#tangent's focus

[dillypillars]

kaya! 20 he/him | marzipan apologist

i write image descriptions for iwatex posts! feel free to tag me or send me a post that needs a description. i'm also happy to provide a description for any images you plan on posting (like sending me your art, i send the description, you post your art with the description in the original post).

please read my carrd before following <3

[dillypillars]

Image description: A series of screenshots from The Onion article titled "Things To Never Say To Someone Who Just Came Out", edited so that the stock images instead depict various characters from I Was A Teenage Exocolonist. The first one says "A little on the nose to do it during Pride Month, no?" and includes an image of Vace. The image is captioned "Everyone is allowed to come to these decisions on their own timeline, even if it suspiciously lines up with an entire month celebrating the queer community". The next response is "Hi Gay, I'm Dad." and shows Geranium smiling. It is captioned, "Actually, this one is fine. Everyone loves a classic." The third response is "You still owe me $45." The image shows two people exchanging money with a semitransparent image of Tangent overlayed. It's captioned "They do, but give them a minute." The last response is "This has been so obvious ever since I started stalking you." The image shows Sym smiling and is captioned "Don't imply that their closeted sexuality was easily apparent to anyone who peered through their windows with binoculars every night." End image description.

Happy Pride Month

[tethys-the-aquatic-sea-godness]

Sarevok's situation with Rieltar and the Iron Throne

There's a lot of room for guessing the details of Sarevok's life in the Iron Throne, but you have the outline of his situation. It's not as good as one might expect for the son of a leader, and it's vital in shaping his character. Sarevok becomes who he is because of his past and current situation. He's a character with depth, nuances, ambitions and motivations, not a flat, cardboard villain planted on his throne in an underground sewer, waiting for the murder race of 1492 DR.

This got way too long, you've been warned.

Because Baldur's Gate 1 has been out for so long, you tend to forget that Sarevok being the greater mastermind of the evil plot is a twist in the story. From the prologue, you know about the 'ominous figure', but not who he is, and it falls in the background when you get into the iron crisis- a crisis that has nothing to do with Gorion's ward. Sarevok is the foster son of Rieltar Anchev, a leader within the Iron Throne. It's a criminal organization where Sarevok is a member, but not a leader. It should be a cushy position, but it isn't. Let's see why.

First, let's recall the setting of Sarevok being adopted by Rieltar:

Sarevok is a homeless, orphaned child. He describes himself as an 'urchin', meaning he likely resorted to stealing and other mischief to live on the streets.

Rieltar is a wealthy man, a 'higher-up' within the Iron Throne, a mercantile organization with shady practices, a gang of sorts, closer to bandits than merchants.

I don't think I need to spell out how dodgy the whole thing is.

How Sarevok gets adopted is left up to the player, but a few things are certain. Sarevok is part of a vulnerable population, while Rieltar is of the upper class. Sarevok has no person nor structure to turn to should he need help. As a child, he entirely depends on Rieltar. Hunger, thirst, housing, clothes, other material needs and various threats that comes with being a homeless child, all of this gets taken care of if Sarevok stays with Rieltar. It's priceless, and a child wouldn't think past no longer being cold or hungry. Sarevok is affiliated to the Iron Throne from a young age, when he couldn't decide otherwise.

Sarevok is not a leader. it's his foster father, Rieltar, who is the leader of the western branch of the Iron Throne. The 'chief of operations'. He has two co-leaders with him, Brunos Costak and Thaldorn Tenhevich. Sarevok is the commander of their mercenary forces of the region, one of Rieltar's officer. Compared to Rieltar's own status, Sarevok's role is minor. There isn't as much nepotism going on as you might expect from a criminal organization passing off as a legitimate mercantile group.

The first time Sarevok is mentioned, he's a passing name in a letter found in the bandit camp, not a master mind- and that's how it was supposed to be.

Tazok, I have noticed that your shipments of iron have slowed of late. It is imperative that we receive another ton of ore. Step up your raids, and get a shipment to our base in Cloakwood within the next week. We need to stockpile as much ore as possible before our ultimatum is given. Also, Sarevok wants to know what has happened with the band of mercenaries. Have they been killed? You had better ensure that they have been, as Sarevok will not take kindly to any other news. Davaeorn

It's the first hint you get that he isn't like the rest of the Iron Throne. His own focus is more on the mercenaries disrupting the iron plot, more than the plot itself.

One interesting thing here:

"You had better ensure that they have been, as Sarevok will not take kindly to any other news."

-> Davaeorn is threatening Tazok with Sarevok, but Davaeorn himself isn't worried. Davaeorn could be nervous that Sarevok, son of the big boss, may cause him trouble if he doesn't get what he wants, but he isn't. No reason to think Sarevok is anything more than another Throne member.

After defeating Davaeorn, you find letters on him from Rieltar himself. In one, Sarevok's role and title are clearly stated:

"Davaeorn, Our plans go smoothly. Sarevok has arrived from our headquarters in Ordulin. He brings news from our superiors; they are pleased with our progress so far. I plan to place Sarevok as the commander of our mercenary forces in the region. He has already sent his subordinate, Tazok, to the Wood of Sharp Teeth to take command of the forces located there. Things go apace here in Baldur's Gate. We have placed our first agent among the ranks of the Seven Suns trading coster. Rieltar Flamerule, 1367"

It's not said in the letter that Sarevok is Rieltar's son. He is going to be named commander of the mercenary forces of the region. It's a new title, so I'd say his previous rank was equal or lower.

