#so if i get the artist alley spot i can sell these there

[shaba-the-art]

Come, let us begin

[alicenpai]

🌟

anime north 2023 con report

finally posting this - thank you to everyone for a wonderful anime north!! \o/ this con prep season was the longest ive ever prepped for a con, and i think it was the busiest con for me ever. it makes me so happy to see people taking my art home!! 😭

so thank you for coming by anime north and chatting and supporting me! and thank you esp to the people who came by gifting their own merch?!??? - either fanart or ocs?! and im honored to see your beautiful ocs?!?? what the hell you guys are the GOAT thank you all 🥹🥹

it was so busy that i wish i had time to walk around & talk to other artists! i really wanted to get dango and onigiri at the delta too.. didnt really get time to eat so im sorry if you saw me shove 10 timbits in my mouth at the end of the con. yes i really did that .

throughout the con i kept saying "he just like me.. HE JUST LIKE ME FR!!!!!!!" every 5 seconds like an NPC. im sorry if you had to hear that more than once.

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i wasn't able to post my con catalogue for AN on tumblr and instagram... i was so busy.. dying... maybe if i do other cons this summer ill post something similar. i had a lot of new stuff this year so formatting it was rough haha. here it is! more thoughts under the cut (bc this report really is more for me, but maybe someone can find something useful)

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this is more for me honestly, so it will be really long. but i'm sharing it in case it may be helpful for others. i find that i'm always looking back at my old con reports, so typing out all of my thoughts are really useful to me. overall a great con, fellow artists and customers alike really inspire me to do better in my art.

comparisons to last year: (since i didn't end up making a con report last year!!!!!)

location: the artist alley layout was huge, and im really happy there are a lot more newcomers to the con scene. i know how much my first con experience meant to me, so i want others to join in on the fun! i don't know how the artist alley staff managed to fit so many artists in the building now! we got placed in a corner where there was a lot of breathing room, and a lot of traffic. i got lost a few times (didn't actually have time to walk around, but you know, it was to get in and out of the con centre and to the washroom/water station) because the amount of tables was overwhelming however, and the layout was super confusing. however i didn't feel as if there were any significant bottlenecks in traffic when i was taking some walk breaks.

commissions: last year it was still busy, but i still had some time to draw a handful of commissions. this year was a non stop barrage of customers! i think i may retire on the spot commissions at cons, just because ive always found it too stressful to draw right at the con, even if the traffic is slow. (and im lazy)

fandoms: last year i felt that it was... never so difficult to sell niche and old fandoms...? most people bought primarily 3 things from me at AN 2022, and not much else was touched. it was a struggle, and i even wondered if my art plateaued, if it wasn't good, if i should stop doing conventions altogether, at least for a little while. this year was so surprising with how much love there was for old and niche fandoms. two people from quebec came by and noticed the old fandoms and mentioned that if i was able to come to otakuthon, i should, people in mtl love nostalgia.. i'm gonna be honest otakuthon was pretty bad expenses-wise for me, but i heard it picked up since cons came back in 2022. it is a really beautiful city so mayhaps.. i will come for miss montreal.................

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and a separate section on the new merch i made:

the new sticker sheets i printed (one piece, baccano, breaking bad/better call saul) did so well! nts to add luffys scar bc apparently i forgot... ive seen this dumbass's face for hundreds of eps and yet i still forgot .

these are a far cry to the sticker sheets i designed in previous years. many sticker places restrict you on how many stickers you can place on a sheet due to spacing requirements... the more stickers you have + the closer they are, the higher the margin of error, which i understand is why many professional sticker printers have these restrictions in place.

the artists i worked with for my AN stickers are so genuinely nice and accommodating with my requests. I just went wild haha. the sheets with the most stickers are brba/bcs at 27 stickers and one piece at 32 stickers.

2021 (top) vs 2023 (bottom), the chara stickers on the new sheet are larger & 2x as many item stickers! the new design makes greater use of the space. my octopath 1 stickers are meant for planners but you could use it for anything!

in 2017 i could only realistically fit 6 ish stickers on a sheet (for vinyl, not cricut home printing) due to printing restrictions. these costed about $3.30 CAD per sheet from s/ticker/mule (not worth it for the price point AT ALL... but i wanted to try sheets for the first time)... and yes it's a tiny 4x7 as well. it was a hard sell for $7 in 2017. but im glad artists have been pricing them a bit higher + sheets have become much more customizable.

now on to charms:

i am so obsessed with this borderless charm look on the new charms... they look like candy... thank you guys for loving my new charms!! i tried out a new technique with designing charms. and im so happy with how they turned out. the charm manu was super accommodating and they are so much better than vograce who fucked up my order so bad in 2022 🤡👍

the soul eater charms from last year were kind of a precursor to this. last year i tried something a bit different than my usual with the transparent bgs, which require full bleed in the file setup, and that was already pretty new for me. i find that charm sales are usually pretty mid for me, so during the pandemic i took a soft break from making them, and i wanted to do research based on others' designs and really tried to improve my design sense. to me i want to design charms that aren't just a flat piece of artwork that gets printed, but something that utilizes the capabilities of the acrylic material it gets printed on 🤔

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fandoms/merch types i want to try next time i table:

more soul eater? it's one of my favourite animes and im very happy for the soul eater love this year. my partner kept selling out of her soul eater prints even though it was her first time tabling!

fma! ive been rereading AND rewatching it lately. it's one of my top 5 anime of all time so me drawing anything for it is a struggle, the bar is set so high. i never end up having the time or ideas to draw anything for it (and the aesthetics are very different from my usual taste)

shadows house has been one of my favorites recently!

dungeon meshi, the print i made was back in 2018 and i think it's time to retire it! it sold out at AN, thank you! with the way the story has developed in the last 5 years, i really want to draw something new for it if i can.

blue period needs more love!

golden kamuy.....

and many more.....

i also want to try mini prints maybe...

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administrative stuff:

next time before the con, i definitely need an organized chart i print out before the con so im not.. literally writing down each transaction... 🧍‍♀️

clamps...?

possibly new display? grids even with plastic panels are heavy... and they can be a pain to put up. this AN we had our neighbors and good friends @nappotuna & @stripeyworm helping us put the grids up, they did an absolute speedy banger job! but it might have taken way longer without 4 hands on the grid work.

if we had used tape to hold our prints up as well who knows how long it would have taken. we used magnets, apparently a lot of people were using them at TCAF. they were so easy to put up and adjustable. *jesse pinkman voice* MAGNETS, BITCH!!!!!!!

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merch i may shelve/do less of:

i really appreciate when artists talk about these kind of things behind the scenes... when products do well, when others dont, products w surprising responses, the factors that we think affect sales... the hard truth is that not everything sells, just bc the art is good =/= good sales, etc etc.

lately ive found it so fun to design sticker sheets over individual die cut stickers!! i understand now why some people only specialize in stickers!! it's also such a pain to stock individual characters and have greatly varying levels, bc of customer interest, and bc of how printing stickers works, you often get extras of random characters due to overflow 😭.. like at some point I had 7 jeannes and like only 1 of the other vnc charas bc the printer had so many extras and she's arguably less popular HDHFJSJHDJS anyways, i think i'll probably do less die cut individual stickers for my next con...

anything old that i only have 1 or a few copies left (meaning i won't reprint) i may not have for display anymore bc of space concerns... before my next con ill just post them on social media to have people claim them!

i may want to do less 3" charms in the future...? theyre a hard sell online prob bc i cant really do deals (i could but id have to be checking the stock every few hours which is not ideal), but they do a lot better in person due to deals.

it's been fun to try specialty products (I've tried scrunchies, stamps, pouches, microfiber cloths, coasters, enamel pins), but i... find they dont sell well for me... maybe my art doesnt have that wide mainstream nostalgic merch type appeal idk... maybe im just not good at designing or advertising them wahahaha. (specialty charms are still charms and i wouldn't necessary consider them a part of this)

my jojo buttons were really popular at anime north 2019 and fan expo 2019, but when the part 5 anime concluded, i noticed that interest for the interest completely moved on 😭 (or it's possible that everyone who was interested bought the buttons already?). part 6 anime didn't rejuvenate the same level of interest. it was a struggle to sell even more than a handful of these at each AN 2022 and 2023. right now they're taking up a lot of space in my con luggage that i'd prefer for newer, better art. i still love the art i did, but unfortunately, i think ill give them a go if i get into otakuthon (and maybe fanexpo too), then it'll be time to retire the jojo buttons. sometimes fandoms come and go so fast, and it's difficult to keep old merch around when they don't have any more interest and when they're occupying a lot of space.

my banana fish lollipop charms do not sell well, and i only sold 5 of them in a 3 year period, across cons and my shop. i created a bargain bin at AN, and it really helped me get rid of old things! unfortunately even in the bargain bin i could not sell a single one of the banana fish charms. maybe it's the art that's not appealing, the characters aren't recognizable, the price point for a lollipop charm was too high, i wasn't hitting the right audience, the market was slow around the time, even when it was included in my promo post... etc. these lollipops were my first time making specialty charms. unfortunately i think that's the last time making lollipop charms, and about time to recycle these charms, so that i have space for fresher and better art!

other thoughts moving on:

maybe go back to simplifying my art a lot more... if i keep making drawings like my great ace attorney tarot + zine, witch hat atelier print, and pandora hearts print, then id not only take 1 month per illustration, id also be destroying my arm 😭 i stopped stylizing my art in 2021 bc i found that my art was getting sloppy in 2020 + i was really struggling in life drawing in school. i needed to buckle down and be more conscientious when drawing poses, learning anatomy and structure... and bc getting back into anime in 2021 really helped me cope with the isolation of the lockdown, so that had a huge influence on my style. but bc of that i think it just took longer and longer to make illustrations and that's something i no longer really wish for.

i really like the period of my art in 2017 with a lot of my persona 4/5 art bc it still has structure even though it's simplified... and the style in my zelda icon... mayhaps experiment a bit more this summer if i can...

[bug-memory]

I'll be at Megaplex this Saturday!

I'm bringing my doll prototypes, my iPad, and hopefully Muriel magnets to sell at the Artist Alley! Going to try to get a spot. Last year, there were lots of open spots, so I hope I can get one this year.

I'm like... out of money so I hope I can sell some things there lmao. Buy my shit!

I gotta say the magnets look really cute so far. Hopefully other people will like them (photos soon; I gotta watermark them and would rather go to bed)

[sfppn]

#TimeShared - Day 2

Matthews, NC

Back at our hotel after a busy day.  After grabbing a hotel breakfast, Mindy found a farmers' market close by, and we finally tracked down a parking spot that was supposed to be reserved for a hardware store (which somehow was only open Wed-Fri).  We walked around for a bit--it was interesting, and we night have bought a few things if we were locals.

We then headed downtown to the convention center and #heroescon.  We thought we had timed it correctly--we had 3 day tickets, and interpreted instructions that we would get in early.  Turned out we only got in BEFORE one-day ticket holders, and there was a huge line of three-day holders.  So, we took a quick tour around downtown, finding public artwork, before strolling into the show 20 minutes later.

HeroesCon is, as I've said, a REAL comic book convention, truly focusing on comics and away from overall media.  This is now a rarity in the industry.  There's publishers (just indies), dozens of dealers with rows and rows of "longboxes", comic-centric companies (software, auctions, etc), and "artist's alley". 

The latter is what it sounds like--a lineup of comic artists who will sell and sign their work, draw custom requests during the show, or just have a chat.  There were some majors (Chris Claremont, Jose Luis Garcia-Lopez, Roy Thomas, Jim Shooter), but most are self-publishers or work with small publishers.  There's two in particular we were interested in--Yale Stewart (JL8) and Thom Zahler (Love & Capes).  Mindy has supported their Kickstarter/Patreon campaigns for years.  We purchased prints from both of them.

We also invested in a few other indies--we love Ahoy Comics, and we picked up the second volume of Billionaire Island (we missed the first issue of the original issues, but picked up the rest) and Captain Ginger, a cat-based comic.  Then there's Afterglow and Destiny, NY from Space Between Entertainment.  Finally, we selected The Weather Man, an Image book by Jody LeHeup.  Mindy picked these because they appear to have multiple volumes, which means she can continue on if and when she wants.

One of the main things I wanted to do at the con was research.  I recently spent some time reorganizing my comic collection, in anticipation of selling part of it off--I'm literally running out of room.  I've got some info (thanks to collectorz.com and covrprice.com) on potential values, and selected a few theoretically valuable comics from my collection.  I had hoped to talk to the "slabbers" (companies that take your comics, grade them, and seal them in acrylic cases, supposedly guaranteeing their value to buyers).  But what I found were self-service kiosks, plus the idea that I have to pay to join their systems, then pay again to use their service.  More research is needed.

Cons also have conference sessions--we sat in on one that featured Don Simpson, a longtime artist who had a minor role in an Image project known as "1963"--an Alan Moore joint.  Moore has become well known for being very cranky, to the point that he has taken his name off of his old projects.  His foul humor has held up the conclusion of 1963, which was originally offered as an annual--and never came out.  Now, Simpson is publishing an unofficial, unapproved "annual" using his own and some parody characters to complete the job.  It wan't the most organized presentation (they never are), but quite enjoyable.  I picked up a related book at Simpson's booth.

