#sw: the force awakens

[artphotographyofmen]

Poe Dameron by Kevin Wada

[clqoo]

i got bored

[new-november-moons]

star wars incorrect quotes *** part two

part one *** part three *** part four *** (final) part five

[artbyblastweave]

I think about Star Wars a lot more than I post about Star Wars, and I've had some free time recently to type up some thoughts on Episode 7 that've been swirling around in my head for a couple of years. There were a few ideas and plot beats, and moments of apparent self-examination in Episode 7 which I thought were fairly compelling, even though they ultimately paid no dividends:

First was Finn’s character concept. “Star Wars as experienced from the perspective of a Stormtrooper undergoing a crisis of faith” is a rich hook; humanizing and giving a face to what's basically the platonic implementation of the faceless mook. Unfortunately, the potency of the arc was undercut by the pre-existing textual ambiguity as to what stormtroopers actually are. Star Wars extended canon has settled on the idea that each trilogy features an entirely novel cohort of white-clad mooks, each with a fundamentally different underlying dynamic. The clones and the First-Order forces are different flavors of slave army; in contrast, the stormtroopers are more frequently portrayed in the expanded universe as military careerists, stormtrooper being a thing you work up to rather than a gig for a fresh conscript. A slave-soldier who defects is a very different character from a military careerist who defects, and they invite different analysis. There's a bait-and-switch going on here, in that Finn gestures in the direction of the familiar OT stormtroopers but can't comment on or examine them because he's actually part of a novel dynamic invented for the new movies. And there's one final nail in the coffin here, signaled by the number of times I've had to invoke the expanded universe so far. When Finn debuted, the racists were of course, legion, but I also ran into a number of people who were sincerely confused as to why they'd recast Temuera Morrison. Going off the seven films that existed at the time, it wasn't unreasonable to read the prequel trilogy as an origin story for where the OT stormtroopers came from. Going only off the nine films that exist now, it still isn't unreasonable! It's muddied from so many different directions by their failure to establish the ground rules in the mainline films before they tried to put on subversive airs about it. I am still irritated by this.

Next up is how Han Solo was written. I actually liked the tack they took with him quite a bit. Because initially, right, his role in the movie is just to be Han Solo. He's back, and he hasn't changed! He's still kicking ass and taking names, he's still the lovable scoundrel you knew and loved from your childhood- and the principle cast members react to his presence with the same reverence the film's trying to invoke in the audience, they've grown up hearing the same stories about him. Except that episode 7, at least, is also very aware of the fact that if Han Solo is still recognizably the same guy thirty years on, it indicates that things have gone totally off the rails for him. We find out that the lovable rogue routine is the result of him backsliding, his happy ending blown up by massive personal tragedy rooted in communicative failures and (implicitly) his parental shortcomings. It feels deliberately in conversation with the nostalgic impulse driving the entire film- here's your childhood hero back just as you remember, here's what that stagnation costs. And it also feels like it's in conversation with what was a fairly common strain of Han Solo Take- the idea that Ep. 6 cuts off at a very convenient point, and that Han and Leia's fly-by-night wartime relationship wouldn't survive the rigors of domesticity. Obviously, that's not the only direction you can take with the character; the old EU basically threaded the needle of keeping Han recognizable without rolling back his character development gains. But it felt like they were actually committing to a direction, a direction that was aware of the space, and not a reflexively deferential and flattering one, which at the time I appreciated! The problem, of course, is that for it to really land, you need to have a really, really strong idea of what actually went down-of what Han's specific shortcomings and failures were. And given the game of ping-pong they proceeded to play with Kylo Ren's characterization, this turned out to be. Less than doable.

Kylo Ren is the third thing about Episode 7 that I liked. His character concept is basically an extended admission by the filmmakers that there's no way to top Vader as an antagonist. Instead, they lean into the opposite direction- they make him underwhelming on purpose. Someone who's chasing Vader's legacy in the same way any post-OT Star Wars villain is going to, pursuing Vader's aesthetic and the associated power without really understanding or undergoing the convoluted web of suffering and dysfunction that produced Vader. It's framed as a genuine twist that there's nothing particularly wrong with his face under that helmet. Whatever it takes to be Vader, he doesn't have it, and he knows that he doesn't have it, and the pursuit of it drives him to greater and greater acts of cartoonish villainy. The failure to one-up Vader is offloaded to the character instead of the writers, and it was genuinely interesting to watch. For one movie. The problem, of course, is that if the entire character archetype is "Vader, but less compelling," you can't try to give the bastard Vader's exact character arc. You can't retroactively bolt on a Vader-tier tragic backstory when you spent a whole movie signaling that whatever happened to him wasn't as compelling as what happened to Vader. You can't milk his angst for two more movies when it's the kind of angst on display in "Rocking the Suburbs" by Ben Folds!

