Crawling out of the woodwork bc of the recent pirate battle drama - holy shit I’m tempted to run pirate battle 2.0 that is JUST black sails vs ofmd characters. Fan the flames a little. It’s been a while since something was burning around here, and I crave the warmth.
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i'm not fucking w the red underdye anymore, i think we're going fully evil... u know those bright green strands of hair barty sometimes has in fanarts... i'm thinking hard rn
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Hey you said something about the my hero academia creator being unhinged about sexism, do you mind explaining?
I tried to write like, a thorough explanation of this and it just got longer and longer and longer and I have not touched this series in actual years and yet I've still got all these receipts a;lkjk;lfasd.
So rather than trying to build the whole massive case, here's a pared-down version. It's normal to have sexism in media, and shounen manga especially. Everyone does it. The level and mode and intentionality and so forth all vary, but of course it's there.
What's not normal is to have lots of varied and interesting female characters with discernible inner lives, and on-page discussion of how sexism is systemic and unjust and holds them back in specific ways, and then also deliberately make consistent sexist writing decisions even where they don't arise naturally from the flow of the narrative.
Horikoshi is actively interested in gender and sexism, he's aware of them in a way you rarely see outside of the context of, you know, fighting sexism. He is hung up on the thorny issue of what women are worth and deserve and how power and respect ties into it. He genuinely wants, I think, to have Good Female Characters, and not be (seen as) A Sexist Guy!
But. He doesn't actually want to fight sexism. He displays a lot of woman-oriented anxieties, and one of the many churning paddlewheels in his head seems to be that he knows intellectually that morally sexism is bad, but emotionally he really feels like it ought to probably be at least partly correct.
There are so many things I could cite, and maybe I'll get into some of them later, but the crowning item that highlights how the pattern is 1) at least partly conscious and deliberate and 2) about Horikoshi's own weird hangups rather than simply cynical market play, is Mineta Minoru.
The writer has stated Mineta is his favorite character. Mineta is also designed to be hated--that is, he is a particularly elaborate instantiation of a character archetype normally deployed to soak up audience contempt and (by being gross and shameless and unattractive and 'unthreatening') make it possible to include a range of sexual gratification elements into the narrative that would compromise the main characters' reputations as heroic and deserving, if they were the actors.
Good Guys don't grope girls' tits and run away snickering in triumph, after all. Non-losers don't focus intense effort around successfully stealing someone's panties. Nice Girls don't let themselves be seen half-dressed. And so forth. You need an underwear gremlin for that. So, in anime and manga, longstanding though declining tradition of including such a gremlin, for authorial deniability.
Horikoshi definitely uses him straight for this purpose, looping in Kaminari as needed to make a bit work. And yet he has Feelings about the archetype itself.
The passages dedicated to the vindication of Mineta, then, and the author's statements about him, let us understand that Horikoshi identifies with the figure of the underwear gremlin. He understands the underwear gremlin as a defining exemplar of male sexuality, at least if you are not hot, and finds the attached contempt and hostility to be a dehumanizing attack on all uh.
Incels, basically.
It's not fair to write Mineta off just because he's unattractive and horny (and commits sexual harassment). Doesn't he have a mind? Doesn't he have dreams? Doesn't he have human potential?
So what's going on with Horikoshi and gender, as far as I can figure out, is that he knows damn well that women are people and are treated unjustly by sexist society, but however.
He also understands the institutions of sexism as something protecting him and people like him from life being nebulously yet definitively Worse, and therefore wants to see them upheld.
So you get this really bizarre handling of gender where obviously women's rights good and women cool, women can be Strong, and the compulsory sexualization imposed by the industry isn't them or the author, and so forth.
But also it's very important that in the world he controls, women never win anything important or Count too much, and that jokes at their expense that disrupt the internal logic of their characters are always fair game, that women asked about sexism on TV will promptly get into catfights amongst themselves, and they are understood always in terms of their sexual and romantic interests and value, and sexual assertiveness and failures to perform femininity well enough are used to code them as dangerous and irrational, and that the sexy costumes are requisite and will never be subverted or rebelled against--at most they might be circumnavigated via leaning into cute appeal.
