#sometimes they point it out but sometimes they dont

[rinnstars]

all sides of you!

the five love languages rin shows to you

itoshi rin x reader: fluff, hcs/drabble, not proofread, likes n reblogs are appreciated <3

words of affirmation

- at the beginning, i think hes a lot more averse to saying romantic stuff so its more of in a long term/after months of dating

- mainly leaves sticky notes/passes notes during class/at home with what he wants to say ar rhe beginning

- after a while tho, he’ll try to at least praise you/compliment you irl then slowly tell you he loves you (altho rarely at the beginning)

- has a bunch of scribbled notes he never passed to you all filled with confessions/ things he wants to say that he eventually says at the back of his closet in a box (because he thinks its sentimental)

- a lot better at expressing his feelings and can say them without freaking out internally or stuttering before giving up and calling you a mean nickname to neutralise the compliment

- believes in a speak not tell but he knows communication is key so he’ll try his best so bear with him

- slowburn moment for this but its 100% worth it when he comes home from competition and all he can say is repeatedly whisper i love u into your ear as he pulls you closer into his embrace

physical touch

- again, at first hes a bit touch averse / awkward with hugs/kisses but after a while of dating..

- 100% super clingy esp after coming back from competition/bllk : his hands have to be somewhere on your skin, doesnt matter where hes not picky

- has to sleep with you, hugging you like youre his plushie (drools a little too btw)

- links pinky when you guys walk together doeznt matter where “you’ll get lost” excuse except his entire face goes pink at the touch of your hands

- really likes kissing your neck, he thinks its rlly cute when he can hear you & esp if it leaves a mark :p

- has piggy-backed you before even when youre not lying about your shoes hurting or being tired to be carried by him

- enjoys being babied ngl like he loves it sm when you pepper his face with kisses while he just lies there or when you comb his hair with your fingers: he feels like hes in heaven esp after stressful days

quality time

- tries to see you everyday : either through school/going to yours/his house, dates, or even facetime call

- calls you every night when hes overseas btw and during breaks he’ll try to text you back n reply to your messages

- the type to make up excuses just to hang out with you like “oh i need to get new shoes, come with me” even though he has 2038839 different pairs and then have to huy another one because he cant be caught (you can tell)

- wld go on “study” dates where he just stares at you 3/4 of rhe time and actually doesnt finish any of his “assignments”

- has gone on hangouts where both of you just chill in silence n rlly likes it because theres no pressure to do anything and its kind of calming/relaxing esp after having to deal with teammates n whatnot during work

- wld watch you play games/do anything while he sits beside you, just enjoying your company even if he craves a little more but thats alright by him

acts of service

- lowkey such an act of service guy like even pre-relationship even if he makes excuses for him bc hes trying to be #idgaf

- the type to rush to your home with meds/food/everything if you text him youre sick after missing school

- i feel like. he just kind of enjoys the peacefulness of like cleaning and would do it whenever hes stressed (ignoring the loud music he listens to)

- would bring your necessities sometimes, and ends up at some point lending a hairtie to reo (he has a pack of hair ties bought for you at all times)

- anytime he goes out to get food/on the way home, he’ll always get a portion of what youd like just in case, and doeznt mind just eating it as leftover if you dont want it

- has a notepad on his phone on your favourite orders (drinks, meals, desserts etc)

- if youre forgetful, he’ll text you to remind you : whether that be to attend events/eat lunch at proper times/buy something

- would go back to the store if he didn’t buy what you wanted/if you wanted something else without any hesitation as long as it makes you smile even if he doesn’t admit it

- would learn how to take pictures for you on his own accord : you didn’t even realise until one day you pass him your digicam and suddenly he was an expert photographer compared to just months ago when. you started dating where his hand was blocking the camera

giving gifts

- has a matching necklace with you at all times and its his lucky charm and he’ll 100% kiss it before a game / when he wins the game

- shared wishlist on online stores except he stalks through yours and buys them for you randomly to surprise you

- if you have something spoiled/doesnt work as well, doesnt matter if its a home appliance/jeans that don’t fit etc, he’ll buy one for you without any hesitation when he goes out/on his phone

- gets you trinkets/keychains/stuff that reminds him of you including any sanrio/anime/designs you like / even your favourite food ie. chocolates/candies/chips from different countries he goes to for matches

