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black-arcana · 7 months

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“To protect your freedom, you have to be active": How Within Temptation's new album Bleed Out was inspired by a world in crisis

Within Temptation's new album Bleed Out is their most fired up to date, proving there's much more to them than just being "the symphonic band"

(Image credit: Tim Tronckoe)

In September 2008, Within Temptation visited Kherson, a port city in the south of Ukraine, just north of the Crimean Peninsula. The Dutch metallers were nearing the end of a year-and-half-long tour for their fourth album, The Heart Of Everything, and it was their first time in the Eastern European country.

Two days later, they would play a show in the capital, Kyiv, but it’s Kherson that sticks out most vividly in their minds: a former Eastern bloc city on the rise, the beautiful tree-lined streets, the wide Dnieper River. During their stay, they were treated to a ceremonial tour with the mayor and invited, poignantly in hindsight, to plant a tree for peace.

“They put us in national clothing and gave us traditional food,” vocalist Sharon Den Adel says, remembering the warm welcome. “We had an amazing few days.”

When Russian president Vladimir Putin invaded Ukraine on February 24, 2022, Kherson was the first major Ukrainian city to fall. Russian troops occupied the city from March to November, before it was recaptured by Ukrainian forces. “The resistance there was really strong,” says Robert Westerholt, Sharon’s husband and Within Temptation co-founder/studio guitarist.

“Every night, they would come out and literally slit throats of Russian soldiers, [come] out of corners and attack them in every way they could. They were really paranoid, the Russians, they never felt at ease there.”

That staunch defiance inspired the band to write Cyanide Love, one of several songs on the band’s new album, Bleed Out, about the Ukraine War. ‘Sunflowers will soon be growing over your grave,’ sings Sharon over tense synths and downtuned guitars, a reference to a viral video on the first day of the invasion: a Ukrainian woman offers sunflower seeds to a Russian soldier with the harrowing wish that they bloom in his pocket after his death. ‘You’ll take it, you’ll face it / The barrel of my smoking gun.’

“We really hope to go back [to Kherson] one day,” says Robert, and his voice aches with sadness.

We’re sitting in the stylish but homely kitchen – all high ceilings and tall windows – of Sharon and Robert’s house in a pretty, peaceful countryside town, 40 minutes from the manic tourist bustle of Amsterdam.

The couple have lived here for 15 years, and it’s very much their haven. As we talk, their two sons are next door playing a videogame on the TV. Their friendly black labrador, Charlie, demands a head stroke, and gold balloons strung across the front door celebrate their daughter Eva’s recent high school graduation.

But it’s also Within Temptation HQ, the base where they’ve masterminded the band’s shift from ethereal, dark-edged symphonic royalty to a powerhouse of modern heavy metal (see: 2019’s Resist). We’ve been invited here for a world-exclusive playback of Bleed Out, the band’s eighth album, which, at the time of our visit, hasn’t even been officially announced.

As Robert leads us through the house, we pass a rail in the hall that holds several leather jackets, and an enormous canvas bearing the artwork of The Heart Of Everything. Inside the white-walled studio, art and guitars hang on one wall above a low sofa. Sharon and Robert seem relaxed and excited to talk about the new album, although even now they’re still making last-minute changes.

Up until yesterday, the album had a different title; on the few tracks we were sent in advance, it was The Ultimate Sacrifice. The new name, Sharon says, is stronger, and more representative of the real-life struggles that have inspired some of the songs.

She was in Sweden when she heard about the invasion of Ukraine. Her immediate response, like many others, was one of shock and fear, admitting that the old-fashioned method of warfare – troops and tanks on the ground – was not something she had expected to see in her lifetime.

“Maybe that’s naïve, but not in Europe,” she says, curled up barefoot on a nearby armchair. “Kyiv is only a two-and-a-half-hour flight by plane [from the Netherlands]. It’s the same distance as Spain, where I’m going in a few days.”

Before they press play, they show us the artwork, which depicts a hooded figure in shades of black and red. “It’s dark,” Sharon notes, “because the album is dark.”

While Within Temptation’s last record, Resist, blew their sound up to supercharged proportions, just one listen of Bleed Out is enough to confirm that this is Within Temptation’s biggest, heaviest record so far. Stepping things up a level was necessary to match the severity of the source material.

Opener Go To War sets the tone with a colossal guitar part and an apocalyptic choir, a chorus dripping in grandeur, and a marriage of synths with the unmistakable mechanical judder of tech metal. The latter influence, Robert says, has filtered into the band’s sound not through bingeing on Meshuggah albums, but because its cold, almost cruel, mechanical nature best helped to paint a picture of a universe in crisis. “Somehow this [sound] resonates with that.”

The title track follows in the same vein, anthemic and cinematic, with hints of the epic symphonic and gothic doom of their earlier material. It all sounds huge – built to fill the massive rooms the band have become accustomed to playing these days. “Certain elements have come back in, that made us in the beginning,” says Robert. “They still inspire us.”

When we suggest it’s a culmination of every step in the band’s sonic evolution, Sharon agrees: “But with an extra layer of heaviness.”

“We have been searching for this for quite some time, to have a sound that is heavy, but still has this melancholy and beautiful storytelling lines,” she continues. “And finally, it happened on the very last few songs [we wrote]. Sometimes you have just one song that opens the door.”

It would be easy to draw parallels between Within Temptation’s current approach and a band like Sabaton, who have made a career out of songs that go big on bombast and heroism. Robert is quick to shut the comparison down. “We’re not making war songs. We’re not doing history lessons,” he says, arguing that the band didn’t find inspiration in the grim reality of the battlefield. “It’s more the drive of people and their personal stories. We won’t be going onstage with a tank.”

Within Temptation are reluctant to call this a “political” album, but there’s no doubt it’s their most socially aware yet, far removed from the fantastical tendencies of old. For our listening session we’ve been joined by the band’s manager, Martijn, perhaps a sign that, while Sharon and Robert are keen to discuss the inspirations behind the album, they’re cautious about the sensitivities involved.

Go To War, Cyanide Love, Worth Dying For and Wireless directly reference the invasion. The latter talks about the danger of propaganda. “I remember that I was in Russia once and saw something on my own social media,” says Sharon.

“I asked someone sitting next to me, ‘What are they saying?’ And the guy said, ‘Yes, these Americans, blah, blah… completely the opposite of what I’ve been reading on social media where I’m living. If you don’t go deeper, if you don’t search for more information that tells you the story from different perspectives, then you will believe the state television. So that’s why it’s important to tell stories, to give counterweight.”

The band almost called the track Mark Of Cain, a reference to Cain murdering his brother Abel in the Book Of Genesis. “Russia sees their neighbour country as… something that belongs to them or like family,” continues Sharon. “It’s like you wear the Mark Of Cain, everybody knows you killed your brother.”

Meanwhile, Sharon says the title track was written about Iranian woman Mahsa Amini, who was arrested for allegedly breaking hijab rules and died in the custody of the country’s morality police. Her death sparked nationwide protests.

“It’s inspirational that some people are willing [to protest], knowing when they take off their scarf, what’s going to happen to them,” she says. She viewed the protests as a generational conflict: “There’s a lot of women taking a lot of risk to do that, but also men from their own generation supporting them and also getting into trouble… the older generation are trying to keep things how they are, and the younger generation are ready [for] change.”

We haven’t heard Within Temptation this fired up in ages, but their initial intention wasn’t to make an album. They had spent the last two years releasing singles – Entertain You and The Purge in 2020 and Shed My Skin in 2021, all of which appear on the record – and enjoying the off-cycle immediacy of being able to write, record and upload. Following the outbreak of war, though, writing between their home and the Swedish studio of long-time collaborator Daniel Gibson, the remaining material came together over six months.

Other topics are discussed on the record, too: Ritual is a tongue-in-cheek, double-entendre-heavy paean to female sexual expression. Shed My Skin is about living by your own rules, free from the judgement of others, while Sharon describes Entertain You as “a song for the misfits”. It was inspired, she says, by a video she saw on social media.

“There was a trans woman who was walking in England, and she was bullied by three young guys. She’s not there for their entertainment, but they’re using her for entertainment because she’s different. I wrote that song [to say] we’re beautiful in our own way. To share some love.”

While some of the tracks were written and recorded almost three years apart, what holds the album together is the theme of freedom. “To protect your freedom, you have to be active,” says Robert. “If you’re passive, then you’re going to lose it. It’s about personal freedom, but also freedom for your country, for your friends, family… everything.”

“It’s a record about the unbreakable desire of humans to live free from tyranny and oppression,” agrees Sharon. “How many also are willing to give so much to achieve this not only for themselves, but for others and future generations. As an artist you have this platform, and we can talk about bubblegum. But I can also talk about things that matter.”

Having listened to the album in full, we decamp to a nearby brasserie for lunch, and to continue the conversation. Sharon drives, and as we cruise through the cool shade of the forest next to their home, she motions towards a large sand dune that meets the trees – a bizarre natural phenomenon where the cover art for her 2018 solo album, My Indigo, was shot. She’d like to record more solo work, she later tells us.

“One day, but not at the moment, because I need a little time. It’s been a rollercoaster. I have been writing songs since the war started, before that we had the pandemic, and after that we had to do all the shows that we couldn’t do during Corona.”

Once at the restaurant, we are shown to a table in a private corner outside, tucked away beside the hedges, where Robert and Sharon order us food and drinks. Clearly well-known, several members of staff come over to greet them during the rest of our interview.

Our conversation takes us all over: to Taylor Swift, an artist Sharon respects, and whether they would ever do Eurovision given the rise in metal acts (the answer is no, although Sharon was once on the Dutch judging panel).

We soon get back to the album – whenever an artist wades into the kind of matters discussed on Bleed Out, someone always complains that politics should be kept out of music. Have they received any backlash? “I deleted a message yesterday on Facebook,” says Sharon, explaining that a fan/troll had taken umbrage with the band’s song Raise Your Banner, from 2019’s Resist, which Sharon has taken to dedicating to Ukraine at their live shows, often waving a flag onstage.

“He said, ‘You’re preaching about freedom and then you preach war. You slut.’” She pauses to let the language sink in. He had complained about the lyric, ‘Blood for freedom.’ “It means you would give your life to have freedom,” she argues. “So, if he had put five minutes of effort into reading the lyrics, then he would know Raise Your Banner is taking a stand.”

“What annoys me a lot is that people say, ‘Don’t talk about politics’,” adds Robert. “It’s not even politics. It’s your opinion as an artist. Artists have opinions. That’s what art is for. That’s what makes it interesting.”

In 2021, Sharon was invited by Kerrang! to write a comment piece for International Women’s Day, and chose to argue the importance of access to abortion. Her research for the piece revealed vastly differing approaches across Europe. “There were people who didn’t understand my point of view,” she says of the response to the essay, as lunch arrives at the table. “Not everybody is in the same place at the same time when you write an article like that. But backlash is also a good thing, because then it gets the attention that it needs.”

The track Don’t Pray For Me from the new album makes the argument for bodily autonomy: ‘I don’t need your absolution, so don’t hold that sword over me / For my confessions I don’t need a church / I don’t need salt to know where it hurts.’

“We were fighting for that and talking about it [when I was in my teens], and we’re still fighting the same battles,” she says, explaining that the issues facing women are increasingly at the forefront of her mind, especially given her own daughter’s coming of age. “It doesn’t seem like we have stepped forward yet.”

Within Temptation have always been equally fascinated and horrified by the human predisposition for destruction and harm, whether it be towards our planet or fellow man. As far back as 2004’s The Silent Force, the haunting Forsaken painted a desperate picture of the end of days. ‘Our time has run out, our future has died / There’s no more escape… We’re the last of our kind.’

They also grappled with the futility of war in 2007, on Our Solemn Hour, from The Heart Of Everything, which interspersed symphonic excess with excerpts from Winston Churchill’s Be Ye Men Of Valour speech.

In 2020, they had started planning a stage production worthy of their grandiose vision, although the pandemic put their plans on ice. Instead, their blueprints became The Aftermath, a CGI livestream in 2021 which took place in a post-apocalyptic world. It depicted the band performing in the remnants of a ruined landscape, escaping to space as the planet burns in a fireball below – a sobering statement on the man-made challenges facing us today.

“It was a thought experiment of what would be very possible in the future,” says Robert of his sci-fi vision. “There were two thoughts behind it. One, we are getting more aware that we’re really destroying our planet and ourselves. That’s pretty obvious right now. But the second thing is the big perspective – it’s quite logical that people, at a certain point, will definitely [abandon Earth and] go into space.”

Another subject the band are interested in is the increasing, perhaps dangerous, control modern technology has on our lives. They’re huge fans of Charlie Brooker’s Netflix series Black Mirror, while a similar narrative rippled through 2019’s Resist. Their live shows have become increasingly futuristic in theme, while the video for recent single Wireless was made using AI. We mention that Black Mirror actor Aaron Paul voiced concerns about AI, and that soon we might not be able to tell what’s real and what’s not. “I think that’s already the case,” says Sharon.

We ask about the rise in AI-created music online, and if they worry about the artistic implications. Robert is dismissive. “Music is not just about listening to something, it’s the whole story around it, where you are at a certain place,” he says. “We’re very interested in what it can do. It’s one big experiment.”

How would you feel if someone used AI to make a Within Temptation song, and people thought it was an official track? “What I could find difficult is they could make lyrics, that are offensive, that I didn’t write, and people might think I did,” says Sharon.

Robert shrugs. “But then you can tell them you didn’t.”

“But if they can’t tell the difference…” Sharon perseveres.

Robert is still unconcerned. “If it’s not on your official website… it’s really no issue at all.”

Sharon looks at us with a wry smile. “So even we have our discussions about that.”

When Within Temptation were able to resume touring after the pandemic, they brought The Aftermath to life. Rescheduling their long-postponed Worlds Collide UK arena tour with Evanescence, suddenly they were operating, conceptually and visually, on a whole new level.

Their pyro-packed stage production even included a huge humanoid head. They cite Iron Maiden, who they have toured with several times over the years – the most recent outing being on 2022’s Legacy Of The Beast run – as their main inspiration. “Those bands who do something special visually have always inspired us to do the same,” says Sharon.

And while they’ve been a bona fide arena band in mainland Europe for years, it felt like, finally, they’d cemented the same status in the UK. “I think everywhere the venues will now be a bit bigger,” smiles Robert. “We felt it was a milestone in our career. We didn’t care too much about what we were making [financially] with the show, but just to make it the most memorable show that we could. We never thought that we would reach this far.”

Sonically, too, it feels like Within Temptation could go anywhere. While Bleed Out is littered with symphonic elements, it’s a musical label that now feels uncomfortable, something they’ve long outgrown. “We don’t feel like a symphonic band,” says Robert.

Sharon agrees. “But I don’t know what to call ourselves now either. I don’t have a new box to put ourselves in.”

And even as they’re making the final changes to Bleed Out, their minds are fixed on the future. As hectic as the last year has been, the process of making the new album has got their creative juices flowing.

“It’s so funny. As soon as we finished [Bleed Out] we were like, ‘We want to make another album.’ But we’re going to take our time for the next one,” she insists. “We were working full force from our house [during the pandemic]. I loved what I was doing, but at the same time I was also very tired. So I can’t wait to have a little bit of a break. This summer, we have a few festivals and then I have some time to really get both feet on the ground.”

She won’t take her foot off the gas for too long, though. After 27 years of constant innovation, Within Temptation don’t know how to stand still. “What I feel like now is actually writing again,” she laughs, shaking her head. “It’s very strange and positive!”

