#scifi ramblings

[hellsitegenetics]

Can U blast this https://urbanshade.org/wiki/Documents/Sebastian_Solace pls

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Closest match: Balaenoptera musculus genome assembly, ██████ ████████ genome assembly, Microcephalophis gracilis genome assembly, Carcharodon carcharias genome assembly, Bufoceratias wedli mutated genome assembly, Diretmus argenteus genome assembly, Gonodactylus smithii genome assembly, Homo sapiens genome assembly Common name: THAT FUCKING FISH THAT I HATE

(If this image source is shown to unauthorized personnel, you'll be BLASTed with my wizard beams)

[thefake-red]

I think I've sorta figured out why it bothers me so much when people simplify Harlan Ellison to just being a very hateful man or say that he's "rolling in his grave" about every dumb fandom behaviour (he would not care about you shipping the characters, be serious) or compare him to AM/say he's his self-insert.

lt's bcs this language does not allow him to be viewed as the complex person that he, and every person to exist, is.

I think it's good to criticise creators and Ellison was VERY worthy of criticism, but he's not some being running on hatred and hatred alone as so many "fans", primarily the ones who discovered he existed less than a year ago on tik tok, seem to describe him. Criticise him on his stubbornness to accept his wrongdoings, his underlying misogyny and racism in his writing, his defence of Ed Kramer, etc.

In the same breath, I'd also like to say I think, when it comes to someone as complicated as Ellison, it's also worth noting the good deeds he did alongside his wrongful behaviour.

Ellison, as he would frequently mention, was outspoken about his political beliefs and was a part of many movements. He protested the Vietnam War, he was a part of the civil rights movement, he joined the writers strike, and was passionate about the rights of creators.

He was also a major hypocrite and always believed he was right, and no one was worth listening to even if they had more experience than him in that topic. He was especially reluctant of listening to people's criticisms of his work and it's depiction of minorities.

He was complicated. He was not an especially just or kind person, but he was passionate and outspoken and more than just an angry little man.

[this-dude-over-here]

I think one of the funniest parts about the Humans Are Space Orcs trope would be explaining drugs/alcohol to aliens.

I imagine extraterrestrial kids being taught interesting points of human biology and culture in school as an elective course. Of course, they know that humans can sustain great injuries and still operate relatively fine, can survive dire conditions, have perfected an art of healing to the point where it is normal to feel entertained by watching humans harm and heal one another (enter Grey's Anatomy and House M.D and the alien kids being fully horrified that humans enjoy watching other humans die in detail on screen).

But they are not expecting humans to feel so confident in their bodily strength, to almost an invincible degree, that they find it socially acceptable to poison themselves for entertainment. To learn that some humans enjoy the consumption of poison so much that they actively seek it out, pay for it even. That humans have competitions as to who can drink the most poison in the shortest amount of time while experiencing the least amount of unhealthy consequences. That humans have holidays and traditions dedicated to drinking poison, that it is encouraged, expected even, for new human adults to poison themselves upon coming of age as to prove their worth and strength to the species.

All of this information is learned and followed up with a very understandable, what the fuck is wrong with that species.

[redsea8me]

love love love thinking about the humans are space orcs concepts bc it gets even funnier for me when I try to apply my own odd habits

like 2 things about me, first being that I walk SUPER quietly, and don’t often announce my presence at all, second is that I have a pretty good sense of direction and can nail down my surroundings after like a day of wandering and I’ll be good, I’ll Know Where I Am

this all culminates into how I act at work, which is I love avoiding people bc I don’t want to talk to anyone (I’m a shop hand so I don’t interact w/ customers) so I actively try and walk quieter, making sure no can hear me on the steps, that the doors close carefully behind me, using every low traffic route I know to avoid people

catch my ass being the local cryptid on spaceship are you joking??? I’m going to turn into those wild animals you lure out with food, as much as I love my coworkers in my real job and undoubtedly in our fake spaceship scenario but I still actively go out of my way to avoid people, would I escape species that have heightened hearing? No of course not, but the fact remains that this looks ominous from every angle, I have scared so many of my coworkers bc I’m Number 1 Lurker, this would not translate well to a spaceship environment 😭

[whereserpentswalk]

People always say we're like ants to eldritch horrors. But that's weird to say because enough ants have killed people by working together. And the main thing we are to ants is just bigger. Are we smarter? We're also smarter then fish by any metric than we're smarter than ants. And sharks are deadly to us, not as much as you'd think but they can be, they kill us without wanting to, without malice, they just think we're other things that they want to eat, things that also aren't human, they only hurt us when they're wrong about us. When someone's attacked by a shark it's not like being attacked by a bear, it's somehow less than that, they know nothing. Sweet innocent angels of the the sea, they dont know what we are, they dont know why were here. We are incomprehensible to them. We operate on a timescale a sharks will never understand. We know things sharks will never know. And it won't protect us. Even though we kill more of them it can't protect the individual. Mabye that's what it would be like to kill an eldritch horror, to see a creature at the edge of the sea, that you could never truly understand, and strike it down mistaking it for a demon, thinking its humanity's cosmic prey, because you don't know what it is, because you can't know what it is. Even when it's just peacefully resting your heart knows there's something deeply disturbing and dangerous about it, and your heart is entirely wrong.

[psalm40speakstome]

The Acolyte. Episode Eight.

Sol telling her it’s okay. Just like Han did?

I’m emotional.

[can-i-see-your-passport-please]

Hello girlies I need songs about computers/robots/AI so I can make a playlist and feel sad about it. I have a broad definition of "song about computer" here is what I have so far to show you what I mean by "broad definition"

I will explain any given song if asked

Please take this as an opportunity to recommend me songs about robots and androids and computers and such

[annimoose]

So one thing I learned from listening to Malevolent and Deviser is that Harlan Guthrie really wanted an evil (morally grey??) disembodied voice to minipulate a sad sad memory loss suffering man covered in blood into brutally beating another person to a strawberry jam of brain matter.

