#seth m. sherwood

[adamwatchesmovies]

Leatherface (2017)

While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...

No long-running slasher series can resist telling us what happened before the killer got their favourite weapon, superpower, or iconic mask. These misguided efforts at expanding the characters always disappoint. There are now two prequels in The Texas Chainsaw Massacre series. The first, released in 2006, told us what happened before the 2003 remake. Now, the 1974 Tobe Hooper classic has received the same treatment. This is not a good movie but for what it’s worth, it’s the best of these “slasher origin” movies we’ve ever received. Before I tell you why, what’s this movie about?

In 1955, Verna Sawyer’s sadistic children are taken away from her and sent to a mental institution by Sheriff Hartman (Stephen Dorff), who believes the family is responsible for the death of his daughter. Ten years later, nurse Elizabeth White (Vanessa Grasse) and patients Jackson (Sam Strike) & Bud (Sam Coleman) are taken hostage by Ike (James Bloor) and Clarice (Jessica Madsen) following a riot that sees many patients and staff killed. As they travel the countryside, leaving a trail of violence in their wake, the police close in.

With the children’s names changed upon admission to the Gorman House Youth Reformery, neither the characters nor the audience know which of the three men is Jud Sawyer, the boy who will one day grow up to become Leatherface. Astute viewers can probably deduce who it is, but there’s still a mystery as we watch the events unfold and wonder what will turn them into the killer we know. This uncertainty is what elevates this film past the likes of A Nightmare on Elm Street 4: The Dream Child, Rob Zombie’s Halloween, 2011’s The Thing, Hannibal Rising and other horror prequels. At least this one has ambition. It wants to tell a new story. In fact, if it weren't for one scene towards the end, you probably wouldn’t know Leatherface is a prequel, and I mean this in a good way.

Directors Julien Maury and Alexandre Bustillo, along with writer Seth M. Sherwood have made a film that stands on its own… except when it doesn’t. In the opening scene, we see a young Jud receive his first chainsaw and you will roll your eyes. Still, it’s a breath of fresh air compared to what we've been subjected to by this series before. As of 2017, there are 8 Texas Chainsaw movies. Most of them simply regurgitate what we’ve seen before. Their stories are so bad they would need at least 4 passes through the ringer to become worthy of viewing… and at the end of the process, you’d just have the original movie so they’re utterly pointless. Revise this story 4 times and who knows? I know it sounds like a backhanded compliment but you don’t understand just how awful some of the TCM movies have been.

So it’s the cream of the crap essentially. I appreciated many things this film does but I still would never call it good. A full moon turns to a quarter moon and then a full moon again within the span of a few minutes. The evil characters are so evil they feel out of place. Everyone else is often too unlikeable for you to care what will happen next. The gore is excessive, certain characters or plot points are introduced and then disappear as if forgotten. Ultimately, by being a prequel to The Texas Chain Saw Massacre, all this movie does is remind you of a better movie you’d rather be watching.

And so, we’ve finally come to the end of the series. What a downhill ride it’s been. If I were to rank them all from worst to best, I’d go #8: Texas Chainsaw Massacre: The Beginning. #7: Texas Chainsaw 3D. #6 Texas Chainsaw Massacre III. #5 Texas Chainsaw Massacre IV: The Next Generation. #4 Texas Chainsaw Massacre II. #3 Leatherface (not too bad, eh? Though this mostly speaks to the inhumane wretchedness of the other movies rather than this one’s quality). #2 The Texas Chainsaw Massacre (2003) and #1 - of course - the original. Now, let’s hope we can finally put the series to rest on this “high note”. (On Blu-ray, May 31, 2019)

[mochibuni]

This is a bit different from what I normally post, but my cousin Seth M. Sherwood is a screenwriter (The Devil In Me, Light As A Feather, and Hellfest) and currently on strike. As primarily a horror screenwriter he decided to pour his expertise and experience into creating a writing guide for scary movies. I have his permission to share The Scary Movie Writer's Guide here with you!

THE SCARY MOVIE WRITER’S GUIDE is a 100+ page step by step workbook that guides you to plan, plot, and write your own horror screenplay. It takes you through the entire process, starting with generating ideas and forming work habits, all the way through the process of making a detailed outline. Cook up plots, find themes, play with subgenres, decide on point of view and style, cook up characters and monsters— it’s called a WORK book for a reason... There are prompts, tests, charts, log forms, and DOZENS of worksheets to fill out in between breakdowns of everything that goes into constructing a horror movie from scratch. The book is expertly laid out and full of spooky illustrations to keep you inspired while you read. It’s designed to be written in, photocopied, folded up, and have pages ripped out— whatever it takes to get your ideas out of your head and into a script.

Please visit his website Scary Writer to purchase!

Also available on the website is his Monster Taxonomy poster. Seth's previous profession was a graphic artist and it shows in the formatting and visual creativity of both his works.

If you'd like to support my cousin while striking, please consider checking out his works for purchase!

[brokehorrorfan]

Lionsgate and Bloody Disgusting are teaming up to release Wolf Creek, Hannibal Rising, I Spit on Your Grave, You're Next, Sinister, Texas Chainsaw, and Leatherface on Steelbook Blu-ray + Digital exclusively at Walmart.

Featuring artwork by Bond, all seven titles will be released on August 20 for $24.99 each. Existing special features are included.

Be sure to check your local Walmart now for a Bloody Disgusting shelf in the electronics section, where you'll find an exclusive edition of Broke Horror Fan's Terrifier 2 VHS.

2005's Wolf Creek is written and directed by Greg McLean. John Jarratt, Nathan Phillips, Cassandra Magrath, and Kestie Morassi star.