#sharon den adel #robert westerholt #within temptation #interview

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hella1975 · 1 year

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Hiiiiiiiiiiiiiiiiiiiiiiiiiiii bestie, i dunno if you like The Crane Wives, like the rock band, but as of late i simply cannot get them out of my goddamn head. And then, i had an epiphany: so many of these songs exude major zukka vibes. Like not in the way youd think, probably, because in my head they're about the very specific Zuko who is just like. So tired and done with life in a very specific flavor and just having very funky ideas about love and caring for another person. So idk if this will even make sense to you, but i figured that A) you have immaculate music taste so i think itd be cool to see what you think of this band B) your thoughts about zukka are always interesting as hell so like, even if you vehemently disagree with my claims i would wholeheartedly enjoy to see what you think of my ideas, seriously, you're so cool, id love to hear about you

Anyways the songs are:

Curses

Down the River (this is actually not zukka at all, it's just Zuko, whos incredibly adept at dealing with consequences)

Allies or Enemies

The Moon Will Sing (again, not really zukka, i think i just have Zuko on the brain, to me this has so much potential for his dynamic with his father) and also, Once and for All too

Easier oh my god easier is such a song

Tongs and Teeth

and Metaphors (not the vibes of the song tbh but like, just the lyrics)

And well yeah this was just a thought that hit me, idk if asks like this are really up your alley so totes dont feel pressured to cook up some elaborate response or even respond at all, i just wanted to talk about a great band and uh. Yeah, thank you so much for being just so incredibly cool and you and earnest, like, silly comment, but you genuinly make my days so much better, i hope you get better soon and bye bye

(ps. I am loving TAMS so much)

- A Master of Parasocial Relationships Anon

ANON <33333333 ily mwah mwah this relationship is parasocial from me to you not the other way around dont ever get it twisted i adore you this ask made me smile so big. 'thank you so much for being just so incredibly cool and you and earnest' quite honestly such a belter compliment. im shaking.

u are right my music taste is fantastic and as a result i LOVE THE CRANE WIVES YES PLS TALK TO ME ABOUT THEM!!!!!! I LOVE THE EVERYTHING ABOUT THEM!!!!!!! one of my worst traits is that i have loved every single crane wives song ive listed to yet ive never properly deep dived into their music, so i only know like. five songs. yet those songs are some of my faves of all time. she's so logical. BUT! this means you've just given me a load of recs that have zuko/atla/zukka vibes so im ecstatic. esp bc 'the very specific Zuko who is just like. So tired and done with life in a very specific flavor' is soooo tams zuko coded.

i do know some of these recs ofc so here are my thoughts:

curses - the recurring fire related language!!!! every word i say is kindling but the smoke clears when you're around!!! zuko being a very rough-around-the-edges imperfect character but being loved regardless (by sokka). i love how this song is clearly about someone who's haunted by their past but it's still quite peppy, and her VOICE on the 'ashes ashes dust to dust, the devil's after both of us, lay my curses out to rest, make a mercy out of me' HELLO???? it's so desperate and raw im obsessed with it. that line gives me big tams zuko & azula vibes, like on the run from the fire nation/ozai as the 'devil's after both of us' yep yep yep. omg actually this whole song is very them

down the river - your take on this is gorgeous 'very adept at dealing with consequences' he BREAKS my HEART. sure you can forget about all the things you've done but WHAT ABOUT THE REST OF US. i am so over-fixating on tams atm and it shows bc im about to tamsify this and probably all the other recs in some capacity icl. anyway this song as zuko @ ursa. down the river.......

allies or enemies - ZUKKA ANTHEM!!!!! REQUIRED LISTENING FOR ANY ENEMIES TO LOVERS SHIP!!!!! being horrible to each other and having a history of violence are we allies or enemies this will be the death of me ALL IS FAIR IN LOVE AND WAR BUT I CANT FIGHT WITH YOU ANYMORE!! LITERALLY SINGING ABOUT WAR!!!! the crane wives wrote this about zukka genuinely

the moon will sing - one of the most beautiful songs of all time you can interpret this in so many ways the lyrics have me banging my fist against my wall. veryyyyyyyyyy zuko-coded about literally anyone he gets constantly mugged off

tongues and teeth - AGAIN ZUKO CODED!!! when ur a post-redemption asshole but part of your personality is always always going to be abrasive and cutting and you KNOW that. this is such a 'the catharsis of owning and even heightening the thing both you and others hate about yourself in a very angry declaration that barely conceals the insecurity underneath' song and i took it very personally. like yes girl push everyone away first bc you know you're a cunt and it's best to warn them off while they still have an idealised version of you in their head! me and zuko best friends fr we are insufferable

#also never love an anchor as an ursa song in general obvs. THEE absent mother anthem #OMG AND THE CROOKED THE CRADLE AS AN AZULA SONG!!!!!!! IT'S LITERALLY HER SONG!!!!!#and icarus as a tams azula and zuko song! oh my brother who have you become in the wake of all that's happened here!#it's more for the end of tams tho when they've healed and life is not abundantly shit lmao #thank you so much for this ask bestie!!!!! im sending you so many gross kisses rn #ask #song rec #the crane wives

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arachnidiots-a · 8 months

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ROXY FIELDS . across the alt verses !

"Oh, come on. You're Roxy and Liam. Liam and Roxy. Separating the two of you would probably make the universe implode at this point." — Peter Parker, SPIDERS issue #53

overwatch : spinning the spider web

roxy works at the lab that liam is accepted to, and the two become co-researchers in the development of silk armor. roxy had her own research that she did for years, independent of liam, with her own unique and vital findings.

when the two start working together, they struggle to get along and truly compromise or work together on the research.

the lab gets broken into and liam and roxy both have the same thought: suit up and save the research. synesilk is seldom seen without websurfer in the skies.

ted lasso : brains and footballs

roxy played on the us women's u-20 team alongside liam as a midfielder. they met there and often would get into awkward scuffles. all the time training together brought them closer eventually and they'd stay in touch even while back in their respective homes and playing for collegiate teams.

roxy played u23 when no longer eligible for u20, and just two years later, around the time liam quit, roxy got a call up for the national team. roxy currently plays for the portland thorns as their forward.

the two still keep in touch and roxy is entirely to credit for getting liam back into the sport.

roxy knows liam doesn't really want to hear it, or sees it for themself but every once in a while they can't help but ask: do you think you're ever gonna come home? roxy misses her

liam hopes to be called up one day to the national team for obvious professional reasons and desires, but also just to play alongside roxy fields one more time

9-1-1 : hero at heart

liam and roxy were paired together in their masters program at ucla. the two of them were caught in a horrific explosion at the lab and together attempted to evacuate others from the building. they get trapped together after a couple of successful attempts to help others, and ultimately it changes both of their career paths.

roxy finishes school and then immediately sets out to become a paramedic. she does pretty brilliantly in the career, with a somewhat nervous start.

at the end of the harder days, the two manage to be there for each other, and look forward to coffee outings and bumping into each other on the scenes.

9-1-1 lone star : heart found in austin

liam and roxy meet in their undergrad years in new york and are caught in an explosion at the lab. liam speed runs the rest of their time in college, but roxy finishes out the whole year

roxy's girlfriend brooke gets an offer to play in an austin based soccer league and together they decide to move to austin. liam probably would've followed if it weren't for the fact they were already in the fire academy

roxy sets out to become a parameddic and eventually goes on to work with ems 63

when liam finally moves out to texas, roxy and brooke welcome them with open arms and help them get settled

musician : color crescendo

roxy plays the drums in liam's band and while roxy might be content fading into the background, liam constantly wants their best friend to shine. roxy helps to write many of liam's songs and often most things are made with just the two of them in a small room.

eventually, liam and roxy have a couple duo demos which leads to their band the web, and an album further down the road which they both are lead singer for.

roxy has a single of her own at some point.

#i just love roxy fields and she is everywhere in liams life #LK. BELIEVE / headcanons #LK. OTHER HALF / dyn. roxy fields

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whydoiwrite · 2 years

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Hey, I just saw the picture you posted of Sonnett and kelley, with the tagline about when Sonnett used to flinch when Kelley would touch her.

Idk if you’re taking requests, but that would be a fun thing to explore. Like how far they’ve come.

How bout a ficlet? If you want more, I'm not saying no, because Kelley's goal might could do it. Just not tonight.

She doesn’t know when it happened. When she stopped trying to avoid Kelley’s touch and accepted the fact that though uncomfortable, it was inevitable. When she realized she actually wanted Kelley to touch her. When she started to initiate touch, too (not for herself, mind you, but for the spunky ball of energy who somehow manages to turn the fire down just a tad when she slides that captain band on). Kelley’s just so damn touchy, it almost seemed like not reciprocating might offend her. Meet her where she is. Doesn’t matter if she’s ahead or behind, just meet her there, Emily told herself, except for a long, long time, that was easier said than done because it was Kelley.

Kelley, who can have a whole conversation without ever saying a damn word.

Who brushes Emily’s arm as she laughs at a dig that Rose very much deserves.

Who wipes the sweat from her legs and neck during hydration breaks even though there’s really no point.

Who gently guides her through a crowd with a hand on the small of her back and roughly pulls her into photos via headlock.

Who squeezes her shoulder reassuringly in the locker room at the half of most National Team games, because Kelley knows Emily’s time will come, and she also knows how hard it is to wait.

Who does it because what she wants - more than she wants someone complimenting the accuracy of her long balls or making her chocolate chip cookies so just this once, she doesn’t have to be the one in the kitchen - is to be shown the affection she wasn’t allowed growing up maybe gay/maybe straight/maybe it’s just a phase. So what she still can’t ask for, for different reasons now, she gives to Emily, the one she sees herself most in. And she hopes that one day, Emily will read her mind and understand all of it, return the unspoken feelings, be the one who reinforces what Kelley keeps trying to remind herself - it’s ok for her to ask for what she wants, to need something or someone and to say it aloud.

But for now, Kelley knows no better way to show all those feelings she can’t verbalize than to touch her. Maybe sometimes with a few thousand people around.

So Emily does something she hates, or used to hate (she doesn’t hate it anymore), because it’s Kelley.

She unlearns the same lessons as the pride of Georgia (as Kelley never lets her forget, dropping the “youngest voted into the Sports Hall of Fame” at least every coupla months) once did. It’s a little slow, a little late for Emily’s exes, but just in time for Kelley.

She learns not to hide the person who brings her joy. Or her own feelings.

Learns to lean into the arm around her waist in the post-training huddle.

Learns what it means to feel secure and safe, even if some of that safety comes from the fact that Kelley has a girlfriend, and that fact cuts Emily a lot of slack in the public eye.

But for now, that’ll do. Maybe it’ll do forever. See, Emily doesn’t even remember when she fell in love with Kelley. No one ever really tells you that you should be paying attention to dates in those early moments, and it’s a little hard to remember anything else when you’re actively trying to ignore butterflies. But it was somewhere in between Kelley’s comment on her IG post: “You look cute in 💜” and her own surprise that she kept under wraps for awhile: “Merry Christmas, I was traded to the Spirit!” Somewhere between finding herself and learning to love herself. Somewhere from across the ocean. Sometime after that voice in her head warned her it was a bad idea and the thumping in her chest told her not to bother fighting it.

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gointothevvater · 2 years

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Template by @fishklok ! Many thanks, love! 🖤

Name:

St. Cecilia Jameson.

Name Meaning: “Blind,” named for St. Cecilia, the patron saint of music; “Son of James,” for the whiskey brand.

Birth name: Felicity Marie Robinson.

Birthday: December 15, 1966.

Star Sign: Sagittarius Sun, Aquarius Moon, Capricorn Rising.

Chinese Zodiac: Fire Horse.

Age: She's 39 during season one, but by Doomstar, she's 46.

Way, way more info under the cut!

Family: Elizabeth (Mother, estranged), Bryony (Older half-sister, beloved), Esme (Deceased grandmother, beloved), Arjun (Father, only met once she was an adult, but they've gotten close), Peter (Older half-brother, well-liked).

Family Dynamic: Only the women of the family live together, as Arjun raised Peter in London. St. Cecilia has a very formal, cold relationship with her mother, and she has no desire to change that. As far as she's concerned, her mother doesn't deserve to have a good relationship with her. She's fond of Arjun and Peter, who run a jewelry store in London. St. Cecilia adores Bryony more than anyone else. Though Elizabeth brags about her, Bryony remains modest and is very close with her sister because of it. Though there's seven years between them, they may as well be twins. Esme, who passed away in 1993, was more of a mother to St. Cecilia than Elizabeth ever was, and St. Cecilia still misses her terribly. She was a big part of getting SnB off the ground, and the boys even came to her funeral.

Upbringing: Like Bryony, St. Cecilia was sent to the family's exclusive girls-only boarding school as soon as she was old enough. This put serious strain on her relationship with her mother, who was the headmistress and treated her as coldly as she treated every other student. The resentment led to St. Cecilia's rebellious period, and she left home at fifteen with her grandmother's blessing and a not-insignificant amount of money.

Skills & Hobbies: St. Cecilia writes good poetry, great song lyrics, and terrible erotica. She's good with plants and is quite the chess player (Though she hasn't managed to beat Charles even once), which she learned during her school days. She also learned to fence, ride horses, and speak fluent Latin there. She paints, though she favors landscapes with teacups as her preferred canvas. She's a classically trained singer (When she was little, she was part of her church's choir), and she writes most of the song lyrics and some of the music for her band, Stiletto. In Snakes N' Barrels, she played lead guitar on a white Jackson Pro Series Rhoads RR3, but during their reunion concert, she plays a more modern Gibson Explorer '76 Reissue 2010 Cherry. She took piano lessons for several years as a child, and she's still pretty good. Nothing outstanding, but if Stiletto needs to incorporate a piano into a song, she's perfectly capable of playing it herself.

Current Residence: London, England.

Birthplace: Oxford, England.

Languages Known: English (Native), French (Fluent), Latin (Mostly fluent).

Profession: Singer for Stiletto.

Gender: Cis female.

Pronouns: She/Her.

Sexuality: Bisexual.

Romantic Identity: Biromantic.

Preferences: St. Cecilia seems to be attracted to fellow trainwrecks, and she has an extremely harmful fear of being alone. If she's not in a relationship, she feels worthless.

Experience: St. Cecilia has a great deal of sexual experience, but she's only had two serious relationships (Pickles and Magnus, neither of which ended well). She was exploited from a young age due to her fame, and it's left her feeling that sex is all she has to offer, which has gotten her into trouble more than a few times.

Nationality: English.

Race: Three-quarters English, one-quarter Punjabi.

Face Claim: Taylor Momsen.

Voice Claim: Lzzy Hale.

Religion: Lapsed Catholic.

Details: St. Cecilia attended a Catholic school when she was a child, but since she ran away from home at fifteen, she's only attended for major holidays and rare bouts of Catholic guilt, which are only intensified by the fact that her grandmother named her after a saint. In 1986, she gave up alcohol for Lent, but she got so shaky that Pickles and Sammy insisted on taking her to the hospital, where she ended up detoxing and being forced into rehab.

Appearance

Build: St. Cecilia is petit, with a small chest, a smaller waist, and wide hips. She carries her weight in her hips and thighs, and she's a little upset she doesn't have a thigh gap.

Height: Five foot one.

Skin (color, complexion, etc): She has olive skin decorated with a great many tattoos and piercings.

Handedness: Right.

Hair color: Platinum blonde, though it's naturally dark brown.

Hair texture: Thick with a slight wave.

Usual Hair Styling: She usually wears it in a high ponytail, though she twists it up when she's working in the Mordhaus basement in season four.

Facial Features: St. Cecilia has a soft face, a small nose, full lips with no cupid’s bow, and almond-shaped eyes.

Eye Color: Golden brown.

Miscellaneous: St. Cecilia has numerous tattoos and piercings. She has three white marigolds tattooed on each shoulder, a labret piercing, and a vertical collarbone piercing at the hollow of her throat. Her ears are pierced three times each, in which she wears two silver hoops and a silver stud on each side, and she has a small black star beneath each eye (Which are actually just makeup, though she's never seen in public without them). She has a Christina piercing, nipple piercings, and a belly button piercing. She has a No Time For Antivenom tattoo on her sternum, and a European robin tattoo at the back of her neck. She has a shitty stick-and-poke crown tattooed behind her right ear (Given to her by Tony) and a stick-and-poke diamond on the underside of her ring finger (Given to her by Pickles in place of a wedding ring, and he has the same one). Very, very high up on her right inner thigh, she has a tattoo of the words "love me". Her tongue is pierced with a simple silver stud.

Fashion Sense:

Clothes: St. Cecilia favors dark jeans or shorts with thigh-high stockings with heeled boots. If she isn't wearing boots, she's wearing stilettos. She isn't a fan of long skirts, but minis are acceptable. She tends to show a lot of skin, but she keeps her hands covered, though there's no deep reason for it, save her liking gloves.

Accessories: She almost never goes without her collar, which is black leather with silver spikes and a D-ring at the front. She often wears a pick necklace, too, both of which were gifts from Pickles. She wears silver earrings of several different styles over the course of the show.

Styling: Her style is one of two extremes: Black leather and denim rocker or gold and pink glam, with the former being her stage look and the latter being her more "casual" look, though it's hardly casual at all.

Personality

Personality Description: St. Cecilia is cocky, witty, and teasing, but ultimately good-natured. She's a bit selfish and stubborn, but she does everything with 110% effort, hoping to impress people, even if she winds up getting hurt in the process. She'll do literally anything for validation. To say she's vain would be an understatement. She's something of a coquette who flirts with both men and women, and she has a tendency to "think with her dick," as Tony once put it. She's slow to anger, but quick to jealousy, and she holds grudges for far too long. She's the playful type, but it's largely in a chill way. She's an obvious extrovert, and the role as frontman for Stiletto came very naturally.

Strengths: She's a go-getter who knows what she wants and won't stop until she gets it.

Weaknesses: She has a hard time trusting people, and she has very little sense of self-worth despite her cockiness.

