#so that space just cant be empty

[cubbihue]

I was just looking at you itty bitty FOP au (it's amazing and cool btw)

But one question was floating around my head the entire time I was looking through it

What other things does Changeling Timmy hate/dislikes besides muffins?

Timmy doesn't like celebrating his birthday. His parents never celebrated it at his house, so getting one feels... odd.

Once, his friends tried throwing him a surprise birthday party. At the time, it had been the biggest most exciting thing he'd received! A whole party just for him!!!

But afterwards, Timmy found that he actually... hated the attention he got. Being at the center of everything, having everybody watch as you open presents, covered in silly string and streamers and confetti, where all his opinions mattered above others... No, he'd rather avoid doing that again.

Timmy plans to never tell people about his birthday when he moves to his new location. He doesn't like surprises or sudden noise.

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[dujourslavemix]

the composition of this image is so fucking funny to me i can't explain it ajdhsngjdnsk

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[vehemourn]

i just wanna know. what does anyone want artists to do. im really just curious. Like if u steal all of our work and chase us out of all of the jobs and crush every single one of us until we either die or quit. Whats the end goal. artists provided their work for free for 2 decades and built their lives in digital spaces. And in a few years the landscape is changing drastically away from that :/. I'm fucking tired. I'm tired of artists being disrespected. And yet its not going to Stop. Our spaces are still snuck into and scraped, our work is still stolen, and we still have people that are just outright fucking nasty to us just bc u draw a furry animal or are queer. what is anyone supposed to do. our communities were destroyed. our spaces were destroyed. so many artists are Gone and scattered to the winds. What is anyone Doing.

[mitamicah]

I guess I could only live so long on the high from the concerts before falling down a negative spiral again - I hate it

[nosygay]

anyway does science care to explain why my work computer is a magnet for these 2 fruit flies. there are exactly two at all times. what does this mean

[bunnihearted]

.

[songofsaraneth]

did tumblr take away the usernames/icons mid-post to let u kno who has added different additions or is my dashboard just glitching

[violasmirabiles]

apartment update: still no pictures cos everythings still Ass but that old desk of my sister in laws thats very nice and all but kind of in the way is gonna go to my old room in my parents house. and in its place im gonna get my old bookshelf from my old room. in my parents house

[opens-up-4-nobody]

The way that the sun hits leaves and clouds. I feel like I could watch the colors change forever. If I could slow down for that long.

[noctualagenaria]

maybe some 10hour minecraft solo would fix me

[caffeinatedopossum]

I just realized that for some reason whenever I have a seizure, all of my thoughts stop EXCEPT the music?? Which is odd. Like my brain went "ope- we're getting a different caller please hold" *queue the hold music*

[twinksintrees]

sitting on my couch in my room at 11 pm crying over confidant starting fires and empty space. just. songs written explicitly about platonic love and affection, songs about relationships that are NOT romantic. songs about sharing your life with someone else and having them share theirs with you. songs about care. sleeping together on the sofa despite it being ‘too small.’

[xjnegen]

As someone from the country thats suffering the worst housing crisis of Europe, the American housing crisis really gets me. What do you MEAN theres 20 empty houses to every homeless person! What do you mean people are unable to find a place to live! Put them in the houses put them in put them in put them innnnnnnnnnnnnn

[why-is-it-always-autumn]

oh god i hate this new layout why cant i collapse the sidebar why is all the content squeezed into a tiny column in the middle why is there so much empty space on the far left i hate this it sucks so bad

[bitchfitch]

somebody shoot me with a gun until I am dead before I write the first chapter of that pirate thing for like. Genuinely the eighth or ninth time.