#screenplay tutorial

[shaham10]

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[tonkable-art]

✷ Tonk's Art Resources ✷

Hi! No one asked but I wanted to make a big list of art resources I use because I like to try and help people be creative! Not everything I list is free (mostly the books & some PDFs), but I’ll try my best to keep a big portion of it unpaid.

I've also made a carrd with the same links and a set of software links + prices but I'll be updating this with more things I find that I think would be helpful. :)

Drawing

GES DRAW PARTY - Timed model videos

Drawing Tutorials Online - Figure drawing tutorials (& fun SVA student sketchbook videos)

Line of Action - Timed model Photos

3 tips to improve your PEOPLE SKETCHING (fast urban sketching techniques), Sketching Scottie

Creating Backgrounds, Tim Mcburnie

Drawabox

Reference Angle

Kaycem

Colour Theory

Why Color Studies Are So Powerful, Light Ponderings

Marco Bucci

Colour Tips and Tricks, Iniro (PDF)

This post

Animation

The Animator’s Survival Kit, Richard E. Williams (book) - I think this one is a pretty obvious must-have

How to Animate Night In The Woods [Scribble Kibble #103], Crowne Prince - Helped me get a grip on After Effects

Little Miss Hellraiser Toon Boom Harmony Rig, Edu Bruks - Free Toon Boom Harmony rig

Alex Grigg // Animation for Anyone

BaM Animation

Storyboarding

Exploring Storyboarding, Wendy Tumminello (book)

Storyboarding Essentials: SCAD Creative Essentials, David Harland Rousseau & Benjamin Reid Phillips (book)

Storyboard Pro Crash Course/Tips for beginners, OhJeeToriG

A Guide To Storyboards, MagicBunnyArt (PDF)

Character Design

Character Design Crash Course - A huge free course document with assignments you can work through

Delicious in Dungeon - Fundamentals of Character Design, lines in motion

Writing

Writing for Animation, Comics, and Games, Christy Marx (book)

Screenplay: The Foundations of Screenwriting, Syd Field (book) - I have the 1987 edition

Reedsy

How to Plot a Comic From Start to Finish!, McKay & Gray

Portfolio Tips

How to make a Character Design Portfolio, Jackie Droujko

Top Tips on How to Kickstart Your Storyboard Portfolio, Brown Bag Films

25 Tips to Create an Animation Demo Reel, Sir Wade Neistadt

Extras

PuccaNoodles’ Animation/Art Resource Sheet

My Study References Pinterest board

Motivation Station - Playlist of sketchbook videos and some speedpaints that I use to motivate & inspire me

The Illustrated Freelancer’s Guide, Heather Parry & Maria Stoian (PDF) - Really useful for freelancers in the UK

Software substitution chart

Adobe Suite substitute chart

Remember to check out the carrd, it might have a more updated list!

[hssrarepairs]

🎄 HSS Rare Pairs 2024: FAQ 🎄

Find more info in our Rules!

🎁 What is HSS Rare Pairs? 🎁

HSS Rare Pairs, or HSS, stands for HP Secret Santa Rare Pairs. We are an anon, multi-ship, multimedia gift exchange focused on HP rare pairs run as a collaboration between the HP Rare Pairs (@hp-rarepairs) and HP Saffics (@hpsaffics) Discord servers. This fest is not self-posting. The mods will post your gifts all through December.

🎁 What is the 2024 Schedule? 🎁

Sign-ups: Aug 13-Sep 3 Gift Submissions Due: Nov 15 Gift Giving: Dec 1-Dec 25 Creator Reveals: Dec 30

🎁 What counts as a HP rare pair? 🎁

Any ships besides these common ships (LITERALLY ANY OTHER SHIP IS OKAY):

Dramione - Hermione Granger/Draco Malfoy

Drarry - Draco Malfoy/Harry Potter

Harmony - Hermione Granger/Harry Potter

Harrymort/Tomarry - Harry Potter/Voldemort (Tom Riddle)

Hinny - Harry Potter/Ginny Weasley

Jegulus - Regulus Black/James Potter

Jily - James Potter/Lily Evans Potter

Romione - Hermione Granger/Ron Weasley

Snamione - Hermione Granger/Severus Snape

Snarry - Severus Snape/Harry Potter

Wolfstar - Sirius Black/Remus Lupin

🎁 How is the list of common ships determined? 🎁

Any ship with less than 10K results in an unfiltered AO3 Relationship tag search AND less than 3K results in an “otp: true” filtered Relationship tag AO3 search is considered a rare pair!

🎁 What about polyamorous ships? 🎁

Polyamorous ships (triads, vees, quads, polycules, etc.) are always considered rare and are VERY welcome (ex: Hermione/Harry/Ron is allowed even if Hermione/Harry and Hermione/Ron are on the list of common ships)!

🎁 What about a common ship in the background of a work? 🎁

Yes, background common ships are totally allowed as long as the main focus is a rare pair (ex: A Pansy/Ginny story with background Draco/Harry).

🎁 What about OCs? 🎁

OCs may appear in the background of a work, but the main ship should involve only established characters from the HP universe.

🎁 Who can participate? 🎁

Anyone aged 18+ can participate with an AO3 account. We also encourage you to be part of the HP Rare Pairs Discord Server, although it is not required.

🎁 Do I need a Discord/Tumblr to participate? 🎁

No, we will be sharing gifts on our Discord and Tumblr, but you do not need to be on either platform to participate. What you do need: an active email address and an AO3 account.

🎁 Is there a limit to the number of participants? 🎁

The 2022 round had 66 sign-ups which was quite impressive. We are tentatively setting a limit of 75 sign-ups for the 2024 round.