Also kudos to Harlan for making characters who have done a slurry of really fucked up things but you can't really be mad at them for doing them??? God I sound insane.

[carionto]

Space Truckin'

Freight transport! The lifeblood of all modern civilizations and the backbone of the Galaxy.

Trade routes, supply chains, relocation efforts, deployment actions - everything rests on the shoulders of the transport class vessels. Well, within their bowels, but that's a less sexy phrase. Or when they haul larger things externally and have extra engines and hyper drives inside instead, does that become a horse metaphor now? Or an ox pulling a... uhh, that farm equipment before we had tractors, um...

Anyway.

There's billions of transports of literally every size and shape constantly buzzing about the Galaxy delivering perishables, non-perishables that the still existing copyright laws prevent from being printed near the destination instead, and people, who technically count as perishables, but due to other laws get their own category.

Where was I?

So, most of these are fully automated and do very basic food and other consumables runs, and require maintenance maybe once a century at most. Human ones need them once a year, since their hyperdrives don't need a stopover at a charging station, but run the tiny risk of CATACLYSMIC FAILURE BECAUSE THEY RUN ON MINIATURE STARS THAT BY NATURE CONSTANTLY EXPLODE BUT IT'S OKAY THE HUMANS SAY THEY HAVE FAILSAFES AND THOSE ONLY HAVE A 3/100000 FAILURE RATE THEMSELVES AS IF THAT'S BETTER THAN THE BIG FAT ZERO THE REST OF THE GALAXY HAS AS STANDARD!!!

Ahem.

What I was trying to get at is - Humans are nostalgic for a lot of things. Everyone has personal memories and collective history they cherish dearly, but Humans often tend to try and bring it back to life, regardless of the impracticality.

There is this one group of transports, who call themselves the "Space Truckers" and their vessels have...

wheels with tires

let that sink in

no really

actual rubber tires with air-filled liners and everything

in space

and they insist on landing on them

yes they are stupidly overengineered and can in fact hold up a ship that weighs four million tons and the inner liner air pressure is perfectly fine at around 700 atmospheres

because they can

oh and a few of them look like this

but are a lot bigger

like the size of a small city

the biggest tire is 382 meters in diameter

and yes, the biggest "truck" is called Optimus Prime and they blast Deep Purple songs all the time

and no, I don't know if it can transform

they say it can't, but I don't believe Humans when they say they "can't" do something

they always figure out a way to do it

fucking Humans

[scificrows]

Is there a 300 page essay about Murderbot's armor (specifically the opaque helmet) as a not-so-subtle metaphor for masking in a clearly neurodivergent character already? Because I need it.

The way Murderbot is unvoluntarily without its opaque armor in All System Red in front of the crew (i.e. unmasking) and appears surprised at its own strong facial expressions and other people's reaction to it? The vulnerability that comes with that and how Murderbot spends pretty much the rest of the book wearing or actively missing its armor which keeps it safe from the mortifying ordeal of being known (yet sometimes other characters suggest it might help for it to not opacify the helmet in order for others to see it as a person and to trust it (and in the end idk if it would have achieved the rewards of being loved by its humans and have had its needs met if it hadn't unmasked in this relatively safe environment sometimes)).

Also there's the whole avoiding-looking-directly-at-people-and-using-drones-instead thing which Murderbot usually hides using the opaque helmet, but whenever it doesn't have that people notice it and many react negatively/confused. I think that's a whole neurodivergent-applicable situation in and of itself? Like damn

And then Mensah encourages Murderbot not to wear armor on Preservation station since it would not need it there, Murderbot is hesitant but ends up not wearing any (like 4 books later when we finally get to that bridge) (going for the comfortable clothes it chose for itself instead, with very strong feelings about the whole being able to make choices thing that I cannot go into further at this point because I would absolutely end up BITING SOMETHING OR SOMEONE).

And I'm not going to advocate for unmasking all the time in any setting because hell no, sometimes it absolutely sucks and people are irritated by Murderbot's now visible quirks and are afraid of what they don't know, but many GET TO KNOW Murderbot better and because there are other people that make sure Murderbot is safe and respected and are willing to get people fired for it if they disrespect it (Pin-Lee my beloved) Murderbot can experiment with this situation without being exiled to some abonded part of a planet and other people are forced to spend enough time around ot to learn to respect it and even like it. I just....... It must be so scary and Murderbot is handling so much at once and in this essay I will

PS sorry this is a disorganized mess but so am I and I have so many Thoughts and even more Emotions and so little patience.

[ettawritesnstudies]

"Matter" is part of my world called "The Real World Sequence" so if you enjoyed "First Flight of Spring" or "Edge of Infinity" you might like this one!

Read it here!

[garykingz]

Every robot movie: this robot is evil bc humans treated it bad. Robot is in the wrong. Must die

Me: dislike

The Orville: The robots, who became sentient, were treated like slaves and given pain receptors to give them physical punishment so said robots ended up killing their human counterparts and then distrusted all other biological life in fear of being enslaved again. Robots soon enough learned to trust again and gained friends from said trust

Me: HUGE LIKE !!!!!!!!!

[whumpbug]

GUYS IT'S TIME. i now introduce.....

THE SCARAB CREW!!!!!! 𓆣𓆣

(scarab is the name of the ship they are all on do you guys get it. because. whumbug. beetle. scarab. the ship is shaped like a beetle--okay im done)

the vibes/tropes are: sci-fi/space fantasy, dysfunction junction, found family, accidental child acquisition, AND MORE!!!

HUGE thank you to @lemlem21 for listening to me Yap about them and helping me iron out a lot of the details!!! also for recoloring some of the skincolors!!!!

i apologize in advance. this is a long post. please please feel free to ask questions because this can get confusing. there are 6 characters all with complex traits and names so please ask me for clarification if you need it! i apologize for all the reading guys (˃̣̣̥⌓˂̣̣̥⋆)

OKAY! ONTO MY SPACE SILLIES! they are Everything to me.