2007's Hannibal Rising is directed by Peter Webber and written by Thomas Harris, based on his own novel. Gaspard Ulliel, Gong Li, Rhys Ifans, and Dominic West star.

2010's I Spit on Your Grave is directed by Steven R. Monroe and written by Stuart Morse. Sarah Butler, Jeff Branson, Daniel Franzese, Rodney Eastman, Chad Lindberg, Tracey Walter, and Andrew Howard star.

2011's You're Next is directed by Adam Wingard and written by Simon Barrett. Sharni Vinson, A.J. Bowen, Nicholas Tucci, Wendy Glenn, Joe Swanberg, Barbara Crampton, and Rob Moran star.

2012's Sinister is directed by Scott Derrickson from a script he co-wrote with C. Robert Cargill. Ethan Hawke, Juliet Rylance, Fred Thompson, James Ransone, Clare Foley, and Michael Hall D'Addario star.

2013's Texas Chainsaw is directed by John Luessenhop and written by Adam Marcus, Debra Sullivan, and Kirsten Elms. Alexandra Daddario, Dan Yeager, Tremaine Neverson, Tania Raymonde, Thom Barry, Paul Rae, and Bill Moseley star.

2017's Leatherface is directed by Julien Maury and Alexandre Bustillo and written by Seth M. Sherwood. Stephen Dorff, Vanessa Grasse, Sam Strike, and Lili Taylor star.

[fearsomeandwretchedandwrong]

My reading goal for 2023 is to read 75 books. I will post each book I've read here:

Frankenstein (1818 text) by Mary Shelley

In the Garden of Spite by Camilla Bruce

The Tale of the Body Thief by Anne Rice

All the Dangerous Things by Stacey Willingham

The Essential Bogosian: Talk Radio, Drinking in America, Funhouse and Men Inside by Eric Bogosian

What Lies in the Woods by Kate Alice Marshall

Memnoch the Devil by Anne Rice

The Writing Retreat by Julia Bartz

Mall by Eric Bogosian

The Vampire Armand by Anne Rice

Pounding Nails in the Floor With My Forehead by Eric Bogosian

Merrick by Anne Rice

Vicious by V.E Schwab

Such Pretty Flowers by K.L Cerra

Blood and Gold by Anne Rice

Vengeful by V.E Schwab

How to Sell a Haunted House by Grady Hendrix

Prince Lestat by Anne Rice

Scythe by Neal Shusterman

What Moves the Dead by T. Kingfisher

The Lost Girls by Sonia Hartl

The Spite House by Johnny Compton

All Systems Red by Martha Wells

ExtraOrdinary by V.E Schwab

The Sleeper and the Spindle by Neil Gaiman

Gallant by V.E Schwab

A House with Good Bones by T. Kingfisher

Six of Crows by Leigh Bardugo

Shades of Magic Vol. 1: The Steel Prince by V.E Schwab

Shades of Magic Vol. 2: Night of Knives by V.E Schwab

Shades of Magic Vol. 3: The Rebel Army by V.E Schwab

Prince Lestat and the Realms of Atlantis by Anne Rice

Lord of Eternal Night by Ben Alderson

Blood Communion by Anne Rice

Nettle and Bone by T. Kingfisher

Wolfsong by TJ Klune

Demon in the Wood by Leigh Bardugo

A Spindle Splintered by Alix E. Harrow

Winter's Orbit by Everina Maxwell

Artificial Condition by Martha Wells

Rogue Protocol by Martha Wells

Dead Silence by S.A. Barnes

The Magic That Binds by A.J. Sherwood

Silver in the Wood by Emily Tesh

A Darker Shade of Magic by V.E. Schwab

Witch King by Martha Wells

Some Desperate Glory by Emily Tesh

Drowned Country by Emily Tesh

Ocean's Echo by Everina Maxwell

Reforged by Seth Haddon

From Below by Darcy Coates

Nimona by N.D. Stevenson

A Strange and Stubborn Endurance by Foz Meadows

You're Not Supposed to Die Tonight by Kalynn Bayron

Cosmoknights by Hannah Templer

The Last Word by Taylor Adams

In the Lives of Puppets by TJ Klune

Exit Strategy by Martha Wells

The Hollow Places by T. Kingfisher

The Lightning-Struck Heart by T.J. Klune

Nick and Charlie by Alice Oseman

Run Time by Catherine Ryan Howard

The Family Game by Catherine Steadman

Ravensong by T.J. Klune

Shadow and Bone by Leigh Bardugo

The Only One Left by Riley Sager

Thornhedge by T. Kingfisher

Finna by Nino Cipri

Siege and Storm by Leigh Bardugo

Ruin and Rising by Leigh Bardugo

A Head Full of Ghosts by Paul Tremblay

Ninth House by Leigh Bardugo

The Stranger Upstairs by Lisa M. Matlin

My Dear Henry by Kalynn Bayron

Vampires Never Get Old by Natalie C. Parker and Zoraida Córdova

Creature Feature Collection (Ankle Snatcher by Grady Hendrix + five more short stories)

Six of Crows by Leigh Bardugo (re-read)

Someone We Know by Shari Lapena

Crooked Kingdom by Leigh Bardugo

The Language of Thorns: Midnight Tales of Dangerous Magic by Leigh Bardugo

A Haunting on the Hill by Elizabeth Hand

A Marvellous Light by Freya Marske (re-read)

The Nothing Man by Catherine Ryan Howard

A Restless Truth by Freya Marske

A Power Unbound by Freya Marske

The Trap by Catherine Ryan Howard

The Twisted Ones by T. Kingfisher

A Clash of Steel by C.B. Lee

The Lost Village by Camilla Sten

The Magpie Lord by K.J. Charles

[strinak]