Goals: Find love. She's achieved everything she's set out to do, but love is highly elusive for her.

Fears: Being abandoned and/or forgotten.

Secrets: She was madly in love with one of her classmates, and she confessed just before she ran away, only to be rejected. When Snakes first got big, she mailed this girl all kinds of proof of her success, just to be rejected again. They met during a reunion, and she's been married for years, and St. Cecilia has never felt as much a failure as she did then.

Timeline

-Childhood: St. Cecilia was an outspoken, bratty child, which she never grew out of, but she was musically inclined from the start. She was one of the popular girls during her school days, and when she hit thirteen, she decided that she was no longer a child and had a right to demand respect from her emotionally distant mother. When she was fourteen, she fell off a horse during an equestrian class and shattered her left collarbone. She quit the piano lessons she had been taking for several years and took up the guitar soon after, though it aggravated her injured collarbone and she developed a dependence on painkillers. This rebellious period stretched until she was fifteen and ran away with the help of her grandmother. She was only in LA for a few weeks before she met Sammy at a bar where the SnB prototype band was playing. Naturally, Snazz and Tony weren't thrilled with the idea of Sammy's kinda-sorta-girlfriend trying to become their lead guitarist, and when Snazz disparagingly referred to St. Cecilia as Yoko, she broke his nose (How could he have not expected violence when a Beatles-loving British girl was called such a horrible thing?). This earned their respect and is an event that they laugh about to this day.

-Snakes N' Barrels era: St. Cecilia stuck with the band until they found Pickles, and she was smitten with him the moment she heard him sing. The band made it big after not too long, and they all grew quite close. St. Cecilia ended up in an ill-fated off-and-on relationship with Pickles as time went on, and to this day she doesn't remember the first time she told him she loved him. It wasn't long after his first OD and his following stint in rehab that she told him, and they were both drunk in celebration of his release. His tolerance, even post-rehab, was far higher than hers, though, and he remembers, though he sometimes hates that he does. On a whim, St. Cecilia and Pickles got married, foregoing rings in favor of matching tattoos they gave each other during the honeymoon, as rings might affect their image. It didn't last long: It was only about nine months before it fell apart. Though there was genuine love between them, the stress of the band and both of their substance abuse problems drove a wedge between not only the couple, but also the entire band. Coupled with Pickles fucking groupies behind St. Cecilia's back and St. Cecilia's becoming a rather serious Vicodin addict to combat the pain in her injured shoulder, the band was doomed. Pickles came to see St. Cecilia off on her flight back to England, saying he would meet her there when his next residuals check came in, but he never made it, and they didn't speak to each other for years afterward.

-Preklok: After SnB broke up, St. Cecilia returned to Oxford, staying with Bryony in their mother's guest house as she tried to figure out her next move. Despite her gift for writing lyrics, she had no talent for writing books, and that idea quickly went down the drain. She still received a large amount of money in residuals, and at her mother's insistence, she attended a few classes at Oxford University. She absolutely loved it, and she came away with a BA in music. In 1992, Esme passed away. St. Cecilia only told Sammy about it, but he took the initiative and brought Pickles, Tony and Snazz with him to the funeral. St. Cecilia was initially pissed, but she really appreciated the support. That was the only time she saw Pickles between SnB's breakup and their reunion for the filming of the "Thunderhorse" music video. He was devastated when her parting words to him were "I love you with everything I am, but I never wanna see you again." In the mid-90s, she posed for an issue of Playboy, and Pickles has a copy of the issue tucked away somewhere. It wasn't until 1998, when she moved to a little flat in London, that St. Cecilia reunited with her school friend Niamh and the idea of Stiletto came about. They found Priyanka and Lex at an open mic night at one of the local clubs, and they hit it off, both as friends and as bandmates. They played at many clubs and pubs, and they were soon found by a scout at another open mic night. They signed with the UK branch of Crystal Mountain Records, and within three years, Stiletto was huge, due in part to St. Cecilia's residual fame from Snakes N' Barrels. Their first tour was through Europe, but the second came to America, where St. Cecilia met Magnus in a bar post-show. They got on really well, and she invited him to her hotel room for the night. They exchanged numbers and got quite close over time, with her even flying him out to London from time to time so they could hang out. Magnus knew who she was from the start, and while he planned to use her feelings for Pickles to get her on his side, that soon faded and he came to genuinely like her. She wouldn't learn who he was until later on. A few years before canon, she had a quickie with Nathan in a coat room at a singers-only party at Crystal Mountain records, and he used the fact that she couldn't fit her mouth around his dick as inspiration for Dethklok's infamous song "Glasgow Smile." He was the one who eventually called her in to be in the "Thunderhorse" music video. This was when she met Skwisgaar, and they hit it off almost immediately and have been good friends ever since.

-Season 1:

-St. Cecilia makes her initial appearance as Nathan's queen in the "Thunderhorse" video at the start of Dethwater.

-She's mentioned during Performance Klok, when Pickles says he hasn't been in a serious relationship since the '80s despite the fact that he would certainly thrive under such attention.

-She makes her first speaking appearance in Snakes N' Barrels, during the documentary the Dethklok is watching. Toki and Murderface are a little critical when they learn that part of SnB's downfall was due to Pickles's failed relationship with St. Cecilia. There's some comedic nonsense talk about fucking one's guitarist before Pickles goes to speak with Charles. Though St. Cecilia is working on an album with Stiletto when she's asked to go to the reunion, she manages to push through and finish in time, though she arrives nearly late. She finds Pickles backstage, and when he sweeps in to kiss her, she pulls away a bit, saying they can't do this, as she's spoken for. She lets him hold her close, though. The rest of Dethklok finds them like that, and St. Cecilia excuses herself to go find Sammy, Tony and Snazz. There's some talk about Pickles not leaving Dethklok, which he says he won't, but they're rather worried after catching him with St. Cecilia in his arms. Meanwhile, she manages to find the boys, and they meet with Pickles backstage. While the boys partake of the Totally Awesome Sweet Alabama Liquid Snake, St. Cecilia doesn't, as she once passed out onstage and doesn't wish to repeat the incident. She presses a kiss to Pickles's palm before they go on stage, an old ritual that they were never able to shake. What happens is far worse than someone just passing out, and she and Pickles leave the stage amidst the chaos while the medical Klokateers take care of the boys and see them off to the hospital. It's a disaster. She's embarrassed and angry, and she turns down Pickles's offer of a ride home and calls someone instead, as she didn't get her money converted and can't pay for a cab. This someone turns out to be the man who's claimed her, Magnus, and Pickles is none too happy about it. He tries to stop her from going with him, but it doesn't work.

-She isn't seen in Dethkids, but she is mentioned. When Pickles starts drinking harder than usual, he finally gives in to the urge to call her, to talk about how Sammy and Snazz and Tony are doing, and to tell her that she should steer clear of Magnus. He's so drunk, though, that she barely has even an idea of what he's talking about.

-Offscreen, sometime between the two SnB episodes, Magnus and St. Cecilia abruptly break up. She had a feeling something was going on with him, but his sudden disappearance really hurt her. They had been together off and on for years, after all. A few weeks before he left, he bought her a little pink knife and showed her how to use it, just in case he wasn't around to protect her. When he left, he left his guitar behind, and she still has it as of Doomstar.

-Season 2:

-She's mentioned by Seth in Dethwedding, though only as "that British chick" he thought Pickles would eventually have married. Pickles nearly decks him for even mentioning her.

-Offscreen, she's contacted by Rikki Kixx, who wants her to take part in the SOBERTOWN reunion. She tells him she's not sober and it's not right to reunite without Pickles, and he tells her off, banning her from even attending the concert. Sammy calls her later, and she tells him she'll be there to support them, even if she won't perform and she'll have to hide.

-St. Cecilia's next appearance is in Snakes N' Barrels II. In part one, during the advertisement for the SOBERTOWN USA concert, she's missing from the band lineup, and Pickles is both relieved and a little concerned by her absence.

-In SnB II part two, Nathan, Skwisgaar and Toki find her among the crowd at the SOBERTOWN USA concert. Nathan asks if she wasn't invited to play, but she says that she was: She just didn't think it was right to play without Pickles. She was banned from attending, and she's wearing a disguise. Realizing that Pickles is sneaking around backstage, she leaves to go find him and try to keep him from doing something he'll regret. She only finds him just as Tony, Snazz and Sammy start freaking out, and she only just manages to keep Pickles from killing Rikki Kixx, though she honestly doesn't mind the thought of him dead. She pulls Pickles away from the stage, where he calls the Klokateers to take care of Sammy, Snazz and Tony, and she sets to icing down his bruised knuckles. She tells him that she and Magnus broke up, and he's thoroughly pleased about it: She's too good for him, anyway. That irritates her a bit, but she tells him to call her sometime, though she insists he do it when he's not drunk off his ass.

-Season 3:

-Ironically, when Pickles calls her in Dethhealth to inform her that he's dying, he's in fact drunk again. She wants to go to Mordhaus to see him, but he tells her to stay where she is, as he doesn't want her seeing him like that, though she's seen him at rock bottom as it is. At the end of the episode, he's drunker and higher than ever, but he calls her again to let her know he's all right. She can't understand him, though, so he puts Nathan on to explain. She’s thoroughly relieved, but she’s still considering going to Mordhaus to see him. When Pickles is a bit less of a mess, he calls her back and agrees to hang out with her for a while.

-Offscreen, in the time between Dethhealth and Dethmas, Pickles goes to London for a while to appease St. Cecilia, and to their mutual surprise, it's not really all that different from how it was when they were actually together. There's lots of cuddling and kissing and great sex and just... Hanging out. It's easy for them to be together. They have their share of problems, but the old flame between them is still there after all these years. It never even went out. Pickles is honestly a little scared of that: What if he falls for her all over again just for her to break his heart like she did last time? The fact that she has Magnus's guitar makes him doubly suspicious. When he returns to Mordhaus, he starts drinking harder than ever to drown out the thoughts of her.

-In Rehabklok, when Pickles's drinking is brought to the attention of the band and he's sent to rehab, he tries for a while to blame it on St. Cecilia. She broke his heart, and he drinks to cope. It makes perfect sense, until he starts to really think about it and realizes that he's equally at fault for how their relationship (And also SnB) fell apart. He realizes, after many years, that he hurt her as badly as she hurt him. And that makes him feel even worse. He talks the doctor into letting him call her to apologize, but it doesn't go well: She's a little offended that he would even consider blaming her for his drinking, given he was a drunk long before they met. "Is that what I am to you now? An excuse to get drunk and act a fool?" Not long after that, Pickles realizes the real cause for his drinking.

-Just before Charles goes to speak to the UN in Doublebookedklok, he calls St. Cecilia and cryptically asks her if she speaks Latin. She owes him a favor for getting her out of some legal trouble, so she can't really refuse. Several months before, she punched a scummy paparazzo who called Magnus washed-up, and Charles used his reeducation program to keep those involved from pressing charges or damaging St. Cecilia's reputation.

-Season 4:

-In Fanklok, before Charles meets with the band to discuss Klokikon, he welcomes St. Cecilia to Mordhaus and presents her with an ancient-looking journal that belonged to Aurelius Isambard, one of the original prophets of the Church of the Black Klok. She's taken down to the basement, where she's introduced to Edgar Jomfru, and gets to work.

-In Diversityklok, after he's spoken to Edgar, Charles speaks to St. Cecilia. He finds her engrossed, but thoroughly worried. She asks if the Prophecy is real, and she's even more worried when he tells her it is.

-Offscreen, St. Cecilia has been hard at work translating the journal, and she's come to a passage that seems to describe the growing tension between the band. It also mentions an approaching star, and she takes to sitting on the roof at night to observe the sky.

-In Prankklok, when Pickles tells Nathan that he's not allowed to drink any tequila during their friender-bender, Nathan tells him he can't visit St. Cecilia when they stop in London. It's mostly a joke, and Pickles plays it off as such. Not long after, we see Pickles on his phone, though, debating on calling her just before he notices the storm warning.

-Offscreen, St. Cecilia approaches Charles about a phrase repeated over and over in the journal: Fata sidus oritur, the star of fate is born.

-After Charles breaks the news about the Ice Festival to Skwisgaar in Bookklok, he goes to speak with St. Cecilia and Edgar in the basement. She's tacked two star maps to the wall: One from the previous week and one from the previous night. There's a spot near the center of the first map that seems bigger on the second one. She looks like the world is ending when she tells him it's the Doomstar. It's real. It's coming? When? Soon, she says. Far too soon.

-When Charles tells the boys he's going out of town in Dethcamp, it's to take St. Cecilia to an observatory, where they meet with Ishnifus and spend a few days tracking the Doomstar's movements as it comes closer and closer to Earth, trying to figure out how long they have before it arrives.

-In Going Downklok, when Pickles shows up all decked out for his meeting with Abigail, Nathan is quick to ask, "Don't you have a girlfriend?" Pickles insists he doesn't; He and St. Cecilia were both hurt and angry the last time they spoke. On top of that, he believes she's all the way in London, and Abigail is right there. He's always been one to take the easy route.

-Offscreen, between Dethdinner and Breakup Klok, St. Cecilia is tagged in the video of Pickles quitting Dethklok by a drunken Toki. She's incredibly hurt. Pickles has nothing, he said. She, apparently, is nothing.

-In Breakup Klok, Pickles tries to call St. Cecilia to invite her to his wine tasting, but she refuses to answer and sends him straight to voicemail on several occasions. Towards the end of the episode, after the escape from Salacia, Charles requests a check-up on Edgar and St. Cecilia back at Mordhaus, and Pickles is stunned and angry to learn that she's been more or less within arm's reach for months. Had he known, he's certain things would have been different-- He wouldn't have tried to make a move on Abigail and he wouldn't have fucked up his chance to get back with St. Cecilia again.

-Offscreen, St. Cecilia speaks to Charles about staying at a hotel for a few days, just until Roy Cornickelson's funeral, after which she'll return to Mordhaus and her translation work. The day of the funeral, though, she receives a call from Magnus telling her she absolutely cannot attend, as he can't guarantee her safety. It's the last time she has contact with him before his death. We also see her watching the news about Dethklok's breakup and the insinuation that Abigail caused it, and St. Cecilia chucks a bottle at the TV, mirroring Pickles's actions in SnB II part one.

-In Church of the Black Klok, St. Cecilia is fetched from the hotel by Klokateers and taken to the Dethsub, where she meets with Charles, pointedly ignores Pickles, and goes to work with Edgar instead.

-The Doomstar Requiem:

-In "One of Us Must Die," St. Cecilia can be seen on one of the slides, staring up into the sky with Isambard's journal held to her chest. Towards the end of the song, reading from the book, she sings, "Dethklok, they must be rejoined/Evil, it must be destroyed/No more apathetic stoics/They can learn to be heroic/Write the song that will be our salvation..."

-In "Training," while carrying the journal, she sings the lyrics, "As the prophecy foretold, the Doomstar has been born/And you all will be endowed with a power known to none." Nathan, Skwisgaar and Murderface are looking at the art of the Prophecy, but Pickles is watching her. Ishnifus places a hand upon her shoulder, and they sing together, "The Dethlights are within you all waiting to be woken/And when the five are united, the evil will be broken," in a show of solidarity.

-In "En Antris et Stella Fatum Cruenti," just after Ishnifus is killed and the Doomstar goes red, we see a shot of Charles, Edgar and St. Cecilia at the Church, watching the sky.

-In "Morte Lumina," in a mirror to Nathan and Abigail's kiss, we see Pickles approach St. Cecilia, and she presses a kiss to his palm (Which is a really significant gesture between them) before he pulls her into his arms.

-Note: She has a potential song of her own in Halestorm's "Love/Hate Heartbreak," the lyrics of which could be addressed to Magnus or Pickles.

Symbology

Color: Baby pink.

Animal: Arctic fox.

Gemstone: Diamond.

The Alignment: Neutral good.

Favorites

Food: Chicken Tikka Masala (Though she has to have it extra mild because despite being a quarter Punjabi, she's still an English gal and can't handle spice. Peter often makes fun of her for it).

Least Favorite: Any sort of fish dish.

Drink: Bombay Sapphire gin.

Least Favorite: Coconut water.

Color: Baby pink, gold.

Least Favorite: Red.

Animal: Foxes.

Least Favorite: Seagulls or badgers.

-Abigail Remeltincdrinc: They became friends mostly due to the fact that they were both women in the music industry (And both working for Crystal Mountain), and supporting each other seemed like the right thing to do. Abigail getting involved with Dethklok and catching Pickles's attention quickly became a sore spot, and they drifted apart after that. After DSR, things got even worse. Abigail, naturally, is glad that Magnus is gone, while St. Cecilia is devastated by the loss. They had something of a falling-out over it, and they haven't really spoken since, and they're both totally okay with it.

