#sculpturecenter

[garadinervi]

Fiona Connor, Fiona Connor, SculptureCenter, 2019, (detail), (recycled paper, shrink wrap), Closed for installation, Fiona Connor, SculptureCenter, #4, SculptureCenter, New York, NY, 2019, Edition of 192 [Courtesy the artist, 1301PE, Los Angeles, CA, and Hopkinson Mossman, Wellington. Photo: Fredrik Nilsen]

Fiona Connor, Fiona Connor, SculptureCenter, (recycled paper, shrink wrap), 2019, documentation of workshops, SculptureCenter, New York, NY, June 7-16, 2019, Edition of 192 [Courtesy the artist, 1301PE, Los Angeles, CA, and Hopkinson Mossman, Wellington. Photos: Heidi Bohnenkamp]

Fiona Connor, Fiona Connor, SculptureCenter, (recycled paper, shrink wrap), SculptureCenter, New York, NY, 2019, Edition of 192 [BOOKS@, Amsterdam]

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Qualche storia cafausica, 2023

Qualche storia cafausica ovverosia Storie di un luogo immaginario che esiste per davvero di Emilio Fantin, Luigi Negro, Giancarlo Norese, Cesare Pietroiusti, Luigi Presicce la casa cafausica, 2023 terza edizione Language: ItalianISBN: 9781446781166Pages: 98Binding: PaperbackBlack & WhiteDimensions: Pocket Book (4.25 x 6.875 in / 108 x 175 mm)shop I racconti pubblicati in questo volume sono…

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Henrike Naumann at SculptureCenter December 15, 2022

[chainsawpunk]

Best museum in nyc?

I mean there’s the obvious options in all the amazing encyclopedic museums in the city but my personal favorites are the ones that feel really special and unique to nyc like the Met cloisters & sculpturecenter

[cosmicanger]

Henrike Naumann at SculptureCenter

[tigerstrikesasteroidnetwork]

LA / Double-Body

Back to exhibition info

IN CONVERSATION

On Sunday, February 5 at 2pm Cindy Rehm will be in conversation with Shana Lutker. 

Both Los Angeles-based artists share a deep interest and decade(s) long research on all things hysterical, historical medical sources and their relevance to a contemporary art context, the echoes of surrealism, and a critical feminist lens on the specters of psychoanalysis, to name just a few. We are thrilled to have those two “hystorian artists” meet and discuss their shared interests for the very first time. Please come and join the conversation.

Shana Lutker is a Los Angeles-based artist and Executive Director of Project X Foundation for Art & Criticism, a nonprofit art organization that publishes the contemporary art quarterly X-TRA, the website x-traonline.org, and presents public programs. Her work was shown in many US and international venues, including the Hirshhorn Museum and Sculpture Garden; 18th St Arts Center in Santa Monica; Pérez Art Museum Miami; Susanne Vielmetter Los Angeles Projects; the 2014 Whitney Biennial; Performa 13; the SculptureCenter, Hauser & Wirth, Moscow Museum of Modern Art; and has been covered in Art in America, Artforum, Artillery, Frieze, Hyperallergic, Los Angeles Times, and The New York Times, among others.

CURATED VIDEO PROGRAM

Cindy Rehm curated a video program in conversation with themes in her exhibition that will be on view as part of “Double-body”. The program includes works by Ursula Brookbank, Heehyun Choi, Mehregan Pezeshki, Ali Prosch, Heather Rasmussen, Kayla Tange, and Jessica Wimbley. To share this incredible work also off-gallery hours, please find here the program on demand: 

[Click here to watch the video program]

Heehyun Choi Between the Eyes 2, 2019 (video, 16mm to HD, color, sound, 2:48)

Ursula Brookbank Tiny Rituals, 2021 (video, color, sound, 8:00)

Mehregan Pezeshki The Shadow On The Wall, 2020 (video, black and white, sound, 4:44)

Jessica Wimbley Potential Space, 2022 (Digital Video Collage, b/w, color, sound, 2:28)

Heather Rasmussen Legs and legs movement #1 (two views), 2015 (HD video with sound, 6:52)

Kayla Tange Dis·in·te·gra·tion, 2021 (sculpture, performance for camera, video, 2:57)

(Sound elements: disintegrating clay, silent screams, voice of Chuck Hohng, clay head photograph by Caroline Yoo.)

