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neopuppy · 9 months

Text

Shameless (M)

pairing. step-son Jeno x step-mom reader

genre. stepcest, infidelity, Jeno hates his dad, young trophy wife step-mom

wc. 10k

warnings. dubcon, profanity, exercise/body talk, Jeno has a thing for sweat, smut warnings under cut. minors DNI.

now playing. Shameless//Camila Cabello

smut warnings. masturbation, mommy kink, coercion, a lot of breast focus, reader has large breasts, oral, improper use of a cucumber.., raw fucking, noncon filming, wet messy etc..

“She’s a little too young, even for you.”

Jeno’s tongue drags along the backs of his teeth peering over his father’s shoulder for the last 10 minutes as he idly scrolled through various photos and short video clips. Most innocent enough, cute selfies showing off your pretty fanned out eyelashes, a new lip gloss shade, or just an adorable smile.

The videos his dad took time to watch made Jeno’s breath hitch, looping the few seconds of you showing off a new bikini for summer, filming yourself in the mirror and turning to show off a scandalous yet feminine pattern right above the indentation of bikini bottom scrunched between your pert buttcheeks.

“I work very hard, son, believe I deserve a pretty young thing.” He snickers, having noticed the youngers reflection on his phone screen a few minutes ago. “Something about this one..”

“Where’d you find her? Another sugar baby app you had to pay to join?” Jeno crosses his arms, glaring daggers into the back of his father’s head. Pathetic, working hard for what? To blow your funds on women who probably gag over your shoulder while you fuck them and lose your stamina after two minutes?

His father chuckles, swiping the social media app shut to open his messages. “You’re going to hate this but she approached me first.” With a proud smile he turns to face his son, showing off back and forth messaging between the two of you. Majority of the context is similar to how two cute shy teens would chat, nothing racy despite knowing his father’s likely buying time to pounce and unleash an arsenal of embarrassing boomer dick pics.

“You’re lying.”

Standing up, his father sneers, a smile hidden somewhere behind his resentful expression. “Believe it or not, your old man’s still got it. Now, if you don’t mind— I have a date with your soon-to-be step-mom.” He winks, purposefully bumping roughly into his son’s shoulder on his way out of the living room; leaving Jeno standing there rubbing at the spot mindlessly, jaw tight as he recounts your username to conduct his own investigation.

His first summer home in years and this is what his asshole father wants to pull? Jeno grimaces, plopping down on the couch to commence his search and find your other social media platforms.

“Twenty-fucking-two? He’s out of his mind.” Muttering to himself, he quickly taps in and out of various videos. The fact that you follow dance trends is enough to make his eyes roll, concentrating harder than he should have to on your face and the quirky silly wide eyes you make at the camera instead of the obscene way your breasts bounce freely beneath a much too tight and thin crop top, braless. Of course.

Jeno bets you did approach his dad first, he can picture it now. A sweet little helpless thing miraculously bumping into him at Whole Foods or some other ridiculously overpriced grocery store, batting your big doe eyes irresistibly after calculating the worth of the ludicrous gold Rolex adorning his wrist. No doubt adding the sum of his Gucci loafers and Dior sunnies; undoubtedly pushed up into his salt and pepper hair as he read over the nutritional information of a new all-natural all-organic sugar free gluten free energy drink.

You probably struck up conversation from there, perched yourself on his dad’s arm striking up flirtatious charm about the product in his hands, just to lean in closer and smash your ample chest against his arm.

Jeno clicks his phone shut frustrated, balling his fist open and shut to watch the blood flow down and redden his skin.

It infuriates him how easily his father continues to win, after the divorce his view of the man he once admired could never be repaired. What he once respected and admired all came crumbling down as his mother broke down crying in his arms after years of pretending to act dumb and not notice late evenings at the office, extended company trips, or the stains of lipstick shades she’d never wear and remnants of musky oud that simply never complimented her skin.

Jeno rests his eyes, ignoring the itching ache in his chest. What could he do anyway? What did his dad have to lose that money couldn’t buy him a new and better version of.

A house? A car? More designer brands and jewelry to mark his status in the upper class?

It only took a month, one fucking month, and the answer became clear as his dad lifted you up by your trim waist hidden under ugly burly veiny paws. The smile across his face so arrogant and cocky, hoisting his young little play thing up in the pool just to watch your beautiful round chest bounce in his face beneath triangles of material hardly containing you.

Jeno can’t deny he gets something out of it too, something he stores away for later along with the cheerful sweet moaned giggles you let out after splashing his father’s face with water and demanding in the most helpless submissive tone to be put down. Bet his dad loves that, in fact, he knows he does. It didn’t even take a full two weeks before you moved in with a fat diamond rock on your ring finger. The sight of it nearly blinded him when it caught the glare of light.

