Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
No wonder Mizu gets mad after this, lol
So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
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Genuinely so curious who Mike thinks is gonna be buying The Cage or the new DCTL GN bc with the way he tweets as far as he's concerned, it's not gonna be:
The queer people he has actively admitted he will never show any representation of in the games.
2. The POC he has actively fought against representing in his franchise. [Who he also mocked for thinking they would be represented in his franchise]
3. The Bendy fandom which has always been concerned with topics of diversity esp in the sense of queer people since its creation. Who he has responded to really poorly esp in regards to the GN.
4. The fans who critique him. [He blocked me for doing so lol]
5. His fans in general who he tweets about like this currently. [He's being vague about why people were mad at him or sent him 'nasty messages' because if you actually looked into why you'd see he was in the wrong. Either way, a very hateful way to speak abt ur own fanbase.]
Reminder while Mike is trash talking his fans he has always treated them rather poorly. The fans who won the fanart contest for Chapter 5 never got their posters actually in game due to it being rushed. Not only was chapter 5 a big slap to the face story wise, but it was literally so rushed he couldn't be bothered to add in the art his fans gave him for his game FOR FREE. [Meatly blames this on a crazy timeline, reminder him and Mike are the literal ceos of this company. The proposal of future updates here is also pretty cruel considering Mike nowadays happily admits he corrupted Chapter 5's source code and therefore literally can't update it At All currently. Because he is a moron]
At least they got to be in Boris and the dark survival, and by that I mean that was the Only game they got to be in so far, isn't that just treating your fans like you love them? Shoving their hard work into a spin off game almost nobody has played or addresses much. [Hell, who knows if with the Lone Wolf rebrand they'll even stay there. In which case they'll be in None of the games, only in the credits of BATIM]
6. The Bendy fans who just generally disagree with him on stuff. Like the new ink demon design where there is literally a public poll showing people generally prefer the old one.
7. The Bendy fans who can see he is actively lying to them. To their fucking faces.
He says this has always been the case, but screenshots and links to tweets regarding the books being canon prove it was not. Does he really think bendy fans are stupid or something? [Unless he's admitting here he lied to Kress when he told her the books were canon which sounds worse!]
8. Anyone who doesn't like the idea of giving money to a guy who laid off tons of employees then afterwards thought it was a great idea to express his anti-union views! Also brag about how good of an employer he was, according to his employees, he was not!
So in summary; Mike is an awful person who has not learned anything from the awful things he did. I will not be purchasing The Cage because, combined with this and his absolute refusal to take any kind of critique or see any differing interpretation of his franchise, I have no reason to think my problems with the franchise will ever be addressed or fixed. I probably will pirate The Cage along with any future Bendy Products [Including the movie] and will do my best to avoid giving it any kind of monetary support. Unless this changes any time soon, I can't see myself making anymore positive Bendy posts soon.
Mike has just managed to make it so hard to speak positively or optimistically of this franchise when he's so willing to broadcast how little he cares about it or its fans. I'm at the point where I refuse to pull any of my punches with my problems with it. What's the point of trying to play nice with my critique when either way the people creating it don't care?
So with this post, I want to invite anyone who feels similarly about the franchise to tell me, make a post or send an ask talking about how all of this makes you feel. It may not change how things are, but genuinely seeing other people share my feelings of anger makes me feel better. It feels nice to see when other people share our same concerns and worries. I'd also love to know if anyone else thinks they'll be avoiding purchasing Bendy products over this.
I'm not forcing anyone to participate in it nor trying to say anyone who doesn't supports mike but genuinely maybe if we can collectively decide to boycott things like the movie, graphic novel and The Cage... It might at least make the bendy devs acknowledge how much they have destroyed their own fandom's faith and trust in them.
The way Mike tweets about his actions like he had no control over why people were mad at him at least proves to me he takes NONE of it back nor regrets it. If you didn't know about his actions and only went off his tweets, you would be led to believe Mike has been needlessly picked apart by fans over things he couldn't control [or in his own words, had his words twisted and taken out of context]. That is not how you speak about your actions if you have actually learned better from them.
anyway, that has been my bendy dev callout post. This is an open invitation to anyone feeling similarly upset about the way the franchise is going to talk about it. It's genuinely nice to see how people feel about this and the more we talk about the more it's likely the bendy devs are forced to address our concerns. I don't think they will but hey, that's why I'm not gonna support them with my money anymore nor am I gonna be nice to them in any content I make critiquing Bendy. I mean I'm also basically making this post just in case anyone asks me Why I feel this way towards to bendy devs/as a way to respond to anyone who thinks I am too harsh in my critique in the future.
As always, it seems the best part of Bendy isn't actually anything about canon but about what the fan's are creating with the ideas Bendy failed to do anything interesting with.
Also the books, the books slap.
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This is the first time I've been able to watch an episode of maws as it airs so here's my take on S2E6!
• Clark is actually being mean and sassy and I love him for it like yes bby please wake up in a better mood next time you were kidnapped not murdered
• I didn't realize in the preview clip that aired a few days ago but Kara's eyes grey out even when she says "model citizen" at the beginning of the episode!
• the look when Clark sees Lois : (( the poor boy didn't even have time to process the breakup before he got knocked out and thrown into space but also she was the first thing he thought of when Kara asked if anyone cared for the real him :((((
• Clark says ow when he fights with Kara over the Polaroid! It's so natural that it took me a second to realize that he probably doesn't normally feel pain from playful roughhousing??