We were about done for the day, so after driving by some roadsideamerica.com sites--

we got some barbecue at Midwood Smokehouse--Burnt Ends (aka Food of the Gods) and Grilled Cheese with Pulled Pork. Sides were both unique and excellent.

That's enough for one day.  Tomorrow, finishing up Charlotte and onto Virginia.

[mk-wizard]

Hellboy Films: Why animated did better than live action

Hello, friends

Many of you may not know this, but out of all the superhero comics, Hellboy is my favourite. What can I say? As a little girl, I was a misfit, so a misfit hero like Hellboy was right up my alley and the concept of someone being born to be bad to turn out so good because he had a loving father to show him the way is beautiful. My introduction to Hellboy was the first live action film in the 2000s and at the time, I liked it, but then I started reading the comics. Once I got to know the real Hellboy and series, the more I fell in love with the comics yet at the same time, the more I go to not like the live action films and not just because I found the sequel and reboot in 2019 bad. There are many problems with the three live action Hellboy films which rub me the wrong way and not simply because they are live action. Most superheroes started off as cartoon drawings, but were well done in live action, but Hellboy missed all the notes. Now as a mature adult woman who is experienced at storytelling as well as analyzing, I rewatched some of the live action and I took time to watch the animated films. The difference in quality is night and day (no pun intended and I will give links to the animated films because they are stunning). I will now tell you all where the animated films went right and how live action went all wrong.

1- Hellboy’s design was better in the animated films. - I am more than willing to be forgiving when it comes to taking artistic liberties. Sometimes, the results can be beautiful, but in the case live action Hellboy, it was all wrong and I have to blunt, we can do so much better with graphic design now than just simply taking a tall buff man, putting make up and props on him. I hate sounding mean, but both versions just look like a guy wearing a cosplaying as Hellboy. It would have been much better if Hellboy was completely and entirely CGI or perhaps even an elaborate puppet costume like the ones used in the Jim Henson films. It may sound like enough to give the hero red skin, a stone hand, horns, a tail, cloven feet (which are covered), amber eyes, pointed ears and be very tall. He STILL looks too human compared to the comic and compared to what movie makers can do, it’s lackluster.

Now, we turn to the animated version which did more than just the obvious. Hellboy isn’t inhuman looking just because of the said traits before. He is inhuman because of his proportions and shape especially his face. It is a confirmed fact that he is not just not human. He is ugly and animalistic looking. His features are the combination of a satyr and gorilla especially when you look at how thin his legs, jaw, shoulders, posture and so on.  Also, his eyes aren’t just amber. He has no pupils, no schlera (the white part) and no irises. The entire eye is nothing, but amber which makes them disturbing to look at. He cannot simply cover his face, tail and hand, then simply blend in. He cannot even wear most human clothes hence why Hellboy is always shirtless and his hooves are exposed. In other words, animated Hellboy looks like Hellboy.

2- The animated plot was clean, to the point with no filler. - While I admit the first live action film kept it pretty simple, I find that it still had a lot of filler and too much subplot. If you ever read a Hellboy comic, you will know right off the bat that Mike Mignola is a master at the art of pacing without fluff. Yes, he respect that character development and buildup takes time, but he doesn’t drag things. Ever. And he does not make everything so angsty either. Yes, he hints that the characters have issues, trauma, emotional pain and at times, depression, but he did so without making them into whiners. For the most part, the cast and hero would pick themselves up and do what they had to like adults. If anything, they were also each other’s emotional support and they don’t hate people. The animated version captured that completely and even showed us that the cast did not consist of malcontents who played the “poor me” card to death. In the beginning of Blood and Iron, Abe, Liz and Hellboy were happily talking about a bakery they had found once which reminds us that with all their hardships they do seek and accept joy in life even from something as simple as good pastries.

Moreover, the plot of the film was to the point with some amount of subplots, but without getting complicated and without the subplots contradicting each other. Everything had a way of coming together neatly and even though we did sometimes get surprises, they didn’t feel like filler. They felt like things that were always there, but now, we are aware of them. Most importantly, there was no cheap or silly selling point tactics like relationship drama or the stereotypical father-son bickering (more on this later). Hellboy is not that kind of story.

3- The subtle messages and morals in the animated films were deeper and better. - Being the mature adult I am now, I can say that the first Hellboy really was just Beauty and the Beast while using the Hellboy cast instead and it presented in the message in all of the outdated and bad ways. Don’t get me wrong, I find the idea of Hellboy falling in love romantic and I admit that underneath all of the darkness and action, everything about Hellboy comes back to love. However, it is not romantic love where the end all be all is to be accepted by humanity by getting into a relationship with a human, then turning into a handsome prince even if only metaphorically. The deeper and more important kind of love Hellboy tries to teach is self love how you are regardless how strange people deem you. If you have done something with your life and made something of yourself, then it is ok to be you and are already more loved than you realize. The other kind of love that has always been important to the series is family unity. You see, Hellboy, Liz and Abe are like siblings to each other and Prof. Bruttenholm is an incredibly loving father figure to all of them namely Hellboy who he raised since he was a baby.

He made the big red guy into the man he is today. In fact, even as an adult, Hellboy and Bruttenholm are a very sweet and kind father and son duo. They are not at each other’s throats, they don’t snark at each other or are incapable of agreeing on anything. There is no spite, there is no anger, there is no resentment and there is no ingratitude. There is only love and honestly, THIS is the love that ought to be showcased more in the films.

With that all said and done, the animated films also had their subtle deep messages which we not only understand clearly, but we also appreciate more. In the first movie Sword of Storms, it was all about finding a balance between persevering and knowing when to let go. In other words, keep doing what you must if it is still relevant and making a difference, but if it isn’t and is the reason you’re stuck, by all means quit. There are many roads to closure. In the second one Blood and Iron, it was clear from the beginning that the message was to not underestimate the elderly. They may not be as strong as they once were, but their experience and wisdom gets them and you out of tough spots. They have been through everything before and know what to do. By all means, aid them and help them, but don’t treat them like helpless babies. I also have to say that when I look at the messages the two animated films were telling us, they are not only clearer, but pretty underrated ones too. In the case of the live action films, the messages were muddled if not done before.

In short, I look at the animated films and I’m impressed. If another live action Hellboy does come along, I hope that this time, it will be done right and I really don’t want to see relationship, gore fests, snark or family drama again. Of course, this all my opinion and I would love to hear all of yours.

Thank you for reading and stay safe.

EDIT: Wouldn’t you know it? I forgot the link to all things Hellboy Animated. Here it is https://en.wikipedia.org/wiki/Hellboy_Animated

[party-gilmore]

Now, i may not know enough about how this all works for this to actually like... WORK, but I'm sure someone In The Know could tweak it to actually make it function.

So like. Can someone show us what a "blockchain," or whatever NFT Bros get as proof or receipt of their purchase, actually LOOKS like?

Then artists can start photoshoping fake ones, make of batch of basically picrews with interchangeable pieces, buy a couple custom website domains that look fairly authentic to host the images on, and start selling "NFTs" for those Big Big Bucks just by hosting the image on one site and the fake Blockchain for it on another.

If these idiots want to shell out, how are we gonna prove we're actually mining the crypto? For the basic whale hopping on the bandwagon, I'm SURE we can figure out a way to randomly populate or decently fake the damn blockchain. Like these idiots would actually be able to spot a well done counterfeit. I don't even know if most of these guys actually know what one even IS. I SURE as fuck don't.

And as long as the artist is marketing it as "Come get you own personalized NFT style icon just for you!" or "Cant get enough of NFTs? Well I've got icons right up your alley that you'll love!" or some sneaky bs that someone better than me would come up with that just doesn't technically ever SAY it's an NFT... plus with those hundo thousands in the bank I'm sure a decent lawyer would be easy enough to come by.

Anyways this probably isn't ACTUALLY actionable irl, i just... Like thinking about it.

[mundungs]

ϟ.  → robert sheehan : genderfluid : he/they/she : dealer of illicit objects and substances : the raven by the alan parsons project ϟ  did you see mundungus fletcher ? you know ,  31 year old halfblood who was formally in ravenclaw. some say dung can be quite furtive but are known to be unreliable. they are aligned with the order .  maybe that’s why they remind me of naming stray cats, flicking a lighter over and over again, falling asleep on the subway. ϟ 

some links for food

bio

stats

pins

playlist

history

ciannán o’donnell is a flighty man, one of many relationships and flings and little loyalty, and so his affair with maeve fletcher does not last long. when she tells him she is pregnant, he moves on to a different woman, and maeve has her son alone, with her sister on her side. and thus, mundungus is born (and giving an arguably atrocious name).

he grows up with his mum – a halfblooded witch and by far his favourite person in the world – in limerick, attending muggle school there. he knew who his dad was, but wasn’t quite sure how to feel about — his father is a criminal, a prominent member of the irish mob. 

he meets his dad for the first time at age seven, and was nothing but impressed. his dad showered him with gifts, his mum watching with a furious look on her face but biting her tongue. that moment was a switch for mundungus; he felt the need to impress his dad. he stole some sweets from a store on his way home from school a week later, fished some pennies out of the pockets of his classmates a few months later. when he phoned his dad to tell him, his laugh was warm and filled with life. his relationship with his dad got better as his behaviour got worse. the thrill of stealing, of doing stuff he wasn’t supposed to, lit him not only on fire because it was exciting, but also because he knew his dad would adore it. 

but ciannan, a flighty man, pushes and pulls. and so mundungus was fed disappointment by his father, liking love off a shiny knife rather than a spoon ( silver or plastic, what the fuck does it matter ). details omitted, long story made short: his dad sucks and his mother tries, but mundungus is pulled towards that what smells of danger.

DRUGS MENT. at hogwarts, dung is sorted into ravenclaw. not at all the booksmart type, he falls more into the chaotic-creativity, random-bursts-of-wanting-to-learn-everything-about-something type of ravenclaw. there’s two worlds, then: the muggle world, where he slowly dips his water further in criminal waters, and the wizarding one, where he’s chaotic and messy but a student. when he grows older, these overlap: dung starts selling some of his dad’s weed at hogwarts, and soon gains a reputation of being able to get people less-than-legal shit. 

not getting high off your own supply is not a sentiment he agrees with. not then, not later, not now. dung is fun, always in for a party and willing to supply the goods to throw it. if some rich purebloods lose a few galleons at said party, well, it sure isn’t him! END OF TW

he graduates with two newts, in herbology and potions, failing his dada and charms exams. he’s not an academic.

falling into the family business after graduation is easy. mundungus is attracted by the criminal underworld, both that of muggle ireland and that of the wizarding world. knockturn alley was a place frequented in teenage years, but now becomes more his place. he makes connections, exchanges strange potion recipes for other things. makes an odd wager on a bunch of stolen brass scales and turns a profit. 

a career is not something that interests him; he is more interested in bending rules and making quick money. thievery, selling illegal shit, heists, fraud, fuck-all. mundungus is not limited by one descriptor, one kind of criminality. he just does what he wants and hopes to make a good penny.

but then he almost gets sent to azkaban over some, in his frank opinion, bullshit. it’s dumbledore who talks the wizengamot out of it, saddling dung up with some community service and persuading him towards the order. he’s twenty three. the war is still fresh. he has no interest in it, but he owes the old man. fine.

mundungus does vehemently oppose blood purity and any kind of discriminatory ideals, an anarchist in his very bones, but he is also cowardly. to side with self-proclaimed rebels is not in his blood and yet it’s where he ends up, bringing shady ties to the underworld to the table and a sheer ability to sneak around and fuck the law. and maybe, amidst the ranks of the order, dung finds something he’s not very familiar with: a large family. and dung? well, he’s the stoner, gay, super-fucking-chaotic cousin.

personality

if jesper fahey and kaz brekker had a child, it would be dung. 

other character parallels: fezco ( euphoria ), boris ( the goldfinch ), doug judy ( b99 ), jason mendoza ( the good place ), chris miles ( skins ),  nick miller ( new girl ), creed bratton ( the office ), scott lang ( marvel ), lillian ( unbreakable kimmy schmidt )

technically he’s homeless. he’s got a bedroom at his ma’s place, has a ton of squatter connects in the muggle scene and couch surfes aplenty, but dung doesn’t rent a place. why? landlords are evil. he could afford a place, just doesn’t see the point. life’s better with some adventure.

appears very neutral in public as it’s beneficial to his role in the order??? 