- would notice if you wore his gifts or not and try to buy more things that you like more ie. if you like silver accessories more, he’ll buy more of those

- even during school days, he would 100% blow his money on arcades if you like to play claw machine/those rhythms games and watch you play and sometimes if you don’t get it, he’ll try to get them after his football training for you and pass it to you as nonchalantly as you can the next day

- always buys matching things: that bracelet he bought you? yup he has an exact pair in his drawers, feels its more meaningful and intimate

- if you ever ask for anything, just know he’s willing to give you that and the whole world and even the whole galaxy

-

[garciaasfluffypen]

take care of me (like i take care of you) pt.1

pairing: jemily x adhd!reader word count: 2.4k warnings: emily smokes in this one (SMOKING IS DANGEROUS LADIES, GAYS AND THEYS pls dont ruin ur lungs), reader is mentioned to vape but it is not shown, female terms of endearment - "little miss", y/n has a minor flashback to a previous relationship where they got belittled that leads to an rsd breakdown a/n: THIS PART GOT TOO LONG AND I DIDNT EVEN GET TO THE MAIN PLOT POINT UNTIL 2.4k WORDS IN so its being split into two parts teehee :) also... i should have put this in the first part, but the house they live in is jj's house from cm evolution bc i'm quite literally obsessed with it anyway pls ignore the fact that it's clearly not three femme presenting humans holding hands i couldn't find a gif like that anywhere

you all had been blessed with a whole week off. a whole week that you got to spend with your favorite people in the entire world and not have to worry about being called in.

it had been ages since you had a whole week where you didn’t have to worry about a single work thing bothering you. the last time you had done this, you had convinced your then best friends to take you to their favorite park and have a picnic, go to the movies and even take you to the trader joes to get your favorite snacks. but this week, this week was different. firstly, you were now dating your best friends, and had been told to stay at theirs as long as you wanted to. you hadn’t left except to go to your apartment and grab a suitcase full of clothes. secondly, the case you had just finished drained the hell out of the three of you. a majority of the time was spent curled up on the couch cycling through shows on netflix and amazon prime, everyone taking turns picking a show to watch while eating leftover chinese food and cuddling. but today you were determined to get out of the house.

the local zoo was holding a sale to celebrate the birth of a new baby giraffe, which happened to be some of your favorite animals ever. so naturally, you got three tickets for the three of you last night and made sure you were up before both of your girlfriends to ensure you got your hands on tickets to feed the giraffes. it had been on your bucket list for a long time. ever since you were little, giraffes had intrigued you. they just looked so soft and cuddly. and you wanted to touch one. so, so bad. 

which is how you found yourself up at seven in the morning, squeezing yourself out from between the two older women and seaking downstairs, curling up in the armchair that you had claimed to yourself and grabbing your ipad. well, technically it was emily’s but she barely used it so therefore it was yours. you had all your favorite games on it anyway, so it was only fair that you used it more since you liked to play games on the jet. making sure you got to the website bright and early, you went to the page where you needed to buy the giraffe experience tickets and waited patiently until 7:30am hit and the first wave of tickets were sent out into the interwebs. within minutes, you had the three tickets you needed in your email. the next step to buttering up your girlfriends for a day at the zoo was to make breakfast. 

you knew exactly what breakfast each of them liked, and had memorized it a few weeks prior for moments like this. emily loved her bacon crispy, her eggs over easy and a marlboro gold by the bay window. jj, on the other hand, loved when you made the pillsbury biscuits with honey and butter, some sort of potato and getting kisses from both you and emily. considering emily usually woke up a little bit before you and jj on a typical day, you decided to start on hers first. you grabbed the box of cigarettes from her purse and put it over by the seat next to the kitchen table, opening the window so the cool dc air would flow through the kitchen as you cooked. sometimes you were tempted to light up a cigarette and see what they were like, but you couldn’t let go of your favorite fruity little flavors. that was another thing you added to your mental list of things to never let emily find out, since you knew she’d give you the look that she gives you whenever you’ve somehow disappointed her. 

jj had found out by a total accident a while ago, clocking your antsiness before you even did. you had stepped out for a breath of fresh air, not realizing that jj had followed you until you were mid hit and felt a presence behind you. while she had been disappointed, she knew that the oral fixation couldn’t be stopped if you weren’t chewing on your chewy necklace. you did your best to wear it, but sometimes the need for the nicotine buzz was stronger than your little necklace and you wanted to feel the dopamine. she sat with you outside while you tried to explain the way it made you feel, and she sat there the whole time and listened to you. she made you promise to lower the nicotine level, which you agreed to, but kept forgetting to go down whenever you stopped by the shop. 