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THE EXPEDITION PROGRAM (TEP):

okay just before i start, i want to briefly explain why all these people are together on a ship.

in this universe, theres a central government that spans across many planets in neighboring star systems. this is known as the Provinces of the Allied Galactic Empire (PAGE). this is the explored and "civilized" part of the galaxy.

recently, there have been more attacks on PAGE-affiliated planets and systems from the unexplored galaxy (known as the Outer Sector, or just Outsec in shorthand) and PAGE intends to get to the bottom of it.

and that's where Scarab Crew comes in! multiple teams were formed of people with exceptional talents in their species/planets and were sent on multi-year long exploratory missions under the name The Expedition Program (TEP). the scarabs are one team of many!

TEP's goal is to record and report all that they find as well as identify threats and/or the planets responible for the attacks. they are to come back with information and new technology that would make PAGE stronger and more well-rounded!

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NOW ONTO THE SILLIES!! i used different picrws for each of them to match their Vibe

(also i added pronounciation guides to the best of my abilities i hope it helps im sorry in advance)

✮⋆˙

Captain Nieven Alaric (Nee-ven Ah-la-rik)

pronouns: he/him

role: captain/leader/correspondence with PAGE

planet of origin:  Asto’is (species: Asto’isian)

age and height: late '30s to early '40s / 6 ft. 0 in.

description: the competent, calculated, and and cold head of The Scarab. he was a well-off government official before TEP, but unfortunately, he lost his family in an attack by Outsec rogues. he is a man hardened by life and unwilling to get attached to others again and because of this, is very efficient when it comes to running his ship. still, efficiency is not always the most important thing when it comes to leading a team. this is something nieven must learn.

species-specific traits: horns on the top of the head-- very interconnected with the central nervous system. decorated as a sign of age and/or accomplishment. also, asto'isians have pointy teeth! they are carnivores!

✮⋆˙

Hari Khurana (Huh-ree Ku-rahna)

pronouns: relaxed he/him

role: engineer/medic/chemist

planet of origin:  Earth (species: Homo Sapien)

age and height: mid to late '30s / 6 ft. 2 in.

description: a simple human that started from the bottom. hari grew up in a trailer park, raised by his older sister when his father worked 3 jobs to put food on the table. since he was little, it was known he was a genius when it came to stem subjects. into adulthood, he excelled in every stem job he took on. still, no one expected him to get singled out when TEP was recruiting. aside from his smarts, hari is cheeky, sly, a bit of a Bastard™ but he also has tremendously big heart. he's passionate about what he does, no matter how hard it can be for him sometimes.

species-specific traits: despite his brains, hari is... a defective human. due to malnourishment as a child, he has a plethora of health problems that worry his team to no end. some include: asthma, lactose intolerance, allergies to many foods, marie antoinette syndrome, POTS, among others. he is also a below-the-knee amputee on his left leg due to an accident in his teens.

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Nylathrania (Nyla) Qifir (Nye-lah-trah-nya Kee-feer)

pronouns: she/her

role: pilot/navigator

planet of origin: Harye (species: Haryen)

age and height: mid '20s / 5 ft. 7 in.

description: the haryan are an extremely superstitious, winged race that place an extreme importance on flight. when a child was born with in inability to even lift her wings because of nerve damage, you can imagine it did not bode well. nyla was passed around from household to household with no place to call home. she wants to prove herself to her homeland by becoming the most successful pilot in TEP with her pride and joy of a ship, The Scarab, but even that will never make her good enough for her people, and consequently, herself.

species-specific traits: the bat-like wings and short horns are trademarks of the haryen people. unlike nieven's, nyla's horns are simply bony-keratin structures as extra protection for her brain. her wings are a bit smaller than other haryen's due to muscle atrophy.

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Ytzel (Zel) Mixca (Ee-tsel Micsh-cka)

pronouns: relaxed she/her

role: gunsman/conflict strategist

planet of origin: Huelxa (species: Huelxcan)

age and height: mid '20s / 5 ft. 4 in.

description: born to a planet of war, zel grew up around bloodshed and violence throughout her life. in her culture, getting close to people was discouraged becasue you never knew who would be on the other side of the next civil war. she was often forced to fight her siblings and friends (to an extreme level) as a test of strength, so she comes off as abrasive and rude because violence makes her feel in control. it's a familiar pattern. she hasn't yet learned that love does not need to be painful.

species-specific traits: the huelxcan actually have a second pair of arms! these arms sit slightly more towards her back, in the middle of her rib cage. the huelxcan people also have evolved with enhanced hearing, and wear accessories on the ears to enhance it further.

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Vin’ri (Vinny) L’aoh (Vin-ree Luh-ow)

pronouns: they/them

role: scribe/recorder/photographer

planet of origin: Z’edin (species: Z’edinra)

age and height: late teens (17-19) / 5 ft. 9 in.

description: vinny is heralded as the voice of reason when tensions are high amongst the rest of the crew. they are level-headed and approachable, making them an instrumental member of the team. but their secret? they're so lonely. in their culture, it's customary to stop being affectionate with children when they reach about 14 to encourage growth and independence. vinny didn't have a problem with this at first, but now that they're so far from home? they feel the need for comfort more than they'd like to admit.

species-specific traits: the z’edinra all have a prehensile tail that is about an armspan in length. it is capable of grasping, and can hold their body weight. also, z'edin is an ice planet which leads vinny to be prone to overheating in even mildly warm environments quite easily

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Ren "Alaric" (Rehn Ah-la-rick)

pronouns: he/him

role: healer/newest member (not with scarab crew initially)

planet of origin: Siea W5M (species: Amb’toman)

age and height: about 7 years old / 4 ft. 3 in.

description: ren's parent's were killed when he was only 4, and he was taken to Seia W5M to be sold as a commodity-- his species is sought after for their abilities. he was under the ownership of a man for a few years before he escaped and has been on the run ever since. he covers his eyes with a blindfold to conceal the signature trait of amb'tomans-- white scleras lacking a cornea. because of his years blindfolded, light tends to overwhelm him. he is skittish, flighty, and in need of people who will take care of and love him.

species-specific traits: the amb'toman are a desert-dwelling species that evolved healing abilities to cope with the harsh climate. the short version of how the abilities work is essentially: people spend a certain amount of energy to heal themselves of injury or illness. ren can spend that energy all at once on himself or another person to heal them exponetially faster. the draw back is gets extremely sleepy after healing, and tends to be unable to stay awake

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RELATIONSHIPS: ask me about them!!! there are Some romantic relationships but i also love platonic and familial relationships so ask about whoever you'd like! i'm aiming to start the story early on to when they first meet so it'll be fun to develop their relationships as i write!!