During your first stay in Baldur's Gate, you discover Sarevok is the foster son of Rieltar Anchev. Being the son of a wealthy man explains how Sarevok manages to get within the noble circles of the city for his popularity campaign, which I talked about in another post. Here's one interesting thing I got from this:

"From what I've heard, the new man with the Iron Throne, Sarevok, is an unmarried man."

-> He's considered new, however, the story starts in Mirthul (May) 1368, and from Sarevok's diary and another letter, you know he's been in Baldur's Gate in 1366, went back to Sembia at some point, then returned in Flamerule (July) 1367. That's two years on and off the Sword Coast and almost one full year on it, not to mention he's been in the Throne since an early age, but he's seen as new.

Sarevok's presence may not be public because he's working with the bandits, however, not knowing about Rieltar's son is common. Yeslick Orothiar is a companion who moved to Sembia where he met Rieltar. He pretended to befriend Yeslick, then tortured him to learn the location of the Cloackwood mines. Yeslick was in Sembia, and he doesn't mention Sarevok, or recognizes him when he comes to the party under a false name. So it's not just in Baldur's Gate, even back in Sembia, before Sarevok was commander, Rieltar doesn't mention his foster son— or the fact that he has one.

It can be explained by how Rieltar and other higher-up of the Throne see Sarevok, both his capacities and how far he can go. One telling example is during the Candlekeep chapter. Gorion's ward is going after Rieltar, the big bad at the time. You can go to Rieltar with the advice of 'Koveras', who tells you Rieltar is defenceless and this is the perfect time to kill him. He even gives you a nice ring to protect you. If you start digging through Koveras' dialogue, you might find something's odd with him and decide you don't want the ring. Joke's on you, it won't change a damn thing. Don't be too quick to laugh at Sarevok for only switching his name backward to change identity, it worked on Charname and their whole party (also worked on me when I was ten and had a pikachu face during the reveal).

Rieltar is a lot quicker to catch up than Charname though.

"Koveras! Who is Kove... of course. It seems I taught my son all too well. Well, my young pups, you've been set up to be used as dupes. Koveras does not want what's best for you, but rather what's best for him."

-> There's a brief moment of outrage before Rieltar realizes who Koveras is. The realization doesn't anger him more, it makes him calm down. He doesn't see Sarevok as a threat. It's unlikely he thinks Sarevok's plan goes beyond killing him, when it's in fact much more elaborate than that. Other Throne members straight out of Sembia underestimate how dangerous Sarevok is.

Here are a few more examples:

"She seemed surprised that Sarevok had taken control of this regional base. He is thought of as an upstart"

Kalessia: I have been sent from Sembia to determine why this branch of the Iron Throne has floundered [...]. Valdis (Charname): Why not ask Sarevok? He seems to be the one in control now. Kalessia: Sarevok? That upstart? Then the rumors I have heard are true. Our regional leaders here are dead and Sarevok has assumed their roles. Such arrogance! No doubt he has a hand in their demise, I'll wager. [..]

-> The outrage these criminals feel toward Sarevok's, well, criminal actions against them will never not be funny to me. Kalessia calls Sarevok an 'upstart'. She doesn't sound any more worried than Rieltar was, she sounds pissed that he would dare to do this. Also, she thinks he participated in the demise of their leaders, not that he orchestrated the whole thing. As if he isn't capable of it. I will stress this again, but Sarevok is the foster son of a high-ranking member of the Throne with wealth and influence. Yet, they talk about him as if he's of low rank. Somehow, I don't think the Iron Throne is a progressive organization that thinks wealth and social status shouldn't determine an individual's worth.

Later, inside the Undercity, you come across more people working for the Iron Throne. You get the following dialogue from two dialogue paths.

"We've been sent to hunt down Sarevok. Seems as if he went crazy and started murdering all who got in his way, including Rieltar, and the Throne don't take too well to having their high-ups killed."

"He doesn't seem that skilled at making friends. I am Rahvin, in the employ of the Iron Throne. My companions and I have traveled from Sembia to learn what has been happening to our operation in Baldur's Gate."

They're off to kill Sarevok. Just like that. Like he's just another guy with a bounty on his head. The twist of BG 1 is not only realizing Sarevok is the true antagonist, it's realizing Sarevok is not just a brute working for the Throne, he's a major threat to the Sword Coast and far from stupid. That's something characters who only know of Sarevok what is known in Sembia and have just arrived in Baldur's Gate don't realize. He has overthrown the entire leadership of the Iron Throne in the region, almost got the whole leadership of Baldur's Gate as well and they're simply going to 'hunt him down'. The way they talk about him is also telling:

"Seems as if he went crazy and started murdering all who got in his way"

-> He's talking about Sarevok as if he was a dog who went rabid, not someone who actively orchestrated the downfall of his employer.

"He doesn't seem that skilled at making friends."

-> Sarevok had the entire city eating out of his hand, he was about to be lawfully elected Grand Duke. Sarevok is skilled at making friends, when he needs them— and, when he has the right background to make the right friends. For example when he's known as the foster son of a wealthy business man without anyone knowing anything beyond that, like in Baldur's Gate. Something that's more complicated in Sembia, where people around him would already know he used to be a penniless urchin until Rieltar adopted him.