.... tortured artist. writes poetry and loves to draw and paint. 

tattooed the fuck up. some are his own designs.

can usually be spotted wearing The Coat, a rly expensive, vintage long coat that he once stole of a pureblood. he’s enlarged the pockets with some handy spellwork and pretty much carries everything he owes in there, like his produce and his money and his second pair of shoes and his art supplies and probably some random trash. 

loves animals. he loves stray cats especially <3 they are his kin. 

an anarchist. a bit of a punk. a deep idealist with a cowardly heart so constantly betraying himself (and sometimes others?)

queer! enby! genderfluid! i used he/him pronouns throughout this intro but dung truly doesn’t give a damn what u use. loves to dress up in feminine clothes. 

has a ton of aliases, lol, the most important one being marigold fincher. 

cusses too fuckin much to be healthy :/

oh no he is a big sad insecure kid deep inside :/ dont tell anyone how embarrassing!!!! shhhh!! it’s a secret.

quick connection ideas

victim. wow please. if your character is rich. let me steal from u. pick ur pockets. break into ur house. get some of ur stuff and drop it on the black market. 

customer. dung sells. whatever u need. drugs. weird magical things. ask and ye shall receive. his prices are whack but he does deliver <3

pal. party friends! order friends! random encounter friends! dung has a trashmouth and loves to talk pls let him chat u up and u will never be rid of him <3

couch. he couch surfs. a lot. if ur character trusts dung enough to let him into their home (which they shouldnt) then pls let him sleep over for a night. he will leave a strangely expensive necklace on ur kitchen table as a thank u. or wilted flowers. no in between.

skeptic. ur char is in the order and thinks dung is a liability and maybe they have a point. a point mundungus would rather not face :)

dmle bitches. dung hates anyone authoritative but esp the coppers at the ministry (hit wix & aurors) (yea he calls them coppers sorry he doesnt respect them enough to call them aurors <3). give me that doug judy/jake peralta dynamic. or just someone in the dmle who is like ... sigh this guy again??? 

fwb/one night stand/fling/etc. he’s a bit slutty <333 give him some ppl he’s hooked up with / will hook up with.

[princess-of-the-worlds]

So I watched Enola Holmes on Sunday, and I couldn’t stop thinking about how now with Burn in the movie, we’ve seen most of the cast in Victorian-type costumes. 

We have Burn in this movie. 

We have Barrowman in Fragments. (Ignore the sideburns.)

We have Eve Myles in The Unquiet Dead.

And we have Gareth in Warehouse 13. (And also apparently the Sherlock Holmes movie, but I’ve heard things about it, so we’ll ignore it.)

(Forgive, they’re the best gifs I can find right now, but it’s not really the point of this.)

So that just leaves Naoko. If she’s been in a movie or TV show that had her in a Victorian costume, feel free to let me know; I just personally haven’t seen or heard anything.

Anyways, my point is...Victorian Torchwood AU where the entire team is human? (Kudos to @ultraviolet-eucatastrophe​. I worked out most of this talking to her.)

Hear me out? (Keep in mind that I am neither British, well-versed in British history, or was alive in the 1800s. I’ve kept certain headcanons - like Tosh’s backstory - as vague yet historically possible as I can remember from school.)

This is set some time in the mid- to late nineteenth century/Victorian London.

Jack is like a Scottish lord or noble whose family moved to the US when he was young. After his dad and Gray died - and his mother succumbed to hysteria and became incapable of caring for him, he is left on his own as a teen and turns to crime. He becomes a con artist and thief and earns enough to board a ship to London when he is 19. In London, he meets fellow thief - and grifter - John Hart, and they become partners and lovers before falling out a few years later. Perhaps, Jack meets some mysterious leather-coated gentleman and his beautiful blond companion who, after an adventure, disappears but not before prompting Jack to try living on the legal side. He uses his criminal past and knowledge to consult for Scotland Yard.

Gwen is actually Gwyneth, and after the events of The Unquiet Dead, she blacked out instead of dying. The trauma fucked with most of her memories. She still remembers her name and adopts a variant of it - Gwen Cooper - before fleeing Cardiff for London where she works as a maid in many wealthy households. Her ability allows her to make premonitions that are always correct, and she is able to become a finder of lost items and people for which she is paid a small fee. She chalks this ability up to having keen sense rather than anything supernatural or Rift-related.

Tosh is the genius daughter of a wealthy Japanese businessman frequently visiting London. She spends time growing up sheltered between Japan and the British countryside but eventually grows a rebellious streak and runs away to London. Except she’s kidnapped by a band of men who originally want to sell her into prostitution until they realize how intelligent Tosh really is. They keep her captive for several months, forcing her to build them weapons.

Owen is born in the London slums but is ambitious and sharp enough to want to work his way out. He falls for a good woman, Katie, and eventually becomes a doctor, marrying Katie. They live happily for a few years until Katie dies of a seemingly incurable disease - actually an alien parasite. In his grief, Owen takes to drinking, gambling, and fighting and becomes a back alley doctor, growing a certain repute among the London criminals. One day, after one of their men is stabbed fatally in a fight, the same men who kidnapped Tosh kidnap Owen to operate on their man. Owen meets Tosh, and they bond over a few days. Meeting Owen gives Tosh the courage to finally facilitate the escape she had ben planning, and Owen and Tosh escape to freedom and hide in a flat near where Owen grew up, eventually falling in love.

Ianto belongs to a poor Welsh family and falls in love with Lisa, a local shopkeeper’s adopted ward, but Ianto’s dad disapproves of their interracial relationship and...(well, we know Ianto’s dad’s repute from canon.) To be together, Ianto and Lisa flee to London, but the only place they can find shelter and work is for a crime syndicate run by an imposing woman named Yvonne. Except this syndicate, which is actually a front for Torchwood, which was formed either the same time or a bit earlier depending on when you want to set this AU, and the entirety of the organization burns in a fire of alien-origin. (Only the original base in Scotland and a small outpost in Cardiff remain of Torchwood). Lisa and Ianto barely survive, and Lisa eventually succumbs to her injuries several months later despite Ianto’s best efforts. Ianto, after spending several long months in the London slums, managing to convince a tailor to take him on as an apprentice.

Then one day, a new serial killer begins operating in London. He kills neatly, somehow draining all the bodies of their blood with only a single puncture mark, and his victims are all women, prostitutes and widows and single mothers and the like. Women that no one will notice, that no one will miss.

Except he’s wrong. They are noticed, and they are missed.

Jack, ever so observant, takes notice and starts tracking down this killer. He may not entirely be the Jack Harkness we know and love, but the Doctor and Rose, no matter how brief their acquaintance remained, have inspired him to a good man. He can’t let a monster like this killer stay lurking in the city.

One of the victims is a prostitute who lived in the flat across from Owen and Tosh and never failed to be kind to them, especially Tosh, despite her being Japanese. Tosh and Owen are determined to bring her to justice.

Another of the victims was a runaway from a noble family, and her mother, knowing of Gwen’s repute, begs Gwen to find her.

And finally, poor Ianto happens to be leaving his tailor’s shop too late one night when he spots a struggle in an alley. Ianto, wanting to be wise and live, keeps his head down and walks away, but the next morning, he finds that he had accidentally ignored the killer with his newest victim. The guilt eating away at him, Ianto becomes determined to stop the killer as much as he can.

So all five of them are wandering through the city of London, trying to track down this serial killer. You can imagine they might bump into each other a few times, like Donna and Ten in Partners in Crime. Maybe Ianto grows intrigued of this strange, charming American he keeps meeting and can’t stop thinking about. Tosh and Owen are a bit wary of this quiet Welshwoman who speaks to them as if they’re old friends.

Eventually, Jack, Gwen, Tosh, Owen, and Ianto all corner the killer in a warehouse near the London docks one night except the killer turns out to not be human. The killer is a Plasmavore who has been feeding on all his victim. After a struggle ensues, the Plasmavore is subdued and eventually killed, and the Scotland Yard awards Jack, Ianto, and Owen the reward money for finding the killer.

But this doesn’t sit well with Jack who proposes that the five of them partner to form their own detective team, because they all have unique skills which they bring to the table. And they all realize, putting their heads together, that there exists a form of life that is not entirely human, a form of life beyond this planet. Jack has his Doctor, Gwen has her mysterious past and her ability - which still hasn’t occurred to them to be of similar origins as the creature they encountered yet, and Ianto has Torchwood. 

All five realize that they are better off and more efficient together and that they can be investigators of anything seemingly inhuman and other phantasmagoria. 

Thus, they accidentally become alien crime fighters two centuries too early.

And eventually, they solve enough cases to meet Madam Vastra, Jenny, and Strax and become their allies.

And somehow, they’re always ahead of the other branches of Torchwood to occurrences in London to the point where, on Archie’s suggestion, they actually become the new Torchwood London.

Of course, they have encounters with the Doctor whenever he pops around, and Jack finally gets some answers about his mysterious leather-coated gentleman.

And thus, despite being in a whole different century, and a whole different city, Jack, Ianto, Gwen, Tosh, and Owen still manage to become Torchwood. 

So yeah, there you have it. An entire AU (or at least its origin story) plotted out completely. Now here’s the thing. This idea won’t let me go, but I also can’t do historical AUs. Like, it’s just too much research and plotting involved for me to be satisfying with writing this. That’s why it’s up for grabs. If this sparks your interest and you wanna write, feel free to do so. Just please ask and get my blessing beforehand. (Joking, but please do shoot me a line if you end up writing this.)

Thoughts? 

[hopetofantasy]

Culture, parallels & meta - S3 E1

Previous season Prologue: Vlogs (1) - Vlogs (2)

°

Zaterdag 21:43

The time lapse already showing us a string of places that will be important later, like the dark alley, the Meir with Noor’s workplace, the university neighborhood, the Scheldt river where the boys hang out, ...

Perfect parallel: 

The second season starts Zoë’s POV with a (washing machine) door, whilst the third opens with a door to a party that Robbe attends.

Robbe glances back at Noor passing through the shot this episode, an action he repeats when he spots Sander in the second episode. - A very subtle hint to where his love life may lead.

The first one starts with two unknown LGBT+ girls kissing at a party, the last episode shows two known LGBT+ boys (Sobbe) kissing at their own party.

The aerial shot through the floor to introduce us to Robbe’s POV here and the aerial shot through the roof to say goodbye to him in the last episode.

Moyo saying “No one would do you” to Aaron in this episode, Aaron realizing “No one here wants to do me!” in the last.

Where’s Wally? Noor greeting Marie, accompanied by Jana and Britt. Max dancing with Keisha in the crowd.

How ‘meta’ of you: Newsflash, yes you are!

Nod to the OG: 

The deliberate messy POV: following everyone that we know already and then slowly settling on the Isak version in a tub.

Robbe saying Noor looks like ‘Natalie Portman’, which is what people said to the OG Emma when they flirted with her. Everyone, except Isak, that is.

Oop, there it is, the homophobia / heteronormativity: Moyo keeps pressuring Robbe into explaining what type of girl he likes. The boys laugh it off when he answers that ‘he doesn’t have a type’.

Lost in translation: Moyo mocks Noor’s Dutch accent, making his ‘g’ and ‘st’ sound harsher, while also adding ‘hoor’ at the end - a typical word used by the Dutch to emphasize a point.

Blink-and-y’ll-miss-it: Jens is playing with the weed bag. Keisha is one of the girls that Moyo mentions as Jens’ ex-girlfriend or ex-fling. Not only did Noor nót flush the toilet, but she didn’t used any toilet paper either!

°

Zaterdag 22:44

C is for culture: 

Noor rescuing Robbe on her scooter - In Belgium, you’re allowed to drive a moped or scooter once you’ve reached the age of 16. Nothing is needed if the vehicle doesn’t go above 25 km/h. If it stays between the range of 25-45 km/h and max. 50 cc, you need to pass a theoretical exam, 4 hours of driver’s ed and a practical exam to get the license. Anything other than that, has a whole new set of restrictions, types of driver’s licenses and minimum ages.  Noor and Robbe are, however, still breaking the law. As long as you’re not 18, you’re not allowed to have an extra passenger with you. Especially if they’re not wearing a helmet. (Plus they ignored a red light. Those rebels!)

“You do know that you always have to have it with you?” - The Belgian law states that everyone above age twelve, has to get an ID to identify themselves. Some might have had a Kids-ID already - for travel purposes - but that’s not mandatory. However, once you're fifteen years old, you’re obligated to carry your ID with you at all times.

Perfect parallel:

Luca being all jealous whilst staring at Noor and Robbe making out in S3, her glaring at Maud and Robbe every chance she got in the last season.

Robbe and Noor having fun on the scooter while screaming and Robbe filming their adventure in this episode. Robbe and Sander doing a similar thing, but on their bikes in a later episode.

Wink to other remakes: Robbe sporting a brown jacket. (Eliott, anyone?)

Surprise bitch, guess who: It’s Willem Chanterie, the on-set costume designer and social media production assistant!

Blink-and-y’ll-miss-it: Noor has a ‘Fuck Trump’ sticker on her helmet. Robbe says “Hey, it’s red” in a very clear Antwerp accent. 

°

Zaterdag 23:11

Hello from the outside: The garbage truck they sprayed, still drove around the city regularly. The art piece itself is named ‘#Genoeg mama' (= ‘#Enough mommy’). It blames the consumer society as toxic, making young people its victim.

Oopsie: Inside the graffiti den, Noor suddenly sports a tote bag with supplies, even though we never saw her wearing that in the previous shots.

Blink-and-y’ll-miss-it: Noor has black combat boots. The photographer is obviously Sander, in case you have missed that subtle clue.

