#spacetalk records

[mixamorphosis]

Blog post and linked up tracklist [HERE]

Tracklist

01. Ron Rinaldi - Mexican Summer (Spacetalk) 02. Jam Band '80 - Jammin' (With The Jam Band) (Rush Hour Music) 03. Sunset Gun - Be Thankful For What You Got (Thanks But No Thanks Edit) (Balearic Blah Blah) 04. Carrie Cleveland - Love Will Set You Free (Kalita) 05. Nana Love - Love Feeling (Dance Mix) (BBE) 06. Rob - Make It Fast, Make It Slow (Soundway) 07. Baby Huey - California Dreamin' (Curtom) 08. Experience Unlimited - Functus (Black Fire) 09. Marvin Gaye - Right On (Tamla) 10. Jeff Floyd - Don't Leave Me (City Of Dreams) 11. Jaye P. Morgan - Let's Get Together (How Do You Are?) 12. Reuben Wilson & The Cost Of Living - Together (Cadet) 13. Frederic Castel - Open Up (Leng) 14. Billy Paul - It's Critical (12" Version) (Philadelphia International Records) 15. Oby Onyioha - Enjoy Your Life (Soundway Records) 16. John Ozila - Funky Boogie (Spaziale) 17. Bokoor Band - Onukpa Shawarpo (Strut) 18. Roy Ayers - Africa, Centre Of The World (pitched up) (Polydor) 19. BB Seaton - Dancing In The Moonlight (Studio One)

Download available via [Hearthis]

[c-40]

A-T-3 343 Boogie Round-up Pt.3

Last 10 boogie tracks picked from 1983. I begin with some UK boogie and add a sprinkle of privately pressed boogie tracks to the selections

N. E. Posse - Sweet Time UK boogie on the b-side of Vince Taylor's cover of the Chi-Lites' Changing For You

1 Plus 1 – Coming Up For Air (Instrumental) more UK boogie, the vocal version features Janet Kay but this is the instrumental that was included on the recent Spacetalk comp Night City Life

52nd Street - Cool As Ice second single from many funk group released by Factory Benelux. Jellybean remixes the track for its US release on A&M and Larry Levan makes it a 'Garage' record. Comp sleeve below looks inspired by Freddie Hubbards' Red Clay

Omari - After Loving You reissued by Numero, there's also version by Rickey Washington and Wizzdom Band

Roland Haynes Jr. And Phenix – Mind Games not a lot known about this one

Bridget Cooper - (Get Into) The Love Groove

Felix & Jarvis - Bounce Produced by Don Was

Scooter - Minute By Minute (Special Re-Mix) reverb on this

Brenda & The Big Dudes - Weekend Special (Weekend Dub) from South Africa

For Bad Girls Only - Could It Be Love boy band from Detroit, USA

[falsestuff]

Jake Hottell - Horizon (1985)

[momentsinlove]

Morrison Kincannon ‘On Mt. Diablo’ (2018)

[thesunlounge]

Jake Hottell - Horizon (from Break the Chains, Spacektalk 2019 repress)

[hoardsome]

V/A - Night City Life

Spacetalk (Sublabel of Leng Records) / 2019 / BC

Alexandra - Fantasia (Fantasy) [1985]

Fragile - We've Got Tonight, Boy [1986]

Mac & Monica - You're So Good To Me [1986]

Gioia - No Secrets (Instr.) [1990]

Janelle - Don't Be Shy (Dub) [1989]

[burlveneer-music]

VA - Retour Au Club Meduse compiled by Charles Bals - obscure Balearic gems from his record collection

In the summer of 2018 Beachfreaks Records founder and celebrated crate digger Charles Bals threw open the doors of Club Meduse, an imaginary open-air venue on the Cote D’Azure where the obscure but inspired soundtrack is always humid, sun-kissed, synthesizer-heavy and proudly European. The resultant compilation was acclaimed by both music critics and record buyers, so two years on Bals has once more joined forces with Spacetalk to re-open Club Meduse for another imaginary summer season beneath the baking-hot Mediterranean sun. Acting again as in-house DJ, Bals has dipped into his personal stash of obscure, overlooked and little-known gems and selected a soundtrack rich in drowsy chanson vocals, glistening Spanish guitar lines, Latin-tinged drum machine rhythms, rushing Fairlight stabs and sparkling synthesizer sounds. Spacetalk have gone to great lengths to track down the musicians behind the music so Bals is joined in the virtual DJ booth by a wealth of forgotten artists whose magical music he holds so dear.

