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*turns into pile of dust because of black magic*
Btw your oc looks cool!! what’s their name and backstory? got a reference sheet we could learn more about?
Thank you! But about that…yeaaa the drawing probably made him look a lot cooler than they usually look like, I‘m afraid- sorry about that ^^;
Anyways, I‘ve actually talked a bit about my current oc‘s on here (affectionately and uncreatively called main gang due to them being my current main gang of oc’s) and he‘s the purple one in those posts; you can find a few under the „original character do not steal [tm]“ tag on both blogs. He‘s the first one I made and was originally just one of a few fun (vaguely fantasy) chibi drawing ideas I had…which might also be the reason he‘s the most frequently depicted one (and totally not my fave to draw nope)
And I do have a reference sheet! (though not everything‘s on there and details tend to change a lot over time, even if his design is the only one of the 5 that’s stayed the same so far-)
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(This post accidentally got a bit long, the rest the rest under this cut is mostly just lots of side-info)
The main inspo: The weird amount of merchant characters who‘re very knowledgeable about magic stuff and maybe slightly (read: very) sus (Happy Mask Salesman, Magolor, the shop guy from Link‘s Awakening who obliterates you with a laser if you steal, Volo I guess?) But unlike Mags and Volo, Mage isn’t gonna betray the party and turn into the endboss of course. Probably. …nah. (<- a lie? who knows =) )
in a lot of videogames, no matter where they are or what‘s currently happening in the plot, if the game‘s got merchants to buy from, they will be available- even in the deepest dungeons or during the apocalypse. So I thought- wait a minute, if they’re here in the dungeon, and they’re here before the mc‘s who‘re supposedly the chosen ones and the first to set foot here in 500 years- then they must secretly be super strong actually and are just hiding it in plain sight!
A „what if“ thought- what if you had a cliche rpg party but their respective cliche classes are actually the secondary classes. And the primary ones are jobs, or just being an NPC? (That’s where the other four come in)
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This also influenced his personality a bit, but not completely: cunning, a bit laid back, cares a lot about making some bank, needs to know things, practiced smile but only when it’s needed, otherwise it’s side smirks- lots of too much smiling in any case. Usually on the friendly side- (also, but not always in that cliche „oh HELLO dear customer! :D“ voice you’d usually get. Again, he’s a bit more laid back and [whatever the vibe fitting a side smirk is called] than that )- unless you wrong him, that is- or he thinks bickering with you is fun. Usually puts his own safety over that of others, the first one to result to backstabbing in order to get what he wants- but both the people he betrayed in that moment and whoever he betrayed them for. (And even if the second option is less profitable; if it grants even the tiniest chance of getting him welcomed by rest of the gang again, well then they couldn’t possibly not pick that, right?). In any case, Mage has clear morals- he’s just very good at setting them aside for the sake of efficiency.
Regarding his backstory, here’s not much too it, really- he‘s just a merchant selling their wares (or info) to adventurers on the road or in his shop when he isn’t traveling; you might find a curious item or two if you go pay them a visit! But whatever you do- do not try to steal anything. You will regret it. He’s lost someonething once, he will not let it happen again. Do you understand? Yes? Good. :) So, do you need anything else, dear customer? What’s this about dark magic? Yes, that’s what he just used, but that doesn’t make him a mage yet-this is just for protecting their wares from thieves. Mages are rarely traveling, he last saw one years ago- and by now, if some thieves, nature or the Roots didn’t get him, the monsters sure did.
Besides, the missing dark mage had a different eye color than him, didn’t they?
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(if this reads weirdly it’s because I’m trying to hide all the parts that are only half-thought out and prone to change a lot. Might add a second version that’s exclusively character information, especially since it’s in the context of a setting that hasn’t been built yet. I kinda just hijacked this ask to finally put all my ideas for this pal into one place lol)
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thatrandomblogsays · 5 months
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Annabeth: I, a child, had to earn Thalia’s love, that’s how the world works! I have to earn my moms love. Love is transactional, you gotta be worthy of it first silly :)
Percy, listening to this on the train
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flopicas · 8 months
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I found this picture on Pinterest and I immediately knew I was going to draw it
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redsray · 3 months
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the funniest part of any Robin meeting the JL is that every Robin is so distinctly different from the previous one in terms of personality and vibes that the league literally gets backlash. and like, I don't blame them. not to mention that they are non-meta children that dress as a traffic light and fight crime alongside batman in gotham on a nightly basis. i'd also be a bit concerned. Batman, literally The Night of Gotham personified in the League's eyes, coming into a JL meeting: This is Robin, my crime-fighting partner. 11-year-old Dick Grayson, dressed in the brightest primary colours possible, vaguely hidden murder behind those eyes, never stops moving even for a moment: Hi! Superman: That's a child. That's-- Bats that is a child. You let a child--? Batman, deadpan: You try to stop him. Would you rather he try and murder a grown man with a wire?