When you encounter characters working for Sarevok, rather than characters he works for, you get a different image of him, one that's closer to what you encounter in the game. There are two kinds, first, the zealots, those who already worship him as a new god.

"You have breached an inner circle, fool. There are no hired lackeys for you to bribe here [...]. We are servants of Sarevok and Sarevok alone, selected by hand to protect his destiny. [...] His will... be done!"

"So it has been decreed, so it shall be done. So orders Sarevok!"

-> Sarevok doesn't know how to make 'friends' in the strict sense of the term, but he knows how to be charismatic. He got servants to worship him before his actual godhood. These followers aren't part of the Throne, Sarevok independently recruited them to be his first faithful. Which is smart, considering gods in Forgotten Realms get stronger with more fervent and more numerous followers. Sarevok is planning ahead so he already has worshippers when he's a god.

If you played SoD (which is mid writing wise, but has good moments), you'll find that Sarevok's charisma struck again with other nondescripts fanatics.

"S. and I had a long talk last night. Everything he says make so much sense."

The other group of people are Sarevok's own underlings. These are mercenaries he recruited who are unaffiliated to the Iron Throne and only answer to him. You get interesting dialogue from Diarmid.

"Not a terribly original alias to be sure, but who is going to tell him that? Sarevok is quite used to getting his own way, and I gather subtlety is something that doesn't quite come naturally to him. He doesn't have the patience for it, though his mind is amazingly tactical. Certainly this made him perfect for organizing the Iron Throne's mercenary forces, though I doubt his superiors would say so now, what with his plot to have them killed. Such is the trouble with hiring highly motivated people. As underlings we can safely serve, but woe to those in a position he desires."

-> Is Diarmid scared of Sarevok? Yes. Does he respect him? Also yes, which increases the 'fear' part, I think.

Diarmid is a mercenary who's been working with Sarevok for weeks, maybe months. What he knows of Sarevok is surface level, but it doesn't match what other characters, who've been around Sarevok since Sembia know of him. Here are how different visions contradict each other:

"She [Kalessia] seemed surprised that Sarevok had taken control of this regional base." VS "[...] though his mind is amazingly tactical. Certainly this made him perfect for organizing the Iron Throne's mercenary forces [...]" / "Such is the trouble with hiring highly motivated people."

"Seems as if he went crazy and started murdering all who got in his way [...]" VS "[...] I doubt his superiors would say so now, what with his plot to have them killed." / "[...] woe to those in a position he desires."

Characters within the Throne are not supposed to know about Sarevok's plans, but they all react as if his behavior is an anomaly, they're blindsided. Yet, these plans match what Sarevok's mercenaries know of him: "have a tendency to only give information on a need-to-know basis"; "notoriously impatient"; "quite used to getting his own way"; "subtlety doesn't quite come naturally to him"; "his mind is amazingly tactical"; "highly motivated"; "woe to those in a position he desires"; "wouldn't sully his hands on those he didn't deem worthy of personally killing".

The Sembians's reaction is more understandable when you read the following letter, written by Sarevok to Rieltar. Sarevok's tone isn't what you would expect from him.

Father, I received your letter, and I can assure you that the mercenaries led by <Gorion's ward> will no longer trouble our operations. I have dealt with them personally. Before dying, they were most forthcoming in their revelations. It is as you had surmised: They were agents of the Zhentarim. I am also writing to tell you that I cannot attend the meeting at Candlekeep. Some problems have arisen with the Chill and the Blacktalons. They have had trouble working with each other, and I am needed there to smooth over any dissension. I am sorry that I will not be at your side. Sarevok

This letter reads like a dutiful son from start to finish. It's also a pack of lies from start to finish. Everything he says goes along Rieltar's own opinion, to placate him. The perfect son and officer, committed to his role. And it works, since Rieltar doesn't suspect Sarevok until he's told of 'Koveras'. You can assume the dutiful, uncompromising tone of the letter was the front Sarevok presented to Rieltar, and to other members of the Throne.

Reading Sarevok's diary, you see this is a front he has to present. Remember how Sarevok was named commander of the mercenary forces by Rieltar? Well, he wasn't even supposed to be part of his foster father's project.

"I have expressed interest to my 'father', and he has promised to include me within the operations along the Sword Coast. He mentioned Mother in our conversation: how I wasn't to be unfaithful to him as she had. He made it clear that I would suffer her fate if I was."

-> What a lovely father-son relationship. Anyways, if Rieltar had his way, Sarevok wouldn't have been commander, he would've left him in Sembia. Sarevok had to ask to be given a role. You'd expect the son a wealthy man to have a prime spot saved for him in his big project.

The next part of the excerpt is, in my opinion, the core to explaining the dissonance between what people from the Throne perceived of Sarevok, and what he's truly like. Rieltar threatens Sarevok, and that shows what this 'father-son' relationship really is about. For those who don't know, Sarevok's foster mother, who to this day doesn't have a canon name, was 'unfaithful' to Rieltar. It might be she cheated on him, but since it's never stated clearly, you could go with something else. Like trying and failing to kill her abusive husband, for example. As a punishment, Rieltar strangled her with a garrote in front of Sarevok when he was young.