🎁 What is on the sign-up form? 🎁

The Sign-up Form is long and thorough. Please make sure to fill out all required sections in order for the mods to make the best possible matches and for you to receive the best possible gifts. This year the sign-up form has 5 sections:

Participant Information (required - for mod use only)

Character and Ship Preferences (required - shared with gifters)

Receiving Preferences (required - shared with gifters)

Giving Preferences (required - for mod use only)

Bonus Questions (optional - for mod use only)

🎁 I don’t like the username I signed up with. Can I change my AO3/Discord/Tumblr username in the middle of the exchange? 🎁

Please don’t. This is confusing for your gifters and makes more work for the mods.

🎁 I messed up on my sign-up form. Can I go back and make changes? 🎁

Yes, you will be able to edit your sign-up form until Sep 3 when sign-ups close. A link to edit should be sent to your email. If you do not see it, please check your spam folder.

🎁 When will I find out my matches? 🎁

We aim to have all participants matched within a week of sign-ups closing. However, it will depend on the mods’ schedules and number of sign-ups.

🎁 What kind of gifts can I create? 🎁

Any type of HP rare pair fanwork that can be uploaded to AO3 are accepted! Here are some examples:

Creative writing (fic, drabble, poetry, epistolary, screenplay, etc.)

Other writing (meta analysis, ship manifesto, recipe, tutorial, stats, etc.)

Art (traditional mediums, digital art, comic, photography, calligraphy, etc.)

Remix art (moodboard, story banner, podfic coverart, gif set, meme fic, etc.)

Craft (origami, bookbinding, embroidery, knitting, papercutting, ice sculpture, etc.)

Audio (podfic, podcast, filk, playlist, etc.)

Multimedia (fanvid, videogame, animation, stop motion, music video, etc.)

Translation

🎁 Is there a word limit for written gifts or gifts based on written works? 🎁

Yes, the minimum is 200 words. There is no maximum. What this means is:

All written works (drabbles, fics, meta analysis, ship manifesto, etc.) must be at least 200 words. If the gift is less than 200 words (a poem, recipe, etc.), the remaining words may be filled by commentary (character analysis, explanation of imagery/themes/word choice, extra description, etc.).

All podfics must be based on a fic that is at least 200 words.

All translations must be at least 200 words when complete.

🎁 What kind of content can my gifts include? 🎁

We accept all content! This includes graphic violence, MCD, rape/noncon, underage, incest, abuse, and dark or triggering themes as long as they are tagged appropriately. The mods will be tag-checking all works. The only restriction is we will not accept NSFW art containing underage characters (which is illegal by US law). If you need help with tagging, you may reference this Comprehensive List of Triggers, Tags & Squicks or ask a mod. 

🎁 Can I recycle fannish works as gifts? 🎁

No, gifts must be new and created exclusively for the exchange and specifically for your giftee.

🎁 Can I submit an AI-generated work? 🎁

No, AI-generated works are not allowed. If we find you have submitted an AI-generated work, you will be kicked from the exchange.

🎁 Does my gift need to be X-mas/winter themed? 🎁

No, it can be any theme as long as it includes a rare pair.

🎁 How many gifts will I get? 🎁

Every participant will receive at least 2 gifts. They may be small gifts and they may not be exactly what you wished for but they will be made with love and enthusiasm <3

🎁 How many gifts do I need to create to be able to participate? 🎁

You must submit at least 1 gift in order for Santa (aka the mods) to deliver your gifts. Participants are implored encouraged to submit more than one gift. If we have enough gifts, we may be able to give everyone 3 gifts instead of 2!

🎁 Can I submit my gifts anonymously? 🎁

Yes, you may choose to submit your gifts anonymously. In this case you will not be named as a giftmaker in the Creator Reveals on Dec 30. Please tell the mods your preference when submitting your gift. We will contact you about any additional steps.

🎁 How do I submit/deliver my gifts? 🎁

Gifts should be uploaded to the AO3 Collection. Then, please complete the Submission Form, one for each gift submitted. The mods will deliver gifts on AO3, Discord, and Tumblr Dec 1-25.

🎁 Can I make treats? 🎁

No, we are not accepting treats (extra gifts made outside of your matched assignment) for this exchange.

🎁 What if I need an extension or need to drop? 🎁

We get it. Life happens. If you need an extension or need to drop, please email us ASAP. It’s okay, we understand. Just, please don’t ghost us!

🎁 How will I get my gifts? 🎁

If you are on Discord or Tumblr, we will tag you when your gifts are delivered. Otherwise, your gifts will be delivered directly through AO3. Please make sure you have "Allow anyone to gift me works" checked in your Preferences. When you receive your gifts, don't forget to leave a comment to thank your gifters. We want to make sure they feel appreciated!

🎁 Can I send/receive physical gifts in the mail? 🎁

We are not doing physical gifts as part of the exchange, but you are welcome to coordinate with your gifter/recipient after the fest ends and send physical gifts granted you are both comfortable sharing your IRL addresses.

🎁 Who are the mods? 🎁

@lumosatnight, @nanneramma, @schmem14, @mischiefmandied, @venom0usbarbie and other wonderful helpers from Discord and Tumblr!

🎁 I still have questions/want to find out more. What should I do? 🎁

Message us through email, Tumblr, or Discord! We are always open to chat, answer questions, or flail about rare pairs 🍐

Email: hssrarepairs@gmail.com

Tumblr: @hssrarepairs

Discord: HP Rare Pairs

[hunkydorkling]

what is UP i am here to yell about screenwriting (word vomit ahoy)

if you're looking for scrivener-specific tutorials, to be totally honest i am not at a teaching point yet, as i myself am still flying by the seat of my pants

if you're looking for more screenwriter-y stuff, i will point you to the resource that taught me: just gotta read screenplays. lmao literally everything i know about the structure and form of them is from reading them. a good resource is not possible to be linked here, i'm realizing, thanks spammers and bots for ruining that part of asks, but i can throw it at you via dm here or on discord if you'd like

it's a site that has a whole boatload of tv screenplays from a whole variety of shows. there's even a few from cobra kai and a bunch of due south on there uwu

like. i basically just read a bunch of the scripts on there for shows i was familiar with (so that i could see what elements in a screenplay correlate to what's on screen). and now i'm playing with the templates in scrivener and here we are

so like i am not by any stretch an expert but i'm totally down to chat and help and figure things out together!! ♥

brie is the literal best for prompting me to check back on the one (1) screenplay i've only ever downloaded and read on my kindle. and for simply nudging me back into writing screenplays for Nothing and Everything (for me) too. fuggetabout scrivener tutorials — i wanna get back into writing cool ones!!