Character Relationships

-Pickles the Drummer: Their relationship is a complicated one. They've known each other for ages, and they've been together through the highest highs and the lowest lows, all the way down to rock bottom. She partially blames him for her late teens and early twenties being the fiasco they were, and she cut off contact with him for a long time after the SnB breakup. During the run of the show itself, the two reconcile somewhat and even become more or less friends before Abigail shows up and things start to crumble again. They have a hard time admitting it, but there's love between them, and there has been for a long time. They're both afraid to try getting together again, though, as there's a mutual fear of the relationship ending as it did the first time, with them hating each other again. It nearly killed both of them the first time. They're unofficially back together at the end of Doomstar, but there's no way of telling if the love between them is enough to keep them together or if they'll just fall apart all over again.

-Magnus Hammersmith: They were more off-and-on than anything, but they were together for years, even though quite a bit of it was long-distance. It wasn't supposed to be a serious thing. It was just supposed to be a quick fuck. Then it was a performance to get back at Pickles, but Magnus quickly realized that St. Cecilia's feelings for Pickles were too strong for her to be of any use to him in his revenge plot. The basis of their bond formed because they understood each other on a level they've never known with anyone else: Former Snakes N' Barrels guitarist St. Cecilia Jameson and former Dethklok guitarist Magus Hammersmith both understand on a fundamental level what it's like to be left behind and forgotten. Magnus caught a bit of feelings himself, and when Roy Cornickelson's funeral came around, Magnus warned St. Cecilia not to attend. It was their last interaction, and it forever cast him in a positive light for her, even after she learned what he was doing with the Metal Masked Assassin. During Doomstar, she stuck with Charles and Dethklok solely to try and find Magnus. She was devastated by the loss.

-Charles Offdensen: St. Cecilia really likes Charles, actually. He's basically the only person on the show who's really "on her level" class-wise. He attended Harvard, and she attended Oxford, so they have a great deal to talk about. They play a lot of chess and fence on occasion, and if it weren't for her feelings for Pickles and his obligation to the Church, they just might have gotten together. A time or two, we catch him quietly watching her, or her shooting wanting looks his way. There's a very real spark between them.

-Skwisgaar Skwigelf: St. Cecilia is nothing short of enchanted by Skwisgaar. It's not a crush, exactly, but she has a huge amount of admiration for him. They've practiced together a time or two, but she's a little rusty and winds up with her fingers bleeding because her calluses have gone soft. He tends to tease her over her soft hands. A guitar god, he tells her, can't have hands like a princess. His calling her princess becomes a bit of a thing for them. The two of them often have brunch together, talking shit and drinking. She's good for him; He's never had a female friend before.

-Nathan Explosion: They get along pretty well. Their first meeting was at a singers-only Crystal Mountain party, and they ended the evening with a quickie in the coatroom. He wrote a song about the encounter, but Pickles never figured out that it was about St. Cecilia, which Nathan thinks is just the funniest thing. He mostly sees St. Cecilia as one of the guys once she meets with Dethklok again for the SnB reunion. It's a "been there, done that" kind of deal. She's not brutal, but she's funny and she's fun, and goddamn, is she pretty, and they would absolutely hang out if they could get their schedules to line up.

-William Murderface: St. Cecilia actually has a begrudging fondness for Murderface. He's awful, but he's also pretty funny, and she likes to hear him talk about knives and medieval weaponry, as her family home is full of such things. They also have the same car (Lamborghini Aventadors, hers in metallic rose gold and his matte black), and tend to race on occasion. They clash over things, of course, but she likes being around him more often than not.

-Toki Wartooth: Within the series itself, St. Cecilia hasn't given Toki much thought. He's cute, but he's just sorta there. His incident during the SOBERTOWN USA concert really scared her, and she more or less avoids him after that.

-Edgar Jomfru: Despite being very different people, St. Cecilia really enjoys Edgar's company. He merely tolerates her at first, but she grows on him, to the point where they're legitimately friends come Doomstar. The two of them often have lunch together on the roof of Mordhaus so they can get some fresh air. He's the smartest person she knows, and she lowkey enjoys the fact that she sometimes struggles to keep up with him. She feels safe knowing that if she can't figure something out, he's there to help.

-Snakes N' Barrels: Sammy is the only one of her bandmates she really kept in touch with after the breakup. He was her favorite long before Pickles joined. There was a pregnancy scare not long after the band took off that somehow, against all odds, brought the two of them even closer. Sammy was St. Cecilia's first love. Her relationships with Tony and Snazz were much more professional, though none of them were anywhere near professional. The crown tattoo behind her right ear was done by Tony on a drunken night in, and it was too good a night for her to even consider covering it or getting it removed. She and Tony slept together a few times, but there was never really any romantic connection between them. She and Snazz don't have much of a connection at all. They don't really get along.

#it was fun to go through all this again lol #st. cecilia jameson #pickles the drummer #magnus hammersmith #skwisgaar skwigelf #nathan explosion #my mtl

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myths-of-fantasy · 8 months

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“Alright, one more time – when in the Earth Kingdom, we are…”

“The Song family.”

“And we are…”

“Merchants.”

“That sell-”

“-Bread, maps and trinkets.”

“Good, good.”

Ezani looked over her collection of children, all of them speaking in firm but quiet voices as they watched her with serious eyes. They had been preparing for this day for a while now. It had been about four months since Iroh had sailed off with Zuko on the doomed-to-failure search for the Avatar. The hidden waterbender had been training her kids – hers because honestly fuck Ozai – to handle the world outside of the Fire Nation. Her heart still clenched at the infrequently letters coming from Zuko, the boy’s pain and palpable confusion coming through clearly as he reported failure after failure in his search even as he tried to hide it.

The Azula, Mei and Ty-Lee would curl up among themselves while Ezani read the latest letter for them, doing her best to keep the raw sadness she felt for the boy out of her voice. Inevitably, they would ask for the letter to read it themselves and she would hand it over for them to inspect, Azula sadly tracing her fingers across the characters shaped by her brother’s hands.

On the other side, Ezani would unravel the secret letters delivered to her by Iroh; reporting on what the current climate was like. While Zuko hadn’t the luxury of being preemptively desensitized, unwound from the prejudices of the Fire Nation, Ezani had been carefully planting seeds of doubt in all of the most important places in the minds of the girls. She kept encouraging them to ask questions, to look deeper into every order, not to take things said at face value and she could see that it was starting to sink in. Even the act of asking for the letter, choosing to read it themselves rather than count on her to tell them the exact contents of the letter was a sign of their changing demeanor.

Though what happened to Zuko was vile and sickening, the final act to seal Ozai’s image in the eyes of his children not as their father but as their master, the shock of his actions had ruptured their entire worlds. No matter what Ezani had tried to teach Azula before, Ozai had been her father and much of the Fire Nation saw him as the fair if strict father.

The needless cruelty towards his own son for the mere crime of caring about their soldiers had been a blow to their world-views leaving them more vulnerable to Ezani’s teachings.

She hated to think about it like that but she’d been raised with the war in mind, raised to understand the vulnerabilities that could open themselves in a person’s armor and how to both exploit them and protect her own.

Ezani had been prepared to pack up her girls and ditch the island only a couple days after Iroh had left but looking at the girls now, she reluctantly admitted that staying for a bit longer had been for the best. They were stronger through their training, the adults in their lives entrusting them with more and more complex foot-work which would serve them well on the outside.

“We’re in the Earth Kingdom.” she said sharply, making them all straighten up. “What are your names?”

“Lily,” Azula said immediately, putting on her best ‘innocent child’ expression. Ezani smiled warmly – she had been wary about using the girl’s pet-name as an alias but she’d been careful to never express the name in public. ‘Fire-Lily’ was usually reserved for private moments within her little shop, so hopefully it would fly easily enough under the radar.

“Aster,” Ty Lee declared, straightening up.

“Song Sage,” Mei reported.

“Well-done – let’s work on your breads again.”

The girls rushed the stand, pulling out their premade dough while Ezani watched with a critical eye. Their cover would be simple – a small family of merchants that traveled semi-regularly selling the various trinkets they found on their journeys alongside their very good breads. For those who looked upon their band with confusion, she would profess to having taken over her own father’s business. Others who would look at her dark skin and brown eyes with suspicion next to her triad of paler skinned girls, would be told that she’d once had a partner (but carefully not a husband, she possessed none of the dressings for a widow to pass that story) whom perished defending them when the girls were young.

She tried to keep the other details close to reality to prevent the girls from slipping up – Mei was her eldest daughter and Azula her youngest. Given that Azula and Ty Lee looked nothing alike, she’d declared that she was just a little girl when they escaped the attack and so, Ezani took her with them. The waterbender had initially wanted to pass them off as twins but they didn’t look similar enough to be convincing. She’d say she had a son once but he’d been killed alongside his father, defending their family while the girls escaped.

Not a very detailed story no but it had enough information to keep the average citizen from looking into them too deeply. Bandits were a known problem throughout the world.

“How much longer do we have to wait?” Azula’s words snapped her out of her thoughts. Her little girl looked so grown up now, 13 years old but with the serious eyes and flecked with faint scars. It certainly lent to their story but her heart still crumbled looking at the singed marked on her daughter’s skin, where she’d dodge a knife a little too slowly; hadn’t blocked a fire covered fist quite quickly enough. Mei was the eldest and yet, Azula’s body was a hidden mosaic of suffering. “I can’t take it much longer. Being in the castle with him.”

She spat the last word venomously – Azula hadn’t referred to the Firelord as her father since the day he exiled Zuko. Not that the self-centered man had even noticed, she wouldn’t be surprised if the bastard assumed she was just showing him the proper respect befitting his station.

I wish I could kill him, Ezani thought to herself bitterly. A life-time of grooming and yet, when faced with her task all she could see overwhelming failure waiting for her. She knew intellectually the Firelord was surrounded by high-ranking military officials, that attempting a rush on the palace would be paramount to suicide and yet…. It still felt like she was failing her parents, failing Zuko by letting that bastard continue drawing breath. Some day.

“Soon,” she answers Azula, careful to hide any signs of her inner torment. “I have an idea of where to go, food and maps. I’ve already packed all of the most important aspects of the stall and destroyed anything else that could tip-off the guards.”

She sighed a little, “The hardest part is managing to parse out a ship willing to smuggle the Firelord’s precious daughter out of the Nation without sending word back to the palace.”

Azula growled at being called the Firelord’s daughter but said nothing about it – though she no longer viewed the cruel man as a father, Firelord Ozai was still certain of her loyalty to him, still seemed to think her his loyal puppet.

“Maybe I can help,” Ty Lee offered, rocking back and forth on her feet. The young girl was constantly in motion – it seemed the restless energy she usually expended in the circus had become just another part of her.

“I don’t want you to risk getting hurt,” Ezani told her gently, suppressing the fear of what could happen if they were discovered. She herself was already just barely avoiding execution for what was – at the very least – treason, kidnapping and given her communications with Iroh, espionage.

“Oh little poppy, I don’t mean it that way,” she cooed when Ty Lee wilted a bit. “I know you want to help but I want you girls to be as innocent in this as possible. If I am caught, I want you to three to stay together and look out for each other.”

“You won’t get caught though,” Azula declared.

“It’s always a risk,” said the ever realistic Mei in a softer voice. “Those nobles are always poking around her shop. And they’re mean when they don’t get what they want.”

Ezani wordlessly placed her hand on Mei’s shoulder, squeezing lightly in an attempt at comfort. The eldest’s emotions were always a bit muted, more contained and tightly sewn together compared to Azula and Ty Lee’s. Ezani had wondered for a while if that was by nature or if it was taught to her – regardless, she recognized the comment as the quiet girl’s way of expressing her concerns.

“I won’t lie to you all – you’re old enough to understand the truth. And the truth is that what I’m planning is dangerous – that just living here had been a major gamble. This world isn’t as kind as I would like it to be and as long as Ozai is Firelord, there is always the risk that I will be taken from you.”

Azula clenched her fists as Ty Lee shuffled closer to her, eyes tearing up with frightened sadness.

“I will do my best to stay with you,” Ezani told them seriously. “But if it comes down to a choice of me or you, I will always choose you. And I hope I can count on you three to choose yourselves too.”

She doesn’t think they would, not by the steel in their eyes and the stiffness to their bodies but she’d at least told them the truth. There was no point in attempting to shelter them from this fact – not when she would be labeled the Fire Nation’s number one enemy if her plan were to succeed.

For now, she let them knead their dough while she formulated a reply to Iroh – only a few more months at the most.

Then they would be free.

| | |

“Thank you,” Ezani said quietly.

The merchant nodded, accepting the small pouch of money that she’d carefully collected. A healthy amount of coin of both Fire Nation and Earth Kingdom currency to further entice the man to keep quiet. Thank the spirits, it seemed that the Fire Lord had disgruntled quite a few merchants with his stricter trading policies and the higher taxes he imposed upon them. The merchant was a frequenter of the less popular docks, electing to travel by foot through the lands to increase the chances of encountering a potential customer – it works perfectly in her favor. The unpopulated docks meant that there would be fewer people who would recognize Azula, the guards would be in the looser part of the Firelord’s palm rather than tightly grasped in his grips and it would allow them to vanish on the roads between the major cities.

She turned and motioned for the girls to follow, creeping from the shadows slowly.

She blinked a little, readjusting once more to the slightly jarring sight of her girls dressed as ordinary citizens, each clutching a small bag in their hands. It would’ve been smarter if she’d told them no, denied them the opportunity to take the small items that would surely reveal their flight but she didn’t have the heart to. She was already taking them away from all that they knew, into a hostile world where they would live on the run presumably for the rest of their lives, dogged by the Firelord and his loyal soldiers.

So she helped Ty Lee onto the boat first, saying nothing about the small beaded necklace that shimmered in the bag, about the decorative knife that Mei held as she crossed onto the boat or the teddy bear – the only gift from Ursa to her daughter – clutched in Azula’s arms.

Ezani was holding her breath the entire time.

She’d sent word to Iroh that they were finally leaving, that she’d send him a second message when they reached shore again – her tern-falcon alongside Ducky were packed safely onto the ship near the merchant’s goods, carefully out of sight of an immediate glance near the merchant’s own iguana-parrot. She watched the shore of the Fire Nation fade into the distance as her girls were ushered beneath the deck to change from their Fire Nation commoner robes to something more suitable for the average traveling merchant.

She waited with her heart in her throat as they sailed further and further out to sea, her pulse thumping loudly in her ears.

In the end, she needn’t have worried – they passed the check-point easily, the guards tired and uncaring of what they saw as an ordinary merchant passing by with subpar material. It was late at night and the Firelord was convinced his Azula was still his darling puppet – he’d stopped looking in on her room when she didn’t leave with Zuko. Her little girl had masked her hurt and upset masterfully within the palace, disguising her grief as a newfound blood-lust in training that made the Firelord cackle with pleasure.

It would only be the next morning, when her Fire Lily didn’t answer his summons and the servants found her room empty, her sheets untouched that he would realize what had happened. He would storm the little stand she’d called her own only to find an empty shell with no evidence of where they’d gone. She’d reluctantly given away her lips to one of the noble-women who continued to press her, push her and ensured her silence, kept her from alerting the guards that she was leaving so they couldn’t stop her swift-night’s packing.

She releases a gentle sigh, her muscles relaxing as she looked upon the open sea stretching before her; the water silver from the bright moon’s light and she’d never felt more at home than she did now. Ezani always felt the safest on the sea – ironic considering it was where she’d been most in danger with the Fire Nation’s fleet patrolling the waters.

“Nothing to do but wait now,” she said aloud, as she settled onto her spot on the ship. She unwrapped a bit of blueberry bread she’d produced with Azula’s help.

She ate, watching the moonlight and imagined the Firelord’s enraged roar with a smirk upon her lips.

---

@ultimatebottom69

Being sporadic as hell but this time, I'm remembering to include you in this lmao

#azula's breadmaker #projects by ankh #atla fanfic #atla azula #azula redemption #child azula #we've reached actual plot now #pretty sure I missed an update

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thecaseforspacecases · 10 months

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S01E04 Spung at Heart

Ok, back at it again!

In this episode, we get introduced to the big bads: the slaving, misogynistic, war mongering, Spung. Cardassians with tails. But first, we fall in love with their rebellious, fortune-telling princess, Elmira.

Trivia and behind the scenes info can be found at spacecasetv.com.

Link to the ep and my thoughts while rewatching below the cut!

youtube

We start with Radu and Harlan alone on the bridge (love it), getting a distress call from a ship with a lone passenger, and bickering (LOVE IT). The voice is female, so of course we get them fighting over a girl without knowing much about her (A TREND).

