#techno plush

[firwyn]

I made a techno plush but he’s about 4 times smaller than I thought he was going to be

Also his head is heavier so when he slipped from my hand this is how he landed

Edit : he's not done yet, need to make his cape and crown !

edit #2 for the techno fans reblogging and loving on the little guy, this one is "Pocket Techie" and i will make bigger ones until i manage to find the perfect size so stay tuned (if you want)

[justcallme-ange]

I see no difference

[kafiguas]

Shopping

[hysveil]

Just spent over $100 for a custom technoblade plushie :3 I'm actually so happy and my bank account is crying. I'll def be posting photos of it, when it arrives!!

The money was alsoo to help out a college student 😋 ,, so that makes me pretty happy too!!

[monarchamos]

i love talking abt how i have so many men in my bed and how i sleep with them every night but in actuality theyre just the plushies of my many fictional skrimbly blorbo skrunklies

[cherrymangos]

.

[ghostofadoozer]

The minecraft movie was actually so good lmao

[sugarsgames]

https://gd.games/sugars/techno-city-and-other-games

This been out for awhile enjoy (PC only also you got to type this link into your browser)

[dozyrogue]

Dude my mom is gonna make me SOB

So i put up our ofrenda and she looks at me an goes he's not family but u should add ur pig. I know u really cared for him.

SHE WAS TALKING ABOUT TECHNO IMM SOBBING IT WAS SO SWEET.

Anyway my technoblade plush is now on the ofrenda with carrots an a potato.

[uunoia]

I’ve been thinking about this like all day!

Do you think MC gets really bad neck pain? I know some writers give the characters pains or scars if they’ve died previously. Like for Tubbo and the fireworks, he gained explosion scars on his face and other body parts that were affected.

So do you think because Schlatt did what he did, do you think MC would randomly have neck pains, or like phantom pain at all??

Anyway, have some silly pics of my Techno plush :D

mmm yes MC experiencing neck pain... ✍🏻hmm yes very intresting...hmm Techno also relieving said neck pain? ✍🏻 maybe? sorta? possibly...? im definatly not thinking about this at all.

Her neck pain, a symbol of Schlatt's cold and unfeeling cruelty and Techno’s hands as the counterweight to that violence or somthing?

its almost like theres some kinda THEME or PARRALELL here i can't quite put my finger on.

Nope im NOT thinking about it, this is NOT being utilized as a character beat or a story element at all. im NOT yoinking this one. NOT HAPPENING.

BUt being so real that stoic brute with his calloused hands and too-sharp eyes? He'd probably notice.

Well actualy, he always notices. Bro notices everything.

And like maybe (hypothetically) he watches you adjust the way you sit. Watches you rub at the base of your neck absentmindedly. Watches your posture like its just a little too stiff for comfort.

And he doesn’t say anything at first. But the voices are buzzing like, She's hurting. FIX IT. FIX THIS NOW.

And one evening, when its just the two of you, your back to him and your shoulders hunched defensively from pain or cold or memory, he walks over. Doesnt ask. Doesnt make it weird. Just places a hand lightly on your shoulder. Waits. Lets you lean into it. Or not.

And then, he starts to work at the tension. Slow. Intentional. He kneads the knots like hes crafting something.

Like if he presses just right, he can mold you into comfort again.

And maybe you try to joke through it, because thats what you do, but it falters in the back of your throat.

And then maybe you lean forward, elbows on your knees, just breathing. Just feeling. Just… not being haunted for one blessed minute.

And he stays. Hands steady.

Heart quieter than the voices. For once.

...wait what were talking about again? MC neck pain? and it's really bad? oh yeah whatever MC will just thug it out no problem. She's got magic hands. Its no big deal- i said i wasn't thinking about it and im being very normal about this. (im cooked)

[technowings]

Oh wow, those corners are excellent!

And hinges????

I am staring in amazement and artistic appreciation.

Also glancing thoughtfully at my own stash of perler and having thinky thoughts.

(I'm honestly not trying to be a copycat or a creeper or anything, just every time you post a craft i also do it gets me thinking about it again and in different ways, cause idk, maybe I'm just a group crafter or something? Long distance parallel player?)