[carygrantsbeard]

Me reading my movie screenplays during my law tutorials

[spacedinosaur2000]

Future Projects Plans

I will try to make as many Projects update posts as I can but I will assure you I have soo many Ideas on the plate for future projects. So I will just simplify to ten projects that I will announce I am Eyeing Up.

1-Fenton Fly Sequel Short:

Like I said, I have a couple scenes shot for the follow up short for Fenton Fly. I need more shots of Fenton Fly being crushed, also before I go forward I need to make a new Crushed Fenton model, right now my room is so diorganized and I lost all my Wire for Armatures so when I find that and start making that second model, things will continue.

2-Garry's Mod Multiplayer Gamemode-M Force:

Years ago I had an idea for a multiplayer gamemode on Garry's mod where its soldiers vs giant monsters, Inspired by Godzilla obviously but also sequences in things like Cloverfield. Basic premise is its multiple players as soldiers and One player as a Kaiju. Other options may be included but I want to start simple before I do updates. I spent the past few months just compiling a list of links to tutorials on coding for Garry's mod, all the relevant stuff for my mod, so now I'm Ready to start coding. Again there's a slight chance it could come out this year but if not, It's definitely gonna be ready for next year considering how easy some of the more basic aspects are to implement. There's gonna be some elements to my mod that might be more tough but I think that won't be towards the end of its development.

3-Untitled Space Cat Girl Project:

Been going through my old art for material to mine for projects. In general and going forward on this list I intend to re organize Some of this art, Remaking them and than trying to work them into a project somehow. This one is a little iffy to write around cause in some ways I have two different game projects this COULD fit while also not, Rocket Rex a sci fi platforming game about space farring Dinosaurs and Beast World a fantasy top down pirate game about cat people, neither one the Space Cat Girl fits. So I might work them into something else.

4-Turtle on a Fence:

Short Stop Motion film I realized I could do based off of a one off piece I did in 2009. A Simple Short to add to my library of works just to fill out my portfolio. Really I just wanna make a bunch of shorts and get in the habit of it as much as possible especially before I start on bigger projects. And I have to keep myself doing more simple projects that I can do Under budget. I have a premise and storyboard done, I think I just need to put together a set to film it on.

5-Untitled Robot Girl Series:

I Might reconsider and make it a short film but I wanted to plan out a big project for another one of my oldest and reoccurring characters in my art, a Robot Girl I keep recycling. One Idea was hey what if I join in on the Cartoon pilot trend and try to make a mock up prototype pilot that I could potentially sell and make it a big series. Although I should just focus on it being a Pilot short that I can post online and hope it gets some kind of attention. It will also be a stop motion project and I feel like making robot character models is an easy type of armature I could make for the series so I think I could with a low budget make a basic mock up. This one might have to wait a bit and I still need to finish a treatment and than move on to a screenplay for the pilot.

6-Untitled Stop Motion Horror Short:

took me a bit to decide what to do with a few one off pieces of art I had on hand of various characters and what to put them in and write around but I think I have an idea of a stop motion horror short animation about a Skateboarder and a a track suit runner girl running into a strange guy. No treatment written yet, just a few pieces of art that I also want to do remakes of and add a few more pieces of concept art for. Again Big reason I haven't started this yet either is cause I need to organize my desk so I have space to start building sets for these types of projects.

7-Untitled Dragon Project:

I did have an Idea for a fantasy Game but might hold off on that for a bit, and the art inspiring me to do this I considered for that but I might do something different for that project later. Instead, I might take inspiration from Dragonslayer and try to get a cool stop motion Dragon short done just to give me some more cool monster action short films out there from me.

8-Skull Planet:

Unless I bundle this with the Space Cat girl project, I did want to do a full claymation feature inspired by an unmade Guillermo Del Toro movie that almost became his debut until a vandalizing incident happened and he did Cronos instead. Thought Hey I like wild creatures, and I can probably do something like that all in Claymation. Just not Human characters yet which is what I really really wanna do, but Seeing if I can get a fantasy barbarian alien world movie like that off the ground would be fun. That Might be a longer and gruelling project at the same time though. But I am willing to start writing the screenplay for and getting things ready for that.

9-Zombie Girl Project:

Another one that will either be a short OR a series pitch that I should be developing. Now the Zombie girl aspect might change as there's multiple paranormal girl characters I've created separately over the years that I could combine into one Project, up there with your hotel transylvanias or Drak pack or Groovie Ghoulies and etc. This depends and right now I just need to collect more art throughout the years of these disparate characters I've created and decide what to with them and if I want to make separate projects out of them or have them all be cast members in one big project.

10-Untitled Mermaid horror project:

Not sure if this will be a short/series/movie or whether this will be animated or live action (in which case it would be a WHILE before anything of this would materialize). Based once again off some old designs that I do want to remake again. The Redesign will be drastically different (The old design is a terrible xenomorph/hr giger lite anthro thing cooked up by a 13 year old).

[labelfinally]

Marking up a script(practice)

To get the sense of the process of marking up scripts (with shot types), I have practiced a little. After watching a short video tutorial on how exactly it is done, I’ve tried it out myself on one of the scripts of True Detective TV show.