There's a level on which I feel like Moff Gideon was a semi-successful implementation of Vader-Wannabe concept; he's the same kind of middling operator courting the Vader Aesthetic for clout, but he's doing it in the context of the imperial warlord era, where there's a lot of practical power available to anyone who can paint themselves to the Imperial Remnants as a plausible successor to Vader. Hand in Hand with this obvious politicking, Gideon is loathsome, which relieves the writers of the burden of having to plausibly redeem the guy; he's doing exactly what he needs to do and there'll never be a mandate to expand him beyond what his characterization can support. Unfortunately, the calculated and cynical nature of how he's emulating Vader precludes the immaturity and hero-worship elements on display with Kylo, which is unfortunate; the sincerity on display in Kylo's pursuit of authenticity is an important part of why he worked, to the extent that he worked at all, and it'd be worth unpacking in a better trilogy. As he stands Kylo is a clever idea, and that's all he is- he lacks the scaffolding to go from merely clever to actively good.

[corukant]

been meaning to rewatch the sequels 🤺🤺

[anakinskywalkerog]

in honor of May the Fourth, a very simple poll ✨ VOTE FOR YOUR FAV

[daisyridleyedits]

✨ Happy Star Wars Day! May The Fourth Be With You ✨

[logray]

OM SHANTI OM (2007) THE FORCE AWAKENS (2015)

[darth-memes]

[mlichaelm]

did y'all know that Kix was part of Dooku's war chest and originally headed towards Serenno with the rest of it and the bad batch was so close to him without realizing or was that something i was supposed to find out at 1am while doing rabbit hole research for my fanfic

[providence-park]

"Go straight ahead and don't let these dogs scare you!" "Copy that, we're with you, Poe!"

STAR WARS: EPISODE VII - THE FORCE AWAKENS (2015)

Dir. J.J. Abrams

[artist-issues]

"Rian Johnson was mocking Star Wars fans for expecting Star Wars tropes in TLJ!"

No. Star Wars fans just happened to have the exact same flaw that the character, Rey, had: too much focus on her parents. That made her easy to relate to. But the whole point, down to the first movie she was introduced in (which WASN'T written by Rian Johnson) was that her parents were never important.

Star Wars fans should've expected that reveal. It was already set up. Maz literally tells Rey in the first movie to quit focusing so much on her parents. The filmmakers literally told you "she's wrong to put so much stock in who her parents are" in The Force Awakens. He just carried that theme on and y'all weren't ready for it because you never wanted to accept it in the first place.

=

Same thing with Snoke. Kylo Ren was introduced as a character who only wants one thing: strength. He thinks that strength will solve his emotional frailty. He's insecure. (Because reasons, to do with his family and their lack of faith in him.) Rey straight-up discovers that his biggest fear is "never being as strong as Darth Vader" and says it out loud so that the audience will get it.

You really think, when he was introduced as a character who believes killing mentor-father-figures will make him feel stronger and therefore more secure, that Snoke ever had a chance of getting past the second movie alive?

=

They straight-up introduced these characters with certain flaws, which lead to certain motives, which so happen to lead to different conclusions than common Star Wars fan theories.

Because that's the beauty of the Sequels. They acknowledge the legendary status of the Original Trilogy Tropes, then grow beyond those tropes.

Or at least. They were starting to. Until Star Wars fans threw continued hissy fits because they didn't want a story, they wanted a 💫 Star Wars Checklist Cleverly Disguised as a Story.💫

Then the powers-that-be were like "okay they're really not looking for a good story, just give 'em the checklist they were looking for." And you got exactly that in The Rise of Skywalker.

But Rian Johnson wasn't mocking you. He was just taking the next logical, compelling step in the previously-established arcs of well-written characters. And carrying on the Sequel's initial trademark of "appreciate the past by growing beyond it." Y'know. Like a good writer.

[simpleslugs]

My favorite thing about Star Wars is the hilariously inconsistent descriptions of the force. Is it in us all? Is it magic? What is a midachlorian?! Who knows!! But, that silly lil monkey lizard in Jabba's palace is named Salacious B. Crumb, so there's that.

[dyingroses]

Star Wars + text posts

[corukant]

rey 💫💫😵‍💫😵‍💫 w a bendy saber idk 😭😭

[djarinsphere]

ben solo you will always be famous