PICREWS: 1 2 3 4 5 6

BONUS: here is all their height differences (ren is itty bitty guys)

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and that's it!!! thank you SO much if you've read to the end, it honestly means so much. and like i said before please please PLEASE dont be afraid to ask as many questions as you want (about specific scarabs, or the crew as a whole but just know if its the crew it might not be as detailed because. theres 6 of them.) these characters can get confusing and i want to make as easy of a reading experience as i can!

i hope you enjoy my little passion project and im so excited to develop these sillies further!! (✿◦’ᴗ˘◦)♡

tagging: @sethlost and @mellowwhumps (≧▽≦)

[wayward-wren]

This is an appreciation post for Nausicaa, Princess of Phaeacia.

Intelligent and insightful (recognised the political implications of bringing Odysseus home and came up with a plan that would get him help without sparking gossip and damaging her reputation)

Hard working and with integrity (at a tiny bit of prompting from Athena dragged out all the washing in the house to do, for her whole family)

Brave (stood her ground when fully naked, shipwrecked Odysseus emerged from the bushes, is compared to Artemis by both narrator and Odysseus)

A leader (directed her maids, calmed them down after they all--understandably--ran away from Odysseus)

Ambitious (recognised Odysseus' status after he got cleaned up and a godly glowup, decided that was the kind of guy she wanted to marry)

Playful and has a social life (I LOVE that we learn she's close friends with a local captain's daughter, and that we see her playing catch with her maids)

In general she's a surpsingly well rounded character with a neat wee arc of unrequited love, but no grudge and I care about her deeply

[thefirstknife]

The Witness and the Unveiling

I've been processing the new cutscene for days now and had a lot of good conversations with other people. A lot of people are interested in figuring out what this cutscene means for the lore book Unveiling, which is also my big interest. I'll talk about the lore book itself and how it related to the cutscene and what that possibly means for our understanding of the setting.

A LOT of the text will be super speculative, very long, often abstract and ultimately not conclusive. I'll drop absolutely everything I can think of to discuss about this to try and gather every possible question and possible answers in one place. But the truth is that we don't know the answers to these questions and maybe we never will.

What is the Unveiling lore book?

First things first. The Unveiling is a lore book that we started uncovering at the end of Shadowkeep. Shadowkeep campaign ends with us acquiring a strange artifact: an orb that we recover from the Lunar Pyramid, in front of the statue of a veiled figure. As soon as we touch it, we are transported into the Black Garden and the cutscene with our clone plays.

After this cutscene, we return to the Moon and we give the orb we collected to Eris. At the time of Shadowkeep's original release, Eris worked on the orb for weeks to come, revealing 1 lore tab per week. Every page of this lore book is narrated by an unknown entity who told us about the time before the universe existed and then about the creation of the universe. It also told us about the Gardener and the Winnower, their struggle, their philosophies, what we (Guardians) mean to them and ultimately what might be coming in the future. It's one of the fundamental texts for Destiny.

Is the Unveiling now retconned with the new cutscene?

This is a question that gets both asked and claimed a lot. The answer is no. First and foremost, if we're talking about a hard retcon (Bungie saying that this lore book is no longer considered canon or Bungie simply ignoring to mention it ever again), that is literally impossible. Unveiling is the culmination of a non-vaulted campaign that's considered a big part of the Light and Darkness saga and it will never be removed from canon. This text is not only the ending of a campaign, it is referenced in-game; characters have canonically read it and commented on it, most notably in Witch Queen Collector's Edition and it's directly referenced in the lore book Inspiral from the newest raid which I'll touch on later. But the point is, if they wanted to quickly push Unveiling under the rug, they wouldn't have told us "hey remember Unveiling?" with the Lightfall's raid lore.

If people are talking about a retcon in the sense of "we believed that certain things from this text are true, but now new information is challenging that, does that mean that the original text is being retroactively changed or rendered pointless?" The answer is also no, though with a big caveat. (super long post under)

The thing is that the Unveiling was never 100% proven true. We have always known this. We've received this text from a Darkness artifact and the narrator of it is very clearly both biased and unreliable. The Unveiling is not telling us objective truth, it's telling us a biased interpretation of something that may or may not be truth. There is probably some truth to the Unveiling, which I'll get into a bit later, but it is largely a propaganda piece, meant to sway us to the side of the Darkness and reject the Traveler (Gardener). It uses a familiar and casual language to make it more relatable while it talks about how the Gardener made a fundamental mistake by wanting to introduce complexity and unpredictability to life.

So if new information comes out and says "Unveiling was all a lie or wrong or simply a myth with little connection to reality" it would be perfectly in line with what we know about Unveiling right now. I expected that at some point we should learn directly if Unveiling was just a biased tale filled about something incomprehensible that may never be fully true. The new cutscene does nothing to Unveiling outside of simply giving it a new context and a new way to interpret it. This is not new for the Destiny setting which is actually filled with unreliable narrators, characters who lie and characters who are wrong. As a matter of fact, that's what any setting should be like if it strives for realistic storytelling.

The fact that the Unveiling is directly referenced in the newest lore from the newest raid means that Bungie didn't magically forget about this lore book. They literally basically added two extra pages of it with Root of Nightmares. But we never knew the true meaning of the Unveiling so any new information that confirms or denies certain parts of it makes full sense in the story.