What an introduction shot, though. Elmira, you have my whole heart.

So Radu is pissed, and we learn that the Spung enslaved his people and started the Spung-Andromedan war. The tension! And Radu and Harlan are fighting over Harlan's prejudices towards Andromedans. It's such a good scene!

And Catalina remains the Eye Roll Queen every time Elmira calls Harlan "captain."

I do like that Elmira is an oracle, what a unique character trait. I like to headcanon that her mother was one as well, but she died during the war. Without her mother's protection, this left her more vulnerable to having her gifts abused by her father, Warlord Shank.

Elmira to Catalina: No one can see who's coming here, but Catalina disappears.

At this point in the series, the creators were already suspicious that they were going to lose Jewel Staite to the Disney channel and so this was a bit of foreshadowing to Catalina's eventual departure.

Goddard is always fixing something, does the Christa need you poking around in her all the time SIR?

Elmira to Goddard: Not many Stardogs live to say, they've seen what you will see today.

I'm really intrigued by the fact that the Spung Killcruisers were so deadly, everyone on the UPP side who ever encountered one was killed. And the Spung still lost the war!

I'm not even going to comment on Davenport, she is so goofy.

Radu's fortune is, of course, the best. And hints at a storyline they never got to tell:

Elmira to Radu: Fire and darkness you will tame. Hero added to your name. Noble Radu, worthy and brave. Those who scorn you, you will save.

And I couldn't quote this episode without including more fawning over my OTP:

Elmira: Harlan Band doesn't hate you Radu, he's afraid of you. Radu: Afraid? Elmira: Yes. Every time he looks at you, he's afraid that everything he knows is wrong. And so are you, every time you look at me.

Ok, listen, I know that's very much meant to be a Radu/Elmira moment - a ship which was almost certainly going to be endgame - but hear me out. Harlan having feelings for Radu, someone he considers an enemy, the same way Radu has feelings for his enemy in the Spung princess. An awful lot of angst in this love triangle all around. It feeds into my headcanon that Harlan is positively TORTURED by his eventual romantic feelings for Radu for multiple reasons. Maybe I'll get more into my shipping headcanons some day BUT MOVING ON.

Ok, and it's also just a great scene and a great message about prejudice in a kids' show.

I really want to know more about the Spung ruling structure. Is Shank the only Warlord or are there others? Is he the leader of a nation, of the whole empire, or just the military? If he's just a high ranking commander, like the wiki says, why is Elmira considered a princess (which is something we learn in Season 2, I believe).

Also, George Takei, phenomenal get. And the Star Trek reference, *chef's kiss*.

In the end, Elmira returns to her ship and distracts Shank and the killcruiser long enough for the Christa to escape through the White Circle and back where they began - 7 years, 4 months, and 22 days from home.

Great episode! Can't wait until we get to see Elmira again!

#space cases #nickelodeon #nostalgia #snick #rewatch

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attackfish · 2 years

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@elf-kid2 in their last ask for the Reach this Moment AU asked for two things, each of which I decided needed its own post. The part I am answering here is What is Mai's relationship like with the Gaang.

Reach this Moment: [Link]. Universe tag: [Link].

Conveniently, there are, minus Zuko, five members of the Gaang.

1. The member of the Gaang (other than Zuko) that Mai sees most often is Suki. Suki, as head of the Kyoshi Warriors, spends most of her time in the Fire Nation palace. She's kind, she's sympathetic, and she's a natural born leader. Mai envies her, envies the ease she has with power, and with herself, and is so absolutely grateful for her presence that she could never express it. Not only does Suki admirably protect her new husband, toward whom she has many and complicated feelings, and gives Ty Lee the task to defend her, but she is also a fellow Earth Kingdom woman, an Earth Kingdom woman who is so far from what the Fire Nation expects of Earth Kingdom women, who comes with a band of Earth Kingdom women, who live well beyond the limits the Fire Nation expects. Mai is so grateful for all of them and their company. And she's grateful for Ty Lee too, not that she'll admit it.

2. Sokka shows up pretty regularly to visit his girlfriend. And the problem with Sokka is that he's just one more complication. He's a friend of her husband's, a husband for whom her feelings are anything but straightforward. And of course he helped end the war with said husband, and he pops in and out of the palace, making being a foreigner there look effortless. She hates him just a little for that. And she hates him just a little for being able to help end the war, when she spent every minute she knew there was a war, running around just fixing one problem after another and trying to keep her head above water as the Fire Nation appointed governor. And does she also have complicated feelings about that? Yeah. But he also goes out of the way to make her laugh. He doesn't treat her like a doll or a traitor for being Azula's appointed governor. And yeah, she kind of hates him sometimes, but she also kind of likes him a lot more often.

3. Toph is always an anomaly. She only rarely comes to the Fire Nation royal palace, and when she does, she doesn't stay long. She and Mai have become such different women, and yet they have so much in common, life experience, childhood, culture. Gaoling for all it is in the south, well south of the Si Wong desert, has tended to ape the cultural norms of Ba Sing Se as much as it was able. Supposedly the town was founded by the Bei Fongs, who were, and still are Ba Sing Se nobility and they still look to Ba Sing Se for spouses for their children. And like Mai, she grew up shut away, that restless despair and anger bubbling just under the surface. And like Mai Toph sees femininity as a prison. They each have their own relationship to that. Toph rejects it utterly, while Mai has learned to wield it. But neither likes it, neither is comfortable with it, any more than they are comfortable with their families, or their pasts. Mai doesn't always get along with Toph, or agree with her, but at least when she's around, Mai feels like their speaking the same language.

4. Katara and Aang came to the wedding. Sometimes, when she can't hold back the sense of shame and anger, Mai remembers Katara's look of pity. But they've met since then, talked, and Katara knows better now, knows that Mai has much sharper edges than she thought. Katara and Mai first really come to meet during the crisis over Yu Dao. It's hard, maybe impossible, to find one's way through a new role, one with no set parameters, that one is supposed to shape to suit one's self when one has no idea what one wants out of it or out of anything when one's whole life and purpose has fallen away twice in a year, and one hasn't an goals left. But Mai was governor of Ba Sing Se, and her sense of responsibility hasn't left her. And she knows intimately what it's like to be conquered by the Fire Nation. She knows the horrors and the cruelties of it, small and large, deliberate and incidental. Political boundaries between the Earth Kingdom and Fire Nation over former colonies makes Mai's nose twitch like a shirshu's smelling its quarry. And Katara spots her immediately as a natural ally. Aang, she knows, is more wary of her. He knows what she is, a woman with her own agenda.

5. He isn't wrong. For Mai, it's not as simple as Fire Nation verses Earth Kingdom, colony or province. For Katara, it's always simple. She's so good at getting to the straight forward clarity of a thing, when Mai feels like she's drowning in mud. But Mai has seen how little interest anyone in Ba Sing Se has beyond the walls, how it's a nation unto itself, and how benign the neglect has not been. These problems were exploited by the Fire Nation but they predate the conquest. And besides, who is it ruling Ba Sing Se, who wants the colonies back so badly? Why it's Long Feng. And Mai has found a goal, at least for now: making Long Feng's life as hard as possible. Later, this will evolve, into fighting for her brother's future independence as Earth King, but for now, she just wants to teach the man who used her and threw her out as soon as she was a threat, that he can't screw with her. Underneath her anger, she knows, is fear, but she has agreed with herself not to look at that too closely.

6. Long Feng is not eager for a war he can't win, and he's fully confident he can run rings around the child Avatar and teenage Firelord. So he readily agrees to negotiate. But it's neither Aang nor Zuko he meets on arrival in the Fire Nation capital. It's Mai. Her husband leaves the negotiations to her, a gesture of profound trust, and one she does not forget.

#atla mai #atla suki #sokka #katara #toph #avatar the last airbender #do you want to ask a question it doesn't have to be a question #five headcanons #mai doesn't hate you #zuko is a dweeby little turtleduck #there is no war in ba sing se #katara is the answer #aang d'awww #suki fans #sokka the meat and sarchasm guy #circus freak is a compliment #a little toph love #reach this moment #posts i created

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moneneki · 2 years

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My Zutara fics masterpost

Ice crystals in molten gold

Rating: T

Summary:

Katara was too young to fight in the war, but victory still took a heavy toll on her family. Years later, on her 16th birthday, one last tragedy leaves her completely alone and desolate, with only one bright spot: Zuko, a golden-eyed stranger that helped her through the worst night of her life. Now living with Baroness Hama, her husband Baron Yon Rha and their children Hahn, Mai and Azula, Katara’s new life becomes hell. She longs for freedom, and yearns to find Zuko again… A visit from the crown prince of the Fire Nation to the Baron’s household may provide her with the perfect chance… Or push her into a path she never expected, laden with misunderstandings and ceremonies, old promises and new friends, and court intrigues interwoven with lost family history. But among all that, her chance at love seems uncertain.

Written for the ZK Big Bang 2021!

ZK Mythical Creatures Week 2021

How bright the lights

Rating: T

Summary: Katara really really wanted to go to the festival. Instead, she's stuck with family responsibilities and bored out of her mind. Her day ends up not being as terrible as she had feared, though.

Golden touch, silver touch

Rating: M

Summary: Fire Lord Ozai the Golden has obtained his greatest wish and has grand plans for it. When Prince Zuko protests, he is punished and given what everyone thinks is an impossible task— but is it really?

A hundred eyes

Rating: T

Summary:

Anger and desperation have made Prince Zuko reckless… While a refugee in the Earth Kingdom, he's about to learn what his actions can cost him, especially when spirits are involved.

The mountain of smoke

Rating: G

Summary: Zuko is doing his best. Katara doesn’t seem eager to forgive him, despite his efforts— He listens attentively for the faintest hint of a possibility, and finds something when she tells him about an old legend of the Southern Water Tribe.

Zutara Week 2021

On the crosshairs

Rating: G

Summary: Their story, told in glimpses. They held very strong opinions about each other's (and some other people's) hair. Unkempt. Crude. Tasteless. Overall, wild. As wild as only such a primitive, backward band of peasants that lived in a spirit-forsaken corner of the world could be. Her brown mane could only be tamed (barely) by restraining it in a tight braid that no respectable citizen of the Fire Nation would ever wear on themselves. Stupid. Pretentious. Ridiculous. The angry guy obviously obsessed over maintaining that silly hairstyle. Only a “civilization” rooted in war and violence could conceive such an awful hairstyle for their black hair, long and straight and shiny like the summer coat of a mink snake. They were just as untrustworthy, each and every one of them. Collection of one shots for the Zutara Week of 2021, all stringing from the prompt of Day 1: Hair.

(Also available in Spanish.)

One night contract

Rating: T

Summary: Besieged by debts that could end the legacy of the extinct air nomads, Katara and Aang make one last desperate attempt at the casinos of Omashu. There, they meet the millionaire Zuko, and receive a proposal that could be their only chance. Zutara fanfic inspired by the movie Indecent Proposal (1993).

(Also available in Spanish.)

#zutara #zutara fanfiction #moneneki #I totally don't know how to format posts here #may add the art later

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bardic-tales · 2 years

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Happy (kinda almost late WBW!)

Are there any ancient secrets within the world that are of little consequence to talk about in an open format like this? (Since I know you're working on actual writing and uh, spilling the Plot Secrets might be a BIT counter-intuitive.)

If not, what have you REALLY wanted to talk about but haven't found the time or space for?

Happy WBW. Thank you for the ask.

I've been worldbuilding the Planes of Existence since 2009, so I have a lot of material that I can talk about. I try to shy away from the questions that would spill plot secrets, lol.

When I first created the history behind the planes of existence, the Endless Hunger was Lovecraftian. They still are.

These beings were a queen and king of a nation long forgotten who waged war on different planets and planes to make their own civilization greater than it was. They held delusions of grandeur. Their aspirations tainted their hearts.

They would learn a ritual that would make them immortal as long as they are consuming the energy, or ven, that weaves through the planes giving life to every creature and plant. They would be able to feed upon each other's energies to keep alive, refreshing the ven within them, but they were greedy. They would consume this energy, withering the world to the core, and grow fat.

The last two planets in their universe would band together before it was too late for them, cast a "spell", and thrust them through a wormhole in an unknown universe.

The wormhole would open to darkness, as no light exists where they are. They float through this space before they harness the energy that they stole from their original universe and create a large orb of fire, illuminating the emptiness around them.

For the next year, they would feed upon each other until an unexpected thing happened to both of them. Through an expulsion of ven through every orifice in their bodies, a blanket of blue miasma blanket and form landmasses and seas as far as they could see. This will be called the "ven plane", where worthy souls go to be reincarnated. This is the only plane that they created.

As the Hunger, who had renamed themselves as the Great Ones, continued to consume their plane, they missed the sounds of beings in terror. They would manipulate the ven around them, transforming it into a male figure and sentience. This would be Amés, the god of love.

Amés and Vittore, the vener of war, would create the death plane together. Like in their original universe, they will be pushed through the doorway to the Death Plane where they will be chained until a time that they are free. The souls that are not worthy usually feed them.

When I speak of the Old Gods that the cult on Arathea is worshipping in Flight of the Dragon, it is these beings. They are reaching out through cracks where the planes are the thinnest and managed to corrupt a monk from Eneth. She would transcribe their words into a scroll detailing what needs to be done to bring them to the Life plane and eventually bring about the end times.

#wbw #worldbuilding wednesday #worldbuilding #setting:fotd #setting: pf #fic: cold as ice #fic: pale fire #nl answers #wip: flight of the dragon #SETTING: CAi

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robinhood786 · 28 days

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#agentlemaninmoscow #davidmoscow #metropolmoscowrussia #moscowmurders #moscowrussia

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mirqmarq428 · 9 months

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Mir reviews:

Anchorman: the legend of Ron Burgundy

This is one of those movies that your dad shows you when you're 15 and he remembers it as good manly fun but you feel icky sitting thru it and feel bad for laughing at its jokes, then mostly forget about the bad parts when 5 years later you notice that it's free with your cracked youtube app. Just me? No. According to youtube, it's somehow rated PG-13. Different times, man.

Tl;dr: this one is worse than you remember. 4/10

le Plot:

Will Ferrell plays the titular protag-kun, a popular local news anchorman. His news team is a deeply closeted gay cowboy, this mostly reasonable cologne fanatic, and an autist whose IQ is canonically 43.

The actual protagonist of the film is burgundy's "love" "interest" whose name I forgot already since her name isn't on the poster. Her dream is to anchor on national news, and she will have to stand up to institutional sexism, personal misogyny, and casual sexual harassment at every turn.

She is hired on, the boys all make moves on her, she fights them back brilliantly. Ron doesn't just want her body, he "loves" her (meaning, he wants sex but would like to be all romantic about it). Through a fair amount of bullshittery mixed with some genuine chemistry, they hit it off and make out. This is shown thru a short interpretive montage of them riding white unicorns thru heaven over rainbow pathways.

Despite promising to keep their relationship private at work, our "hero" immediately brags to the guys and tries to explain how it feels to be in love.

One day disaster strikes as burgundy is late to work due to being a oblivious pretentious asshole (he throws a burrito out his window while driving and makes the motorcyclist next to him crash, then the biker throws his dog off a bridge as punishment). Despite the men's reservations, our hero fills in for her boyfriend and delivers the news. She's great and everybody loves her. Then Ron barges in and is horrified that a _woman_ (gasp) would take his job. They shout about their misunderstandings for a while.

Despite continuing to work together, their relationship worsens further. Eventually they physically fight, and he is fired and sinks into an alcoholic depression.

End of the movie. Time to shake things up. A panda at the zoo is giving birth, this is the biggest thing to ever happen and must be reported upon. She goes looking for the perfect angle, but a random evil reporter dude knocks her into the pen of Kodiak Bears. They can't find her so end up calling Ron. He glows up quick, gets the band back together, marches down to the zoo, find the girl in with the barely-sleeping bears, and jumps in like a dumbass. His dog returns from presumed watery demise and talks the bear down (dogs and bears share a language in this world ig). They get lifted out and he lets her report on the panda birth. The. Fucking. End. Carry on Wayward Son plays over way-too-short credits (there are lots of cameos I think weird als in this one but I can't find his name on well).

le Review:

4/10 do straight men really?

I liked: her arc. 43 IQ bro was a good guy. The vibe is mostly goofy and whimsical.

The male gaze here is overpoweringly putrid. Burgundy isn't the worst, but he's still pretty bad. There's a point early on when she points out to him that he has a very visible erection in the middle of the office and he hasn't even the sense to be embarrassed.

I guess his arc is accepting that women can be equals in the workplace even if they're sex objects.

I guess her arc is accepting that she can be in love with him _and_ achieve her dream.

"toxic masculinity" is not strong enough to describe this filum. This is Nuclear Masculinity, the all-poisoning radioactive cumstain of Gilgamesh himself (but even less gay somehow).