despite the fear looming over you of disappointing emily, you couldn’t help but realize everything had been so easy with them. from communicating your needs to even just asking for them to sit with you. they made sure you were their number one priority. to this day, you were still scared of waking up in your dingy one bedroom all alone and still single. but now, here you were, slowly moving your stuff into their apartment and preparing to leave most of your old appliances at the local goodwill. it was a pleasant change, knowing you were moving somewhere nice and calm and where people supported your every move. where they wouldn’t yell at you when you forgot to refill the soap, or restock the cheese drawer after a grocery trip. 

shaking yourself out of your thoughts, you heard the bedroom door creak open and the padding of emily’s sock feet grew louder as you started smiling. 

“you’re up early,” emily beamed at you. “what’re you doing?”

“taking care of my girlfriends.” you shrugged. “cigs are on the table for you next to your window.” 

emily narrowed her eyes playfully at you. “you have a plan for today, don’t you?” 

“maybe i do, maybe i don’t.” you playfully smiled back at her. “you gotta wait for jayje to wake up.” 

“you know, you can be bad at hiding things sometimes.” emily came over to you and wrapped her arms around your waist. “you have the cheesiest grin on your face right now.” 

“can i not just make breakfast for my girlfriends when i want to?” 

emily placed a peck on your cheek, then captured your lips in a kiss. “you’re a devious little thing, lovey.” 

“and you adore me for it.”

“that i do.” 

you placed another kiss on emily’s lips before ushering her over to her window, grabbing the sheet pan of biscuits and slipping them into the oven. you relished these small moments with emily, where it was the two of you. you got these moments with jj at night, since emily typically stayed at the office later than you guys did. taking the mornings with just the two of you was something you tried to do more often than not, since you craved quality time with both of them. you loved having time with both of them together, but alone time with each of your girlfriends was something you cherished. you made sure to get emily’s coffee mug filled just the right amount and bought it over to the table, wrapping your arms around her from behind as the smoke flowed from between her lips. you had at least five more minutes before you had to start cooking the bacon and eggs, which meant you could sit with emily and bask in the moment. 

before you knew it, jj made her way into the kitchen, smiling widely as she came and wrapped her arms around you as you stood over the pan. your eyes momentarily closed as you leaned back into the blonde, letting her place a few kisses on your neck before turning around and capturing her in a kiss. you smiled at her before turning back to the bacon, making sure that side was crispy as you could get it before flipping it around. 

“what’s all this?”

“well… i uh, i had a plan for us today.”

you saw emily struggle to hold back a chuckle out of the corner of your eye.

“can you guys both be ready by nine thirty? no wait, be ready by nine fifteen and in the car by nine thirty because we need to be at the place by nine fifty in order to beat the crowds and get to where we need to be on time for our tickets because our tickets are for eleven.” you paused, looking at your girlfriends. “can you be ready by nine fifteen?” 

“i mean, yeah.” jj looked over to emily. “do you know the plan?”

“just that little miss over here woke up before us and i woke up with no blankets on me because in the midst of everything you stole all of them.” emily joked, poking her tongue out at jj. 

you started rocking up to the balls of your feet. “so um… there might be a new baby giraffe at the zoo and i might have gotten us tickets because i really really wanted to see the giraffes and they’re my favorites and they were running a sale because of the new baby and--” 

jj chuckled. “you are adorable, did you know that?” 

“is that a yes?”

“of course it's a yes, bubs.” jj placed a kiss on your cheek. “i’d love to go to the zoo with you.” 

“emmy?” you looked over to emily, the new nickname slipping out of your lips with ease. “can you come to the zoo with us? you’ll probably say no which is okay because i can always invite penelope or tara but-”

“why would you think i’d say no?” 

negative feelings overflowed your system as you remembered vividly the face that had been pulled when you asked to go to the zoo or do anything you considered fun. you felt yourself slipping into a dissociative state, fingers looking for something to stim on as you worked through your feelings. the harsh words of “why the fuck would you want to go to the zoo?” reverberated through as memories of one of your previous flings flew to the front of your mind. the shame you felt for wanting to enjoy your time together became unbearable and overwhelming, making you realize that your girlfriends could become annoyed with you like that and change their minds. what if they thought you were childish? what if they figured out you were too much for them?

emily looked over to jj. “did i say something?” 