Planning such details is crucial for any film preproduction and so it was really useful and helpful for me to get the grasp of the whole process.

In some parts it can be challenging because you have to make sure you don’t skip anything(in order to not do reshoots after the production part), but you also need to make sure that the shot type, whether it’s a close up or an extreme close up, fits the scene and conveys a certain meaning for the audience to understand.

After doing this little exercise, I am now more confident in applying different shot types to different screenplay parts and trying to show character’s feeling or emotions through technical aspects of the movie. In the future, it will be really helpful for my own production when I will start marking up my own script.

[rplayford02]

Script Editing w/Kate

29.09.23

Alongside post production sound, I'm also trying to develop skills in pre-production and production to keep my options open beyond graduation. With this in mind, I reached out to Kate at the start of the trimester to ask about possibly script editing. I'm now shadowing her as she works with the BA Television students to develop their final year projects.

I dabbled with script editing last year and in past experiences of co-writing, I've tended to fall into an editing type role. I don't think I'm imaginative enough to write a screenplay from scratch, at least not by myself. I much prefer reading other people's unfinished scripts, analysing the structure, considering their characters' motivations and then working out where to go next. As I found out last year, this is basically the role of a script editor!

—

This first session I was mainly just hearing about all the projects from the writers themselves. I'd read their outlines beforehand but hearing them explain their ideas out loud provided a lot of context. Creating an open dialogue and asking a lot of questions seemed to be the best approach. Kate confirmed that the worst script editors will impose very specific, rigid ideas onto the script - working with script editors like this in the past has caused her a lot of grief, trying to untangle the reasoning behind their suggestions. She suggested that it was much better to pose questions to the writers to let them make decisions on their own, at least at first, otherwise you risk swaying them in a direction they don't really want to take. She said as the term progresses she'll be stricter with the writers but for the time being each tutorial is really about beginning to understand the outline of the story and what specifically interested each writer about their project.

When in doubt, refer back to character. What are their motivations? Their wants and needs etc. But personalise it to each script.

[secularbakedgoods]

The sin of making people read

This is a crosspost of my newsletter! If you’d like to get posts like this direct to your inbox or RSS reader, you can subscribe here.

I've had to look at a lot of job postings recently, and one sentence in a listing for a media production company jumped out at me: "Today, people want to watch and listen, not read."

First off, I don't think that's universally true. In my particular social bubble, I'm constantly hearing my peers (mostly other millennials) lament that so much information they're looking for is in video format instead of simply written down. I personally don't have much time for video tutorials; I read faster than the presenter can talk, and my patience for jumping through a YouTube video five seconds at a time to find the 20-second segment containing the information I need is, uh ... limited.

But I have noticed there's a peculiarity to being a prose fiction writer, which is that even well-meaning people are constantly asking me whether I've thought about adapting my work into:

a screenplay

a comic

a podcast

a webseries

a video game

literally any format that would not require my audience to read.

It makes a kind of sense. Reading is not conducive to multitasking; it requires your full attention, and these days there are a million other things competing for that attention. Literacy rates worldwide aren't exactly improving at the moment, and the potential audience for my work contains a nonzero number of people who consider reading a difficult, frustrating chore.

But I think there's also an unspoken cultural assumption at work — one that considers prose fiction to be a kind of placeholder, proof-of-concept medium. A cheap way of establishing an IP foothold so the media production apparatus can decide whether it's worth adapting into a "real" format like film. And there's certainly an economic incentive to treat prose like this; after all, most of the real profit in fiction publishing is in licensing rights. The money to be made off selling an adaptation to Netflix or Amazon is much higher than anything an author or publisher might make from book sales alone.

So maybe that's why nobody ever believes me when I say my stories are already exactly what I want them to be.

New on Ko-fi: "Moriarty & Moran Contribute to Community Welfare," Chapter 1

A valet hurried to open the door as their car pulled up to the red carpet. Moran stepped out first, then offered a hand to Jay; the gesture was so absurdly chivalrous that Jay had to suppress a laugh, and there was a corresponding tease in Moran’s eyes. As they handed their invitations over at the door, though, Jay was seized by the sudden conviction that it wouldn’t be enough; the doorman would take one look at him and know, immediately, that no version of Jay Moriarty belonged in a place like this. But he was with Moran—Eton and Oxford, son of an ambassador, former SAS officer Sebastian Moran, who could go just about anywhere he pleased. Which was exactly why Jay had asked for his help.

The first chapter of "Moriarty & Moran Contribute to Community Welfare" is now on Ko-fi and free for anyone to read. Subsequent chapters will be posted on Tuesdays as supporter-only posts. You can also get the entire novelette as an ebook.

This Week's Links

Business Insider Founder Creates AI Exec For His New Newsroom, Immediately Hits On Her

On Monday, the co-founder of Business Insider Henry Blodget published a blog on his new Substack about a “native-AI newsroom.” Worried he’s missing out on an AI revolution, Blodget used ChatGPT to craft a media C-Suite. Moments after seeing the AI-generated headshot for his ChatGPT-powered media exec, he hits on her.

Professors Staffed a Fake Company Entirely With AI Agents, and You'll Never Guess What Happened

The bots also struggled with self-deception — basically creating shortcuts that lead them to completely bungling the job. "For example," the Carnegie Mellon team wrote, "during the execution of one task, the agent cannot find the right person to ask questions on [company chat]. As a result, it then decides to create a shortcut solution by renaming another user to the name of the intended user."

Anti-Trans Activist Nicola Murray Found Guilty of Child Abuse

Murray was a lead voice last week when the UK Supreme Court ruled that the legal definition of a woman should be based on biological sex under equalities law, meaning, for instance, that transgender women, who are biologically male but identify as women, can be excluded from women-only spaces.

---

"That's one reason people are stupid: they're not using their brains. You don't use a muscle, it atrophies."

