start calling you a one-trick pony

enter julian blackthorn!

from the very start everything about him is designed to be the INVERSE of the heart of gold jackass.  which immediately makes him interesting just from a meta perspective

(mark and kieran are also both alternate angles on this time-honored archetype.  mark gets the heart of gold and kieran gets the jackass and then they’re both much more deeply messy than that.  yet another post)

julian is kind, self-sacrificing, empathetic, artistic, emotionally supportive, responsible, and favored by old grannies everywhere

so a completely nonthreatening milquetoast guy, right

immediately forgettable if you’re only here for the dramatic conflicts and shithead antics of clare’s other protags

except that he is A Mess

and that he has structured his priorities very carefully, and they are as selfless as you expect from The Hero (TM) but they are also Not Heroic (TM) and they do not align with the moral framework The Hero (TM) is supposed to use

moral ambiguity in characters always exists in relation to their narratives imo. you mention adam parrish - trc’s narrative already mucks around in different ethical shades of gray, and adam falls on the canon scale about where julian does on his canon scale.  both more willing than the average pov character to do the ruthless thing or make the fucked-up choice if the ends justify the means; both with an intensely strong sense of internal priorities that they adhere to at all costs, both so unbelievably fucking down for murder; etc

i do think there are ways julian’s choices could have been pushed even further, but considering the number of readers who hate his guts already, i can see why clare opted not to go for the most controversial possible conflicts

so we’re flipping the narrative

instead of seeing this angsty bad boy and peeling back the layers of his trauma to find his heart of gold, we’re seeing the put-together selfless family man and peeling back the layers of his Responsibility Mask to expose the rotting husk underneath

MMMMMMMMMMMMMMM

THAT IS FUN AS FUCK

then when julian DOES lash out in hurtful, uncontrolled ways, he has significantly more narrative justification for it than most of clare’s protagonists (will elaborate in characterization thoughts)

julian is also interesting as fuck because of how his struggles allow for a more in-depth look at the failings of shadowhunter society, something that’s also sorely lacking in clare’s earlier work

his apparent amorality is simply the result of him making pragmatic and impossible choices because he has been faced with fucked-up ethical dilemmas since age 12 Because Society Has Failed Him

which opens the door for narrative exploration of how and why he’s been failed so badly & what needs to change

i also love that he has such a coldly calculated way of analyzing situations and allowing harm to occur when need be, bc a lot of clare’s early protagonists have such a bad case of Rush In And Get Myself Killed Because I’ve Got Feelings About Impulsive Heroism syndrome that i wanna push them in front of a truck

probably there’s other meta narrative stuff i could say but i’m stopping myself and moving on to character analysis

characterization stuff

(aka: reasons why i’m also attached to him in a vacuum)

i don’t read him as one-dimensional at all tbh

u may feel the narrative pushes “ruthless julian blackthorn” too much without delivering enough actual ruthless julian But i don’t think that’s the same as having only one dimension

from the get-go, the big question centered on julian is always “how far are you willing to go?” and the narrative pushes the stakes slowly higher and higher to continuously test julian’s “the price is always justified” mindset

he has a far more layered and realistic response to trauma than clare’s early protagonists - trauma affects every single aspect of his personality and how he conducts himself, and the effects vary depending on the circumstances

his conviction that he has to be the perfect parent to his siblings because they will fall apart if they see him show weakness??  rooted in how he feels like he’s fallen apart since losing the stable adult support he once relied upon

his willingness to hurt semi-innocent people, commit coldblooded murder, manipulate people using political leverage, allow harm to befall any stranger if it protects his family??  rooted in how he has already had to ask himself how much he’s willing to sacrifice, and how his family is his only source of stability when the world has never done Shit for him

his conviction that he has a darker heart than anyone else because he killed his possessed father, even though intellectually he knows he was saving his brother’s life??  rooted in having no means of processing this trauma and being unable to voice his feelings for fear of backlash from a deeply non-understanding society

the way he represses every single negative emotion he ever has, to the point where emma - his actual literal magic soulmate who can feel his emotions - is startled to find him hurting or angry??  once again all about how he has to be the perfect father or he’s failed completely