Rieltar doesn't just threaten Sarevok, he reminds him of his place, which is the same as his mother. It's my guess that this is why he murdered her in front of Sarevok to begin with, so he would learn his place as a 'family member'. Someone Rieltar has complete authority over, including a right of life and death.

Sarevok brushes off the threats, but he does that as an adult and experienced fighter who is already planning to kill Rieltar and crush his operations. He wasn't always in that position. For the urchin Rieltar adopted, this threat wasn't 'weak' or 'hollow'.

This would explain why, despite being the 'foster son' of a wealthy and influential member, Sarevok is seen as an 'upstart' without a place in the upper ranks of the Throne. Because he is not his son to them, he is the urchin 'sponging off' Rieltar.

Another piece of the journal gives a little more information.

"The fool still insists on calling me his son, and for now I will let him. He assumes that I am loyal to him because he raised me."

-> Rieltar is confident in Sarevok's loyalty because he raised him. He provided for him and considers that should make Sarevok loyal no matter what. Even though Rieltar adopted Sarevok, their social classes are still very distinct. He's the one with the money and Sarevok should be grateful he spent some on him. 'Son' isn't an affectionate term (if the death threat above didn't make that clear), it's the reminder of what Sarevok 'owes' Rieltar. It would explain why Rieltar rarely mentions him. He has a debtor, not a son. When he discovers his plot to kill him, Rieltar says Sarevok wants 'what's best for him'. He knows why Sarevok wants out of this situation— he's the one who created it. Hence the threat. The devoted front is something Sarevok has to show, to ensure his own safety and the success of his plans.

Now I will go into a more 'grey' territory regarding a bunch of things that can't be checked with canon but are worth considering because of the situation:

First, does Sarevok have money? Rieltar does, yes. Sarevok works in the same group at a lower rank, he's both Rieltar's 'son' and his employee. As a commander, he likely has allotted money, but that's not his gold, that's for his job. Chances are he either doesn't get paid because he's working 'for the family' and that's another thing to be grateful for, or he does get money for his work, from Rieltar. Either way, Rieltar is the one who has control over Sarevok's finances. It's a good way to restrain him, and ensure his loyalty, since he won't get far without gold. Sarevok lived on the street before, he has ambitions, it's unlikely he's willing to rough it out again and be a homeless nobody. Rieltar surrounds himself with people he has control over, like his co-leaders: Brunos is dumb, and Thaldorn is a coward. They defer to Rieltar, who likely has an easy time controlling both. Having Sarevok at an officer position allows Rieltar to keep a leash on him, which fits his pattern.

Second, Sarevok has two genuine relationships that we know of. One was with his foster mother, and the other with his lover, Tamoko. If he had any real connections while living in the streets, they'd have ended once he joined Rieltar's household. Growing up, he'd be surrounded by people from the Iron Throne. The lowest in ranks would be under Rieltar's authority, and those of higher rank would only see the urchin Rieltar pulled out of the gutter. It's likely there were few children his age or anyone he could trust and build a relationship with. His connections are to characters he works for, and those who work for him. He's isolated, he doesn't have allies. That's another way for Rieltar to restrain him. There's the uncertainty of what 'unfaithfulness' means to Rieltar. Does Sarevok having someone he cares about gets in the way of being the devoted son Rieltar wants? Would the threat he makes on Sarevok's life include anyone important to him? It's possible. It would make any relationship Sarevok could have a weakness, which would impact how he views them. I would imagine he'd fight any feelings he developed for Tamoko before giving in, and he wouldn't introduce her to the man who murdered his mother. Having any attachment in this situation becomes a drawback.

Third, could Sarevok leave the Iron Throne if he wanted? Criminal groups rarely offer retirement. He's been involved since Rieltar adopted him, he's been working with them for years, and likely knows the group's inner workings well. The Throne is a criminal organization that wants to keep a legitimate front. With everything Sarevok knows, it wouldn't be smart to let go of him. Unless it's off a cliff. He's probably not an isolated case either. Youth with nothing to their names and no better options are easy to recruit and make good underlings.

Recap and conclusion:

Sarevok was pulled from poverty at a young age by Rieltar, a wealthy man who's part of a criminal organization. Through the murder of his wife, he's shown that he gives himself total authority over his family, and will harshly punish any form of rebellion. Growing up with Rieltar, Sarevok was affiliated to the Iron Throne from a young age and became another member. All that time, he remained under Rieltar's thumb, acting the part of the loyal son, while not showing anything that might cause suspicion. It's no surprise Sarevok charmed the city of Baldur's Gate when he has been fronting his whole life for Rieltar and the Throne, downplaying his ambitions and capacities. He doesn't appear as the true antagonist until late in the game, when he turns on the Iron Throne. They're blindsided and unable to fight back, while Baldur's gate is ready to name him Grand Duke. It's a victory on every front. He outsmarts the entire Iron Throne, the leadership of Baldur's Gate, he has the city eating out of his hand, he believes he's on his way to become a god. He used the organization that used him, got revenge for his mother's murder, his years of abuse, and had the nobles at his feet. He failed the godhood part, but he beat odds stacked against him. The urchin from the streets of Sembia rose higher than anyone ever thought possible.