• the fact that Clark immediately clocks Kara the way Jimmy clocked him and Lois. The little shimmer in his eye when he asks if she likes him
• "what, no, what? I don't even know what that means. Stop being all weird with your stupid earth brain" this whole sequence makes me REALLY REALLY look forward to a post-brainiac maws where Clark and Kara can just be cousins in metropolis together (which I fully believe the maws crew will make happen)
• Cousin snowball fight I cryyy
• For a second I almost believed we were actually going to see space traveling and new planets but makes sense
• ok it's been lowkey before this episode but is Clark actually kryptonian super saiyan I don't know the lore
• Kara actually did genocide while brainwashed oh no
• I'm sorry I'm sorry WHAT Jimmy and Lois both 1. Found MM and the brain from the OTHER DIMENSION they traveled to and 2. WENT INTO SPACE TO FIND CLARK my joy is unending I love this show
• Clark is actually going to be used as a weapon nooo poor boy just wants to help I can't handle a world where the maws version of Clark Kent is a murderer :((((
Final thoughts, love! The maws crew is already doing such a good job of making Clark and Kara feel like cousins and I'm so happy she's in the show even though I was honestly hesitant about it at first. The next episode is called Olsen's eleven and once again I am. My joy is immeasurable. I love this show. I love that we get to experience it every week instead of all at once because now I get to comb through all the small animation details while I waitt!!! I'm just sad there were no phones in this episode because HOW will I know if it's still Monday may 9th now???
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how do you feel about whats being said about liam in maya's new book? about him making her get an abortion or else he would leave her and he didn;t even drive her to the hospital when she had complications due to the abortion? gross as fuck
i wasn't even aware of all of what was going on with liam until yesterday because i tend to try and stay as far away as possible from knowing things about liam.
but, i'm not sure exactly how i'm supposed to feel other than grossed out and disturbed? not sure there should be an array of opinions over what maya shared (if people are having differing opinions that is). what she said should be taken seriously. and i hate that she went through that- at any age with a partner but especially being as young as she was. it seems like this book is her way to heal, and who am i to judge how someone who was in a toxic relationship with someone of liam's caliber should heal?
addiction is such an insidious symptom to a damaged person, and as someone who was in a long-term relationship with an addict from 19-23, it's awful. if you've never experienced being on the other side of that.... it's difficult to even wrap your brain around the abuse that can accumulate both for the partner and the addict, themselves. it just. fucking sucks. and i have a lot of sympathy for addicts because of what i've went through. so i do have sympathy for liam's continuous addiction, but there is a very fine line for having sympathy for someone's addiction and excusing them for the behavior they exhibit while going through their addiction. i don't excuse his abusive behavior. i don't excuse his manipulation tactics in his relationships. i don't excuse his manic episodes and harmful comments that he's said about his partners or his former bandmates etc.
i hope he finally gets the help he so desperately needs, because its clear from years of observation that he needs long-term rehabilitation and good people around him to truly fend off his addictions instead of them staying cyclical. but, that also doesn't mean i have to support him otherwise. i'm tired of how he handles situations and the boys and his relationships and his own brand. he genuinely needs to seek help, because what maya talks about in that book shows that he is severely damaged and even if he does get fully sober, he still has demons to face.
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Another of the endless things I love about the adaptation which deserves its own post - Norrie.
I love Norrie so much and what she means for the narrative. I love that entire first part of the first episode because it really hammers in how much of a craptastic world they live in. Sure, they have cozy breakfasts and tea, but let’s face it, they’re all child soldiers. And inasmuch as the show shows some pretty criminally negligent adults (or you know just plain criminal), there are also characters like Barnes and that undercover agent and even Danny Clough who prove that there are slivers of goodness in a world that has failed its children and pushed the responsibility onto them (and again man if that isn’t an allegory to current times).
Norrie is ever part of the narrative. She’s Lucy’s past and her own personal ghost. She tinges Lucy’s current relationships even now. If Lockwood is sometimes reminded of Jessica through Lucy, then maybe Lucy is also reminded of Norrie through Lockwood, because between the both of them it was always Norrie who longed for more than what life gave them. When Lockwood declares he won’t be the one to leave anyone behind, it resounds because Lucy is the one who was left behind. But see there’s the difference between Lockwood and Lucy. Because while Lockwood vows to give up on love, Lucy’s response to having it taken away from her, to having been abandoned and left behind, is to fight for it, to love and live fiercely.
And George, I love George so much, because George stabilizes the both of them. There’s how George connects with Lucy after she shares about Norrie and becomes her staunch advocate, and there’s also how Lucy is finally able to tell him what she desperately wishes someone told her back then, “No matter what happens, it’s not your fault.” Lockwood and Lucy are two desperate, angry, and lonely kids. They need George to remind them of brighter days of breakfasts and doughnuts and family. It’s a great thing for George to still have his family because in a way he shares that warmth with them. But because he is also George he can relate to them about normal things, like being weird and being the black sheep. Like I just want to say George is so important okay?
I’ve said before that this show reminds me so much of Anne with an E, and it especially reminds me of that show in that scene where Lucy talks into her tape recorder for Norrie. I think it’s the shot of the sun shining through the dust motes and the blinds.
Anyway, I really love Norrie and potential dynamics. (For fanfic and headcanon purposes, I can’t help but think of Norrie as Lucy’s lost lenore, so how could Lockwood ever compete?)
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