the way his anger is so totally disproportionate to different situations and the way his negative emotions can only come out in completely uncontrolled breaks??  all that repression baybey.  this kid has not processed a single bad feeling in five years.  every single real grievance and petty annoyance has been festering indefinitely inside him like a slowly spreading infection

julian’s arc involves him needing to get thru being his worst self to actually start to heal

as in, he has to actually learn to acknowledge his feelings, take care of himself, lean on his family, and let other people take some responsibility

he also has to learn that in his quest to be the perfect emotionally controlled authority figure, he has not actually learned how to control or deal with his emotions. like. At Fucking All. good god

the narrative setup is also about asking “how far are you willing to go?” until the answer is finally “not this far.  not this far”

and once he reaches that point, he has to reevaluate everything about how he weighs his priorities and morals and plans, etc

(i also like that emma has a perpendicular arc in which she’s always the one tempering julian and telling him “no we can’t go that far” until she’s willing to do something horrific that he absolutely won’t and HE has to stop HER. very sexy)

it’s also just really nice to have a character who’s learned to relate so well to literally every single member of his family while still having a very detached ruthless interior consciousness. i have similar feelings about how adam teaches himself to love people, but with julian it’s spelled out more explicitly in canon & it’s a more central character theme

i’m sure i’m also forgetting stuff here but this post is long enough so i’m gonna say good enough

and like i said in the tags on my other post, there are things i’d personally write differently if it were my story - plot points i’d shift, character contrasts i’d up, themes i’d explore differently, pacing i’d adjust, etc.  i have plenty of ways i could be nitpicky and editorial about the effectiveness of julian’s arc.  but i also don’t feel like writing them out at the moment & none of my critiques on effectiveness have an impact on the core appeal of his character 2 me.  he’s so fucking good

[vicsep7250]

@ren-amamiyaa and their (he/she?) Golden Heist, Thief Nanako and Cryptid Chaser aus flooded my brain and now Im making this post bc I cant fit all of this in asks!!!

All right, so, idea. Cryptid Chasers, Thief Nanako and Golden Heist are all connected righr???

CC acts as a prequel, TN becomes the inbetween starring Nanako and Akechi, and GH stars a broken and older IT and slightly jaded PT.

So far CC has Yosuke and Naoto forming the brotp that fanon wanted through silly Saturday Night Ghost Chasers Shenanigans, Akiren is bein' a lil shit at midnight bc he needs an outlet and exercise to Phantom Thief. While this goes on, Akechi's ghost/spirit/rement/heart/whatever pulls pranks and shenans along with Joker (hiwever that happens).

As the Cryptid Chasers keep going out of their way to confront Joker about Arsene (bc even he likes to mess around) the other IT in Inaba start to try and stop them from disrupting the peace (read : harassing a known criminal) and this somehow leads to a falling out. Mayhaps Naoto and Yosuke break a few laws and Chie busts them, Kanji wants to know why theyre stalking his student/protege, and Yukiko just wants to keep the rumors about the inn in check bc jfc Yosuke STOP SCREECHING IN THE MIDDLE OF THE NIGHT IN THE LOBBY THERE IS NO GHOST ON THE TV!

Maybe eventually they call it quits or dont bc Naoto dug this hole too deep to climb out themself and Yosuke is having the time of his life since Partner isnt around and hasn't come back to visit yet (Not sayin' souyo is canon and there but-). And the Cryptid Chasers arc probably ends here with there being some animosity towards their shenanigans , but the IT are all still friends.

Now fast forward to like, uhhh (*flings dart at wall of calendars*) 2014 during winter and Akiren's cryptid acts are now fully accepted and maybe exposed, who knows. Nanako is like 10 ~ 12 (P5 is maybe three/five years post P4 I believe) and is just going through the motions of public education. I.E. go to class, do work, get good grades. Dojima is still the same as he was before Yu came but is at least doing better at being a dad, not much but better. Yosuke and Ted aren't around as much bc Junes, Chie is transferred to Tokyo, Yukiko is busy managing the Inn, and Kanji is busy with work (as a teacher and crafts business owner). Rise unfortunately cant come visit and Big Bro now visits every other year.