It's important because Sarevok's situation connects to a game's theme and to his misbeliefs. One of Baldur's Gate theme is that your choices matter more than your nature- which is the direct opposite of one of Sarevok's own misbelief. He is convinced his nature as Bhaalspawn predestines him for violence and destruction. The most telling example is in ToB during dialogue if you're trying to change Sarevok's alignment.

"And do you believe I have another choice?"

"After… after all you have been through? With the taint in your soul, you still believe this?"

If you reply positive, you wreck his world enough to make him speechless. And enough to trigger his alignment change. It's a deeply rooted belief, one that affects how he interacts with the world around him, and it's directly connected to his past. Sarevok is also convinced he needs the ability to dominate others, hence his quest for power.

"I… don't understand. What is the use of power if you do not carve out an empire for yourself?"

Sarevok grew up first in the streets, where he was prey to all manners of dangers. Then, he was in a brutal and callous household where his freedom and his life were conditioned by his obedience. It's not said how long he's been working for the Throne, but likely as soon as he could fight. Growing through this, violence would be an everyday part of Sarevok's world, and of himself. He views the world through that twisted lens, where the strong crushes the weak. Learning he's a spawn from a god of murder would cement that belief by giving meaning to that violence. Sarevok isn't a wealthy, privileged man greedy for more power, he's someone from an impoverished background who only views his relation to others and the world as either having others at your mercy, or being at the mercy of others. And he's been the one preyed on for a large chunk of his life. By seeking power, he ensures control not only over his own life, but over other people's lives, because if he controls them, they can't control him.

Sarevok was shaped by his environment, which allowed him to survive, but also messed up his adult life. He has no genuine relationship, they're all transactional. Cythandria, who will brag about loyalty, is with him for wealth, power and sex. Sarevok knows that, he's with her for similar reasons. They're intimate, but their self-interest comes first. Winski Perorate is 'loyal' because he's getting his divine glory by proxy through Sarevok. They follow Sarevok because they get something out of him and he keeps them around for the same reasons. Tamoko is an anomaly in this, because Sarevok caught feelings. Feelings he wasn't equipped to handle because they couldn't fit with his mindset. That's the core tragedy of their relationship, it was doomed from the start, even without the game's events. Tamoko loves Sarevok without wanting anything from him but his company, and he cannot believe that. I made a post about them, and I do think he leaves her because the taint would push him to kill her if she stayed, but I also think it's easy for the taint to manipulate Sarevok, because he's predisposed to believing the worst. Being with Tamoko required effort, because it challenged Sarevok's mindset. Her betrayal confirmed it: he let someone get too close without check and got stabbed in the back.

While Tamoko didn't fully understand Sarevok, she's the on who sums up the situation best:

"You had Gorion to guide you did you not? Sarevok had no one. He draws his strength from his hatred, from the thought of rising above those he knows to be inferior."

In BG 1, Sarevok doesn't fail because he's weaker than Gorion's ward, he's more powerful when you face him, but he's holding on to misbeliefs that make him the puppet of the taint, whereas Charname is master of their own choices, harnessing the taint or rejecting its control. But there is nothing about Charname's nature that is superior to Sarevok and vice versa. The one thing that separates them is the past that shaped them.

Sarevok's story is tragic. He doesn't become a ruthless man because of his nature, but because he was young, alone and poor. Those around him exploited that. His situation gives nuance to his character, enough to make you feel for him. Even when he's only the antagonist, he has depth, and ToB further improves his writing, making a point to show his duality and his struggle to change, to uproot himself from the soil he grew up in. Sarevok never is a one-dimensionnal character, not as a villain, and not as a companion.

[spiritsglade]

day 2348324 of wishing there was an ao3 tag for specifically fanon titan's tower traumatized neglected by his parents malnourished 'replacement' just a child how dare jason try to kill this literal infant dick tried to throw him in arkham :((( and the assassin baby is literally the devil for his murder attempts also touch starved secretly a genius and yet simultaneously so very pitiable tim drake. please let me filter him out of my life i am begging you.

[coochiekrab]

whats your drawing process for lineart???

I draw the It

[yestrnight]

hiiiii!! if you do sub readers, can you do a sub ditzy/dumb slime reader who gets fucked by kaveh and alhaitham? if you don’t wanna you don’t have to, but thanks for reading this!! nd i really loved the other slime reader fics!!

˚₊· ͟͟͞͞➳❥ ACTIN' LIKE A DAMN HYPOCRITE !

FROM: kaveh / gn! slime! reader / haitham

SUBJECT: you did something wrong and now you're fucked. literally. except i did not do the request and it became kaveh and haitham fighting over you while you get plowed and haitham's a hypocrite the entire time.

( gn reader but they have a CÙNT, seeex, idk this is pretty tame bois )

no matter how endearing you are— all of your gurgly-voiced, innocent-eyed adorableness— one cannot just let you roam free without some sort of discipline. after all, who knows what you're capable of? you're a humanoid slime that kaveh picked out of nowhere, that alone should raise some bells, and plus the fact that you were sucking the living soul out of their dicks every day should warrant you a damn collar.

alhaitham raises his brow at his roommate, who coddles and coos at you in your slime form. "this is why the pesky thing keeps thrashing our room. you spoil them too much."

kaveh stops babbling to you in baby-talk just to shoot his roommate a glare. "oh, shush you. even if they look like a human, they're still a slime through and through. it can't be helped that they'll be a little rowdy every now and then. it's part of their nature!"