°

Zondag 13:41

Lost in translation/Oop, there it is, the homophobia / heteronormativity: 

“Check die pekie’s”. The word ‘pekie’ is actually Amsterdam slang for ‘beautiful girl, girlfriend’. In recent years, more and more Dutch slang are making their way into the Flemish dialect, because of the Dutch rap songs gaining popularity with the youngsters.

“Vamos, flikkers”. The word ‘flikkers’ can mean ‘wussie’ as well as a derogatory term for ‘homosexual’. Again establishing the fact that the boys use a lot of homophobic or toxic words for each other.

Robbe’s clumsiness meter: +1, him tossing the bag behind Jens instead of into his hands.

Blink-and-y’ll-miss-it: There is a football right next to the skateboards.

°

Maandag 16:04

C is for culture: “The whole art school was talking about it” - 

Secondary school is divided in four sections: general, technical, art and vocational. Which section you choose can have effect on further education. In one of these sections, you pick what you want to study from your first to last year (‘directions’). That means that you have some courses purely focused on the direction and others that are obligated for everyone, regardless.

Art high schoolers can choose to go to work or study a specialization afterwards. Their coursework isn’t solely art based, there are general required courses too. That’s why some foreigners - including the Dutch - come to Belgium, since they’ll get a more rounded and higher level of art education than in their countries. ‘de!KUNSTHUMANIORA’ is the high school in Antwerp Noor goes to and is known for having students with unique styles.

Perfect parallel: 

Noor waiting outside the school for Robbe and him reacting somewhat confused here, Sander doing the same and having an instantly happy Robbe in a later episode.

Robbe having no problem kissing a girl ‘as a straight guy’ in front of the gates in this episode and scared for what might happen if he kissed a boy ‘as a gay guy’ later on. 

Blink-and-y’ll-miss-it: The insta caption underneath the art work says ‘An inspirational message on a Sunday! Just discovered this in Antwerp city today. Artist unknown... Can you remember when you last called on your mother?’ (That last sentence, oooofff, the symbolism!)

°

Dinsdag 14:57

C is for culture: 

“Yes, mini enterprises are so chill.” - Mini enterprises are often used as a tool for Economics in the fifth/sixth year. The goal of these is to ‘learn whilst doing it’. Like the name specifies, mini enterprises are actual miniature companies set up by a group of students. During the school year, they’ll try to work together on commercializing a product. All aspects of entrepreneurship are at play here: writing a business plan, holding meetings, doing bookkeeping, marketing the product, produce and sell it, ... If the enterprise idea is good or well executed, it might even win a national prize by the company making this education formula.

“What if he contacts child protection services” - Actually, those services doesn’t really exist in Belgium. There are, however, other youth organizations for these types of things, like JAC - Youth Advice Centre, CLB - Centre for Student Guidance and the Centre for Mental Healthcare.

Perfect parallel: The boys hyping Aaron up to walk over to Amber and talk to her - yet he fails in this episode, them doing the same and he succeeds (after some fails) in the last episode. 

Oop, there it is, the homophobia / heteronormativity: Jens saying “Damn, seems like someone is on his fucking period”, after Robbe snaps at him due to the difficult telephone call with his dad.

Lost in translation: Jens saying “Mijn kop staat er niet naar” (= “My head’s not standing there”) can actually mean different things: I’m not in the mood, it’s not the right time, I don't want to do it, my head’s all over the place, ... It depends on the context, on which interpretation would suit the situation the best. 

Blink-and-y’ll-miss-it: The girls are all fawning all over Britt’s cellphone, so there is a good chance that they’re discussing (pictures of) her boyfriend, Sander. Also, Jana’s braces are gone! 

°

Donderdag 17:13

Perfect parallel: Robbe stating that he can’t talk to his dad or he’ll fight and Zoë getting that, as she said a similar thing to an understanding Senne about her parents in S2. 

How ‘meta’ of you: Ah, yes, fandom ship names in SKAM. We applaud!

Oopsie: If you look really hard, you see that the body type and hair of Robbe’s dad, doesn’t correspond with the version waiting at the restaurant later on.

Wink to other remakes: This shot reminding you of a certain S3 trailer?  👀

Blink-and-y’ll-miss-it: The numerous references to Zoënne’s relationship in their room (relationship pics, Senne’s guitar). The paper Milan gifts to Robbe is the written permission by his parent to live with them, as is obligated by law.

°

Vrijdag 20:04

Perfect parallel: 

Senne pulling Zoë up after a kiss here, just like with their first kiss in S2.

Robbe pushing Milan away after thinking he wanted to kiss him at the party in S2, them hugging it out in after talking about it in S3.

Blink-and-y’ll-miss-it: Zoë and Milan making some healthy party snacks like cauliflower and cocktail sauce, cheese with tomatoes and salami squares. She pulls back the bottle of gin that Milan wants to steal. Senne also bought paprika and tortilla chips from Colruyt (a discount store).

°

Vrijdag 20:54

C is for culture: “Noor, Robbe’s girlfriend” - (Teen) dating culture is different in Belgium. Usually, if you have kissed, hung out, texted or just said/did something to show your mutual interest, you’d pretty much consider yourself in a relationship. It can go from 0 to 100 very quick. Unless there is, of course, an agreement that what you’re doing is no such thing. Also, nobody really ask you to be their gf/bf. It just implied or stated to their family or friends. 

Perfect parallel: 

A reluctant Robbe pushing himself to do stuff to Noor (playful dancing, kissing, riling her up) as far as putting his hands on her bra here. A totally different, excited Robbe not even thinking twice about doing these things to Sander, even licking his nipple during their reunion.

Noor pushing Robbe on the bed and climbing over him, whilst Robbe looks all sad in this episode. Him pushing Sander on the bed and being happy as Sander crawls over him during their reunion.

Oop, there it is, the homophobia / heteronormativity: Robbe tries to convince himself into liking heterosexual sex with Noor and fake laughs with his friends about having it.

Where’s Wally? Keisha laughing with Amber and later dancing with Marie.

Blink-and-y’ll-miss-it: Jens is talking to Senne. The decorations behind Milan saying ‘Welkom Robbe’ (= ‘Welcome Robbe’). Noor has a beautiful tattoo of a pin-up girl covered with butterflies on her lower arm.

[kjissexy1994]

WORDS OF SHAKESPEARE: The Return of a very Supa Occasion! (Special guest: Richard)

On the 19th of June 2021, my old friend, Maiwel alumni and acting veteran Richard and I went to the Supanova Comic and Gaming Convention at Sydney Olympic Park in Homebush Bay. The 2021 edition of Supanova was the first time in two years that it was held in Sydney as last year’s edition was called off due to “You Know What” alongside Adelaide, Brisbane and Perth.

To implement with the health and safety protocols, the layout of the convention was more smaller and laid out to comply with physical distancing measures as well as entering via a QR Code.

When I first entered the Dome Exhibition centre seeing all of the convention goers and Cosplayers of superheroes, sci-fi and anime. I kneeled down and proclaimed “HALLELUJAH!” as many of the convention fans from NSW were starved of a taste of a full-on convention since the world went upside down early last year (Outside of the smaller edition of Oz Comic Con titled OCC POP UP which was held earlier in March of this year).

Supanova contained a teeming amount of Cosplayers from DC Comics and Marvel Superheroes, Rick and Morty, Steven Universe, Star Wars, Ghostbusters, Doctor Who and Power Rangers, Cosplayers from anime such as My Hero Academia, JoJo’s Bizarre Adventure, Naruto and Disney films including Mary Poppins, Mulan and The Little Mermaid, Cosplayers from Video games including Overwatch, Pokémon, Super Mario, Sonic the Hedgehog, Street Fighter, Resident Evil, Mortal Kombat, Cyberpunk 2077, Final Fantasy, Sonic the Hedgehog and Undertale, Cosplayers from Web animations for instance including RWBY, Hazbin Hotel and Helluva Boss as well as various furry Cosplayers and cosplays of my childhood such as Pingu. There was also a very innovative cosplay such as an attendee dressed up as a giant functional Nintendo Game Boy System! The costumes looked absolutely well designed and spot on as I asked kindly for photos!

A number of RWBY fans and Cosplayers noticed me wearing Jaune’s Pumpkin Pete Hoodie. I must admit, I’d make a pretty good Jaune cosplayer if I could get his armour, his “Crocea Mors” sword and shield and dye my hair blonde!

There was also the Cosplay stage across from The Dome where there was a competition for the very best and innovative costume, as well as seminars of the bigger name Australian celebrities.

Speaking of the celebrities, Due to the international borders being closed until either the middle of next year or when the majority of the population of Australia is vaccinated, Supanova relied heavily on home grown talent from our country for example (but not limited to) Manu Bennett, David Wenham, Josh Lawson, Kodi Smit-McPhee, Georgia Haigh, Nicholas Hamilton and frequent Supanova Attendee, John Jarratt who is famous for portraying the infamously ominous and frightening Mick Taylor from the horror movie franchise “Wolf Creek.” I still remember being scared straight to high heaven watching the movie when I was very young due to Jarratt’s portrayal of the heinous horror character next to Bill Skarsgard’s portrayal of Pennywise the clown in Stephen King’s IT Chapters one and two, but alas Jarratt was a very generous and friendly larrikin!

There was a lot of great activities to do including the “Black Widow Obstacle Course” where you had to complete a number of tasks within the time limit in order to win a prize, Star Wars Lightsaber demonstrations and tutorials and the “Battlecry” LARP (live action role playing) battle displays and demonstrations where you could fight your friend or one of the friendly Battlecry veterans such as Sammy Owen from the recent Medibank Commercial with a rubber sword or axe. This was a very great debut for my LARPING alter ego, “Boar-Head: The Sworded Brawler” and I am very interested in joining a Battlecry LARP group in the future!

There was a very colourful display of artwork, comics and prints at the Artists Alley, with various comic book artists from across Australia such as (but not limited to) Queenie Chan of Fabled Kingdom, Anthony Christou of Luminous Ages and Camillo Di Pietrantonio famous for illustrating the Teenage Mutant Ninja Turtles IDW comics.

The Fabulous Wonder Mama also made a guest appearance as she is a superhero representing the LGBT Community.

The Artists Alley also had tables of independent artists selling comics, prints, bookmarks and badges available. Looking at the artwork made me feel like I was at an Art Museum for the fans of pop culture!

For those who want to spend some dough, there were also stalls selling new and vintage comics and trading cards, Pop Vinyl Figures, Animation cells from cartoons and movies of yesteryear, Action figures and gaming consoles from the eighties and nineties, LGBT pride flags, rock and metal band t shirts and apparel and Plushies from Japanese anime and video game franchises such as Pokémon and Digimon. There were also games to play such as Super Smash Bros Ultimate for the Nintendo Switch so fellow gamers can smash their friends out of the arena! For the con-loving geeks who were hungry, Dominos had a stall selling various flavours of pizzas and garlic bread and the canteens in the Sydney Olympic Park Dome sold fish and chips, bagels, sushi and coffee. Byron Beef Jerky also had a traditional stall selling all kinds of flavours such as Teriyaki, Chilli and the infamous “Devil’s Doo-Doo!” (Not for the faint hearted!)

Whilst Supanova Comic and Gaming Con in Sydney was a fun event for the inner nerds, parts of the con had to be completely modified and or removed in order to be healthy and safe for example, the discontinuation of handing out free goodie bags containing the guidebook and map of the layout of the con and other cool things making both the map and guide digital exclusive via the Supanova Website.

Another notable absence was the Australian Wrestling Federation wrestling ring where the pro wrestlers of the aforementioned promotion would host a series of three wrestling matches per day and the wrestlers would hand out free autographs, this really kind of hurt me as a fan of pro wrestling for sixteen years but it’s better to be safe than sick. At least the Battlecry LARP displays and demos filled in its place!

For the seminars, gone are the days of staff handing the microphone to the audience for the Q&A’s as they have to lineup behind the microphone in order to ask an interesting question to the guests.

I also didn’t like how some parts of the convention was a bit squashy when you first entered, in the artist’s alley and in some of the stalls. Like I said, we are in a receding health crisis and we need to wear masks, be physically distant, wash our hands and get the much needed vaccine shot against the you know what!

All in all, Supanova had a amazing return to full flight in Sydney despite the scare earlier in the week and the lack of International guests. I was starved of a full on convention throughout the year of misery last year and as a person on the autism spectrum, cons are such an amazing way to make new friends and to show out your inner geek, nerd,fanboy or whatever via cosplaying, gaming, greeting guests, purchasing artwork and so on and so forth all in a very safe measure!

I give this year’s Supanova in Sydney a 7 out of 10. This edition was absolutely different compared to last year’s and I have strong confidence that next year’s edition in Sydney and abroad will have well known and beloved international guests back to the much loved Comic and Gaming convention next year, just in time for Supanova’s 20th birthday!

Next time I am in Sydney, I will be going to the Vivid Festival which will be in August so stay tuned for that!

Happy trails!

K.J (Kane)

[nixotinix]

What's up, my cool cats and kittens! So this is different from my usual content, but I'm bored and this entire blog is just a shitpost. So!! I'm gonna give everyone some convention advice and tips.