Author Statistics

For 10 authors, I read their works into the double digits: Alessandra Hazard (x11) Kiki Clark (x12) Kati Wilde (x13) Shelly Laurenston (x15) AJ Sherwood (x16) Onley James (x20) KL Noone (x24) Charity Parkerson (x31) Megan Derr (x40) Mary Calmes (x44)

For 24 authors, I read at least 3 and at most 9 works: Andrea K Host (x4), Anne Bishop (x4), Brigham Vaughn (x3), Bruce Sentar (x3), Deacon Frost (x3), Eric Ugland (x7), Gail Carriger (x1)/GL Carriger (x3), Ilona Andrews (x5), Jennifer Cody (x4), Jordan Castillo Price (x3), Louisa Masters (x6), Lucy Lennox (x5), Lyn Gala (x3), Mell Eight (x3), Michelle Diener (x4), Naomi Novik (x3), R Cooper (x5), RJ Moray (x2)/Robin Moray (x1), Sam Burns (x5), Shirtaloon (x7), Stella Starling (x4), TJ Land (x9), Vasily Mahanenko (x3), and Wen Spencer (x5).

For 25 authors, I read exactly 2 works: Alex Gilbert, Alice Winters, Amanda Meuwissen, Amy Crook, Andy Gallo, Bettie Sharpe, Claire Cullen, David North, Eli Easton, Eryn Ivers, Isabel Murray, Jessie Mihalik, KM Neuhold, LC Mawson, Luke Chmilenko, Macronomicon, Ofelia Grand, Robin Roseau, Ryan Rimmel ,Sam Burns & WM Fawkes (with Sam Burns), Shannon West, Skylar Jaye, Tara Lain, TS Snow, and Victoria Helen Stone.

For 87 authors, I read only a single work: A Catherine Noon & Rachel Wilder, AC Wiggen, Allie Brosh, Amanda Milo, Andrea Speed, Anyta Sunday (with Andy Gallo), April Jade, Arden Powell, August, Brea Alepou & Wren Snow, Brooke Matthews, Bryce O’Connor (with Luke Chmilenko), Cale Plamann, Casualfarmer, Catelyn Winona, Chace Verity, CJ Carella, CM Blackwood, Courtney Milan, Daniel Rose, Danny M Lavery, Darktechnomancer, Dassy Bernhard, Delaney Rain, Delmire Hart, Devon Vesper, DI Freed, DM Rhodes, Eden Finley & Saxon James, EJ Russell, Elliott Kay, EM Lindsey (with Kiki Clark), Hayden Hall, HJ Tolson, Jenny Lawson, Jesse Q Sutanto, JK Jeffrey, KA Merikan, Kaleb England, Kaydence Snow, Kou Delika, Lee Hadan, Liz Talley, May Archer (with Lucy Lennox), Macy Blake, Margaret Atwood, Marie Cardno & Kalikoi, Michele Notaro, Michelle Frost, Michelle Kathleen Hodgson, Natasha Hunter, Nazri Noor, Philip R Johnson & Justin C Louis, Raleigh Ruebins, Ravensdagger, Regine Abel, Riley Hart, RJ Scott, Robert Bevan, Ryn Bretcher, Sam Starbuck, Samantha Cayto, Sariah Wilson, Sasha L Miller, Scott Browder, SE Harmon, Sean Oswald, Sebastian Hansen, Seth Richter, Sienna Sway, Sierra Riley, SJ Himes, Stephanie Burgis, Stephen L Hadley, Stuart Grosse, Suki Fleet, Sunny Hart, SunriseCV, Tansy Rayner Roberts, Tanya Chris, Toby Wise, Tom Watts, Toni McGee Causey, Travis Baldtree, Xander Boyce, Yamila Abraham, and Zile Elliven.

[sunaleisocial]

MIT SHASS announces appointment of new heads for 2024-25

New Post has been published on https://sunalei.org/news/mit-shass-announces-appointment-of-new-heads-for-2024-25/

MIT SHASS announces appointment of new heads for 2024-25

The MIT School of Humanities, Arts, and Social Sciences (SHASS) has announced several changes to the leadership of its academic units for the 2024-25 academic year.

“I’m confident these outstanding members of the SHASS community will provide exceptional leadership. I’m excited to see each implement their vision for the future of their unit,” says Agustin Rayo, the Kenan Sahin Dean of MIT SHASS.

Christine Walley will serve as head of the Anthropology Section. Walley is the SHASS Dean’s Distinguished Professor of Anthropology. She received a PhD in anthropology from New York University in 1999. Her first ethnography, “Rough Waters: Nature and Development in an East African Marine Park,” explored environmental conflict in rural Tanzania.

Seth Mnookin will serve as head of the Comparative Media Studies Program/Writing. Mnookin is a longtime journalist and science writer and was a 2019-20 Guggenheim Fellow. He graduated from Harvard College in 1994 with a degree in history and science, and was a 2004 Joan Shorenstein Fellow at Harvard’s Kennedy School of Government. Mnookin will continue in his role as director of the Graduate Program in Science Writing.

Kieran Setiya will serve as head of the Department of Linguistics and Philosophy. Setiya is a professor of philosophy and is head of the philosophy section. He works mainly in ethics, epistemology, and the philosophy of mind. He received his PhD in philosophy from Princeton University in 2002.

In the Literature Section, associate professors Sandy Alexendre and Stephanie Frampton will serve as co-heads. Alexandre’s research spans the late 19th century to present-day Black American literature and culture. She received a PhD in English language and literature from the University of Virginia in 2006. Frampton is also co-chair of the Program in Ancient and Medieval Studies. She received a PhD from Harvard University in comparative literature in 2011.

