#sometimes you can't even draw that......

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

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[s1llydr3amscape]

LET ME OUT

Looks like someone failed the captcha test to many times!

Anyways I always wanted to doodle this specific pose from Toyless' animation why because I can :]

Extras under the cut :

This was the specific screenshot I based the pose off I love hands grabbing head!!! :

The original video ^ (I'll be real with yall I was shocked the original song was poppy playtime because my only experience with it was that all my baby cousins loved that franchise. And they would show me vids off it at family gatherings because I was the babysitter. One of em even debated me abt fnaf like chill out bro you weren't even born when it came out!!!!!)

Glitchtrap rambling time woohoo let's go!!!!

-I redrew em again because I think I'm almost 100% happy with its design!!!! Like I don't wanna change their face so much because the way his face is shaped is my fave!!! Like they have the same style of muzzle as sonic characters!!!!!! I just made it rounder cuz its their early days before this au lore

-I just wanna achieve the unnaturalness with their design. Like they don't belong here. They want to get out. LET HIM OUT. type vibe basically like that's why it has like those kind off teeth instead off the rabbit ones. They get those later in the au.

-I fucking love Glitchtrap so much you don't understand they're so peak!!!!!! I jokingly hate him because I despise what it did to Vanny.

-I was a fan since day 1 bro is just so unique like woah a non animatronic for a change?!?!? STRAIGHT UP A FURSUIT!??!?! Color me impressed!!! I love zooming on it its model and seeing everyy little detail!!! Like omg bro is crying and drooling on the suit!!!!! There's also a patch of uneven stitching pattern on the top of their head compared to their mostly symmetrical design!!!

-I was so fixated on em like my level of obsession for him was bad bad!!!! Like yeah it was still there when Vanny came around during the curse of Dreadbear DLC but you don't understand it surpassed all my Foxy art!!! The first fnaf character I fixated on!?!?? Like what and yall can ask my IRLS bro had lots n lots of art!!!!! I have so much trad art of glitchy it's embarassing!!! Atleast I improved tbh!!

-I just really really loved the fan animations were bro got to time travel to the older fnaf animations and fuck em up!!!! Causing them all to glitch out like hello PEAK!?!?!?! No im not biased to rabbit characters with whiskers shhhhh... SHHH...

-Because I know all those animations already and it's like omg omg OMG Glitchtrap kinda expanded my music taste imma be fr... Fnaf autism is so bad I omfg I only listened to fnaf songs and the only time I listened to other franchises songs is because someone animated fnaf over it... like yeah I was an animation meme kid but even then I only remember the lyrics and titles to songs if I saw fnaf on them (cringe!!!!) So yeah thank u Glitchtrap <33333

-I think Malhare is the cooler name but the Glitchtrap name is cool too because when the names end in trap like this it makes me think they're like warrior cats adjacent. So in this one they just fluctuate between either Malhare or Glitchtrap

-Also another reason he's my super fave is because my brain predicted it's gloop form!!!!

-Like no joke literally the same character I dreamt about during the early days before Princess Quest.

-Except mine was a shadow like the shadow animatronics. More wispy than gloopy. I think the reason I dreamt it was because Shadow Toy Chica and fan made shadow animatronics were getting popular!! But legit same character and colors!!!!!!!

-Just a big dark mass with purple eyes surrounding it like literally the same character my brain came up with and I'm just wow <3333 minus the fact my design had really big giant swirly white eyebrows

-However my Shadow Glitchtrap was kinda more wack to say the least. Like heheheh cuz Glitchtraps a fursuit there's no denying that I changed the dream design a bit. In my old Glitchtrap designs they'd have a zipper and so what would happen was they'd unzip and flip their insides into outsides to reveal the Shadow Glitchtrap thing which was hiding inside them.

-Like those plushies that you can unzip to reveal a different plushie design basically!!!!

-TBH I prefer Glooptrap because yeah!!!!! Amalgamation of hate let's go!!!!!! I think with how gloopy he is its just fun to draw I love the fact that the weird Glitchtrap blockers look like that it fits too much with my own preestablished AU lore.

-I feel like Glitchtrap turns into Glooptrap from like the seams of their suit. Like you see that each part the suit got stitched just turn black as black liquid pours out like ohhh that shit haunted!!!! Bursting outta the seams like oh this guy has no one inside they're all just black sludge!!!!