Unveiling and the Witness cutscene

So, what are the issues and contention between these two things? Well, there's a lot. A lot of little details from the Witness cutscene are now putting a lot of original interpretations of Unveiling into question. Did we blindly believe in this origin of the universe myth that the Unveiling told? Is it a complete fabrication? Is there at least a kernel of truth to it? Who wrote the Unveiling?

The biggest divergence comes from the fact that Unveiling claims there are incomprehensible entities that created the universe called Gardener and Winnower; the Gardener becoming the Traveler and the Winnower being completely unknown. The cutscene explicitly calls the Traveler "Gardener" but it's revealed that was a name given to it by the Witness' species when they stumbled upon it on their planet, covered in dirt. How can this be the entity that created the universe?

When the Witness was officially introduced at the end of the Witch Queen, the immediate assumption of many was that the Witness was the Winnower. This is now categorically untrue, at least on some level (will get to it eventually later); the Witness is not an entity that fought the Gardener in the allegorical garden that predates the existence of the universe. So does the Winnower still exist as that entity that fought in the garden?

Let's summarise the Unveiling piece by piece first. First page is an introduction with a lot of grand claims about the nature of existence. It immediately makes it clear that the narrator is selling us a worldview:

But imagine the abomination of a world where nothing can end and no choice can be preferred to any other. Imagine the things that would suffer and never die. Imagine the lies that would flourish without context or corrective. Imagine a world without me.

Pages two, three, four and five claim to detail a time from before the universe existed presented in an allegorical tale about a Gardener and Winnower that live in a garden and play a game. The allegorical language is not subtextual, it's very much explicitly told that this is an allegory.

Once upon a time,* a gardener and a winnower lived** together in a garden.*** * It was once before a time, because time had not yet begun. ** We did not live. We existed as principles of ontological dynamics that emerged from mathematical structures, as bodiless and inevitable as the primes. *** It was the field of possibility that prefigured existence.

The story goes: before the universe existed, Gardener and Winnower played a game of life. They were able to configure the game board with starting set pieces and then let it play out and see what comes out of it. The end of the game was always the same; the same pattern would always win and the game's ending would always be predictable. This bothered the Gardener who wanted complexity and freedom. It didn't bother the Winnower; the Winnower prefered the clean and clear cut outcome that always follows the same principles and always leads to the same conclusion.

Page six is an interjection with a philosophical question about the nature of a specific protein. The page explains it to us and asks if this protein is an agent of Darkness or the Light. This is not entirely relevant to the topic at hand, but it's important for the understanding of how Unveiling is trying to exert its bias onto the reader by presenting some sort of a gotcha. It wants us to come to the conclusions that benefits the narrator.

After that, page seven resumes the origin story of the universe. They fought together in the garden about their differences and about the Gardener's decision to make a new rule for the game. Their fight was so fundamental that it led to the creation of the universe. The chapter title is "T=0" which means "time equals zero" and is a part of understanding how the universe was made out of nothing.

The garden had given birth to creation, the rules were in place, and there would never be a second chance. We played in the cosmos now. We played for everything.

Page eight returns to trying to sway us to its side by telling us that the concept of predation is what made all of life possible and that it is the narrator who is responsible for our existence.

It was the first defector—the first predator. It changed everything. Now the oozeballs needed sensors to watch for danger, and brains to integrate those senses and generate plans of survival, and swift neurons and muscles to enact that plan. This was the Cambrian Explosion, the great birth of complex life on your world. I caused it. I, the defector, the destroyer, the one who takes.

It's selling us a worldview again. It wants us to believe that the reason we have everything we do is because of the sword logic; everyone fighting for the right to exist. When everyone fights, everyone has to evolve to defend and survive, therefore the reason we've evolved is because we had to fight. This is a huge contrast with how the Gardener works. The Gardener jumpstarts and uplifts species by gardening, terraforming, evolving them without the need to struggle. The Gardener also doesn't pick and choose when it comes to terraforming; everyone is equally important and you don't have to justify or prove your right to exist. An ant's value is the same as a human's. To the narrator, that simply cannot be. If the ant can't prove the right to exist by being stronger, then it should not exist. This always showed bias and the way this ideology works on the misinterpretation of the "survival of the fittest" phrase; survival of the fittest isn't "survival of the strong" it's "survival of those who are best adapted to their environment."

Page nine is very important and is one of the things that makes Unveiling possibly true in some aspects. Namely, this page called Patternfall, is about the Vex. The narrator describes the Vex and how they existed in the allegorical garden from which they escaped into the universe with the Big Bang. Before the battle between Gardener and Winnower, the Vex, this pattern, always won the game. The Vex were the winning outcome of every game played, the source of Gardener's frustration and Winnower's elation.

Given that we know that the Vex are real and that they have a... tenuous relationship with time, this part of the story feels correct. It would make sense that the Vex predate time itself, which would explain why they are able to navigate it and manipulate it as easily as we manipulate any other force; the Vex already existed when all of time was a singularity before the Big Bang, this is known to them. Not only that, but the Vex can't understand paracausality, which was added to the game as a new rule, a rule they've never seen before. The description of the Vex in this chapter is also on point so it's has to be correct or close to correct.

They propagated in the saline meltwater of comets orbiting the first stars. That broth of chemicals became their substrate, and they learned to catalyze impossible chemistry with quantum tricks. Then, they rained from the sky into the steaming seas of fallow worlds, and there they built their first housings from geometry and silica.

We know that they are linked to first stars because of Clovis Bray's expedition to 2082 Volantis, an impossibly old star dating back to the beginning of the universe that the Vex have kept artificially alive ever since by refuelling it.

In all their transformations, they retained that kernel of ultimate self-sufficiency that had made them victors in the flower game. But they are not incontrovertibly destined to rule this cosmos. They were made before Light and Darkness, but the rules are different now, and even this pattern must adapt.