“i don’t know. i don’t think so?” jj looked over to you, your eyes glazed over. “um.. shit wait, okay, i think they’re having an rsd episode, i’ll get their work bag. the marble fidget they use to calm down is in there.” 

emily scooted out from behind the table as she put her cigarette out, sneaking behind you to grab the pan off the stove before the bacon burned. she put her arms around you and pulled you close, running her hand up and down your back lightly as she waited for you to come out of your funk. she locked eyes with jj as she came back into the room, digging through the bag for the fidget toy in question, sticking it in your hands before you could start scratching at the side of your nails. a few minutes passed before you came back, the feeling of both emily and jj’s arms around you grounding you in the present, pushing the negative feelings to the back of your mind.

“‘m sorry.” 

“it's okay, lovey. do you want to talk about it?” 

“um… can you just… i’m not too much, right?” 

emily pulled back. “what makes you think that?” 

“whenever i asked about doing things that i liked, nobody really wanted to do them.” you looked down shamefully. “i shouldn’t have presumed you’d want to go with me.” 

“y/n y/l/n” blue eyes looked into your own. “you don't need to hide yourself with us. never hide yourself with us. you’re allowed to have your likes and act on them.” 

“but-”

“ah ah,” jj tilted your chin up, making you look at her. “don’t you dare.” 

it was almost as if a switch had been flipped in jj, her eyes darkening slightly as she stared at you. it caused your legs to turn to jelly, rendering you practically useless in your girlfriend's arms. you weren’t entirely sure what was happening, but it sent a wave of excitement through your veins. 

“we’re going to the zoo with you, we’re going to have fun, and we’re going to have a good day.” jj shot emily a ‘we need to talk about this’ glance before continuing. “go get dressed and ready for the day, we’ll finish our breakfasts and go enjoy the zoo.” she gave you a pointed look. “capeesh?”

all you could do was nod, your eyes widening in… whatever this feeling was that you were feeling. 

“words, y/n.”

“y-yes.” you swallowed. “okay.” 

jj smiled, switching back to her normal self and placing a kiss on your lips. “thank you for breakfast, by the way. it smells delicious.” 

you shyly smiled back. “i wanted you to be in a good mood before i asked you to go to the zoo.” 

emily pulled you in for a hug. “you never have to do anything for us to be in a good mood around you. we-” she paused. “there’s nothing you could do to put us in a foul mood.” 

“are you sure?”

“we’re sure. now go get ready, lovey, we’ll be up in a little bit when we finish our breakfast.” it was emily’s turn to kiss you. “don’t forget your meds.”

“oh shit, my meds!” 

emily and jj watched you run out of the room, both of the older women chuckling. emily wrapped her arms around jj, placing her head on her shoulder. 

“we’re going to need to work on talking about feelings, huh?” 

jj nodded. “it seems like it.” 

“would it be too much to castrate the exes who hurt them?” 

“uh… yes? we’re not castrating anyone.” jj lightly slapped emily’s arm. “go finish your bacon, we have places to be.” 

“we do need to have a serious talk with them about it, at some point.”

“yeah,” jj agreed. “lets just… they need to know we’re here for them. let’s focus on them the rest of the week and go from there.” 

emily nodded. “we’ll go from there.”

taglist: @jayden-prentiss

[boozeforbrains]

You say you’re sober, but a lot of your posts are about disregarding limits or POS friends who enable drinking or talking sober people into drinking. Is it a fantasy of yours for your sobriety to be broken? Or do you see yourself as the enabler pushing the sober person in these kinds of scenarios?

Warning very serious and not so serious approach to this topic

Hmm yeah difficult psychosexual situation for me.

I do fantasize about being like bullied or forced into having my sobriety broken and it turns me on like very few other things, i always had the fantasy of forced intoxication/accidental intoxication/pushed/tricked/etc, ranging from being subtly manipulated to being literally tied up/kidnapped/whatever and for all intents and purposes forced, mentally and physically.

It became sort of more specific after i decided to be sober. I think if i genuinely had this happen to me, specifically if the other person got off on it as well and was very focused on getting me drunk id probably get off on it forever, literally a wet dream come true.