Jay Scheib will serve as head of the Music and Theater Arts Section. Scheib is Class of 1949 Professor of Music and Theater Arts. He received an MFA in theater directing from the Columbia University School of the Arts. He is a recipient of the MIT Edgerton Award, the Richard Sherwood Award, a National Endowment for the Arts/TCG fellowship, an OBIE Award for Best Direction, and the prestigious Guggenheim Fellowship.

In the Program in Science, Technology, and Society, Kate Brown will serve as head. Brown is the Thomas M. Siebel Distinguished Professor in History of Science. Her research interests illuminate the point where history, science, technology and bio-politics converge to create large-scale disasters and modernist wastelands. Brown will publish “Tiny Gardens Everywhere: A Kaleidoscopic History of the Food Sovereignty Frontier” in 2025 with W.W. Norton & Co. Brown has held fellowships from the Guggenheim Foundation, the Carnegie Foundation, the European University Institute, The Kennan Institute, Harvard’s Davis Center for Russian and Eurasian Studies, and the U.S. Holocaust Museum. She ​​received her PhD in history from the University of Washington at Seattle.

In the Program in Women’s and Gender Studies, Sana Aiyar will serve as interim head. Aiyar is an associate professor of history, and is a historian of modern South Asia. She received her PhD from Harvard University in 2009 and held an Andrew Mellon postdoctoral fellowship at Johns Hopkins University in 2009-10.

[jcmarchi]

MIT SHASS announces appointment of new heads for 2024-25

New Post has been published on https://thedigitalinsider.com/mit-shass-announces-appointment-of-new-heads-for-2024-25/

MIT SHASS announces appointment of new heads for 2024-25

The MIT School of Humanities, Arts, and Social Sciences (SHASS) has announced several changes to the leadership of its academic units for the 2024-25 academic year.

“I’m confident these outstanding members of the SHASS community will provide exceptional leadership. I’m excited to see each implement their vision for the future of their unit,” says Agustin Rayo, the Kenan Sahin Dean of MIT SHASS.

Christine Walley will serve as head of the Anthropology Section. Walley is the SHASS Dean’s Distinguished Professor of Anthropology. She received a PhD in anthropology from New York University in 1999. Her first ethnography, “Rough Waters: Nature and Development in an East African Marine Park,” explored environmental conflict in rural Tanzania.

Seth Mnookin will serve as head of the Comparative Media Studies Program/Writing. Mnookin is a longtime journalist and science writer and was a 2019-20 Guggenheim Fellow. He graduated from Harvard College in 1994 with a degree in history and science, and was a 2004 Joan Shorenstein Fellow at Harvard’s Kennedy School of Government. Mnookin will continue in his role as director of the Graduate Program in Science Writing.

Kieran Setiya will serve as head of the Department of Linguistics and Philosophy. Setiya is a professor of philosophy and is head of the philosophy section. He works mainly in ethics, epistemology, and the philosophy of mind. He received his PhD in philosophy from Princeton University in 2002.

In the Literature Section, associate professors Sandy Alexendre and Stephanie Frampton will serve as co-heads. Alexandre’s research spans the late 19th century to present-day Black American literature and culture. She received a PhD in English language and literature from the University of Virginia in 2006. Frampton is also co-chair of the Program in Ancient and Medieval Studies. She received a PhD from Harvard University in comparative literature in 2011.

Jay Scheib will serve as head of the Music and Theater Arts Section. Scheib is Class of 1949 Professor of Music and Theater Arts. He received an MFA in theater directing from the Columbia University School of the Arts. He is a recipient of the MIT Edgerton Award, the Richard Sherwood Award, a National Endowment for the Arts/TCG fellowship, an OBIE Award for Best Direction, and the prestigious Guggenheim Fellowship.

In the Program in Science, Technology, and Society, Kate Brown will serve as head. Brown is the Thomas M. Siebel Distinguished Professor in History of Science. Her research interests illuminate the point where history, science, technology and bio-politics converge to create large-scale disasters and modernist wastelands. Brown will publish “Tiny Gardens Everywhere: A Kaleidoscopic History of the Food Sovereignty Frontier” in 2025 with W.W. Norton & Co. Brown has held fellowships from the Guggenheim Foundation, the Carnegie Foundation, the European University Institute, The Kennan Institute, Harvard’s Davis Center for Russian and Eurasian Studies, and the U.S. Holocaust Museum. She ​​received her PhD in history from the University of Washington at Seattle.

In the Program in Women’s and Gender Studies, Sana Aiyar will serve as interim head. Aiyar is an associate professor of history, and is a historian of modern South Asia. She received her PhD from Harvard University in 2009 and held an Andrew Mellon postdoctoral fellowship at Johns Hopkins University in 2009-10.

[celtfather]

Making Better Things, Sustainable Music with Kyle Carey

My goal is to get someone to share what I make. Highlight a new theme each week.

Your mom is calling! Or is it? It might be a scammer. But I can help you protect yourself. Can we make the music business more sustainable? I have an interview with Kyle Carey.

This is Sci Fi Pub Songs & Stories #269.

0:16 - Marc Gunn “Romulan Ale” from Sci Fi Drinking Songs

3:23 - WELCOME TO SCI FI PUB SONGS & STORIES

This is the audio edition of my newsletter. I am Marc Gunn. I’m a Rhythm & Folk Celtic musician in Atlanta. I play traditional Irish and Scottish drinking songs, but I am also a songwriter. I write songs Celtic culture and fuse them pop culture, things like Lord of the Rings, Firefly, Star Wars, Star Trek, Doctor Who and more.

