It is clear that most of the songs were written before May 2023, but I am sure that after too. The Smallest Man Who Ever Lived was obviously written after, so what's your take on it? This is the angriest she's ever been. Where does this lead us?
Anon, I'll preface this by admitting that I don't think any songs on TTPD are reflective of the past year (though, they have been cleverly disguised to appear as though they're about current events) - I personally believe they are songs about things from Taylor and Matty's past that she dared not share until now for a couple reasons: 1) They wanted to keep their relationship secret 2) She wouldn't dare "out" Matty for his drug use (it was not yet hers to share)
Meaning, I don't believe Taylor would make such direct references to drug use without Matty's blessing.
Now, I get that almost the entire internet would disagree with me on this, I'm well aware that fans are out there right now giving their "diagnoses" about how "unhinged" and "manic" Taylor is on this album…
I vehemently disagree.
I've been studying the woman the past year and I'm continually impressed by her character. Sure, she's aware she's on camera and knows how to turn on the charm. But too much consistent wisdom comes out of her mouth in a way that never falters and isn't easily fabricated or replicated. Also, I don't think that a lot of the public perception of her matches up with how she actually comports herself. For instance, I often hear that she's a "petty queen" for writing about her exes, yet she rarely ever confirms any of them as muses, herself - yet somehow, the fans run wild with speculation and parrot it back like it's written in stone when the actual foundation of some of these myths consists of one or two paparazzi photos. It has been one of the most fascinating aspects of studying this "story".
Of course, I do my fair share of speculating, too… however, I mostly do this based on their discographies or statements made in interviews, things they've actually said or written, etc, rather than fan lore.
Let me just lastly say that the collective take from the "tayfabe" crowd is that TSMWEL is about Kanye, Scott Borchetta, or Scooter.
But… as the resident clown of the group, the one thing I can offer you is maybe a different perspective, which is what you must want if you came here at all, right??
TSMWEL, in my opinion, has romantic undertones ("our bed", "it wasn't sexy once it wasn't forbidden", "you'll slide into inboxes") that I doubt she would use for someone like Scott Borchetta. Aside from references to substance use, there's being "gone by the morning", themes we see in songs like 'Cardigan' and 'Question…?' and even in the music video for 'Me' by The 1975, and a reference to a car crash, something else that pops up thematically on The 1975's debut album - most of which seemed to also be reflective of an earlier time (and, lines like "slide into inboxes" and "hung me on your wall, stabbed me with your push pins" seem only to bolster my suspicion that this song likely predates even 2014...)
"Where does this lead us?"
I guess that depends on your perception! Do you believe a person is able to repair or maintain a meaningful relationship with someone who once wronged them? Can someone write a heartfelt song about a betrayal that they've forgiven and moved past? Or must it always be perceived as "petty"? Can a song like this be purely reflective, or must it be fresh, scathing, or indicative of current feelings? We can safely extrapolate Matty didn't leave Taylor because he didn't care - he seems to have genuinely thought she was better off without him. If someone did that to you, would you maybe understand how anxiety lies to people and... ultimately forgive them? (As someone with a similar "cyclonic" anxiety... I'm genuinely curious!)
I personally believe that TTPD, like all of Taylor's albums, tells a story. Taylor does not sugar-coat things, and neither does Matty. And they're so beloved because they are willing to share their most vulnerable thoughts and feelings, right? If, indeed, TSMWEL is about our boy, well, I'm sure Matty also understands that "the good and bad end up in the song".
Now, read this quote again, but without all that pesky catastrophizing everyone seems to love doing:
"This period of the author's life is now over."
If, truly, this is a reflective album about the past (say, 2014), then maybe it means she wanted to document this period as part of her self-mythologizing confessional songwriting repertoire, but no longer dwells in the pain of it. It's probably just me, but as a fellow woman in her thirties, I just don't buy Taylor processing trauma this way! So publicly, I mean. She learned her lesson in 2016. And this album seems to be more about teaching lessons, herself, now…
But truly, your guess is as good as mine, anon. Thanks for the ask!
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THIS,
Were you sent by someone who wanted me dead?
Did you sleep with a gun underneath our bed?
Were you writing a book? Were you a sleeper cell spy?
In fifty years, will all this be declassified?
And you'll confess why you did it
And I'll say, "Good riddance"
'Cause it wasn't sexy once it wasn't forbidden
I would've died for your sins
Instead, I just died inside
BUT, it's Remus after 1981, convincing himself that Sirius is a bad person. That man killed his best friends, he shouldn't still love him, yet he does so anyway while the guilt fills his lungs and he chokes on frozen over memories of the two when he, for once, was truly happy.
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