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caitsyoi · 3 years

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I made a post about the Seraphites, so now I want to make one about the WLF. This post is mostly about the WLF's home base, aka the stadium and the area immediately around it. I've included some of my favorite pictures, and my thoughts and observations about where they live and their culture.

Under the cut again to keep things nice and clean.

I gotta say, this blew my mind when I first saw this as Abby. The WLF really have their shit together. Multiple power sources, a bunch of the resources FEDRA left behind, and multiple food sources. The field has cattle, sheep, and chickens plus some farming. On the steps they have even more areas for farming. They have a way to collect water, and even people to design and string up their logo everywhere.

It makes sense, supposedly thousands of people live here (you can't see it unless except via glitch, but there is also baseball stadium immediately next to this that they might also occupy).

We only see where Abby and other soldiers (perhaps squad leaders?) live. They have a pretty cushy life, two per luxury box (the rooms NFL teams overcharge for that run along the upper level of stadiums). Mel also mentions a special area for young families, I wouldn't be surprised if these areas were further divided. Perhaps there is also housing for larger families and single people who aren't soldiers or squad leaders. I very much wonder if those who join the military get better housing than those that work as farmers (or dishwashers, teachers, laundry washers, cooks, etc.). As mentioned earlier, Abby and Manny live in a luxury box, and there are 112 of those in the stadium this is based on. That's housing for 224 people, if they all live like the people in Abby's hallway. That would mean there has to be more housing in other parts of the stadium.

This stadium was once used by FEDRA, and you can see the concrete barriers they left behind along the edge of the field. They have to have more cattle than this, to feed all the people that supposedly live under the WLF. There is farmland around the stadium (more on that later), so maybe they mostly let them graze out there, then move some in when they plan on slaughtering them soon.

I love that they have wind turbines AND solar panels. You can see the influence that the Fireflies had on Issac and the WLF, they really focus on stability and restoring what was lost (at least when it comes to comfort). So they have electricity, sustainable food sources (and multiple kinds too), and a way to collect water (you can't see it in this shot, but they use a system similar to Jackson's, just on a much wider scale).

They teach a curriculum similar to what was taught to kids before the outbreak. We only see two classrooms, but from what I can tell they try to give the gives the type of education they could have received in the old days (as best they can, at least). Both the teachers you see are pretty young, which makes me wonder who taught them.

Most of the kinds you see in class are pretty young, like less than 10. These look a little order (they are outside the stadium in the market area, which I will talk about more a little later). I wonder how long WLF children are required to attend school (I think I saw a sign for 1st through 6th grade, so at least that?). I imagine they get a basic education with some broad looks into various topics, and maybe the ones most apt for study are selected to do specialized careers like teaching or meteorology. Other children are probably pushed into farming or the military portion of the WLF. Regardless of what they study, they probably also get a heavy dose of WLF propaganda. That aligns with how gung-ho many of them are to fight.

I wonder if military service is compulsory, like everyone has has to do at least so much time and then they can do other things if they want. Or maybe they make it so you don't have to fight if you don't want to, but those that do get better perks.

Most of the WLF you see appear to be in their 20's or 30's, or at least the fighters. That would mean they have spent most (if not all) of their lives under military rule, and they would have a special allegiance to the WLF since they manage things so much better than FEDRA did. Plus, you know, all that propaganda. I imagine they are told a lot about how the WLF is restoring society and how the WLF saved them from FEDRA/Scars/infected.

Sorta related, I thought of an WLF AU. Ellie grows up in Seattle under the WLF, perhaps with Riley and Dina and the other characters from canon. So many interesting things can be done with this, but that's for another post maybe.

This is one the cafeteria's the WLF use. I believe this is one of a few, although this is the only one you see. There is also a butcher and small market for clothing and items here too. They prepare food here, but I think the majority of cooking is done in an area set up for it in the stands.

They have posted meal times for groups A-F, and separate meal times for children and the late night patrol. So maybe this is the only cafeteria? Each end is blocked off, so maybe they use some of the corridor that circles the stadium for more living quarters.

This is also community space where they can play games, chat, or read. There also seems to be a mix of soldiers and other workers eating together, as well as young families (there is at least 1 or 2 women with young babies in here).

This little detail was super cute to me, but it also tells you a lot about WLF society. Everyone has a job to do, there is a role and place for everyone to contribute.

I'll talk more about this in another post (titled "It's Silly to Call a Post-apocalyptic Group 'Fascists', but Still the WLF Is Pretty Messed Up"), but an important thing to remember about the WLF is that everything comes down to Issac. He has the final say on everything, he makes all the major decisions, he picks squad leaders, he decides who needs to be punished, he's basically the Supreme Leader. Issac has been shown to be somewhat progressive with some things (you can follow whatever religion you want or none at all in the WLF, the WLF has no problem with LGBTQ people, you can get medical waivers for military duty, they provide support for pregnant women and parents, etc.), and in other ways he is very much the opposite (he punishes anyone who disagrees with him - this could be a relatively light punishment of a crappy assignment or it could be a beating, then there's the whole attempted genocide thing). Anyway, my point is that there are good things about the WLF, but also there is a serious darkside.

Anyway, when I saw this lady and her baby I immediately thought of Dina doing this with JJ while she gardens.

I absolutely loveeeee this little detail. A mural for the fallen. This really reminds me of some stuff you could see today, just replace the wolf with an eagle and make the uniforms camo.

There are 46ish names on this wall, so I wonder if it is continuously updated or if there are multiple murals, because they definitely have lost more people than that over the years. Also, there are about 150 people at the FOB (the amount of bodies at the FOB, yes I counted) that will need to be added. Maybe the war with the Seraphites just really exploded in the last few weeks (or maybe longer) leading up to Ellie's arrival.

I love that you can pause during the ride with Abby, Mel, and Manny to look around the outside of the stadium. Immediately outside there are train tracks and what appears to be a large market running along side of it. This is on the west side of the stadium, I believe. A major highway intersection is also nearby.

The market has all sorts of goods, food, gas, clothing, cleaning products, TVs and other electronics, records, and even more. I wonder if this is some sort of intake area for any goods they bring back to the base. But who runs these little shops? From some notes you can find we know their economy runs on trade, so how does this work?

Once you get past the market area, you see a pretty vast section of farmland. I loved this shot because it also shows one of their rain water storage areas. They mark this water as to be used only for irrigation, so they must use something else for people to drink and bathe with. Or maybe they just filter some water for people to use, and the rest goes to the plants.

In the background you can see the wall and a guard tower. There is a larger wall (like much larger, I'm talking maybe 5 stories) around the QZ, and a smaller one that runs around the stadium.

This is labeled "Checkpoint #4", so I'm not sure if that means there are other gates, but this is the only one we see in game.

The wall is pretty thick, and you can see these guard towers spaced out all alongside it (much like in Jackson). Once you leave the walls you are immediately surrounded by the wasteland that is post-apocalyptic Seattle.

#The amount of detail they put into this game is insane #I can see why it took so long to make #The WLF's base is probably my second favorite place outside of Jackson #But there isn't a lot of competition #WLF thesis stuff #I have spent way too much time thinking about this game #the last of us 2 #WLF

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talkfantasytome · 3 years

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During the monthly court meeting E/lain had this kind of behavior, at this meeting Nesta or Lucien were not present to justify this kind of behavior (which are behaviors that are pointed out that she has with both, Nesta in ACOSF and Lucien every time they meet).

“I’d have E/lain try her hand before we approach him, though.” E/lain had already departed with Feyre, claiming she had to be up with the dawn to tend to an elderly faerie’s garden. Cassian didn’t exactly know why he suspected this wasn’t true. There had been some tightness in E/lain’s face as she’d said it. Normally when she made such excuses, Lucien was around, but the male remained in the human lands with Jurian and Vassa.”

Do you have any thoughts or theories about this?

Because many people point out she behaves like this around Lucien but she has also behaved like this with other people.

From the pov of the other characters we also see them pointing out things about her personality or how much she tries to belong to NC and has her ignoring Rhys as well.

Any thoughts? I like to read about your point of view

Hi! And thank you so much! I appreciate your interest in my point of view. <3

This ended up longer than I thought it would - as these always do. Not super crazy, but still. The last paragraph is also a bit of a TL;DR.

E\ain's Lie

This is a super interesting paragraph, not going to lie.

I believe some people have interpreted the tightness and escaping to be because Azriel was at the meeting. However, I don't really believe that. If she has a crush on Azriel, why would she escape with some excuse? Why wouldn't she stay around? He's apparently incredibly pretty, so just staying would mean getting to look at that masterpiece a bit more. 👀

However, the more important tell to let us know this isn't the case is this:

Normally when she made such excuses, Lucien was around...

Azriel is around a lot more than Lucien. If E\ain was doing this because of Azriel, I feel like they'd see this happen more when Lucien isn't around.

It's also important to note that Cassian observes a tightness in E\ain's face "as she'd said [she had to be up early to garden]". He didn't observe it throughout the dinner, no, solely as she made her excuses. It's why Cassian thinks she was lying, making an excuse to leave.

However, if she was struggling because someone else was around, it would have been a noticeable change in her personality throughout all of dinner. Az is around more than Lucien, but we also know he's not around that much, because he's trying to stay away from E\ain. So it wouldn't be an "well, Az is around a lot, so it's just not noticeable that she's stressed around him too". Just as, when Lucien is around, we do see that E\ain is a bit more withdrawn.

So, I don't believe it was Az that caused E\ain to make an excuse to leave. It could have been, but personally I find that less likely, or she'd have been doing it more often. Regardless of whether it's because she likes Azriel or because she views him as a threat on her own plans, I don't think that's the reason.

It could be just that she's less comfortable around the group without Feyre.

I find this one an unlikely possibility, but it is possible. Despite what E\ain says, she really is not part of the court, and she's definitely not part of the Inner Circle - no more than Nesta. In fact, by the end of ACOSF, you could argue Nesta is more part of it. But Feyre is the only true IC member of the Archerons.

But, either way, I don't see E\ain as being friends with any of the IC members. Not even Az. They may have some sexual chemistry there, but they're not friends. They never talk and they don't really know each other at all. So it could just be that simple.

But, unlikely if this is meant to be foreshadowing.

She also could just be tired and making some excuse to sound less lame - we've all done it, don't lie. XD

Again, though, I find this unlikely. I don't think her face would be super tight in doing this, because we know E\ain can lie. Or, at least, use words and smiles to her own advantage.

Rhys's brows lifted. "You'd think they'd been told plague had befallen the house."

I pulled the door open wide enough to let them in, then quickly shut it against the bitter cold. "My sister E\ain can convince anyone to do anything with a few smiles."

It's not exactly the same, but this is one of the first things we really learn about E\ain beyond "pretty and likes flowers", her ability to convince others to do anything. To use her wits and wiles to get her way, and it's pretty obvious that's something she's used to in her life. It may not specifically state that she can lie, but she was convincing the staff to leave the house so that Fae could come into it. And we know she definitely wasn't telling them that was the reason why.

She can lie, she can stretch the truth, to do and get what she wants. With ease.

So, the fact that her face is tight tells me this isn't an easy lie for her. This isn't a bland excuse.

More so than that, why not just say she's tired? Why not use that as the reason? That's an easier lie. But no, it was something that would include an explanation for her being out early in the morning.

My conclusion: she did have something happening the next morning, but it wasn't gardening for an elder faerie.

Now, I could be wrong. Cassian's assumption was that E\ain was just lying to leave the dinner. She was making an excuse to go up to bed. You can see that because he drew a parallel to when E\ain makes excuses around Lucien, which we can assume actually is to just get out of the room where he is.

And maybe he's right. Perhaps that observation was meant to be foreshadowing about some other form of discomfort E\ain has around someone in the IC. But, based on my reasons above, and how that would happen more often, I find it unlikely.

Thus, the lie must be about something other than her just making an excuse to get away. And she uses it to also explain away why she won't be in the house the next morning.

Think about it - she made the excuse in front of Rhys and Feyre too...maybe. Maybe not. I read it as E\ain and Feyre went up together at the same time. Either way, at least one of the people she currently lives in this house with heard the excuse, so they'd expect her to not be home early the next morning. Why do that if all she was doing was making an excuse to get away from someone? The next morning she may have to answer questions about that, which I don't think she would want to do.

Now, I honestly have no idea what she was doing instead. After the bonus Az POV chapter, we know she wasn't having a secret rendezvous with him. Based on that chapter, it sounds like the two have had minimal interactions other than at dinners and things at the River House. But that's just what isn't happening.

Some wonder/hope that she's having secret meetings with Lucien. As amazing as that would be, that her "discomfort" around him is, maybe, more just lying to everyone else and pretending they aren't spending time together. I don't think that's the case. We're told Lucien is remaining in the human lands, that he looks at E\ain with longing, and that E\ain didn't even thank Lucien for his Solstice gift to her.

For someone who has a defining trait of being "sweet", that's kind of a big thing to not do when getting a gift. Like, even if she's pretending to not really care about him or know him, not thanking him is...kinda awful.

So, it would mean she's meeting with someone else. With whom? I honestly don't know.

I am intrigued by the concepts and theories about E\ain seeking out a way to try and become human again. I find it plausible, and that there was some information in ACOFAS to make it sound like she was trying to do this only makes it more so. Also, E\ain is definitely more stubborn than I think we've seen, but she's stubborn in a selfish way. Remember that she was doted on by Nesta, but also at times by Feyre, and her father. I, personally, believe that she is likely the most spoiled in nature. In fact, I wrote a post about how I'm wondering if E\ain is somewhat narcissistic.

With that, I don't think E\ain would have been deterred by Amren's comments. All I think that would have done would have made E\ain try to be more secretive and subtle in this pursuit.

I am also intrigued by the thoughts that, in doing this, she ends up siding with/helping Koschei, essentially turning into a villain. Of course, if this does happen, I think it would be revealed very end of book 5 or very beginning of book 6, and in that reveal she would plummet to rock bottom and then her book would be about her journey out of that.

And I do love the idea of a possible semi-villain E\ain because, in the end, her current development has been "she's pretty, and good, and sweet, and kind"...so, she can't be further developed and be made more "good". If her development is just her continuing to be good, that doesn't actually give us more of her character. As we learn about E\ain more, I am convinced we will learn about sides of her that aren't so "good".

E\ain & the Night Court

Okay, I'll be much faster on this, because I've talked about it before as well.

My perspective is that those vignettes, comments, narrations, etc. from other characters' POVs are all very important. I do believe this is some foreshadowing happening that tells us E\ain will not end up in the Night Court. And, I believe, her initial leaving of the Night Court may not be a particularly pleasant separation. I'm not saying it'll be absolutely awful, but maybe it's E\ain leaving on her own, or following someone she shouldn't follow due to promises of a better life, or something similar.

The other possibility is that it will be part of E\ain's emotional journey, to understand that she's not living in a place that's right for her, and that it's OKAY. It's okay if the Night Court isn't the right place for her, even if it is for her sisters. It's okay if she needs something else, if she'll find value somewhere else. It's okay to be different. I think that will be a huge thing for E\ain to learn and accept.

But, yes, I do agree with the perspectives that say those passages are telling us that E\ain doesn't belong in the Night Court. Not because she's not good enough, just because it's not where she shines. And you can find a deeper analysis on that in this post, in the "Home is Where You Shine" section.

I will say, though, that I don't think she'll end up doing anything crazy in an attempt to prove she's part of the Night Court. She's defensive about it, for sure. But if there's a big goal we're going to see her try to work toward, and maybe do so in a not so great way, I'd say it's more likely something about trying to be human again. When with the NC people she wants to be included, because she's selfish and self-centered and narcissistic - and I don't mean that as an insult, those are just some of her personality traits, and they're not necessarily a bad thing. However, I would say that's more likely why she wants to feel like she's a part of the NC. Because her sisters have both started to truly become a part of it, and she's never been the outsider. She's never been the third wheel. It was always her and Nesta. Now it's her and Feyre. But if Nesta is so much a part of the Night Court, if her two sisters will be working together on things - well, that leaves E\ain on the outside, and she can't handle it. Not because she wants to work with them. Not because she actually wants to be part of the Night Court. But because that's just not how it goes in her mind.

And I truly hope that in her journey she'll come to understand herself better, and understand that it's okay to be different. E\ain will find her place, with people who love her, care for her, adore her FOR HER. They don't simply dote on her and protect her because they think she's weak or fragile. No, she will find those who will see the wonder in her. Who will appreciate her stubbornness and ability to convince anyone to do anything. And who will only ever want the best for her because they love her. I look forward to meeting them.

And, hey, if it happens to be Jurian and Vassa and Lucien, I can see it. E\ain could use some snarky Vassa and Jurian in her life. XD

Summary

So, there you have it. That's my perspective on this. I do think E\ain was likely lying. I think the lie went beyond her just trying to get out of the room, and more so was a lie about the why or what she had going on the next day. And I do think she may have had some meeting she didn't want anyone knowing about. I know it wasn't with Az, I don't think it was with Lucien, but I don't know who else it could have been. I like the idea that it has to do with her trying to become human again, which fits in with my thoughts on what her emotional journey will be like in her book, and I'm intrigued at the thought that it could lead to her working with Koschei. But I'm not yet convinced that's definitely the case. I'll have to try to read it again, but so far I'm not sure there's been enough foreshadowing to prove that. The best thing would be her interest in helping find the Dread Trove, except I don't believe she actually was interested in that. I think in that discussion she was just more interested in proving Nesta wrong, because she never actually did anything to try and find the Trove. So, it would be cool, but we need more info before I can say I definitely think that will happen.

And yes, I do agree E\ain likely doesn't belong in the Night Court, based on all those internal thoughts we've seen. It's very telling when you have three characters observe how black does literally nothing for E\ain, how it drains her.

#ask box #acotar theory #acotar thoughts #elain archeron #lucien vanserra #elain and lucien #elucien #villain elain #acotar

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shreddedleopard · 4 years

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10 Reasons it would make narrative sense for Levi and Historia’s character arcs to conclude together.

I’ve been wanting to do this for ages, but I’ve been nervous of the backlash. Feels like it’s now or never though, and theorising for/analysing stories is one of my favourite things to do - I’m clearly missing those literary analysis essays from university days. So please excuse me if you think I’m deluded - I probably am - but the analyst in me won’t let me be until I’ve got this all out of my system.

Beware, it’s a long one. There's some thoughts on chapter 130 nearest the bottom!

1. Childhood Parallels - The Abandoned Children

Levi and Historia’s childhoods mirror one another - there are striking similarities, but then also sections that fit together to complete each other, as though they are matching jigsaw pieces. The characters start out in worlds that are opposite - Historia has the comforts of a safe home, food on the table, and fresh air and sunshine. She has all the physical nourishment she needs, but she does not have her mother’s love. On the contrary, his mother’s love is the one thing Levi does have, otherwise living in poverty underground. Both their mothers, however, appear to be using sex and the idea of love as a means to survive or way to try and improve their circumstances, and it is out of this necessity that both end up being born.

