#tableaux vivant

[drosera-nepenthes]

Alexandra of Edinburgh participating in a Tableaux Vivant 1894

[edge-of-thorns]

Tableaux Vivants (1969-1989) by Luigi Ontani

[diana-andraste]

Night in a small town, New Mexico, Joel-Peter Witkin, 2007

[milksockets]

[shopaholixs]

Coat, jeans, hat, and boots by McQueen. Neck scarf by Tableaux Vivants.

Photographed by Brigitte Niedermair. Styled by Patti Wilson. Modelled by Steinberg.

Elle September 2024

[polyanthea]

Lawrence Selden was among those who had yielded to the proffered inducements. If he did not often act on the accepted social axiom that a man may go where he pleases, it was because he had long since learned that his pleasures were mainly to be found in a small group of the like-minded. But he enjoyed spectacular effects, and was not insensible to the part money plays in their production: all he asked was that the very rich should live up to their calling as stage-managers, and not spend their money in a dull way.

-Edith Wharton, The House of Mirth

[gentleladyproject]

the chapter ACCOMPLISHMENTS from THE LADIES' BOOK OF ETIQUETTE, AND MANUAL OF POLITENESS Florence Hartley lists several skills and interests becoming for a young lady who is already well-educated. these accomplishments serve to impress others and delight oneself. she suggests to strive for the following ✧ conversing well, which is aided by a deep knowledge of literature ✧ music, played on an instrument and accompanied by singing (she explicitly recommends easier pieces for the less experienced in the company of others) ✧ drawing, sculpture and similar arts ✧ riding elegantly ✧ speaking french, german, and italian, as well as spanish ✧ dancing all fashionable dances ✧ reading out loud and reciting well ✧ arranging tableaux vivants ✧ crochet, knitting, tapestry work, embroidery, bead work, and many more

[iouks]

[shakespearenews]

King Lear Alotting His Kingdom to His Three Daughters, by Julia Margaret Cameron, 1872. The Metropolitan Museum of Art, bequest of Maurice B. Sendak, 2012.

---

The Liddells never returned to be photographed by Carroll, but the sisters reappeared a decade later before Julia Cameron’s camera. Alice, Ina, and Edith posed for Cameron’s complicated tableaux vivants as Roman goddesses, literary heroines, and Shakespearean stories. In one photograph that typifies Cameron’s work, Alice and her sisters pose with her husband, Charles Hay Cameron, enacting a scene from King Lear. Charles plays the role of King Lear while the Liddells pose as his three ill-fated daughters, Ina’s index finger poignantly laid on his shoulder while Alice, hair down, fixes her gaze outside of the photograph’s frame, a look echoed by her younger sister Edith.

[thinkingimages]

The Garden of Earthly Delights (2004).

"HOUSING" A DELEUZIAN "SENSATION:" NOTES ON THE POST-CINEMATIC TABLEAUX VIVANTS OF LECH MAJEWSKI, SHARUNAS BARTAS AND IHOR PODOLCHAK 1 ÁGNES PETHŐ

In book: InThe Cinema of Sensations (ed. by Ágnes Pethő, 2015) (pp.155-182.)

Publisher: Cambridge Scholars Publishing

Project: Rethinking Intermediality in Contemporary Cinema: Changing Forms of In-Betweenness

[latin-american-diversity]

Ensayando la Postura Nacional by Alexander Apóstol

Based on the paintings of Pedro Centeno Vallenilla

Caracas experienced a strong urban construction growth after the death of the dictator Juan Vicente Gómez in 1936 until the 70´s. Important political changes: European and Latin-American migrations, and especially petroleum costs variations made Venezuelan mentality change at a speeding race to new perspectives that were demonstrated in different areas, architecture being the main element of change towards a modern city. Besides the big social differences, from then on, the Venezuelans have conceived to an extreme this modern period of time as the dream of a better future. In that time, important plastic artist irrupted during the 40´s, 50´s and 60´s; Escuela de caracas (landscaping), Los Disidentes (abstraction), and the Techo de La Ballena (informalism) were some of the most important avant-garde movements. Curiously enough, the Venezuelan artist Pedro Centeno Vallenilla, formed under the fascist Italian regime and exhibitor of a peculiar nationalist theme with a characterized mannerist and exaggerated aesthetic, worked independently from the avant-garde movements, he was even considered as a minor artist by them. Due to Vallenilla´s profound political views at the time, he was able to establish himself as the official painter during the dictatorship of Marcos Pérez Jiménez in the 50´s, where buildings like the National Capitol, the National Military or collections and private homes were decorated with his Works. Nowadays his works are still hung in these official buildings, where the nation’s history and the autochthonous elements together with the exaggerated and idealized aesthetic of the body and race, are the main characters in his work. What interests me is how his fertile visual language feeds the creation myths of the birth of the nation and establishes it like a part of the Venezuelan culture, in the political, social, military and even economic grounds of the country; where his work exemplifies, maybe fortunately, the prejudice, contradictions and acceptations on how Venezuelans want to see ourselves and how we wanted to be seen (and still want to be), contrasting with the exacerbated and vulnerable narcissism that fundaments itself on the starting resentments that we drag on form the colonial times. Finally I would like to focus Centeno Vallenilla´s work, independently from his pictorial quality, like the heir of a confused Venezuelan modernity in conception and ideology, confronted in the same way with the confused and complex political and social times that we are now living. Where the frontier between liberal ideologies and economic pragmatism associated with the conservatives, are faded together with the political ways of the country. In the film and photos, works of Centeno Vallenilla dedicated to the nation’s history, race and traditions, are converted into a tableaux vivant by people that come from the marginated areas of Caracas, but that are situated in the natural context of this artist, these spaces are modern but at the same time unused buildings, like a mansion turned into an office building; Nevertheless, these models try again and again, without achieving the goal, of recreating work by work The forced postures of the personalities represented in Vallenilla´s Works, demonstrating that there is a possibility that the idiosyncrasy of Venezuela comes from the eternal intent, with form but without meaning, of imagining improvised utopias that result in mere rehearsals of the country.

[artthatgivesmefeelings]

Elisabeth Louise Vigée Le Brun (French, 1755 - 1842) Life Study of Lady Hamilton as the Cumaean Sybil, 1792 The Met Museum

Emma Hamilton (1765–1815) rose from the lowest rank of society to the peak of distinction by marrying, in 1791, Sir William Hamilton, English ambassador to Naples. There she was famous for her “attitudes”—tableaux vivants performed before swooning audiences who felt themselves transported back to antiquity.

[yama-bato]

Francisco Gonzalez Camacho

“ Fasciné par les œuvres du Japonais Masao Yamamoto, Francisco Gonzalez Camacho construit à son tour des compositions minimalistes, où les êtres vivants et les éléments deviennent des ombres chinoises, perçant l’horizon lointain de leurs silhouettes abruptes, graphiques. Ainsi, dans cet univers onirique, toute certitude s’efface, et le 8e art convoque la peinture et l’estampe, comme autant de tableaux abstraits bâtis à coup d’émotions. Un rapport à l’environnement évoquant également les sublimes compositions de Paul Cupido ou encore du duo Albarrán Cabrera. “( https://www.fisheyemagazine.fr/rdv/livre/francisco-gonzalez-camacho-reve-dune-nature-paisible/ )

[coolvieilledentelle]

" Tableaux vivants du Caravage" Théâtre Ludovica Rambelli

La créativité et la précision sont incroyables !