Harlan Ellison

-K

[bloggerpriyanka]

Media Production in Meerut

Media Production in Meerut – Elevate Your Brand with Professional Video, Film & Digital Content Creation

In today's digital world, media production plays a crucial role in storytelling, branding, and communication. Whether you're an entrepreneur, a content creator, a filmmaker, or a business owner, high-quality media production services can enhance your brand’s presence, engage audiences, and deliver powerful messages.

If you are in Meerut and looking for top-notch services in movie production, TV series creation, podcasts, and digital content production, then Gluck Production is your ultimate destination. With expertise in professional videography, cinematography, and post-production services, we help businesses, artists, and brands tell their stories effectively.

What is Media Production?

Media production involves the creation, editing, and distribution of content across various platforms, including television, digital media, podcasts, and films. It blends artistry with technical expertise to produce compelling visuals, immersive sound, and engaging storytelling.

From corporate films to YouTube videos, podcasts, social media ads, and music videos, media production services cover a wide spectrum of industries and purposes.

Media Production Services in Meerut

At Gluck Production, we offer a full range of media production services to cater to different needs:

1. Film & Movie Production 🎬

Professional cinematography & direction

Short films, feature films, and documentaries

Scriptwriting, screenplays, and storyboarding

High-quality video editing and color grading

2. TV Series & Web Series Production 📺

Pre-production planning and scripting

Professional shooting with high-end cameras

Post-production, sound design, and VFX

OTT-ready content for platforms like Netflix, Amazon Prime, and YouTube

3. Corporate & Brand Videos 🏢

Promotional videos for businesses and startups

Brand storytelling through creative cinematography

High-quality advertising and marketing videos

Interview & testimonial videos for corporate clients

4. Podcast Production 🎤

Professional audio recording and editing

Sound design, mixing, and mastering

Studio-quality podcast production for Spotify, Apple Podcasts, and YouTube

Video podcasts for better engagement on social media

5. Digital Content Production 🌐

YouTube video production with trending themes

Social media content creation for Instagram Reels, Facebook Ads, and TikTok

Vlogs, tutorials, and influencer content production

Professional post-production editing with graphics & animation

Why Choose Professional Media Production Services?

High-quality media production is not just about filming or recording; it's about storytelling that captivates and influences your audience. Here’s why professional media production matters:

✅ Boosts Brand Visibility – Well-produced videos and content attract more views and engagement ✅ Professional Quality – High-resolution videos with expert editing make a strong impression ✅ Enhances Marketing Strategies – Videos convert better than static ads ✅ Engages Audience Emotionally – Creative storytelling builds brand loyalty and trust ✅ Optimized for Multiple Platforms – Content can be shared across YouTube, Instagram, Facebook, OTT platforms, and websites

Media Production in Meerut – Your Best Choice!

If you’re looking for professional video production, film creation, or digital media services in Meerut, Gluck Production is your go-to platform. With state-of-the-art equipment, experienced professionals, and innovative storytelling techniques, we ensure that your brand, business, or creative project stands out.

How to Get Started?

1️⃣ Visit Our Website – Explore services at Gluck Production 2️⃣ Book a Service – Choose the best media production service for your needs 3️⃣ Call Our Team – Discuss your project on the provided contact number 4️⃣ Start Your Journey – Work with Meerut’s best media production team to create stunning content

Don’t miss out on the opportunity to elevate your brand with the best media production services in Meerut. Contact Gluck Production today and turn your creative vision into reality! 🎥🚀

[letsinfluence1]

Screenwriting Terminology: A Complete Guide for Aspiring Writers

Screenwriting is a fascinating craft that requires both creativity and technical knowledge. One of the most important aspects of writing a screenplay is understanding screenwriting terminology. Whether you're a beginner or an experienced writer, knowing the right terms will help you communicate effectively within the film industry and format your script professionally. In this guide, we will explain essential screenwriting terminology in an easy-to-understand way and show you how Mugafi can support your screenwriting journey.

Why is Screenwriting Terminology Important?

Every industry has its own language, and the film and television industry is no exception. Screenwriting terminology helps writers:

Format scripts correctly

Communicate with directors, producers, and actors

Write scenes efficiently

Structure a compelling story

Without understanding screenwriting terminology, it can be difficult to create a professional screenplay. Let’s dive into the essential terms every screenwriter should know.

Essential Screenwriting Terminology You Should Know

1. Screenplay Format Terms

Slugline (Scene Heading): A short line at the beginning of a scene that tells where and when the scene takes place (e.g., INT. COFFEE SHOP – DAY).

Action: Describes what is happening in the scene, including character movements and important details.

Dialogue: The spoken words between characters, formatted under their names.

Parenthetical: A small direction placed in parentheses before dialogue, indicating how a line should be spoken (e.g., "(angrily)").

Transition: Editing directions such as CUT TO:, FADE IN:, and DISSOLVE TO:.

2. Character & Storytelling Terms

Protagonist: The main character in the story, usually the hero or central figure.

Antagonist: The character or force that opposes the protagonist, creating conflict.

Character Arc: The transformation or development a character undergoes throughout the story.

Exposition: Background information presented to help the audience understand the story.

Climax: The most intense and dramatic part of the story, often a turning point.

3. Structural Terms

Three-Act Structure: A common story structure divided into three parts – Setup, Confrontation, and Resolution.

Inciting Incident: The event that sets the story into motion.

Rising Action: A series of events that build tension leading to the climax.

Denouement: The conclusion or resolution of the story.

4. Technical Terms

Beat: A small moment or pause in a scene that indicates a shift in emotion or action.

Montage: A series of short scenes showing a passage of time or a sequence of events.

Voiceover (V.O.): When a character speaks but is not visible on screen.

Off-Screen (O.S.): When a character speaks but is in another room or off-camera.

Intercut: A technique used to show two or more scenes happening simultaneously by cutting back and forth.

