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likeadevils · 3 months

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Reputation Timeline

This is a very long post that puts all the songs on Reputation in order of Taylor creating them. I’ve also included a few other songs she worked on while writing rep and quotes from Taylor and her collaborators talking about her process.

If you don't want to read all that, check out this playlist of the album in order or this playlist of her entire discography.

I’ve also added this color coded scale of how sure I am of the date:

Confirmed: There is some type of official source for the date

Inferring: Nobody has officially said “This is when we wrote it,” but all available evidence points to that date

Speculation: This date is based off pure vibes and guesswork and is highly likely to change.

Unknown: All that is known is the year (from the US Copyright Offices

February 13, 2015: Taylor's interview with Vogue is published (likely conducted on January 14/15).

"I don’t worry that I haven’t started the next record yet. I don’t worry that I don’t know what it’s going to be. I’m not worried that I have absolutely no timetable as to when it needs to be done. It could be two years from now; it could be three, it could be four. Or it could be one. You get these bursts of inspiration right at the moment you’re not expecting to. You just have to live your life, and hopefully you’ll take the right risks."

March 2, 2015: Taylor is photographed leaving a studio. (Note: I can not find a place that specifies if this is a recording studio, dance, photography, radio, or television studio).

May 20, 2015: Taylor's interview with Marie Claire is published (likely conducted two months beforehand).

Taylor is not even sure she'll have made another album by the time 2020 rolls around. "I'm not going to put out an album until I've made one that's better than this one and that's going to be really hard," she says. And how might her music evolve if she does find love? "If that does happen, I think I could find complexity in happiness," she says. "I don't think anything's ever simple. Just because you're happy in a relationship doesn't mean there aren't moments of confusion or frustration or loneliness or sadness. Hopefully, if I ever find some sort of meaningful relationship, I'll be able to still find inspiration, just through everyday ups and downs."

October 7, 2015: Taylor is photographed leaving a recording studio in New York.

November 13, 2015: Taylor's interview with Vogue Australia is published (likely conducted two months beforehand).

Every two years since 2006 she has released an album, followed by a tour, then moved onto the next one. But her latest album, 1989, might change plans a bit. “This album has produced more number ones than any album in the past, so we’re just going to go with it,” she says, going on to explain how the usual album cycle could be extended. “Then I’ll feel like I’ll need to give people a breather from me because at a certain point they’re going to get a little sick of hearing about me, so I’ll need to go away for a while then, depending on my gauge on how sick of me they are, I’ll decide when to put out the next album.” [...] “I’ve been learning every single day what the right amount of sharing [of her personal life] is, and lately it’s been not natural because this album is such a snapshot of my life – it was so vivid, direct and honest.”

April 20, 2016: Taylor interview with Vogue is published (conducted in February).

So what the hell are you going to do with the rest of your life, Taylor Swift? “I have no idea,” she says, with a sigh that’s more blissful than anxious. “This is the first time in ten years that I haven’t known. I just decided that after the past year, with all of the unbelievable things that happened . . . I decided I was going to live my life a little bit without the pressure on myself to create something.” Do not freak: Swift is not abandoning making music. Those who know her know this is chemically impossible. (“Her not being creative is one of the last things I’d ever worry about,” the musician and producer Jack Antonoff tells me later.) “I’m always going to be writing songs,” Swift says. “The thing is, with me, I could very well come up with three things in the next two weeks and then jump back into the studio, and all of a sudden the next record is started. That’s an option, too.” But probably not for the moment.

August 29, 2016: Taylor writes in her diary "This summer is the apocalypse."

Gorgeous: Sep. 1-5, 16, 17, 19 (Confirmed)

In the Making of a Song video, Taylor is seen wearing this outfit in her Nashville apartment, which dates the song to September 17. From there, the rest of the dates are just math.

King of My Heart: Sep. 6, 19, 20, 21 (Confirmed)

In the Making of a Song video, Taylor is seen wearing the same outfit in the Gorgeous video and the KOMH video. It's also the same outfit as a video she later posted to The Swift Life (RIP) where she talked about how excited she was to be working after a long break.

September 9, 2016: Gigi Hadid says "You know, [Taylor] is starting to go back to work in the studio again."

I Don't Wanna Live Forever: Early Oct. (Speculation)

In a teaser for the Making of a Song series, Taylor is seen in an unfamiliar outfit (black mesh top) with bleached hair and a thin gold choker that she was fond of in October 2016. She is not wearing her silver J pendant, which she got as a 27th birthday present (Dec 13, 2016). IDWLF is the only song with no video footage that was written in 2016. I don't recognize the studio in the clip, but she recorded IDWLF with Jack Antonoff, who is based in New York. Taylor was on the east coast until October 22nd, and was seen in New York between October 11-13.

Delicate: Oct. 24-26 (Speculation)

Taylor is seen wearing the aforementioned thin gold choker, with her post Sep. 24 haircut (straight across bangs instead of a side part). Since she normally goes into the studio with Max Martin and Shellback with a few ideas, and creates multiple songs during their sessions, I'm inclined to group this song with IDSB and place it in late October.

I Did Something Bad: Oct. 14, 27 (Confirmed)

In the Making of a Song video, at 4:18 you can spot a gold temporary tattoo on the inside of her wrist, similar to ones she was wore at Drake’s Birthday Party on October 23. Since she is seen working until sundown (She leaves LA on October 28) and had to be in Nashville 13 days priar (She was seen in New York City until the 13), October 14 and 27th are the only dates that make sense.

