steve “cant get out of bed till middle of the day, barely leaves his house or is never home, isolating himself from everyone, never takes time for himself anymore, depressed and is slowly losing more and more of himself every single day” harrington post 1986’
robin “i know you loved her, and it must’ve killed that she wouldn’t take you back, but nancy is happy steve and she still loves you. she’s not the only one out there for you, and you’ve gotta get over it. we miss you” buckley post 1986’, trying to help her best friend
steve “…this isn’t about nancy” harrington.
robin “wha-?… oh. oh steve.” buckley.
he still wears the vest.
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etoiles who tries to be patient and tries to be kind and tries to help bad in his state of memory loss and confusion after purgatory, but still can’t help be suspicious of him. who works around how well he knows bad, because he knows bad is a liar, but he doesn’t say as much he just quietly puts in his own tests and precautions to gauge properly what level of fucked bad’s head is. who won’t stop reminding him of purgatory. does he remember the eggs? does he remember his home? does he remember how he slaughtered his friends ruthlessly over and over and over again? does he remember jaiden? charlie? does he remember how defenseless etoiles was when he stabbed him in the back? etoiles who knows how bad feels just by body language, who used to have the upmost respect and trust for his friend, his ally, his brother in arms - now holds him at arms length even at his most vulnerable.
something about etoiles asking what bad is hungry for, offering to fight (wanting to fight, now that the ground is even, now that he’s not defenseless, after bad had killed him when he was), and bad going “fight? why would I fight you, I thought we were friends?” and all etoiles can do is scoff. something about how even the most honorable and most patient have limits. something about how the consequences for bads actions - to himself and to others - are all finally compounding. how etoiles and bad’s relationship is forever changed by what happened in purgatory, and etoiles may still extend his hand to help him, give him strategies to remember things, but he’s doing so with a bitterness and a resentment.
things won’t be the same. things will never be the same. and the way etoiles can’t help bad without being sharp and angry about it proves this. because two weeks ago bad was family - and now, at bads worst, his most afflicted, most vulnerable, sure etoiles still offers help, and is more level headed than most about it, but he is in no means gentle or kind. he doesn’t want to help him. and that says everything.
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Thinking about the Don Suave scene and what it means in terms of LGBTQ+ representation because my brain does nothing if not torment me with random topics to ramble about on the regular.
Anyway, I just wanted to ramble about why I like the scene but to get it out of the way - the scene can very easily be interpreted in so many different ways, and all of them are valid. I personally see it as Leo having at least some attraction to a man. And the following is an explanation of my own interpretation and thoughts on it and what it means especially for Leo’s portrayal in the grand scheme of things.
Long-winded interpretation under the cut!
Now, to start with, it’s important to me that in the scene Leo looks at Don Suave in the very beginning and then for the entirety of the rest of the time the man is on screen, Leo’s eyes are closed. Yet, in the end, he is still visibly enamored with Don Suave, happily cuddling up to him as he’s being carried away.
You can very easily interpret this as Leo being spellbound and that’s honestly super valid and I believe he likely was at least somewhat in the beginning, but considering how fast he looked away and how he never looked again, I personally think it makes more sense to read it as Leo just finding the man attractive, at least somewhat. (For the record, I personally headcanon Rise Leo as bisexual with a heavy preference for men, but I want to be blunt when I say that any interpretation is valid. Literally any. Ace, pan, gay, bi, none of the above or a mixture of something new literally all of it is more than okay and fair. Hell you could even interpret this entire scene as more romantic attraction than physical and it would still work. Anything goes!! Don’t bother people, guys, really.)
The main reason I take this scene to be at the very least LGBTQ+ adjacent isn’t just because of how it’s portrayed, but because of who Leonardo is. Not in terms of Rise of the TMNT, but in terms of the entire Teenage Mutant Ninja Turtles™️ franchise.
Leo’s a character who, while changing with each iteration, has still at his core been around for decades upon decades as “the blue one”. One fourth of the team. He’s the one most are going to look at as the Leader, and oftentimes he is the one closest to having the title of Main Character. Not to say the others aren’t just as important, but Leo’s presence in the A plots of basically all TMNT media is often something very main character-esque.
And that’s very, very important to note. Here we have a Main Character of a prolific and decades long-running franchise distributed by a children’s television network. You can play around with his and his brothers’ characters all you like, but there is always going to be challenges to dodge around, especially since this was still in 2018-2019.
For example, you can play around with their designs so long as they’re color coded turtles, but their sexualities? Now that’s tricky.
“But what about Hypno and Warren?” Not main characters and also they’re Rise originals. They have a lot more room to play around with than a character like Leo does. But even talking about main characters in the franchise, you could arguably have an easier time playing around with Donnie or Mikey’s sexualities than Leo or even Raph, as (unfortunately) the former two tend to get more B plots, so they’d likely have had a little more leeway (still not a lot though.)
So, where does this leave us?
It leaves us in a place where outright stating and/or showing undeniable proof of Leo’s attraction to men is very, very difficult. So, workarounds!
Workarounds like the entire Don Suave situation.
To be honest, as left up to interpretation and lowkey and deniable as it is, this whole scene means a lot to me because of who Leo is as a character. It’s just nice when we get so see even the bare bones of representation with characters that have been such a large part of pop culture for decades, y’know? Even if more would be so much nicer, this is better than I thought we’d ever get for these boys.
And, again, literally nothing I’ve said is the only way to interpret it, I’m more than happy when people interpret media on their own honestly, it’s just something I’ve been thinking of lately and I was wondering if others felt the same way.
Whatever you think when you interpret this scene or Rise Leo as a whole, I just thought this would be interesting to think about, even if it was ramble-y, haha.
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it's so funny (read: sad) that if bigoted fuckheads didn't insist i was a woman simply by virtue of my body at birth, i'd probably be chill with she/her pronouns in addition to he/they. if my mom didn't insist i was her daughter, i'd probably let her call me that, and we could still have a relationship.
i'm nonbinary and 'gendered' words are hypothetically meaningless, but because there are so many people who are more interested in telling me who i am rather than lovingly and curiously letting me express my own sense of self, those words carry trauma.
there's no reason a nonbinary person like myself can't be a son and a child and a daughter. there's no reason a nonbinary person like me can't go by he, they, and she.
'she' is not a slur. 'daughter' is not derogatory. 'beautiful' 'pretty' 'gorgeous' 'feminine' are not insults.
to the contrary, they're parts of language that express certain facets of a multi-faceted human existence, like mine.
and i have this sad, mournful feeling that if it weren't for unloving, condescending people, i'd probably be down to be called any of those things alongside my usual masculine/neutral terminology.
but i'd rather die than let anyone tell me what i have to be called.
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So i made a train creature (not literally)
Heres this thing! It doesnt have a name but i made it while thinking abt infinity train aus
Its VERYYYY big but also extremely friendly
Its whole job was to be a rest stop for the passengers of the train but it wanted to do more than that. Now it spends its time gathering supplies like paint and toys or medical supplies for anyone who comes thru its train car. It lets the children paint on it and it helps people through their problems. Its very aware of what the train is and what it does for passengers. It also knows much of our terms, languages, and history because it always wants to know more about how it can help. Also it could scan your mind for information if it really wanted but it usually wont if youre willing to talk to it. It has been around for a long long time. It knows a lot and probably has also met the apex before. It has no care for making friends or romance or anything like that. It just wants to help people (denizens and passengers)
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