????

AHEM.

“secret project? Really now…”

[simpingforheros]

Just a Thot

((Jason Todd x Reader blurb)) (( 18+ Minors DNI))

Imagine moving to a new big city and deciding to go experiment with the bar life downtown. It looked to be a bad area, but you heard that there was some costumed heroes that patrol the area often so you go…

The iceberg lounge wasn’t anything to wild for your first night in the city, but it was still pulsing with techno music as go-go dancers dance along the poles.

You were at the bar, just drinking on an alcoholic beverage when another was sent your way. The bartender says that the owner of the lounge sent it your way. You cringed at the idea of some old man sending you any drinks, but free drinks were free drinks.

You look around to see if anyone was watching you, but no wrinkled bastards were in your line of sight. A chilling feeling of being watched does run up your spine.

‘Maybe he was just a generous man?’

The drink was a simple Jack and Diet Coke. There was no weird residue or dissolving powder from what you could find and the test strip you keep on hand didn’t indicate any drugs, so you accept it. The burn of the liquor softened by the aspertain sweetener was followed by two more glasses placed in front of you.

With a quirk of a brow, you looked back to the bar tender before he says,

“Boss said to drink all of this,” Pointing to the tall glass of water, before pointing to the small glass of brown liquor. “And take that with you to him in the VIP lounge.”

Your eyes looking around to the large staircase on the back wall of the lounge. Up the ascending slabs of ‘ice’ was a bouncer guarding a velvet rope stood infront of a partially open curtain. The chill meeting your warm face as you meet the gaze of the owner. His eyes concealed by a black and red mask that reached down his face, concealing his identity. His body was covered by a black suit with a matching red undershirt. His stature even from where you sat looked giant with his broad shoulders and height. He meets your gaze before stepping out of sight into the VIP room.

He was waiting on you.

You drink the water as fast as you can without choking on it. You carefully carry the cup of whiskey up the stair case and shyly greet the bouncer before he lets you in.

The details of the room slip your mind as your eyes immediately clicked onto his. His relaxed position on the plush leather sofa nearly caused your stomach to flip. His legs spread as he waits for you to approach, his concealed eyes following you like you’re the meal he wants.

“Thank you for the drinks, sir…” you thank him as you hand him his drink. His hand deciding to cup yours as his other hand plucks the drink out of your hand.

“You could thank me in another way…” He suggests, his gravely deep voice sending chills down your spine as your stomach coils.

“Maybe…”

[mychlapci]

https://www.tumblr.com/mychlapci/751925919707545600/soundwaves-small-tape-player-form-could-slot-so?source=share

Megatron commands Soundwave to turn into his alt mode so he can push him up his valve and feel the vibrations of loud heavy music rattle his calipers for hours. He locks his panels so the fluid has no where to go but to slide around pooled at his entrance, which gives Megatron enough lube to grind his node into. He ruts his closed panels into corners of his office like an animal, he'll lay back in berth and shred a pillow between his thighs for the friction as Soundwave bangs out something with lots of bass.

Midway through one of these sessions the real fun starts. Soundwave isn't pushed too deep into his leader's valve, but because of the shape of his tape deck, he's properly stuck. Megatron will squat over his berth and open his panels, letting the pooled fluid splash under him. He'll flex his valve walls and push and cycle his calipers until Soundwave finally comes unstuck, usually tearing Megatron's walls with his blunt corners. In a pool of energon and more transfluid, Megatron "births" Soundwave onto the bed with a shout.

He brings his devoted third in command up to his face. Soundwave will play something a little slow during this cool down phase while Megatron licks at his lover's buttons and teases his antenna with his teeth, the best stimulation Soundwave can get in his alt form. Megatron recovers from his last overload and lays back down in the berth as Soundwave's music starts to pick up again, something fast with lots of drums that makes him shake in Megatron's hands. He lines Soundwave up with his torn valve and slowly pushes the TIC back in, grinding against the boombox often. He'll shove Soundwave deeper this time, the last was only the warm up after all.