[emmanuellesbrown-blog]

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Pour rappel, ce prix est destin lancer des jeunes stylistes talentueux sur la scne franaise et internationale.. That need is often deeply understood by the company's founder because they, themselves, experienced the need and saw how that need was not being well met. If they do, the club will be better. Applied research is compared to pure research (basic research) in discussion about research ideals, methodologies, programs, and projects. " seems to have been edited in a completely different way to the rest of fake yeezys for kids the text. That comes after failing to meet minimum thresholds for required numbers of donors and polling to qualify for the September Democratic debate in Houston. A soft launch in October saw 3000 units fly off the shelves, bringing in more than $1 million in revenue, MGM Wireless has now signed a deal with JB Hi Fi to sell the Spacetalk on its website in coming days and likely in store before Christmas.. 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[stradarecords]

PASSION THEATRE/ STRANGE DESIRE : SPACETALK(2LP) Danny McLewin(Psychemagik)とSimon Purnell(Leng)、Paul N. Murphy(Claremont 56)による復��専科Spacetalk Recordsから、1986年産のカリフォルニアのニュー・ウエィヴ～シンセ・ポップ・バンドPassion Theatreによる激レア音源が2枚組コンピで復刻！同レーベルからのコンピ「Retour Au Club Meduse」にて楽曲が先行的にピックアップされ話題となっていたバンドの音源だけに待っていた人も多いはず！ノリの良いダンサブルなナンバーから哀愁漂う曲まで、当時の西海岸ではかなりの異彩を放っていたであろう音源の数々！オリジナル12インチはいずれも数万円の激レア盤となっていますのでこの機会に是非！ Danny McLewin (Psychemagik), Simon Purnell (Leng), and Paul N. Murphy (Claremont 56) are reissuing a rare 1986 album by California new wave synthpop band Passion Theatre on Spacetalk Records. Spacetalk Records, a label specializing in reissues by Leng, Paul N. Murphy (Claremont 56), and Paul N. Murphy (Claremont 56) The band's music was first featured on the label's "Retour Au Club Meduse" compilation, and many of you must have been waiting for it! From lively danceable numbers to melancholy songs, this is a collection of material that would have been quite unique on the West Coast at the time! The original 12 inches are all extremely rare, costing tens of thousands of yen, so don't miss this opportunity! #PassionTheatre #Spacetalk #indie #alternative #2lp #motomachi #recordshop #vinyl #vinyljunkies #dj #stradarecords 　 https://www.stradarecords.com/shop/item/25037/index.php 　　 　　 (Strada Records) https://www.instagram.com/p/CNSJuaRhB-P/?igshid=jg7c0nde8mey

[colectivofuturo]

Denis Faneites Lockdown Selection. 

Illustrator Denis Faneites aka DJ/record collector Radio Hobo turns in a Lockdown Selection that kicks off with 2 albums he designed record covers for and travels through some introspective and soulful sounds from across the world. Check his work at https://cargocollective.com/denisfaneites

Listen on Spotify:

Or Youtube:

Koichi Sakai & Afla Sackey - Wono (Olindo Records)

Summers Sons & C. Tappin  - Uhuru (Melting Pot Music)

João Gilberto - Chega de Saudade (El Records)

Michael Franks - The Art Of Tea (Warner Records)

Dibson & Essody - Justice (Dig This Way Records)

Hermanos Gutiérrez - Hoy Como Ayer (Hermanos Gutiérrez)

Kadhja Bonet - The Visitor (Fat Possum)

V/A - Beauty: A Journey Through Jeremy Underground’s Collection (Spacetalk)

Joe Tossini and Friends - Lady of Mine (Joe Tossini and Friends)