Levi is clearly affected when he first hears Historia’s tale of her childhood - Isayama shows this through the fact that Levi’s plate is the only one left untouched at the end of her story. He has been so sucked in by what she’s relayed, and probably saddened, that he hasn’t been able to bring himself to eat as the others have. Historia’s story rings true with some of his own experiences, but also highlights the world he may have found himself in without his mother’s love.

Remember, Isayama consciously thinks about each panel he’s drawing - he wouldn’t include a small detail like that without reason. We see more of these instances of small but significant stylistic choices and minor details as we progress. Isayama stated in an interview that he wants to give fans an ending that fans would never guess, but that when they look back, the clues were there all along.

Continuing on with the theme of their childhoods and Isayama’s stylistic choices, let’s take a look at two significant moments:

Both characters, although experiencing different forms of deprivation initially (Physical vs. Emotional Nourishment) were abandoned at crucial moments in their lives - when they were looking for validation from their primary caregivers and the people who should have been responsible for demonstrating affection. Historia was abandoned when, after reading and taking onboard information she read in books just like her mother, she reached out to hug her, and Levi was abandoned at the moment he demonstrated that he’d absorbed everything Kenny had taught him. The parallel between these images is very powerful.

Kenny is a character that highlights more parallels between Historia and Levi.

Kenny’s words highlight the literal lack of growth in height for both Historia and Levi - both are particularly short, and also look youthful - but we can also take the words to suggest that the characters are still very much defined by what happened to them in their pasts, and have yet to step away from their demons and achieve closure on what has happened to them as children.

At this point, we can definitely say that Isayama has chosen to tie both Historia and Levi’s stories together through their childhoods - their backstories are revealed alongside each other, in the same arc of our story, and in terms of experiences, they are both identical and mirror opposite at different points.

2. Shared Values

Despite being deprived of affection for large portions of their childhoods, both Levi and Historia appear to have experienced glimmers of kindness in their darkness as well, and this has shaped some of their values and behaviours.

Levi experienced his mother's love for a short while until he lost her - we know how deeply she cared for him from her refusal to give him up despite Kenny’s advice to her when she fell pregnant. Historia had Frieda’s kindness instilled in her, even though she's not able to consciously remember her actions until later.

Both display an affinity for animals, with several manga and even anime-only scenes where we see them being affectionate and kind to their horses. We don’t see this as prominently with any other characters.

But one of the biggest shared values is their desire to protect children. I've posted on this before, but here are a few examples of Levi being driven by this value:

It’s clear Levi has a soft spot for children. And Historia? We know her feelings on children from her first action as Queen - realised with the support of Levi.

3. Kenny’s failure … Levi’s success?

These next scenes we’ll focus on represent the moment that Levi and Historia are set up to undergo that ‘growth’ Kenny was referring to earlier in the uprising arc. Note Isayama’s choice of words here, and the symbolism of the whole scene. Kenny doesn’t tell Levi, ‘I couldn’t be someone you looked up to,’ or ‘I wasn’t fit to act as your father figure,’ he literally says ‘I can’t be some kid’s dad.” What does he do then? He shoves the titan serum at Levi.

Isayama pays great attention to this - dedicating several panels to the weighty moment, and Levi’s expression. It’s very dramatic. Notice how the word ‘Dad’ even has it’s own speech bubble. It’s almost as though Kenny is passing the mantle on to Levi - passing that responsibility on to him. It feels as though the passing of the serum replaces the missing words, ‘but you can.’ Isayama didn’t have to have Levi ask that question in the moment before Kenny passed the serum on to him. He could have positioned it so that the discussion about dreams was the precursor to the serum being passed over - which in my head, for the context of the scene, would make more sense. But he didn’t; he chose to have Kenny say that exact line to Levi - to admit his inadequacy as a father figure, with that focus on the word dad - and then hand the item over to Levi.

By itself, the scene could be seen as highlighting the ways that Levi is already a better father figure than Kenny. He has been somewhat paternal in his role as a Captain. But it’s the very next scene that brings Historia immediately into focus.

Historia looks suddenly so much maturer here, and the way the scenes sit immediately after one another feels too much like foreshadowing.

If you want the full effect of what I mean here, just rewatch this section of the anime!

We are presented with parallels between them once again. The focus of the crown and power of the monarchy being bestowed on Historia parallels the gift of the serum from Kenny to Levi - drawing on the ‘titan science’ element of the Ackerman heritage, perhaps?

Let me take a moment here, while we have these two visual representations of the Ackerman and Royal bloodlines side by side so perfectly, to point out that Isayama chose to answer a question in Bessatsu Shonen Magazine regarding the nature of a child born of both these bloodlines in 2018:

Q: If a child were to be born between two people from the royal family and the Ackerman family, which blood would take precedence?

A: I think that both [of their bloodlines] would be reflected.

4. Blood Lines, Identity and Destinies - the Acker/Royal connection

We are still missing some information about the Ackermans, and Mikasa’s own Ackerman powers and behaviours have been a focus in recent chapters, prompting more questions. This suggests that the role of the Ackermans will be important in the story’s finale. With that said, lets have a look at what information we have about them so far in relation to the Royal Family:

- They worked closely with the Royal Family at one time, even being described as their sword and shield until they fell out of favour.

- They cannot be controlled by the king’s vow or have their memories tampered with. For this reason, they became enemies of the crown and the two bloodlines became at odds with one another.

Do either of these scenarios sound familiar in a romantic setting? The knight and princess trope has been hugely popular in fiction for as long as stories have been told - Lancelot and Guinevere is a well known classic. And two feuding families finally brought back together through love by the younger generation? Romeo and Juliet, anyone?

Okay, so maybe I’m reaching here. But Isayama has opened the discourse around this connection between the two bloodlines without concluding it, so I am certain it will have a part to play in upcoming chapters. Why create two characters from said bloodlines with such satisfyingly parallel but awful childhoods, if not to use them in some way to conclude this part of the narrative in the future?

5. The Beast Titan.

Another common plot point that Levi and Historia have is Zeke. The Beast Titan is a defining element in both their arcs. Levi is driven forward by his vow to kill Zeke, and this is repeated to the point where we expect this to be realised, or at least to see some satisfying resolution between the two. Historia’s situation is defined by her vulnerability to being turned into a Titan in order to consume Zeke. This threat to Historia’s life as a normal girl is also repeated across the later story arcs, just as Levi’s vow and apparent destiny to face off again with the Beast Titan is. If we link back to the knight princess trope, we could suggest that Historia is the metaphorical princess, Levi is the metaphorical knight, and The Beast Titan is the metaphorical dragon. The dragon must be slain in order to protect the princess, and the one to do this is always the gallant knight, or the hero. We know that Levi has been labelled Humanity’s Strongest, and even a hero, before.

It has been Levi’s destiny from the start. What's more, what is the crux of Zeke’s plan for Eldians?

Euthanasia by preventing reproduction. Zeke’s ideology basically directly opposes the values of Levi and Historia - who wish to save as many children as possible.

6. The Smile

If there is one scene Levi fans lost their heads over, it’s this one. The Smile. Who was responsible for getting the sullen Captain to smile? None other than Queen Historia. The one time we get to see a genuine smile from him, in all 131 chapters of SNK, is when Historia playfully punches his arm. I think by this point, it is absolutely fair to say that Levi has a soft spot for her, although I’m not suggesting this is anything romantic at this stage due to her still being a child. What else is interesting about this scene? Let’s look at it from Historia’s point of view. She’s still a 15 year old girl. I’m hardly suggesting she’s got deep, meaningful feelings for a Captain so many years her senior. What I am suggesting, is that clearly there is the beginnings of her seeing him in a different light, and feeling some sort of fondness towards him too. This is also the stereotype of innocent, youthful infatuation - how many times have we seen teenagers play-fighting or bantering with the object of their affections? Something might just be stirring in Historia towards the Captain as she begins her transition into adulthood.

7. THAT (deleted) Scene

Okay, so we can’t very well talk about the smile in the context of this topic without addressing this scene:

There were a few scenes cut to make the uprising arc in the anime more streamlined. This is one of them, and again, has been one of the most talked about. People either love or hate this scene. In the manga, it absolutely sets up some major character growth for Historia, when she goes from being scared and allowing Levi to threaten her into taking an action, to standing up to him atop the wall at Orvud district, throwing his own words back at him. In contrast to Historia’s willingness, Levi becomes more receptive to her perspective and backs down, which also shows his growth. (More on that shortly!)

So, if it adds to the narrative around Levi and Historia, and is a key part of their development as characters, why did Isayama let the studio remove it? It must be because their influence on one another’s growth is no longer important to the story, correct?

If you ask me, that couldn’t be further from the truth.

Isayama has stated there were some elements of Uprising that he was unhappy with. Just, for a moment, think how this scene would fit into the bigger picture of a relationship (whether that be deeply platonic or even romantic) between Historia and Levi. Could people get behind that knowing that once, he handled her so roughly? Does keeping this scene as canon for the anime open a can of worms in terms of what is and isn’t acceptable (even more so than the age gap already does) when it comes to a relationship? Could Isayama be seen as glorifying abuse and suggesting that female characters are likely to develop feelings for men who have treated them so poorly in the past? I completely understand Levi’s reasoning for acting this way in this scene, and I loved the set up and pay off later in the arc. However, I do believe that animating this, and then having them become much closer later in the story, could make a backlash likely.

My conclusion to this particular section is - if their influence on one another as characters was unimportant, and the payoff of them reaching a stage where they bring out the best in one another wasn’t relevant to the rest of the story, then The Smile shouldn’t have made it in, right? So much of the set up was removed that it would have been far easier to scrap the scene than to try and figure out another reason for Historia to punch Levi, and make him smile.

That punch was important. It remains for a reason.

8. Levi’s Echo

So, since we discussed the impact of Levi’s words on Historia in the previous point, and how Isayama uses them to illustrate her character growth, let’s jump ahead all the way to chapter 130. We’re now post time skip, where Historia is nineteen. She’s matured now into a young woman - a woman old enough to acceptably conceive a child. This is the chapter which caught everyone’s attention due to Historia’s words to Eren regarding the idea of said child. But first of all, I want to focus on a scene which appears a couple of panels before her question:

‘It’s not as if I’ve just been tending to cattle all this time.’

What does this line mean? The only thing we know in terms of what Historia has been doing in the time skip is that she set up an Orphanage that Levi was also very much invested in and supported her with. So she’s not only been tending to cattle, but ... tending to orphans? With the Captain’s help?

Remember how we said that Isayama doesn’t include subtle details unless there’s a reason. Having Levi support her with the orphanage as a way to show how much he cares about the poorer children wasn’t needed - we already know from several instances discussed earlier that he cares about that topic deeply. So surely this must have been a small detail to set up for a later reveal?

This line alone is interesting, but not necessarily enough to suggest a big influence from Levi. But it’s the next line that grabs attention:

‘There’s no need to fight or run.’

What does this echo?

In my mind, the reason served by this dialogue in 130 is twofold. It works with both the literal events of the deleted scene, and also with the reader’s knowledge that the scene was disregarded later:

1. There is no reason to run or to fight, because Levi is on her side now. When he originally spoke those words to her - run from me or fight me - they were used in reference to what he and the corps were going to make her do - ie, become Queen. Now, they are not forcing her to do anything - they aren’t making her comply with the 50 year plan of producing as many royal children as possible and turning herself into a titan. Instead, she’s empowered by them, and very importantly, him, to make her own decisions while they try to figure out an alternative. (Why do I say him? I’ll cover this in the next point). And yet ... she still chooses to bear a child. A child born of love, not necessity. This is the difference between the birth of her child, and her own birth. And funnily enough, Levi’s birth, too.

The cycle of history is being broken.

2. Her words serve as a reminder that in the revised version of events, Levi never even forced that choice upon her in the first place. He’s always been her ally and treated her with care and respect. Even more reason for her to value and care for him in return. There really is no need to run or fight - from the military police, because she will bear a child, stopping them from turning her - or from Levi, either.

9. The Hooded Figure

As promised, let me explain why I say that Levi empowers Historia (yet again) to make her own decisions. My good friend Key made a wonderful discovery regarding the hooded figure panel, and honestly, based on the evidence I’ve seen, I’d be prepared to bet a whole lot on this next claim:

Levi is the hooded figure who warned Historia of the plan to turn her.

I’ve shared Key’s original post previously, but here’s the gist, with some added observations.

Levi from the hallway; Levi from that iconic scene, fits the dimensions of the hooded figure perfectly, without having to adjust the panel sizes.

The jacket worn is lighter in colour than Eren’s standard black one, but is reminiscent of the jackets worn by the Levi Squad in the uprising arc. The only other clue we’re given to work from is that the figure has their hands in their pockets.

Hmm ... you know who else has a habit of stuffing his hands in his pockets?

So if Levi is the one who warned Historia, is that why she subtly uses his words when talking to Eren?

Let me return to chapter 130 once more, and just invite you to read the following panels from a different angle.

10. Mikasa-Eren/Levi-Historia Parallels

Alright, so this is a bit of a head-mash, but just consider what I’m about to say. In our panels with the Historia-Eren-Zeke conversation, Mikasa is never mentioned by name once. Zeke mentions ‘this Ackerman girl,’ however there is no confirmation that Eren was in fact talking about Mikasa when he asked Zeke about the Ackerman traits ...

Isayama only shows us the conversation with Zeke after Eren has just spoken to Historia about her fate and what the Paradis government want her to do in terms of bearing children. If these are just all memory fragments of Eren’s, why would discussing this with Historia suddenly make Eren think of a conversation about Ackerman traits with Zeke?

In this conversation, Zeke puts two and two together and gathers that Eren is asking these questions because of Mikasa. He then tells him how much Mikasa obviously cares about Eren, regardless of any ‘ingrained behaviour.’ What does Eren then link this with?

The conversation where Historia asks him what he’d think if she was to bear a child. What does ingrained Ackerman behaviour and Mikasa’s true feelings have to do with Historia’s child?

I want to suggest this possibility: this conversation has nothing to do with Mikasa’s feelings for Eren, and everything to do with Levi’s feelings for Historia.

Eren even confirms that Zeke has the wrong end of the stick with asking him how he will respond to Mikasa’s feelings.

What are you even talking about?

Here, he is not considering how he will respond to Mikasa, because he can’t even contemplate that with what he is about to do, and how long he has left to live (although this may have then prompted his later conversation with Mikasa after the market - where he sees Levi save the boy that he will later kill - do you see how this is all linking together?)

Here he means the lives of Historia, her child, and potentially even Levi, as well of course as Armin, Mikasa and the rest of his friends. Want to know why I think that? Isayama hinted it. Again.

We have the image of Historia, suggesting the idea of bearing a child, followed by the image of the child Levi saved, followed by the image of Levi himself.

Isayama draws every detail in every panel for a reason. If part of his conclusion to this manga involves Levi and Historia intertwined and the birth of an Ackerman-Royal child, it won’t be a massively random idea.

It will contribute to an ending where the clues were there all along, but we never really considered them.

(There’s more, so much more, but I have to stop somewhere or I won’t leave my computer. If anyone wants a part two because you’re thirsty for more of this crap, drop me a comment!)

#Shingeki no kyojin theory #attack on titan theory #snk manga spoilers #historia reiss #Levi ackerman #Historia dad theory #Historia pregnancy #royal Ackerman connection #snk chapter 130 #snk theory #aot theory

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sailorspazz · 4 years

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10 Dance Vol. 6 Special Edition overview

Volume 6 of the 10 Dance manga was released in Japan on March 18th, 2021. As with volumes 4 and 5, there are both regular and special editions available. In this post, I will provide an overview of the release, including observations on changes that were made to the chapters compared to how they were printed in the magazine, plus summaries and select scans of content from the special edition booklet.

It is often the case that when chapters come out in the manga magazines, they aren't always fully polished, and since I became highly familiar with this run of chapters from the summaries I made, several things immediately jumped out at me as I went through the book. First of all, though chapter 29 was split into two parts and released in subsequent months in the magazine, these two halves were combined into one chapter, with no indication they had ever been separate. I assume that they were always intended to be one chapter, but since the full chapter was not completed before the deadline (and it was a month when 10 Dance was being given the cover image, so not possible to delay its release), it was simply split over two months instead.

For visual changes, the most common alteration was scenes that originally had little or no screentone having it added in:

There were also some instances of either slight panel redraws, or complete replacements with new panels. None of these were from particularly important scenes, so it could just be Inouesatoh or someone on her team didn't like the look of the original panels and wanted to change them. The following example has a bit of both, with Suzuki in the upper left corner being replaced, and his eyes being redrawn in the lower panel:

Personally, the most amusing addition I noticed was when Max was thinking about throwing a party. Originally, we didn't see what he was envisioning, but in the volume, an addition has been made in the background: the New Year's piece Inouesatoh drew with sexy men dressed as cows, except now they're bunnies!

As for dialogue, it appeared to be almost the same in both versions throughout. Some minor exceptions include a spot I found where the dialogue was put in a different order, swapping Sugiki’s lines between this panel and his first line on the following page (in addition to another altered panel example):

As well as in this shot of Suzuki describing how they tug at the thread that connects them through their dance. Whereas before it put the word “dance” next to the part about tugging on the thread to specify what was meant by that, it was deleted in the volume. And while it was originally described as “affirming that we’re connected”, this was also tweaked a bit to be, “affirming our connection”.

There were a couple instances of character names being different from when they appeared earlier in the story. In this volume, two characters who were last mentioned back in volume 2 (Lucas Calvo, one of the champions at the table in Blackpool, and Deeks, who Ernie said hated Sugiki because he "stole" his girlfriend), either from typos or intentional changes, weren't the same as before. Lucas' last name was written with a 'g' sound (ガルボ) instead of a 'c' (カルボ), and this change carried over to the volume. On the other hand, Deeks' (ディクス) name got transposed as Disc (ディスク) in the magazine, but was fixed in the volume.

There was a typo that unfortunately made it through to the volume (but could perhaps be fixed in future printings). In chapter 34, when Norman is testing Suzuki's skills, he flashes back to Sugiki taking the national title from him several years earlier. The text in this scene, written in English, incorrectly states that Suzuki won the championship, rather than Sugiki.

The volume also includes the usual additions that are not present in the magazine, such as the under the cover flap comic, and Inouesatoh’s notes about each chapter.