Sometimes i wonder if its a way out of being responsible for my own sobriety, or for drinking „just one more time“ im thinking its probably many things including this but also a life long fantasy.

Im always torn on the „do it or dont“ i genuinely do not believe there is truly a way to decide between right and wrong here. Only the time i have on this earth and what i decide to do with it. And again, ive had this fantasy since before puberty, at this point i wonder if its more of a need than a wish.

On the other hand i am an extremely responsible and health conscious person, i have a very full schedule, not a lot of time off and high expectations for myself in regards to my physical, (inter)personal, academic and work performance, all of which are pretty big contraindications to indulging myself as much as id like. (And presumably also the reason i tend to drink so heavily cause i cant get my brain to stop pushing myself to doing better and better and more and more)

Im also not a casual drinker at all. I dont drink often, i dont drink just one glass and i dont enjoy the taste of alcohol tbh, i never was a one beer/glass of wine to unwind type guy. I usually go for pretty long periods of time not even caring about alcohol at all and then drink very hard for a shorter period of time (it has to be worth it style) which is also why it took me a while to realize that my behaviour is not healthy regardlng alcohol tho again, Alcohol is just not healthy, no not even one glass, this has been proven by multiple studies at this point. its a neurotoxin that very much kills and cripples people, if were looking at it from a very sober (haha) perspective. (And since i work in healthcare i have seen the very real consequences of consistent, heavy alcohol abuse)

I dont know that i would feel comfortable pushing someone else into breaking sobriety, it would be a very individual decision for sure, mainly depending on how informed the other person was, how much they were consenting etc. i definitely wouldnt dare do it on a whim for purely my own pleasure, tho i could see myself indulging someone who was giving me a clear „go“ and enjoying it.

Even working the bar ive felt uncomfortable serving someone who after a couple drinks let drop to someone they were chatting with that theyd been sober for the last seven months. It made me sad because i know how much genuinely hard work it is.

On the other hand awooga drunk hot and sexy. That part is very implemented in my brain as well.

Not sure if this is the answer you were looking for, its definitely a complex topic for me, i hope i could sort of explain my feelings and thoughts on it to your statisfaction.

[diminuel]

psssss long time not bothering u xD

today i bring questions about ace. more specifically, your au where ace wants to be a girl sometimes!! and i know that unless im remembering it wrong its from tje same universe where luffy was raised by his dads, but luffy being luffy i assume he wouldn't tell his crewmates about his family just like in canon. so like, when they get in alabasta, im not sure the whole croco arc would still happen, but the point i want to focus on is the crew meeting ace!! and to me genderfluid ace would be chill being called by both brother and sister and luffy just switches on it randomly and wanna know what ur think the crew's reaction would be. i know they wouldn't mind ace genders and sexuality, i just mean their reaction to luffy general mess with mentioning family members and explaining anything. in my head ace would have to pull them aside for the info bit that "oh yeah i dont mind any pronouns and im sometimes a boy and sometimes a girl" bc luffy would leave them all confused

sorry if this ask is a mess i hope it makes some sense

Hello hello!

The issue with the silly universe where we get girl Ace sometimes is that nothing would quite happen like in canon most likely because the stakes are drastically lowered. How exactly I don't know *lol* But it doesn't really matter for the question at hand.

A part of me believes that Ace wouldn't feel the need to explain anything that wasn't important. So the only question that would be relevant to him in particular might be "why does Luffy keep calling you his big brother" with the implication being that to them it's obvious that Ace is a girl.

He would probably explain that their Auntie Iva has devil fruit powers and can change people's gender. Ace has been Luffy's big bro for over 10 years before he first asked Iva, so it stuck. He changes based on what he feels like (and if he can get to Iva, because it's a bit of a journey).

As to reactions of the crew. I think Zoro would probably just take note of it without comment (though me being me I think we should send Zoro to Iva too *lol*), Nami and Usop would be quite amazed, Chopper would be very excited about what Iva can do and how to combine medicine and devil fruit powers to help people. Sanji's probably heard that Iva is the Queen of a kingdom of maidens and passed out with a nosebleed.

Vivi might know Ace already if this was an AU where the Monkey kids sometimes hang out in Alabasta. (They might even be (sworn) siblings. So maybe she could fill them in if they want more information.)