Jeno knows he can’t keep up with his father’s wealth, not yet. Material things aren’t his strength either, but as he jerks off into his palm by his bedroom window facing the backyard where you’ve taken to performing your morning pilates, his eyes concentrate on your insane flexibility. The tip of your head near your feet keeping your taut ass up for him to salivate over, and now he knows one thing for sure.

He needs to fuck his step-mom.

Jeno’s usually a morning person, but leave it to his father to ruin that for him.

“Kiss kiss.”

Disgusting.

Heavily wrinkled lips pout in your face, his dad slithered around your waist from behind as you finished packing your new husband's lunch. Really, it’s repulsive to watch unfold every morning. The only perk being the smile you beam Jeno’s way with your much too chipper and excited ‘Good Morning!’ As you skip to the fridge to pour some of your lemon water into a glass, breasts all round and taunting from where he sits; nipples always hard, piercing through your collection of various nighties and tank tops.

“Anything for breakfast? I can whip up some pancakes real quick if you want.”

Jeno tries to hide his grin, as much as he wishes to act like a brat— he can’t. The thing is, you’re lovely in every sense of the word. Too lovely, doting, and appealing, never once causing him annoyance.

He wants to scoff, demand you whip up the most delicious fluffiest pancakes, take your top off and throw the batter down your bare chest before laughing in your face to clean it up; lifting up one breasts at a time with fat wads of tears in your eyes as you plead for him to stop— stop being mean, stop smearing more of the mess he’s caused you to make across your lips.

“Nothing for me.” Jeno motions to the protein shake resting in his grip. “I’m trying to lean out.”

“Lean out?” Your smiles too soft, lifting to one side with surprise. “I can’t imagine you have anything but muscle left, when's the last time you had your body fat measured?”

“Ah, you don’t know because you haven’t seen me shirtless, yet.” Jeno says, more as an invitation to get a rise out of you, having to swallow back a sigh at your lack of response; not even a hint of interest. “Need to slim down my waist a bit to really achieve the shape I want.”

“Well if you ask me..” Jeno waits, appreciating how lightly you float around the kitchen to gather your fruits and toppings to decorate your yogurt bowl with. “You look really fit, your waist is practically non-existent.”

“How much do you weigh?” He asks abruptly, evidently throwing you off by the way your gaze widens in shock and a stutter passes between your lips, quickly averting your attention back to the half chopped strawberry in front of you.

“Wha— uhm..”

“Sorry, that was rude.” Jeno smiles, awkwardly scratching his nape. “I was wondering if it’s less than what I can press.”

A dazed gleam coats your iris, staring back dumbfounded by the image of your step-son working his hips up with crossed eyebrows, using all the force and strength of his muscle mass to lift.

“How much can you do?” You ask, clearing your throat and refocusing on your breakfast. The question more to keep up with the conversation before you run off to hide in your bedroom.

Jeno lets out a breathy laugh. “I shouldn’t have asked, don’t know what I was thinking.” Pushing up from the kitchen island to stand, he pauses before making his way to exit; having taken to a grueling AM workout after downing his shakes. “I can definitely press double, if not more than what you weigh.”

He doesn’t miss the way your hands come to a halt, gripping around the knife in your hold, eyes silently falling shut with a deep breath.

“You should come join me some time, bet I can lift you easily.”

Jeno’s grateful at least that his father has no choice but to work morning to evening five days a week to earn the lavish lifestyle he’s achieved. He’s thankful because you love to perform your afternoon stretches in the backyard, the landscape his bedroom window coincidentally faces.

“So flexible.” He mumbles to himself, forehead resting against the window frame where he stands with his hand buried inside of his boxers, mindlessly thumbing at the slit of his cock for a hint of relief. Your mid-day sessions only last about over an hour, depending on how far you want to push yourself.

Sure, the splits always made his balls tighten up, having to slow down the pace and pull at his length, circling the base to quell the sudden urge to throw you up and down on his cock fully spread out.

But really, the extended puppy pose takes him over the edge every time.

Jerking off from his bedroom window has become unsatisfactory, the best part is really after when you walk in with your smile high off endorphins, gently patting the sweat that’s accumulated on your gorgeous décolleté.

“Oh Jeno, I thought you’d gone out.”

He hums, following your movements around the kitchen to replenish your hydration, noting the beads of sweat continuously rolling down between the dip in your back. His teeth bite down on the tip of his tongue, tempted to shove you up against the fridge and lick them all clean before falling to his knees to suck the dark patch between your thighs.

“Good workout?” Jeno never tries to hide that he’s checking you out, he makes it obvious everyday. “Looks like you really worked up a sweat.”

“Oh yeah, it’s so hot outside.” The lack of eye contact you’re able to maintain indicates discomfort, judging by the way you try to clean off your stomach and arms.

“My dad has a thing about sweat, right?” Jeno offhandedly mentions, not missing the awkward twitch in your cheek to hide a grimace. “That’s why you’re always so clean by the time he gets home? The water bill has to be through the roof with how often he has you doing laundry.. not that he cares.”