Nanako starts to look back and wonder how things started to fall apart amongst the group and recalls that "delinquent" who came back at the same time the Cryptid^tm showed up and ruined the group. So now she starts to remember the good times when Big Bro came by and starts to notice some blanks around winter... Why was she in the hospital when she got kidnapled? Why does she remember these weird flashes of Big Bro and his friends and some monster?? And how come she tried to ask them anything about it they brushed her off each time???

The TV in her room flashes and soon she starts hearing things. She starts to move closer to the tv, as if she was in some sort of trance, as the sounds start to become voices to her. When she's directly infront of the screen she sees something... someone on it...

Nanako doesnt show up for breakast, or to school, and nobody seems to have seen her.

A full year passes on after that day. It starts off with a big search party of the IT and Social Links for the first two months, then after ankther three something stange happens... are people forgetting that Nanako existed or something? Everybody's starting to act like completely different peoplw than who they are too, some even end up hospitalozed due to severe headaches and such, and start claiming that Nanako was never around when she vanished or that she left Inaba or was already deamed dead or missing. This rings alarms in the IT's mimds as they search for answers, eventually all fully reuniting for the first time in years/months.

Naoto and Yosuke blame themselves bc they piece together her disappearance with the Cryptid + Ghost case and immediately get scolded for trying to pin their stupid kids game on a missing person's case - especially now with Nanako missing and possibly in danger again! Afterwards the IT are a bit on edge and a bit broken with the whole thing. Meanwhile Akechi can hear the tale ends of "missing person" and "literal disappearnace" and starts looking into this weird limbo metaverse he's in bc some shit is kinda fucked in here now for some reason. They're pretty much only together as a team to rescue Nanako.

GH in the PTs POV starts when Akiren invites the group to the Amagi Inn thanks to licrative money grin- I mean training. He comes clean into having seen something weird on the tv one late night and wants to let the gang know.

Midnight rolls around and Akechi shows up on the screen and the Thieves losing their shit is an understatement - numerous noise complaints were filed that night. Anyways Akechi decides to just play the role of "hey moron, some shits fucked come help fix it" and ends up informing them of a missing girl and this weird TV Mementos world he is in.

I would like to note that Akechi is not at all bitter or confused at everyone's circumstances in life, no of course not Joker stop crying I know its been a while but shutup theres a kid in trouble rn and youre the only ones who can possibly help her.

When the PT figure out a plan to reach this other world Goro is in (Arsene : THOUARTTHEESTICKYOURHANDINTHETVDOITDOITDOITDOIT) the IT eventually come to the very sad conclusion that Nanako moght be in the TV world and that opens a whole can of worms and burnable bridges to cross.

While in the TV world, I'd like to imagine that due to Akechi having been there for a good while it has been shaped to reflect his heart and be the new overall theme of that world. It all still looks like Inaba, but it all holds themes to Akechi and his no good terrible life. However due to Nanako having been in that world as a kid, and now for an uncertain amount of time, the world now holds motifs to the Heaven area from P4, but it's all sorta ruined and kinda darker.

When both teams get together and enter the weird Tele-Mentos world (IT in a Junes storage and PT at either Ren's pad [bc he moved out obvi] (OR bith teams enter from seperate TVs at the Inn so SHENANS!)) Yu and the IT go through Akechi's influenced world/TV Palace, finding out about his tragic backstory and involvement with the PT, but anything that can and could reveal their true identities is blurred and staticy or missing bc Akechi aint gonna snitch out who ruined his sperm donors life (also I guess saved the world too yeah). While going through the Palace the Team starts to think that finding Goro will just be an "if it happens" sort of deal bc he's been missing for years already, what if we just leave him here bc M U R D E R E R.

Cue a sudden appearance by someone in some sort of fallen angel garb who starts whipping out a full on Metal Gear Villain monologue about how hypocritical the IT are when they find the truth about Akechi's life and disappearance - they claimed to want to live in a world where no one hides in the fig, was that all a lie? Are they going back on their word, and hiding behind a shriud of lies and falsehoods once more? "You've gone and lied and hidden the truth already, what's to say you won't continue?"