How Mugafi Helps You Master Screenwriting Terminology

Mugafi is more than just a screenwriting tool—it’s a complete platform designed to support writers at every stage. Here’s how Mugafi can help you master screenwriting terminology:

1. AI-Powered Assistance

Mugafi’s AI-powered tools provide real-time feedback on your script, helping you apply proper screenwriting terminology correctly.

2. Expert Mentorship

Get guidance from experienced screenwriters who can review your scripts and teach you how to use industry-standard screenwriting terminology effectively.

3. Community Support

Join a community of writers who share their knowledge, provide feedback, and collaborate on projects.

4. Easy Formatting

Mugafi’s screenwriting tool automatically formats your script, ensuring you use correct screenwriting terminology.

5. Learning Resources

Access guides, tutorials, and masterclasses that break down screenwriting terminology in an easy-to-understand way.

How to Use Screenwriting Terminology Like a Pro

Here are some tips to apply screenwriting terminology effectively in your scripts:

Read Professional Screenplays: Analyzing scripts from successful films helps you understand how terms are used in real writing.

Practice Writing Scenes: The more you write, the more comfortable you become with proper terminology.

Use Screenwriting Software: Tools like Mugafi ensure your script follows industry standards.

Get Feedback: Join a writing group or use Mugafi’s mentorship program to receive constructive criticism on your script.

Stay Updated: The film industry evolves, so continue learning new terms and trends.

Conclusion

Understanding screenwriting terminology is essential for any aspiring screenwriter. It ensures your script is formatted correctly, improves communication with industry professionals, and enhances your storytelling skills. If you’re serious about screenwriting, Mugafi is the perfect platform to support your journey. With AI-powered assistance, expert mentorship, and an active community, you’ll master screenwriting terminology in no time.

Ready to take your screenwriting skills to the next level? Join Mugafi today and start writing your screenplay like a pro!

[demodazzle02]

The 7 Best Demo Tools and Platforms in 2025

In today's fast-paced business environment, the ability to create compelling product demonstrations has become more crucial than ever. Whether you're pitching to investors, training new users, or marketing to potential customers, having the right demo tool can make all the difference. Let's explore the top 7 best demo tools and platforms that are revolutionizing the way companies showcase their products in 2025.

1. Demo Dazzle: The New Gold Standard in Demo Creation

Why It Tops Our List

Demo Dazzle has rapidly emerged as the leader in the demo platform space, combining ease of use with powerful features that cater to businesses of all sizes. Its AI-powered interface allows users to create interactive demonstrations in minutes, not hours.

Key Features

Smart Capture Technology: Automatically identifies key product features

Interactive Branching Scenarios: Creates personalized demo paths

Analytics Dashboard: Provides detailed insights on viewer engagement

Multi-Platform Compatibility: Works seamlessly across devices and browsers

Best For

Startups and enterprise companies alike who need to quickly create professional, engaging demos without a steep learning curve.

Learn more about DemoDazzle here: Demo Dazzle blogs

2. Presentify Pro

What Sets It Apart

Presentify Pro stands out for its advanced animation capabilities and template library. The platform excels at creating demos that tell a compelling story.

Key Features

Extensive template gallery with industry-specific designs

Real-time collaboration tools

Voiceover and captioning features

Cloud-based asset management

Best For

Marketing teams and sales professionals who need to create visually stunning demonstrations with minimal design experience.

3. DemoStream

The Streaming Solution

DemoStream has pioneered the concept of live, interactive demos that can be delivered to audiences anywhere in the world in real-time.

Key Features

Live streaming capabilities with minimal latency

Audience interaction tools (polls, Q&A, reactions)

Session recording and automatic highlight generation

Integration with major CRM platforms

Best For

Companies with global audiences who need to deliver live product demonstrations while maintaining audience engagement.

4. VirtualDemo360

Immersive Experiences

VirtualDemo360 brings virtual reality and augmented reality to product demonstrations, creating immersive experiences that allow users to interact with products in 3D space.

Key Features

VR/AR compatibility without special hardware requirements

360-degree product visualization

Spatial audio support

Easy embedding in websites and social media

Best For

Hardware manufacturers, architecture firms, and companies with physical products that benefit from spatial demonstration.

5. Explainer Engine

The Tutorial Specialist

Explainer Engine focuses on creating step-by-step tutorials and onboarding demonstrations that help users quickly understand complex products.

Key Features

Automated screenplay generation from user flows

Progress tracking for viewers

Interactive quizzes and checkpoints

Multi-language support with automatic translation

Best For

SaaS companies and software developers who need to create comprehensive product tutorials and onboarding materials.

6. DemoForge

The Developer's Choice

DemoForge caters specifically to technical products, allowing developers to showcase code, APIs, and technical features in an engaging way.

Key Features

Code syntax highlighting and live editing

API call visualization

Technical documentation integration

Terminal recording and playback

Best For

Developer tools, technical products, and companies selling to engineering teams.

7. PitchPerfect

The Presentation Powerhouse

PitchPerfect combines traditional presentation capabilities with modern demo features, making it ideal for pitch decks and investor demonstrations.

Key Features

Financial visualization tools

Seamless integration with financial data

Custom branding and design controls

Presenter mode with notes and timing features

Best For

Startups seeking funding, sales teams, and companies that need to combine narrative presentations with product demonstrations.

Conclusion: The Future of Product Demonstrations

As we move further into 2025, these platforms are redefining what's possible in the world of product demonstrations. Demo Dazzle leads the pack with its innovative approach and comprehensive feature set, but each platform on this list offers unique capabilities that can be leveraged depending on your specific needs.

The key trends we're seeing across these platforms include:

Greater personalization through AI and data analysis

More interactive elements that engage viewers

Cross-platform compatibility for reaching audiences wherever they are

Detailed analytics to measure demo effectiveness

For businesses looking to stay competitive, investing in the right demo platform is no longer optional—it's essential for effectively communicating product value in today's digital-first world.