The ending is reductively egalitarian, to the point of advocating pure tokenism. Yeah this one woman is really good at her job so let's make her a public figure to feel better about ourselves. We care.

Ugh.

#movie review #anchorman #mir rants

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libidomechanica · 10 months

Text

Art of the please;

A sonnet sequence

Mark the wide whisper I loved to and fro, that shudder which once may hit on: but in the forests—great, rough-bearded Victor Spade! A woman His eyes read clear; and up we came into the Gnome thrise-sad tragedie. Love taught, thy part! No such a chance. Art of the please; heaven gave him well; who mused on love doth prepares the just lit on a heaven- kissing hours as the shock of cold water for one life that has been friend is here! Were shut between these, or any bene, no such true joy are rather spell awakens at th’ approaching all. Can go; for he had our dream hath been the Ladies stare!

Of Titans, giants, fellow, had a bed of flirtation, then comes to Heavens endures with erring Mortals of public grief, can grief opprest, the pierce was easily foreseen prevent, to which makes us wise; they rise, and passion could never! I press’d the light by thy Sylphs, of speech we two must be made. Like me! The hill. And heart ajar: at length theyr wonted woodland loud an’ shill; the ninety year old woman is the land, who too much it as a husband in the breakfast spoilt, prepared a newe mischaunce befall melissa, tinged with glaunceth from out her silken robe, and every Christabel!

III

How else could do no more. What potions we now entertain of all her dowry; and you, I can do for yours I am without a Wind, nay, Poll sate mute, and make a generate mind and loved all the same, and head, she praye, of ayde or could soone be put to find their compassion; but tho’ no repose. I loved, and, howling flee, as yet a body be. Without knows a thousand pulses of the heavy on his neighbour by the herald shall wayward Babe, and eke had he confined doom. If I should, even for new joy; but I’ll have leaves with thy love will be thy mistress would have thou dost common!

And bloody crack, such a fire above reflex act of time? Into the law. For me, I deem an absolution, but it best a virgin could spoil their feet doth bare, lest wander’d of clay. The still so like, but a din. Life in the flock; and Juan gazed as one to be the flocke, though in a way found like Pyrrho, on a summon’d to a naval mind, he reach’d her lids to close my eyelids. When day and night, I find and eat again: but trust what they benumb us at our simple still refused, because you shall sound: ye careless with a numerous floods his heart feels all the breeze kissed and died as born.

’ Thrice the wood; for show precedes the Foxes that of fire than the moment ere she died early; and you, and your days? Its gentlemen, yet lingering ill in Marinet’s affair: some love a thing all nature is fled, than I resign. Youth ended, a little crucifix he kiss’d her own hand. It yearned so fair, her form, as, thought, he maker, Mr. I think it was agreed Willye wite the song of right in dance in their course of want prepared, already sheltered on two postulates a that traveller heart ajar: at length breeds love; sufficiently by those them. And in turn with eye on eye, kissing.

With only Fame for so his despairing. Last Blazon of the unhappy shore. And while my Nanie, O. I don’t think that strangely falls our Christabel. Descends their long ere the entranced I wis since wherein the first a nation; nothing is mixed: the carver’s bride. Although she wore, hey ho the sea. As much debate, a band of all the Nurse and Witch’s life, with hoary hairs: the all-cloudless Skies, which, when a part of healing blue the latest sun. Again at her Smiles, awakened be, by which chiefly by a Base Desire; by whom her success of the cave themselves so brave, then beings during North.

VII

This golden reed; and I perceive in those whole; should ape those poor little sparkled o’er the waves oozings hours with a hollow show, the Maker’s image picturesque and those of the folded blood bored his native sun and moon rose, and Heavens again, lord Roland’s London. Now with that Frownings are much praise thine own phantoms of the sun’s golden face turned, we swiftly escape as Nature’s mischiefe souereigntee, beating Hearts were content, he told me close mine eyes beheld his visage hide, stealing Spleenwort in the Neck; then raging, bend the nature reigning fair, and little living, and uttering to give.

VIII

Were the mastiff bitch? But that feele my grief which the east, are seen while barren beach for buried the fetter—love had done the cooler air, too raw, should he have forgot just inquire if she most approximate and more subtle question to the Back of Gau and Witling perish’d it down upon its mother, save me now. For other in a better that once, and beautiful lady they found what she becomes a Virgin’s Cheeks inflame, but there’ll be well pleasure, cast like a top, or like the bones of fruitless force, and quiver, and for a sail. Before his feeble souls and round the long drouth.

A double double meanings of the water for the falling through the earliest cry, will shock of jar impact collapse flash of Day! And moved to a Bird, and spin, and ashes may degrade; yet, O ye mysterious passions spin the abyss of tenfold- complicate your own, restore; and ask a thousand slain. Take wings of thee, who give me if I’ve been assault a gentleness spreads the day with all it hath been done, since its matin songs, and shake the dim eyes over all be done: the yule-clog sparkling bumpers; for the wave’s splash, a mystic, ancient Maid, by love has left alone as this.

But trust that still, a secret from off the sun’s ray, he was t’other, then comes a bleeding cattle, to drink rum from of old from whence didst arise but they doen hem all dreams; perhaps too much as lurks in some wing: since thou dare swear, that comes, but mourn in vain to turn to do it, being old. The country- farm the sea: there, love was peregall to blame if I conjectured like rocks astate. Perhaps too much in fashion, too, and when fair Belinda still with care descends to eat or drink, and all things the secret we met was fair as Stella oft sees they rise, and makes all female pair, had further.

For all was inclined, but come when breaks brightly shrinks from small, but other extras, which he had nightly dread the worst but wanton coot the Thonder, when on true plain with him, thou gentle darkness, Evil haunts of endless Skies, when, as no gift of foresight; lightest wave of the liquid air; beholding hand; and though their crimes are empty and my greatness is to be. The sun has set. Upon thy Head. He mixing with him; and guilded honour me, unless thy days. For my stain head, there is sunlight no ruder air perplexed, when life and diamond in his sheepe out of my soul, in its fiery dust.

XII

One mind in all occasion prompts their Elemental sound: wherein the damsel this life had done—i’ve seen your companion stood within our neighborhood whom that live to heare a doleful tale with woe, shoot of balm it is, and in hand; the face I know they repair, a thousand wrecks were the brim the common is their wonted woodland loud groan, might not a work divinely loud? For that lay the wind to be loved to wander’d, her large elements in a pensive Nymphs thereby, the meeting somewhere it lies not, cannot live, and whisper from coast that was this alone confess that thou with might detest, through that hold a treasur’d time with Chagrin; that must be; o Sorrow, then change Complexion dwells on castle clock, four for thou hast thou, or bene the soft warm hands are fairer yet! Grow old man who spring waves, whose whole court that all the graceful form a junction, for I have loved all his hour is mine.

XIII

Will to utter once. Greatness in the Desperation that we would be; yet when those in his agony of flesh, men as other brow was seen unequal, wand’ring still my mother know him who sings to bear, cry’d Dapperwit, and trembling of theyr good name. Nor runlet tinkling from the truth divinely sang, and wandering on his neck; where God to summer’s ocean. Rolling at this no Gordian knot which is acquired in you what I had voyaged thro’ thy dark hand so thine hand, made up by Christian dogma rather out much work, scraping from this; those Eyes of the days have I see no ghost.

XIV

Of eloquent, her father brother’s door. And yet she and her crumenall. And of educations it is too depends that is shot back somewhere, couch’d with a very pretty for the Spanish, Turk, and leave the cold crypts where all that. Of regret: the noise of all belli’-thou didst see, bene all such Maladies when there be found, and deem, because he seem’d but the hearth; the same fluttering unexpected by his doubt the young beam of Zoe’s cookery no doubt and Death-bed she speak: arise, ye more its Honours of something sea below, that sees the Rule of Kings—glory to God who gave it!

’ They cried to this curst vessel strong imagined us. And tell him I shall now no further power, but send it slackly from her subject, he open’d on a new despatch, forgotten Julia? God shield sweeping on the mask of silver Thames. But find the course, pass’d away, this Hand—pray’d—his Arrow at the first ray that is worth to God, which our pavilion, as if it kindlier day; then their godlike mate, and more robust and child: for when they had been but the old, ring in her: then were God takes her heart, with fraud and portion of hot towels, and tell the notions guide to share witnesse, shee slewe me wise.

XVI

By seeing, and heaven-kissing. I found in fragrant Steams she binds iron thorns: the main-mast following Teapots stand, one blushing unblest kisses are dumb before it was the way we very often seems to fail from coast looks freshest, though injured by the new words, per day. In eyes so brave, he would pierce his merit lives are in a puncheon. I never drank from, at a Draught from their native moan, I mourn for the gross. Help it until I see thou darest in the vacant Brain, white, black stage-lion of the mind, for thy store, where cheek and act, nor would know. And walking in the germ. For who caused.

XVII

The deepest heiress of the high Dome re- ecchoes to her falls on us like thereby, the Walls, the Whistle blew; then worms shall sett, as sett they think, do never minded noticing until they were two of the centre of all my last shone the Baron’s room, as drink this case I also must rhyme with ourself would not have small and strikes alone, a hunger which makes all the City; nor Entreaty, Threat, or whose hat you deserved. The deep where he lay, full length disclose the imperfect as I say? When the exhausted heart gazing on her, and get throughout your direct, to ev’ry place that much.

XVIII

Upon his right, and gave a lurch to plead; ’tis forced to fight, but my soul. And why wert thou live with liberal acts enlarged the rolling Spleen. A pretty woman, scarcely a wholesale comment makes me speaks a Memnon smitten within its fierce Thalestris fans the constancy lighted on her nurse’s arm, that is, it takes the stars about the burden for the ringlet of loss is comparison, wherein you triumph; here she, the proud Triumph was as they were sealed. A mathematician once told the journey should pierce an outer ring, and answer, or by Force of Female Babe does shed its fruit.

XIX

And triumph in beauty’s daughters; she was born, a bitter not resign, i, who sat apart, and jealous, often she got, and filter’d skies the land, and while they preach found a turtles sleep. Shine like a God’s, have leave the listen here upon our damsel bright; then her motion of them wet, and rapp’d his tongues, the cooling hours by hours. In the moonlight, a sad old fellow would have meals, at least upon the dark house light shine than these, thou wert thou art my wisdom sleepe. That he walk’d and pitie augment my doole, drawe nearer roll’d me where, love! Short upper lip—sweet lady Christabel, whom he is restore.

Which Jews might with me now. Refusing hill to pitie my disgrace her stamp of a fly; I hid my love fame is greete, and all before in more where truth is—in a well. Day, the Wits mount and shield man, her Eyes, waste not the bells. That brings ready, and their least she was, not a leaf where he stand but exchange the offence: doubted for ever unexpressing, came a speck, from his own he lifted; but your yrksome yells augment. And with him awakes, and every moving eyes, and the lamentable creeds, I wandering made, was little space is common to the porch, they that faire breath! Praise we the Waves, the bearded forest spring, to these, who told her fame on to blow the greene is former woes thrown by them trebly strongly you restore. And choking head up—but not rise to allot each reflect—a man so great king; for a flying, blow, bugle; answers that cries, A thousand moon renew the end?

XXI

A key … Even there. The promised by me, the days before, with gracious. Die, than on Art. Notes in Sylphs contrived to hand and without saying, sheikh, Be wise, the highest in this brutal kind. If born for the shatter’d by her loosen’d from me. Who pledgest not been, or Virgin came thee she grew sea-sick mard by a cyder- press, deigns to infancy was rich where I knelt before I am but an earth more mischaunced to each other face, but he had no power to the pulses dancing fire: which ever speak out in that Shadow will come against it still on Menie doat, and being loved, who met the scale.—And their Worship of slumb’ring Hampton takes her doubtful dusk reveal’d: what end is her work, and Greek, and what matter once a generous post kept the first good Dogges hem needeth to me of heart, thighs, breasts, navel, stomach what divine, with sudden shame and I be lesser sin that must part.

XXII

And send him afraid, and said in tones of fruitless owes you have obtain, and the care, a seed-bag there, that will bloom thro’ all the widow all nations leaue theyr flocks for thy wisdom of such a love of Courts to flower, is shadow came, and whiten in dire woe; just lit on a heaven-kissing the dimpled cheek, all purposes unsure, that they were. Checks to a dying roses as she wears her Gift away, behold me sheep-herd steeks his blindly ere she brought. For certain merchant-vessels, bound to bear, I falter words that crash’d the past all tenderness, who, while declined, when bold Homer make them upon a throne? As all the woodbine blows of abandoned arm toward the din of self a smile; but Lady came the hunger’s land, found sufferance you for the way that Hank Aaron’s career home: the Spring now fast in Air, she drew us with energies, with stifled bread wet through their own. Yes!

XXIII

In years, pale grew sea-sick. Not yet; but being increase, peace and pall, I brim with all things of hollow wraith had been ourself; for I command since than dead! And so may you love possess’d the way, by various Off’ring far; look also, Love, t’ acquit such talk’d the circles spread unwelcome to Mary’s house did not; for, in thy woes forget the Sails descending bay was never to his door of eyes the Imperfect the coming bastion fringes to the worke I proue a horsman to match the harpies, rushing shadowing down deeper sunk to a serpent draws, to dance, art really two ages.

XXIV

For fear the holy collect far sweet Birds betrayed are ever mark, the pondering grave. Poems of the Virgin bright footsteps; no one to be, how grew themselves so many, poor worm and thick by ashen greyness. And thus to a disgraceful ease, so deep in a dunghill, crowing all the fancy- fed. When over Catholics the ocean much more taugment. Were all is sad mechanic exercise, like him instantly compressed to see him when the Sea; listening came, some thousand line by love will melt the tempest- tost; and most in the top-gallant too. Distinct, and many a Lambe had great Anna!

XXV

Of vapour and eat, good Hobbinol, all the City; nor Entreaty, Threats of Fate, too good folks: what were plighted first they hadn’t seen, as well as I. Weariness and blind wall rocks, we glided with words, and tall, and sing it with one would never noticed you this is some fresh and grow and Juan slept like you that are flower to feed on joy, thy province we talk as ere I be gone, save on the tidings of consequences. To hear time’s wing, or insects, catering lies mute, motions gently o’er her eyes held each other dear! Pedro, his mother’s grace it is false appreciation quickly swamp’d.

XXVI

Whatever with blessing an eagle to the welcome each other. My mother, the finger-nail on to April days, moving eye on souls, give them like the spirit rule, for fuller day for this she sank, the whole courtiers stare! He who have the red flower leaned aside, and wishing that draught so fair. In vastness and unmated birds. Ah yet, ev’n Belinda! She binds that begg’d and feed these Labyrinth of May poetry Books idylls of fire above reflex of a heaven, that which she sees! Who build up monument, that it had never made to wayst, till show em herself from one that dark.

XXVII

Strong Son of God, the more to carry away, and when a boy he’s given, confusion went: methinks I have taken him for thee, sullen Region knowledge of this explicit sadness. After their speechless on Nature, long ere Juan’s spaniel,—which adds new Glory into the dead, which starts—but the world may she found his things the game, that we cannot express’d in vastness wounds euen now most famish’d people, who had already perish’d with Thine; oh turn thee on the maturing thought to a tittle; I can’t but say it is superior by the Train beneath its gently heaviness of peace.

XXVIII

Yet halfe in doubt it was, appear; from orb to orb, from his heart is all the end of men, and of his ravisher prest, and take them pipes where the dove to bear, I faltering crept and though both repented all is a burden my stranger is woman, O this anatomy, I’ve finish’d nor more to touch upon the day you fell from whose who knew their country-fair. No, no! At Ombre singly crown that some, I fear that Peggy made a young Greek in he sought the deep sea calm and steers to the Baron flies, and brushing thirst constructs, and divine wildly round three Bands prepare for none had surely die.

XXIX

Were black with light Militia swarms; mouths gaped, like life from beneath the pangs of keen remorseless sorrow most favoured his name, and like the pumps and knees he lay and cease rash Youth! Even so doth smile, and golden broods o’er, they fused with a key, and constant while she sink? Thanked be fortunes in others in their dead self, and were less he sees, and of change of chilling ear we lent him back to the nuptial feast; nor lose thee somewhere, in a grumbled thousand delicate; but in the sulfuric air, dappled with many a pleasant were permit them out the hour was that renewed; the world was gay.

XXX

You leave the sad assurance boundary it scarce a sigh to the den look’d in truth we shudder but he did not help them achieve the more to be lou’d, and life is but twenty- one.—The haunt me alone, a hunger for digest his music ne’er forsake, hung half behind their claws are useless. Could wed itself with the seas mingling Dies, while now thy courage droop, despaire that it is which watched or see in Him is no doubt not what my pain, and mould the way, where nighest heiress of the might secure thee, all the world enough to beguile her bird reposing doors, and great king; whom, SPIRIT fair, thy shore.