Meanwhile Akiren and the Thieves enter at the very top of the Heaven TV Set and have to climb all the way down. As they do so they start seeing little murals or epitaphs about memories and people in this girls life. They see all of these memories of a happy girl who had such a loving family - both found and by blood. As they go further and further down the ruins start to look like an actual Heaven, and the scenary becomes more bright and colorful. Eventually they might run into Crow in his Black Mask clothes and give the bastard a slug on the arm and a group hug or two, bc man he doesn't deserve to suffer anymore like this.

Now that the Phantom Thieves have been reunited (Akechi : I can't leave this world The PT : FUCK, MORE PLOT) they end up thinking up ways to get Akechi out until this weird angel priest looking dude shows up and starts babling about how they are criminals and how they've done more bad than good and blah blah blah. Everyone is just all "We're the good guys, we do the right thing even if its morally grey/ambiguous!" and oh look! Another crazed maniac wants to kill us for our "injustice" *Crow has the decency to look away and not say anything* annnnnnd Heaven is locked off. Perfect.

Now maybe the Phantom Thieves and Investigation Team run into each other somewhere in Akechi's Palace and "You have Personas?!?!" "The hell is a Palace?" "YOU'RE THE CRYPTID OF INABA!!?!?" "And Im the 'Ghost' that follows him." "Wait you followed me as a ghost?" "WAIT WHY ARE THERE TWO AKECHIS??!??!!"

Oh yeah, Shadows... Akechi is still kinda in denial about the whole friends and justice thing...

And now the Dark Priest is back great ("Good name Skull" "Well I've got my moments right?").

Annnnnnnd now I have no idea what happens next and Im all burned out but AAAAAAAAA this entire AU crossover thing is so GOOOOOOOOOOD!!!!!

[zerochanges]

Valentine’s Chocolates and Glass Masks

The romance genre in anime is a little weird, and honestly on the whole the majority of the genre in anime is probably a bit too slow for its own good. “Will they or won’t they” is something most romantic fiction is guilty of, but I think you’d be hard press to come across 150 episode TV series dedicated solely to that premise anywhere else. And this has nothing on the pure silliness that can come with the genre; hand holding, indirect kisses, masked secret admirers, all that good stuff. Really, I’m not here to trash talk romantic anime though, but as I sat down and tried to think about writing a Valentine's Day blog post I just couldn't help but think to myself how romance anime might be the hardest to explain to anyone not in the fandom. I mean, I think I’d have an easier time explaining the plot of any given saga in DBZ than I would explaining “Notice me, senpai” to somebody.

You know what though, I kind of ironically enjoy all of this. Yeah, pure romance anime can be cheesy, but it’s just the right amount cheese that it’s like, c’mon, how can you not enjoy this? Perhaps the worst (or best!) offender of this are older shoujo titles where they can seem almost downright like a soap opera at times. Shows like these are just so full of bizarre, off-the-walls, and over-the-top melodrama that they manage to suck me completely in. They’re heartbreaking, they’re engaging, and the times when they fail at being those things they are hilarious. 

My most recent experience with an older shoujo title like this would have to be studio Eiken’s 1984 adaptation of Glass Mask. Now Glass Mask (or Glass no Kamen as it is known by some) is a manga that started life in 1976 and to this day has yet to be finished, with the manga creator Suzue Miuchi stating she would like to finish it soon, but hasn't quite figured out when that will be (move over Hunter x Hunter fans). Having been one of the earlier shoujo titles starting back in the mid-70’s the series is full to the brim with pretty much every cliche and trope you can think of for shoujo anime, and to a modern audience it can often be almost hilarious at times to sit through. It is important to remember that for its time Glass Mask was a trend-setter and arguably if not the creator than certainly the reason why a lot of these cliches became cliches in the first place. Over the years Glass Mask has received its fair share of adaptations and even parodies, and currently has 3 different animes as well as a live action drama series and real life stage plays based on it. I heard the most recent anime, the 2005 TMS adaptation of Glass Mask, does a pretty great job at modernizing several aspects of the series, but unfortunately I have yet to watch that to weigh in so all I can say is that I was inundated with more cliches than I could count and laughed a ton while watching the 1984 series and I loved every minute of it. 