January 3, 2017: Taylor writes in her diary "I get all scared about the future because so much has changed in the last year of my life. I mean this time last year I was living in LA, getting ready for Grammys and now, I’m essentially based in London, hiding out trying to protect us from the nasty world that just wants to ruin things. We have been together and no one has found out for 3 months now. I want it to stay that way because I don’t want anything about this to change or become too complicated or intruded upon. But it’s senseless to worry about someday not being happy when I am happy now. Ok. Breathe."

Don't Blame Me: Jan. 10, 11, 12 (Inferring)

Taylor is seen wearing a similar jacket as she was papped wearing on the 11th in the Making of a Song video. (This is pure speculation on my part, but the mood also seems to be a bit lower than on other days). We know she was in LA around this time “for work.”

Dancing With Our Hands Tied: Jan. 11 (Confirmed)

This post explains the situation pretty well. There are multiple accounts of what seems to be a similar story. January 11th one of two times she is seen leaving the gym after a long paparazzi dry spell, the other being in July. Seeing as the song is produced by Max Martin, who is located in LA, and the July pictures are in New York, I’m inclined to agree with the original source.

Dress: Late January/Early February 2017 (Speculation)

Jack Antonoff: “Dress is my second favorite [from Reputation]. It's the first one we made for it." Taylor was mostly based in London in early 2017, but there’s two times we know she was in the states. The first is in early January, when Taylor was in California working with Max Martin and Shellback. The second time is in late January/early February, when she was in Nashville preparing for Super Saturday Night. My guess is this was written in Late January, mostly because she was on the east coast, but theoretically she could've done it earlier in the month, or even later in the year.

Look What You Made Me Do: Late January/Early February 2017 (Speculation)

In promos for the Making of a Song Video, as well as in Miss Americana, Taylor is seen with straight hair and her J initial necklace (dating the song to post-Dec 13, 2016). Her hairstyle (the deep side part) is very Mid-2016. For most of 2017, she seems to favor the straight across braids with strands on the side. Long story short (ha), the hair makes me what to put this as early in the timeline as possible. We know Taylor was on the east coast (specifically Nashville) in early February, preparing for Super Saturday Night.

New Years Day: 2017 (Unknown)

There isn’t any footage of this, but Jack Antonoff has said that it came together fairly quickly and unexpectedly while they were hanging out at his house.

...Ready For It?: May 2017 (Speculation)

In promos for the Making of a Song series, as well as Miss Americana, Taylor is seen with curly hair, her J necklace, and not her Sapphire Evil Eye Ring, which starts showing up on June 27th (We don’t know exactly when or why she got the sapphire ring). . Since the song partially focuses on whether or not her lover is ready for the media frenzy that surrounds dating her, I’m inclined to place this song in May, when her and Joe’s relationship leaked to the press. The song was recorded in Sweden, and we can assume she was in Europe between May 15 and June 1, 2017. (That being said, we can assume she is in Europe for most of the first half of 2017).

Call It What You Want: June 2017 (Speculation)

In the Making of a Song series, Taylor is seen with straight hair, her J necklace, and not her sapphire evil eye ring. Once again, I am tempted to put this after her relationship leaked to the press, probably in early June (She is in the states on the 1st and 3rd, and probably leaves sometime in mid-June).

End Game: Mid July (Confirmed)

Ed Sheeran has said that the song was written around July 14th, while he was playing in Connecticut and Taylor was in Rhode island. Ed: End Game was written - I was playing Mohegan Sun in Connecticut, and she has a place in Rhode Island, which isn't too far. So she hits me up like, 'I know you're in Connecticut, come around.' I go around, she plays me some of what turned out to be reputation, and plays me this End Game, and I was like 'Man, I really like this. Can I do a verse? Can I do a rap verse?' And she was like, 'Yeah, for sure!' So the next day, I remember, I was in bed, and woke up and got my laptop out, put the song, just looped it, wrote this verse, and I went in with Max Martin, who she did the song with, and recorded it. Then Future did a verse, and then Taylor wrote a verse and we did the video.

Getaway Car: July 2017 (Speculation)

In the Making of a Song series, Taylor is seen with curly hair, her J necklace, and her sapphire evil eye ring, placing the song sometime shortly before/after June 27th. We know she was in the states for most of July, and in New York City on the 17th and 24th.

This Is Why We Can't Have Nice Things: July 2017 (Speculation)

In the Making of a Song series, Taylor is seen with straight hair, her J necklace, and her sapphire evil eye ring. For all the same reasons as Getaway Car, this song was probably recorded in July. The exact order of Getaway Car and TIWWCHNT is probably impossible for anyone not involved in the making of the song to know. I could see arguments for either order, but Taylor has said that reputation is in fairly chronological order, I’m putting it in order of tracklist.

So It Goes: September 2017 (Inferring)

Oscar Görres, a cowritter on the song, said he got a call from Max Martin, Shellback, and Taylor asking to use his track after he’d just had a child. According to social media, he had a daughter in 2015 and a son in September of 2017. The interview is a bit confusing, timeline-wise. On one had, Görres says “I’d just become a father,” but then he implies that Max and Shellback had already completed most of the album. (For context, English isn’t his first language). Personally, I believe the believe the September 2017 date. Multiple sessioners have said Taylor said all songs on the album were about her relationship with Joe, and the tracklists in the reputation magazines are out of order, suggesting a late change. Taylor has has also been known to add a song to the album incredibly last minute— most notably Forever & Always on Fearless, but also with Death By A Thousand Cuts on Lover, which had to have been written post April 20, 2019 (but that's for another album).

And that's all for this timeline! Check out my others:

TIMELINES: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights PLAYLISTS: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights • entire discography GENERAL: tag

#txt*#timeline*#taylor swift #sure let’s do it tonight why not

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