-In this AU specifically (The one with my millions of Vanny designs) is actually a spoof fnaf AU where everyone lives!!! Like I have 3 AUs technically one of them being the fnaf cast in my oc world where they become my ocs basically called Rabbit City. My other one which is my more serious canon adjacent fnaf AU where no silly stuff or shipping happens, and it's just more overall following my own formed understanding of the canonicity and the series of events with me trying to keep the animatronics more game accurate (I dont think ive posted any of that here due to me feeling like my style limits the nit and grit I wanna go with it). And this one I mainly post on here where everything is just silly and bends to my command and everyone lives because I love everyone <333333 Literally playing with my toys type AU where I do what I want which is why a million vanny designs are in this AU specifically. I usually tag it as this 🦭🩷🐇🐰🐇🐰🐇🐰🐯 because the original name of this au is self indulgent and I'm embarrassed but it's too iconic to change it.

-Glitchtrap in this AU is just much more goofy and silly infecting people like a zombie virus and possessing them for his own gain. Weird eldritch horror that came out of a fnaf fangame. Anything goes in this AU so if I wanna make Glitchtrap a mind controlling zombie warlock wizard so be it!!!! Sorry I love zombies soo much you will have to take this trope out of my cold dead hands!!!!! I love rot!!!

-That's why it's wrinkly because they too me are like a rotten banana (Even though his associated smell to me is lemongrass). Imagine squeezing a banana still with it's skin on. That's how I imagine bro turns into glooptrap if they didn't open the zipper in time. Also because I love the design trope of rotting and withering sue me. I love when the flesh sags across the body. Wrinkles are great bro theyre so real!!!!! Also because back then people kept drawing him as skinny as a twig??? Even though they have fat??? So I made them fatter mostly because like I love the gloop part of it hiding inside <3333

-They're more green pink and purple because imma be real my fave color combo ever <33333

-I wanna do an xray piece with them soon to show their insides but I'm still uncertain if I have the art prowess to concoct it exactly like how I envision it yet. Like I need to squash and scretch them more. They need to look more decrepit and horrible!!!!! something like the unknown from dbd!!!!

-They can't actually emote properly stuck in a permanent smile

-Glithctrap and Vanny’s dynamic is like Lord Hater and Commander Peepers in this one. There's more character adjacent to the dynamic between them concocted in my head but I wanna draw a comic abt it :]

-Like yeah one second they're besties and the next they're at each other's throats ready to strangle eachother. Vanny reluctantly trying to help him at first like how she was first called.

-Oh also in this specific AU Glitchtrap isn't connected to William in the slightest more just it's own thing!!!!

-He's like an AI that wants to be human. It believes it is human. They've mimicked people too much that they don't know what they are anymore. Or what it wants anymore. What do they want.

[oskidontle]

Trying to solidify how I wanna draw the whimsical pink one. Him and his horrid teeth.

Here's a silly expression sheet.

I kinda wanted to play around with the scribblyness of his eyes to push some specific expressions.

[hychlorions]

weekend 🥴

[alackofghosts]

boop :]

[the-sunlit-earth]

a lot of clipping to fix, but hey I got it moving at least! I'll get the Telvanni robe properly physic'd if it's the last thing I do >:0

[cuddlytogas]

there was some Twitter madness recently where someone left a comment on someone's art to the effect of, "Ed shouldn't wear a dress, he's a man!" which I do disagree with on principle, but unfortunately, it brought out one of my least favourite trends in the fandom

so, naturally, I had to write a twitter essay about it. and I already largely argued this in a post here, but the thread is clearer and better structured, so I thought I'd cross-post for those not on the Hellsite (derogatory). edited for formatting/structure's sake, since I no longer have to keep to tweet lengths, and incorporating a couple of points other people brought up in the replies

so

I want to point out that the wedding cake toppers in OFMD s2 aren't evidence that Ed wants to wear dresses. Gender is fake, men can wear skirts, play with these dolls how you like, but it's not canon, and that scene especially Doesn't Mean That.

People cite it often: 'He put himself in a dress by painting the bride as himself! It's what he wants!' But that fundamentally misunderstands the scene, and the series' framing of weddings as a whole. I'd argue that Ed paints the figure not from desire, but from self-hatred; it's not what he wants, but what he thinks he should, and has failed to, be.

(Yes, I am slightly biased by my rampant anti-marriage opinions, but bear with me here, because it is relevant to the interpretation of the scene, and season two as a whole.)

The show is not subtle. It keeps telling us that the institution of marriage is a prison that suffocates everyone involved. Ed's parents' cycle of abuse is passed to their son in both the violence he witnesses then enacts on his father, and the self-repression his mother teaches, despite her good intentions ("It's not up to us, is it? It's up to God. ... We're just not those kind of people. We never will be."). Stede and Mary are both oppressed by their arranged marriage, with 1x04 blunty titled Discomfort in a Married State. The Barbados widows revel in their freedom ("We're alive. They're dead. Now is your time").

But even without this context, the particular wedding crashed in 2x01 is COMICALLY evil. The scene is introduced with this speech from the priest:

"The natural condition of humanity is base and vile. It is the obligation of people of standing ... to elevate the common human rabble through the sacred transaction of matrimony."