If you’re new to the show, please subscribe. You can do that at PubSong.com. Or even better send me an email to pubsong@ celtfather. You can not only subscribe, but you can also download all of my songs in this show. You will get an email with a link to download this month’s songs. It’s quick and easy.

Oh! And let me know what you’re doing while listening to this episode.

And as you hopefully heard in the last episode when I say I have CDs. Your job is to shout, “You have CDs!”

5:01 - UPCOMING SHOWS

APR 6: Dragon Con Filk Music Concert with Brobdingnagian Bards @ 7 PM CST

APR 8-9: Sherwood Forest Faire, Paige, TX

APR 20: Cat Drinking Songs on Bandcamp @ 7 PM EST

APR 21-23: Jordan Con, Atlanta, GA

APR 29. The Lost Druid Earth Day Biking Concert, Avondale Estates @ 6:30-9:30 PM

JUN 3-10: Celtic Invasion Vacations, County Mayo, Ireland

5:43 - Marc Gunn “A Well-Dressed Hobbit” from Don’t Go Drinking With Hobbits

8:02 - KYLE CAREY IS MAKING MUSIC MORE SUSTAINABLE

Kyle Carey plays Gaelic Americana music. She’s originally from New Hampshire and sings songs in Irish and Scots Gaelic. Her songwriting is inspired by American and Celtic folklore.

She has a brand new Kickstarter currently running for her album, The Last Bough.

23:59 - Kyle Carey “June Day” from North Star

27:50 - SUPPORT THE THINGS YOU LOVE

If you enjoy this show and want to keep it going, join over 150 other Gunn Runners on Patreon. Every week, you get bonus podcasts, downloadable songs, printed sheet music, blogs, or stories from the road. Plus, you get weekly access to my Coffee with The Celtfather video concerts and discounts on merch. Sign up for as little as $5 per month. You can also save 15% with an annual membership. I make music and podcasts because of your generosity so please join the Club today!

Thanks to my newest Gunn Runners on Patreon: Alice M, Karla A, Triskele, Ayden B

28:49 - DEFENDING YOURSELF FROM AI DEEP FAKES

One of my favorite podcasts to listen to is called Akimbo. It’s by Seth Godin, a brilliant marketer and thought leader. He constantly challenges his listeners to “make things better by making better things.” That resonates with me.

One of my early Irish & Celtic Music Podcast slogans was “changing the way you hear Celtic music.” That was about improving the culture, embracing change, recognizing that our past is important but so is our future. That’s what podcasting is all about. Or it can be.

This week, Seth didn’t something intriguing. He asked ChatGPT to evaluate the functions, the future, and the problems of artificial intelligence like ChatGPT. He recorded the responses…

Well, sort of.

It turned out the entire recording, except the intro, was an AI voice manipulator that sounded almost exactly like Seth Godin. There was one moment in the recording that I thought, this is kind of dry sounding. I chalked it up to ChatGPT. Little did I know, it wasn’t Seth speaking.

My mom just shared an AI scam that’s happening. I have an idea on how to fix. Thank you Harry Potter!

The scam is that an AI simulator will call you on the phone and have the same voice as someone you know. They say that they are in financial trouble. They ask for your help.

What do you do?

At some point, the simulator will be good enough to fool you. Just like Seth Godin’s podcast fooled me. We’re already there. But I immediately came up with a defense. It’s from the final books of Harry Potter.

I’ll let ChatGPT explain:

“In the final books of the Harry Potter series, Remus Lupin asked Harry Potter a question to prove that he was not an imposter. The question was: "What is the secret of the Marauder's Map?" This was a question that only the true creators of the map - Lupin, James Potter, Sirius Black, and Peter Pettigrew - would know the answer to.

Harry correctly answered that the map was activated by tapping it with one's wand and saying "I solemnly swear that I am up to no good," and that it could be closed by tapping it again and saying "Mischief managed." This answer convinced Lupin that Harry was indeed who he claimed to be.”

Yeah. I was talking about it with my mom and realized this is the way we need to protect ourselves from THIS AI scam.

We ask a question that only the person we’re talking with would know the answer to.

Seems simple. But it’s a good lesson to pass on. So please please share this idea. Because at some point, you won’t be able to tell who’s real and who’s not.

Mind you, that’s not to scare you. As I said at the beginning, change is inevitable. We need to work with this bizarre new paradigm. As Seth Godin’s podcast points out, it can be beneficial or it can be hurtful. We have the power to choose and to make change. So let’s do something for the better.

Oh and if you want some more thoughts on ChatGPT by Andrew McKee and me. We did a great podcast on it on the Brobdingnagian Bards Podcast.

37:47 - Marc Gunn “The Long Arm” from As Long As I’m Flyin’

39:33 - CREDITS

Thanks for listening to Sci Fi Pub Songs & Stories. The show is brought to you by my Gunn Runners on Patreon. The show was edited by Mitchell Petersen with graphics by Miranda Nelson Designs.

You can subscribe and listen to the show wherever you find podcasts. Sign up to my mailing list to read the show notes for this episode and find out where I’m performing. And of course, please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor.

Have fun and sing along at www.pubsong.com!

#pubstories #kylecarey #ecofriendlymusicians

Check out this episode!

