#spoiler: I didn’t see her :’)

[brookheimer]

shiv was not being altruistic nor intellectually self-interested when she voted against kendall. that was pure raw visceral desperation to maintain some semblance of dignity that she felt kendall being ceo would shred her of. sometimes people do not act in other people’s best interests or their own best interests. sometimes people do the wrong thing for the wrong reasons just because it feels like the right, the only, thing to do. shiv could not let kendall be ceo. she just couldn’t. not because she wanted to sacrifice herself to “stop the cycle,” not because she made a calculation and decided tom was her best interest — because the thought of kendall being ceo and acting like That the rest of their lives when shiv earned that job, she fucking earned it, that was too much to fucking bear. watching him sit in dad’s chair, conduct that vote, grin with entitlement and cockiness and certainty — seeing that elicited a visceral painful all-consuming sensation not dissimilar to overwhelming nausea that, summed up in two words, would simply be: fuck. no. she couldn’t live with that. she just couldn’t. it’s not kind. it’s not smart. it’s just human. painfully, destructively human. because sometimes, that’s all there is to it. not just for shiv, but for everyone. god knows roman and kendall have had those same feelings, made those same self-destructing yet necessary-feeling decisions throughout the show. why does it have to be different for shiv? why can’t she be painfully destructively human, prone to impulsive ill-conceived viscerally felt actions, like everyone else? why are we incapable of allotting her the same nuance and humanity (the good and the bad), the same trauma-informed self-destructive life-ruining hamartias, as we do her brothers? why can’t we fit a whole woman in our heads?

[clowncarcrash]

there’s something so sickening about the idea of kalina, a character who has done undoubtedly evil things, coming back and being justifiably mad at kristen. kalina tortured and killed people but she did all of it for cassandra and here’s kristen treating the most important person in the world to her like trash. the potential of “what does it say about you that a villain like me could love her better than you can?” ………

i feel fucking insane

[sunstaained]

it’s called the citadel’s princess likes to mind her business

[rdr2gifs]

On a hunt for a ghost ♱

[ewwww-what]

Holding onto your Archdevil friend’s hand because she is a self-contained radiator!!!

Closup below

[gottagobackintime]

Ellie is 14 years old. And while she's, in some ways, mature for her age, she should not be asked to sacrifice herself for the whole world. "She should have been given a choice and we all know she would have been fine with dying if that meant there is a cure." Absolutely not. You do not ask a 14 year old to make a choice like that. Hell, I'd argue that it's not even a choice. The fact that it's adults that would tell her that makes it even more messed up. These cool adults who are out there trying to save people tells you that you are special, that you're the key to save humanity. Of course you're going to listen to them. Especially if you've gone through the things Ellie's been through. If she as an adult wants to make that decision, sure. But not when she's a scared, vulnerable child.

Should Joel have told her that he killed all of them to save her? Probably. Then he could have explained that she's valuable, not because she's possibly the key to a cure. But because she's a human being that has feelings, that deserves to live. And you could argue as much as you want that she's old enough or mature enough to make that choice. But I don't agree. Yes, she seems to be like that, we see her being snarky and tough but the more Joel shows that he cares about her, the more she lets that mask slip. And she acts like a child would act with their parents.

If her only goal was to reach the fireflies so that she could give herself to them to do whatever with her so that they could find a cure. She wouldn't have been so angry/upset that Joel didn't want to take her, why would it matter who took her there? Because Joel cares about her, and having him let her go hurt her. She could have left Joel to die and gone to find Tommy so that he could take her, like Joel asked her to do. But she didn't because she cares about him. The way she clings to Joel when he finds her and he calls her baby girl should tell you that she isn't ready to make a decision on whether she should sacrifice herself or not. SHE IS A CHILD. And Joel allows her to be a child.

I honestly have no problem with him killing them all to save her. "He took the choice from her!" What choice? They didn't give her a choice, they didn't tell her what would happen to her. And do you really think that they would ever give her a choice. If she'd said no, do you actually believe that they would go "Ah, well. Nothing we can do then, off you go with your new dad. Bye!" Don't make me laugh. They would have just done what they did now. Sedate her and begun to harvest her for what they needed. That's not a choice. She NEVER had a choice, Joel didn't take the choice from her because it was never there. It would have been an illusion of choice. She's also traumatised, most recently from her run in with David. And you want her to make a literal life or death choice?? I completely understand why Joel decided to go on a killing spree, he's protecting a vulnerable traumatised CHILD from people who doesn't care about her, who just wants to use her body for spare parts.

It's not about choice or not having a choice, it's about being valued as a person and not having your life taken away from you by vultures.

[lesbiansforangusmcdonald]

Fig, this episode: “I don’t think I wanna be a bard anymore.”

Me, already planning out the set list for the junior year tour in my head: WHAT?!?

[katieheyy]

i’m once again mad at how boring snw characters look… like you could be maxing out on the campiness of the original show and you do… this…

anyway i tried to do a 60s inspired version of snw chapel ✌️😗 not sure if i’m happy with it but i might do some more redesigns later 👀

[charityreadsabookanddrinkswine]

All of us when Dain came in clutch

[sapphosboy]

Rose Tyler enjoyer (me) grieves the physical lack of Rose Tyler in the doctor who specials (she’s in a parallel universe and it’s literally impossible for her to ever come back)

[honeywafflez1art]

‼️PHANTOM LIBERTY SPOILERS‼️

Wires and chains...