Glass Mask is the story of a young 13 year old girl Maya Kitajima, who has a dream to be a great theatre actress. Unfortunately for Maya she’s from a very poor family, and even more unfortunately for her, she is incredibly average looking with no flair--and don’t worry, the anime will remind you of that fact countless times every episode. Despite her damnable curse of “just looking kind of average” Maya will stop at nothing to pursue her dream and eventually runs away from home after getting a scholarship for an acting school. There, the enigmatic Chigusa Tsukikage notices Maya’s talents and takes her on as her protege. Soon, Maya learns that her mentor Tsukikage was once a legendary actress thought to be truly one of the all time greats who due to a tragic Phantom of the Opera style accident had her face hideously scarred and retreated out of the spotlight. 

Tsukikage is looking to pass on her talents to the future generation and eventually pass on her greatest possession, the rights to the elusive Crimson Goddess play--a supposed legendary masterpiece that has not been seen by anyone in decades; not since Tsukikage’s career ruining accident. For some reason the director and creator of the the Crimson Goddess play saw it fit to beseech all the rights to his masterpiece to Tsukikage and thus nobody else has been able to produce this elusive phantom play since. It won’t be easy for Maya and the Tsukikage acting school, as media conglomerate and mega corporation Daito Entertainment will stop at nothing to get the rights to the Crimson Goddess, and isn't afraid to sabotage them at every step of the way. Perhaps Maya’s greatest rival however is the young Ayumi Himekawa, the daughter of an already famous actress who is said to be the favorite to inherit the Crimson Goddess role, and is everything Maya isn't; beautiful, rich, famous and well loved by all, and while not a student of Tsukikage she is more than willing to pass on the rights to Himekawa if Maya fails to prove herself.

It’s easy to already see the cheesiness just from me trying my best to summarize the basic plot, and we haven’t even gotten into the romances yet. Maya’s relationship with the young Yu Sakurakoji is fairly simple at first, as he helped rescue her from a feral dog and despite being in rival acting schools--one affiliated under Daito no less, he’s a pretty chill guy that enjoys spending time with her and doesn't care about all that stuff. It’s only after Maya starts to take off in her career that Sakurakoji starts to spiral into this insane inferiority complex centered around her, where he thinks she has become too good an actress for him to be around anymore and starts to give her the cold shoulder all because of his own make-believe shortcomings. It’s very odd and sudden, and the entire thing is blown out of proportions as Maya clearly does not think that and Sakurakoji eventually has to be lectured by bad boy Masumi of all people to come around and start spending time with Maya again. Even after this however it isn't like the old days anymore and the gap that was created from his own complex still lingers.

And oh boy, don’t get me started on Masumi, he’s quite the character. Masumi Hayami is the 24 year old son of the president of Daito Entertainment and is currently running the corporation in his father’s stead. Masumi serves as both an antagonist and love interest (because of course he can be both) in the early parts of the story and is often behind some (but not all) the sabotage done to Tsukikage’s acting school. Masumi will eventually take a more reasonable approach when it comes to trying to yank the rights of the Crimson Goddess away from Tsukikage’s hands as the anime progresses, often just by having his acting school beating Tsukikage’s students in contest and the like, and it’s here where we usually see Masumi’s employees that work under him being the more underhanded characters instead of Masumi directly engaging in the conflict.

Despite being on different sides, so to speak, Masumi catches one of Maya’s earliest performances, her role as Beth in Little Women, and falls in love with the young girl, impressed by both her potential as an actress and her fortitude for going on with the show despite suffering from a dangerously high fever and immediately being rushed to the doctors after the curtains fall. From this point on her takes the role of “Mr Purple Rose” named for the bouquet of purple roses he sends to her at every show. As her secret admirer and the first fan Maya has ever had he means a lot to her yet as his true identity of Masumi he’s an enemy that Maya cannot stand to breathe the same air as. So in short, Masumi is just your average 24 year old CEO of a mega corporation crushing on a 13 year old girl from a small acting school he is trying to ruin and also her secret admirer. Somehow Masumi is one of the best characters in the series, and is my best boy. Only in shoujo!