[longterra]

Texas chain saw massacre torrent

#Texas chain saw massacre torrent movie

Lionsgate and Millennium Films lost the rights to produce future Texas Chainsaw Massacre films because of its delay in release. It received generally mixed reviews from film critics, and garnered $1,476,843 worldwide. After being temporarily shelved by Lionsgate Films in 2016, the film was made exclusive via DirecTV on September 21, 2017, before receiving a wider release on video on demand and limited theaters, simultaneously, in North America on October 20, 2017. Principal photography commenced in Bulgaria in May and June 2015, with locations and sets chosen for their resemblance to the Texas terrain and as homage to the series' previous films. Maury and Bustillo signed on as directors after reading the screenplay, impressed with what they found to be a unique take on the long-running franchise. Sherwood pitched Leatherface to Millennium Films as a prequel that would follow the titular character in a mentally competent state, enduring trauma that transforms him into the intellectually disabled murderer seen in the previous films. In favor of avoiding the convoluted continuity of the previous films whilst going in an unexpected direction, Seth M. įollowing the financial success of Texas Chainsaw 3D, a sequel went into development from director John Luessenhop for a planned shoot in Louisiana, but failed to receive the greenlight to move forward. It is the eighth installment in the Texas Chainsaw Massacre ( TCM) franchise, and works as a prequel to The Texas Chain Saw Massacre (1974) and Texas Chainsaw 3D (2013), explaining the origin of the series' lead character. Sherwood, and starring Stephen Dorff, Vanessa Grasse, Sam Strike, and Lili Taylor.

#Texas chain saw massacre torrent movie

Thank god I got movie theater gift cards for Christmas.Leatherface is a 2017 American horror film directed by Julien Maury and Alexandre Bustillo, written by Seth M. See for yourself if you like but if you are a die hard TCM fan like I WAS, then I highly expect you to be disappointed and don't spend money on it. It's all just very confusing and makes me feel like a woman with a glass of wine wrote the story line. This new TCM makes it seem more like a fantasy horror movie. Plus the other movies really portrayed the fact that the movie was based off a true story. During the first half of the movie it is just like the other TCM movies, but the last half turns into some weird love/family reuniting story which I absolutely hated. The whole story line was completely changed. And don't even get me started on how Heather was acting at the end of the movie. Also the makers of the movie made a huge error with the the main character's age (should be at least 40.) The killings were not that severe, the only 3D parts were with the chainsaw (which didn't even happen that much), and Leatherface was turned into this sweet character that you began to feel bad for. And the fact that Trey Sonz was in this movie(even though his acting skills WERE better than I expected) totally ruined it for me. However, once we met the main characters of the movie it was obvious that it wasn't going to meet my expectations. The movie started out good, and had some good background information to later understand the present scenes. I believed that the TCM movies were always better than that, but now my opinion has changed. If someone didn't know anything about the previous TCM movies, they would think this was just your everyday horny teenager horror movie. I was so unbelievably disappointed in this movie it sickens me. I rushed to the theater on opening night super excited because the Texas Chainsaw Massacre 3D facebook page shared a lot of information about the making of the movie and I expected it to be the best one yet. Literally have been counting down the days. Being the extremely huge Leatherface fan that I am, I have been looking forward to seeing this movie since the first posters came out.

[esperwatchesfilms]

Hell Fest (2018)

ESE: 100/100

50 +10 for creepy carnivals +10 for Bex Taylor-Klaus +10 for a “fest” I’d love to go to +5 for photobooth kisses -5 for stealing the photos -10 for going after the photo thief alone +10 for the Deadlands being so freakin’ awesome -10 for incompetent security +20 for Tony Todd +5 for Taylor’s escape -5 for Taylor’s death +10 for the BFFs surviving and the ending leaving it open for a sequel

[cinemafanatic]

“Some people are just evil.“

Hell Fest (2018)

[wherever-i-look-blog]

Candace ends up one step closer to death and, once more, Mrs. Regan entertains guest asking about her son, Marc, as well as Violet.

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Network HULU Director(s) Jeffrey W. Byrd Writer(s) Seth M. Sherwood Air Date 10/12/2018 Characters Introduced Lena Harley Graham Mrs. Regan Timi Prulhiere

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The State of Isaac: Isaac

Isaac isn’t dead, but he is in a coma. One which, even after a toxicology test, they can’t figure out what happened to him. It is just assumed he OD’d.

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Commentary

Are we at the point where it is now time to ask the rules of magic? That is, does Violet perhaps have an unlimited supply, maybe that thing supplies her magic, and also there is the need to question who taught her what she knows? If she a Chucky type of magic user, meaning she just used the internet? Also, does she have to read someone’s future death for them to die? Could there be others out there, like Isaac, in some hospital bed just out of it?

Another Visit To Mrs. Regan’s: Trey, Henry, Lena, Mrs. Regan, McKenna

After Trey reveals to Henry what is going on, he agrees to help with the Violet investigation by using his connect to Marc to speak with Mrs. Regan. Leading to a far more welcoming response than Trey got when he was lone. However, when McKenna gets sick of the pleasantries and mentions Violet, as Trey was asked to leave briskly, so are Henry and McKenna.

However, then Lena, Mrs. Regan’s daughter reveals to them news clippings. A whole bunch dedicated to those Violet likely killed playing Light as a Feather over the years. Also, she drops the bomb that Marc, if anything, was pushed to his death – it wasn’t a suicide.

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Commentary

Mrs. Regan (Timi Prulhiere)

Lena (Harley Graham)

What are the chances Violet is keeping tabs on Mrs. Regan and what she says to anyone? For it seems she is used to people questioning Violet’s crazy and looking into what happened to her son over it. However, if that is the case, why isn’t Lena as worried? With all her obituary clippings, this means she has done her own investigation or has been part of one.

But, taking note of how Violet seemingly has a habit of using whatever powers she has, there is a further need to question her motivation. Her wanting revenge on the girls made sense. Be justice for Marc, or maybe them doing something to Violet in the past they simply don’t remember. However, if this is just her picking targets based on their social media profiles, then that immediately takes away the need to find McKenna and the rest interesting at all. They are simply unlucky and nothing more.