The cover flap comic (which looks very much like a sketch, compared to previous ones that have had more complete art), features the Shinyas during a practice session earlier on in the series in December, where Suzuki complains that Sugiki’s Latin just isn’t sexy. Sugiki suggests that he can practice being sexy by wiggling his butt around to write a message in the air. Suzuki worries that if he starts writing out “love” or something, he’ll have to run away and escape. Sugiki gets started, and Suzuki calls out each letter that he can make out from his elegant butt bouncing. After figuring out he’s written “M-E-R-R-Y”, Suzuki guesses that he’s writing “Merry Christmas”. Sugiki gets mad that he said it aloud before he finished writing his message, and says he’s going to leave. Suzuki says, “Wait, I love you,” as narrative text says that this somehow turned into a love story in one panel.

And here are some tidbits I found interesting/amusing from the chapter notes:

She thinks readers who are fans of pecs will like Saichi.

She’s not sure if readers will love Max or hate him, but she personally likes him (sorry Sensei, I kinda hate him lol)

As of chapter 32, a portion of the art is now done digitally.

The epic “last dance” scene from 33 was something that she had planned since the beginning of the series, and it ended up being 8 times the cost for a typical chapter.

Special edition booklet:

The special edition comes with a 48 page hardcover booklet that includes a variety of different extras, divided into 8 sections called “heats”.

Heat 1 is a newly drawn, 12 page parody manga. Back in September 2020, Inouesatoh put out a request on Twitter for fans to send in their suggestions for an erotic side story. Putting the characters in a high school setting was the most requested scenario, so she chose this idea as the basis for the story. The title is “And All That Jazz” (the premise makes this somewhat confusing to summarize, so keep in mind that I’ll mostly be describing their actions based on the soul rather than the body, but will use quotation marks if it’s about other characters and who they think they’re addressing. It’ll all make sense, I promise...I think :P)

(The title page actually depicts the ending of the story, so I’ll come back to it later). It starts with Suzuki narrating his introduction, saying that he’s a transfer student to the Standard Academy. He really doesn’t get along with a guy named Sugiki, but for some reason, the two have now switched bodies with each other. Sugiki opens his shirt and inspects his new physique in front of other students, as Suzuki yells out asking what the hell he’s doing to his body. They look at themselves wearing each other’s expressions, Sugiki seeming surprised his mouth can gape open like that, and Suzuki wondering what happened to his body’s facial expression muscles. The bell rings and Sugiki heads off to class, as Suzuki is baffled that he can act so calm about this.

Sugiki perfectly reads a passage aloud in English class, something everyone (including the teacher, who looks like Norman) find unusual coming from “Suzuki”, as they wonder where his usual hearts are. Suzuki makes the decision to enjoy living as Sugiki for a bit, and is shown getting flirty with several girls. He notes that the more serious personality in his regular body is also strangely popular, though with a very different crowd.

A student named Alberko (Alberto in a girl’s uniform) shows up and says that “Sugiki” was supposed to have lunch with her(?) today. Suzuki says that he thought Alberko was going out with Dorou (a masculine alteration to Dolores’ name). Ernie and Suzuki watch as his harem falls apart with Alberko running amok. Ernie comments that both “Sugiki” and that transfer student have been acting weird all week, and he asks if something happened. Suzuki internally reflects back to one week earlier, when he was relaxing in bed in the infirmary. Sugiki comes in and accuses him of skipping class, and Suzuki tells him to mind his own business. He thought this would turn into one of their usual fights, but he can’t believe that actually happened instead...

After school, Sugiki asks Suzuki if they can go home together today. As they’re walking, Suzuki asks if Sugiki realizes what it was that made them switch places, and Sugiki says he does. Suzuki says that in that case, they know how they need to fix it, and they should go over to his house. Sugiki asks for clarification of whose house exactly he means by that.

As they start to get undressed, Suzuki says that he always thought his mom and sisters were annoying, but after a week apart he really misses them. Sugiki promises that he’ll make sure he can see them soon. Suzuki claims that he’ll be the one making Sugiki come, and Sugiki asks how he can talk like that when he was the one who looked like he was about to cry when Sugiki first touched him in the infirmary.

Sugiki peeks into Suzuki’s pants and wonders if he won’t get hard unless he touches him. Suzuki thinks it’d be weirder if he could get hard while looking at his own face, and wonders if Sugiki has AI in his crotch or something (Sugiki contends that it’s not his body). They fool around with each other until they finish, and Suzuki wonders why they didn’t change back yet. Sugiki suggests that maybe it needs to be just like the last time to count as a complete set, when they went at it until they fell off the bed, so both agree that they need to go for one more round. This then ties back to the title page, where they’ve finally managed to get back into their old bodies, but have now sprouted cat ears and tails.

Heat 2 of the booklet is 8 pages long, and contains short comics and illustrations that were not previously included in the volume releases. The comics include “How to 10 Dance”, a one-page comic with the Shinyas demonstrating the tango. Their privates end up touching, and Sugiki seems highly amused, gleefully asking Suzuki how it feels. Suzuki says that he was the one who got all bent out of shape over that back in volume 1, and tells him to lay off the sadist mode since they’re not dancing Latin right now. The second comic is “2nd Step”, and shows a glimpse of how the Shinyas were with each other after Suzuki gave the go-ahead for kissing. In fact, Sugiki ends up kissing him so much that Suzuki’s lips get sore and swollen. Sugiki then tries to kiss his neck as an alternative, but Suzuki’s not having it. The third comic depicts Suzuki’s first time in a public bath, where he realizes that Japanese people aren’t fully shaved everywhere like he is. Some of the old guys talk to him and slap their balls with their towels, and Suzuki, seeming a bit confused, gives his own balls a slap, too. After the comics are a selection of illustrations that were never used in the volumes, including this one from a Real 10 Dance event in 2018:

Heat 3 is 18 pages, and contains a variety of colored versions of both chapter covers and scenes from the manga, a couple of which I’ll share below:

Heat 4 includes 3 pages of insight from the professional dancers who consult for the manga, in which they explain the moves shown in specific panels.

Heat 5 is a single page look at Inouesatoh’s work space.

Heat 6 is 3 pages worth of advertisements that have been used to promote the series, including things like ads that were posted in subway stations:

Heat 7 is a single page look at the storyboard for chapter 1 of the manga.

Heat 8 is a single page showing the covers for foreign editions of the manga (Taiwanese, Korean, North American, and French).

Finally, there’s one last page with a thank you message from Inouesatoh, including an absolutely precious illustration of the Shinyas in happier times.

And that’s that! This really is an incredible release, and I’d definitely recommend picking up the special edition if you can. CD Japan offers direct international shipping, and I’ve also seen that Kinokuniya lists it as “available to order” currently (though they don’t appear to have stock on hand, so might take longer).

#10 dance #10dance

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elliepassmore · 4 years

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The Black Coast review

4/5 stars Recommended for people who like: high fantasy, multiple POVs, dragons, intricate plots I received a copy of this book from NetGalley in exchange for an honest review TW: some homophobia I really enjoyed the world of Black Coast and the clear world-building effort that had been put into it. Each of the different places and peoples/cultures were unique without being unrealistic. The religions and histories were well thought out, and even the language(s) had their own backgrounds. Some of the cultural practices seem strange, and indeed they do cause tension between the Tjakorshi and Naridans, and I found the manner of identification (referring to oneself as 'your son,' this warrior,' etc.) to be a bit unwieldy at first, I got used to it and barely noticed it the more the book went on. Each part of the book is prefaced by a short 'scholarly' passage describing some aspect of the world's languages, cultures, or creatures. While I'm sure these are meant to be helpful and give background/foreshadowing info, the only one I actually read all the way through was the very first one, which described the meanings of the six gender pronouns used by one of the book's languages. That one actually was helpful, since two of the POVs utilize that language and it's helpful for remembering how people are referring to one another. I really liked the two main plots in the book: one of the Tjakorshi settling in Blackcreek and the other of the Naridan royal family attempting to assassinate the Splinter family. I generally liked following the characters of each plot and learning about the people, places, and politics, however I think each plot would've been better served getting its own book. While there are obvious implications for how the Splinter assassination can impact the Tjakorshi-Naridan settlement, there are less clear implications for the reverse. Further, the two plots and sets of characters do not actually come together in this book and I think they could've been served better each having their own book, then coming together in a later one (as I assume will happen), especially since the POVs got somewhat unwieldy. In terms of the POVs, there's about four major ones, with another handful of minor ones bringing the total up to, I think, 7 POVs. Now, four main POVs isn't bad and I've read a number of books with this number of narrating characters. The problem arises when we begin adding the others into the mix and giving them a handful of chapters here and there, and then it gets very complicated keeping track of who's who and where. I can understand adding some additional POVs for moments that will have a later impact but for which none of the main characters are present, though I think I'd prefer if it was 3rd limited rather than 1st, but that was not the case here. We started out with our main four...then we add Rikkut, then Evram, then Zhaana, and while these characters have important roles to play I question whether those roles, perhaps with the exception of Rikkut, really required their own chapters. Evram and Zhanna probably could've been given one or two chapters to fill in some gaps, but I didn't need to know past the bare details of what Evram was up to or that Zhanna was bored in the palace (especially since it didn't tell us anything new about her character or relationships). So, due to the confusion I had for the first 30% of the book due to POVs, I had to knock down the score slightly. In terms of characters, there's a pretty hefty cast, but Brooks does a good job giving each their own personalities and feels, so it didn't really ever feel like I was reading a Daimon chapter when I was reading Tila or Saana, or like Jeya had the same voice as the others. The side characters were also distinguished well, though I'm really only going to hit on these main four characters since, again, the cast is pretty large. Tila is an interesting character to read. She's the first POV we're exposed to in the book and, at first, I really did not like her. However, as the book went on and she went on her own plot adventure I began to like her more. Tila is part of Plot B, which centers around the Naridan royalty (aka Tila and her brother, Natan) deciding to assassinate the Splinter family, who claimed to have more of a right to the throne and as a result needed to flee to another country. She's not really a good person but she's certainly good at what she does and has decent reasoning behind why she does what she does (not that I agree, but I can certainly see how she got to where she did). It's obvious she cares for her brother, whom I would've liked to see more of, and is loyal to her family and country. Something I thought Brooks did cleverly was to switch around the 'masked vigilante' character by having the princess be the one who was masked the the vigilante wall around bare faced. Tila definitely walks a tricky line and I'm curious to see how that will play out for her. Daimon is, I think, the next narrator and is less likeable. He's fine in his first chapter, but later on he does and says stuff that makes me feel apathetic toward him...but at the same time I didn't want him to die, so maybe I don't totally dislike him, but still. He certainly has a lot of weight on his shoulders trying to make the Tjakorshi-Naridan melding work, which is Plot A, but I also feel like if he maybe didn't still have the mindset that they were no-nothing savages that it might go a bit better, especially at first. I understand that he can't change everyone's minds, but I do think Daimon has a responsibility to correct people when they say in front of him, and especially in front of any Tjakorshi, that the Tjakorshi are uncivilized or savages. Like, it's not that hard and would go a long way toward reinforcing the idea that that kind of behavior is unacceptable. I think one of my problems with him is that he's so stuffy for most of the book. Anyway, he definitely has his flaws but there are times when I do like him and enjoy reading his POV, especially when he's around his brother. Saana is the Tjakorshi chief who brought her people across the ocean to flee from The Golden. She's already done a lot of hard work by the time the book opens and hopes everything will work out but also isn't totally confident it will. I liked Saana better than Daimon and I think she might be one of my favorite characters in the book. She lets things roll off her fairly easy and is pretty determined to make things work. Saana also, admittedly, has some negative thoughts and words about how the Naridans live, but I also feel like she's more willing to give, perhaps because she knows they don't have any other option other than to play nice. One thing I really didn't like about her was the homophobia, which I have many thoughts about and will get into below. Overall I like most of Saana's character and empathize with the struggles she faces trying to get everyone to work together when the Naridans and Tjakorshi of the town end up at odds with one another again and again, but I'm not a fan of the homophobia aspect, even if she has vowed to change that. Jeya is the last main narrator and is my other favorite character in the book. She is a thief living in Adaba and happens to steal from (and is promptly caught) a very rich person whose identity is kept 'secret' for most of the book but whose identity is also, at the same time, totally obvious. Anyway, she has an interesting way of looking at the world and I enjoyed reading through her eyes. I almost feel like she's a younger character, but her mysterious friend is referenced as an adult by someone else and she has a younger friend herself, so I assume she's at least majority age, if not older. I could actually probably stand to read a whole book about Jeya's adventures, screw the other plotlines, and hope things turn out well for her considering the mess she's inadvertently walked into. And super quick, since it is relevant, Rikkut works for The Golden, a draug that is attempting to do...something...with the world. I'm not quite sure what. He's terrifying enough that he slaughters towns and sent Saana and her people running across the ocean, but he also claims he's trying to save people. Right. I'm not entirely sure what he's actually doing, but I doubt it's good. Rikkut is an unpleasant character. Definitely my least favorite narrator, and I kept hoping throughout the book that he'd die. But he does make a good character for seeing what the villains are up to. Now, back to the homophobia. Narida is LGB friendly (idk about T it doesn't really come up) and Tjakorsha is not. Several characters explain it as a need for survival (one that oh-so-coincidentally got caught up in their god), but that doesn't make it any better and there's a couple of scenes where that really comes to a head. I especially don't like how it comes up the first time: a gay man gets drunk and kisses another man without consent. Like, this couldn't've come up literally any other way?! Two guys taking care of their kid or the scene later in the book, perhaps? The trope of the predatory gay plays so heavily into homophobic narratives and into the history of LGB representation that it feels very icky here, particularly since it was the first encounter with an openly gay character in the book. So, while the homophobia is addressed (Daimon actually handles this fantastically and is willing to go to bat for LGB Naridans and Tjakorshi) and there's is a proposed attempt to start overcoming it, I did not like it and knocked the score down. Overall I enjoyed the book, though Plot A had somewhat of a deus ex machina ending, in my opinion. The Narida-Tjakorsha settlement is the heftier plot in this book and as such we get to know more characters from that plot than from Plot B. I liked Tavi, Zhanna, and Darel, who all come from Plot A, but really only liked Galem and Natan as side characters from Plot B.

#book #books #book review #the black coast #mike brooks #fantasy #high fantasy #adult fantasy #dragons #royalty #vikings #lgbtq characters #tw homophobia

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mediaevalmusereads · 3 years

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An Extraordinary Union. By Alyssa Cole. New York: Kensington, 2017.

Rating: 3/5 stars

Genre: historical romance

Part of a Series? Yes, Loyal League #1

Summary: As the Civil War rages between the states, a courageous pair of spies plunge fearlessly into a maelstrom of ignorance, deceit, and danger, combining their unique skills to alter the course of history and break the chains of the past . . . Elle Burns is a former slave with a passion for justice and an eidetic memory. Trading in her life of freedom in Massachusetts, she returns to the indignity of slavery in the South—to spy for the Union Army. Malcolm McCall is a detective for Pinkerton's Secret Service. Subterfuge is his calling, but he’s facing his deadliest mission yet—risking his life to infiltrate a Rebel enclave in Virginia. Two undercover agents who share a common cause—and an undeniable attraction—Malcolm and Elle join forces when they discover a plot that could turn the tide of the war in the Confederacy's favor. Caught in a tightening web of wartime intrigue, and fighting a fiery and forbidden love, Malcolm and Elle must make their boldest move to preserve the Union at any cost—even if it means losing each other.

***Full review under the cut.***

Mild spoilers in the Plot section.

Content Warnings: racism, threat of sexual assault, use of the n-word, violence, blood, false rape accusations

Overview: I first became aware of Alyssa Cole via Courtney Milan’s recommendations page, and I decided to start with this Civil War spy romance because... why not? It looked fun! And it was, to an extent. I liked the high stakes, the dynamics of the romance, the characters themselves. But what ultimately prevented me from giving this book more than 3 stars was the plot, romance trajectory, and some aspects of the prose. Of course, your mileage may vary, so if you’re a fan of romance, I suggest giving this book a try for yourself.

Writing: Cole’s prose is fairly clear and easy to read. It flows well, so you can skim or read more in-depth, depending on your preference, and I think that works for the genre Cole is writing in. I also really liked that Cole would drop in random quotes from classic literature to demonstrate Elle’s eidetic memory, and I liked that she was able to communicate the stakes of each scene without overwhelming the reader with infodumps.

I do think, however, that Cole relies a bit too much on telling instead of showing. We’re told over and over again through the characters’ inner thoughts that they have feelings for one another, but I didn’t quite see how those feelings were brought about externally. The banter and the arguments, while good, didn’t quite foster feelings of romantic connection, and I wish a little more was done to show the characters’ chemistry, rather than being told that they had an effect on one another.

Plot: Aside from the romance, the majority of this book revolves around Elle and Malcolm as they infiltrate a Southern senator’s house to learn more about Confederate operations during the Civil War. While I liked the idea, I ultimately thought Cole could have done a little more to give this plot structure. Both Malcolm and Elle seemed to be placed in the house to be on the lookout for any useful information, so from the get-go, it didn’t feel like they had a strong purpose. I think I would have liked to have seen Elle go in with the knowledge that the Confederates were planning something; maybe the Union/Loyal League had whiff of a plot to break the blockade, and Elle is tasked with doing everything in her power to make sure that blockade stays in place.

I also think Cole could have made her characters a little more agentive. While I liked that Malcolm was purposefully flirting with the Senator’s daughter to weasel his way into their good graces, it felt like both Elle and Malcolm were passively waiting for information to fall into their laps. I would have liked to see more scenes of them sneaking into the Senator’s office, trying to find letters or other information, or something else that required the characters to be proactive. The only real scene where we got that, I feel, was when the two went after Dix, the engineer, but even then, they seemed to just follow him out into the woods before getting accosted by slave catchers, forcing them to return home with nothing useful (which they don’t seem too disappointed about).

Speaking of the pursuit of Dix, many scenes seemed to be like this one, and by that I mean many seemed to have been inserted into the plot to create empty tension or action. The characters don’t really get anything useful out of following Dix; the scene was mostly there to give Malcolm and Elle some time to talk and to put Elle in danger. There were others that I felt had a similar purpose. The scene where Elle suspects Malcolm of being a double agent, for example, seemed to come out of nowhere and be over and done with way too quickly, only used to manufacture false tension and then give the two a reason to be alone together. The ending, too, seemed to rely on a lot of exciting things happening in quick succession, and while I liked that it forced the characters to think quickly and make plans, it also felt like Elle and Malcolm had to rely on surprise plans from other people and impossible coincidences.