It's upper class, all-white, and religiously sanctioned. "Vile natural conditions" include queerness, sexual freedom, and family structures outside the cisheteropatriarchal capitalist unit. "The obligation of people of standing" invokes ideas like the white man's burden, innate class hierarchy, religious missions, and conversion therapy. Matrimony is presented as both "sacred" (endorsed by the ruling religious body), and a "transaction" (business performed to transfer property and people-as-property, regardless of their desires), a tool of the oppressive society that pirates escape and destroy. That is where the figurines come from.

When Ed, in a drunk, depressive spiral, paints himself onto the bride, he's not yearning for a pretty dress. He's sort of yearning for a wedding, but that's not framed as positive. What he's doing is projecting himself into an 'ideal' image of marriage because he believes that: a) that's what Stede (and everyone) wants; b) he can never live up to that ideal because he's unlovable and broken (brown, queer, lower-class, violent, abused, etc); c) that's why Stede left. He tries to make himself fit into the social ideal by painting himself onto the closest match - long-haired, partner to Stede/groom, but a demure, white woman, a frozen, porcelain miniature - because, if he could just shrink himself down and squeeze into that box, maybe Stede would love him and he'd live happily ever after. But he can't. So he won't.

The fantasy fails: Ed is morose, turns away from the figurines, then tips them into the sea, a lost cause. He knows he won't ever fulfil that bride's role, but he sees that as a failure in himself, not the role. It's not just that "Stede left, so Ed will never have a dream wedding and might as well die." Stede left when Ed was honest and vulnerable, "proving" what his trauma and depression tell him: there's one image of love (of personhood), and he'll never live up to it because he's fundamentally deficient. So he might as well die.

This hit me from my very first viewing. The scene is devastating, because Ed is wrong, and we know it! He doesn't need to change or reduce himself to fit an image and be accepted (as, eg, Izzy demanded). Stede knows and loves him exactly as he is; it's the main thread and theme of season two!

(@/everyonegetcake suggested that Ed's yearning in these scenes includes his broader desire for the vulnerability and safety Stede offered, literalised through unattainable "fine" things like the status of gentleman in s1, or the figurine's blue dress. I'd argue, though, that these scenes don't incorporate this beyond a general knowledge of Ed's character. Ed is always pining for both literal and emotional softness, but the significance of the figurines specifically, to both Ed and the audience, is poisoned by their origin and context: there is no positive fantasy in the bride figure, only Ed's perceived deficiency.

Further, assuming that a desire for vulnerability necessarily corresponds with an explicit desire for femininity, dresses, etc, kind of contradicts the major themes of the show. OFMD asserts that there is nothing wrong with men assuming femininity (through drag, self-care, nurturing, emotional vulnerability, etc), but also that many of these traits are, in fact, genderless, and should be available to men without affecting their perceived or actual masculinity. It thematically invokes the potential for cross-gender expression in Ed's desires, especially through the transgender echoes in his relieved disposal, then comfortable reincorporation, of the Blackbeard leathers/identity. It's a rich, valuable area of analysis and exploration. But it remains a suggestion, not a canon or on-screen trait.)

Importantly, the groom figure doesn't fit Stede, either. Not just in dress: it's stiff and formal, and marriage nearly killed him. He's shabbier now, yes, but also shedding his privilege and property, embracing his queerness, and trying to take responsibility for his community. In a s1 flashback, Stede hesitantly says, "I thought that, when I did marry, it could be for love," but he would never find love in marriage. Not just because he's gay, but because marriage in OFMD is an oppressive, transactional institution that precludes love altogether. All formal marriages in OFMD are loveless.

So, he becomes a pirate, where they reject society altogether and have matelotages instead. Lucius and Pete's "mateys" ceremony is shot and framed not like a wedding, but as an honest, personal bond, willingly conducted in community (in a circle; no presiding authority, procession, or transaction).

That is how Stede and Ed can find love, companionship, and happiness: by rejecting those figurines and their oppressive exchange of property, overseen by a church that enables colonialism and abuse. Ed is loved, and deserves happiness, as he is, no paint or projection required.

ALL OF THIS IS TO SAY: draw Ed in dresses! Write him getting gender euphoria in skirts! Write trans/nb Ed, draw men being feminine! Gender is fake, the show invites exploration, that's what 'transformative works' means! But please, stop citing the cake toppers as evidence it's canon. Stop citing a scene where a depressed Māori man gets drunk and projects himself onto a rich, white, silent bride because he thinks he's innately unlovable and only people like her can find happiness, shortly before deciding to kill himself, as canon evidence it's what he wants.