Before we start though, I wanna make it clear that I'm not a con veteran, I'm a damn teenager who's been going to cons for 3 years tops (not counting 2020). But I do have some behind the scenes info since one of my dad's relatives runs a real successful con around where I live, so I've seen some of what goes on.

This is probably gonna be multiple parts, so I'll be marking these posts with #kingscontips so people can find them.

This post is about the basic parts of a con and some information about them. So without further ado, let's get into it!

Parts of a Convention

First we have the main hall, or just the hall. This is the biggest area of a convention by far, and it's where people talk and hang out and take pictures. This is where you'll usually see a bunch of those cosplayers with super elaborate cosplays. This area can be super populated, so take care to not bump into anybody, as parts of their cosplay or prop could break.

Next is the vendor's hall/artist's alley. These are sometimes separate, sometimes together. The umbrella term, from what I've heard, is the dealer's hall. The Vendor's Hall is a place where people sell official merchandise from a piece of media. Think figurines, movies, comic books, things like that. Meanwhile, the Artist's Alley is a place where artists can sell their own work that they themselves made. Think prints, stickers, keychains, that good stuff. This place is also called the Wallet Drainer.

Next are panels, arguably the most popular part of conventions. They're organized meetups at a certain place and time. There's usually a panel (ha) of speakers or hosts who talk about things. The topics of panels can range from shows to games to cosplay tips. They're super fun and I'd reccomend fitting as many of them into your schedule as possible so you can sit in a room with a bunch of sweaty nerds and listen to other sweaty nerds talk about their niche.

A subset of panels are celebrity meet-and-greets and autograph signings. These are usually people like famous cosplayers or voice actors. These panels are stupidly popular. If you wanna get a good spot, get there early. Not like, 4 days early, but a good 15-30 minutes early. Maybe even 45. Especially if you've got another panel to catch 15 minutes after.

Cosplay meetups! Incredibly fun. These are usually organized by attendees of the con through the convention organizers. It's where people who are cosplaying characters from one certain media (usually just one series or show, rarely broad categories like "anime" because that would be half the attendees or more) get together and talk about their cosplays and their media of choice. These are like panels, but without a host and you can talk to whoever you want. They're at a certain time and place, just like panels.

One of my favourite con events is the cosplay contest. Whether it's a big con or a small con, these are commonplace and are super fun to attend to see all the unique cosplays. You can even enter these contests yourself, although a lot of cons require you to make some parts of your cosplay. I hear the standard is 50-60% of your cosplay must be made by you. Excluding the obvious things like shoes and wigs. Some contests are organized by experience, others by age. Winners do receive awards and prizes. These contests are prejudged and, if you do enter, you'll have to meet with the judges to tell them about your cosplay. This could be an entire post in and of itself, but I'll make that later.

Concerts and raves! These events, along with the cosplay contest, may require an additional ticket to enter. Concerts are what you'd expect, and raves usually take place after all of the other events, like panels and the dealer's hall, have closed. Not all raves are 18+, but I'd check the rules of your con. The schedule should say if an event is 18+ or not.

Speaking of 18+ events, let's talk about those. If you are a minor, do NOT try to enter 18+ panels or events. You will have your ID checked at the door and if you're under 18 and you try to get into the panel, you won't be let in. If you get into the panel and you are under 18, you'll likely be kicked out or banned from the convention. Trust me, you can wait until you're 18 to go into these panels or events. It's not worth getting a lifetime ban. Seriously. Don't do it.

Another common sight at your average con is the gaming room! This place is gonna smell worse than the sewers, so be prepared. They usually have one or two virtual reality headsets, which are the most popular console there, so you'll have to wait in line. They'll also have a handful of consoles and your occasional arcade machine. There's also board games and tabletop roleplay games, though these may be in a different section than the video games.

Depending on the size of your convention, they may have other amenities. For example, the con I went to most recently (in 2019 ;-;) had a manga library and a maid cafe. Make sure to look into what events your convention has so you can plan your schedule accordingly!

[ducktracy]

190. porky at the crocadero (1938)

release date: february 5th, 1938

series: looney tunes

director: frank tashlin

starring: mel blanc (porky)

at long last, frank tashlin has succumbed to putting porky on a diet. this is the first tashlin short to have a slimmed down porky, officially putting an end to “fat porky”’s reign.

the story credit goes to lew landsman—a bit of an anomaly, considering this is his only credit. much of the scoop on him has been lost to the sands of time, but evidently he was a gag artist, selling comic drawings to magazines and even touting showings of his art throughout the ‘40s and ‘50s. you can read more about him here.

porky aspires to be a bandleader at the prestigious crocadero (a parody of the cafe trocadero, a bumping nightclub on the sunset strip from 1934-1947), but quickly realizes he’s too poor to afford its flashy admittance fee. he works as a dishwasher, hoping to catch a whiff of the festivities, but is quickly let go after he proves too incompetent for the job. nevertheless, an impromptu change in plans finds porky at the bandstand conducting a number of acts, including a high-energy cab calloway finale.

the typography of the title card melts away, the camera panning out as we get a full view of the crocadero, illuminated by the moonlight and its flashy neon sign. pan back in to the sign and fade to a standee:

all of the selections are references to pieces of music, with said music serving as accompaniment. the score begins with “little man, you’ve had a busy day”, switches to “in the shade of the old apple tree”, and closes with a carl stalling favorite, “the lady in red”. 

pan over to porky, eagerly ogling the sign. volney white’s animation and mel blanc’s vocals combine to make an energetic performance that will only grow in fervor. “hot duh-dee-duh-dee-duh-diggity dog! all thuh-the-thee-the big shots in person!” the detail of porky’s little hat flipping around, staggering in time to his stutter, is not only funny, but elevates the energy of the sequence. “someday, i’m uh-guh-geh-uh-gonna lead a band, too! s-see?”

porky unfurls a diploma, to which we get a close-up of his not-so-trustworthy credentials (fingernails and all):

volney’s animation continues to be full of character as porky blabs on about how he’s gonna become a famous bandleader. “and meh-muh-mee-mm-maybe i’ll be eh-feh-eh-famous, like eh-leh-lee-le-leopold eh-seh-stokowski!”

a nice change in camera angles as we turn to an upshot of porky, furiously conducting his imaginary band to a rousing rendition of “poet and peasant overture”. 

the mood changes from fervent conductor to crooner as he chooses to mimic rudy vallee, conducting along to vallee’s 1937 “vieni, vieni”, complete with a hilariously amiable facial expression--a stark contrast to the fit he was throwing mimicking stokowski just seconds prior.

another seamless transition in tone to an impression of eh-buh-bee-beh-benny goodman, the song this time being “sweet georgia brown” in the stylings of the king of swing himself. the changes in mood and tone, in both the animation and the music, are as smooth as butter, especially for such drastic shifts in expression. frank tashlin doesn’t skip a beat with his pacing. this is especially true as the camera pans over to another nearby sign, a hilarious sight gag quickly putting an end to porky’s festivities:

dejected, porky rifles in his pocket and pulls out a lone coin emblazoned with a skunk—“one scent”. he trudges along solemnly, away from the crocadero, when all of the sudden a sign catches his eye: BOY WANTED. though porky has been slowly growing more consistent in his characterization, his age still fluctuated from picture to picture. frank tashlin would also portray him as a young boy in wholly smoke just a few months later.

tashlin flaunts his need for speed as porky wastes no time doing the signature volney white eye take and darting into the crocadero, a cloud of dust and the swinging of the doors serving as the only indication of his presence just milliseconds prior.

although the sign doesn’t elaborate on what job it is that porky is doing, the tower of dishes blocking the screen as we fade in to the new scene answers any lingering questions. pan out to porky, happily scrubbing away, while his boss, a pretentious walrus whose vocal stylings are hilarious and borderline incomprehensible orders him around. the bargain—if porky does his job, then he can “watch the orrrrrrchestrey, maybe, hmmm?”

a throwback to the days of working with disney, carl stalling “mickey mouse”’s a little penguin waiter—that is, his quick little steps are fervently timed to the jaunty tinker of an xylophone. the walrus blocks the diminutive penguin, peddling a platter of soup. after they inadvertently do a tango of side-stepping, the penguin wordlessly slides down the walrus’ back, zigzagging around a sea of tables, and right over to a lone giraffe, elevating the table like a car jack to fit the gjraffe’s height. the giraffe laps up his soup with ease. though not the funniest gag ever, tashlin’s quirks—the quick timing, hiding the penguin behind the plethora of tables, etc, make it more endearing.

back to porky, carrying a dangerously tall tower of plates with him. a fly causes him to nearly spill his goods, but ducking in place renders the pig safe. that is, until he throws all of the dishes in the air, swatting the fly spastically. the music cue of porky ducking, looking around to make sure the fly is gone, sounds eerily similar to the stylings of norman spencer, who scored the cartoons up until mid-late 1936. 

without a break in pace, porky catches all of the dishes he threw into the air in one fell swoop. more buttery pacing from tashlin, who is able to switch tones and moods at lightning speeds without missing a beat. this is INCREDIBLY difficult to pull off, and he makes it look too easy.

as to be expected, the fly lands right on porky’s snout. instead of attacking it without hesitation, porky slowly reaches for a spoon on the kitchen counter... and THEN disregards his duties as dishwasher, carelessly tossing his pile of dishes aside to swat furiously at his foe.

the pompous walrus from before spots porky’s silhouette from outside the kitchen doors, flailing and waving around like a madman. “der loafer!” his boss interprets porky’s frantic waving of the spoon as a frantic imitation of a bandleader, promptly tossing him out. porky recovers in the back alley, left with his diploma and metaphorical birds of cartoon pain as the boss scolds “today, you are a ham!”--a take on the bar mitzvah declaration “today, you are a man”, which has been spoofed previously in cartoons such as egghead rides again.

it doesn’t take long for the boss to eat his own words. frank tashlin does a great job of creating a genuinely anxiety inducing mood as a crowd of people, now filling the crocadero, chant “we want mu-sic! we want mu-sic! we want mu-sic!” the musical accompaniment is more akin to the stylings of scott bradley, in the sense that it’s purely atmospheric and contextual, rather than an actual melody. the chanting and disconcerting music get louder as we cut to dramatic up shots of hands clapping to the beat, down shots of foots stamping, etc. it’s genuinely unnerving--and the manager agrees, pacing circles around his office, muttering incoherently to himself about the absence of “the musicmaker”.

knocking on the door serves as a symbol of hope as the manager whips around. “who’s dere?” 

“telegram, i bet’cha!” inside bursts a total loon of an old man, his long, white beard whipping in the wind as he does donuts on his bicycle inside the manager’s office. if it weren’t for his looks and speech patterns, which already tell a story, carl stalling’s score of “the woods are full of cuckoos” certifies that this old coot definitely has some screws loose. 

the old coot reaches into the depths of his beard and pulls out said telegram. “y’ owe me sixty cents, i bet’cha.” the manager unceremoniously dumps a handful of coins into the coot’s possession, who does a few more donuts in the office, indicating his exit. that is, until he suddenly halts, tipping his hat to bid “g’bye, i bet’cha.” such a scene is nonsense--and it’s hilarious nonsense rather than perplexing nonsense. it makes no sense, and yet it’s speedy enough to get its point across AND not overstay its welcome. had the same gag been executed by someone such as ben hardaway, who probably would have LOVED this gag, it would have been milked to death and bloated to ensure the audience “got it”. here, frank knows when to start and when to stop, an incredibly valuable skill not all directors possess.

contents of the telegram include a rather morbid nod to the hit ‘20s song “i faw down an' go boom”:

to add insult to injury, the old coot sticks his head in the door and adds “yeah, and they won’t come ‘t all, i betcha!” before slamming the door. though i can’t place the animator, the style of the animation looks eerily similar to that of izzy ellis’, from the spiral motion lines to the thin, squished look of his face. izzy ellis would animate in the clampett unit after leaving ub iwerks’ studio, later animating under norm mccabe, frank tashlin himself, bob clampett again, and then bob mckimson. an example of some of his work under frank tashlin here. 

back to the crowd, still demanding their music in the same unnerving drone. the manager continues to pace in his office, until a bright idea hits. “that sving dishvasher! i must get him back schnell!” 

a moment of frank tashlin greatness: the entire cartoon screeches to a halt as a narrator explains “ladies and gentlmen, ‘schnell’ means ‘quick’!” and, just like that, cartoon hijinks resume. this joke is hilarious 83 years later--imagine the reaction it evoked from theatergoers in 1938. once more, the matter-of-fact execution of the gag is what sells it. no build up, no cool down, no bloating of anything. short, sweet, and to the point. it’s so hilariously and purposefully redundant that you can’t NOT laugh at it.

speaking of quick, that would be an understatement to describe the rapid cutting after the fact. the manager rushes outside, whipping around street corner after street corner to find the dejected dishwasher he berated just minutes prior. he finds his target, grabbing porky and rushing backwards--the same way he came at the same exact lightning speed--all while monologuing about how porky can be a bandleader and break all of the dishes he wants.