Batman: This is Robin. 12-year-old Jason Todd, with the biggest grin on his face, about 3 books in his hand, stars in his eyes and a distinct street-kid drawl: Hey!!! Green Lantern: That's ... that's a different child. What?? Jason: I stole his tires :) Batman: Tried to. Jason, stage whispering to the League: basically did. Green Lantern: that is a different kid, right?? I'm not seeing shit??
Batman: This is Robin. 14-year-old Tim Drake, bo staff clutched in his hand, a wary and tired expression on his face, more on the quiet side, the literal walking definition of don't judge a book by it's cover: hello Flash: Where do you even find these-- Tim: I found myself.
Batman: This is Robin. 17-year-old Stephanie Brown, literally blonde, with a shit-eating grin, eyes full of nothing but mischief and the most explosive personality you've ever seen: hiya!! Superman: I give up. Stephanie: I know, I have that amazing effect on people.
Batman: This is Robin. 13-year-old Damian Wayne, a literal wet cat that will hiss at you, has a sword, the most judgemental stare you'll get from a teenager, ready to jump anyone there: Green Lantern: WHY DOES HE HAVE A SWORD?! Batman: ... he came with the sword.
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daisywords · 7 months
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One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.
Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.
It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?
Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.
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emberglowfox · 11 months
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birds of a feather
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meaganfoster · 1 year
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we should talk more about cities that are vampires. cities that are cold and wet and sink into your bones and stay there. cities that are hungry and want to live. dead cities that dont know they're dead and suck the life force of their people to maintain the delusion. cities with harbors that are actually mouths; one-way entries. cities that are devastatingly lonely and see consumption as love
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dunmeshistash · 1 month
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Dungeon Meshi - Kuro & Mickbell extras
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sodorz · 2 years
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thinking abt how fucked up steam engine boiler explosions can look. theyre just pipes under there
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gives me the idea of a ghost/monster engine that looks normal, albeit a bit battered, only to swing their smokebox door open and a myriad of pipes come bursting out like fucked up tentacles
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kentopedia · 6 months
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.𖥔 ݁ ˖ HOME COOKED MEAL — nanami kento
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you bring itadori home for dinner & he gets to see a different side to kento
contents. aka you dig up some teenage photos of nanami, fem!reader, husband nanami, fluff, yuuji being your adopted son, i haven't watched the new ep (& i won't) but there is enough nanami angst so i am here to fix that — 1.7k
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when you got ready to leave the school, your jacket on and bag tugged over your shoulder, you passed yuuji itadori in the halls, his expression suspiciously similar to a kicked puppy. 
yuuji perked up a bit as you walked by, offering you a small smile and a wave. and though you considered heading on home for the night, eager to see your husband, you slowed, hesitant to leave the poor kid all alone. 
“everything okay, yuuji?” you asked, frowning as he rested his elbows on his knees, studying a stain on the floor of the school. 
“hm?” the teenager glanced up, eyes bright and wide. his sweet smile was back on his face, so innocent and kind. for someone who had been through so much already, he was more caring than many people that you’d met in your life. “oh, everything’s fine. everyone’s just out on missions, so i feel a little…” he pulled up one shoulder in a shrug. “useless.” 
you knew it must have been hard for him, being a student that wasn’t quite like the others, having to train a little differently, adapt differently. but yuuji took it in stride, and he handled it better than any normal person would. 
with a nod, you secured your bag around your other shoulder, shifting your feet. “it’s just going to be you here tonight, then?” 
he hummed, sticking his hands in his pockets as he leaned back against the wall. “i think so. some of the others might be around, but they’re resting up.” 
“oh.” though you were certain yuuji had no qualms about spending an evening on his own, the thought of it made you feel like you were leaving a kitten out in the rain. almost pitiful. 
yuuji waved before you could say another word, smiling, his eyes crinkling at the corners. “have a good night! i’ll see you tomorrow.” 