Patternfall also makes a note about the Vex that are alligned with Darkness: Sol Divisive of the Black Garden.

They are not all mine, not in the way that admirers such as my man Oryx are mine: utterly devoted to the practice of my principle. But some of them have, nonetheless, found their way home.

This specific page tells us that at least in some way, some sections of the Unveiling must be telling an objective truth, or at least be as close to the truth as possible. Barring any new reveals about the Vex, this seems to fit with what we know about them so it must be correct. The Vex are the way they are because they predate the universe and their existence in the universe right now is the only remnant of a time before time. They used to be the final shape, always, until paracausality was introduced and now they must fight with the rest of us to reclaim their position. This means that the allegorical garden where the Gardener and Winnower lived and fought must be in some way real. Remember, we are talking about a time from before the universe. The word "real" is a very loose description of that place, but the Vex must've come from there and possibly have a memory of being there so it there must be a "there" before the Big Bang. Mind boggling stuff going on. (As an aside, the Vex HAVE to be the core of The Final Shape expansion. They gotta. Also note that there is a weird metaphysical space on the other side of the portal)

Speaking of aspects that have to be true or at least reflect truth; there is the Tree of Silver Wings. This is mentioned throughout Unveiling as a tree that existed in the garden that was toppled when the Gardener and Winnower fought. The Tree is clearly real because we've seen iterations of it several times now. A completely new Tree was grown in the cradle on Io and now we can also see the Tree in Root of Nightmares, growing at the cradle on the Witness' Pyramid. The seeds of the Tree are also real; Osiris had one and so did Calus and we've seen both. How does the allegorical Tree from an allegorical garden from before the universe existed relate to the real Trees in a very real universe is completely unknown.

Page ten is a lot more attempts to convince us that the narrator is the correct choice to follow and that its philosophy is the winning one and that we should abandon the Gardener and join them. The narrator also tells us that we don't have rush with our answer because it is coming over to meet us anyway. This was the end of Shadowkeep so it was quite an ominous message. The Shadowkeep year ended with the arrival of the Black Fleet to our system and then was further expanded in Beyond Light where we gained a more direct contact with them and their gifts of stasis.

The final page, eleven, is Eris' message to us about hope and resistance to the allure of Darkness. Mind you that she's not talking about using aspects of Darkness as tools, but more about the philosophy of it as it's presented in Unveiling; you can use the Darkness without entertaining the Darkness and the philosophy of the extreme version of the sword logic.

Okay, so what's the issue between this and the Witness cutscene? Well, before the reveal of the Witness in general, we believed that the narrator of the Unveiling, the Winnower, is the big bad. The entity that is the origin of Darkness, the entity that made the Black Fleet, the entity that controls our enemies. This was never confirmed, but it was a reasonable conclusion to Unveiling, until further notice. Now we know that some parts of this aren't true. The Witness is the big bad and the Pyramids are just the remains of its species' technology. And while the Witness does fulfil some of the roles of the Winnower, we now know that the Witness is not the origin of Darkness so it cannot be the Winnower that's spoken of in Unveiling, not the Winnower that existed before the universe.

The Witch Queen and some hints here and there before that (mostly in the Presage mission where Savathun more or less explicitly told us that the Darkness is not the same as the entity that we're fighting against) introduced the Witness directly without any metaphors or vague language. We finally saw this being, in full glory, as it emerged, moved and spoke. From then until now, we've tried to understand the Witness but we really knew nothing substantial.

A lot of conversations were about the nature of the Witness and the Winnower, the narrator of Unveiling. Were they the same thing? Or are they separate entities? Is the Winnower even real or is it literally just a metaphor for a philosophy, an idea, that the Witness represents? There's always people who will immediately clamor about "retcons" but once again, the Unveiling was never an objective truth. We made assumptions about the Unveiling and its narrator, but none of those assumptions were ever confirmed in any way. This is also reflected in-game with characters discussing the meaning of the Unveiling in many different ways. Unveiling being unreliable and unclear was intended. The Witness existing does not contradict or remove Unveiling's significance. It just recontextualises and already unreliable text that was never objective to begin with.

And it continues to do so. The Witness cutscene first and foremost shows us the Traveler, curiously covered in dirt and depicted almost as if it's rising from the ground. The Witness' people are described as discovering it and naming it "Gardener." It then uplifted them, terraformed their world and gave them a golden age which is familiar to us.

But wait. If the Gardener is from a time before the universe, how is it now suddenly a dirt covered orb on a random planet? This is where the Unveiling being interpreted literally becomes a problem. If the Gardener (and Winnower) aren't from a time before the Big Bang and that whole allegory of a garden that existed before the universe is a lie, then what is the Unveiling and who wrote it and for what purpose?

I've seen a lot of good discussions on it that I'd like to highlight here. This post discusses things in a similar way to what I'm writing here, for example. Just a little while ago, I reblogged this interpretation of it which I really like which differs from this. There's been a lot of various similar theories in which the Witness has simply created this idea of the Winnower and the associated philosophy after it went through an existential crisis of catastrophic proportions; the Unveiling is simply entirely a lie, an attempt to make people believe the winnowing philosophy.

It's a good question to ask what of the story of the Vex and the Gardener if Unveiling is fully a lie. A really important note here is that we've known from other sources that the Traveler is the Gardener. Both from other characters, most notably in Lightfall from Osiris, but also from the Traveler itself and the Unveiling. So if Unveiling is bullshit, what about the Vex and the Gardener? Why did the Gardener even appear on the random planet from the dirt?

My theory is that Unveiling is partially correct. Something incomprehensible WAS happening before the universe existed; it involved forces that would end up becoming the Light and Darkness, the Gardener, the Vex and probably the Veil. This period of time is so abstract and unfathomable that we cannot physically understand it through anything but allegory. Some believe that the Veil now fulfils the role of the Winnower which is possible, but I'm not sure how likely; we will need even more information on the Veil to make that judgement call. Either way, Unveiling's myth about the origins of everything could still hold true in some regard. If that's true, we know that the Gardener made the new rule for the game (paracausality), caused the Big Bang and inserted itself into the new game (aka into the universe). The Gardener thus became the Traveler which it has refered to as being its body.