So far I've been having some cheap laughs at the expense of the 1984 Glass Mask anime but it’s not all like this. The over-the-top bombardment of old school shoujo cliches and the laughs I got from them may be one of the most memorable component of my viewing but there’s actually a lot more to this anime than that. When you get beyond the silly age gap romances and the flowery melodrama of young teenage love, Glass Mask is a story of artists trying to pursue their passions and dedicating their everything to them. Maya may be cursed to forever be “only average looking” but I really respect her drive to dedicate her entire life to theatre. 

Well, that is to say, the times when she isn't acting like punching bag to the rest of the cast (Glass Mask has a tendency to make Maya into a Cinderella surrounded by tons of wicked stepsisters). When Maya is written not as a Cinderella she’s fiercely determined, and never backs down despite some straight-up abusive behavior she is put through. At times her mentor Tsukikage is absolutely savage, regularly beating Maya and putting her through some training that is definitely highly illegal, at least for today’s standards. For instance she once threw Maya in a shed and locked the door refusing to let her out until she finally understood her character she was assigned. Did I mention it was in the middle of the freezing cold winter and snowing out and Maya only had the clothes on her back for warmth? She was out there for days with no food, water, or even warmth. But don’t worry, she had her script to read and that made it all okay. Like goddamn, somebody call child protective services on this lady.

Speaking about “the art” and everyone’s passions, the more you watch the series the more it becomes obvious that the creator, Suzue Miuchi, really cares for theatre and isn't just using it as a vehicle to propel her own story. There are countless renditions of classic plays shown in Glass Mask, such as the mentioned already Little Women, The Miracle Worker, and Wuthering Heights, just to name a few. Some of these plays are presented without any changes while others may have reinterpretations made to them by the characters who are trying to give their roles a life of their own away from the original source material. Miuchi very much understands theatre and does a great job converting many famous plays into a more compressed and easily digestible form of entertainment that can be viewed on a week by week bases. The analysis characters give about the plays and other characters’ performances, the ways characters interpret their parts, and how the plays that we are privy to see in the series end up all show a deeper understanding of the medium. Watching Glass Mask is almost like taking a beginning course in theatre that covers all the classics, only with way more melodrama and over-the-top romance than you will find in your local theatre group. I hope.

What’s the most impressive however goes beyond just Miuchi’s renditions of other classic works and instead are her own plays that she creates herself. As not only does Glass Mask use pre-existing plays it also has its own original productions that will spring up in-between the real world plays. A lot of these self created plays are very enjoyable too, and some feel way more fleshed out than they have any right to be and you often find yourself regretting that you are only privy to a small part of the performance and not able to just sit there and watch the entire play like the characters in the anime do. Maybe that’s why it shouldn't be too much of a surprise that some of the plays Miuchi has created for her manga have later been adapted into real life plays in Japanese theatres. This is probably the greatest testament to the series’ popularity right there, where its own fictional works are turned real. I can’t think of many examples of something like that happening before.

I’d be remiss not to mention the visual aspect of this series before wrapping up my thoughts on it too. While certainly no powerhouse in animation, Glass Mask 1984 goes for a more picturesque route, and does a great job with tons of beautiful still shots and intricately detailed background images. It’s a humble production but with the right use of lighting a lot of scenes can really shine (pardon the terrible pun it was an accident), especially the night shots which can be pure art. Hang it in a museum, I say. I’m almost surprised we don’t see more “aesthetic” anime blogs mining images from this series. Veteran director Gisaburo Sugii (Dororo, Touch, Osamu Tezuka’s Phoenix) leads the production with skilled marksmanship you would expect from his previous (and future) pedigree, and along with legendary animator the late Shingo Araki (Ashita no Joe, Galaxy Express 999, Saint Seiya) the series has a wonderful 80’s flair to it that just fills any retro anime fan full of nostalgia whether or not they have seen the show before.