[intheholler]

This might be a bit of a random and tangety question, but I was wondering if y’all also experience the erasure of people already livin’ in areas about to be or in the process of gentrification.

Cause I’m from the Mornington peninsula, this relatively mid sized region in Australia, some of it can be pretty rural, over all we have a population density of 230 per square km (which is 88 per square mile??) which is mostly because of the few bigger population centres.

Anyhow when I was growin’ up the ninch (as we call it) was seen as this largely poor, backwards, farming/fishing region full of conservatives who hated outsiders or somethin’ (to be honest the last part is correct)

But these days a lot of people have shifted from viewing people on the ninch from backwards hill dwellers to… not even existing?

A lot of our towns are seen as desirable as holiday realestate but this hasn’t rehabilitated people from the ninch in the eye’s of outsiders but instead they just ignore that we are even here, and that they are displacin’ us.

Does this happen in gentrified parts of Appalachia or are outsiders still hostile to locals?

i definitely do still notice hostility, but in a way, it can absolutely be framed as them just... not seeing us, like you said. they aggressively want to scrub clean the culture n the people to get to the pretty parts, to the point where, no, they don't consider us unless they're looking down on us as they "clean up the place."

ppl will come here n complain about how UnSaFe it is cause they hear guns going off in the woods with ppl just mindin their business, hunting on their own land or just shootin having fun. they come here n mock our accents and the way we live, pearl clutching bc they have to drive two hours away to get to a Target. then they just start filling in the commercial gaps instead of accepting that just aint how we live here. things like that.

basically, they want a pretty lil mountain view out the back of their vacation home, but they don't actually want the mountains; they want it to be like where they came from. hell, sometimes they dont even want the view. theyll flatten ridges to build their mcmansions instead. so, no, gentrification definitely hasn't redeemed appalachians in the eye of the general public that flock here, either.

anyway, solidarity <3 sounds like there's a lot in common between our region and yours

[milkywayan]

As I rewatch all the historical farm docus again (i looove them so this is not a critique of hate but of love), there is something I think I have to point out, especially for people who are not as obsessed with this stuff as I am

They are talking about the british perspective.

Many things they say are correct for their geographical area, but not true for the rest of europe. and i have to say, sometimes they do get stuff about the rest of europe wrong (e.g. Ruth talks about the possibility of a woman having her own business in medieval england, saying that was not the case in the rest of europe, which is factually wrong as we, for example, have sources of women inheriting and running their own business in medieval vienna, and having important positions in guilds)

Also, they also once state that wine was expensive and a luxory, not adding 'in britain' and stating it as a fact, while this is of course not the case for a lot of regions with a lot of vinyards. going with the vienna example again, which is in a basin surrounded by low hills which are covered in vineyards since probably roman times (they still are today). there was even a ban of brewing beer comercially within the city to have people drink wine. it was generally not expensive

they also state people in the medieval times did not wash... which is also wrong. idk about england, i am not an expert, but we have a lot of german sources of paintings showing people in baths (not only nobles), there were loads of communal bath houses in medieval cities that show up in documents and in archaeological finds, there are references in literature (e.g. Parzival from the late 12th century, he is taught that he should wash every time after taking off his armour and he is full body washing himself regularly). They were not as cleanly as we are today, sure, but they knew with dirt came disease, they thought that bad smells carried disease, so why on earth would they not clean themselves?

so yea, i am of course speaking from a different geographical area, i focus on central europe/german sources and idk a lot about britain. but it is important to not just lump 'medieval europe' into one big pot

[puppyeared]

horrible truth bomb dropped on my head 20 min ago

[gophergal]

Guilt tripping people does nothing but cause vulnerable folks to spiral and make folks who dont live with moral OCD feel negatively toward your cause

[venomgaia]

sm limbus scribbles too frm the past weeks between workin on things!