again, no breaks in momentum whatsoever as the bandleader tosses a nonplussed porky into a bandleader’s outfit, stuffing a pillow under his shirt (had this cartoon been made a few months prior, there’d be no need for a pillow!) and giving him a fake mustache/curl of hair via makeup. “pull de vool over dere eyes!”

thus cues the music portion of the cartoon. a spotlight shines on a sign introducing porky as “the jazz king”, much to the pleasure of the audience. a giraffe in the orchestra introduces the song with a clarinet solo of “rhapsody in blue” before getting down to business.

porky, dressed as paul whiteman, conducts whiteman’s “avalon”, as indicated by the music stand. volney white does some great animation here--porky struggles to keep his own weight afloat, his giant pillow-stomach sinking to the ground. he readjusts himself a few times, enjoying the spare seconds of peace where his outfit stays intact, only for the same charade to repeat. fun eye takes and volumetric animation from volney. it’s no coincidence that he was one of tashlin’s best animators.

the crowd shots in this cartoon are not to be overlooked--kudos and apologies for the poor people who had to ink and paint all of that! the crowd dances along to the stylings of porky’s music, including a pair of kangaroos and their joeys slow dancing together.

back to the little penguin waiter from before, tinkering along to deliver a drink. a spare trombone sucks up all of the goods in the glass, prompting a hilarious grimace from the penguin who just stands still, silently glowering before traipsing backwards (mickey mouse timing and all) to refill. 

cut to porky, who appears much more jovial. a clever pan out reveals that he’s enlisted in the help of a car jack to keep his extra weight afloat. and, with that, curtains (animation reused from the introduction to tashlin’s porky’s romance) close out on the pig. applause from the audience.

next up, “guy lumbago and his boiled kanadians”, a not-so-flattering nod to guy lombardo and his royal canadians. porky, dressed as a canadian mountee, directs “cryman lumbago”. carmen lombardo, brother to guy, was often poked fun at for the excessive vibrato in his voice--people would liken him to sounding like an old man on his last legs. not only that, but even by the ‘30s, guy lombardo’s music was often dismissed as slow, sappy “old person’s music”. the 1954 woody woodpecker cartoon, real gone woody, also makes fun of lombardo, also dubbing him as “lumbago” and calling him a square.

indeed, cryman lumbago is a decrepit old man with--you guessed it--lumbago, singing in a hilariously obnoxious vibrato. even the dancers in the crocadero stagger along to his vibrato, their dancing stuttering. the benign facial expressions of the crowd, despite all of this, is the perfect cherry on top. one wonders if guy/carmen lombardo ever saw this cartoon, and how they reacted to it...

just as the gag threatens to overstay its welcome (and, admittedly, it has), a screwball assistant who looks like a relative to another random screwball in porky’s duck hunt scoops lumbago into a wheelchair and wheels him off stage. the audience applauds, and there’s a feeling that they aren’t just applauding the music.

cue the most controversial, uncomfortable, yet also complex part of the cartoon: a tribute to cab calloway, or, as he’s dubbed here, cab halloway.

for today i’ll spare you the imagery, but we’re greeted by a (thankfully) rare anomaly in the porky pig-verse: porky and his orchestra are dressed in blackface, conducting a rousing rendition of “chinatown, my chinatown”.

obviously, any and all blackface is abhorrent, but this is an interesting case. it’s clear that this was meant to be an homage and celebration of cab calloway’s music. a certain level of care seems to have been put into this sequence—it’s not a cheap throwaway “haha blackface” gag purely just for laughs. the animation is FILLED with a surprising amount of energy and vitality, and the vocals of the calloway impression are eerily spot on. analyzing the animation from a technical standpoint, it’s VERY skillful. it is NOT easy to convey such high energy and such elasticity. the animation is vivid, rapid, and invigorating. for 1938 especially, such energy is jarring. this feels more like the climax of a 1945 bob clampett cartoon, not a run of the mill 1938 porky pig cartoon.

BUT, with that said, it’s still extremely uncomfortable--blackface is blackface, and just because the techniques behind it are good doesn’t mean the material being animated is good. as i mentioned, the intentions don’t entirely feel as nasty as other examples we have/will seen, but that doesn’t negate the harm it does. you can have affectionate homages to cab calloway and his music without blackface--look at betty boop’s snow white. plus, because the song is “chinatown, my chinatown”, any nuance this scene had is discredited when porky switches from blackface to dressing up as a stereotypical chinese man. uncomfortable and unnecessary--THAT is a cheap throwaway gag. 

nevertheless, it’s not in my place to preach about what is racist and what isn’t. speaking purely from a technical standpoint--the techniques and processes that went into the animation itself--this is a very impressive performance. high energy in both music and animation. the elasticity, speed, all of it is very impressive. the content BEING animated, however, has aged like rotten milk. though this isn’t as meanspirited as other instances that we’ll explore, it still absolutely has its problems and definitely encourages mindful thinking.

regardless, the number ends to uproarious applause, and porky successfully lives his dreams of being a bandleader. the cartoon closes on the penguin waiter, once more peddling a drink. just as the offscreen trombone threatens to steal his drink, the penguin swallows it all in one go and blows a raspberry to the trombone as we iris out.

an interesting entry for sure. frank tashlin’s talents cannot and should not be understated--his speed and timing of the cartoon are certifiably one of the most impressive aspects of the cartoon. indeed, a lot of fun music in this one, whether that be underscores or otherwise. the design of the cartoon holds up very well--tashlin’s streamlined backgrounds and layouts are always a treat to look at. porky is very endearing, especially in the beginning with his imitation of all of the bandleaders, and the incomprehensibility of the walrus is too funny not to laugh at.

of course, the elephant in the room is the ending tribute, which we already discussed. from a technical standpoint, the vivacity of the animation should absolutely be commended and appreciated, especially this early on. the music is VERY fun. but blackface is blackface, and it just hasn’t aged well and comes off as uncomfortable--at least--regardless.

with that, whether you choose to watch this cartoon is up to you. i think this is definitely one of tashlin’s best porky cartoons, and despite its gags and references that have now become dated, it still serves as an enjoyable watch. the whole blackface thing, however, is why this isn’t a cartoon i frequent often. i would trepidatiously recommend this, either skip the calloway sequence or watch it with an open mind. in all, a fun cartoon that i unfortunately can’t quite appreciate to its fullest extent.

with all that said, here’s a link!

[travelcenter-uk]

Top 5 Cities to Visit in 2021 for Bookworms

There are no places in the world that bookworms have not travelled to. Starting from the streets of London to the villages of India, we have been everywhere. The descriptions of places in every book that we read have been our little bubbles of peace. And, we have all enjoyed the solo tours through the pages that take us to places. Sometimes, some places become a part of us. Some places, although imaginary, become so real to us. Some places, we add to our bucket list because they are worth a real visit.

It is the third type that I am going to talk about in this article. A list of best cities around the world for all the bookworms to visit in 2021!

Sit back and read till the end to know more about the literary destinations in your bucket list. Look out for the quizzes that come in between!

First off, we’ll start with the centre of Literature;

London!

London is the heart of many best-selling novels of all time. An inspiration for many of our favourite authors, like William Shakespeare, Charles Dickens, JK Rowling, Jane Austen, and many others.

I know most of you already know this, so let’s talk about what more London has for you as one of the best cities to visit in Europe. Of course, for the bookworms!

Get on the Hogwarts Express & Head to the WB Studio Tour!

We grew up in the streets of London as children every time we read Harry Potter. Besides wanting to visit Hogwarts, we have all wanted to visit the Platform 9¾ at least once in a lifetime.

This opportunity for you is open at the King’s Cross Station, London! Although the platform is not as J.K. Rowling describes it as in the book, you can still take a picture to treasure.

Photo tips include: A picture with the cart, wearing a scarf and holding a magic wand in your hand. Or, get someone to shoot a video of you trying to run through the secret wall.

In addition to all this literary fun, you will also find the official Harry Potter Platform 9 ¾ Shop!

London does not have only one place to visit for the Harry Potter fans. I know how much this makes you happy! So, the next best thing for you to do in London is to,

Take a ride on the Hogwarts Express and Go shopping in the Diagon Alley

These are the two best things to do in London that’ll make you feel like a real wizard/witch. The train heads to Scotland (pretend like its Hogwarts), cutting through the lush countryside. This two-hour ride to Scotland would be enough for you to fill your gallery with many iconic images to recreate.

If that isn’t enough, then you still have an option to select a two-day train journey around the highlands.

Won’t say ‘to wind up’, but maybe if you haven’t seen enough, then the Diagon Alley is the best place for you to go next.

It is a cobblestoned wizarding alley allocated for shopping in London. The alley, just like the one described in the book, is an assortment of shops and restaurants. Besides London’s Leadenhall Market and Borough Market, this is the ideal place for you to do your muggle shopping!

As much as these places in London excites the Potterheads, the next literary spot is going to satisfy the wannabe Sherlock Holmes! Because, next, you are going to,

Embed your footprints in 221B Baker Street!

Being London’s iconic places to visit in 2021, 221B Baker Street is the Home to the famous (fictional) consulting detective, Sherlock Holmes! What is so special about Baker Street is that it covers Sherlock Holmes art and memorabilia.

For those who want to get a full-on detective experience, the Sherlock Holmes Museum at 221B located between 237 and 241 is fantastic! Why? Because it recreates the rooms from the series, including Holmes’ laboratory (I know you wouldn’t want to miss this).

Besides this, you can also check out the Sherlock Holmes Public House and Restaurant located nearby.

Apart from the signature drink, thrills at the Platform 9 ¾ and Baker Street, you can also, visit the famous museum of Charles Dickens, to find a lock of his hair (a little weird, I know) and his lemon squeezer! The die-hard fans can also encounter personal letters and manuscripts of Dickens.

Next,

Try out Jame's Bond's signature drink!

“Three measures of Gordon’s, one of vodka, half a measure of Kina Lillet. Shake it very well until it’s ice-cold, then add a large thin slice of lemon peel. Got it?”

If you remember this, then you sure know what signature drink we are recommending you try.

The Duke’s Hotel in London serves this signature drink of 007 in its most original form. Inspired by James Bond’s way of ordering, the golden rule to this martini is for it to be “shaken, not stirred”!

Once you had tried the Vesper Martini, here’s

A list of other things to do in London;

Visit the garden squares of Bloomsbury, where lots of great writers, artists and intellectuals have met in the 1920s and 30s.

Explore the British Library, famous for Jane Austen’s writing desk!

Enjoy drama at the Shakespeare’s Globe

Take a look at the Keats House

Encounter the famous Elephant House

Pay a visit to the Eagle and Child

Check out the Greenway House

Be a part of the Poet’s Corner

Experience the wild Ashdown Forest

Take a look at the Hilltop House

Visit the Brontë Parsonage

Walk into the George Inn

It’s just mind-blowing how London counts as one of the best cities to visit in 2021 for the bookworms. The city constitutes innumerable literary things-to-do that I could write a whole other article on! (You can let me know down in the comment if you want one!)

I know I have told you way too much about London here. But, this is not the end. We have more best cities around the world for you to visit!

In that list, let’s see what the city of Love has for the bookworms;

Paris

While for the rest of the world, Paris means love, for the bookworms, Paris means Les Misérables! The city was the heart of Victor Hugo, who based his novel ‘Les Misérables’ in the 19th-century Paris. Paris has always been in the romantic bucket lists but here’s why it could now be in your literary bucket list;

You can take a literary tour in Paris by foot or a metro

It’s as simple as that! Just save more Euros to visit Disneyland Paris and take the literary tour on foot. Metro sounds excellent too. But walking around the streets would give you an experience that’s more than just a literary tour.

However, you get to choose your convenient mode of transport. Meanwhile, here are some of the best literary spots in Paris that we don’t want you missing out!

First, visit the park that Hugo highlights in Les Misérables,

Jardin du Luxembourg!

It is where the first meeting between Marius Pontmercy and Cosette happened!

Besides Les Misérables, Henry James also had featured Luxembourg park in The Ambassadors.

It also has been a favourite spot for American writer Gertrude Stein and her partner, Alice B. Toklas.

Fun fact: Many famous writers are said to have spent time wandering in the park for inspiration.

Next,

A trip to the Home of famed French writer Victor Hugo

I know we talk a lot about Hugo as we stroll through the literary streets of Paris. It is because there was perhaps no other significant writer who wrote about the enchantment of Paris the way Victor Hugo did. His Home has now become a museum dedicated to his life and his works.

So, if you are a fan of his writing, you should not miss this out. Not a fan? Then this visit is still worth it! Because you are sure to become a fan overnight!

After a visit to two of the memorable Les Miserable spots, you should,

Experience the authentic literature spot, La Closerie des Lilas

Fun fact: Legend has it that F. Scott Fitzgerald showed Ernest Hemingway the manuscript to The Great Gatsby at this place!

It has been a significant meeting point for literary geniuses, where they had recited and shared their work during the days. At night, the spot had been a place for debate and literary discussion for many American novelists as they enjoyed the chilly nights of Paris.