Lastly, I think the prologue was an odd episode to serve as the book’s initial inciting action. We open with Elle going undercover to pass a message to another operative, and just as she does so, she is harmed by some racist separatists and blacks out. One year later, Elle has recovered and is on a new mission in Virginia, and we learn that she was saved by none other than Malcolm himself. While I felt that this prologue could have worked if Elle and Malcolm hopped around the South on missions and kept meeting up again and again, the events of the prologue didn’t seem to have much significance other than to show that Malcolm had met Elle once before, and even that revelation fizzled out soon after they both realized it. I think I would have liked a more sustained plot where Elle and Malcolm kept crossing paths while doing spy missions, or else have the prologue feature something like a secret meeting where men are talking about building the ironside.

Characters: Elle, our heroine, is a smart, sharp-tongued Black woman with an eidetic memory and a fierce devotion to the Union. I really liked the nuance she brought to interpretations of the abolitionist movement and the politics of slavery and race relations; she would frequently call Malcolm and other well-meaning white people out on their inability to see slavery and racism as something that affects individuals (they see it rather as an abstract concept). I also really liked that she knew her worth but was conscious of what acting on her anger and frustration could do to jeopardize her goals. It made her feel pragmatic and human at the same time, which I very much enjoyed. The only thing I didn’t like about her was that she seemed to keep going back and forth on what she wanted with Malcolm, but more on that in the next section.

Malcolm, our hero, is a Scottish undercover detective for the Pinkertons. I liked that he had a roguish personality without being a Scottish stereotype - he didn’t drop a lot of random slang words, nor was he overly violent or drunk. His main asset was his charisma and his ability to weasel his way into places of power, and I think Cole showed that well. I also liked that he served as a vehicle to explore topics relating to racism, and he was constantly learning about how to be practically anti-racist, not just generally not racist (if that makes sense). I do think, however, that Malcolm made way too many stupid mistakes for one supposedly so good as his job, and I think his attraction to Elle was too insta-lovey for my tastes (but more on that below). He also seemed to have no serious character flaws to overcome; he rather seemed to be a “nice guy” whose only “flaw” was that he just had some things to learn about the Black experience.

Side characters varied in the quality of their usefulness to the plot, but I think Cole wrote them all with good purposes in mind. Susie, the Senator’s daughter who Malcolm flirts with, was appropriately written, being neither an exaggerated villain nor a sympathetic product of her time. The fellow slaves at the Senator’s home were likeable and I enjoyed the way Elle expressed her affection for them; I wish Mary’s plans had been foreshadowed a bit more, but it is what it is. Probably the most underutilized character, in my opinion, was Rufus, whose true identity comes at a surprise to Elle and Malcolm. I feel like a rival espionage plot could have worked well in this story, especially if Elle and Malcolm’s story had been more reluctant-allies-to-lovers, but Rufus’ twist seemed to come out of nowhere and only be important in the last 50 or so pages of the novel. Dix, too, could have been more of an interesting character, but he seems to exist only to put Elle and Malcom in a risky position. Nothing really comes out of his character.

Perhaps the least compelling character, in my opinion, was Daniel, Elle’s supposed longtime friend who was born free but sold into slavery. Daniel never makes an actual appearance on the page; Elle talks about him a lot, but since we never actually see them interact, I felt like I was expected to care about a person I never met. The drama with Daniel seemed to exist to either create jealousy in Malcolm or serve as a way to make Elle trust Malcolm, and honestly, I don’t think Daniel needed to be included at all.

Romance: While I liked the idea of this romance, Elle and Malcolm’s story ultimately didn’t work well for me because I personally found it insta-lovey and somewhat repetitive. Malcolm is attracted to Elle right away, which isn’t a problem, but it seems like they developed feelings for one another after their initial chat in the woods. I prefer my romances to build up over time, with characters falling for one another after becoming emotionally vulnerable and bonding over shared values or helping one another overcome personal character flaws. Elle and Malcolm, by contrast, had some nice banter, but Elle would push Malcolm away, then remember how attractive he was, then the two would kiss or be intimate before Elle would declare they couldn’t be together because it compromised their jobs, and the cycle would repeat. While a conflict of interest could be an interesting point of tension in a romance, I personally felt like Elle was too back-and-forth, and I personally don’t find that back-and-forth very compelling.

I also found some of the sex scenes to be a bit too clinical and clipped, which may work for some people but may not for others. Personally, I like my sex scenes to show not just physical intimacy, but emotional intimacy, and it seemed like some of them were used to that effect while others were just... “she did this. he did this.” I think I would have liked to see Cole put more pressure on the idea of sex as comfort. The first time Elle and Malcolm are physically intimate together, Elle describes it as seeking comfort. However, it’s not really brought up again, and I think it would have been interesting to expand on the idea, perhaps by portraying their reluctant allyship as first a purely physical release/escape to something more emotional and mutually supportive.

TL;DR: An Extraordinary Union brings some much needed diversity the romance genre, and while it has an intriguing plot and likeable characters, it also features a fairly cyclical romance and depends on things happening to the characters, rather than the characters being active subjects.

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stinkyratshadowgod · 4 years

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Crazy Storyline Apex Theory

(P.s: I’m reposting because Tumblr F*CKING ate my first post)

Okay in the trailer for the new event “Lost Treasures”, we see at the end that in Mila (in some way) spoke to Crypto through his drone, saying “Tae, it’s me. Be carefull! they’re watching you”. Naturally i was going to joke “Haha Mila is going to be the next Apex Legends next season lmao”. But then i stopped and thought more about it, and instead of making a joke, i decided to write a theory about why is that plausible and it’s going to be the next storyline (or maybe...this storyline)

Okay what do we know about Mila? Not much actually, she and Tae found a prediction algorithm that is directly related to the Apex Games (but we don’t know who made that and the real purpose), and then she saves it in a pen drive, leaves and is found “dead” next morning, with her brother being blamed as the killer

I know that this isn’t a lot to work with, but i think it’s enough to cook something. The name of my plate (aka theory) is “Apex is going to pull up a Winter Soldier and make Mila a brainwashed soldier (or expert Hacker) from Hammond”. You better enjoy it while it is still hot

1-Mila is still alive

Ok so why do i believe that? It’s because i believe that Mila is actually alive (even tho it’s a schrodinger cat paradox situation because shes alive and dead at the same at, and we will only know the real result when Respawn pulls her out of the “box”).

My evidences is that 1-The new trailer (lol) and 2-Shes actually pretty usefull: Shes a hacker, a good one, she was the one (with the help of Tae) to unlock the prediction programm, and she developed the system that unlock it (or at least had the knowledge that the system she found online would help unlock the algorithm). And because shes connected to the biggest hacker of the outlands, so perhaps they are going to use her to blackmail Crypto to stop going after the truth.

Respawn never explained how the brothers found the algorithm, but whatever the case is, if the sindicate would go out of their way to “eliminate” Mila and then go after her brother (but we know that this time they wanted for real kill Crypto) that must mean that the prediction algorithm must be really important, and we know why:

2-Season 4 (and the Override event)

Hammond had great interest in the Apex Games in the start of Season 4, and so they made a deal with the AG, and so Hammod brought us 1-Revenant (the best decision ever i love him but i better stop or else i will write a full essay on why i love Rev); 2-The evo shield (at least i headcannon that the evo shields are a Hammond creation in order to please the Legends), but in return they would build the planet harvester and do some promotion...it’s just me that thinks that a big company especialized in robotics (and titans) would only bring a harvester and do a propaganda to show that their hip and cool?

Even the harvester is a little weird, because: 1-The Apex Games takes ages after Titanfall 2 campaign (10 years i belive), and the war is over, so the need of building Titans wouldn’t be very necessary, yeah they can be used as heavy machinery in hazardous jobs, but the main use of the titans was military, and they already use MRVNS units to replace humans. I know that building robots and guns requires a lot of materials, but the harvester seems like a little bit of a overkill, also are we even sure that they are collecting materials for the robots? (which brings me to my next point)

2-What the heck is the planet harvester even harvesting? By the looks of the big lazer, it looks like they are actually harvesting the core of the world edge’s planet (idk if it’s also sucking materials for robots and guns, but you never see pieces of scraps flying up with the lazer, and we don’t see a storage thing to store the minerals)

I believe the real reason that Hammond is so interested in the Apex Games is actually because of 2 mf’s: 1-Revenant (since he was killing all the Hammonds workers and those connected to the simulacrum project) and 2-Crypto, since hes the one going after their tail, and Hammond knows that Crypto has the actual powers to be a real problem to them, so they partner up with the Apex Games just to keep a closer eye to Tae Joon (and Revenant but who can blame them Rev is a real eye treat).

(Side point: While i was writting this theory, i remembered a critical point of the Override event...the rewards, the rewards you got when you gained points, and in the points reward’s menu, we see this:

At first we thought this was Rev doing, but when you think about, it doesn’t make a lot of sense since Revenant doesn’t give a crap about helping people, he just wants to kill (go you, you funky lil robot), and when you think more about it, hes couldn’t pull that off since hes not a computer specialist. The only character that could this is Crypto, but Tae A)Already knows that Hammond cannot be trusted or B)He coudn’t have predicted the partnership. My point is, Crypto also didn’t left the message (cuz it would be weird leaving a message about something that seems obivious to yourself). So the only one remaining is...Mila Mila is somewhere in the Outlands (maybe she escaped or she sneakily sended the message through the place she is being held) sending messages to Crypto.

2.5-The bunkers

You know whats weirder than The Planet Harvester? The underground holes (bunker? vaults? Its hard to use these words since they’re already taken) introduced in Season 5. In the trailer they looked like bunkers that you could open at any moment (like a trapdoor). In the release of season 5 the first thing i saw youtubers do is try to open the bunkers, they failed, and then they tried to use Loba (and they would usually fail and fall to their death, which was funny content). So i thought “Okay, maybe it’s going to be like Fortnite and with each week they are going to open one by one (and yes i play Fortnite casually, it’s actually a great and fun game), and nothing. So i ask “What is the purpose of those trapdoors?”

In the trailer of the new event, after Mila talked with Crypto through the Drone, it showed us a underground bunker opening, perhaps it’s Mila, or at least a secret base that Mila used to send Crypto the messages to warn him about Hammond. Whatever the case is, i strongly believe thats it’s going to be something related to Mila

3-The artifact and the “broken ghost”

The name “broken ghost” is actually a weird name for something that has something to with Loba, sure you can say “It actually refers to something that is going to be used against Revenant” or “It’s actually something that we are going to use to bring back Ash from the Titanfall 2 campaign” and while yes that can be the case (especially the Ash theory) i actually believe that what we’re building is a universal locator, a locator used to locate everything and everyone in the outlands. You may be asking “...okay...why?” And i tell you: “The legends don’t live together”

On what i mean by that: In a tweet sended by Tom Casiello, he told us that the legends don’t live in the dropship or in a big house like housemates (even tho i decided that in my heart they are one big family of friends living together in a mansion, with each one of them having a room with their themes). And in the Chapter 4 of the storyline, it’s revealed that Bangalore and Lifeline live in diferent houses.

Where i am going with this is: Crypto is still living like a nomad, always running (and he even says in one of the elimination lines [“Sometimes you get tired of running, I understand, but you can't ever stop."], thus showing that even in the Apex games, hes running from the sindicate, the people who got his sister and now is after him, but as we can see, they still didn’t got him. Hammond could be building a robot (since the artifact [currently] looks like a skull, which spookes me a lil bit) that could pinpoint the exact location of Crypto and finally capture him.

Now for the most bonker part of this theory: They brainwashed Mila and turned her into a winter soldier

As i already said, Mila is actually pretty useful, not only because of her smarts, but because of the advantage that using someone that Crypto is closely familiar with could bring his downfall. So heres what i concluding: Mila gets brainwashed by Hammond in order to have someone to be a strong match against the best hacker of all the outlands and get rid of a big threat.

You may be asking “How?” and for that, i call my favorite boy:

4-Revenant (also yes this is a excuse to talk more about my main)

Rev doesn’t need a introduction, but heres one anyway: He was a hitman that at some point has died, so Hammond used his still somewhat salvageable brain to put it in a Simulacrum (in which i headcannon that at the same time they were also experimenting with some supernatural elements, but thats a theory for another day). after 200 years, during a hitjob he found out about who he really was and now here we are...do i need to say more?...really? Okay then: Hammond showed that they can brainwash simulacrums for an extensive period of time (200+ years i believe) in order to make them believe that they are actually human (even tho climbing a 15 store building, turning into a shadow and stabbing people with hands isn’t very...human). So in Rev backstory (and in the simulacrum lore) Hammond shows that they have the capacity to brainwash brains since the simulacrums are in a way cyborgs, being 99% robot and 1% human (that would be the brain btw). So using these techniques on a human would be very easy (i think?, i don’t know a lot of Simulacrums cuz they’re not real)

5-”THE broken ghost”

I want to touch upon is the name “The Broken Ghost”, i know that people believe that it’s actually Ash from Titanfall 2 (because spoilers she died), but don’t you think it’s weird that even 10 years after the main campaign, they couldn’t bring Ash back? I know that Simulacrums are diferent from robots, but couldn’t they just repaired Ash? And to answer myself: No. You see Simulacrums have an internal brain that is used to datastore information, but Rev is a special boy cuz hes handsome and his storage system is external, so in another words, when she died in the explosion caused by when a Titan is destroyed (or worse if you did an execution on her), her brain was destroyed, thus meaning that there is absolutely no way to bring her back. And yes, i just debunked the theories about how Ash is actually the broken ghost. Speaking of ghosts, that brings me on another point

6-Revenants and Ghosts

I wanna talk briefly about real life urban legends. First the Revenant myth is that a phisical deceased person who returns from the dead with an eternal rage for revenge, they are strong, smart and imortal, only leaving the world of the living when his thirst of revenge is sated (which fits very well for our baby boy Rev from Apex Legends)

And the Ghost is a spiritual deceased person who starts haunting the world of the living, sending chills down the spines of those who looks at them.

While yes their backstories are similar, their main diferences is that Revenants are corporial, and ghosts are spiritual, aka, Ghosts have the ability to dissapear and make people wonder if what they saw was real or not. Sounds familiar? If not, let me spell out for you: Mila. In the Crypto’s backstory, she suddenly dissapeared from Tae’s life, even in a surreal way since his life suddenly came crashing down overnight. And even better: If she was truly the broken ghost and got introduced in the Apex Games next season, that would really mess with Crypto’s brain, cuz his paranoia would make him wonder if his sister was back for real or not.

7-”Hold up”

-Said the handsome reader, scratching their brain (and yes i write fanfics)-”What does that mean for the future of Apex Legends and the storyline?”. I look at them, with the fire of knowledge burning through my eyes-“Let me tell you about the Winter Soldier movie from Marvel”

One key element from the Winter Soldier is that he was being brainwashed by Hidra (a Marvel version of the Nazis) and Bucky Barnes would transform into a emotionless killing machine, ready to kill the next target or those who got in his/Hidra’s way. But one thing that would turn him back into a normal human is his best friend Captain America, that through his pursue and persistence, by the end of the movies he saves Bucky from the brainwash trance and later movies he becomes Captain’s ally (and my OTP don’t @ me)

So if everything i talked about here is correct, heres what i think it’s going to happen: By the end of the storyline, it’s going to be revealed that Mila is alive, but she has been brainwashed by Hammond to kill Crypto. Even tho hes the main target and it would go against his better judgement, hes going to try save Mila from the brainwash trance, and not only that, hes going to use the help of Mirage. “Mirage?”-Asked the reader-”What the heck does Mirage have to do with an complicated story about family reunion, betrayl, saving someone from brainwash and fighting against a evil corporation?” and for that, i call Tom Casiello yet again (and a piece of Tae’s past):

8-Mirage, Casiello and a letter

In a early Season 5 tweet, Casiello confirmed that Mirage and Crypto’s story is far from done, and they would have many misadventures together, and while everybody (myself included) read it as Cryptage fuel, now i can confirm that Crypto is going to need Mirage’s help to make Mila remember who she was. You ask again ”But why Mirage?”, well, while i was researching Crypto’s page on the wiki, i found a peculiar letter that he sent for someone: “[Mystik -- I survived my first match, with only two broken ribs. Being as safe as I can, and keeping my distance. Unfortunately, the others are already asking about the Tower. The one Legend you love confronted me on the dropship. I thought he had evidence, but it turns out he’s just an idiot.There are two others here who are BIG guys. Like your son. Very intimidating. I’m sure one’s a sociopath, but I may have judged the other too soon. His name is Makoa Gibraltar, and he’s here to help Legends survive. I always chalked the Games up to neanderthals trying to prove something. Turns out some of them have a strong code of ethics. Ironically, the only neanderthal I’ve met trying to prove something… is me. Burn this letter as soon as you receive it. Will write when I can. Family forever. --TJP]” (https://apexlegends.gamepedia.com/Crypto)

Now you’re wondering “what the heck is that letter? Who is “Mystik” ”, and according to the wiki, Mystik is Crypto and Mila’s former caretakers at Ticacek Orphanage in Suotamo, aka the closest person they had to a parent. And in the letter, Crypto knows that Mirage is Mystik’s favorite legends, showing that him, Mila and their caretaker watched the Apex Games together

Thats where Mirage comes in: Crypto is going to use Mirage’s handsome and familiar face to remind Winter Soldier Mila the past, and then try to deactivate the brainwash (and headcannon, we are going to visit Angel City (the place where Mila and Tae used to live together) and collect parts of Crypto’s past and then bring it back to try make Mila remember who she was, but the FBI and Hammond is going to stop the legends)

Oh, and before you leave, ask yourself this: “How can a ghost get broken?”, now, instead of trying to find an answer, i’ll be kind enough to respond it to you (you’re welcome ;) ): Mila is the ghost that Hammond broke and put it together into Winter Soldier Mila, and then Crypto is going to have to break the ghost again to put back the right pieces

(I wanna thank everybody that somehow read everything, i do apologize if broke my english in some parts, it’s not my first language, also i would appreciate if yall could share my theory. It’s because i worked so hard on it, and it’s probably only going to receive like 10 likes and 3 reblogs. Also if you have a piece of information that could be considered important for my theory, please do let me know)

part 2 here

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fandomplethora · 4 years

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mystic messenger webtoon

(repost since my last post disappeared OTL)

LONG POST

warning: unorganized, rambling thoughts lol. (i’m all over the place right now, guys)

you guys. i have never been more excited and more *terrified* in my life.

let’s break it down.

it is officially announced that mystic messenger, as a webtoon, will be returning to us on april 11th. the prologue has already been released today.

LINK BUT HAHA IT’S ALL IN KOREAN T_T

from what i have been able to read *very briefly* is that there is no plan for an english (or any other language) translation just yet. it will be released on bookcube, a pay to read site.