Soundwave is indeed deeper in Megatron's valve this time, caught again between slippery calipers and locked in by a thick plug Megatron only used for their sessions. He blasted erratic techno music that made Megatron's valve spasm, digging his hard edges into the plush protoform of his partner's valve. If Megatron wasn't so into his valve tearing during birth he'd worry about it, but Soundwave wasn't third in command for nothing, he knew what would please his master.

It was a cycle that lasted as many times as Megatron decided, pushing the boombox into his valve and uncomfortably birthing it back out after several overloads just to cram it deeper next time to a new beat. What tended to be the ending of their date night was both of their favorites. By now Megatron's valve was a sloppy hole, stretched by Soundwave's mass shifted form and wet from various fluids. He jammed Soundwave up his valve again, much harder than his gentle introductions earlier, and pushed him up as high as his fingertips could reach. Soundwave was playing harsh noise into the torn valve, vibrating the hot interior around him as Megatron's plug pushed him even deeper. He was angled perfectly this time to press his speaker into the opening of Megatron's gestational seal. After being flattened into the back wall so many times now and making his leader's whole array quake with his thumping music, the seal had much more give. Soundwave cranked the music to full volume, making Megatron's frame shake as he cried through another overload. His seal slipped open just slightly, which was more than enough for Soundwave to bully his way in. He was stretching out the war lord's forge more than anything else, slotting himself in perfectly as he had done many times in the past.

Megatron was a stupid overloading mess as Soundwave shook his forge. He rested his hand over the bump on his belly, feeling Soundwave under his plating and thrashing his womb. He overloaded again at just the touch. Soundwave would kill the music once his song ended, but Megatron would not push him out this time. This was all still part of the game, after all. Megatron stood from berth, his knee joints wobbling and his pedes uneven as his panels snapped shut. He walked unstabliy to the wash racks and cleaned the slick fluids from his thighs and aft. He went to rinse a smear of energon from his belly where Soundwave was bulging out, but was stopped when Soundwave suddenly kicked the music back to life at top volume. Megatron gasped and fell to his knees, overloading in his panels with a shout. His panels were open again as he was now laid on the floor of the wash racks, letting the cleaning solvent's high pressure barrage his node as more transfluid squirt from his valve and onto the wall. He wanted to lay in the wash racks all day and let Soundwave break overload after overload from him, but Soundwave wouldn't give him that. The music shut off after minutes, which was Megatron's cue to stand back up and wash off again.

The gladiator was now clean and his panels locked shut, keeping any more fluid stuck to pool again for later when his "water would break" and he would get the pleasure of his TIC tearing his valve apart again. For now, Megatron would proceed his day as usual. It was very fun for him to schedule meetings on days he planned dates with Soundwave. He welcomed the challenge of keeping his composure while Soundwave skillfully worked to take him apart in front of his loyal army.

This is so fucking good. I almost don't want to answer this because I wanna keep this to jerk off to forever.

You know I'm especially fond of the thought of Megatron always having to birth Soundwave back out... It'd be especially difficult once he's been shoved as deep as his gestation tank. It's especially hard because Soundwave just keeps making him overload, and the rippling of Megatron's valve sends him a couple inches back. Which just makes Megatron cum again. By the time Soundwave is out, Megatron is a drooling, trembling mess, truly no one has seen him in such a state except for Soundwave. His valve is gaping and bleeding, still squirting out little jets of lubricants all over Soundwave, and he feels so fucked out he could pass out right here, right now. But now it's time for him to reciprocate the favour. And then put Soundwave right back in <3

[rachelsquill]

Can I ask for ctechno my beloved. Give that guy a big plushie or smth because he deserves it

I think he would lean even further into the royalty aesthetic for halloween hes got an elaborate get up stored away 💥💥💥 Also hes hugging the 2 techno plushes i have bcuz why not hug ur own merch

[dayofaestheticorsubculture]

Vintage Toycore is a visual and emotional aesthetic that centers on the nostalgic appeal, cultural history, and sensory experience of toys primarily from the mid-20th century to the early 1990s. This aesthetic movement and niche interest reflects both a historical and sentimental fascination with toys from past decades, drawing heavily on childhood memory, early consumer culture, retro design motifs, and the psychological effects of nostalgia. Vintage Toycore is rooted in both the tangible collection of vintage toys and the intangible experience associated with them, such as visual style, media portrayals, packaging, marketing, and the broader sociocultural context in which these toys existed.