(Also, please don't come in here with "lmao we're just having fun," I know, I get it. Unfortunately, I'm an academiapilled researchmaxxer, and some of youse need to remember that the word "canon" has meaning. NOW GO HAVE FUN PUTTING THAT MAN IN A PRETTY DRESS!! 💖💖)

[traumatas]

A little stuck in a low art wise but I forced myself to doodle some at least 😭

[originblue]

So I've recently listened to Malevolent, which is a wonderful audio drama, and I thought it fit rather well with a song I like, so Kayne gets to play it on the reality piano. As a treat.

A million internet points if you recognise the song. I had to write my own score for it as I don't think one exists, so if you do recognise it and want one, hmu I suppose.

Close up panels below, as I think the quality will be eaten on the full one -

Kayne has tiny hands as he was modelled by me. Sorry king, but I needed you to be playing this specific song.

[the-dye-stained-socialite]

Josie Pinup for @thedeafprophet ;) (full nudity below the cut)

i think october wants her cloak back josie 🤭

(based on this:)

[unproduciblesmackdown]

ooh big hug

[gretagator]

Hmmm redrew that Saul drawing I did back in november....

[lightbulb-warning]

i used to freehand comics all the time as a child and since the part i liked was the drawing part i would just draw panel after panel because i didn't want to stop drawing to think about icky icky words, plus the story TOTALLY still made perfect sense! to me! and noone else, but 'whoooo caaaaares omgggg its not like comics and sequantial art are a communicative meeediummmm lmaoooooo'. i spent my entire childhood telling myself stuff like "oh pfft I know this story by heart- ill SIMPLY remember the dialogue and write it later" ...and. I can't help but admire baby maiora's (call that a minora ba tm tsk) fucking audacity? hubris? confident wrongness? kid couldn't even remember to finish the comics in the first place? INCREDIBLE levels of unearned self assurance, wish that were me, genuinely- what an icon!!! anyway i think i have forever cursed myself

[ozuzo]

✨ Jishen and Junius ✨ (characters belong to @kimquatz 💞)

[gamebunny-advance]

NSR Fandom, Help Me [RESOLVED]

Edit (6/29/24, later in the day):

Alright, with some help from @anger-ey (thanks again for the help ^o^), I think I finally have the answer to where this came from.

SO, it looks like this "fact" was originally on Kliff's page on the Metronomik wiki as unsourced trivia. Back then, it seems like the site was prone to people just writing whatever they wanted, so I guess I read it there first and internalized it as a fact.

(Even though when I first posted about it, I acknowledged that it wasn't said on record, so *that's* the part that I forgot.)

(Source)

-----------

Edit (6/29/24):

So yeah. It turns out I actually did just make this up from nothing, and just forgot that I made it up.

"Just something I was thinking about a few days ago. I don’t think it’s ever been said on record that Kliff’s design is inspired by Dio, but I’m pretty sure that’s true. There are a bunch of other Jojo references in the game, so I don’t think another one is that far-fetched. Not that I know anything about Jojo anyway." (source)

So yeah, sorry about that, but thank you to everyone that tried to help me out~

----------------

Original Post:

So, early on in this fandom's history, my "job" was essentially collecting trivia for the game. If you look at some of my oldest posts tagged "NSR," that's mostly what you'll find in between the bad fanart. Character trivia gleaned from dev livestreams, details about certain bugs or rare events, etc. As such, I have a good chunk of knowledge about incidental details about the game.

However, there's some trivia in my brain that says, "Kliff was lightly modeled after Dio Brando from Jojo's Bizarre Adventure." but I don't have a source for that, and it's not written in any of the trivia posts I've made before.

I have 0 interest in Jojo, so I don't think it's something I would have observed and concluded for myself. It's also somewhat supported by the fact that there are other Jojo references present in NSR, (like Retdex's sprite pose, and Zuke's pants pattern). I am 90% certain that someone, somewhere, officially said that, but I can't remember who or where.

Can anybody verify that for me, or did I really convince myself that this was true based on literally nothing?

[omaano]

“Hello then, to an Upright cousin.” The child (...) grabs his jacket boldly, pointing back to the door through which Mird brought it. “Is what you seek through there?” “Eh,” it grunts in frustration, waving even more vigorously through the door.

Mereel & Family Booksellers chapter 2 by @sidhebeingbrand  and @toughbreaks

Just a cleaned up sketch WIP for now, because I don't deal too well with green stuff, and this one would require quite a bit - but I'd been itching to take a crack at this scene for a while now, so here I am! I'm willing to trade this drawing (made for the "fantasy" square of my @bobadinweek AU bingo card, because fae children count there, right?) for the other one made for this very same story on the technicality that Jaster actually very much lives in this one. Technically speaking. I tried my best!