Cold Diamond & Mink - Here Today, Gone Tomorrow (Timmion Records)

[mixamorphosis]

Blog post and linked up tracklist [HERE]

Tracklist

01. Wilson Tanner - Sun Room (Growing Bin Records) 02. Mark Barrott - Der Stern, Der Nie Vergeht (International Feel) 03. Wolf Muller & Cass. - Glade Runner (International Feel) 04. Sicker Man - Turns (Kompakt) 05. Morrison Kincannon - To See One Eagle Fly (Mudd Extended Edit) (Spacetalk) 06. Bartosz Kruczynski - Parco Degli Acquedotti (Growing Bin) 07. C.A.R / Red Axes - Incognito (Tom Farse Extrapolation) (Kill The DJ) 08. Ryo Kawasaki - You Are The Sunlight (Nu Northern Soul) 09. Carbon Based Lifeforms - Vakna (A Strangely Isolated Place) 10. Land Of Light - Isle Of Tears (ESP Institute) 11. Mr Hermano - Christina (Disorient)

Download available via [Hearthis]

[thatseasier]

Spacetalk sales soar as MGM hits record high, tackles UK, European markets

[berlysbandcamp]

A stellar collection of Balearic friendly Afro Caribbean leaning cosmic soul and disco compiled by Jeremy Spellacey for Spacetalk.

The Melbourne-based New Zealander is widely regarded as a seriously dusty-fingered digger, capable of unearthing and championing ridiculously good  records from all four corners of the globe. He sells some of these exceptional finds through his Crown Ruler online store, though there are many more that he keeps hidden from the public. From synth-laden Zambian reggae and sumptuous orchestral Afro-soul, to humid Trinidadian boogie and horizontal Italian jazz-funk, Spellacey offers a whirlwind trip through the most kaleidoscopic and exotic parts of his epic collection. As you’d expect from a man who has traveled the world hunting down records, the majority of the 15 tracks will be unknown to all but a handful of similarly minded crate diggers. In fact, some are so obscure that you’ll struggle to find any mention of them at all online. This could be your only chance to own the boogie-era reggae-disco brilliance of Le Banda De Martin’s “Mi Dueno” and the tear-jerking Afro-soul shuffle of Kosmik 3’s “I’m Gonna Pack” (here featured in exclusive Jeremy Spellacey re-edit form). Highlights come thick and fast, from the first note to the last. Check, for example, the wild P-funk of Acayouman’s “Funk Around”, the dancing marimbas and undulating grooves of Feladey’s “Forest Music” and the impeccable South African jazz-funk of Stimela’s sought-after 1983 debut single, “I Love You”. Other notable highlights include Ezy & Isaac’s spellbinding 1977 cut “Let Your Body Move (Oba Balu Balu)”, seemingly the missing link between Rotary Connection, Fela Kuta and soundscape disco, Devon Russell’s inspired reggae-soul cover of Curtis Mayfield’s “Move on Up”, and Mike Fabulous’ “Wang East”, a sublime chunk of summery electro-reggae from Spellacey’s native New Zealand. We could go on, but we don’t want to spoil all the surprises. Suffice to say, Crown Ruler Sound will surprise and entertain you in equal measure.

[vinylyard]

“Beneath the Redwoods” by Morrison Kincannon on Sunday morning records. #spacetalk #spacetalkrecords #morrisonkincannon #californiapsychfolk #psychedelicrecords #psychfolk #70smusic #newrelease #droptheneedle #nowplaying #onmyturntable #vinylyard #instavinyl #instarecords #recordcollection #sundaymorningrecords #lp

[thesunlounge]

Reviews 051: Ghost Vision

Ghost Vision is the new project from Thomas Gandey and Danny McLewin (of Psychemagik and Spacetalk) and they’ve just released a pair of 12”s: Shakuhaci for Love on the Rocks and Saturnus for Kompakt. Shakuhachi is an incredible package, featuring a dreamy breakbeat original and two high quality remixes from Tokyo Black Star and Al Kassian. There are also informative (and hilarious) liner notes concerning the origins of the ancient shakuhachi flute. Saturnus, on the other hand, explores the outer expanses of the cosmos with two extended pieces of zoned out and propulsive space music.  