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the car ride was spent listening to yuuji tell you story after story, the boy opening up to you in a way that he hadn’t quite related to any of the other sorcerers, even gojo.
you smiled to yourself, enjoying his stories as you wondered how to tell kento that you were bringing your student home for dinner. 
there was still a bridge to cross between them, and though you knew they both liked the other more than they let on, kento hadn’t quite connected to the boy like he wanted to.
you hoped that by inviting him over, yuuji would see that kento, truly, wasn’t as intense as he let on. he was sweet, caring, and he did have a sense of humor… even if gojo didn’t really believe that. 
you led yuuji into the house, and stopped him when you heard the sound of kento in the kitchen. his mission had ended earlier than yours, and he’d offered to cook tonight; there would be more than enough food for the three of you. 
“i’ll be right back,” you said, tapping yuuji on the shoulder. “let me go tell kento you’re here.” 
you’d considered letting your husband know before you arrived, but you hadn’t wanted him to protest. kento would try to make a fuss of having a guest over, even if it was only yuuji, and he certainly didn’t care about formalities. 
your heart skipped when you reached kento, his back turned, finishing up the meal that was steaming on the stove. even just standing in the threshold of the kitchen, you were overwhelmed with all of your love for him. 
but it didn’t take much… it never had. you’d always been sickeningly in love with nanami kento. 
your footsteps were soft as you snuck up behind him. “kento,” you said, just above a whisper, snaking your arms around his waist. you kissed the muscles between his shoulder blades, listening to the steady thrum of blood pumping through his body. 
“hi, sweetheart.” he’d heard you approach, and he turned, eyes softening when he glanced at you over his shoulder. “everything okay at the school?”
you nodded, squeezing him tighter. even though you’d seen him just a few hours prior, it felt like a long time—time apart when you were battling curses always dragged as you worried for each other’s safety. “did your mission go okay?” you asked. 
he took your hands from around his waist, bringing them to his lips softly. “everything went fine. dinner’s almost ready so—” then, he noticed your guilty expression, one that you were clearly horrible at hiding. “is something wrong?” 
you smiled innocently. “no! i just… brought a guest.” 
kento’s eyebrows raised, his smiling falling quickly. “well, you could’ve told me before.” he sighed, shaking his head as he turned around to face you. 
“sorry, i thought i’d surprise you.” 
kento’s lips drew into a thinner line. “honey, please tell me gojo satoru is not in my house right now. he’s not welcome here anymore, because the last time he almost destroyed our fucki—” kento glanced up, his words falling away as he glanced over your shoulder. “itadori. hello. i didn’t realize you were there.” 
you turned, releasing kento as yuuji gawked back at you. he’d caught in such a loving embrace with kento. yuuji’s normally stoic teacher was in the middle of swearing, blonde hair tumbling over his forehead. kento had replaced his suit with casual wear, and his contacts had been taken out. in place of them were wire-rimmed glasses. 
“nanamin!” yuuji gasped. “you look so different.” 
“yes, well, i apologize for my apperance.” kento sighed, looking at you from the corner of his eye. “i wasn’t aware we were having guests.” 
“one guest. its just yuuji,” you said, poking him in the middle of the chest as his professional tone returned, so easily taking over. “i don’t think he cares what you’re wearing.” 
“no, i don’t!” yuuji backtracked, eyes wide as he shuffled forward. “no, you look cool, you don’t look so…” 
kento raised his eyebrows, amused, even if yuuji couldn’t detect the humor in his expression. “so what?” 
the boy’s cheeks turned pink, embarrassed as he rubbed the back of his neck. “um—”
“you don’t look like you’ve got a stick up your ass.” you said, voicing yuuji’s obvious thoughts as you kissed kento on the cheek with a short laugh. of course, it was only to embarrass him further in front of his student. 
kento feigned a scowl, but didn’t push you away, his gaze firmly planted on yuuji. “that’s because i try to keep my relationships at work strictly professional.” 
“really?” yuuji grinned, stuffing his hands back in his pockets, his posture relaxing as he grew more comfortable in your home. “not very professional to marry someone you work with, is it?” 
you laughed loudly, already caring so deeply for the boy that you’d known for such a short period of time. 