Studio Eiken’s 1984 Glass Mask adaptation is a short, briskly paced 22 episode series that is easy on the eyes and not hard at all to still sit through for modern audiences. It’s full of tons of laughs (both ironic and sincere) as well as tons of melodrama and over-the-top romance. Most importantly though, it’s a full of passion; lots and lots of passion. During its short episode count the series watches Maya progress as an actress and grow older, with her finishing middle school and beginning high school while also balancing full time acting jobs on the side. The ending is left open--and let’s face it the manga hasn't even ended some 35 years later still--but there’s enough forward momentum in the series to really feel like your time with the characters wasn't wasted and that they were able to accomplish something--not to mention the ending spot is a pretty decent one leaving the viewer wanting more but enjoying a satisfying conclusion to one of the more interesting story arcs adapted. Overall I think anyone who enjoys cheesy anime romance can sit down with this series and have a fun Valentine’s.

[magical-gull]

Okay so shitty day aside I’ve been suddenly inspired by @presidentnerd 's idea of ‘what if tuxedo mask actually was some kinda phantom’ to wax about and explain away some things about the Dark Kingdom and the Deadmoon Circus, which may or may not be added to the pile of unnecessarily complex headcanon tpically-created-in-ten-minutes-on-the-fly I already got. If you give no shits about the nature of monsters or Queens and just are wondering what the above means skip to the bottom. Everyone waxes poetic about senshi and their alternate selves, and while this doesn't contradict any of that, it'll be simpler and separate from that because it's gonna specifically apply to the folks... I guess we'll call em 'Earthlings' or whatever. The ones associated with the Golden Kingdom, so that includes Endymion, Beryl, the Foursome, and Nehelenia (who I retooled as a hybrid), and some other goons I probably forgot. So let's invoke Tolkein-style a bit and say plot relevant, magic-inclined GK/Elysium/Atlantis/etc folk operate on a kind of elf-style dual existence. You exist in the normal Physical realm and another Spiritual one at the same time, which confers certain abilities like being sensitive to the supernatural, things that ONLY exist on the other side, 'psychic' phenomena, etc. versus regular folks. Particularly in the manga, youma and humans are compared heavily, so let's say a youma is what you get when a creature with a Spirit but without a proper Body starts kicking around by whatever means (insert Kingdom Hearts joke here). So Hot-Springs-Ghost-In-That-Anime-Filler-Episode (really any ghost or vampire in general) is a "naturally" occurring youma. The ones made by infecting a physical thing are 'artificial' ones. This also explains why it takes senshi to fight them. They can destroy them on 'both' sides, or conversely, heal the 'corrupted' side and leave the other side in tact. For my own headcanon, this is how people who don't know what Sailor Senshi are, but have heard of Guardians, think Guardians are: powerful people who can tap into the Spiritual side without unbalancing their Bodies and turning into monsters... which opens the possibility that someone COULD turn into one with enough time or lack of discipline, hence yet another reason the GK folk might be nervous about Sailor Senshi. It also explains one of my favorite subtypes, the Rainbow Crystal style youma, monster sides of suddenly Unbalanced people who are... unpredictable but perhaps not necessarily evil if they weren't being cajoled by villains. But still wild and uncontrolled; think your Epic ‘’heroes’’ who get drunk and punch bears and feats of strength. While I like this for my unnamed long-dead ancient Eath Guardian type, not the kinda thing you want in a civilized society. Speaking of ghosts, while it's a gruesome thought let's assume Nehelenia and Beryl's supply of monsters are in fact the particularly vengeful ghosts of their *own courts* given some physical shape by whatever ectoplasmic technobabble they got lying around. NT is pretty fond of the homunculus concept of monsters ghosts poured into meat vessels; we actually see Jedite fuck with an altar filled with clay dust in SMC and pull a youma out of it, and Doc Tomoe's entire diamon egg theme, so this may not even be that metaphorical. This also explains why youma are in limited supply; while I see the Shittenou and Beryl having variant skill with making them, individual ghosts with enough malice or hate to want revenge on the Moon Kingdom but are ALSO loyal enough to Beryl to allow themselves to be controlled might be rare. This can even explain some weird variants in other adaptations; PGSM youma summoned without sufficient energy or prep time can be mindless drones barely worth a distraction. Meanwhile the infamous Tethys from Classic seemed to be Beryl's personal servant and a couple youma seem to directly report to Beryl or her Second only (who coincidently tend to be the most human-looking and -acting ones). And yes, I'm implying the Shittenou themselves might have been reanimated in the same way (ie., something between a regular human and a filled-out youma) but perhaps as a bit more solid given their selves seem to be shrinkwrapped in rocks which, as we learn with starseeds later, seems to make souls extra sturdy. *They'd* certainly have contempt for the Moon Kingdom to spare and make the process easy. Nehelenia is a different story, with her ongoing theme of her own minions liking or respecting her even less than most villains. So let's say she knows or learned the process of making monsters from Beryl did, but they don't have the strong negative or positive attachment Classic youma do. My own retool that her grubbing for power accidently leading to her small kingdom's destruction is actually the lesser of evils; in some canons she literally devours their life-force after becoming obsessed with being young.  SO Queen N's monsters come in a different flavor: extreme personalities and obsessions rather than being explicitly hateful, difficult to control or take orders, etc. Unpredictable, althought that can be an asset. In the manga, Nehelenia-Zirconia outright of acknowledges having a shitshow and tells her minion squad the sailor senshi pretty much could wipe the floor with them in a straight fight, so the DMC crew tend to use illusion traps and similar. Nehelenia lacks the apparently physical Metallia-mojo-juice Beryl had, but she has a lot of mirror magic illusion crap. These illusion scenarios the senshi fall into 'feel 'magicky as hell to the viewer, so let's say this is a strong Spiritual side to make up for their kind of weak Body side. This even fits the theme of when the senshi inevitably get the upper hand; the Trio are reduced to animals easily dispatched and the Quartet, away from all their bells and whistle, are tiny people. Skipped ahead? here we are.