You’re Running Out Of Time: Alex, Violet, Candace, McKenna, Gloria

Violet wants a new game of Light as a Feather to start and so, using what she knows about Alex, she tasks her to get the gang back together. Problem is, because of Violet’s actions, everyone is not on the best terms. McKenna discovers Alex still has a stimulant pill left and with what they did to her sister, and Alex just being busted with them, she needs time to cool off. Then there is Candace.

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Thanks to Violet, Candace is in a therapy program at the Daybridge Center. Seemingly, Gloria allowed them to drug her baby and take her there. Mind you, just so they wouldn’t put Candace on a psychiatric hold which would go on her permanent record. However, with them wanting to do some kind of water therapy, and drowning is how Candace dies, she does not want to go into their pool but might be forced to.

Commentary

They do see that Candace is Black right? They couldn’t have gotten something to protect her hair? Instead, they just going to throw her in there? Homegirl may have only gotten her hair hit with a hot comb but do you know how much of a pain it is to deal with those? Sorry, I just had a Black moment.

Refocusing on the topic, why did Alex come for Violet and bring up Marc? Granted, Violet wouldn’t likely do anything in front of Gloria, but you already on her radar. You think, just to get the game going again, she wouldn’t just snitch on you? What does she have to lose really?

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Which perhaps is why she wanted to do the game again. Maybe there is a time limit between her doing the magic and the deaths which has to be done. For while that thing in her back might be satisfied with the life-force it took from Isaac, before that it seemingly was draining her. She even looked a bit paler back then. So maybe she has to re-up or else she is dead?

Question(s) Left Unanswered

Has Lena done much investigating on her own, or does she just have those news clippings and that’s it?

So, what happened to grandma and what exactly did happen to Violet’s parents?

Criticism

With learning Violet just picks a group, tries to integrate, and uses them for the game, it almost brings a sort of Truth or Dare vibe to the show. Like, it doesn’t matter who did what, all that matters is the game keeps going and Violet isn’t the last one alive for that means she’ll end up dead.

Which is mostly being labeled a criticism because it really makes it so there is nothing to get excited about when it comes to McKenna and her friends. They really are everyday people and while that’s fine for Alex and Candace, since they have some kind of personality, it destroys all the hope I had for McKenna. Now the only thing which could make her interesting is learning it is actually Jennie and she swapped lives with her sister.

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Check Out Other TV Recaps

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Light As A Feather (#LightAsAFeather): Season 1/ Episode 6 "...Troubles as the Tide" - Recap/ Review (with Spoilers) Candace ends up one step closer to death and, once more, Mrs. Regan entertains guest asking about her son, Marc, as well as Violet.

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268 Directors and the end of the blog

This post marks the end of the Ask a Director experiment. I’m so grateful to all who have contributed, supported and engaged with it over the past six and a half years. 

This blog was started at a time when I felt incredibly alone in the directing field. I had always been taught that a director operates solo, that it was a lonely career and above all, it was based on scarcity. This was a style of working and living that didn't fit for me. I wanted to talk to other directors about their practice and thoughts about the field, both national and international. This blog was started as a way to connect, to uplift other directors and to create a conversation about the changing field and practices. 

It's surpassed all of these goals and brought me more joy than I can name. 

I'm now at a moment where my practice and advocacy are taking different and exciting paths and it's time for me to put this site to bed. I remain committed to uplifting other directors, to talking about the practice, to flattening hierarchies, to opening doors for new ways of working, and leading rehearsal rooms, companies, and classrooms away from silos and vacuums. Featuring these 268 different directors was just the beginning. 

I encourage you all to hire them (and others), advocate for them (and others) and choose to work in a system that values connection and generosity. 