“that was certainly an accident,” kento muttered, but his fingers lingered on your spine, tracing each of the bones. “i’ll have you know we were not working together when we got together.” 
“really?” yuuji’s curiosity spiked. “how long have you been together, then?” 
you thought back to when you were teenagers, when kento had a haircut that he had since regretted, and smiled mischievously. reaching into your pocket, you pulled out your phone and scrolled through old photos, back from when you were just kids, the images grainy and of much lower quality than the ones from your recent vacation. 
“hey, don’t show him those!” kento protested. he reached for your phone, but you scrambled under his arm, stretching your hand out to give yuuji the device. “itadori, don’t—” kento’s voice held a hint of panic, his cheeks hot with embarrassment as he grabbed you around the waist, trying to stop you from giving yuuji the phone. 
but it was already in yuuji’s hands, and you laughed loudly, knowing that while you looked a little more awkward than you did now, your appearance had changed near as drastically as kento’s. 
yuuji squinted his eyes at a sixteen year old nanami, blond hair long enough to reach his eyes, dressed in an all black ensemble, an earbud in one ear. kento was hardly smiling, but you beamed next to him in the photo, dressed more childishly than you were now, but just as pretty. the image from when you still fumbled around each other, unsure how to admit that you were both in love. 
a roar of laughter left yuuji as kento’s expression fell, and he released you, snapping the phone out of itadori’s palm. “that’s you, nanamin? no way. how did you…” yuuji glanced between you, squinting his eyes. “well, i guess looking at you now it makes sense.” 
“i know,” you agreed, covering your smiles with your palms. “we looked a little silly together back then. i saw the potential in him, but satoru certainly loved to make fun of us, didn’t he, ken?” 
“i have absolutely no desire to relive those days.” 
yuuji laughed. “you were just like fushiguro, i bet!” 
“scarily similar,” you agreed, as kento rolled his eyes beside you, putting your phone in his pocket to keep you from scavenging any older photos to share with the kid. “and he still loves to listen to—”
“don’t finish that sentence or i’ll save this dinner all for myself.” 
yuuji eyes flew up to his hairline, but you just snorted, knowing that kento’s threats were about as scary as a puppy.
“he’s still sensitive about it,” you whispered to yuuji. “gojo and his friends made fun of him all the time.” 
“oh really. just me?” kento retorted under his breath.
“you must have been pretty popular, then!” yuuji grinned. “if you were friends with gojo. he said all the girls in school loved him!”
kento made an irritated sound, stirring the spoon roughly against the pot. “well, satoru is the last person you should listen to. he has an ego bigger than the sun. and my wife is leading you astray. she was not similar to satoru, she was painfully shy, and it took weeks for either of us to talk to each other.” kento took the pan off the stove, peering over his shoulder at you. “and she is very lucky i love her too much to dig up any embarrassing stories of her.” 
“well, stories about me aren’t that interesting anyway.” you laughed, pointedly turning your back to kento. “yuuji, the good news is, i’ve got some more photos in kento in the old photo books. let’s go see them!” 
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bixels · 18 days
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Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.
Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).
Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.
Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.
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Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).
AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.
But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s
At the time of writing this, it's 4:46AM.
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siarven · 1 year
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Saw this post by @doppelnatur how dandelions are pretty good trans symbols and got inspired! Happy pride everyone 🏳️‍⚧️
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theelvishfiddler · 1 month
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HTB: Ch01 - Part 1
♪ - Insert Theme Song Here
CHAPTER 1 COVER - Next >>
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It's here! The beginning of the fancomic that I've been making for a few months now. I started planning this thing almost a year ago, and I am so excited to finally be sharing it. I'll make a proper dedicated side-blog for it later. Next couple pages drop in a week :)
Edit: Updated Navigation tools. Also, there is a side-blog now @heretherebeturtles-comic
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poorly-drawn-mdzs · 3 months
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You keep telling yourself that Namari.
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frodo-a-gogo · 1 month
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Thought Project: Relapse (pt 1)
Buy Ly Ri a Coffee. ko-fi.com/lyriordan
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theminecraftbee · 8 months
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oh yeah! important news! Minecraft’s wiki has migrated off of Fandom! their new wiki is minecraft.wiki! it is SO MUCH BETTER and EVERYONE SHOULD USE IT INSTEAD OF THE FANDOM WIKI FOREVER. fuck fandom/wikia and all hail the new wiki! :D
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