Paris, like London, is one of the best cities to visit in 2021 to quench your thirst for literary destinations. Besides these literary activities, you also have a whole range of places to visit, like; the American Library in Paris, Maison de Balzac, Harry’s New York Bar, Musée de la Vie Romantique, Café de Flore, Shakespeare & Company and much more!

Next in the list of best cities to visit in 2021 for bookworms is,

Cairo

One of the best cities around the world for bookworms to visit! Why? Because it is the birthplace for many famous novels like Fates’ Mockery by Naguib Mahfouz, Death Comes as the End by Agatha Christie and The Spy Who Loved Me by Ian Fleming!

You can start your literary tour in Cairo from the Egyptian Museum. Here you can discover more about the origins of the hieroglyphics and ancient papyrus.

You can also check out the Cairo Marriott palace where Agatha Christie, the English writer, stayed for three months.

Noisy neighbourhoods can be a little daunting. If you can cope with that, then the Miami Metro Hostel in the Garden City area is a great place to stay. It lets you spend the night in the apartment block that inspired Alaa Al-Aswany’s international bestselling The Yacoubian Building.

For, James Bond fans, you can head to Darb al-Ahmar where Ian Fleming set the ground for Bond to walk around the 2,000-year-old Mosque of Ibn Tulun.

In addition to these, the Great Pyramids are also a must-visit. Not just because that is what Egypt is famous for, but also became it evokes memories from the opening of Christie’s famous mystery novel, Death on the Nile.

The next city is vibrant out of the best cities around the world to visit for bookworms;

Tokyo

There’s no best novel than Murakami’s Norweigan Wood that can describe Tokyo in its most extraordinary form. So, for those who have read Norweigan Wood, Tokyo is one of the best cities to visit in 2021!

Some of you avid readers may already have noted the highlighted places in the book. But, for those who haven’t, these are what you must do in Tokyo to get the full experience of Murakami’s novel.

Walk the roads where Watanabe followed Naoka for most of the afternoon.

Start from JR train, where the duo had their first encounter. Get off at the Yotuya station. Walk to Ichigaya, the ultimate one-stop-shop for a hardcore Murakami fan, where you’ll feel every bit of the book come alive. After the long walk, you can dine at “Komatsuan”, the place the two of them dined at.

Next,

Multiple train ride from Kichijoji and Shinjuku

The first trip you should take is to Shinjuku, where Watanabe used to work part-time. Then, the jazz bar Dug where he goes to with Midori. These multiple train rides from his residence to his workplace and the chilling spot will give you a complete experience of the book.

Once you have encountered the second half of the book, next,

Wakeijuku-Watanabe's dorm!

Wasade Daigaku is the real place in Tokyo that inspired Murakami to create Watanabe’s dorm. It is a university campus, gorgeously covered in green. You can walk from the university to Watanabe’s dorm in the book- Wakeijuku. The place is no different from what Murakami has described it as in the book.

Besides Norweigan Wood, other famous novels are also in Tokyo. Some of them are; Spring Snow by Yukio Mishima, Who Is Mr Satoshi by Jonathan Le, Flesh and the Mirror from Fireworks.

After Tokyo, in our top 5 cities in 2021 for bookworms, we have the city of Russian writers!

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St. Petersburg

The residents consider this city as “a stone book whose pages were created by great Russian poets and writers.”

St. Petersburg is one of the best cities to visit in 2021 for bookworms, considering the reflection of Roman Literature in the city. Not just that, the city also has many shrines dedicated to writers and literary characters. These buildings also have plaques marked to commemorate writers and poets.

It’s always a cultural visit if you loved Dostoevsky’s Crime and Punishment because you get to explore the literary past and present of St. Petersburg. There is no insufficiency in Literature in this city. It widely includes a collection of the best museums, workplaces and memorials to Russian writers!

These top 5 cities to visit in 2021 for bookworms do not limit the countless other places available for literary visits. So, if you want to read more and add more such best cities around the world to your bucket list, let us know in comments.

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[busterkeatonfanfic]

Chapter 11

Filming for Steamboat had wrapped by the first Saturday in September. Weeks of cutting still remained on the horizon, but Buster could do that from the comfort of his production room at the Villa. The cutting was precisely why he was now knocking on Joe’s office door. If he had anything to say about it, the words ‘Supervised by Harry Brand’ would not appear anywhere in the credits. Once was more than enough. 

“Come in,” said Joe. 

Buster walked in and seated himself in the chair in front of Schenck’s desk. 

“What’s on your mind?” said Joe. He was drinking coffee.

“The picture. What’s on anyone’s mind right now?” said Buster affably.

“Sure,” said Joe. “Still on track to finish tomorrow?”

“That’s the plan,” said Buster. 

Joe wasn’t stupid and Buster could see that he was trying to figure out what the visit was about. He seemed a little uneasy as he sipped his coffee.

“So,” said Joe. 

“Sew buttons,” Buster said, the witticism lame and off-handed, before getting down to business. “Anyway, I was thinking about how we’re going to cut the picture and that got me to thinking about the credits. About how we’re doing things in general.”

Joe looked at him, waiting for him to go on.

“So you’ve got a picture. Say it’s a Doug Fairbanks picture. For example, Doug comes on and you say, ‘Douglas Fairbanks supervised by Joe Doakes.’ It’s bad on the face of it. You’re belittling Fairbanks. Fairbanks, not Doakes, is what you’re selling.” Buster leaned forward and knit his hands on the desk. 

“I’m listening,” said Joe. A frown was creeping onto his face. 

“When you’re talking about a picture, what do you really need? Three things. One man writes it, another man directs it, and a star acts it. Those three people are responsible for every great picture that was ever made. In some cases one man is all three—Chaplin,” said Buster.

“I see where you’re going with this and I disagree,” said Joe, giving a frown. “Supervisors are the big thing. All the big studios are using them.”

“Maybe they are,” he said. “But they can be wrong. It’s not going to last long. The whole damned thing’s a bad joke.”

Joe shook his head, looking displeased.

Buster laid the trump card on the table, poker-faced but confident. “There’ll be no more supervisors in the pictures Buster Keaton makes.”

He waited for Joe to reply. As the seconds ticked by in silence, he began to wonder if he was in for a real fight. He’d said he was taking the pot, but maybe Joe didn’t know that he wasn’t bluffing.

At last, Joe cleared his throat and said something. Buster had to lean forward to catch it. His brain grappled with the words, not comprehending.

Buster Keaton isn’t going to make any more pictures.

That’s what Joe had said. 

He sat back in stunned silence as Joe continued. 

“No, no,” said Joe. “That didn’t come out right. What I mean, Buster, is that you’re not going to make any more pictures for me. I’m dissolving the studio.”

“Why?” Buster managed to say. His lips felt tight and dry. 

“Now I don’t want you to worry,” Joe said, holding up a hand in a benevolent way. “I’ve gotten it all straightened out. You’re going over to M-G-M. That’s where Nick is. He’ll take great care of you. Look, I know it’s not what you want, but just think about it for a minute. You’ll have ten times the opportunities. A whole staff of writers working for you, helping you with cutting and production and stories. The money’s bigger. The pictures will be better. You can’t lose, it’s a chance of a lifetime.”

Buster couldn’t make his mouth work. Joe was now waxing poetic about the settlement Buster would be getting for his interests in the studio. The studio? His studio. Buster Keaton Productions. Five thousand dollars for eight years of making millions for Joe, and now he was finding out in the worst possible that he didn’t have the power in his own enterprise that he thought he did.

“Nick will treat you just like his own son. I’m telling you, you’ve got nothing to worry about.” Joe was more animated now as he reviewed the details. It was clear that he had been chewing on this decision for a while now and there was no appealing it.  

Buster listened on in disbelief. An image was crystalizing in his mind of a theater trunk sitting in an alley, left behind and forgotten. He’d felt exactly the same way the day he’d split up The Three Keatons. 

He didn’t remember what he said to Joe before leaving the office. He didn’t even remember leaving the office. He just found himself walking east on Romaine Street toward 1025 Lillian Way. His thoughts couldn’t seem to coalesce. He supposed he was in shock. Part of him wanted to think that it was all a dirty joke, but Joe—Joe, who attended the Sunday barbecues at the Villa faithfully, who had been so worried for Buster when he’d returned from France that he’d emptied his wallet for him, who’d lent Buster money to buy his first house—had never been that kind of man when it came to serious matters. Buster was torn between wanting a stiff drink and wanting to jump off a bridge. 

He did neither, of course. Back at Lillian Way, there was a film to finish. He now knew what the crowning gag would be. Tomorrow, the Saphead Would Face Down Certain Death. Whether he survived, he didn’t much care at the moment. *** Nelly had never worked on a Sunday before, but the Sunday before Labor Day was the final day of shooting and she couldn’t object even if she wanted to. Of course she didn’t want to. She’d been with the picture from almost the first and couldn’t think of a greater honor than finishing it out. The other actors and much of the crew had departed since they’d left Sacramento, and now it was just her, Bert, Buster, and a skeleton crew. A small set had been built on the United Artists lot and she was presently furnishing a small two-story house. The second story needed only to be filled with boxes, but the main floor required homey touches, so she and Bert arranged a rug, a sofa, a chair, and pictures on the wall. She set a lamp on a table in the center of the room. The house had a breakaway facade that was lying face-down in the dirt, but had hinges enabling it to be drawn up. 

As she decided whether a fringed floor lamp should go to the left or right of the sofa, Buster and one of the crew walked up. They both got on top of the flat facade and she watched, pretending to be busy with the lamp, as Buster stood in the frame of an open second-story window and looked to the top of the house. She positioned the lamp to the left of the sofa and slid the cord under it and out of sight. When she glanced at Buster again, he was hammering a nail into the dirt inside the window frame. She couldn’t imagine what he was doing. Plumping one of the throw pillows on the sofa, she looked again. He was hammering a second nail. “This’ll do it,” he said to the crewmember.

Bert came through the back door of the house with an armful of curtains as Buster and the crewmember walked away. 

“What’s he doing?” Nelly said to him under her breath.

“Buster?” said Bert, sounding a little out of breath as he dumped the curtains on the sofa. “Figuring out where to stand. The facade’s gonna come down right on top of him. Except he ends up in the window and doesn’t get hurt.”

“On top of him?” said Nelly, her innards seeming to go cold. The breakaway facades weighed a ton. The crew and cast had been warned to stay well away from them when the previous breakaway scenes were filmed, since getting caught underneath one would spell catastrophe.

“That’s right,” said Bert. “It was just supposed to fall down near him, scare him a little bit, then he’d run toward another building and it would fall down too, but he got the idea to have the window pass over him last night he said.” Bert didn’t seem to be at all perturbed by the nature of the stunt as he set to hanging a curtain.

“He’s going to get killed!” Nelly said, rooted to the spot. “That facade has to weigh at least a ton.”

“Two tons,” Bert said, walking across the room and pulling down another curtain rod. He eased a curtain onto it.

Nelly felt panicked. “He’s crazy. He’ll get killed. Has anyone tried talking him out of it?”

Bert laughed. “You think anyone has ever talked Buster Keaton out of anything once he’s got an idea in his head?”

“He’ll be killed,” she said. She was starting to feel almost hysterical. 

“Trust Buster,” Bert said, stretching up to hang the curtain on his tiptoes. “He’s always fine.” Nelly sat down on the couch, trying to calm her thoughts. Bert was probably right, but suppose …

All of her supposes, like the hinges failing or a wind machine shifting the facade just inches in either direction, ended up with Buster crushed to death. Bert walked back out the back door and she barely noticed. She tried to think of some way to stop the maddening act, but couldn’t. She didn’t know Buster as well as Bert, but she knew Bert was right. Nothing stopped Buster once he was set on something.

“Better move, sweetheart, we don’t want you in the scene.” She looked up and Buster was at the corner of the house peering in at her. 

It was her chance to beg him to reconsider, to throw herself on him, scream, and rend his clothes. Instead, she apologized and let herself out the back door. There was nothing that causing a ruckus would do except delay filming and possibly get her kicked off the set, spoiling her future chances of working for the Buster Keaton Studios. The facade gave a titanic creaking as it was eased back into place. Outside of the set, a couple crew members were wetting the dirt in front of the house with a hose so that it was slick and muddy as if from a cyclone. Nelly made her way toward some other crew members clustered off-camera to the right of the house. As she got closer, she noticed they were huddled in a funny way. 

“...hallowed be thy name

Thy kingdom come, thy will be done

On earth as it is in heaven.”

They were praying. The realization almost made her sick to her stomach. She didn’t go in for religion, but as she stopped in their midst, she made the decision to join them. If there was any chance the prayer would spare Buster, it was worth it. The ending lines had a foreboding potency they’d never had before.

“But deliver us from evil

Now and at the hour of our death.”

The hour of our death. She looked up and saw Buster a few feet from them, looking placid in his baggy pants and suspenders. Was she seeing a man in the final hour of his life? If she had any sense, she’d leave. There was no reason to watch this. Yet she felt duty-bound to stay. A superstition said that maybe it would help preserve him from the stunt going wrong. 