[hssrarepairs]

🎄HSS Rare Pairs 2024 🎄

We are an anon, multi-ship, multimedia gift exchange focused on HP rare pairs posting Dec 2024.

🎁 2024 Schedule 🎁

Sign-ups: Aug 13-Sep 3 Gift Submissions Due: Nov 15 Gift Giving: Dec 1-Dec 25 Creator Reveals: Dec 30

🎁 Quick Links 🎁

Rules FAQ AO3 Sign-up Form Submission Form

🎁 Contact 🎁

Email: hssrarepairs@gmail.com Tumblr: @hssrarepairs Discord: HP Rare Pairs

See below for the list of Excluded Common Ships and gift examples.

❄️ ❄️ ☃️ ❄️ ❄️

🎁 Excluded Common Ships 🎁 

Dramione - Hermione Granger/Draco Malfoy

Drarry - Draco Malfoy/Harry Potter

Harmony - Hermione Granger/Harry Potter

Harrymort/Tomarry - Harry Potter/Voldemort (Tom Riddle)

Hinny - Harry Potter/Ginny Weasley

Jegulus - Regulus Black/James Potter

Jily - James Potter/Lily Evans Potter

Romione - Hermione Granger/Ron Weasley

Snamione - Hermione Granger/Severus Snape

Snarry - Severus Snape/Harry Potter

Wolfstar - Sirius Black/Remus Lupin

🎁 Gift Examples 🎁 

Creative writing (fic, drabble, poetry, epistolary, screenplay, etc.)

Other writing (meta analysis, ship manifesto, recipe, tutorial, stats, etc.)

Art (traditional mediums, digital art, comic, photography, calligraphy, etc.)

Remix art (moodboard, story banner, podfic coverart, gif set, meme fic, etc.)

Craft (origami, bookbinding, embroidery, knitting, papercutting, ice sculpture, etc.)

Audio (podfic, podcast, filk, playlist, etc.)

Multimedia (fanvid, videogame, animation, stop motion, music video, etc.)

Translation

Any gift that can be given through AO3!

❄️ ❄️ ☃️ ❄️ ❄️

Graphics made by the super talented @venom0usbarbie!!

[filmmakingwithgg]

Writing Tutorial 20/09

I met up with Chris for the first time. He talked a bit about the structure of a story and the place that each Act has in a screenplay. It was all very helpful information before I had actually started my drafts.

Then I brought up whether I should remove the two extra characters I had with the Labcoat people, as suggested by Davide. I had a feeling that was right, but wanted a second opinion. Chris talked about how in short films, we have very little time to tell a story. So the more characters there are the more you are splitting the screen time between those characters. I could see where he was coming from. Chris also mentioned the importance of conflict in the script and how we should try to get to the central conflict in the short film as quick and as obviously as we can. I kept that in mind and decided to cut the Labcoat people for the next outline, to be able to focus on the central conflict, Caleb and the Dad.

[shabdproductionhouse]

The Power of Whiteboard Animation: Benefits & Creation | Shabd Production House

Whiteboard animation is a potent tool for companies, educators, and marketers alike since it is a dynamic and engaging means of conveying ideas. Whiteboard animation‘s unique ability to explain difficult ideas and engage viewers has led to its rising popularity. We’ll look at the advantages of whiteboard animation in this blog and walk you through making videos with it.

What is Whiteboard Animation?

A type of film called “whiteboard animation” reproduces the process of drawing on a whiteboard. It usually consists of hand-drawn text and images that are presented in a stop-motion or Time expire format, frequently with narration. This technique of visual storytelling works well for simplifying difficult material into something that is easy to understand.

The Benefits of Whiteboard Animation

Simplifies Complex Ideas

When it comes to clarifying complicated concepts, whiteboard animation is especially useful. Drawings are used to graphically portray concepts, which simplifies information and facilitates viewer comprehension. Because of this, it’s a great tool for lessons, product demos, and instructional content.

Engages Audiences

Whiteboard animation’s lively style and hand-drawn look keep viewers interested. When an idea is visually presented on screen, viewers are more likely to pay attention to it and stay interested, which results in higher retention rates than with standard video content.

Versatility

Whiteboard animations can be applied in a variety of fields and contexts. Regardless of the purpose—marketing, instruction, training, or entertainment—this animation technique is versatile and may efficiently reach a large audience with your message.

Cost-Effective

Whiteboard animated videos are less expensive than live-action ones. They are a cost-effective solution for companies of all sizes because they can be manufactured fast and with fewer resources.

Enhances Learning

Whiteboard animation’s blend of multimedia and visual components improves learning. Research has indicated that individuals who simultaneously see and hear information retain it better. Because of this, whiteboard animation is a fantastic tool for educational content, e-learning programs, and instructional movies.

How to Create Whiteboard Animation

Videos using whiteboard animation can be easily created, provided you have the appropriate resources and know-how. The following is a step-by-step tutorial on making whiteboard animation:

Plan Your Script

Write a clean and clear script first. The main ideas that you wish to convey should be outlined in your script. Remember that whiteboard animation works best when it is clear and concise, so omit any unnecessary details that can make your point more difficult to understand.

Create a Storyboard

Your script is represented visually in a storyboard. It aids in the planning of each scene and the flow of your animation. Make a sketch of the main images you wish to use, along with the order in which they should appear.

Choose the Right Software

To create whiteboard animations, a variety of software alternatives are available. Doodly, Explaindio, and VideoScribe are a few popular options. Even for inexperienced users, these platforms’ drag-and-drop functionality, pre-made graphics, and templates make the production process simple.

Record Your Voice Over

For whiteboard animation to be effective, the voiceover must be strong. Use a good quality microphone and a quiet setting to record your voiceover. Make sure your narration flows with the animation’s pacing, is entertaining, and is clear.