Keet the fuck does this have to do with Tuxedo Mask. So I like the theory one of Mamoru's big issues with... lots of senshi-relevant stuff is they've never made peace with Endymion and their exploits in the past. Endmyion is the senshi self, but Tuxedo Mask is a compromise. A way to be helpful or whatever without invoking that guilt. A form that to have weird unsenshi-like powers. Someone who can move or appear like a ghost conveniently. Someone with a weird connection to the supernatural despite being untrained and not even transformed. In short, "Tuxedo Mask" is, in broad terms, a third option, youma-like form Mams and Endmyion temporarily piggyback on. This even explains a few unusal quirks among various (conflicting, admittedly) versions of the character: 1. Classic's first Opening has that infamous mysterious TM-looking phantom that's never explained. I've seen fan theories that it was foreshadowing of Tux being a villain that never panned out (though would ironically mirror Ace in the Sailor V manga). But with this theory, let's say it's what "Tuxedo Mask" might be/become if ENdmyion and/or Mams' lost mutual control and became a 'pure' youma. Floaty and creepy.

2. Mams having blackouts/lost-time running around as TM without knowing? Doesn't happen to any of the "proper" senshi when they awaken. DOES coincidently happen like clockwork to VOTD humans transformed into 'monsters' in the anime.

3. Luna and co's general suspicion of the character might be some instinctual sense of the youma side.

4. The DK's really high interest in them even before learning Mams' origin.

5. Anime!TM's abilities take an inexplicable dive right around the time they've invoking Endymion directly a few times, as if the two powers are incompatable. In PGSM, simply turning evil doesn't negate senshi powers (Ami) but being turned into a youma (Usagi) seems to.

6. Tuxedo Mask gives Mams an especially exposed side to the Spirit side of things, and youma are easily influenced by outside forces. Hence they’re even more sensitive to supernatural stuff that you’d expect.

7. The Moonlight Knight could be explained with this theory, as a version of the same youma. Seperated from Mams they can’t act physically but separated from Endymion they lack the negative feelings and emotions of all that angst that tends to turn a youma ‘evil’. The lack of a evil/DK presence means what it feels most strongly is the sailor senshi, so its a positive being.  Noticeably, Mams never transforms into Tuxedo mask while MK is running around on its own. Because they’re broadly MK and TM the same ‘creature’.In effect, Tuxedo Mask REALLY IS more like a different person than Mams, maybe more than they can adequately explain to the others.