It feels like lead and neutronium and electroweak matter fashioned into a moon-sized ball that you must carry as you move.

The time before the universe wasn't physical, but the universe is. This body, the Traveler, had to have been made and it's possible that it was made on the Witness' planet. Perhaps that was one of the first planets in existence, a place where the Gardener forged its body and emerged into the existence as a physical being capable of terraforming. The Light is the domain of the physical so it makes sense that the Gardener has to utilise this physicality to be able to do its thing.

The Darkness is psychic; it's emotion, consciousness, the mind. It doesn't have to be physical. Perhaps the Winnower IS real, but it's simply a metaphysical idea that exists in the universe, but cannot be seen. It can influence others; everyone who ponders on the nature of existence runs the risk of being exposed to the idea of winnowing. It's inevitable. Every conscious being can be influenced by Darkness and it's many possibilities; some perfectly neutral or even good and some bad.

And the Witness' people went highly in-depth in their research of the Gardener and then later the Veil. If they were looking for answers to meaning and purpose, they would've likely come close to understanding the origin of the universe. Perhaps from the Gardener (who was there, before the Big Bang) or perhaps by exploring the Veil (which is, as of now, still fairly unknown as an entity) or maybe even the combination of their investigation into both of those. There's some credence to this in particular, given the memory from Ahsa in week 3, mainly this part:

Two halves of a whole... long divided. A... schism between them. Reunited. [exhales in joy] A glimpse beyond... to the beginning...

This most certainly refers to the Traveler and the Veil being reunited and connected as the Witness' people attempted the connection for the first time. And it offered them "a glimpse beyond to the beginning." Beginning of what if not the universe? The connection was never fully realised and the two were never fully reunited. But they were in Lightfall and in Lightfall, this created a portal to an incomprehensible realm into which nobody but the Witness can enter (for now). This realm acts as if it exists somewhere outside of normal spacetime, somewhere beyond, and it resembles... well, a garden world, like a garden from the allegory of existence before the universe.

If the Witness' people saw how the universe began as explored in the Unveiling, they would've absolutely come to the conclusion that everything is meaningless and that the Gardener did something that led to untold suffering, basically on a whim to seek more complex, but ultimately pointless life. Instead of this perfectly ordered garden world where every outcome is known and there is no deviation from the rules, we received a universe that is seemingly random, chaotic and meaningless. At least that would be the interpretation of it in their mind.

The Gardener could've just let things play out infinitely in the game with the same outcome, with the same pattern, but it didn't. It made the universe instead, filled with infinite mysteries and infinite possibilities and you will never know which one of those possibilities are "correct" and which choices are better than others. You will never know where to go and who to follow and what to do and there is no inherent value to any specific choice you make. Countless species will live and die "without meaning and purpose."

This was terrfying to the Witness' people, possibly exactly because they've seen how things were before. Before the Gardener's actions, everyone would have a specific purpose to fulfil in service of reaching the final shape which is always the same. Now, there is no goal, nothing to work towards, nothing to specific to strive for. So they decided to follow the philosophy of an entity that fought the Gardener and take up its job; to winnow in search for the final shape. To reshape reality, reset existence, "free" the Gardener from its own creation.

In that way, Unveiling is still very much true and it's the same as ever; it's a subjective interpretation of the origins of the universe told in a biased nature by a being that learned to despise the chaos of existence and would want to return to the way things were before.

So who wrote the Unveiling then? Again, many theories. Since the Witness' reveal in WQ, a lot of people speculated that the Witness wrote it and that the Witness is same as the Winnower. That could be true now, in a way; the Witness took up the mantle of the Winnower so it might as well be it. The Unveiling is written with a tone and voice that differs from how we know the Witness, but now we also know that the Witness is a being of billions; perhaps there is a voice in there who writes text and who speaks that way. It could also be just a ruse; the Witness is a manipulator who lies constantly. It could've written this text in this way to deliberately confuse, manipulate and coerce us; the Unveiling "tone" is fake and it was also fake when it spoke to Oryx.

Another option is that Unveiling was still written by the entity we know as the Winnower. If the Winnower is the origin of Darkness, coming from the garden from before the universe, then it is metaphysical; it's in the mind and consciousness. It doesn't need a body or to be fully physical. It can influence and talk and BE simply by being the origin of consciousness. Every conscious being can access the Winnower. The Winnower is every idea that leads to predation and killing and death. It's every thought and dream and memory and pain. It could've touched the Witness' people and pushed them to adopt its philosophy when they went too far with their research and especially when they connected to the Veil. It could've tried doing the same to us, when we connected to the Darkness artifact in a Pyramid at the end of Shadowkeep.

There is also the angle that the tale from Unveiling is literally entirely untrue. There was nothing before the universe existed. The description of the Vex was the Witness' attempt to understand how they function, or a piece of truth added to make the rest of the text seem correct to those that read it. The myth of the garden and the two entities fighting could be an attempt to give meaning to how everything started, giving a reason to pursue the Traveler and feel justified doing it.

The main point here is that we don't know and we might never know given the incredibly allegorical and mythologised way that Unveiling is talking about something that is incredibly hard to conceptualise in the first place. An interesting bit to add here is the concept of egregore:

Egregore (also spelled egregor; from French égrégore, from Ancient Greek ἐγρήγορος, egrēgoros 'wakeful') is an esoteric concept representing a non-physical entity that arises from the collective thoughts of a distinct group of people.