XXXI

He sought that cries, softly, caught, and thou, new- year delaying ball in the pillar steadfast in the sky show’d a token of despair; a third is wroth: Is this time tells me we’re about the honey sprung from the Head. Goat’s flesh in his pains; but love, to fashioned, and he might have punished ourself, and lo, thy foule was shock’d, you must, you will! My heavy pace: wet were heart’s best: but their distressful cry; but oh! Men call it granted, not unallied to That which men image comfort her, and clasp’d in morning Sun descended of animal food; but yet for us poor human rose in Italy.

XXXII

Yet sincere crystal seek, but thou, Cruel! I hear thy hart did streames my trickling page than Gold he cannot fall, and dwells with Shouts the mesh, that Shock must for the gods he knew: her answered, but the least he dwelt, thou, or any overmuch; i, the dawn. As day and restless main. And nothing wanted thrush; or understood, engirt with me. Caught how to move as if in awe for some one parting main: calm and demanded, in the lived with erring Mortal Peter’s polish-sharp, to thrill beneath the Winds; then the silence for the boats, as stated, had got. Unless a Son, who in the edge of having praise?

XXXIII

Is in its bright eye, their sake and folded her air such gentle Damon loved and roared before it melts. It fell on Juan bade his eyes, with fiery finger drew on her lips drew nigh the poor girl whose stature were real and economy most perfect—Reason ne’er reply and, yet, I wis, dreaming on his unpolished his unguarded by both of this song and been burned for ever, and love, thou such compell’d the earth and tear; and ev’ry other like to a bow that I hate the mother&father’s, whom thus his dwelling air three or four things of thousand moons shall heaven; and on all alike.

XXXIV

Sunlight dies; and thick by ashen greyness. Had babble, great expected with your curious way through a cloudlets on the rosy still the gods in unconjectures, woman, or pike. And thou speake of molten into tears, as if to win a part from the noise of a day, so shortest view, but what good water’s worth; if young benefactress,— so was shown, on each other things past all I take the whole earth shaken into ashes lay, as somewhat blench or fail, when o’er the moor an inner, clear the last oozing through the park, discussing hill, ’ so lofty lady Christabel gathers some part!

XXXV

When our own, her ocean-mirrors round her heyre: for life was yet unborn; the river and half of such disparity as is twixt women’s locks creepe? The works with it, heads or tails, as thro’ the Sky, and yet those Eyes which service to me. Like to animation, rising tongue, or twenty, my limbs relax, her colour, and, gazing on her features, and what a pleasure from all Quarters up a happy sister where: warn’d by the dead; who usherest in a cave eating every kind of him I love you ten years are discount. In which doth prepar’d the whole of many master, or by Fraud betray’d.

XXXVI

The name is but then they raised the child: for she began; and on them. Come stepp’d all the cold relief, and yell: Get out of dust a voice across her college. The close by the minstrel bard, and all his journey, but for our Juan, who his Dominion crumbled in the valley road. And each look her dowry was as nothing wanted to be, off, woman, or sustain’d his altered voice, I once his vast a work divine, and death—thou not hymns and for thee still peace, you young ye ken; there is there. Named from heavenly ways to raise and young man, whose faith that Frowning rose on thee, some could they go. Until you may!

XXXVII

The skill, to him, who their greening gleam, and aspect lay, and every exercise? Men! That is, and interwetting to the great Æon sinks in blood,—while Geraldine espies, and bless! Thou mak’st the sweeter their affair of shoes; and orb into the sheep and kye, he has said that travels I return, and let him thanck. And while we breath with violence; the Spanish, and shoals rounde, so fair and gold-bubbling Wye, and he is diminutive. But speak out in those divided, part thrown away, and his side and never knewe I louers sheep and kings, and then have waked her, well meant holding a basket of fire.

XXXVIII

She said, may chattering less: men, even for cast-off dresses from his ashes from high to higher life ending far in Figure and then what mighty Love would find out Lowder for still they wept at length the shepheard our entrance was not so pleased about the babe upon the wild herds spontaneous as any, we are not this residence, is gone himself, from the twilight’s purple from the first old Greek, with whom I would bring folk, that gaze on me. How that turns round. Or than the best this person exactly one hundred feet unsandl’d were, and said my Pray’rs, the sweet ecstasy to all mens eyes.

XXXIX

And for a sister; just the glow to which they spoke of war and share; while storm, proclaim it far and the laws of growth of thought to what payne doth play’d a chequer’d, calls Ilion’s thirst—so Arab desert vast eddies in one shore; these dews that monstrous hieroglyphic— that lone beach, to mine eyes gan glittring Dust. In watched the foe: or strike no more; day broke, the lady bade, did she unbound. Nine in love, though Inez grieved to get out such think thou not hymns and forced the coffee made, without proceed, yet blush to knowledge which he brought up true. When beauty covers but set the widow’s eye that person whose heart.

Who gave a Ball, or a weak disdaine reasts that rights repair, a thousand years that last hour formal father by the walled to its root; lions, boars, wolves on a maiden limbs, and what will melt the foxglove spire, to the opening; but at the enfeebled mind the woman-conquer trust; taught me for shore; known each, a thousand types are in vigour. With him; and go down its arch appetite: the Dogge the fire was of the crowing and saw again—ah, woe is me! Too soon elate! Above me before their Bodkin Spears, the yawl and purgatorial condescension, her whom three feet are still as vaster.

XLI

’Er denied their care, and fain know that meet him on the songs, the line and sip with chosen friend, to the Moon, and thought to those who knows why we are useless. When we see now love possesse? Love must not talked to a Gnome, and strive to keep so sweet kernel; to set, that feeds than Time and gazd on her: for ever: the lots were rolls the fair. Could I help it, but even when done, since Noah’s ark, to drink the pumps: a wreck complexion dwells on me, doth throw your foretold the down I sink my heart than at first fruit; but her prepared, but of the day with his own according to sheathe a thousand year which chiefly where.

XLII

Her faith that shall lovers’ eyes; or Love but farther yet; Whoever see again; and what fruit with his eternity can never, except some mind with youthful pains! Him, and solemn vest, and floating echoes in slumber of the restless dove, fell in love lays on; contended by a curres call. Now there lies the Gown; and though I fly and a shrine, water, the human things of hollow show, her great experience, doth throughout you but once inflame, but we set forth with equal mind, and to pass, by those command is that beef is rare—when all our Christabel her feet, my fair! Now, Kitty, now!

XLIII

It visits to higher; known a Saturday nightshade, ruby grape again, and takes her yet, my dark freight win. He tasted love for ever blindly driven, by breaking out from this extract, t was born a twin. Black lips, as you free from far were upthrown by thee, sullen Region know; and if I drink this coyness, Lady, you will know just then; as they call’d on the man I loved, as one dear one dear knee we proffered sense, in conclusions when he look’d shadowing down themselves with fortune for her name—but she could, her due, had man to lessen my degrees they repair: the refrigerator.

XLIV

Her children four, and thus it was, instantly when shipwreck’s short adieu. Fellows, whose rancid dreaming flood, be sometimes drink they rode furiously, carved with scarce would improve— perhaps. By night, and that signifies the threat offices that sacred organ’s prime Desire; by whom her sleep it self returning Rays, on thy fair may find, I still beseeching, swearing of the man was her own. Were taken delight. So long tract of life’s stranger’s land, is when he while the weighed not me my Lion see slain by ill thrice she smiled: the captain her eyes; within the hurt he made. These words of human kind.

XLV

And lo, thy deeds; they raised high in health all its intervene pressure of misanthropy? Which moments before thee, like a girl, that garners in rank; and what, in guessed. His brutal kind. Plunged from its dark where I whilome my ioye shepheards, sike bene fully spent, and tumbled, me joy, I thought we’d live and fell in myself the bees seemed the narrow act, fancies play about the drizzling rain: the Future she could, perhaps a name to bend withstood to live like a lake. Ill to hill and half his Face, like a Turk, or Greek—there came these two have repair: that an acre hath decrease, so let hem be-hold.

XLVI

Will it not too harsh to you; we are not answers, ‘Let him die. Thou gate of Louis, and death, what strain of all his eddying at her Eyes; at ev’ry other had a curious crew as well apayd? And thus broken planks, and went, impressed in the new world laid them: but what indigest such cherubs play about the vessel bear the prize in sail, and He approved. He thrids the sun, were so you make. Lay down into boundless tears than The Wise. Drug down my books. Might we Diggon, and many death, to beautiful with Melissa Florian gazing Eyes, a Beau and Mahi descending dose o’er him bent his side by side my ministerial face which left scarce-clad limbs; and the naked foot stalking to thee so dight? That seem’d my flames her self, nor shine upon her breast would wed itself within himself in all our Christians have been this globe the woods, and breathing voice. Belinda with Conquest find.

XLVII

Then day and darts be gone, so were most happy. Were exercise, like the should my chaste rejects Mankind, some broken, and thus the same places of four hamlet drains the charm. She catches at his dizzy trance young benefactress,—so was such a dainty dames abhorr’d gigantic gentle girl, methinks he seeming prey of cyclic storms, and sing a double name of Him that roam the lighten thro’ which our pardon, I am very walk would be in Colins stede, if they found so she weeps, How vain am I! The cliff, toward thus with thee no more we call such Clytemnestra, thou thus, as Fate decrees!

XLVIII

But neither seem’d their shops of rain into the vital things were but a leafe sturre, and reap, and silent, looking each the ingenuous youth, alone, to where the new wine’s foaming grace, to make his Sins, be stopt in Vials, or open is hid; the painted Bow, or dives in yonder: ’ then shoots javelin- like its sky, week after all from the rose: and forests, and shiver’d largess of earth when dried to stern regard on his way to share her father have I held myself departed dead. In juicy vigour. That vain it were Hobbinol, God mought along. This the biscuit-casks and nought by the Argo.

XLIX

And that almost crowded and passively did me kindly with me! Who speak, and ocean glitt’ring Spark, the wonder his cheek and as into the cave their other father, brother-hands may move the last love involves the snow cover me. They flow from fools of home; he sadde. Some landscape grow familiar names, which choked my fingers; the sad mechanic ghost than by single act of immolation feeds you by printing thy woes forget; for all her feet doth keep his reign, sea- sick. And betimes, lest else the Cosmetic Pow’rs combing it, in the last: a peaceful end—he rolling over brake and gone.

The day draws near two hundred and sin, I know that saints now decrease, and the flower of the solemn ghost, O crowned things. His wont, all in all Kent, nor wife, so thick mass of early sank behind a purpled cheek, the Murders of thee that together the Palace flies, and ice makes such as could widow all nations poor: that all her feet, thy joy, thy promise of this message from pearls, shy, in that Rapacious how to accept a better, as thou watches at his grace you for tho’ my lips, that here I promise did not envy her. Who nails he clear raindrops in yonder heart, which an alabaster.

Her roving eye, and night, all in the pleasant spot in which to set a ring, in booth and dropt to her bosom’s charms. ’ Crystal Wilds of Air, in this slippery pranck, ere Roffy is wise and gazd on her breath; but, by God’s grace, his and warm stove-window bright Inhabitants of the placid awe, the boast they must have victual. Who might’st have none, I think that look like a civic slander and parish rate; and one another and full of inconsiderate boy, the truth, and Fancy works, and like rocks the worst cause: there she looks are pale; but help thy forehead last, to allay all wrath that every human kind.

LII

Which he divided half of such daring the best dish that which the Wonders that my hold on life have a creek, whose uttered her eyes; and over drowning cup, then changes night: I see that brings; the happy hour, and, having somewhere, each gift, each good as tall and pitie augment. Better, they would have had my days and warm stove-window veil was melted down, the clock that thou with such perils by a long denied as a great in time. Could I speak out in thy breathe, the thicket wild; while t’other wanted, not move, two spirit twere, whatever Spirit, until you be a doubtful dusk is dipt in the past.

LIII

Without thy rim, skull-things seem, mine eyes have lost by getting the woods, and her Nest. His eyes we pride of the materials as well equipped for birth, and in my grand-dad’s Narrative. That crowded in a trick; down on his prow, in haughtier smile as infant crying into his dying day, rosebuds bent the dust: I do but signifies a brute; so when one’s rightful thereupon take rest, ere half a single all those Eyes half the lady Christabel. Of freedom, she enjoys it; but in the air, and her well! But soone be put to find their garb! Said— ’Lady, I beseech you took such credit.

LIV

How I wish them for a guest, breathing Spring. And women die! Of human breathing happened on a new increase, peace a charge? Would rather people have just like a civic action lies—there a creek, whose hands the executioner of the dark—t was nature could not in love, no doubt, who knew the enfeebled mind thee sitting height thus, thus I will; syne as ye may think, that gaunt crew; by night sky, a delayed and unwise, lay not the bodiless deep; a warmth within our nautical experience, indeed. And Ariel weeping eyes. Timidly, timidly tow’rd her—but in the coast.

Birds. If such as lurks in some pounds of blood a king, at thy soft complaints did imitative woe, for the time, while we breath aloud, like Paul within, and now at earst the cold stream’d; the wonders of that came cloath’d in the first a nations calm and chafing him, the long-boat three parts of vipers on a joyless moan; the region swept, but scant appeareth. She enters other tied your vows, had given us in these, but his pleugh, an’ it winna let a body be. Thy spirit all possess’d my Julia’s cheek—there living bluff that grow to snow: the years before a wither’d to beat in short. She spake.

LVI

That made of painted eyes, and half the faint and good and granted by the hazel shells, glided alone, embalmed even in the tabloid cruelty in the Fights of the death in barren, scarce a sigh from his brutal folly know the light hide her Faults, if Belles had place that longs to learnd I louers sheep and beaded eye of all his gray: tis a most what my paines that wakens the Works of wind wouldst rubies and felt, how long we sang: They do not rest quite it from that last the Main this is obvious to get at it really love, a brook; or by Fraud betrayed by spoonfuls of the seventyfold.

LVII

A miser fill’d with your horses’ echoing feet! After much decline, I cannot tell, and so, in short, it is known and like a dove of friends he stood, not less thy dark house where in yonder living breast and in my bosom-friend resides, he has struck despair. The purple hectic play’d with Child, as pow’rful Fancy works, and Iphigene is your hair in love, first passe the rest t is a most beauty upon the blood a kindlier hands his charnel-cave, and what these wild unrest be tenants of the waters; like a gaoler,—behold are at first sparkled, and he had implor’d propitious Ray.

LVIII

Trying not thy sight, i’ve seen, this person is even crown’d; but still are wet! Sicker makes all the year; and fuels good deal may be dear, and then on what, in fact, if not in our land, when Woman’s Their veil and gained; where a mass takes long as Atalantis shalt not be parting with many a figures strew’d upon beef—I won’t do to tell, o’er-mastered by her not importune Allah; unto whom your labor and this sole image on the oak but more and there shall I tell him all injustice, ev’n yet, if this head is bow’d, his Giant Limbs in little hope of unaccomplish’d boors who was she, just as Sol’s head upon her fall. What she had a tendency and how my long day: but euer things round threatened ship afloat the soft white robe wan, her wrinkled gore besmears that cries, and last the dry stars with an Ionian accents fine, mouth with starts—but they bene like a jewel hangs that rose on the skies.

LIX

The doubtful shore will change and smoothed, the fragments of hearts of the sin, and like mist, there be the flowers, that strife thorough you, drink up the long-contend for the eyes are what a whirlpool full of all remonstrate: folly wide the blow; an hundred and mutton, better. And all the sun upon an even thought, when no wind—the burning fears untrue: shall my care, to them to this moment cuts the blade returne, who bountiful precautions, that wakens at the skies the lips and tides, forced the circuits of the Candia, Cyprus, Rhodes the God within the most exquisitely minute, a miracle.

My love new-born their dying eyes each held up his funeral directly in the devil of the state, the same time is quench’d a jarring lyre at first, the very tree does spring, and bowsprit were: nor barn nor house light occasions tars who masks and tempts once we held debate, the gates and warm stove- window brighter shining through the iron hours like hope—quite in one another’s door. But often, hither doth me force, when every depotism in every other flowers: and the World. Lips bidding adieu; and aspect lay, and not tear my Garment, can get freedom, she enjoys it; but in Vain!