Vintage Toycore refers not only to the physical collection and appreciation of toys produced in earlier decades but also to an aesthetic that romanticizes their cultural and emotional value. The “core” suffix, borrowed from internet culture and visual classification systems (such as cottagecore or vaporwave), signifies that the focus is less on the object itself and more on the feelings, visuals, and atmosphere that those objects evoke. It is not merely a collecting hobby but also a subcultural aesthetic that permeates visual art, photography, fashion, interior design, and digital culture.

The aesthetic typically includes, but is not limited to, toys such as:

Plastic and tin wind-up toys

1950s–1980s dolls (e.g., Barbie, Chatty Cathy)

Action figures from the 1970s–1990s (e.g., G.I. Joe, Star Wars figures)

Wooden toys and puzzles

Vintage plush animals (e.g., Steiff, early Gund toys)

Fisher-Price Little People, Speak & Spell, and educational toys

80s and 90s battery-operated and electronic toys (e.g., Tamagotchi, Game Boy, Polly Pocket)

Board games and card games with retro design

Original packaging and promotional materials

The foundation of Vintage Toycore is inseparable from the post-World War II consumer boom and the golden age of industrial toy production. The late 1940s to the 1980s saw a transformation in toy manufacturing, driven by mass production, the rise of plastics, television advertising, and the globalization of children’s media.

1940s–1950s: The post-war era introduced affordable mass-market toys. Companies like Hasbro, Mattel, and Fisher-Price emerged or rose to prominence. Toys such as tin robots, wood-and-metal trains, and early plastic dolls became staples of childhood.

1960s–1970s: This period brought increased sophistication in toy design and marketing. Action figures such as G.I. Joe (1964) and Barbie’s continued evolution mirrored shifts in gender roles and social expectations. Educational toys and science-themed kits were also popular amid the Space Race.

1980s–1990s: Often viewed as a peak in toy culture, this era introduced highly merchandised toy lines tied to TV shows and films, such as Transformers, My Little Pony, Teenage Mutant Ninja Turtles, and He-Man. The rise of Japanese imports like Tamagotchi and early video games contributed to the broadening of what could be considered a "toy." Bright colors, molded plastics, and techno-optimism defined this era's toy design.

These decades now serve as the primary reservoir of inspiration and material for Vintage Toycore, which values the visual language and emotional resonance of these eras' toys.

The aesthetic of Vintage Toycore is defined by specific visual, auditory, and tactile markers, often evoking a synesthetic response that blends sight, memory, and emotion.

Vintage Toycore frequently uses:

Muted pastels and saturated primaries (especially in 1950s and 60s designs)

Neon and synthetic hues (typical of 1980s and early 90s toys)

Off-white plastic yellowing from age

Patterns reminiscent of early box art and branding

Plastic is a dominant medium—both shiny and matte—used in molded toys and packaging.

Tinplate and wood, more common in earlier toys, represent craftsmanship and durability.

Flocked materials, rubber, and early synthetic fibers are also common, especially in plush toys.

Typography often includes bubble letters, blocky sans-serifs, or hand-drawn fonts used in toy packaging and early advertisements. Box illustrations from pre-digital printing are prized for their charm and distinct style, often featuring optimistic, smiling cartoon children.

One of the defining features of Vintage Toycore is its strong relationship with nostalgia. The psychological term "reminiscence bump" explains why individuals remember and are emotionally attached to media from their early years. Vintage Toycore capitalizes on this effect by evoking feelings of safety, joy, innocence, and familiarity.

The aesthetic also intersects with concepts in developmental psychology, particularly object permanence, transitional objects, and the role of toys in early identity formation. For adults who embrace Vintage Toycore, the toys often serve as symbolic anchors to an idealized or emotionally resonant past.

Furthermore, the aesthetic is sometimes used in therapeutic or introspective contexts, such as memory work, inner child healing, or creative expression.