Starting to fade...

Feels like a game...

You can't escape.

[youweremyversaillesatnight]

not gonna put this on the post itself bc that feels rude and i think this is maybe an unpopular opinion but actually i don’t feel like maddie’s ending was bad or wrong in any way! it felt like a happy ending for her, whether or not it was considered a happy ending for the audience.

the thing is, is maddie is the middle ground. she cares about felice and her feelings, and she agrees with some of felice’s criticisms about the school (verbally or through her actions), but she never truly goes all the way. she reassures stella and fredrika that if the school was going to close because of what felice said, it would have already, but she doesn’t reassure felice that she was allowed to say whatever she needed to say. in a lot of the conflicts between felice and stella and fredrika, maddie is a silent bystander or a mediator. she is just as hard for felice to be honest with as stella and fredrika. she doesn’t take a side. stella and fredrika want everything to remain as it was—they want to uphold the status quo and keep their traditions. felice sees the problems with this, and tells the truth, which brings the whole thing down. maddie sees the problems, but doesn’t actually seem to care about changing them in a significant way. and that’s why she doesn’t get to get her “happy ending” at the end of the season (although again i do think she was happy with her ending! this was happy for her!).

i love maddie! a lot! i think she’s certainly more likeable than stella and fredrika and much less classist. i would have liked to see her get more screen time, and if she had, that might have changed my position on her ending, but as it is, i think it feels like the right choice for her and her character. with the open-endedness, i think she and felice will remain friends in the future, and things might happen that we don’t get to see, but that doesn’t need to be shown on screen.

[red-might-be-dead]

hello hi here to force strange thoughts into your brain once again, this time about jrwi (wow who could’ve guessed)

been thinking about this for a little but it’s basically what i think some campaigns would be if not podcasts, i haven’t listened to some of the older ones so i’m sorry they’re not on here :(( if you have any ideas feel free to add them btw :DD

RIPTIDE!!!!! - really long animated series

not an anime though, no matter how much grizzly wants it, it would be an animation style where the characters could have very clearly different nose, face and body shapes, really pushing my riptide nose agenda here sorry, each episode would be like 20-40 minutes long and instead of coming out in seasons there would be massive gaps in between episodes, from 2-6 months long, to leave time for writers and animators to get stuff done (massive team of animators btw, i feel like it would be pretty successful)

PRIME DEFENDERS!! - comics

literally nothing else they could be, just really well made, well performing comics (i’ve already talked about this before you can stalk my talk tag if you really want to find it lmao), the comic company making them would be keeping well away from movies n shit btw

APOTHEOSIS!!! - i wasn’t really sure about this one to be honest

i had to ask my friend and she said anime which i don’t agree with but i can see it, i think maybe a short book series where each book is 150 - 300 pages and is about a different god they have to kill/a different episode, i think that works but if anyone has any better ideas please tell me :D!!

BLOOD IN THE BAYOU!!! - i hate to say it, i really do…

bitb would be a really long really good 80s horror book with strong homoerotic undertones, a satisfied fanbase and lots of active members in the community making fan comics, films, writing, theories and art ect… until well after the book came out……….. and then it would be made into the most egregious and awful live action movie you have ever seen, the most awful casting (like chris pratt as officer dudes….. throws up) and even worse sfx, oh yeah and the characters would be ruined and the story would become so butchered it wouldn’t make sense, they would do some shit like cut out becky so kian just kisses some random lady (removing both a really good and well written character and a layer of kian’s character that i think is super important) and make rolan really be an evil bug spy the whole time so rand has to kill him to save the town also add in a whole new sub plot that never existed like the rand family is secretly a long line of bug alien hunters or something fucking stupid like that and the entire fanbase would murder whoever thought re-writing the story was a good idea (ahaha can you tell ive been through something like this before ahahaha, character morals and motives being removed and whatnot ahahahhahahaha.)

anyways………

THE SUCKENING!!! - live action series

it would be well made though, unlike the bitb movie it would be its own original thing, have great makeup and effects also be well casted and well shot, well written, ect ect, it would bloody and gory and not suitable for people who can’t handle showing bones and organs all over everywhere, lots of shitty rip off merch would be made though and the fandom would be 99% gay little freaks (normal suckening enjoyers) and 1% homophobic straight white men who get mad whenever they see soda and emizel having gay sex on screen or whatever fag shit that biting thing was

again feel free to add your thoughts and ideas and shit in the reblogs it would be nice to read them :DD!!

[djatsbrainrot]

unpopular opinion: i don’t think the show misunderstood the point of the book at all, Actually. i think it captured the spirit quite well while still being palatable and coherent to an audience that isn’t familiar with the book.

[off-brand-adorabbit]

Tress scratched the best itch for me, I’ve been craving a good fairy tale and it was just perfect. I kept slipping so hard into the fairy tale aspects that I kept getting caught by surprise whenever a cosmere thing stopped beating around the bush and revealed itself, actually. While I’m sure that wasn’t fully the intention, it was a really fun way to read some brandermansanderman coming fresh off of sunlit man and how intensely locked in I was with the Connections. Genuinely Tress is such a fun little romp. I love girls who sail in fucked up seas and this is a genre I want more of please thank you.

[dykedvonte]

Also show Mr. House looks like a raging homosexual and smokes that cigarette like he’s what the British call cigs too.