"if their nature is going to cost me 10,000 mora for renovation, then it becomes quite the inconvenience for me, i'm afraid," haitham deadpans, shutting his book and leveling his senior with a stern stare. "as the one who found them, do you even have the means to get that money right now?"

kaveh winces. "well, i... i'll manage somehow. somehow." his tone becomes pitiful at the end. finally realizing that he has to teach his little pet some manners so that they won't keep bankrupting him, he turns you around and tries to muster the harshest glare that he can. you notice that the situation has become serious, and in his hands you slowly morph into your humanoid form as you tilt your head innocently.

"kav... eh?" you gurgle in questioning, wide innocent eyes looking up at him. "did i do something wrong?"

"yes, dear," he starts, and he reddens when he notices haitham's amused expression from the corner of his eye. "that was very naughty of you, to destroy haitham's study while we were away. we... i..." he heaves a breath, wincing as he continues to speak. "we need to punish you. you've been a very bad slime."

"we?" haitham cocks a brow.

"oh come on!" kaveh groans. "i know you want in too!"

he's not wrong about that. not when haitham's deep groans sound throughout the room as he's fucking your wet pussy like his life depended on it. it was nice, to be the one fucking instead of being fucked. he still had his pride after all, even if you had stripped him of it countless of times before.

he pinches your clit as he grinds his cock deep into your cunt. you let out a squeal, a cross between surprise and pleasure as you start leaking more and more slime around his cock. he's always been a petty jerk, and it's become more obvious when he relishes in the cloudy expression on your usually clueless face. the face of his dreams and nightmares, staring down at him as he drowns in his own shameless pleasure as if they haven't stripped him of all his dignity.

he swipes a thumb across your lip— relishes it when you shiver in pleasure from his touch— and dips it into your mouth. "this is how you ought to look like everyday," he says, serious eyes studying your face as you whimper and suck on his thumb. "brainless monsters like you should just sit still and submit like a good pet."

"don't be so mean!" kaveh admonishes his roommate, giving him the side eye as if he's not sat behind you and torturing your chest with those delicate fingers. "we're just disciplining them. you don't have to demean them like that!"

haitham shoots him a glare and kaveh, not one to back down from haitham, glares right back. "you don't have the right to talk, " he spits, glaring moodily down at your fucked expression. "you brought this one into our home and allowed it to destroy both of our lives."

"oh please," kaveh sneers. in his aggravation, he pinches your perky nipples so hard that you let out a small sob as he abuses them. "destroy? more like destroying your ass." his smirk widens when haitham blushes angrily. "we both know that after your done plowing my cute lil [y. name] you're going back to taking their dick in your ass."

haitham clicks his tongue, venting his frustration by rutting too deep into you. he's close, kaveh can see it, if the white liquid leaking from his head and floating in your slme torso was any indication. "as if you don't do that either," haitham snaps.

"well, i'm not a bitch about it," kaveh scoffs.

"you act like damn slut when it comes to [y. name]."

you rock up and down against kaveh while you whine and moan from haitham's rough handling. kaveh pecks a loving kiss on your cheek, snuggling into your neck, and you whine back as you try to find his lips again. kaveh grins at haitham.

"better than acting like you don't get bitched everyday."

haitham growls, but says nothing more. once he's done turning your body into his creamy white, he's coming after kaveh.

[writeouswriter]

Two people with the exact same brand of ADHD and shared intense hyperfixation clicked too hard, 100 dead, thousands injured, 3 million new timelines unlocked, a single starting line of conversation ending in 400 new novel length messages sent and one month between reply times

[erinsworld]

Write One Sentence

and share it here. The next sentence in your draft or the last sentence you wrote:

In a rare, vulnerable moment, influenced by exhaustion and pain meds, Mac confided in her that even after months of being away, he still felt like he’d lost a limb.

Thanks for the tag @nativestarwrites ! If you'd like to do this, I'm tagging @lailuhhh @impossiblepluto @authorangelita and anyone else who'd like to share!!

[skidcd-megamix]

NEVER stfu about A.B.A

OKAAAYYYYYYYYYYT ^_^

[iztea]

hello iz ik it's such a cliche question and idk if you've already answered that but- how do you learnt drawing humans??? like everyone says practice but i don't know how and i struggle so much :( thanks already for answering!! i really really love your art

hi!

the very regulated, academic, objectively correct bs answer: learn the fundamentals, study and practice!

the unhinged, off-the-counter, cool uncle from your dad's side of the family answer:

Imo, the best way to learn how to draw on your own is to reference and study other people's art. There is no need for you to reinvent the wheel, and if you are a beginner and have no idea what you're doing, tackling multiple fundamentals at once can overwhelm and demotivate you quite a lot. So, for your morale and motivation, I think it is totally okay to just observe multiple artworks from multiple artists and engage with them critically ( * N.B. : artistS - plural; by referencing multiple works, you lower the risk of accidentally becoming a copycat or locking yourself into an art style that will never be as good as the original because it was not yours)

What I mean by critically engaging with an artwork is to analyze how they're tackling difficult body parts that you struggle with. For example, let's say you can't/don't know how to draw legs. Look at a picture of a real human leg, observe how someone else has simplified that leg form and anatomy, and then try to recreate it. Don't just copy their linework 1 to 1. That is not the point. Do it your own way, incorporate aspects of others' art that you like, and make them yours. You should have 5++ references of that leg from 5++ different artists. There are maany people out there who post their studies online, raw sketches or structural drawings (TB Choi comes to mind for example). Look for people like them, and if you can't find someone, then Pinterest is your bff. When learning how to draw, hunting the internet for how people sketch >>> rendered art. If speedpaints are more your thing, then youtube has you covered. Personally, I've learned more from a 20 min speedpaint with nightcore bgm and zero annotations from some guy that doesnt even speak english that has 300 views than I've learned from 10 min long art tutorials from fluent english speakers with 1 mil views. At the end of the day, we can yap and theorise as much as we want, but it's the act of drawing that brings results and seeing how other people draw is sometimes worth a thousand words.