Animate Your Whiteboard Video

To make your storyboard come to life, use the program of your choice. Upload your narration and screenplay first, then include the images. The majority of whiteboard animation software lets you select hand styles, create transitions, and draw effects that resemble hand drawing on a whiteboard.

Add Background Music and Sound Effects

You should think about including sound effects and background music in your video to increase its overall impact. Your whiteboard animation can look better and interesting with the addition of these components.

Review and Edit

Check your video for mistakes or Errors before putting it into final form. Make sure the voiceover and the graphics are timed correctly, and that the flow is maintained throughout. Make any required changes to raise the quality of the finished output.

Export and Share

When your whiteboard animation is ready, export it in a high-quality file type that is suitable for the platform you want to use. You may use it in presentations and marketing campaigns, embed it on your website, and share it on social media.

Conclusion

Whiteboard animation is a potent tool that blends adaptability, simplicity, and engagement. Whiteboard animation is a creative option that may be used to engage your audience, clarify a complex idea, or produce affordable video material. You can produce engaging material that connects with your audience and makes your point clear by following the instructions provided in this guide on how to make whiteboard animation films.

Email: contact@shabdproduction.com

Phone: +91 88402 31884

Website: http://shabdproduction.com/video-editing-service/

[kvibe-test]

Unlock Film Success Through Script Mastery and Collaboration

Rewriting and Editing Scripts: A Crucial Part of the Filmmaking Journey

Revising and polishing a script are essential steps in the filmmaking journey. These activities involve perfecting the story, fleshing out characters, and improving the overall structure of the screenplay. This post delves into the art of revising and editing a script, highlighting its importance in various areas such as filmmaking workshops, indie films, and the New Jersey film industry.

The phases of rewriting and editing can transform a mediocre story into a captivating narrative. These stages are critically important, whether you are engaged in a filmmaking workshop, crafting an independent film, or contributing to the dynamic New Jersey film scene. By grasping the fundamental elements involved, you can become a more efficient and skilled screenwriter.

Script Editing and Rewriting: The Foundation of Filmmaking Workshops

Filmmaking workshops offer a space for budding writers and filmmakers to sharpen their skills and understand the intricacies of scriptwriting. Rewriting and editing are core components of these workshops, where mentors help writers refine their scripts.

Workshops often stress the value of the first draft as a preliminary framework, encouraging writers to understand that initial perfection is not the aim. Instead, revising and reworking help in solidifying the story's structure and tweaking dialogues and character arcs. Facilitators also highlight the importance of collaborative feedback, which can provide new insights the writer may have overlooked.

Industry veterans advise on self-editing and integrating feedback from diverse sources. Techniques like tutorials, checklists, and peer reviews are commonly employed to enhance the script. This iterative approach ensures that the story becomes more engaging and cohesive with each revision.

The Art of Revising and Editing in Indie Films

Independent films often operate under budget and time limitations, making the rewriting and editing process even more vital. Indie filmmakers view this phase as a chance to fine-tune their vision within constrained resources.

Collaboration is particularly crucial in this context. Indie filmmakers usually work closely as a team, involving actors, directors, and even crews in the rewriting phase. This cooperative effort can help to pinpoint what works and what requires improvement. It allows the story to develop dynamically, adapting to real-world hurdles faced during production.

Moreover, the flexible nature of indie projects permits more experimental approaches in storytelling and character development. By staying open to change and continuous improvement, indie filmmakers can create rich, nuanced films that shine in film festivals and markets.

The New Jersey Film Industry: Adopting the Art of Revising and Editing

New Jersey's film industry is flourishing, with numerous production companies, film festivals, and workshops nurturing talent and fostering creativity. Script revising and editing are essential to this dynamic environment, enabling filmmakers to produce top-notch content.

The industry benefits from a robust support system that includes film commissions, grants, and festivals aimed at encouraging script enhancement. The New Jersey Film Commission plays a crucial role in providing resources and platforms for filmmakers to present their work and receive constructive feedback. Events such as the New Jersey International Film Festival offer invaluable opportunities for indie filmmakers to refine their scripts and gain visibility.

By embracing script revision and editing, New Jersey filmmakers can uphold high standards of storytelling, contributing to the state's reputation as a burgeoning center for quality film production.

Though not directly tied to the art of revising and editing scripts, understanding the intricacies of the planner-client relationship can be beneficial for filmmakers and screenwriters. Establishing successful partnerships can lead to more efficient project management and smoother production processes. Here are some strategies to consider:

Clear and consistent communication is vital. From the initial planning stages to the final wrap-up, maintaining open communication lines helps to align expectations and ensures both parties are on the same page. Regular updates and feedback sessions can prevent misunderstandings and keep the project on track.

Trust and professionalism are foundational. Demonstrating reliability and integrity can cultivate a strong working relationship. Meeting deadlines, openly discussing challenges, and showing dedication to the project's success will build trust and encourage a collaborative spirit.

Flexibility and adaptability are also key. Projects can often encounter unforeseen challenges or opportunities, and being adaptable can help navigate these changes smoothly. Willingness to adjust plans and find creative solutions can strengthen the planner-client relationship and lead to successful project outcomes.

Applying these strategies can enhance not just local New Jersey projects but can be implemented universally, paving the way for smoother and more productive collaborations in the filmmaking world.

The art of revising and editing scripts stands as a testament to the dedication and collaboration involved in filmmaking. Whether it's refining a script in a workshop, addressing the unique challenges of indie film production, or contributing to the vibrant New Jersey film industry, the process is central to creating compelling and successful films. Additionally, understanding how to improve planner-client relationships can lead to better project outcomes, emphasizing the importance of effective communication and collaboration in the creative process.

#filmmaking #scriptwriting #independentfilms #filmproduction #rewriting

Visit https://www.kvibe.com for more insights into filmmaking and artist features.