(someone on reddit mentioned a hope that it may come to tappytoon or tapas? but there is no confirmation of any other site besides bookcube.)

that being said - we have *wonderful* people in this fandom already ready with some english translations! at the very least :’)

B O O M

creds, yo

let’s go into my (personal) negative outlooks first! (maybe i shouldn’t use an exclamation point when talking somewhat negatively...)

1. (not super negative) b u t - our mc is different. :,( i’m just attached to the idea of mc w/ bangs and long brown hair - the gold eyes. while other mc’s have made their way into art and ect...the mc from the game is the most popular one. i don’t understand the need for the change...besides to perhaps build upon this new version of the story with a brand new character. because mc *like this*, in this format, is a new character. she will, hopefully, have her own personality and traits and maybe backstory? even a minor one. b u t that could also, in the eyes of some people, be a negative...and, to others, a positive. we, as players, have been the mc this entire time so while good ending mc is looked at as, mainly, canon - which brings some fundamental characteristics to her character such as being empathetic, kind and...holy shit, incredibly *flexible* (like, apartment bomb? “nbd.” brand new group of people? “dope, let’s be friends.” cult? “well, what are we gonna do about it then.” mc, are you okay? mc: “are y o u g u y s okay tho?”) mc has not had her own story. does this mean she will now? now we may get new traits on top of those, a unique personality to who t h i s character is.

SIDE NOTE: *SLAMS HANDS ON TABLE* ya’ll, holy shit...is MC getting a name? she has to get a name now. AAAAA, okay this may go another direction and i may just have another character in this damn story i’d willingly throw myself in front of a car for. dAMN IT.

2. okay, it somewhat makes sense that saeyoung would NOT be there in the introduction of the four to this mc shown in the webtoon prologue. same with jihyun. of course, with saeran. but my fear is...i want equal relationship development with every character. unless they are approaching this in a “reset” type of way...(which i’m not sure if they will tbh).

from, my guess, the already meeting of them (all at the same time) shows us that we may just be on one big route with almosteverything included? which i am down for. but...then do it like that, right? bring saeyoung and jihyun into the picture, as well, more consistently. bring vanderwood in too due to his major role in saeyoung’s route, the secret endings and the entirety of another story. (y’know? what could be considered the “main plotline” that affects everyone in mm.) he IS a part of it. also, more moments with saeran. perhaps we will get (new) more mint eye scenes? a type of back and forth?

i’m really not trying to dictate how this story should go. i really am interested in this new take and what it may come with. but i just want...everyone there, y’know? i want those relationships equally delved into - how we all got to know them as we completed all routes and other dlc’s on the game.

3. i’m just...kind of scared of being disappointed. or *too much* changing. or...characters being made out in a way they are not? if that makes sense. i’m not trying to set it up for that...to play some “i’ve been here over three years and i know more than you” type of role, haha. they can bring in all of the angst from the game...but maybe change a few things to handle it better? deeper? make sure characters are more universally okay? add some things in too if you want! i also understand if not everything makes it in.

but they have a chance of really reigniting the fandom and also growing it. mm is a wonderful story that does capture your heart. and cheritz has done a lot of good, more good than bad in my eyes (personally!)...but also...sometimes have messed up too. i just want them to do the game, the characters and themselves justice.

P O S I T I V I T Y T I M E

1. okay, guys. c’mon. this mc is super cute UwU (not that that is what it’s all about lol) but i’m hoping we get to know her as a new character with unique traits. i’m excited to see her added into the story and for her interactions. we should all root for her! because we have allll been her shoes already, guys. <3 (also, as someone else pointed out, peep that bisexual bob, ya’ll.) let’s do this!

2. THE ART STYLE IS A M A Z I N G. they ALL look so good to me. i saw them and immediately went “there they are”. :’) kind of got emotional, ngl.

3. i do believe in one positive change that is going to happen! we are meeting them *right away* at least from what i can tell from this panel -

i think this makes sense in order to see the story in this form (and i even said this so long ago in another post when musing about changes if they ever made mm into a tv show). meeting them right away makes sense. and i am glad they are doing it this way! that made me excited to see. (and now you guys know what i mean about every character, hopefully, getting the part they deserve in this webtoon that i mentioned earlier.)

4. so, i may be getting ahead of myself and i am NOT trying to continually ask for more and more. but the fact that this game became a webtoon...means it could become a show one day. perhaps this is a way to test the waters? feel it out and see where things go. either way though, a webtoon happening (all on it’s own) is beyond exciting.

5. there will be new additions to this fandom! just the other day (and, as i’m sure, many of us feel too) i just miss this game and fandom so much. i’m not ready for it to just be over, i think. mystic messenger meant, it means, so much to me - so much to others. it is a wonderful story, a different approach to this genre while including important themes and filled with i n c r e d i b l e characters. things are not perfect but maybe...this can be the boost we all need again. and i am excited to welcome people into this fandom!

let’s all be kind to each other.

final thoughts;

i’m probably going to hunting down a translation all over the place on april 11th (and every release following, haha). i hope we do see this story translated in numerous languages - to include our, truly, worldwide fandom. i will be reading this and i am excited for this new part and chapter of this fandom and story! to see it this way and read it as such. i’m glad to see a boost to this fandom and to find my love for mystic messenger again...and hopefully others will too!

overall - THANK YOU, CHERITZ. and while i am incredibly nervous - i am going to remain (mostly) positive and excited! and only *slightly* skeptical.

i’d love to hear anyone else’s thoughts and discuss more about this.

and i can’t wait to see you all (and welcome even more) into the messenger again. <3

until then!

oh, and also...

...same, mc. same.

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cnrothtrek · 6 years

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The Misrepresentation of Mental Disability in Star Trek: Discovery

Season two of Star Trek: Discovery has teased us for half a season with Spock having vague mental health issues and Starfleet being a big dick about his experience. In episode 8, “If Memory Serves,” we finally get an explanation for Spock’s strange behavior and see what happened when he escaped the psychiatric hospital. It is... infuriating.

The set up was bad enough, with its dangerous mentally ill person and he can’t really be mentally ill because he’s a nice person, with the gross violations of Spock’s rights and Amanda’s dreadful comment about how “‘emotional disturbance’ is code for ‘psychosis.’” It’s honestly a clusterfuck of misused terminology and harmful tropes. With episode 8 we’ve added the mental illness fake-out and when modern medicine fails try magic (telepathy), as well as another iteration of the INCREDIBLY DANGEROUS myth that psychiatric hospitals are scary places that might lock you up against your will and threaten your safety.

I can’t help but think back to the season one arc of the the only major character who had a psychiatric diagnosis last season... who also turned out to be a mental illness fake-out and was insta-cured by sci-fi magic. Looking back at this parallel, we see that the dreadful bait-and-switch representation of mental illness in season two was also used in season one, indicating that Star Trek: Discovery is not quite as progressive and inclusive as it purports itself to be.

So let’s talk about Tyler’s PTSD.

The misrepresentation of Tyler’s symptoms

According to the Diagnostic and Statistical Manual of Mental Disorders, fifth edition (DSM-5), in order to receive a diagnosis of Post Traumatic Stress Disorder a person must experience a traumatic event that meets specific criteria (such as a life-threatening event or witnessing violence). Then, for AT LEAST A MONTH after the event, someone must experience symptoms from ALL FOUR of the following categories:

Intrusion (e.g. flashbacks or nightmares)

Avoidance (staying away from things that remind the person of the event, avoiding thoughts or feelings related to event)

Arousal and reactivity (hyper aware of surroundings, exaggerated startle response, explosive unprovoked outbursts of anger, feeling on edge, sleep disturbance)

Mood and cognition (e.g. beliefs that the trauma was one’s own fault or that they’ll never be safe again, memory disruption, loss of interest in activities or ability to feel pleasure).

Although it’s clear Tyler and Voq experienced multiple traumatic events, and we see Tyler having intrusive flashbacks and nightmares—although they were mostly used as a plot device to conveniently convey backstory and foreshadow a major plot twist—we didn’t see clear examples of all four symptom groupings. Moreover, the timeline for his symptoms isn’t clear, but if we start the clock at his escape from the prison ship, I have doubts that it was a month. (Feel free to correct me if I’m wrong.)

Now, I realize that no one directly gave Tyler the diagnosis of Post Traumatic Stress Disorder. It was Admiral Cornwell who recognized his symptoms as trauma-based and said she had experience treating PTSD from her former medical practice, and she used her training to help talk Tyler through his reaction to seeing L’Rell. Still, viewers were expected to buy into this explanation so that the reveal of Tyler as Voq would be a surprise.

In short, they indicated that Tyler had Post Traumatic Stress Disorder, but they didn’t seem to do much research into what the symptoms or criteria for that disorder are. They misused terminology and exploited Tyler’s suffering for the sake of the plot. Then, they used a bait-and-switch tactic to reveal that he didn’t actually have a real-world psychiatric disorder after all, but just some fantastical sleeper agent side effects. They sold viewers on an inaccurate but compassionate representation of mental illness, then ripped that representation away from us and laughed about it all the way to the bank.

The problematic way Starfleet (and the show) handles officers with mental disorders

Tyler is suffering in season one. Clearly, he wants help, but he’s afraid that if he talks to a doctor he’ll be relieved of duty. He confides somewhat in Michael, but swears to her that he’ll get help if it becomes too much for him to handle. We later follow him on a mission to retrieve a data core with a worker bee, where seeing Klingon bodies triggers a flashback and he almost blows the mission. We, the audience, are supposed to take this as a sign that something is very wrong with Tyler and he isn’t fit for duty.

But here’s the thing: The way this story is told is discriminatory and harmful. If Starfleet were as compassionate and utopian as we’re supposed to believe, then they wouldn’t take away the thing that helps Tyler cope and stay active. Working is good for him; taking him off duty—particularly on a ship that for some stupid reason doesn’t have even one mental health professional on staff—would mean... what? What would he do to fill his time? When someone is suffering from trauma symptoms, too much spare time can be counterproductive. It can in fact be very triggering, opening up mental space for the trauma symptoms to fill. It would likely also add to Tyler’s sense of being an outsider on Discovery. His comrades are all working, but he is not.

Tyler doesn’t need to be relieved of duty. What he needs is for his commanding officer to accommodate his disability.

Out of universe, this is important because PTSD is very stigmatized in the US military, and many people fear losing security clearances or even being discharged because of such a diagnosis. The truth is that the stigma of diagnosis is much more dangerous than the diagnosis itself. Avoiding help can lead to worsening of symptoms and unexplained behaviors (such as snapping at a at a superior or avoiding certain triggering situations) that could have been excused and perhaps accommodated by having a diagnosis on record. Tyler’s situation has real world implications, and the way the show undercuts him over and over is downright harmful to real people living with this condition.

Let’s look at his mission to retrieve the data core. Now, there was really no good in-universe reason for him to be on that worker bee. He was a security officer, not a technician. Why send him instead of, say, Owosekun? The answer is that the plot demanded it. The mission was an excuse for Tyler to have another flashback, and the viewers were supposed to believe that he was messed up and unfit for duty.

But let’s say he was the ideal person for that mission. If Tyler had been receiving treatment, his doctor could write up a list of special needs he has and some accommodations Lorca could make to help him. Lorca would be legally required to fulfill those accommodations as best he could. It is not Tyler’s responsibility to bear all the weight and consequences of his disability; as the ones with more power and privilege, it is Starfleet’s job to accommodate him. So, maybe one of those accommodations could be that he doesn’t go on missions alone. If something triggers him, another officer is there to provide support.

How hard would that be to do? Answer: it’s not. Not at all. Accommodations are usually not hard to provide, but refusing to make accommodations is ableist. Unfortunately, Starfleet—the beacon of hope and progressiveness in science fiction—is unwilling to make accommodations for Ash Tyler and other personnel suffering from PTSD. They’d rather pull them from duty and put them out of sight so they won’t inconvenience anyone.

Instead of giving viewers an example of how the crew came together to support Tyler as a person suffering from trauma-based symptoms, the writers chose to put the burden of Tyler’s suffering squarely on his shoulders. With this choice, they heavily implied that people with PTSD are not capable of contributing to Starfleet and must be set aside until they’re “better.” THIS IS HARMFUL REPRESENTATION.

As someone who has personally experienced multiple mental disabilities, two of which are chronic and a third of which is trauma-based, it makes me wonder... would I have a place in Starfleet? Based on what I’ve seen in Star Trek: Discovery, my answer is no. I am not welcome to contribute to their so-called utopia.

Not at all.

If you want to support positive representations of mental disability in Star Trek, please tell them. Share this blog post on Twitter and tag their official accounts, or just tweet them your own thoughts about how their portrayals of psychiatric symptoms and healthcare are hurtful to you or your loved ones. If enough fans give them constructive feedback about this issue, they’ll listen. Thank you. Good health and stay safe.

#star trek discovery #dsc spoilers #mental illness #mental health stigma #representation matters #mental health #mental health in media #ash tyler #voq #spock

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dukostuff · 5 years

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0510

Prompt number: 5

Fandom: Mabinogi but with Original Characters

Rating: G

Warnings/Tags: two men liking each other

This got longer than I thought, so more under the cut ʕ； •`ᴥ•´ʔ

Seysill's eyes were gleaming at the delicious display of food in front of him. He wasn't sure if any kind of magic was used to enhance their appearance but all those dishes looked too good to be true. Perhaps his hunger was adding a few things just to make sure he wouldn't leave without at least two or three plates.

Glancing at all those choices, he already excluded some in his mind simply because he didn't like fish. No sushi, no grilled fish, no shrimp fried rice either since he wasn't fond of seafood as well.

This left him with either beef or chicken to choose from. He went for both and ordered a Show-off Steak and some Buffalo Wings as a side dish. Iolyn wasn't that picky and got himself a bowl of Tear Noodles, one of the cheaper options.

"Don't you want to try something else? Don't worry, I'll pay!", Seysill asked him, not wanting to let him starve.

"Nah, I'm not that hungry. Already ate before we left.", the other replied. Besides, he was a fine cook himself and he had been eating meat pretty much for a whole week already because his master wouldn't stop bringing those chunks of Large Meat home.

They both settled down on a bench nearby and began to dig in. No words were exchanged between the chewing and slurping, apart from the happy noises of a bear who enjoyed his food. Iolyn took a peek at him while eating. He seemed so happy and carefree, it was heart-warming. So much that tears streamed down his cheeks and he only noticed it when Seysill returned his gaze with a horrified expression.

"Iolyn, what's wrong?! Don't you like your meal?"

Actually, it was the noodles' fault. The Red Pepper Powder turned out to be spicier than Iolyn anticipated and he quickly wiped over his face and shook his head, taking deep breaths.

"Ugh, these noodles, they're super spicy!"

"Wait here, I'll get a drink for you!"

"No, just stay! I'll can handle this!"

Still worried, Seysill remain seated and observed him for a while before he continued to eat. It really caught him off-guard because he rarely saw his partner cry but he seemed to be fine after some time. They finished their meals and took a walk around the Landmark. Digesting and all.

That was when the bear noticed a big tent, covered with stars, next to the stairs which would lead down to the Fun Zone. A lonely woman sat there, her face barely visible under her hood. Her gaze seemed to be fixed on the object in front of her on the small table. A blue glowing crystal ball. Was she a fortune teller?

"Let's go over there! I'm curious about what she's seeing."

Iolyn raised a brow and agreed to come with him regardless. "A fortune teller? You believe in that stuff?”

"It won't hurt to listen. Maybe she has something interesting to say."

After getting closer, they spot some cards on the table.

"The power of the spirits dwell in those cards.", the woman said without looking up at them and she started to shuffle the deck of cards. "With it, I can tell you your fortune. Do you wish to know?"

The two exchanged a quick glance and Seysill nodded. "Yes, Miss...?"

"Atelia, call me Atelia."

"Alright, Miss Atelia. Please tell us our fortune, for the both of us."

Iolyn stared at his master in disbelief. What was that supposed to mean?

Atelia spread the cards out on the table and gestured to them. "Pick a card then, any card."

Seysill did and turned it carefully around as it looked old and worn out from usage. He recognized the sun on it.

"The Sun card... Today is your lucky day. This card represents satisfaction. If there's something you desire, now is the time to reach for it.", the fortune teller explained which rather confused the bear though. To add to it, she continued: "Hold tight to your dreams, young one. This is your fortune of the day."

Puzzled, he thanked her and they left the tent as she wasn't saying anything anymore. "I wonder what she meant..."

"Don't think too much about it. Those fortune tellers always say weird things like that!", Iolyn replied and shrugged. "Better to do stuff on your own than relying on stuff strangers say."

"I guess you're right... Let's get some snacks and listen to the concert. We can talk there?"

"Alright alright!"

They returned to the fun zone and grabbed some snacks before they made themselves comfortable on the platform near the stage where the audience could sit, watch the dancers and enjoy the music.

"So... Iolyn, I know you haven't been happy with the work I've given to you for some time and..." Seysill was hesitant about his question for a moment. "I wanted to know... do you still want to work for me?"

Iolyn almost dropped his Chocolate Banana and got up furiously. "What?! Of course I want to, why are you even asking?!" He would have left a long time ago if he didn't want to but he wanted to stay. Because of reasons.

Seysill smiled at his answer, somewhat relieved, yet there were still issues to be resolved. "I'm happy to hear that, I really am... but you're still unhappy about it. Please, tell me why."

"It's boring. Booring! I mean, I get it, you got important stuff to do, saving lives and that but... when was the last time we went to a dungeon? Or even fought together?" Iolyn took a bite and munched grumpily. "I know I'm not as strong as you, or immortal or whatever, it's just... boring to wait for you."

Seysill nodded and sighed. "I see..." His heart felt heavy upon this realising how his partner had to have felt, being left alone in his homestead. "I'm sorry, I didn't know. I thought..." He wanted to keep him busy at least since he might be gone for days or weeks sometimes.

"It's just, I've been dealing with so many threats recently, it's too dangerous for you to come with me. I don't want you to get hurt."

"Seysill, I'm not afraid of getting hurt, you should know!" Before they had met, the brunette's life as a mercenary had been anything but safe and sound. Then again, this new life did have many good sides as well and he couldn't bear to see his master's long face any longer. "It's nice that you care and all... I don't want you to take me everywhere you go, just... don't forget me." Letters didn't count.

"I won't, believe me." Contemplating, the bear tried to find a solution because Iolyn was more than just than a hired sword and butler to him. He was more than glad that the other didn't forget him in the first place. A peculiar perk of being a Milletian in Erinn. So what could he do to ease the loneliness of someone who was dear to him?

"You must know that I can't promise to take you along as often as back then but I'll do my best." He smiled. "I'm sure there's still enough work to do regarding the dungeons... would you mind coming with me? Tomorrow maybe?"

His partner's face lit up immediately, unable to hide his excitement. "Really?"

"Really. I think her Majesty will be fine without me for some time. What do you think?"

