#she’s such a great performer

[possession1981-moving]

JUNG EUN-JI as Lee Mi-jin MISS NIGHT AND DAY (2024) Dir. Lee Hyung-min | Ep. 1

[ffcrazy15]

"Oh so when James Kirk refuses to believe in no-win scenarios it's 'changing the conditions of the test' and 'commendable original thinking,' but when I, Bradward Boimler, can't accept the possibility of failure and retake the Kobiyashi Maru sixteen times–"

[melveres]

wizzy was down for maintenance so I drew my Young Wizard while I (impatiently) waited

[bastart13]

I love the new textures of Wish finally going away from hyper-realism, the designs look lovely and storybook-esque, and we seem to be getting a fun villain, but I'm hoping the vibes of Wish is just a bad trailer.

Is it just me or have the past couple of female Disney protagonists had very similar voices and expressions? It's very hyper, optimistic, exaggerated awkwardness in Rapunzel, Anna, Moana, Judy Hopps, Young!Raya, and Mirabelle.

Their respective films do distinguish them, but the same character energies over and over again are a bit monotonous. It'd be cool to see more variety in expression eg. withdrawn, outgoing, chill, angry

[kingofattolia]

Okay. Give Sabine a lightsaber? Nice. I can dig it. Mandalorians have a long history of using (one particular) lightsaber to great effect regardless of Force sensitivity. Plus lightsabers are cool and I support characters being as cool as possible.

Give Sabine the FORCE suddenly in a moment of great need? When she's NEVER before even once exhibited Force sensitivity despite training with the Darksaber with Kanan and Ezra, in which situation NO ONE ever so much as suggested "hey Sabine, you might be Force sensitive"? Over 4 entire seasons of TV? When she's NEVER before even once exhibited Force sensitivity despite apparently training with Ahsoka for some time? No. That's coolness over continuity, and it's sloppy.

[simplykorra]

ava + every episode - episode 6: "isaiah 30:20-21"

[cree-n-jewish-thoughts]

Listening to Eden Golan singing Hurricane on repeat.

if you don't think this song is worth winning you have a bias so big it affects you and worsens your musical taste.

Like your bias is preventing you from enjoying an amazing song and artist.

Whatever, putz...

[thresholdbb]

Can we talk about The Dying Swan moment in Coda? As someone who was once a very serious ballerina, I need to talk about the Dying Swan. Here's your context --

CHAKOTAY: Harry's clarinet solo was okay. I could have done without Tuvok's reading of Vulcan poetry. But the highlight of the evening was definitely Kathryn Janeway portraying the Dying Swan. JANEWAY: I learned that dance when I was six years old. I assure you, it was the hit of the Beginning Ballet class.

Have you seen The Dying Swan? It is dramatic.

Here, take a minute:

First of all, this dance is much too advanced for a six-year-old, even if they’re doing it in demi pointe. (Six-year-olds emphatically should not be in pointe shoes btw.) The dance is almost entirely bourees and arm movements done to very subtle musical cues, not the foundational ballet moves typically taught in Beginning Ballet.

This is a very vulnerable, dramatic dance that is effective because of its subtleties. The performer would need to embody that vulnerability in some way for a convincing performance. It's short, but it's a solo piece -- all eyes on you. I mean, it was choreographed for a prima ballerina, BUT THAT'S NOT MY POINT

Can you imagine our unflappable Captain Janeway willingly getting in front of her crew to do this ballet? I get that it’s thematically relevant to the plot of Coda, but since Janeway is only vulnerable in front of her crew when it means putting herself in harm’s way, it seems like a wild decision. She tends to hold herself apart from her crew, maintaining the professional distance of the captain. Further, when she does any creative pursuit, it is almost always in private, since her sister was the artist in the family and she was the scientist. As a captain, she commands Voyager in a much different way than she would as a dancer with this piece. I'm not saying she never shows vulnerability because she definitely does, but not necessarily in this way. Then when she talks about it with Chakotay, she just casually brushes it off with a laugh like no big deal.

There’s also the question of costume – would she have gone full tutu? Done it in her Starfleet uniform? An impeccable yet flow-y white suit? She does get into costume and command a performance in Bride of Chaotica!, but Coda is still kind of early days for our captain. Arachnia aligns more with what we know about Janeway's character.

Granted, it is Chakotay laying down these complements about her dancing ability and he is clearly biased. To be fair, Neelix does too before they leave in the shuttle. If she did this dance and performed it poorly or amazingly, I feel like the crew would look at her a bit differently afterwards.

Canonically she did The Dying Swan, but I certainly have trouble picturing it happening.

[moon-mirage]

This is part of my series of sketches I did for the victors (so far I did Johanna and Annie) but I really liked this so I'm posting it separately.