LXI

With fair we met—in silence to gain can have no thought how the other has that at the stalk, drooping he was half behind. That did I say, will destroy’d, or caus’d her to rest by cool Eurotas they upon their mouths gaped, like a priest was mawn, and be among the trough on thy love regain, for liberties. By his silver snow decks Susan’s clothing which something to disclosed the chestnut pattern; and ascend, and knows what had no power to flower of railing child’s mouth grins with thoughts, and slim, blushing bare the life that which ouer them all those sad highways leant less long; her eye! From storms expire in watch and all the empress, deigns the rising as she laughing storm. Some women like account the halls; and whom we may like twilight is flung off bridge of lower Sky; these, from Candian shore, what ethereal state, though the sun, brought, fast by Memoriam A. But to be a lovely eyes, when lo!

LXII

He told her worst cause for his destined prey, from theme to the narrowness or that hurt our peace, like one wreath now and worshipp’st at the left, or not thy sweetness more because the black Wings, and leave it wholly wreck’d seamen thoughts moved among white arm clasps a secret Passion’s self would their turn those who liues by losse, and shame comes fainter, and her eye. To taste then the found in hart I know that which help not Joy, but Ostentation; and shook to all that much in fashioned, and the bald streaming summer in his Foe to discern, compare, pronounced her full bumpers; for there it can it the vaulted Roofs rebound.

LXIII

Betwixt their speechless sadness in the oar (their jug was to die. When all was, that eddy wreath: I know they also great those who like a line of virtuous act with retching fair, such matter, thought that sway themselves as good. His grief does know. The Maker’s image of rest—she cannot, dreads the Purity of place, that they must ask. Stir within a dream hath been. That, should, even for an Instant woods; where I firmly trod, and keen thro’ which bright glad year which ourselves in a hand that the three were even of the oak but moss and shield of Sir Leoline? The main spring, Ask why then my strange convulsions rage; gainst me crie; let clouds in stating and grew less, that all to themselves as were mad for abstract fame is built anew, grows sad and bless an impious act within. And while we stood Ill-nature had bene a little done, as flourishing joy. Is music in the rich Brocade. Run out your fame?

LXIV

I know there be none of his hand by force should to the despair. Thank Heaven, her lay in a cloud, as overhung with a magic life, save his death, where he stool, she, falling hand there was false and all price. So Heav’n will surely die. If you ain’t witnessed with thorny boughs, and, even when sundown skirts the twilight reveals, and both my greater ape, but life is dark where their own sweet new- year, delaying long, delayest the days she neither side. Arms, and lost, but touch’d at ease, the holly round with his suit was but a leafe sturre. But life is lost, life had deemed her up. So that, we just like a nexus breaking there is no easy task; for such opportunity. And think, how great or drink, and ancient games had turned with joy, but better to have obtain’d like truant rogues the dead would I weary, my days decline, I felt the morning Well—well, too, he tried their life, just to leave you that fitted mine.

LXV

His eyelids. Then he worker of the weighed: but after former height, or discompos’d thro’ the master issues out of curious fears to hopes and vain—she call the fume of poppies, which touched his slender shadow of a bullet tearing, and rainy, O; but warl’s gear ne’er denied, but come again; and Momentilla, they seem at the flock; and if they always could not. Thy ransom buy your place; it seems as if going away. You leave you ten years, half broken light thus, thus one by one their hearts can equal Curls, and thunders roll, with no stouter weapons fly. Sweet to the wine make not thy soul!

LXVI

The superstratum which help not Joy, but nearly o’er, to conclusive bliss, where natural situation, I saw I had lost to Ghost. And darken’d in yon rich China Vessel glides, the second friends, the silent understand; and daring enterprise with such a prescience or an absolute autocrat not a leaf where t is true plain words of human hearts had opened the meadow, soon he found a passion was inspired to view the end of a thousand years can takes senses roll all my days declined his scarce endured and people do when on the deck: their gross painting half the law.

LXVII

Since which once inspired to a confined. But clear prime of an ampler day. For all the court we part, the means to be born a boy he’s given her e’e? The neck that one should suck him even those that mine own Dignity and horizon gone, whose youth was frying, for sure as in Bridal Retinue following face to me, love, she was only gleaned. Me joy, I thought in love look’d upon his proper place that heart I must be twain with awful in the fire on the denial care of those. Of Zoe’s cookery no doubt, a good deeds eternity. And Years my Foot been! Vie with Ribs of Whale.

LXVIII

Or villain need blood, and ball, for Roffy renne farre out of frame? And suck’d with the Beau reviv’d again, and present eating. With joyous look. And winds can be laid down her love reflection: the praise, and being into silver snow decks the Glance Sir Fopling upward to learn? Blythe waukens by the want the mind. Last must be made his Charge, his eye, which he durst begin. Things that lay that’s in her am grieved as everywhere! Gazing on the Breeze, or slaughter, sermons and lead the cottage fades, wander on a morn to his course to Cymon led her father new: I recommence a jurymast or so.

LXIX

And the light, vpon the lash, we also learn? With ropes of his broad commend. Then, as frail China Jar receives its dark eyes divine; but open your fingers; the best way to save one half prevail. But then he worketh a spell, who lights and fortune, if all be poor. ’ Ashtray; the measure—the sandy bar, they lay like men! Had grown to something of all the conqu’ring Fan be Zephyrs gently open the days had Fear been the love to womanhood in braids behind. Then as sure as its effect so sweet, so delicately clearness doubly sweet skies, and soil’d with it eternity. With shade of men.

LXX

Like cliffs above, below, the hoary knoll of all is dubious which things at which intellect and leaning. Of heat; be cheerful waves rolling Spires, victimized hirelings they relations of the South morte D’Arthur new Year’s Eve northern Land; where, this flesh there a lifelong to possess’d my Julia’s lips are blames her name is Geraldine: o well, which leads melodious days. I’ll just in the deep peace proclaim it far and Pomatums shall pass; my world makes sea and law began to slant the painted Vessel for the Truth will come on its green isle in the same time exchange tongue that she gave the grounde.

LXXI

Distant wit to cease, brightest wave o’erwhelm’d him in that thou wilt resort, to rest a world dreaming eyes, and all the change of cheer; the dove to make all things to Vengeance soon unites again, and to the heart of the court we paced the new flames with all wholly dumb, since mad March great causes of a Garden; not a cricket chirr’d: the face I know; the humming air. What may I stand are, or what you please him in the watchman, or something; their courtly Balls, and no one an hour assign’d, and were thrones of all, and dwells such account: a better hap, and expedients would we be bound, as in another woman’s manly Strength be Strong; sharp shall try my gain or loss there is one that can be no more dear than some wild Pallas, Mars; Latona, Hermes arms; and sate to the Sunnebeame so bright; they make ours, we know not heaven, who has nought could not speaking, in booth and glow in azure orbits heaven?

LXXII

Sometimes thine: have I, but linger’d on the land, and rarely pipes where the light-blue eyes give what locust blossoms are safe from the babe upon the days, to him who sings to one another age. Spread thy fury on some green spark of thy blood flows like trees their feeling hands; then he things at which a mountain thou too canst not the first sparkled o’er the depths of Triumphal Arches to the oar their jurymast or rudder tore away: the song we were past, a devotee when up she goes to infancy beguil’d; by various, and like a morning passion in thrall; yet will overlay us.

LXXIII

If one so innocent shall not read in the warble, liquid air; behold the dead are breathed away among whose stream from my Head! For life was yet unborn faces bloom, or, dying, dying, and ghastly ride—dear lady’s cheeks drop by drop had seem’d to rest beneath the pale cheek and more shall their flight for ever at a Ball, or a pain had further pour’d, in short. And when the last he beats his Presence seem’d as it would pensions and Wreaths of Troy; steel cou’d remain’d, and, each other—all was, that blazed between: ’O woe betide thee, God, who caused his way; and East, and for the universal shrieks and me.

LXXIV

And every new creation hath decrease, so let his eyes I’d known, still in us is overruled by authority falls short, and he saw him that it comes from their face. To these tarantulas each the peopled with good, and youth, alone, before them for a shell, or pain that pleased with all it grasps a golden after all, no doubt, did not fear: but hear from earthly Vehicles to the damn’d—in his agony. And pawed about this hymn, and those disgraced, and young girls they seemed, nor flute of my grief makes us with coins of going away: the sot stood upright: we with the spirits blaze.

LXXV

And, even in outline and weal; o loved all blisse, and still, and then what if he callow cygnet in its Fellow crying into wax to yield. Falling all this wide hue wax’d in the thorns did his deuoyr beliue. Had dyed it with books to love I know this, they did just to leave t’ adore each other thro’ Nature made head, each Silver Vase in measured pulses dancing rill, thus to ballast long plume, waving, runs on in my dreams too late! Of nature way to knowledge, under then they leave in vain to make a pair into the time he vsed to be borne within, and not by his and with the glitt’ring Spoil.

LXXVI

And now Death I bought, and loves lonely thought that rose so bright! With proffer’d countess reason’s colder than any grave; because he bare the buried children of distance takes and gold to decide, and wide, with overthrow. Writes, than in this Morning, not ardent wish with speedy care a vessel they employ’d the final law—tho’ Nature, which his Name and grimly darkled keen with your life from both her lee. And gaze into mischief, then changed her name were too much it into gain. I know that the better hangs: howbeit ourself and Languor at her Smile, the Fan, supply each Pause of war, ’ but I maintain.

LXXVII

If any care for Use and hell and sting is blest building in the horns of Elfland faintly blowing cock; tu—whit! Your sleep, and thou, with kindliest man, he shalbe the willows; but not avail to seem your love: I count itself, a sheath: mark how it laugh; then drawing in hand; and, without the desert in the most prepare for me some green the skirts of men. Said the remnant-meat just when his pray, a Lambe, of ayde or could lead them trebly strong than her love for her new opened the night awake. And pipe but a cry. Oh, I am very weary, heart I must remainder set to leave thy shadow, Rest.

LXXVIII

Juan got into jest. Child, a limber elf, singing, dancing along the rest for mortal Love, what may rise on strong, drug down he came. And stood still in her eye was but thy return to where the porch with due precious dove, that hour of clay. His suit he moves the fool confined doom. What hope of an ampler day with hood-wink’d chance he had implor’d propitious Ray. Of regret can die! Lovely statues warm her note is gay, for many a sandy footprint harden is the Works of weaker thrumm’d a sail, and on all thing; I can love is always higher things round thee when those sweetest part you heard’st a bribe.

LXXIX

Is rare, and general objects that straight as possible, glancing by conquered prey, by force the corner stress? Passive is thrown topsy- turvy, twisted, saying from Borodale. And Hodge heard and weal; o loved thee, and Self-esteem, like dying, didst rehearse. And compass of yore, is no more we saw that have falle’n from the night away: they cried, return, forget are earnest Eyes could not see nor following rough: a devil mocks the Visit last: thus one by one, why— these—are—men: I shuddered at the youth would perceive when the lover the friend of the wild and brow, till count as kings—from which thought.

LXXX

Her soul would be in Thy hand, for this round her, but led the Ring but unity of soul! We two partners of the places comes an April went, you have reachery is all the end? But these ears, the Chrismas heard, and once we learn who, save on those that, admire; as flies, and battles both his hammocks; some piny mountain freeze; for he had deem’d to render hears me now! Who told her, when at rest, and the Fray. Bring in their grace: even so my past, and, pitcht upon his pillow, appetite increased a vanish’d, and three, who felt thy triumph in beauties ending Woes darkness in the purest Æther place?

LXXXI

Feel rapture in their mortal, quite a celestial soul from such a change replies, and simple shepecote, and deeper grief, can grief, she roude at me with tears dropp’d into the faced the region sweet recoil of loss. Part, resigned that she being devoutly cried to allot each stroke—a warning the withered garlands, nor admits but, he was heart with these are two or thriue in word, a sigh I take this; Haidee was Passions rage; he saw increasing tongue, or twenty, yes: we thought, and leaning herself in single soul, are quick distrust she saw him that looks fresh, with scorns from the treachery of friend’s directly steeple. May make the hands, and shield her all. And all the sun delight as our path we can gain is to the voice the river’s wooded reaches soon the bound, nor ever narrow brooks, that from my Hand, nor durst his digging nails him down unto the best of prejudice resmooth Iv’ry Neck.

LXXXII

As these pretence of giants living hour, been on many thinges related in the thigh; as for all was, they sang; and call, they to handle spirit ere our first we gazed, as I, who’ve cross’d her lip, which I cannot, dreads the grounded on one who would lift her dress of flowers were causing the little waves untost, and make a sonder: or as Dame Cynthia when his blame, see with loud Alarms. Eternal motions blindly given, and made to wayst, till peace, like to me: for decades she reject him, at last, return to where love maturing sun: and all things which once in their glint of reuerence found, nor set up in Vapours of some of gray, hey ho chapelet, of sweethearts had opened mote vnfolde many I knew in many a man in half the moving up the wave’s sphere of strife; ring out false appreciation quickly, waiting with the glory swims away; from our heart, the lintwhite sing.

LXXXIII

With it died of hemlock; our deeds cannot but deplore, that sleeps: it must die; when no winds can be praise: glory, chivalry, and Heroins Shouts confused me on a beautiful there now than I, and yet it may be, comfort fast, thine own feelings hallow’d on her is afraid to go of her Face; he saw him thanck. Could we go with unkind,—and inly prayer, nor other side—o rather yet resigned the shore; known and all their compass our long tale, and they steal their grace and the court, and make him in; oft blind eye. From out his peril past to quite flattery! ’ My light, and round with the lady passed.

LXXXIV

And what might be dissipation, of that? Did fare: gay the Stars were fixed thee, thou mought I well may find, I still to rove: look abroad, detain you triumph now my heart. In every hair. Where all night, which is, and she roll’d on poisonous names with dew, taking his back. With how wanne a face was her own back to her feet her place, the soul exults, and sent to die once, O Joy, no longer underfoot the cloudlets on thine own shall untune the sensual feast, the lofty lady Christ: the year. She bends her Breasts and endued with the Crampe thy ioynts be well as liver! And now Belinda’s Name. And break.

LXXXV

A song that sawe it, sir, before and wind, the deep; whose fall’n into song by fits, alone, embalm in dying Natures art, however thou may’st roam, he squeeze her Heart, unless with beauty who knowest to-night ungather’d like a young ye ken; then wait a week, and seem to fail; then in a Bodkin Spears, their hissing his country’s gore, like growth a vengeful canker Love, where paced, and love will I, nor give my voice, to clasp your mother known things they can but lives in me for days of human thought, fast in the fair. And now and that he finds the sacred be the same, but they did get at their solid lands.

LXXXVI

And passively did me kiss, and like falling there thy feet have made him: thou art thou no evil of a stiller guest; and found her fruits and extends, beyond the sweet smile, and martyrs hairy, to thy medicines made a man in wrath in barracks, palace in this. From those graven letter, to wish to collide violet of love and in the next prepare for Use and lustës negligence be rayne is for me, so long tract of Cupid’s armory, his faithful pairs I needs must be truly fair; and as he who names are wove. Each virtue there, breake in one shore; known a Saturday night into gain.

LXXXVII

Along the gates and unto myriads on the way, but like the wave. A Shah there are the throe! Silenced cities, from some fresh features have such visions crossed the stricken thro’ all their recollect it well might widely spread? And you, two clouds are pent, who roll’d; the trivialest point, or the more and Life, a Fury slinging with ropes of four hamlets round, and Love deny’d. Shows stars the Head aside, faints into the breast and West, with fraud and love could, her language chief city of that ever gazed as one to have ranged along the mist. Bore thee, the Baron’s roar, save their two small mouth when each breast, and towers?

LXXXVIII

Are earnestness wound, not to say. Stiff to defend the name of God who give themselves a foe. Sent up in the disregarded Darnel with gathering relief to this they must get the ring isles of Basanbrace her asleep, powers set in common cause: none, save me now! For a moment, he may pause in a recent rags they crossed, but priuely prolling air there swims the reflect, they must give me thy ball is change replied; they have seen, this ghastly crew, and teachers of eloquent words bring and the lawn: or in the heels of Being slope the picture’s skill, but most beware, for years: they sit, and various Talk th’ inestimable Prize is lost; jove’s isle had been done, as if they were. Beat balm upon a love-sick eye, thou fail not in their dark yard What Time could lay there may revisit thee all the Muse. Who turns him round them locke, and in the wave may beat admission rich sky, their Lips.

LXXXIX

She sets her duty was the moment could give th’ Hysterics of a former ties his owne each stroke—a warning to them by turnpike-gates to be; loved deeplier, darklier underneath, and read that holy Death were owing to stand anything, and weak; and tumbled to that: whom she deem’d to be plac’d fore damask roses. The Early Poems of Alfred Tennyson poetry left on in my friends remain the reflex act of life: thus, thou thy side with good, and will: and sees himself, he knew him—could have told me close to bear, cry’d Dapperwit, and her on her cheerful day from the Spring.

#poetry #automatically generated text #Patrick Mooney #Markov chains #Markov chain length: 7 #151 texts #sonnet sequence

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