“I might just kiss you.”

#fictober19 #duku writes #seysill #iolyn

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paulisweeabootrash · 6 years

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Retrospective Review: Rewatching Azumanga Daioh as an Adult

This may seem hard to believe if you are a younger reader or one who got into anime only recently, but there was once a time when recommendations spread by word of mouth, it was absolutely commonplace for anime seasons to last longer than 13 episodes, and the vocabulary of the anime fandom wasn’t nearly as full of internet-originated in-jokes. A time when the internet-savvy congregated on forums dedicated to specific topics instead of social networking sites, and the imageboards that generate so much of the internet meme landscape were just starting to take off among lonely nerds as an obscure haven for perverts, racists, and assholes instead of the role they have today as… uh… well... a well-known haven for perverts, racists, and assholes. A time when there was no such term as “weeaboo trash” because that Perry Bible Fellowship comic hadn’t been published yet, let alone used for that meaning. It wasn’t some golden age, but it was different, and today I’m taking a self-indulgent trip back to the end of that period, when I was in high school in the mid-2000s.

Azumanga Daioh (2002).

1. Why is this show important to me?

My introduction to anime consisted mostly of Pokémon and Sailor Moon, and took off with scattered episodes of several other shows that aired on WB and Cartoon Network, which were generally driven by action and combat. I can’t remember the circumstances or even who did it, but someone who owned, or perhaps pirated, a copy of Azumanga Daioh must have shown me a few episodes at some point.

Here was a show that had been on the leading edge of the moe trend a few years earlier, and although certainly available, such things were not yet common. Moe has, of course, taken over a large chunk of anime since, to mixed reception since it can range from innocently delightful to extraordinarily creepy. Azumanga is close to the innocent end of the spectrum, and absolutely delightful (as, BTW, is the author’s current ongoing manga series Yotsuba&!), with a softer, cuter art style than I was accustomed to and instantly-lovable characters.

It was clearly in a different genre and had a different sensibility about how to make a show, too. It had few repeated or filler elements, unlike any of the shows following the “monster of the week” formula. It was broken up into several vignettes per episode — a practice that I was familiar with from the format of many Nicktoons, but while American shows with that format told multiple self-contained stories, the short segments here were typically parts of larger episode-long stories, often focusing on different parts of the same event or different anecdotes about the same character. It showed us, the foreign audience, something about life in Japan, and at least for me was the first time I’d heard of distinctly Japanese school practices like applications for public high schools, students cleaning classrooms, or the particular kinds of seasonal festivals they have. It lacked story arcs driven by overcoming some enemy and instead was driven by character relationships themselves and the instantly-relatable experience of school. It was an encounter with something utterly different — and it made an excellent first impression.

Eventually, I bought a copy of the complete series of the manga it’s based on. Azumanga Daioh was originally, well, a manga, written by Azuma Kiyohiko and originally published in the form of a 4-panel comic strip that ran in the magazine Dengeki Daioh. See, it’s Azuma’s manga in Dengeki Daioh. Azuma manga, Dengeki Daioh. Azumanga Daioh. Ha. Clever. Anyway, in there, I encountered largely the same characters and interactions, a mix of believable school life and quick gags, just presented in a different format. I eventually got the DVD box set of the show, too, and I’ve rewatched a few favorite episodes several times, but this review is the first time I’ve revisited the whole series in years.

2. Who are all these people?

Rather than focusing on a small core friend group like Three Leaves, Three Colors, another much more recent adorable high school slice-of-life I greatly enjoy (and should maybe review?), Azumanga has a pretty large ensemble. Most of them are students and the “story arc” such as it is follows them through three years, from entering to graduating from high school, over a single 26-episode season. So rather than cover a plot synopsis, I think it would make more sense to dive into specific characters and their relationships. The show its at its funniest and sweetest with the dynamics of certain combinations of the main characters, and there are a lot of combinations available. Covering all of the recurring named characters approximately in the order we meet them (except a few characters who show up only in an episode or two each and another classmate named Chihiro who shows up on the periphery as a friend of Kaorin), let’s look at the relationships that stand out:

Yukari and Nyamo: Yukari Tanizaki, the English teacher who is the homeroom teacher to most of the cast, is unprofessional and insensitive from the first moment we see her, traits which are elaborated in later episodes into a sort of impulsive over-the-top-ness that clashes with the fact that she actually is a pretty good teacher. Emphasizing her less-serious attitude, students even refer to or address her by her given name (although the subtitles exaggerate this a bit by consistently calling her “Miss Yukari” when she’s usually just addressed as “teacher”). Minamo Kurasawa, the gym teacher, is a long-time friend of Yukari. She and Yukari (who calls her “Nyamo”) were even classmates at the same high school they currently teach at. In addition to being central to the gym class/sports-related episodes, she’s also Yukari’s more caring, approachable, and professional foil, which sets up interactions where Nyamo tries to be helpful and manage situations in the face of Yukari being antagonistic (and, outside of school hours, drunk) towards her and the students. Yukari in particular prods at Nyamo’s sore spots: being single and having done embarrassing things in high school.

Tomo and Yomi: Tomo Takino is 100% genki girl. I mean, come on, she’s the illustration for the TV Tropes article by that name. She’s not only enthusiastic, but loud, intrusive, and pointlessly competitive to the point of being just plain mean. She’s the kind of person who might mature into a less competent Yukari if she burnt out a bit. Koyomi Mizuhara, on the other hand, is much more serious and self-conscious, and although she still genuinely is Tomo’s friend and goes along with some of her silliness, she barely puts up with Tomo’s teasing and flurry of bad ideas. She is the Nyamo to Tomo’s Yukari, complete with Tomo enforcing a nickname on her, so she’s almost always called “Yomi” throughout. Yomi is much more considerate than Tomo, too. This often comes out in Yomi scolding Tomo’s insensitivity, but it’s also seen less directly when they are giving Chiyo (more on her below) birthday presents — Tomo offers first a joke that doesn’t go over well, then a magic wand she apparently expects Chiyo to believe will make her grow taller, which Chiyo dismisses, while Yomi offers a book which Chiyo enthusiastically accepts and says she expects to enjoy.

Osaka, Tomo, and Kagura: Ayumu Kasuga is a distractible and soft-spoken transfer student from Osaka whom Yukari, Tomo, and Yomi pester with misinformed questions and assumptions about her home city. Tomo, naturally, saddles her with the nickname “Osaka” as if that is her entire identity. The nickname quickly catches on, with even Yukari calling her that instead of her actual name in class. She is accepted as a friend by the other students who still consider her eccentric and baffling, but not annoying or embarrassing like you might expect. (In fact, the other girls react more and more to Tomo as the annoying and embarrassing one.) During the second year of school, she bonds with Tomo and Kagura (introduced as a star athlete from Nyamo’s homeroom during the first year, she becomes a major character in the second year) over their similar incredible forgetfulness and poor academics. Yomi calls them “bonkura”, translated as “knuckleheads”, and the three of them adopt the name for themselves as they study together — an idea which is doomed from the outset. The three of them together, or any two of them, play off each other wonderfully.

Chiyo and Osaka: Chiyo Mihama, a child prodigy who is only 10 years old at the beginning of the series, is so academically gifted it can upset and embarrass her classmates, but on the other hand is naive, and not just because she’s a child. She is in fact clueless about the outside world. She fails in the first summer break trip (ep. 5) to understand that the other characters’ families are nowhere near as rich as hers, and in the second summer break (ep. 14), even after a year and a half of being around high schoolers, she entirely fails to understand Nyamo’s off-screen explanation of “adult relationships” (kids innocently being oblivious to what sex is seems to be a common basis for jokes in Japanese media). Chiyo being five years younger than her classmates — and on the other side of puberty from them — also makes her lag far behind them in athletics. On the one hand, this makes her very self-conscious and afraid of being a burden on her classmates in team activities, and on the other, it sets up a running gag of Chiyo and Osaka teaming up to be by far the worst pair of athletes across the board. Oh, and Osaka’s dream about Chiyo’s pigtails in the New Year’s episode is one of the weirdest and most authentically dreamlike dream sequences I’ve ever seen. Although maybe that just says more about my own dreams than about the show.

Sakaki and Nobody (or, Multiple Kinds of Unrequited Feelings): Sakaki is considered effortlessly cool and somewhat intimidating — Kagura calls her a “silent lone wolf” — but she’s not big on that reputation. Students openly admire her, especially for her athletic talent, and treat her with distance and respect by almost universally calling her “Miss Sakaki” (since this is apparently her family name, not given name). She does not enjoy this treatment, but is also too private (and perhaps too insecure) to complain about or discuss it. She is indifferent to sports despite excelling at them, and doesn’t even recognize Kagura when she proclaims herself Sakaki’s rival, presumably because the first-year sports festival just didn’t stick out in her memory the way it did in Kagura’s. Despite calling it rivalry, however, Kagura quickly inserts herself into Sakaki’s life in a friendship that Sakaki responds to more with quiet tolerance than reciprocation.

Kaorin, meanwhile, mistakes Kagura’s one-sided friendly rivalry for a very different kind of attention, and accordingly treats her one-sidedly as a romantic rival (although she does eventually calm down about it). Kaori (family name not mentioned), usually addressed by the more affectionate “Kaorin”, is shown at first to ambiguously admire Sakaki, but it quickly becomes clear that she is infatuated with her. And, despite the insistence of many fanfic writers since, Sakaki never catches on to this, even with Kaorin gazing dreamily at her while dancing with her, or clinging to her arm while posing for a picture together. I'm sure, given how over-the-top she is, that Kaorin’s unrequited feelings are supposed to be funny, but I find it sweet and sad and end up rooting for her.

Sakaki and Cute Animals: Sakaki is not unfriendly, or even very socially inept, though. She gets along well with the main cast, especially Chiyo. But she is aloof, not just because of shyness but because she has a secret love of all things cute, especially cats and dogs, and gets caught up in her own thoughts about cute things. Although she loves animals, they don’t necessarily love her back. There is a series-spanning running gag with a cat in the neighborhood whom she repeatedly tries to pet, no matter how many times it bites her for doing so. In fact, in that very same episode where Kagura declares her rivalry, the strongest emotional reactions we see from Sakaki are horror directed at Kagura for scaring that cat away and, later, being moved to tears by a story she’s constructing in her head about another cat while Kagura is trying to talk to her. Sakaki’s thoughts on cute animals also yield a second running gag: "Chiyo's dad". An orange cat-like doll (evidently some kind of character or mascot in-universe?) that appears numerous times in the background early in the show appears in Sakaki’s New Year’s dream and introduces himself to her as Chiyo’s father, so Sakaki refers to the doll as “Chiyo’s dad” for the rest of the series without explanation, much to the confusion of the other characters. While he’s an inanimate object in the background before the dream, afterwards he appears as alive and magical, sometimes in Sakaki’s imagination and sometimes intruding into the real world as short transition clips between scenes.

Kimura vs. Everyone (mostly Kaorin): Last and certainly least, let’s consider Mr. Kimura, the literature teacher. Within a minute of the first time we the audience see him, Tomo asks him why he became a teacher and he blurts out that it’s because he likes high school girls. Which a group of creepy boys in the class call “brave”. Ugh. This presages chronic inappropriateness of varying levels from Kimura — from unsolicited suggestions for cheerleading uniforms to hanging out during gym class to watch the girls swim to heaping unwanted “favors” on Kaorin, to whom he is obviously attracted. Beyond the increasing variety of his inappropriateness, he doesn’t really develop as a character. He is, interestingly, shown as an otherwise decent person outside of school, but this is not portrayed as excusing him. Rather, it’s made clear that his creepiness is contextual, and his role throughout the series is consistently as a grotesque comic relief, not a sympathetic character. Kaorin even consciously tries to improve her opinion of Kimura because his wife is so nice, leading her to believe that this means Kimura himself must have good points to deserve someone like that, only to be immediately shown otherwise. We the audience are laughing at him, not with him, and at some points are genuinely upset at him on the girls’ behalf. Or at least, I hope that’s how the rest of the audience takes him.

3. Yeah, but there's some kind of progression, right, even if it's not really a story arc?

Again, it's not the kind of show that has an overarching goal or conflict. The goal, such as it is, is the characters' graduation from high school. The topic of what they'll each do after graduating comes up several times, as you might expect, but isn't that much of a plot point. Not all of the main characters even have clear plans laid out that we know of, but the plans we do know about match their established personalities well. Tomo changes her mind repeatedly between several half-baked ideas. Osaka decides at the last minute to try to become a teacher based on Chiyo straining to think of something fitting Osaka's... unique way of looking at things. Chiyo is perhaps overconfident, planning to study abroad in America despite being only 13 when she graduates. Sakaki anonymously showed interest in veterinary school early on, but didn't discuss it with her friends until much later, after she started showing her weakness for cuteness in front of them.

The main progression that happens is some evolution in the characters' relationships and attitudes. There is of course the progression from strangers to friends among the main cast, but also some character development growing out of things that started as gags. Osaka, for example, begins as the butt monkey of the class, but by the end of the first year, she is very well accepted by her classmates, and she even gets along particularly well with Tomo, who was originally shown teasing and stereotyping her the most but has now toned it down a bit. Nyamo’s miserable singlehood, previously a running joke, leads her to open up to the idea of trying matchmaking instead of dating. Sakaki becomes more willing to express her love of cute animals in front of the other girls, starting with Chiyo, and her running gag experiences with the hostile cat play out to a resolution when she adopts, of all things, an endangered wildcat which is the only cat that doesn’t bite her, then has a final encounter with the hostile cat where she tries to make amends. Chiyo's academic talents were met with light irritation and mockery at first, but by the end, her new friends are grateful for her help and rise in applause when she is recognized for her grades during the graduation ceremony. Kagura relaxes her Tomo-like tendencies more and more, and shows a degree of gratitude and sentimentality towards her new friend group that would’ve been shocking when she was first introduced. Even Tomo, usually the show's last bastion of immaturity, shows tiny bits of improvement: self-reflection and regret during a serious conversation with Yomi over what American audiences would call "finding your passion", and later leading the applause for Chiyo. To compare Azumanga to Three Leaves, Three Colors again, it’s true that this show doesn't go into as much depth in character relationships as that one despite running for more than twice the number of episodes, but I don’t think that’s a flaw in Azumanga so much as a combination of Azumanga’s larger main cast, gag comedy focus, and choice of a different “zoom level” on the main cast’s lives.

The show itself evolves a little bit, too. As it goes on, more episodes have segments that flow together and they contain more references to events in previous episodes. By the last few episodes, with graduation looming, it almost feels like it has become a conventional plot-driven show. The shift from shorter to longer segments, shorter to longer jokes, etc., is seamless — and pretty typical of comic strips where perhaps the author hasn’t “figured out” their own characters at the beginning. Surreal elements also get more common, like the “Chiyo’s dad” running gag and increasingly-elaborate looks into what characters are imagining. As I recall, these changes reflect the stylistic evolution of the original manga, but... uh... my copy of the manga is with my parents at the moment so I didn’t check myself on that.

4. How is it different in retrospect?

As I said, I first saw this in high school, so I was about the age of the main cast. Perhaps this was one of the things that made it so enjoyable. The characters seemed relatable, and I lacked the aversion to depictions of ordinary life that some people had because I didn’t have a particularly negative high school experience despite being decidedly uncool. (I was, in fact, neither interested in being cool nor in being self-consciously uncool, and was content with the set of people I got along with. I was never really an angsty teenager so much as a sad one.) My experience of the show is, if anything, even greater appreciation now. Some of that difference comes from knowledge and some from aging.

I’ve become a bit less of a poser and/or snob about some things since then. I’d seen a lot of obviously-atrocious dubs growing up, and they really put me off the idea that anyone actually cared about dubbing into English well. Since then, I’ve lightened up a bit, partly because it seems like nowadays distributors do a lot less 4Kids-style butchery of shows when they’re translated and partly because I’ve realized that there is plenty of bad Japanese voice acting, too, so sometimes the English version is just plain easier on the ears. So I’ve watched this mostly in the English dub this time around (some episodes in both to check the different versions of specific jokes) and I really enjoy it. The voices are character-appropriate and the English lines fit the lip movements better than the original Japanese voice track while only rarely resulting in rhythms and stresses that sound unnatural in English, which really impresses me.

Just from the sort of vocabulary one picks up by being weeaboo trash, I occasionally notice differences in meaning between the dialogue and subtitles when watching the sub version. And I even picked up on an interesting translation choice for a joke I hadn’t noticed before. When Yomi tells Osaka that Chiyo is a child prodigy in ep. 2, Osaka responds comparing Chiyo to a boy she knew growing up, resulting in her expressing a different misunderstanding in each version about how the boy was described by adults. In the English dub, Osaka says something about him “smarting off”, the joke being she thinks that means he’s smart. In the English subtitles, she says he was “precocious”, to which Yomi says she doesn’t think that meant he was smart by calling him that. This time around, I finally caught that the Japanese dialogue there clearly uses the phrase “otoko no ko”, insinuating that the boy is a crossdresser and/or gay. Even though I don’t understand the full Japanese joke, the implication is clearer than it was in English (because I, um, also didn’t think of the double entendre on the word “precocious” until now), as is the degree of the misunderstanding.

I appreciate now how many scenes are psychologically-savvy. Just in the episode in which the main cast of students move up to their second year of high school, we see two scenes that just click with me as “yes, people do this, and I don’t know why we don’t seem to notice it!”. I mentioned above Kagura wanting to compete more because of the sports festival while Sakaki thinks nothing of it at all, which hinges on the simple difference in the sports festival having been a memorable event in Kagura’s life but not Sakaki’s. That episode also features a scene in which Tomo eggs on her classmates to eat their lunches early because it’s a thing that (according to her) second-years do, which sets up Mr. Kimura to arrive the room for literature class, see everyone eating, and therefore assume he must be the one who has the time wrong and go back to the faculty lounge for his own lunch. This tendency to defer to others in decisions in our own lives, not through peer pressure per se but through assuming that something done commonly or confidently must be correct, is just something I don’t see portrayed or acknowledged much in Japanese or American media. And I love it. For those two scenes alone, this is one of my favorite episodes in the whole series.

As far as the characters, I still find the students charming and relatable, and I’m willing to bet that everyone knows someone like most of them in real life. They fit Japanese character archetypes to a certain extent, but are also developed enough especially in their interactions with each other that they come off as realistic to me. So they hold up well. But mainly, I find I have much more appreciation for the teacher characters as an adult. I can think of times when I’ve been the Yukari in a situation, whether that means being overbearing and inconsiderate when I think I’m being funny or whether it means or digging through a messy desk swearing that I know exactly where something is before creating a landslide. And I can think of times when I’ve been the Nyamo accidentally antagonizing the Yukari by trying to be helpful. I even appreciate Kimura, not because I think he’s relatable or a good guy, but because he’s distressingly realistic. His creepiness comes at the same time as genuine competence and, as far as we are aware, a normal and functional home life. It is widely-acknowledged yet never stopped by the administration, even though it ranges from unprofessional obnoxiousness to genuinely alarming sexual harassment. Kimura is unfortunately plausible and all-around frustratingly topical.