Abhishek Majumdar

Adam Fitzgerald

Alice Stanley

Aliza Shane

Amanda McRaven

Amy Corcoran

Amy Jephta

Anisa George

Ana Margineau

Andrew Scoville

Anna Stromberg

Anne Cecelia Haney

Ariel Francoeur

Arpita Mukherjee

Ashley Hollingshead

Ashley Marinaccio

Andrew Neisler

Beng Oh

Ben Randle

Ben Stockman

Benjamin Kamine

Beth Lopes

Bo Powell

Bogdan Georgescu

Bonnie Gabel

Brandon Ivie

Brandon Woolf

Brian Hashimoto

Cait Robinson

Caitlin Ryan O’Connell

Caitlin Sullivan

Catie Davis

Cara Phipps

Carol Ann Tan

Carsen Joenk

Chari Arespacochaga

Cheryl Faraone

Chloe Treat

Christin Eve Cato

Christine Zagrobelny

Christopher Diercksen

Colette Robert

Colleen Hughes

Cyndy Marion

Dado Gyure

Dan Rothenberg

Daniel Irizarry

Danielle Ozymandias

Danny Sharon

Dara Malina

David Charles

Dennis Yueh-Yeh Li

Derek Spencer 

Donald Brenner

Doug Oliphant

Eamon Boylan

Elena Araoz

Emily Lyons

Emma Miller

Eric Kildow

Eric Wallach

Eric Powell Holm

Estefania Fadul

Evelina Stampa

Evren Odcikin

Evi Stamatiou

Francesca Montanile Lyons

Gabriel Vega Weissman

Gian Marco Riccardo Lo Forte 

Graham Schmidt

Gregg Wiggans

Hannah Ryan

Hannah Wolf

Heather Bagnall

Horia Suru

Ilana Becker

Ilana Ransom Toeplitz

Illana Stein

Ioanna Katsarou

Ioli Andreadi

Irina Abraham Chigiryov

Iris Sowlat

Isaac Klein

J Paul Nicholas

Jack Tamburri

Jaclyn Biskup

Jacob Basri

Jake Beckhard

Jaki Bradley

Jamie Watkins

Javier Molina

Jay Stern

Jay Stull

Jenna Rossman

Jenna Worsham

Jennifer Chambers

Jenny Bennett

Jenny Reed

Jeremy Bloom

Jeremy Pickard

Jerrell Henderson

Jess Hutchinson

Jess Shoemaker

Jesse Jou

Jessi D Hill

Jessica Burr

Jessica Holt

Jillian Carucci

Joanne Zipay

Jo Cattell

John Michael Diresta

John Kurzynowski

Joe Hedel

Jonathan Munoz-Proulx

Jose Zayas

Josh Kelley

Josh Sobel

Joshua Kahan Brody

Joshua William Gelb

Julia Sears

Justin Schlabach

Kareem Fahmy

Karen Christina Jones

Kate Bergstrom

Kate Hopkins

Kate Jopson

Kate Moore Heaney

Katherine M. Carter

Katherine Wilkinson

Kathy Gail MacGowan

Katie Chidester

Kendall Cornell 

Kendra Augustin

Kholoud Sawaf

Kimberly Faith Hickmann

Kim Weild

KJ Sanchez

Knud Adams

Kristin Marting

Kristin McCarthy Parker

Kristin Skye Hoffman

Kristy Chambrelli

Kristy Dodson

KT Shorb

Kyle Metzger

Kylie M. Brown

Larissa Fasthorse

Larissa Lury

Laura Brandel

Laura Steinroeder

Lauren Hlubny

Lauren Keating

Lavina Jadhwani

Jenn Haltman

Leta Tremblay

Lila Rachel Becker

Lillian Meredith

Lily Riopelle

Lindsey Hope Pearlman

Lisa Rothe

Lisa Sanaye Dring

Liz Thaler

Lori Wolter Hudson

Lucie Tiberghien

Luke Comer

Luke Tudball

Lyndsay Burch

Lynn Lammers

Mallory Catlett

Manon Manavit

Margarett Perry

Maridee Slater

Marina Bergenstock

Marti Lyons

Martin Jago

Matt Cosper

Matt Ritchey

Max Hunter

Megan Sandberg-Zakian

Megan Weaver

Meghan Finn

Melissa Crespo

Melody Erfani

Michael Alvarez

Michael T. Williams

Michaela Escarcega

Michelle Tattenbaum

Mimi Barcomi

Miranda Haymon

Molly Beach Murphy

Molly Clifford

Molly Noble

Morgan Gould

Morgan Green

Murielle Borst-Tarrant

Nana Dakin

Natalie Novacek

Neal Kowalsky

Nell Bang-Jensen

Nick Benacerraf

Noa Egozi

Norah Elges

Normandy Sherwood

Olivia Lilley

Orly Noa Rabinyan

Oscar Mendoza

Pablo Paz

Padraic Lillis 

Patrick Walsh

Pete Danelski

Pirronne Yousefzadeh

Portia Krieger

Rachel Karp

Rachel Wohlander

Randolph Curtis Rand

Raz Golden

Rebecca Cunningham

Rebecca Martinez

Rebecca Wear

Renee Phillippi

Renee Yeong

Rich Brown

Rick St. Peter

Robert Schneider

Ryan Anthony Nicotra

Sammi Cannold

Sammy Zeisel

Sanaz Ghajar

Sara Holdren

Sara Lyons

Sara Rademacher

Sarah Elizabeth Wansley

Sarah Hughes

Sarah M. Chichester

Sarah Rose Leonard

Sash Bischoff

Scarlett Kim

Seonjae Kim

Seth Pyatt

Sharifa Elkady

Shaun Patrick Tubbs

Sherri Eden Barber

Simon Hanukai

Sophia Watt

Suchan Vodoor

Stephen Cedars

Steven Kopp

Steven Wilson

Talya Klein

Tana Siros

Tara Ahmadinejad

Tara Cioletti

Tara Elliott

Tatiana Pandiani

Taylor Reynolds

TerryandtheCuz

Tommy Schoffler

Tracy Bersley

Trevor Biship

Tyler Mercer

Wednesday Sue Derrico

Will Dagger

Will Davis

Will Detlefsen

Will Steinberger

Yojiro Ichikawa

Yoni Oppenheim

Zi Alikhan

Zoya Kachardurian

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Horror Movie Review: Hell Fest (2018)

Horror Movie Review: Hell Fest (2018)

Hell Fest is a slasher horror film that was directed by Gregory Plotkin and written by several different people. It follows a group of teens who are stalked by a serial killer while visiting a travelling Halloween carnival.

Hell Fest is introduced as a horror theme park, which travels across the country during the Halloween season. A young girl is shown to be separated from her group during one…

[thecomicon]

Critiquing Comics #120: 1985 Black Hole Repo #1

Critiquing Comics #120: 1985 Black Hole Repo #1

Comicon.com welcomes back Critiquing Comics this week, a podcast from the folks who also do Deconstructing Comics, but this time digging in to the craft of the medium. It’s 1985, but the space race never slowed down, so space is busy with human activity. 1985 Black Hole Repo #1, by Seth M. Sherwood, Michael Moreci, and John Bivens, is full of punk rock aesthetic and references to the real 1980s.…

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Leatherface (2017) Review

Leatherface and The Texas Chainsaw Massacre rightfully take their place among the slasher movies that started the genre. These films are also probably right up there with the most famous horror films of all time. The last film before this one was pretty damn good, so I had no hesitation in watching this one as well. Obviously by the name you can guess it tells the origin story of Leatherface, how…