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[sleevebuscemii]

you know. louis always choosing lestat, louis actually being genuinely incapable of fully choosing someone else over him, or letting him go, is why i think they have to be together but it’s also crazy because, as much of it IS an actual deep love from louis and it is a romance that’s like a cockroach in a nuclear war, it’s not actually out of love. or just love. like so much of louis’ attachment to lestat is an Attachment and not a love (even tho the love is there!!). lestat was there for him after a hugely fucked up time in his life (not even there to help through it necessarily just like. physically there.) lestat was his first, which to louis de repressed du catholic guilt is a big fucking deal, not just his first time or his first relationship with a man, but it’s his first actual acknowledgment and surrender to his sexuality. not to mention being with lestat means he burnt every other bridge he had, he’s isolated from friends and family and society and even when he tried to build a new one (claudia), he ended up burning that one too so that all that’s left is always lestat. but the crazy thing. the craaaaaaaziest thing. is that lestat didn’t even. do this on purpose. lestat is a bitch and liar and a monster and a manipulator but unfortunately!!!! he did not mastermind getting louis under these specific circumstances to keep him bound to him forever this bitch l i t e r a l l y. just got lucky. lestat didn’t kill paul and he didn’t force louis to stop talking to his family (negotiable but. still.) and he didn’t even ask louis not to kill him in fact. i bet he really truly thought louis would do it, that louis could do it, that he’d kill him. because even he doesn’t know the power he has over louis. the same way claudia didn’t. it’s literally only louis who knows just how fucking fucked he is with his attachment to lestat and he carries that shit around like an addict who hid a last bottle of pills in his drywall before he got clean. like he knows he’s gonna choose lestat. he’s with armand and he knows this. he’s shit talking that man to daniel 12 hours a day knowing this. its fucking insane because he knows and WE KNOW. WE FUCKING KNOW. THAT. if lestat ever walks into the fucking room. its fucking over. louis’ gonna walk out that room with him. he’s gonna punch a fucking hole in his wall and rummage through the broken drywall and grab that bottle and pop a fucking pill. go to fucking therapy mon cher. a THOUSAND sessions of emdr mon CHER.

[todayisafridaynight]

Each time you draw Daigo or Masato in a corset I gain 500 HP thank you

do you accept corset tops. may you live a thousand years

[ooogleys]

DRDT SPOILERS IN TAGS!!!!

highkey i would hate being ace markey

[never-ending-pizza-time]

I think some people forget that peppino can be kind of a jerk. He's not your perfect awkward nervous guy who can do no wrong, he is not perfect, but that doesn't make him a bad guy. He has flaws, because thats a normal human thing to have.

Sometimes he gets angry and a bit mean, sometimes he takes joy in beating the shit out of the tower residents, sometimes he gets selfish or says something mean to someone. His anxiety is not his only flaw, please don't forget that. He is not a perfect sunshine boy who can do no wrong. He is not nice and friendly 100% of the time. He is a human person, he is a complex being who cannot be easily defined as completely good or completely bad.

Sometimes good people do shitty things. Sometimes a person will not act in the kindest way possible. Sometimes someone will do something not realising (or caring) how it makes others feel. Sometimes people have bad days. Sometimes people make mistakes. Sometimes people are wrong.

Peppino is a human, he is not immune to being a jerk sometimes. Again, this doesn't make him a bad person, it just makes him human, and I don't want people to forget that and misinterpret him as being someone whos only flaw is his anxiety. Yes it is a key part of his character, but theres more to this guy than that, thats not his only flaw or imperfection or whatever you want to call it. He's not 'kind perfect guy who also has anxiety', theres more detail to who he is than that.

Peppino can be a bit mean, Peppino can be hotheaded, and you know what? Thats okay because thats what a person is like sometimes, and that is a sign of a complex and realisticly written character (even if he is a cartoon guy, his personality still feels realistic). He's not the same guy all of the time, he doesnt respond to every situation in the same way, he's not a one note character. Sometimes he sucks as a person, but its okay because despite all that, he's a loveable and endearing character, and he isn't a horrible terrible person, he just is human, and thats okay.

[theloveinc]

Can't wear flavored lip product around Togame because he's absolutely going to eat it right off your face.

(It’s not enough that he already practically demands a lipstick stain somewhere on his face whenever you do your makeup in general—he’s also gotten used to the flavored glosses and balms you sometimes coat his lips with...wanting to let the flavor, sweet and fruity, linger in his mouth until he pops the marble of his next soda.

It’s practically every day you can catch him with dewy lips, half of the time even stained a flushed and rosy hue which matches your complexion, a little bit of tongue sticking out to keep the taste of you on his tongue for hours.)

[puppyeared]

learning abt friendship decay and "not reaching out to your friends for months at a time unprompted is not neurotypical behaviour" has me feeling a certain way