It's such an outrageous look and I absolutely get how it made waves, even in the Capitol. I feel it's easy to tone it down, not giving Lucy Gray the heavy makeup up and over-the-top outfit but really, it's so iconic. She absolutely knew what she was doing. The other sketches will a bit more muted but really how I could resist drawing the reaping scene in all its colourful glory? 😁

[smores100]

[industryhbo]

this is WILD

[dokidaikon]

they call each other slurs

[slayerchick303]

As someone whose relatives routinely live to be near or over 100 years old, I feel Tula's panic in my soul.

[mariocki]

Hush...Hush, Sweet Charlotte (1964)

"Miriam? He really... isn't here, is he? Just now, I thought I heard... sometimes at night, when I wake up, it seems as if he really is here. Don't turn on the light. It's not real when it's light. It's only real when it's dark - dark and still."

[triple1st]

forever thinking about how this is romana's last conversation with the doctor

[mermaidsirennikita]

So the Susan Elizabeth Phillips book I'm listening to is It Had to Be You (because the only Chicago Stars book I've read is Nobody's Baby But Mine and it's football season so TIME 2 GO)

And though there are for sure some choices made that VERY much signal this is a 1994 novel (one wording in like, the first chapter, made my eyebrows shoot STRAIGHT UP) (though I'll also say that this book is super about Gay Rights, like our heroine Phoebe surrounds herself with gay men and donated a fuckton of money to AIDs-related charities, and to be clear her 1990s football coach hero is also v down with the gays~, I am blindly going with it)

I will also say that whenever I read an SEP book, I'm struck by several things I find so difficult to find in current contemporary romcoms...

A) legit humor

B) ... thoughtful writing ....

C) the couple just. FUCKING AROUND.

Like, Phoebe has a lot of trauma and hangups (she's also 33, which I love! And I suspect that her hero, Dan, is probably in his late thirties/early forties) but a big part of this book is her learning to be comfortable with sex, which happens with Dan, even though Dan is in fact completely unaware that this is what is going on and just thought that her being like "Can you pretend I'm a virgin" the first time they boned was roleplaying

(Dan: WHEN WILL SOMEONE FUCK ME IN A NON-ROLEPLAYING CONTEXT???)

But like... they have sex... and he doesn't realize what a big deal it was for her so he just sorta skedaddles... and she's pissed about it so they sort of simmer in mutual "it'll never happen again" resentment... until they sorta buddy-buddy because he realizes he was being a dick (don't worry, this is SEP, he WILL be a dick again) and then she pisses him off so much by being like YOOHOO BOYS I THINK PICTURING THE OTHER TEAM NAKED WILL HELP YOU WIN THE FOOZEBALL GAME and then it WORKS, so naturally he then confronts her in the airplane bathroom directly after and she calls him on his shit and dresses him down, only to realize during turbulence-related body-slamming that her berating him made him FULLY aroused, which leads to a partial airplane BJ (her first BJ) (Dan, who does not know this is her first BJ, mentally: she is "sweetly awkward" about this) and an airplane fingerbang (complete) (this poor football team is just asleep a few feet away)

And now! They're just sorta sitting in snarky, not-dating, sometimes fucking around limbo... all while this man is fully like "I WILL BE ASKING THAT SWEET NURSERY SCHOOL TEACHER OUT BECAUSE I THINK SHE'LL BE A GREAT MOM TO MY NONEXISTENT KIDS.... TOMORROW........................... AFTER I FUCK PHOEBE AGAIN.................."

(Because mind you, when she was all "but you didn't come in this airplane bathroom" he was like "ohmigod her sweetly awkward unfinished BJ made me feel A Feeling, I've gotta put some distance between us by telling her that one day I'm going to just say 'Now' and regardless of where we are or what she's doing she needs to follow me to the closest broom closet and SPREAD'")

(to which Phoebe goes "oh actually that sounds amazing", so it did backfire)

There is no discussion of dating or their feelings! There is no rational discussion! They're just impetuously hooking up when they get horny! And sitting there snarking at the workplace (because MIND YOU, she OWNS THE FOOTBALL TEAM HE'S COACHING) while everyone on this football team probably considers whether or not this is becoming a hostile work environment! They're sort of semi-raising her teenage sister together at this point and there has been NO! DEFINING! THE RELATIONSHIP! NO! SENSE! ALL! FEELINGS! AND! FUCKING! AND! MESS!

Honestly??? It also just feels more like how a lot of relationships develop organically??? From situationships to "Oh wait, we're like... dating..." without a full-length discussion until it's already kinda happening?

Like, this is the vibe I want from a contemporary romance. Less rational robotic shit and more "local idiots stumble into love"