Ali Prosch Conjure, 2022 (video, color, sound, 5:10)

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Tectonic, 2021. Directed by Fleur Melbourn. Installation view, Tirzah, SculptureCenter, New York, 2022. Courtesy of the artists. Photo: Charles Benton.

[asengineering]

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An intimate understanding of modern and historical materials, together with how they deteriorate, is important for arriving at environment friendly options which would possibly be secure, elegant and economical. Our staff of engineers can draw upon their wealth of data to develop restore and rehabilitation programs that maintain structural stability and lengthen the service lifetime of buildings. Centerbrook Architects, Reich + Petch exhibit designers of Toronto, arup offering mep services and Turner Construction round out the team. When work is completed in 2023, the museum will function 50 p.c more gallery space and new lighting, audio-visual and casework techniques. The Peabody will have 15,000 sq. ft of recent galleries across three floors, so visitors will be capable of view objects from the collections which have never been exhibited before.

SculptureCenter and the carousel enclosure at the Staten Island Zoo shall be featured on this year’s Archtober. Archtober (ärk’tōbər) is New York City’s Architecture and Design Month, the fifth annual month-long pageant of structure actions, applications and exhibitions going down in the course of the month of October. Through special tours, lectures and exhibitions, Archtober raises awareness structural engineer nyc of the important function of design in our metropolis and to construct a long-lasting civic and international recognition of the richness of New York’s built environment. The US Resiliency Council has launched the USRC Earthquake Building Rating System. The Rating System assigns one to five stars for three efficiency measures—Safety, Damage and Recovery .

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To honor women engineers at Thornton Tomasetti, W@TT's Global Programming Committee is sharing tales about exceptional women. Thornton Tomasetti Senior Consultant Ray Daddazio has been named the recipient of the Melvin L. Baron Award for outstanding contributions to the field of shock and vibration evaluation. Sunnyside Yard Master Plan Reinventing what a sustainable, resilient, people-first community could be – by making a neighborhood out of skinny air. The David H. Koch Center For Cancer Care Our innovative resilience technique safeguarded MSKCC’s premier most cancers heart from flooding – while vastly improving the patient expertise.

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[heavensdoorways]

Gabriel Sierra, Untitled (o(op(ope(open)pen)en)n), installation view, 

Gabriel Sierra: Numbers in a Room, SculptureCenter, 2015. 

MDF and burlap. 

Dimensions variable. 

Courtesy the artist and kurimanzutto, Mexico City. 

Photo: Kyle Knodell

[contemporaryartdaily]

Tishan Hsu at SculptureCenter

[chainsawpunk]

The Best art exhibitions of 2022?

Ummm all nyc/no particular order but faith ringgold at the new museum, Oscar Howe at NMAI, Diane Severin Nguyen at sculpturecenter, Lives of the Gods: Divinity in Mayan Art @ the met, Howardena Pindell at Garth Greenan Gallery, Jimmy DeSana at Brooklyn Museum, Jessi Reaves at Bridget Donahue Gallery, Paul Booth at Duane Thomas gallery, Nancy Grossman at Michael Rosenfeld Gallery, Just Above Midtown exhibition at MoMA, not an exhibition but Oren Pinhassi’s presentation with Eden Assanti at ABMB was 👌🏻

[mimeticspace]

Jean-Luc Moulène

[thinkingimages]

Carmen Winant, Looking Forward To Being Attacked, 2018, installation view, SculptureCenter, New York, 2018. Foam, concrete patch, found images. 49 x 41 x 61 inches (124.5 x 104.1 x 155 cm). Courtesy the artist. Photo: Kyle Knodell 

[slcvisualresources]

Jonathan Ehrenberg

Bad Tools 6 (top) and 2 (bottom left), 2016

Martyr, 2016

dye sublimation print

[sculpture-center]

FEATURED ARTIST: Neil Beloufa

Installation views, Neïl Beloufa, 2017. Pejman Foundation, Tehran. Photos courtesy Ghebaly Gallery. 

Click here to view Neil Beloufa’s work in SculptureCenter’s 2013 exhibition Better Homes, curated by Ruba Katrib.

sculpture-center.org

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Ceiling #iphonephotography #blackandwhitephotography #art #sculpturecenter #architecturephotography #architecture #industrial #factory (at SculptureCenter)