Revisiting these characters, I’ve also realized something about myself. When I first watched this show (and read the manga), I got a serious crush on Osaka. She would go solidly in the “endearingly pathetic” column if I were to evaluate her that way, and she also reminded me at the time of a few different confidently strange and spacy people I went to high school with. And then, getting older, I realized… She’s endlessly distractible by trivial things. She asks weird hypotheticals and follows odd tangents to other topics. She often misunderstands people. She’s hopelessly unathletic and clumsy. Oh no. I'm the Osaka of my circle of friends. So, uh, that’s a thing that happened, and I have no idea what to make of it.

Azumanga is relaxed, wholesome, and hilarious, and its characters and major events are believable even when highly stylized for comedic effect. When it's not in hyper-simple comedy mode, the art can be downright beautiful. It’s clearly an artifact of its time given, for example, the lack of cell phones (even basic ones) and persistence of film cameras, but that kind of aging happens to any show. The situations are still relatable despite not being topical, which makes me think — or at least hope — that this can last well into the future as something new audiences find worth watching.

—–

W/A/S Scores: 8 / 3? / 3

Weeb: There are lots of little things that will seem odd if you go in believing that Japanese school schedules and activities are the same as American ones, but anime is so saturated with high school comedies nowadays that it is much less weeb now than it was then to expect that background knowledge. Many non-school things like flower-gazing or the fact that seasonal fairs in Japan have different activities and expected clothing than in American ones will seem distinctly foreign but understandable to a naive audience, while a few episodes might need some looking up to “get” because they expect audience familiarity with things still obscure to most Western audiences, like lucky dreams in the New Year’s episode or the yōkai in the second culture festival episode. Mostly, familiarity with the conventions of other anime or of Japanese culture will enhance enjoyment but aren’t strictly required to enjoy it. The art style sometimes shifts for specific gags to a particular style of minimal-movement chibi characters on very simple backgrounds which is more at home in the 4-panel comic world in which Azumanga originated (and in pre-moe-era comedy anime, or at least the few I've seen) than in other manga formats or newer anime, creating an additional small hurdle even for those with different Japanese media exposure.

The show runs into more of a barrier with hard-to-translate jokes than anything else, leaving the viewer the choice between replacement jokes with similar general ideas in the dub vs. the occasional feeling that there should be a joke but you’re not quite getting it in the sub. One particular joke that they made no attempt to adapt ended up being utter nonsense in both the sub and dub unless you get that "Mr. Yukichi" refers to 19th Century Westernization advocate Fukuzawa Yukichi, who is on the ¥10,000 bill, and I gave the show an entire extra point on the Weeb scale just because I had to look that up.

Ass: Unless you’re Mr. Kimura, probably no “ass” score at all as far as sexualizing the characters, but there is the occasional sexual joke or implication. Even the obligatory beach episodes aren’t fanservicey in the way or to the degree that a contemporary moe high school show often is. Probably the single most sexual-looking thing is characters holding their skirts down in the intro, which is tame by comparison to anything released in the last decade. Kimura, however, does make the show unsuitable for audiences… well… younger than the show’s main cast, probably.

Shit (writing): I have very little problem with the bulk of the content. I think the show works and the characters are relatable and delightful. But I do have some gripes about translation, mostly in the dub. Although I still maintain the dub is unusually good in acting and synchronization, they do take more liberties than I’d like with changing jokes, and the dub and sub both lose some subtlety in how characters address each other, as mentioned before.

On top of that, there are some odd localization choices in the dub. For example, the way Yukari, their English teacher in the original Japanese, is not portrayed as teaching a foreign language at all in the dub, while still making a big deal of her foreign language skills outside of class, or how characters repeatedly say “taiyaki pastry” in the dub instead of just establishing once for the English-speaking audience that taiyaki is the name of a specific style of pastry and using the name “taiyaki” from then on. Also, I know this is very small and specific, but I noticed a place in ep. 17 where they inserted a strained pun in the dub where there was intentional awkward silence in the sub, so that’s just… weird.

Shit (other): The animation is often sparse, and although this is usually fine, it does sometimes come off as cheap. The biggest problem visually is that the DVDs I’m watching have noticeable and pretty frequent combing, which I was able to reduce but not eliminate by fiddling with video player settings. On the other hand, kudos to the director for hitting a sweet spot on shots that are lingered on or actions that are repeated for “too long” (e.g., Nyamo demonstrating chopstick use, or any of the scenes of Chiyo and Osaka failing at sports, or Osaka trying to wake up Yukari) because they end up hilarious when they could have been tedious.

Oh, and I love the soundtrack. Some people may also find the frequent use of recorders annoying, but those people are (1) wrong and (2) not writing this blog. The soundtrack is appropriately lighthearted and/or relaxing. The opening theme “Soramimi Cake” is catchy and accompanied by an opening credits sequence that decently shows who the main characters are. But “Raspberry Heaven”, the ending theme… ah… the sequence accompanying it is a beautiful dream and the music is movingly bittersweet for reasons I lack the music theory background to articulate. Like, this is a really weird example, but it conveys my feelings: have you seen Soylent Green? You know the scene where Sol is listening to a medley of classical music while he’s being euthanized? If the last thing I ever heard were “Raspberry Heaven”, I would die totally content.

Content Warning: Kimura.

—–

Stray observations:

- I think Kaorin may have been the first unambiguously gay character I saw in any anime. Sailor Moon or Cardcaptor Sakura would’ve beaten Azumanga to the punch with representation, but I grew up on the butchered-for-pearl-clutching-audiences versions of those shows.

- Kimura has, incidentally, produced one piece of lasting weeb culture. While trying to save his illustration for a proposed magical girl cheerleading outfit, he drops a picture of a woman. Tomo picks it up and wonders out loud who it is. Kimura responds, in heavily-accented English, “my waifu”. So… yup. We have him to thank for the whole waifu/hasubando phenomenon. Or, well, the terminology, since attraction to fictional characters is probably a phenomenon as old as fiction itself.

- More of a fun fact than a stray observation, Kuricorder Orchestra, who collaborated with Oranges & Lemons on the Azumanga soundtrack, recorded two Yotsuba-inspired concept albums, which are also adorable. They’re hard to come by in official copies, but I can’t help but notice that nobody seems to be stopping anyone from uploading them to YouTube...

- The background music in the cheerleading scene in ep. 6 is the “Grandpa Polka”, a.k.a. “The Clarinet Polka”, which fans of various other weird geeky media may recognize as the melody for the Candy Mountain song in “Charlie the Unicorn” and/or as the song between “Love Shack” and “Pump Up the Jam” in Weird Al’s medley “Polka Your Eyes Out”.

- My junior high, oddly, did have sports festivals somewhat like those depicted in anime, but I don’t hear much about other American schools doing similar things.

#weeaboo trash #retrospective review #anime review #azumanga daioh #this post is way too long

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twdmusicboxmystery · 6 years

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9x01: Details

Good morning! So today, I'm going over details.

***Once again, spoilers abound for TWD 9x01. I think most people have watched by now, but if you haven’t, don’t click the READ MORE. You’ve been warned!***

Of course we saw a lot of motorcycles at the beginning. We could call that part of the Bike Theory.

We also naturally saw a lot of horses. I notice the ones between behind and Jesus were both dark and light. Of course, with lots of horses that the characters were writing all throughout.

I want to say a word about the crucifixion walker on the X. First of all, it's on X. (X theory). As I said yesterday, it's one of three Daryl shoots in the head, and because premieres set up for the rest of the season, I think this points to us seeing a crucifixion this year. Maybe not a literal one, but maybe seeing the truth of what happened with Beth.

We also discussed in my group that there are major parallels between this walker and the one outside the moonshine shack that Daryl did target practice on.

We felt like this was a Beth moment because in Still, she got after him for being flippant about killing walkers. She thought it was more respectful to “just kill it,” than to use it in a way that might be disrespectful to the person the walker once was. We think that's why Daryl shot this walker. In truth, using a walker to keep the crows away from the crops is actually a good idea. But obviously Daryl had an emotional response to that and shot it.

I mentioned this in my analysis of the trailer, but there's also a walker in the city, sitting next to the car, just like Rick and Daryl during their “you’re my brother” convo. Not sure why they put this in here, except perhaps to be a little ironic because Daryl and Rick are at odds right now.

I couldn't help but notice a "flip" theme. When Jerry passes Daryl on the bridge, he says, "Clearing the rally point, dude. See you on the flip.” Later Rick and Michonne pass walkers in the city and then flip around and come back to kill them. The writers talked a lot about a literal “flip the script” kind of thing for this season, which we’re hoping means we’ll see Beth. But I feel like they were incorporating this into the episode as the theme.

(The walker Michonne kills when she “flips” back around is the one that was sitting by the car, reminiscent of the “you’re my brother” convo. So maybe symbolic of them returning to stuff that happened in S4?)

When they ride into the city, there are some signs behind Daryl. Before I got a chance to look at them very closely, @wdway identified three different signs with Ps on them.

That mirrors the PPP card Tara found when Heath disappeared in 7x06.

Because we know the Whisperers are coming this season, I still think this probably points to them. Which would mean that Heath is with the Whisperers. Either way, this foreshadows something. It will be interesting to see how this plays out.

Inside the Capitol building, I was reminded a lot of the compound Rick and Daryl found Gracie in in S8. Mostly because there was so much white and wood interior. Because it was darker inside than out, it also had the Grady lighting going on. It also reminded me a bit of father Gabriel's church and the Big Spot, mostly because TF sneaked around and explored quietly with guns. It just gave me S4/S5 vibes.

Ways in which this episode parallels 4x01:

1.Them entering the Capitol felt a bit like the Big Spot.

2.When Ezekiel fell through the glass floor, it looked exactly like the walker who came through the roof of the Big Spot. (And combine that with Breaking Glass Theory).

3.The “B” painted over a 30 mile-per-hour side. It felt like Beth and 30 Days Without an Accident.

4.Similar but opposite. In 4x01, there was a herd of walkers overtop of the group (at the Big Spot). In this case, there was a herd of rockers underneath the group. In that case, a walker fell through the roof. In this case the human person fell through the floor. You can see the parallels, but it's also sort of opposite. Which adds to the flip the script theme.

5.What happened with Siddiq felt like an echo of what happened to Zach, just with spiders added. (Another opposite: Siddiq didn’t actually die but Zach did.)

6.We saw wooden barriers with spikes around the communities, just like the prison.

7. In 4x01, Zach saves Bob. Here, Ken saves horse.

8. Villain mentioned but absent. In 4x01, it’s the Gov. Here, it’s Negan. Sort of backs up the theory about how they’ll replay the sequence from 4x08, but this time Negan will take the Gov’s place, Rick may take Hershel’s place, and Beth will take Rick’s place.

9. The Daryl/Carol scene. These have been mentioned by others previous when this scene was released as a sneak peek, but to recap: A) Daryl and Carol hanging out and talking casually. 2) She says “stop.” I think in 4x01 it was him that said it. Either way, the line was said. 3) She calls him Pookie. I don’t think we’ve heard that at all since 4x01.

When they find the seeds, the packet says Rattlesnake Snap Bean.

It’s a real thing. As far as I can tell, they’re kinda like green beats but longer and thinner with dark streaks that make them look like a rattle snake. (Source) Hence the name. But this is an example of them specifically using that brand. I mean, they could have shown tomato seeds or something, right? And when was the only time you saw a rattlesnake? In Still.

Michonne looks at a “More Perfect Union” poster, but it’s specifically about the conflicts that led up to the formation of the country. This is obviously a foreshadow of conflicts coming this season, and it probably foreshadows Michonne's leadership.

During the scene where Ezekiel falls through the floor, there's lots of emphasis on people's shoes and boots. It's probably at least in part because they’re showing that the floor is rickety, but we saw a lot of boots in this scene. It jumped out at me.

I said yesterday that I was nervous about Ezekiel maybe dying. After reading spoilers for next week, I'm already less worried. It occurred to me that Zeke falling through the floor COULD foreshadow his death. But the he didn’t actually die here, and I didn’t see any specific death omens. Rather, it was just a close call. If this does foreshadow something, I would say it foreshadows him almost dying, but in the end he’ll survive to make out with Carol for another day. ;D At least, that’s the hope.

Ken said, “Shoeing these horses is a full-time job.” This reminded me of @frangipanilove’s theory about hoofed animals, especially horses, and shoes.

I thought it was really funny when Carol refused the ring. She was being such a girl. At that point. "If you’re gonna propose, do it right! Not on back of a horse!” 😆😆😆

Rosita said something interesting when they discovered the broken bridge. She said, "two other herds merged into Sylvia, so now it's even bigger.” She also said that they took out the walkie repeater on the bridge went out.

It's interesting to me that they're naming herds now. There obviously tracking them and trying to manipulate their pathways. Sylvia means “forest” or “spirit of the wood.”

A repeater for the walkers helps widen the area that can pick up the walkie talkie signal. And that’s been taken out. So their communications have been somewhat compromised. This definitely qualifies as part of the Communications Theme.

After Ken dies, we once again seen a 8:20 clock. Remember that last season, we saw one, particularly in Rick's Old Man Coda. I was originally just going to say that this is still in play, and while we were wrong about it pointing to episode 8x04, obviously this symbolism is still important.

Then I sat and thought about it for a minute, trying to make connections. Remember, Rick's Old Man Coda was actually Carl's vision of the future. In that vision, he saw Negan being a part of the community and making nice with Rick and teen family. I do think they will eventually move toward realizing that vision. The clock could be to show that they will be moving toward Carl's vision as a way of honoring him this season.

But. Remember THIS POST in which M-Nonny discovered that the opposite time (10:10) represents famous people who were shot and killed. So doing 8:20 may represent someone who was shot and lived. And y’all know I think Carl’s death and Beth’s return will be related. And then there was the Phoenix behind Carl. So, I know this isn’t at all definitive, but it's a symbol I'm definitely keeping an eye on.

I thought it was funny during Rick and Daryl’s convo that Daryl said, "We can't make enough corn fuel to run the cars or the trucks." Notice that there was no mention of not being able to run the RVs or his motorcycle. LOL. I get that smaller vehicles take a lot less gas, but it's just a convenient way for the writers to allow him to keep riding his motorcycle, even though there out of fuel. LOL.

The whole charter vs constitution thing was interesting. For the record, a charter is something issued by a sovereign (king or queen, which kind of reinforces the whole 4 Queens theory, btw) while a constitution is written by the people. So for right now, Michonne and Rick are just telling the people how it will be, rather than having them come together and agree on their own rules. Not exactly sure why this was included, but it’s interesting.

With Gregory's death, they might have been specifically doing an antiparallel to Randall in S2. Remember in my Opening Credits Analysis, I noted there was a noose in the barn, and it reminded me of F almost hanging Randall. It also obviously foreshadowed Gregory's death.

I don't disagree with Maggie’s actions (let's face it, the dude really had to go). I do think they’re trying to show that Maggie is becoming a little too dark and brutal for it to be a good thing. So, in S2, TF almost hung Randall, but didn't. Here, Rick and Michonne didn't think Maggie would really hang Gregory, but she did. Maggie is taking a dark stance on things, not unlike Daryl, and it's not entirely healthy.

A few more small details and I’ll shut up for today:

There were tents set up in the Capitol building, which reminded me of the ones on the sky bridge in 5x06.

Oh, and this walker is wearing a sweater that looks just like the one Beth wore in the Bethyl hug scene in 4x01.

There were red umbrellas in the background when the spider walker grabbed Siddiq. Kinda like the red umbrella we saw in 7x16? It’s a Red Object which, once again, probably represent red easter eggs/resurrection.

Right in front of that is a sheet that reminds us of Daryl and Beth putting the tarp over the Rick Bitch walker in 4x12. And it’s yellow! Just so many callbacks.

I haven’t mentioned Xs, but they’re all over: the crucified walker at the beginning. The boat Daryl and Cindy get is resting on wooden Xs. The glass floor has grids, so either boxes or Xs, depending on how you look at them. A vent under one of the Natural History tarp that’s full of Xs. If you just look for them in the episode, you’ll find them everywhere! (X Theory).

I think it's all the details I have for right now. Tomorrow I'll analyze the lyrics of Eldon’s song. Anybody see anything I missed?

#beth greene #beth greene lives #beth is alive #beth is coming #td theory #td theories #team delusional #team defiance #beth is almost here #bethyl

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daneelsolivaw · 6 years

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Below, the first part of my AU fic that occurs after Prelude to Foundation. Can be interpreted in either of my AUs, either with Elijah being an android or being human and miraculously kept alive by fate itself. Not important! All that matters here is the fluff. Enjoy, and prepare for part 2! Will be on AO3 shortly.

Elijah let out a satisfied sigh. After a long series of months leading the young mathematician Hari Seldon around Trantor, they were finally able to rest. Daneel had taken a leave in the palace, easily admissible now that Cleon would have Hari Seldon working for him, and wouldn’t have to go to the palace, barring emergencies, for an entire week.

He sat on the single couch of their studio apartment, idly scrolling through various new sources and chuckling when he came across an editorial posted by Daneel, scathing in such a way that stood in great contrast to his actual character. There was no window with the dawn shining in to signify it was morning, but the digital clock on the wall across the room showed that it was 5:30 am.

Daneel was currently at their shared apartment, dressed in his guise as Chetter Hummin (he was not relieved of these particular responsibilities for the week), but noticeably acting more fluid, more naturally, than he did around strangers. Elijah reflected on how the brightness of his husband’s being seemed to illuminate the room better than any old window ever could.

“I see you’re in the news again.”

Daneel put down the small cake he was decorating in the kitchen and looked towards Elijah.

“Why is that?”

Elijah made his way around the corner leading into their small kitchenette, glancing down at a small glowing tablet.

“Complaining about the recent comments made by Cleon I alluding to his indifference towards the outer worlds. But they’re blaming you, naturally.”

“Surprising. I thought they would have started complaining so much sooner. Although you should not be surprised that I am the target of the vitriol of the masses. I wouldn’t have it any other way, in my current position.”

“I don’t like to see anyone hold you in such disdain.”

Daneel gave a small smile, continuing his task at hand. “If I were on the other side of the Imperial throne, I would hold a similar disdain for the government. Regardless of any improvements over the previous ruling class.”

“I, for one,” he gave his husband a soft peck, “Think that everyone would love you if they got to know you.”