And that Yaoyorozu Momo, who converts her body fat into physical objects, is being frivolous when she wants to use money to buy things instead (rather than as sensibly moderating her Quirk use) and is never encouraged to eat as much as possible at every opportunity to put on weight and even shown being embarrassed by hunger (even though Quirk overuse gives symptoms that suggest she's been stripping the lipids out of her cell walls or nervous system to keep fighting) and always, no matter how many Things she has made, has huge big round boobies.
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BG3 FANDOM I NEED YOUR HELP AND ATTENTION
some sellers on etsy stolen my art pls help me to deal with them give me instruction what to do and how I'M NOT NATIVE ENGLISH SPEAKER AND ESPECIALLY I'M NOT FAMILIAR WITH YOUR LAWS I CAN'T FCKING UNDERSTAND WHAT TO DO
and!!! the most fucked up part!! I CAN'T USE ETSY BECAUSE OF SANCTIONS
IT LOOKS SO SHITTY WTFFFFFFFFFFFFFFFFFF
god I want to d*e I want to erase all of my art I want to leave all the platforms I wish I never existed
sorry I will be quite for a while unless someone takes them down bc I can't do it by myself
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Irondad fic ideas #159
Fic set in a universe where they never reversed the snap. The world has been grieving for 8 years.
Suddenly, one of the snapped reappears, but it is not Peter Parker. It's someone else (maybe Strange, Wanda, Bucky...)
There's debate about what to do. The returned person doesn't seem to remember much, although it's possible they remember more than they're letting on. Should the remaining Avengers study them, interrogate them, let them live out a peaceful life and forget about everyone else?
The debate gets way more intense when Tony Stark finds out what's going on. They've tried to keep it from him, knowing how he'd react, and he definitely lives up to expectations.
Of course they need to find out everything this person knows. They need to bring their missing people back. They need to bring back his son.
How hard will Tony push to find out the truth? to bring his kid home?
Bonus:
At some point, the person admits that they were lying about their memories. They're here because they fell through a portal. They're from another universe.
Except... they genuinely didn't know Tony had a son? They've never heard of anyone called Peter Parker. And yes, their universe does have a Spider-Man. Their universe even has a May Parker -- she died recently, btw. And it was Spider-Man's fault.
This awful news, and the horror story Tony infers from it, makes him even more determined to rescue his kid. Once they learn how to reverse the snap, he's going to make sure he lives to protect Peter from bullshit like what this other Peter Parker had to go through.
Still, he's heartbroken for the version of his kid in this other universe. Before sending the universe hopper back to where they belong, he tells them all about Peter and asks them to find him, to keep him safe. He may or may not send some tech with videos for all of their memory-zapped loved ones too.
This fic idea was inspired by this fic by @asyouleft!
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what you’ve got to understand about working conditions in education (and also other care-oriented careers) is that if they’re shit, two things are true at once:
that does not ever excuse being cruel to a kid, no matter what
until those conditions are fixed, education will continue to suck absolute shit
this is because when working conditions for teachers are really bad, many of the good teachers who recognize when they are reaching a point where they can no longer be the sort of teacher the kids deserve due to burnout WILL quit. they will do the responsible thing and go away for their own sake and the sake of the kids. and you end up stuck w a combination of new teachers who are trying their best but won’t last long, burnt out teachers who are trying their best but have nothing left to give and therefore aren’t very effective at actually teaching, and cockroach shitheads who take out their misery on the kids.
we have all had terrible experiences with bad teachers, many of them flat out traumatic, but for fuck’s sake please try to look at the systemic underpinnings of the problem for one minute. spitefully declaring that teachers don’t deserve good working conditions or even the right to complain about bad working conditions because ms. whoever in 5th grade was a bitch is only going to create more of her. if you want good teachers then we need an education system they can survive in
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