She watched Buster helplessly as the minutes went by and the final preparations were made to the set and the cameras. The wind machines were turned on and Buster walked in front of the house. He went down to his knees and sprawled out flat onto his chest in the mud.

“What’s he doing?” she said to one of the electricians.

“Continuity,” the electrician replied. “He was muddy in the scene we shot yesterday.”

The cameraman yelled something she didn’t hear and Buster walked in front of the house. He faced one of the cameras. Nelly felt almost light-headed. What if the wind had blown the nails out of place? What if—

Buster rubbed the back of his neck and rolled his jaw. The house’s machinery groaned and the facade heaved forward. At the last second, she turned her head. There was a gut-wrenching thud as the facade landed. Tears sprang into her eyes. 

After an interminable second or so, a roar went up from the men around her and they began to clap. She looked back. Through the glaze of her tears, she could just make out Buster, still rubbing his neck and rolling his jaw nonchalantly. A great cloud of dust had sprung up. Buster pretended to suddenly realize what had just happened and dashed out of the ruined facade, stopping once at a safe distance to stare at the house in terror. 

“Cut!” shouted the cameraman over the wind.

The group of men headed toward Buster at a clip. There were hoots and handshakes and claps on the back, and Buster was grinning. Nelly shielded her face with her hand and cried, overcome with relief. She still felt weak and sick. 

“Why are you crying?” said Buster.

He had crept up without her noticing. She turned her face away quickly, shaking her head. “Because you’re a damned idiot!” she said, not caring now whether speaking her mind would ruin her chances of staying on with him. “You had no business doing that.”

Buster touched her shoulder. “Look, I’m okay, ain’t I?”

She shied away. “No gag is worth your life,” she said. 

Buster looked surprised. His hand fell from her shoulder. “Okay.”

He left to go talk to the second cameraman and Nelly stole away, tears still coming, feeling downright dreadful. She wished she hadn’t stayed on for the final day of filming. It hadn’t been the celebratory end she’d expected. It had been awful, like seeing a man trying to commit suicide but by a miracle failing. Note: The dialogue with Joe Schenck is adapted from Rudi Blesh’s biography.

[twiststreet]

I read a PDF of a graphic novella a couple days ago by Dan McDaid-- I think he’s coming off a long run on some Firefly comics, but I know him from stuff like Fearsome Dr. Fang (or just different genre comics-- he’s done a lot of work all over)(he did a Flash Gordon Teams Up with a Bunch  of Other Assholes from Comic Strips comic that I’d liked the art on, years ago, for Dynamite or Dark Horse or somebody).  But for years now apparently (!), he’s been putting together this 40-50 page science fiction comic, about a lady being on a planet that’s science-fictional.  

If I saw it out of the blue, I’d guess it was him trying to draw things he couldn’t draw on a Firefly comic (because I’ve always heard drawing a licensed book is kind of a rougher gig...? cause you have do likenesses or whatever?), but in the back, it’s like, no, he’s been working on it for years, from before that Firefly run (I think).  So I guess I just ate a big pile of shit with my theories again.  My theories!!!!  Noooooooooo!

It’s very much an art/craft thing, at least for me-- I have a bookshelf of artist passion projects, I dig that kind of thing, so this might be up your alley, if that’s your jam. The fun part for me (even if it’s a little awkward in the comic from a storytelling perspective) is there’s color pages but also black and white pages, so you can kind of see the difference in how his art feels with color and without, within the same book. I don’t know if you know McDaid’s work, but there’s a lot of ink on a page and he’s doing a lot of lighting as he draws, with how he spots his blacks or whatever you call it, which is something I think is really cool but gets harder to "see” with modern colors.

Or I enjoyed seeing the pages especially cause I’m 700 chapters into One Piece so shifting to a completely different vibe, a completely different everything, after 700 chapters of One Piece, made by crappy brain feel like I just threw it off a small building.  Which I should do.  I should just find a small building where I can get on its roof, and I should bring anesthetic and I should do what it takes to throw my brain off the building. I got nothing left in the tank.  I am grasping at straws every day, trying to keep my head above water.  Just throw that brain off the 7-eleven.  Just let it fly.  Who needs it?  Not me.  What good’s it every done anyone?  I’ve been thinking about making more time for moisturizing, though, at night, cause I think that’d really be a good move on my part, to step up my skin care game. So once I buy some moisturizer or find a clean towel or figure out this whole “soap” thing that people in commercials are always going on and on about, it’s over for you hoes...

Anyways.  In the meantime, he’s hand-selling it over here himself and he’s got a 4-page preview over there.  

[eponinemylove]

aftg tattoo/flower shop au

@essence-29

so it’s wymack’s parlor and he still technically runs it and everything but he’s tired most of the time and he lets kevin pretty much take over

kevin has almost no tattoos himself except one he got that he deeply regrets (in my mind it’s bc riko was his piece of shit ex boyf and pretty much made him get it, but however u want to imagine the backstory of this tattoo is up to you)

anyway he runs the shop with his dad. matt, renee, and seth all work there

andrew runs the flower shop around the corner (managed by betsy). he could not give less of a damn about the parlor tbh. he barely noticed it existed

he’s more of a piercings guy anyway but it’s not like he’s against tattoos

at least, he didn’t care about the parlor until him and renee became friends

i imagine they met at the flower shop when she came in and ordered some for allison. maybe they started seeing each other around more and more, and you know how andrew makes friends. he probably followed her to work one day and they went from there.

either way they’re besties and they work on the same block. so andrew goes in and out of the tattoo parlor fairly often to pick up renee or have lunch.

him and kevin obviously run into each other at some point, probably more often than not

at first they ignored each other’s presence but then andrew started to notice kevin

tattoo artist without (many) tattoos? interesting. he won’t talk about the tattoo he does have? very interesting. he flinched when someone dropped a glass of something and it shattered? now you have his attention

and of course kevin can’t help but notice the hot, 5-foot-nothing guy who comes in at least once a week to harass his patrons and distract his employees

both of which are definitely crimes andrew commits regularly around the parlor

andrew invites kevin out for drinks one night after they’ve been noticing each other for a while. it’s not flirtatious or romantic, but it does feel... weighted. kevin goes. renee and the others are there too, vaguely, but he still manages to end up spending most of the night alone with andrew

they talk. a lot. it’s really slow going because neither one of them particularly feels like talking, but they do. or they come to a mutual understanding at least

they have a weird relationship after that that none of kevin’s friends or andrews relatives can even pretend to understand, but you know what? whatever. they’re KevinAndAndrew

i don’t want to say they’re attached at the hip, but they totally are. anywhere kevin is, andrew follows, especially if kevin is drinking. and they’re not even nice to each other. that’s the confusing part for the others. just looking at them, you wouldn’t even think they were friends, much less maybe-kind of-dating?

so this goes on for a couple of months, and just when everyone thinks they’re getting used to it, neil comes in

literally no one was ready for him. he shows up at the tattoo parlor one day and just applies for a job. no resume, no interview. straight up walks up to the front desk and asks for a job

kevin wants to throw him on his ass but matt says the least they could do was interview the guy

(neil probably looks all kinds of a mess. not like insane or dirty, but just generally disheveled and exhausted and... neil. he looks like neil)

kevin still thinks this is a waste of time, but he lets neil show him what he’s got

no one was expecting neil, but they definitely weren’t expecting him to be so goddamn good

it’s hard to tell if he’s a natural or has actually had years of hardwork and practice, but he’s an amazing artist and he knows his way around a needle

so they hire him.

matt becomes quick friends with neil. seth and neil don’t get along, per se, but they’re almost the exact same brand of asshole so there is a sort of solidarity between them

renee obviously is nothing if not entirely pleasant to neil, but he still has issues trusting her

and kevin? well kevin kind of hates his newest hire

he complains to andrew about him nonstop. about how he’s stupidly talented and a complete bastard and gets along with people but in a chaotic sort of way that makes kevin anxious and annoyed and

kevin has a lot to say and andrew is more than inclined to listen

it’s a surprise to no one when andrew is in the parlor the next day, scoping out neil for himself

oh, and i should mention that neil has literally NO tattoos. not even one. (his mother would never allow something so easily recognizable)

neil barely notices andrew until he confronts him after his shift. i don’t know what he would say, but it would go pretty much like how their meeting went in the books, just probably without the racquet

a fight immediately breaks out that matt and kevin have to break up. renee knows better

yeah neil and andrew don’t get along

andrew is very interested though. so he does what andrew always does. he gets nosy. and personal. and mean

it takes him a surprisingly long time to find any information on neil. he thinks it might be a fake name and kevin assures him that it’s definitely likely, which helps exactly none.

eventually the only thing he manages to gather is that neil has one hell of a temper and could start a fight in an empty room. he also won’t take any shit from anyone, whether it’s from andrew or some random Karen screaming at one of his coworkers for giving her daughter a tattoo she didn’t approve of. he can and will tear someone to shreds, and as much as kevin hates it (“Neil that’s bad for business, you can’t verbally abuse the clients”), andrew is very amused

kevin secretly also really likes neil. it’s hard not to—he says everything kevin wouldn’t dream of and sees through all of kevin’s bullshit. also he’s ridiculously hot and incredibly good at his job, and there’s nothing kevin appreciates more than talent and competence

after, idk, a month? of getting nowhere to unraveling neil’s past, andrew invites him for drinks.

kevin is there of course and pre-approved the decision. matt comes along bc he doesn’t trust andrew in the slightest and he loves neil. renee is there to make sure no one actually gets murdered. seth just shows up bc he thinks something funny might happen, like another fight

not strictly relevant, but allison, dan, and nicky working at the bar/club they frequent??? a Concept.

andrew and kevin are both pretty surprised to find out that neil doesn’t drink. they try and “convince” him otherwise, but neil refuses and short of drugging him, there’s not really anything they can do

nothing really happens the first couple of hours. nicky flirts with neil a couple of times, neil doesn’t notice, the usual. things take a turn when neil spots kevin’s tattoo. other than that, the night was a bust

since this is an au, idgaf what’s in their past. reader interpretation, use ur imagination, go crazy. however, whatever kevin was involved with, neil was somehow tangled up in too. that part stays the same

he doesn’t mention it

he doesn’t mention it

he doesn’t mention it

and then, of course, he mentions it

it’s not on purpose or in anyway eloquent. they probably get into some sort of fight while closing up and it just slips out

there’s a moment of “oh shit”, the complete understanding that passes through the two of them

they don’t mention it

except they do, because andrew finds out

he and neil have a another “talk” bc yeah andrew might run the flower shop, but if neil brings trouble from kevin’s past back to him now, when he’s doing so much better, andrew can and will actually commit homicide

and that’s the start of their relationship!

well, no, not really. neil still takes a while to warm up to them, and a while longer to start feeling any sort of romantic attraction to them. and of course that’s after he realizes they’re even a couple, because trust me, with those two is always questionable whether or not they’re even friends. or acquaintances. or on speaking terms

also they have to eventually talk about everything. set boundaries, clear the air. neil gives them piece by piece looks into his past. it’s slow work, but it’s a little bit of trust given by someone who has never trusted anyone before.

yeah so anyways everyone thought KevinAndAndrew was confusing? well they don’t know what the fuck is going on with KevinAndAndrewAndNeil

what they do know is that kevin and neil do some of the best tattoos in the country. what they do know is that andrew and neil take smoke breaks together in the back alley, halfway between their two shops. what they do know is that andrew and kevin have adopted neil into their relationship and the three of them are so close-knit, it almost becomes impossible to find one away from the others at any given moment

what they do know is that at least twice a week, the short, blond, very scary flower-shop guy walks into a tattoo parlor and a 6-foot tall intimidating tattoo artist and 5’3 ginger with a sharp tongue and sharper attitude immediately stop what they’re doing and go meet him

that’s pretty much it. scary blonde who sells roses for a living falls for scary tattoo artist who doesn’t seem to believe in tattoos. both these idiots then fall for the (not at first glance) scary new guy who is obviously trouble, because this is a tatto/flower shop au, and everyone loves the broken badass with a heart of gold.

there’s something to be said here about the most intimidating and kick-ass power couple (throuple?) ever

also it’s funny bc based on appearances alone, everyone expects neil to run the flower shop, and kevin and andrew to do tattoos. boy are they in for a surprise though, because andrew knows every single flower you could ever think of sticking in a bouquet, and neil could operate a tattoo gun blindfolded

ALSO they all get matching tattoos at some point bc they’re idiots and in love and it probably has a whole crap ton of heartfelt meaning that i don’t want to explain bc i feel like i’ve rambled forever at this point and still said nothing significant

oh and neil 100% gives kevin a coverup, replacing his old tattoo with something else.

there’s all kinds of plants decorating the parlor courtesy of andrews shop, and neil and kevin design andrew’s logo

and betsy makes everyone flower crowns at some point. andrew refuses to acknowledge it i’m any way, but dutifully wears it regardless. neil wears it to work the entire day, and after hangs it in his office-thing. whatever tattoo parlors have. kevin straight up refuses to wear it but neil wears him down and he puts it on for like 20 minutes. there’s even pictures to prove it