Ghost Vision - Shakuhachi (Love on the Rocks, 2018) The original cut of “Shakuhachi” is a futuristic beatbox odyssey…throw down some cardboard and breakdance through the cosmos. The bass is chunky and percussive, overlaid by sparkling synth effects and beatific organ chords. Totally dreamy vocals in spritely sequences enhance the euphoric vibe as everything comes together for a deeply affecting climax. The whole track is just full of positive energy and light, sometimes backing off into sections involving just the breakbeat glide and hallucinatory vocal pads, other times letting the rhythms drop away in favor of staticky noise and outerspace synthesizers. Tokyo Black Star’s “Atlantis Remix” occupies the same side, and sees the b-boy breaks swapped out for a huge housey pulse and funky tight bassline, with the diva moans of the original amped up and little stardust melodies flashing through the sky. The oceanic organs are foregrounded and the lysergic vocal pads are more restrained, still letting out angelic ooo’s and aaa’s, but stretched out and majestic rather than kaleidoscopic and playful. And at times, the track breaks down into mind bend sections of oscillating synth weirdness.

Al Kassian’s version leans hard into the ravey flavor of the original, with a massive pillowy kick locked into a four-four and the cymbal play and fat meaty bassline giving things a break-y feel. Melodrama is created by deep pulsing choirs and once the chewy and spellbinding acid line fades in, Al Kassian just revels in this cosmic euphoric zone for an extended jam out. Eventually, the melodic pads and percolating arps rain down over the mix as the drums pull away, peak-time ecstasy achieved with organs and trippy vocal sequences dancing alongside majestic string synths. It’s a moment of blissed out magic amidst the acid squall…rainbow light glowing with positivity and love, everybody on the floor joined together as one and anticipating the raging storm to come. Indeed, we bust back into the punishing rhythmics, now with wild toms rattling through the mix and the resonance and filtering allowed to go wild on the hypnotic acid line, everything building towards a massive climax of 90s rave rhythms and cosmic atmospherics.

Ghost Vision - Saturnus (Kompakt, 2018) “Saturnus (Ghost Vision Theme)” drops right away into a galactic power glide, with crisp hats, kick, and snare locked into slow disco enchantment. There is the subtle and futuristic sounding clavinet line that morphs from ear to ear, with ghostly pads in a tremolo infused swirl and haunting voices chanting “ghost vision”. The track is a textural fantasia and a masterwork of deep psychedelic listening, everything recorded huge and given space, especially the flashes of slide guitar and heavily modulated space leads. It has the feel of an ascendent build, confident in how utterly cool it is, with moments where the track seems to explode as heavy washes of choral synthesizers rain down, but the fireworks always fade in favor of the mystifying dream pulse. And just when you have resigned yourself to this universal flow, a menacing acid line bubbles to the surface, literally perfect, and the spacey groove is further colored by bright arcs of synth noise and guitar feedback.

With “Zuul Passage”, we are immediately thrust into some otherworldly acid ritual, dark growling 303’s and heavenly choirs over a minimal hat’n’kick pulse. Deep in the mix are floating arpeggios and electronic fx, forming an enveloping fog that supports gorgeous piano melodies and a shimmering web of synthesizers. Eventually, a fat-bottomed beat is established, slow and low, with dusty snare cracks and flashes of space wind over the gurgling acid bass. Minimal pads waver like a mirage and the track takes occasional detours into sections of strange ambient prog, and the peaceful sunset melodies, now on synth, are increasingly stretched out into epic and hallucinatory shapes. Towards the end, everything devolves into abstract bass pulses, wild effects, and sea sick drones before fading away.

(images taken from my personal copies)

[hoardsome]

Record label | Spacetalk

Sublabel of Leng Records / Selected tracks / 2016–21 desc.

boogie, disco, euro, funk, hi-nrg, italo, new wave, reissues, soul, synth pop

For a text document of this record label's output – With each release title linked to its Discogs, Bandcamp and Spotify entry – Check this Google Drive archive | Folder: Club / L / Leng