It's not an accident that egregore in Destiny is a physical manifestation of psychic connections that links points of Darkness together. It comes from this originally; basically if enough people think about the same thing or believe in the same thing, they will create an "egregore" = their thought or belief will spawn a non-physical entity associated with that thought or belief. In that sense, the Witness' people may have created the Winnower when they all united in thinking about how the universe is meaningless without a Winnower. The Winnower is an egregore created by the Witness' people and the belief in this egregore manifests physically as the egregore fungus which infests and links everyone who believes in the Winnower. Perhaps, even, if the Winnower is that egregore, something created by the first beings that ventured that far into metaphysics and then it retroactively became tied to the universe. Once the Winnower was created, the Witness' people tried explaining where it fits into the universe, constructing an origin myth around it. Perhaps they weren't aware that they manifested the Winnower, and believed that they simply discovered it and that the origin myth they constructed was them learning some bigger truth.

There are issues and questions with any of these explanations and they all go into super abstract possibilities and options. If the garden before the universe is entirely a myth, then what of the Gardener and the Vex and the Tree of Silver Wings? If there's truth to how the universe began, what about the Witness being simply a species that got uplifted and went mad with horrors of knowledge? Was the Winnower real in the garden before time or is it merely something conjured from the minds of a people who wanted purpose and meaning?

Furthermore, what about Inspiral, the raid lore book whose last two pages are very reminiscent of the Unveiling, reference it and function almost like extra two pages for it? Inspiral is particularly strange because each page starts with a description of a being that left its memories in the book. First of the final two pages, Meaning, describes its narrator as:

A dream of a metaphor made starkly, an allegory discussed in study of ontology, in Darkness not unkind. It leaves behind a warped, barely-real data fragment to mark its passing.

And the second, Winnowing:

A dream of a friendly conversation with someone impossible to see, cloaked in shadows. It leaves behind an impossible data fragment to mark its passing.

Neither of these descriptions fit the Witness. The Witness is not a metaphor or an allegory, nor is it "barely-real." It is also not "impossible to see" nor does it leave behind "impossible data." The Witness is very much real, though clearly ascended into a state of being beyond our comprehension, but we can very much hear it and see it. The cutscene very clearly explains that the Witness began as just another species and achieved a higher existence; it's not some weird mystical energy that originated before the universe began. Most of all, the Witness is neither kind nor friendly.

The only metaphor and allegory is the garden from before the universe and the Gardener and the Winnower that fought in it. The Gardener manifested as the Traveler, but the Winnower is unknown to us. These two pages read, again, almost exactly the same as Unveiling and they bear no resemblance to the Witness, neither in tone nor in the description of their narrator(s). Obviously, it could be lies and manipulations on purpose which is something to keep in mind in general.

But the page Meaning very clearly makes a distinction between two entities:

There is a voice that echoes across the Darkness, and it asks this question: what is the purpose of it all? And there is another voice that calls back and says: listen, I will tell you a purpose. I will tell you of a Final Shape.

After seeing the cutscene, the first sentence could obviously refer to the Witness' people. They sought purpose and meaning. The second specifies that something answered, something else, when they dug deep into the Veil. Did that something exist on its own, predating the Witness, or did the Witness create it, like an egregore? Either way, the Witness inquired and something returned the call OR the text is referring to a generalised idea of anyone exploring the Darkness, asking that question and then getting a reply from the Winnower, which is a creation of the Witness.

On the other hand, there's the issue of the Darkness being a much more complex phenomenon than we've previously believed. If the Winnower is the origin of Darkness, then would it not represent ALL of Darkness? As of right now, both Unveiling and Inspiral pages that we might be able to attribute to the Winnower are distinctly focused only on the sword logic aspect which fits more with the Witness. The Witness and its pawns have extermined species that also used the Darkness, in different ways. Would the Winnower not acknowledge the entirety of Darkness? This issue can be better solved if we insist that the Witness is what invented or manifested the Winnower and its ideology. Darkness is more than winnowing, that's for sure, but the Witness and its manifestation of the Winnower are focused only on winnowing.

Some more concrete answers may lay in our understanding of the Veil. We're beginning to gather more information about this entity and the cutscene itself shed some light on it as well. The Veil was connected to the Traveler, always, even before the Witness' people found it. It was not near the Traveler, but instead somewhere far away where the Witness' people had to fly to in order to bring it back. Some already believe that the Veil is the Winnower or a product of it; that the Winnower and the Gardener were these abstract entities in the garden before the universe and then became the Veil and the Traveler post-Big Bang, but still connected.

The truth is that this is a highly complicated concept to think about, explore and explain. The Unveiling could be one being's attempt to explain how the universe began and it could be true or it could be false. Nothing in the cutscene explicitly tells us either way, nor does it render the Unveiling useless (and it also doesn't render it a word of god).

The science and philosophy about the origin of the universe are unknown in real life and will probably remain unknown in Destiny. To expect a fictional story to accurately and unambiguously tell us how the universe began is to expect A LOT. The only ones that could truly maybe tell us are the Traveler (Gardener) and the Veil. The question is, would we be able to withstand knowing something like that. Many who peered into the Veil have lost their minds and the Traveler does not speak of things like that because divulging such information would inevitably put someone on a set path. To know everything is to lose choice. You know exactly where to go, how, when and why, as well as what will happen when you get there. The Gardener wants us to make our own fate and it wants the universe to not lead into any specific outcome.

This is some of the most bizarre and wild high concept scifi stuff we've ever had in Destiny. I don't expect us to solve it so quickly after major new information has been revealed and there's still a lot more to find out. This is a really exceptionally long dive into some of the theories and options. A lot of people don't like this type of unreliable philosophical conundrums and would much rather just prefer to be told the facts. And I don't think we'll ever know facts about these topics in a way that would make them easy to digest. Unveiling might one day be fully explained in a way that will allow us to construct the true history of the universe and its origins, but it might also not be. Perhaps it will remain a perpetual mystery to force to wonder about these concepts.

I'd personally prefer a little bit of mystery to remain; for both us and the Witness to forever wonder what was the meaning of it all, what was our purpose, have we chosen it "correctly" and what our choices could've led to if we've done things differently.

[gaym3bo1]

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Thirdspace // Season 1

Season 2 // Seaon 3

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