Vintage Toycore manifests in both physical and digital spaces. Key communities and expressions include:

Vintage Toycore thrives on platforms like Tumblr, Instagram, TikTok, and Pinterest, where users share curated photos of toy collections, aesthetic compositions, or nostalgic reflections. Hashtags like #vintagetoycore or #retrotuna categorize related content.

Vintage toys are frequently traded or displayed by collectors. Condition, packaging, rarity, and provenance are important. Some collectors focus on pristine, museum-quality toys, while others prioritize emotional or aesthetic value regardless of condition.

Photographers often stage vintage toys in elaborate dioramas or surreal scenes. Visual artists and illustrators incorporate toy motifs into pop-surrealist or retro-futurist compositions.

Some embrace Vintage Toycore through clothing styles inspired by 80s and 90s children's fashion, often mixing bright colors, playful patterns, and cartoon motifs. In interior design, the aesthetic appears in pastel-colored shelves, toy displays, and the use of retro furniture, evoking a child's playroom.

From a cultural studies perspective, Vintage Toycore sits at the intersection of consumer history, childhood studies, and design history. It reflects broader societal trends including:

The commodification of nostalgia in late capitalism

The infantilization of adult consumers and the rise of “kidult” culture

The aestheticization of memory and material culture

Eco-critical perspectives on plastic and permanence in consumer goods

Academic work on toys by scholars such as Gary Cross and Steven Mintz also contextualizes toys as windows into shifting cultural values around gender, technology, and the family.

Vintage Toycore overlaps with but is distinct from the following:

Kidcore: Focuses on bright, rainbow-colored designs and childlike motifs, often blending new and old. Less historically anchored.

Weirdcore/Dreamcore: May incorporate unsettling or surreal toy imagery but aims for liminality and disorientation rather than nostalgia.

Nostalgiacore: A broader term encompassing all nostalgia-themed aesthetics, including Vintage Toycore as a subset.

Cottagecore/Toylandcore: Occasionally overlaps in terms of vintage sensibility, but focuses more on natural or fairytale elements rather than mid-century consumer culture.

Some critics argue that Vintage Toycore, like other nostalgia-driven movements, risks sanitizing or idealizing the past. Issues include:

Cultural erasure: Emphasis on Western toy design can marginalize toys and childhood experiences from non-Western or marginalized communities.

Environmental critique: Many vintage toys are made from plastics and synthetic materials with long-lasting ecological impacts.

Consumerism: The aesthetic’s focus on collection and ownership can reinforce consumerist values under the guise of nostalgia.

Nonetheless, many within the community seek to balance appreciation with critical awareness, viewing the aesthetic as a way to re-contextualize past artifacts in more mindful and creative ways.

Vintage Toycore represents a deep and multifaceted engagement with the past—one that blends material culture, emotional memory, and artistic expression. It offers a lens through which to view not only the toys themselves but also the societies that created and cherished them. As both an aesthetic and cultural movement, it continues to evolve in conversation with technology, memory, and the timeless desire to revisit the magic of early play.

[talkingattumble]

Afro ken tags seem to not exist on tumblr but I’m adding as many as possible with this reblog in case someone who remembers him looks them up

Ok normally I don’t like adding a whole lot of tags to my post but I need EVERY Sanrio fan to see this because I feel like I’m going insane.

When I was little there was a Sanrio character I adored named Afro Ken. He was a brown dog with a rainbow Afro. There were variations of Afro Ken. There was also this cute little cartoon about him which included an interview with the guy who made him.

HOWEVER. I cant find ANYONES opinion on this damn dog. I know he exists because the cartoon is on YouTube, and people have old plushes/sticker sheets of him. But not only will Sanrio post nothing about Afro Ken, nobody I’ve talked to knew he existed and I can’t find anything talking about Afro Ken??? Does anyone remember Afro Ken? What were your thoughts on him? Did you like him? Pictures are included as a reference.

PLEASE I CENT BE THE ONLY ONE TO REMEMEBR THIS

Please like reblog this or something idk just ask people if they remember this dog especially if they’re Sanrio fans

Edit: so upon further research the company that made afro ken is a DIFFERENT company than Sanrio. I always thought San x was a shortened version of or at least a branch of Sanrio? Huh. They made rilakkuma too apparently. Well whatever still please state your thoughts or memories of this dog