> References in general also help a lot. I can't tell you how many times I was too lazy to look something up and spent 14235 hours trying to draw it off the top of my head only to have it done in 10 minutes once I finally gave in and pulled up a reference. So yeah, always use references. Don't be like me this is actually a bad habit

Okay, but how to /use/ that reference if you're a beginner? Very simple: draw on top of it ( *Do Not trace the outlines, that's pointless if you actually want to learn something). Draw guidelines over the body parts, deconstruct and simplify the ref into just boxes and lines ( always think in 3D ). This will help a lot with keeping the proportions in check. You can start by drawing those guidelines first and then get into details. Kinda like in sculpture: you start with a big block of a rock, and then you slowly carve and build form and then detail. The more you draw, the less you will need those guidelines as you get a feeling for the proportions yourself and will no longer need this step.

Once you become more confident in your skills or have a "sense" for drawing and you are in too deep to just give up after hitting your first wall, then you can tackle the scary intimidating stuff that is art fundamentals ( or you can do them simultaneously, all I'm trying to say is to never forget that you are not the only drawer in the world; looking in your neighbor's yard is totally okay within the reasons of common sense ). You don't have to raise and milk a cow it to make butter, you can just buy it from the store. If you want to bake a cake, a beginner chef will use store-bought cake mix because they have no idea how to cook. Once they learn the science behind baking (because it really is a science) they will buy their own ingredients and then improve or personalize the cake with better, well-researched ingredients, they will add their own twist, flavours, adjust the macros, perfect the technique and so on.

This is how I've personally learned how to draw by myself bc I'm self-taught and didn't care for formalities as it's just a hobby of mine that I do for fun. If you want proper advice you should probably listen to more qualified people but I can only preach what I practice.. Anywayssss hope it helped!!

[stardustdiiving]

I have a lot of really small headcanons about the concept of “elemental resonance” I keep incorporating into my genshin fics whenever I write them bc I love using the concept that the characters can pick up on other people who wield elemental power’s energy, and the fact elements can react or resonate with each other as a really small way to give insight into how a character feels about things or people around them

I enjoy imagining and using that as almost like another kind of “body language” or mode of communication. I like using it to give characters more defined presences and personalities especially with how they’re viewed through an external POV

Things of this nature I’ve kind of thought about/written before include:

Wanderer will describe the unusually strong elemental power radiating off of Archon characters he’s around as “unpleasant” and tell the reader he doesn’t like being around gods because they all radiate this oppressive and uncomfortable energy that makes him feel very defensive…but he noticeably doesn’t seem to mind Nahida’s elemental energy despite being very aware of it and describes it in a much more pleasant way because He Likes Her

In contrast a lot of people find Wanderer’s Anemo “jarringly sharp like storm gales” or just really odd/confusing and potential sinister(????) but then Nahida just describes it as like, gentle and very nice even if it’s a bit wild sometimes :) (this would confuse everyone if she told them this)

Lynette and Freminet can tell when Lyney gets upset/anxious, especially over them, because his Vision that gives him elemental power came from his ambition to protect his loved ones, and they would describe him being worried as like, a flickering and more fast paced sort of Pyro energy radiating from him that feels very directed towards them specifically

Venti tends to passively reach out and “resonate” with a lot of elements around him, especially with people he likes or shares his element with, as sort of a way of going hello! I see you! Jean and Xiao describe his Anemo energy as very like, reassuring/comforting/makes them feel more centered (he usually does this when they seem stressed out), while a lot of the Mondstadt characters don’t recognize it’s coming from him and just feel more relaxed/comfortable/“at home” (or nostalgic for Mondstadt if they aren’t there at the moment)

Kaeya describes a lot of the pyro characters he’s friends with (Klee, Amber, etc) as very warm and nostalgic—he doesn’t say it directly but the implication is it reminds him of Diluc when they were younger. In present day he describes Diluc’s energy as “subdued heat” towards everyone else but “smolderingly cold for a fire” when Diluc’s attention is on him because their relationship is in great condition ❤️

Characters tend to find being able to resonate with the energy of people they’re close with very comforting (it’s like a hug or leaning on someone for support basically). They usually note it’s especially reassuring if it’s done with someone of the same element. They usually do this pretty deliberately but u can also have characters sort of reaching out to their loved ones more quietly if they don’t like being very emotionally open (lol)

^^ so Tighnari usually reaches out with his Dendro passively for Collei to “lean on” if he can tell she isn’t doing well and wants to like, very intuitively reassure her. Kaveh and Al Haitham both pretend they never do this but they are regularly both “checking in on each other” whenever they’re in proximity as sort of a like “are you there? Oh hi you’re here. Okay nice”