“Is that so?” Another small smile.

“I’m almost certain.Think they’d like your cakes, too.”

“It certainly makes it easier when there is only one person that you’re required to please.”

“Required is a bit of a strong term, I think, Daneel.”

“I would like to make a good first impression,” he paused, reflecting, “I fear that his initial impression of me was derailed by the persona I was forced to employ. Although he did seem very receptive to the idea of meeting together now that he is fully aware of both of our identities.”

They were to host a small get-together with Hari Seldon and their daughter, Dors Venabili, in the afternoon ahead. It was just a week ago that Hari had deciphered Daneel’s true identity, in succinct detail, and further details were elaborated upon by Daneel. It was beneficial for their cause, and for Psychohistory, that Hari knew the truth, but if they wanted this relationship to be of merit, they would have to spend more time together. And getting to know each other properly.

Daneel had personally stated to Elijah that he felt some insecurity about the way he had presented himself now being so contradicted by his true nature and personality. While there were obvious intersections, his persona as Chetter Hummin, as with most personas, did not represent his whole self, and he would prefer that he conversed with Hari as himself rather than in a disguise, especially since Seldon could see through this disguise now so easily. Additionally, because it was more comfortable for Daneel to do so.

Elijah nodded. “Right, and it’ll be good to get to know him better myself. For obvious reasons. You’ve seen the way he looks at Dors.”

“I have. And the way that she looks at him in turn.”

“Suggesting, in my mind, that perhaps this is what this meeting is really about. And that maybe,” Elijah put a hand over his husband’s, “We aren’t the only ones trying to make a good impression.”

“Perhaps.” Daneel said, leaning in for a kiss, which Elijah readily accepted. Breaking apart, Elijah noticed the nervous look on Daneel’s face had persisted. He decided to delve deeper.

“Hey,” Elijah extended a hand, which Daneel returned, gripping somewhat tightly, “I understand that it’s unusual for us to have someone who knows the truth. The truth is a delicate thing, especially when you have to conceal it for so long.”

Elijah sighed. “But that’s just it. This is an opportunity where we can just be ourselves with someone who admires you, Daneel, and who shares the same goals. And in any case, haven’t you already proven yourself to Seldon? He seems to really trust you with very little influence.”

Nodding, Daneel relinquished his duty and leaned into his husband’s arms. It was peculiarly these things, regarding human interactions and pleasing others, that were often the most difficult for Daneel to handle. He still possessed the lingering sense of a need to serve the individual, regardless of the years. “No influence. I have completely held my mental abilities back. I see no further reason to utilize them. And I do not want to,” he sighed in a human fashion, “I want Seldon to appreciate his work for what it is and feel truly compelled to help the galaxy. It is important that this matters to him as much as it matters to me.”

“Then you’re in luck. He’s on our side, and I think we’ll make a good team.” He wrapped his arms around his husband’s waist, “All four of us.”

“Oh?” Daneel cocked his head in a characteristic manner, then continued working at the cake, still being held loosely within Elijah’s arms, “That is another matter. Dors will be staying with us for the next couple of days. I was able to assist her in achieving a momentary leave from the university. I know how much you miss her. You haven’t had the opportunity to see her as much as I have recently.”

“It’ll be nice to have her around. She keeps life interesting.”

“She and Hari both share an idiosyncratic sense of spontaneity. It’s enough to get them into trouble more often than I desire, but it has been no surprise to me that they’ve become close. Are you doing anything interesting today?”

“No work. I’ve got some papers to review. Could be doing that right now, but I’m not,” another small kiss, “There are more important things to do until... what time do you leave again?”

Daneel smiled. “Not for a couple of hours.” He gave his husband a mischievous look. “Why do you ask?”

“Maybe do I have a couple of plans, at least for the next few hours. If you’d like to join me?”

The android, more commonly red-haired but at the moment whose hair was dark brown, turned 180 degrees and wrapped his arms around his husband in return.

“I’d love to.”

-----------------------

Later that day, while sitting in one of the keenly-maintained parks within the Imperial district. Elijah received a incoming message from Dors.

As a precaution, he put up a distortion field, then answered her call.

A hologram quickly faded in in front of him, amusingly unseen by surrounding passerbys. Occasionally, a person would walk by and would pass straight through her image, causing momentary distortion.

She greeted him with an enthusiastic digital grin. “Hello Elijah. I hope all is well with you.”

Elijah grinned, adjusting a bit in his seat to he could be more level with the projection of Dors’s hologram. “Always. I certainly hope you’re not calling to cancel.”

“Not at all! Hari and I are both very excited to come over tonight, and I, of course, for the days following that you have given me permission to stay with you. Hari has been a bit anxious about the whole ordeal, of course. He was never close with his own family and I think a family dynamic such as ours is unfamiliar to him.”

Elijah nodded his head. “I’m sure it’s unfamiliar in many ways. It might help to say that he’s not the only one who’s nervous.”

“I could guess. You wouldn’t believe how often I’ve communicated with Daneel in the past 24 hours. He really reveres Hari and their interaction is important to him. I told him that there is nothing to worry about. Hari is a total dork-- it doesn’t take much to impress him. I mean this with love, naturally.”

“He reminds me a lot of myself when I was his age.”

Dors smirked. “Or now, depending upon who you ask.”

“Fair point.” Both remained quiet after this, Elijah noticing that Dors was shifting a bit nervously in her seat. He figured a question was coming, and through all of his years of experience, he could guess what it was about.

Dors broke the silence. “I wasn’t sure if I wanted to ask, but I suppose it’s worth a shot. Do you think it would be alright if Hari stayed with us for the next few days. I know you don’t exactly have the largest apartment, but we could work out another lodging arrangement if necessary. I just want to take advantage of the time all four of us can spend together.”

Bingo. “Of course he can. We have a couch, if that’s sufficient. Not really much else. We do have our own kitchen now, which Daneel is thrilled about.”

“Completely sufficient. Hari is low-maintenance, I’m sure he can manage. Do you think Daneel will be okay with this?”

Elijah wave a hand. “Of course. Absolutely no problem at all. Just let us know anything we can do to make Hari more comfortable. Or let me know, because Daneel will go all out and Hari might end up feeling too comfortable and moving in with us. Not that we’d mind.”

“Oh, I understand completely. Thank you so much, Elijah. I, we, are looking forward to seeing you both tonight.”

The connection cut. Elijah’s thoughts immediately went to the next few days, and what it would be like to have someone so young, and human, around the apartment. It will be interesting, for many reasons. Most pertinent, to see how Seldon’s relationship with Dors would develop.

Distracted by his thoughts, Elijah put away the papers he was reading and prepared to head home. There were more important things to work on this afternoon.

“

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ask-de-writer · 6 years

Text

GONE TO SEA : World of Sea : Science Fiction : Part 3

GONE TO SEA

De Writer (Glen Ten-Eyck)

WORK IN PROGRESS (Word count unknown at this time)

Writing started 2005

Reproduction in any form, physical, electronic or digital is prohibited without the express consent of the author.

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Users of Tumblr.com are specifically granted the following rights. They may reblog the story provided that all author and copyright information remains intact. They may use the characters or original characters in my settings for fan fiction, fan art works, cosplay, or fan musical compositions. All sorts of fan art, cosplay, music or fiction is actively encouraged.

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Chapter 02. Colony

All thousand of the new colonists of Sea stood in the largest recreational plaza to wish the crew of the ESA 14 farewell. Captain Alain wound up his speech by saying, “We have done our best to ensure that this colony has as good a start as it can have. You know that we would have been willing to take you all back with us if it were possible. The laws governing the physics of the Crossover drive will not let us.

“We will see that an expedition is sent to see how you are doing as quickly as the ESA can do so. You will be on your own until then. Sometime between forty two to fifty years from now they will arrive. Until then, may you be blessed by whatever Deity you choose to pray to.

“I hope that the relief expedition finds you well and prospering. May that vessel need only take back whatever unique and wonderful trade goods and ideas you have found to contribute to the community of mankind among the stars.”

To somewhat subdued cheers, the crew of the ESA 14 filed aboard their Slowpoke shuttle to return to the orbiting starship. Lifting with the silence of any well functioning Crossover device, the shuttle dwindled into the sky and was gone.

Giles Willon turned to Marcus Angerson and observed, “Got to say, this planet is a bit of a disappointment.” He flexed his elbows out from his body and finished with a grin, “Expected more elbow room. Know what I mean?”

Marcus snapped back, “Are you mocking me? You know that I am a soils engineer! The services of my specialty have been vital to the very survival of all twenty three other ESA colonies. Why did the ESA even bother sending me here? There is no land to bring to the needs of mankind. No soils to engineer at all! This is a travesty!”

Giles raised hand placatingly. “There is no need for such anger, Marcus. We all know why we are here. None of us is suited to a world like this. The probe that found this planet was programmed incorrectly but nobody knew it until we got here.

“Its program assumed that any planet with an atmosphere like this one meant that it had significant land masses and that some form of photosynthetic plant life had to exist. That is all. We all knew that no matter what we found here, it was a one way trip for us. It was a gamble. We sort of lost.”

Small, black haired and eyed Pele Barant interjected, “Maybe we did win but just haven't realized it yet. The gods can be really sneaky that way.”

With a sneer, Marcus turned his back on her, muttering, “False gods!”

Giles looked down a bit to Pele's usually cheerful Polynesian face and said, “Don't mind him. He is just disappointed with his situation, that is all.

“By the way, I enjoyed working on the truss work of this station with you. You did a great design job. We are lucky to have someone with your civil and mechanical engineering skills and marine architecture experience with us.”

Pele flashed Giles a ready smile and said, “Thank you. I appreciate having someone who can look down to my face and up to my work at the same time.”

/////////

As the weeks passed into months, the station began to settle into a routine as people got used to the strange situation that they found themselves in.

/////////

In his quarters, Marcus Angerson closed the door of his study to shut out the sounds of his wife Trisha and their two children Benjamin and Lora while he brooded on the wrongness of his situation. He pulled the blinds to seal away the glare of the sun and the vile sight of the endless ocean, with not so much as a sandbar above sea level anywhere on the entire planet.

There is no reason to it! All of my years of study on how to adapt alien soils to the needs of mankind have been wasted. Instead of being one of the most vital men for the colony's survival, I am now very nearly the least. What should I do?

His eye fell to the Bible on his working desk. Sourly, he picked it up and began to read. Somehow, it did not give the solace that it used to in times of difficulty. Doggedly, he went all the way back to Genesis and began at the very beginning.

////////

Hugh Barant raced his wife Pele and daughter Mala'klea to their quarters. His long legs could have easily overtaken them but young Mala'klea loved beating him in races, as long as he didn't make it too easy for her. Mala'klea's small hand hit the door frame only a tiny fraction of a second before Hugh's. Flashing her father a high-spirited grin, Mala'klea ducked into their apartment. Pele was already drawing wide the blinds to allow the generous sun of Sea to shine into their rooms and let them see the wonder of a rolling ocean that had no end.

There were some of Sea's many kinds of birds perching on the railing of their balcony. They were waiting to see if the people inside had something that they would share with the birds . . . or that the birds could steal for that matter. The birds apparently didn't see much difference. Besides, Pele or Mala'klea always set out a plate of something for them to squabble over. Today was no exception. Pele produced a fresh plate with a roasted fish that she had speared the other day while diving on the reef. A small bird-storm developed around the plate. The Barants sat on their side of the glass and watched with laughter and hugs.

/////////

Down in the Bio-safety and Nutrition laboratory, Kaim Hawadie told his many assistants, “Now that things are finally together, we need to got on the stick. While we were helping to build this place we did get some reports out. Just the construction area, less than one tenth of this reef complex, has yielded us a backlog of over three thousand samples to analyze.

“To help out, we have devised a report cover page that lists the following items. 1. Toxic, 1a. Useful Y/N, 2. Edible- no nutritional value, 3. Edible- contains ______, 4. Pharmacological value ______, 5. Other useful features _______.

“Our job is to get the reports out as quickly and accurately as possible. Of course, we are watching for the thymine, lysine and missing vitamins in every organism or sample that we test. If we find them, those reports will get a special red flag cover.

“Other experts will be trying to make sense out of our reports. Our job, and it is a big one, is just to get them the data. Now let's get to the analysis.”

/////////

Mister Torres sat back in an easy chair and watched his son Jason playing on the living room carpet. It was a Periodic Table game. His lovely and talented wife Mikhala was sitting opposite Jason, taking her turn at the game's cards.

Sadly he wondered, Will this place last long enough for you to grow up, Jason? Mikhala, will we live to see grandchildren? I really had no choice in doing this. What we have here is the best that I could give to you all. It is simply a hope. In the end, an empty hope.

Perhaps, Mikhala, my love, your knowledge of Slowpoke drive systems will let us move into space. I will need to ask you about the possibility of building us another shuttle. We can't risk such a move with only one shuttle. Farms in orbit or under domes on Wotan might actually allow us to survive. Down here those monster Coriolis storms doom long term farming or pretty much anything else.

I wish that I had someone that I could open up to about these things.

Mister Torres went back to studying his tablet computer. Immersing himself in the multitude of tasks needed to keep the colony running as smoothly as possible provided relief from his fatalistic ruminations.

/////////

Molly Miken called Mister Makle on the video link and invited, “Hey, Bronnie! Me and my structural maintenance crew are planning a barbecue cook-out and pot luck down on dock A. Want to come? Bring Tam and your son Mark along. We requisitioned one of the work boats for the afternoon to play about.”

A grin on his face, Mister Makle replied, “We will be there. We will have to stop by the Commissary to get something, though. Tam just got off work and Mark is on his way back from school. By the way, please don't spread my first name around, I took a lot of ribbing in school over it.”

Molly promptly shot back, “Don't worry about that, Boss! Your secret is safe with me! Unless I need to blackmail you for better working conditions . . . Bronnie.”

///////////

Marcus Angerson laid aside the Koran. In his shuttered den, away from the detested sight of endless ocean and the glare of the sun that could spawn such an abominable world, he glared at the books as if his problems were their fault. He thought, Months wasted. None of these, not the Bible, Koran or any of the other religious texts that I can find sheds any light on the real problem.

Once again, the small voice that had been prodding and guiding him for the last month or so offered, ((Of course they don't. Those books were written on Earth and, though they might provide some guidance, they were for the Earth. You are not on Earth. I do have a Plan for you, but the time is not yet ripe.))

Why am I so unnecessary? By all rights I should be the most important single man in the colony! In spite of my vital education, I remain utterly worthless. A mere teacher of children!

((At least that little pagan Barant got what she has had coming to her. In the end, all must come to Me. Before that happens, you may need to be brought lower still.))

A knock at his study door interrupted Marcus' brooding. Trisha, his wife, put her head in and announced, “Honey, dinner is waiting. Would you please join us today? We know how hard you are working, what with all of those school papers to grade. Ben and Lora have missed you these last few weeks.”

With ill grace, Marcus came out to the apartment's dining area. The window was open to the lowering sun, setting in a glory of low clouds, gilding them with gold, red and purple. A light breeze came in off the ocean outside.

Seeing the light and the sight of the endless sea that he had been studiously shutting out irritated him. Marcus strode angrily to the window and slid it shut with a bang. He pulled the blinds, plunging the cheerful room into the gloom that better suited his mood.

Marcus stamped back to the table and sat. He was reaching for his coffee when he heard Trisha's voice begin, “Sweet Lord, we thank you for the company at this table and this fine fish that you have provided us . . .”

Rudely he interrupted, “What are you doing? The blessing is my duty!”

Benjamin, hands still folded, said mildly, “We didn't mean to upset you, father. You haven't been here to say it for the last several weeks. We have been taking turns. It was Mom's turn today. Would you please say the grace for us?”

As he started to fold his hands, Marcus' eyes fell on the fish that lay on the plate at the center of the table. It lay on a bed of green and wrinkly sea lettuce. There was a hole through it, just back of the gills. His brows drew down in a rage. He demanded, “You were just asking me to sign for household money! How could you afford such a fish as this? You lied to me about being out of money!”

As Trisha looked up in shock at the accusation, Benjamin spoke up. “The fish didn't cost us anything, Dad. The Barants went diving on the reef a few days ago. Pele sent Mala'klea around with it as a gift.”

Marcus' lip curled in disdain as he demanded, “And what would you have made for our dinner if you had not begged from that, that . . . heathen?”

Lora gave her father a confused look and said, “Nothing. The kitchen is empty. The Commissary turned down Mom's card when we went to shop today. They said that there was no money left in it. That is why she has been trying to get you to sign the transfer.”

Ignoring his daughter, Marcus grabbed the plate from the table and hurled both it and the fish on it against the wall. He yelled in outrage, “We will not bend the knee to those vile pagans!

“That false idol worshiping fiend is behind all of my, eh, our misfortune! At every turn, she is put up on a pedestal and I am cast lower!”

Trisha, eyes wide in fear, was looking at her husband as if she had never before seen him. Tentatively she extended her tablet and stylus, saying, “Please dear, just sign the transfer and I will buy you whatever you want for din . . .” Her head rocked back as Marcus slapped her in the face. Her tablet fell to the table and skittered to a stop against Lora's dinner plate.

His own face twisted into a feral snarl, Marcus withdrew his stinging hand. Blood mingled with the tears that trickled down Trisha's cheek. He raged, “I sign you money every week! You should have plenty! Use it!”

Cringing in fear after his father's outburst, Benjamin found the courage to say, “You haven't signed us any money for about a month. You keep saying that you will do it presently but you haven't done it.”

Scrabbling to recover her tablet, Trisha extended it in another desperate attempt to get the money that they all needed. “Please, Marcus. Benjamin is right. It has been three weeks since we had a weekly transfer for the household funds. We are behind on our bills. We have the money in the bank to pay for everything. All that you need to do is sign the transfer.”

Anger causing him to draw a separate breath for each word, Marcus growled, “I. Am. Going. Out. . . When. I. Return. There. Will. be. Food. Fit. For. A. Godly. Man!”

Confused, the slap that she received bringing her greater pain than the brutal physical impact, Trisha asked, “Marcus? What is wrong with you? I am doing my best to . . .” This time, the now furious Marcus hit her face so hard that her chair went over. The tablet went flying, bouncing from the wall and landing on the floor. The back of Trisha's head hit the wall and then thumped to the floor as she fell. Benjamin and Lora ran for their room and locked the door.

Marcus drove his heel deliberately into the tough glass of the tablet face, shattering it as he strode to the apartment door. Over his shoulder he snapped, “You have joined the many seeking to bring me, to bring God Himself down and lift up the pagan above all! It must not be! You must uphold me, uphold God, with proper food or suffer the consequence!” The door slammed behind his retreating form.

/////////

TO BE CONTINUED

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