I could go on about this for a while with like every character but I find it so fun. I really love subtle characterization or adding more personalized descriptions to characters beyond just like purely physical appearance jducjfjd

[pomodoriart]

SANDWICH POLL TIME

im gonna b honest it drives me crazy how difficult it is for me to draw des voeux. hes never weird enough looking.

anyway heres his sandwich from hell!!! i also discovered i hate drawing food. which tracks cause i never practice it. T-T

des vouex: who made this horrible little sammich? hey is this just for me. what the fuck

goodsir, sweating, panicking: I, uh- I — erm,,, hauve…. happy birthday?

cdfv, wolfing it down: hey this thing tastes bad, man. we need to fire diggle for real. this shits nasty. worst thing ive ever eaten. jesus christ and i thought the tins were bad

- - -

bonus: he’s testing goodsir’s patience and he doesnt even know it

[1eos]

my biggest gripe with modern writers is that they waste so many lines with gibberish. like itll just be nonsense prose. characters arent interacting so we can understand their personalities, no descriptions of the environment, dialogue is all therapy speak, and characters will just start doing random shit like going spread eagle imagining birthing grinch babies so the author can seem intellectual or creative or weird when its just nothing! you are not toni morrison!!!!!!!!!!!!!!! put the thesaurus down and fill this out

[popponn]

i'm this close to opening discussion whether (is it possible that) kaiser is a playboy or not

[dykedvonte]

I'm probably going to post about this on the MW subreddit, but I still find it pretty hilarious that most fans assume the "struggles" Jimbalaya was dealing with back on Earth were related to criminal acts (usually in order to demonize Curly) meanwhile most of the pieces of clues I've gathered from the HFIM dlc and the QnAs we got about the characters' lives have lead me to believe Jimbalaya's struggles were about poverty.

In the HFIM dlc we're pretty clearly playing a fish version of Jimbalaya, and the whole game is about how a capitalistic system ruins people (fish) and those that climb up help perpetuate the system and those that go down just get eaten. So it's pretty interesting to me that Jimbalaya fish even after consuming other fish and items... keeps going down.

But it was the third QnA that sealed it for me. Curly's hobbies are around a lot of friends and family that he could join interesting things. And of course play snow sports in Winter. Winter snow sports... which let's be honest is a pretty expensive hobby to have. Meanwhile, Jimbalaya can't afford any hobbies other than joining one with Curly.

I think this kinda just adds more fuel for Jimbalaya to both envy yet aspire to be like Curly.

I dunno, it's just fascinating to me watching so many fans claim the "struggles" were so obviously to do with crime when most of the current evidence I noticed seems to point towards money related issues.

-🌟 Anon

I think both are valid and valuable interpretations that’s the MW fandom makes but I think the major problem with it is the severity in which they make Jimmy out to be every factor wrong with men in society.

Like I think it’s interesting to use the idea he has some record, misdemeanors/petty stuff, that has complied to make his life more difficult. It’s all his own doing for his entitlement and general behavior but it can also be used to comment on Capitalism banking on desperation and envy. A lot of his actions are desperate because he knows his crimes on the Tulpar will make it virtually to climb any ladder, anywhere anymore due to their weight. Like in the end the problem is undeniably how the proverbial rat race creates environments that fosters Jimmy’s and creates ineffective systems like Curly represents.

Curly on the other hand benefits from the corporate part of it with his financial freedom, stability and prestige but he too is socially stagnant, deeply unhappy in the identities placed on to him and unrecognizable as anything other than a cog in the machine. I think this goes in tandem with the other members too as the identities placed onto them in the scenario all represent stages in capitalism and class discrepancies: Anya represents largely marginalized identities (particularly women in blue collar fields/harassment) and how they ultimately have to fend for themselves. Daisuke a sort of perception of both a class between Curly and the rest, protected no matter the effects of the establishment due to his home life but at the same time he is the metaphorical future gen, things stripped from him as the older generations squabble amongst themselves in private conversations leaving him unequipped. Then there’s Swansea being sort of those who have lived through it, knowing how it ends but ultimately still lack the skills, resources and want to change it, letting it cycle.

The entire thing with Jimmy circles back to the fandom ultimately wanting easy solutions to the events in the games, a face to blame and a weird black and white thinking to issues that are dangerous to view that way.

[pekoeboo]

ugh. some thoughts.

really been trying to find the joy in drawing/writing again and honestly it's been such a challenge. friends have told me it's most likely depression that's making it hard to feel motivated and tbh they're probably right.

hoping to get back into being creative in the way I Want to be at some point tho. I miss it. there's still so much with my stories and characters that I haven't been able to share or explain and I wish I knew how without it feeling like this daunting, impossible task.

I don't know when I'll get around to actually sharing art again (or writing, if ever). was hoping that I'd manage to get some of my mental and physical issues in check recently for just long enough to get back into the swing of being creative, but that hasn't seemed to work. everything feels bad, both artistically and physically. I'm struggling to keep up with the frantic pace at which my brain comes up with story concepts and intriguing character interactions, even tho everything in me wishes I could turn it into tangible artistic expression so I can get it out of my head and share it. it used to be easy. I don't know why it's not now.

I'm just . tired, I guess.