“I suppose his nose is a bit sensitive.”

“He always complained about how my mom smelled, her hair after a day of not washing, the smell of the dinner she cooked him on her hands still.” He continues, enjoying your lack of reply. “He’s picky about a lot of things, I’m sure you know what I mean.”

A fake smile shuts down the conversation, nodding toward the staircase. “It’s time for my shower.”

Jeno nods, shamelessly eyeing the stains of wetness under your large breasts, pushed together even tighter by the binding sports bra meant to keep you held in place through vigorous activity. “Wouldn’t want daddy to get mad now, would we?”

A wash of embarrassment has you scurrying away from your step-son quickly, leaving behind the small towel drenched in your sweat that immediately catches his attention.

Jeno definitely inherited the same sensitive sense of smell from his father, but unlike the old man he’d become more addicted to the different places his nose had led him to. A smirk lifts his lips, tucking the towel up above his mouth to deeply inhale. It’s mind-numbing how delectable you smell, he even sucks on the remnants of damp that hasn’t fully evaporated, quietly mewling within his chest.

The telltale sound of the upstairs shower from his father’s bedroom tears him from slipping into euphoric madness, cock already half-erect as he trudges up the stairs and finds himself tip-toeing into your bedroom, the bathroom door only softly creaking as he makes space to peer through. The daily routine of watching you scrub down every inch of skin, so smooth, hairless, meticulously shaving clean each short hint of stuble. His father must be real demanding of how his little stay at home house-wife should present herself, of course.

Bunching the nearly dried towel inside of his briefs, Jeno groans between clenched lips, rubbing the cotton fabric up and down his length, his heart rate pumping up to a high-speed when you lift a leg to reach deep between your thighs and leave the fleshy area hidden there completely bald.

That will change once he manages to infiltrate, he’ll make you change for him.

“You should go out son, I don’t want you hanging around the house.” Jeno’s dad doesn’t even bother to mask his disdain, shoving a wad of cash at his chest. “Scram.”

That would be too easy, it’s not as if his friends haven’t been blowing up his phone about some party tonight. He’ll plan to leave later and miss the sound of his father’s pig-like moaning squeals when he takes five minutes to fuck you. For now, his ass isn’t moving from one of the pool chairs, opting for the more shaded area under a large canopy to watch from.

Why would he want to miss out on the display you put on for his old man, stepping out in a tight little two piece bikini that does nothing to cover any of your curves. Jeno’s cock twitches as you slowly step out of your robe and his dad whistles making grabby hands at you to enter the pool. “Jump in, baby doll.”

Sick. God he hates hearing that old worn voice order your around. He hates how you giggle and enter from the steps, giving him a half-assed jump only for your breasts to lift up under your chin before the water immerses your perfect body, lifting back out pouring cascades of wet down your shoulders and arms before his dad snatches you up by the waist. “That’s my girl.”

Ten. Nine. Eight. Seven. Six. Five—

Jeno takes a deep breath through his nose, an irritating pinch forming between his eyebrows the more you indulge his father, dawning the smile only reserved for your husband: hugging him close between your mounds of breasts as he releases a deep moan and licks up your neck.

His stomach churns the longer he watches, shoving himself to stand and move to the jacuzzi where he can’t help but to still watch from, ignoring the daggers his father’s eyes shoot at him on his way in. He won’t dare enter the pool while the two of you canoodle in there, preferring to stay clueless as to what your lower halves could be up to, the sight of his dad’s thick ugly hands cupping your breasts from is behind already enough to make him gag.. maybe if not for the shocked moan you let out, wrapping around his wrists shyly. “Babe.. we’re not alone.”

You whisper, but Jeno traces the words from your lips, ducking lower into the jacuzzi until one of the jets rumbles against his stomach, chin grazing under the hot water.

“Ignore him.” His dad could give two fucks, squeezing under your chest with more firmness, pushing them together creating a long dip of cleavage.

Jeno can see the lack of comfort in your hidden gaze, keeping your eyelids lowered with a demure embarrassed smile, saving face only for your husband's pleasure. He knows if you couldn’t sense another pair of eyes on you, you’d be your usual bubbly coquettish self, flouncing around burying his dad’s face in your chest, giggling all loud and cute.

The thrill of watching your discomfort escalate makes his cock kick up, lowering down onto his knees for only his eyes to peer over the jacuzzi’s ledge, noticing the way your gaze skirts by quickly to not give him enough acknowledgment to feel seen, but to stay aware of just how much your step-son can see. It’s easy from the angle to remove his father’s existence behind you, especially when he shifts closer to the ledge and one of the jets blasts right against his groin.

A shiver runs up his chest, biting down on his bottom lip as he stays transfixed on your flimsily covered breasts abused and bounced around. He has to hold back a curse when he finally unties his swim trunks, tugging free his length right in front of the burst of bubbled water. The pressure pushing out of the jet breaks against his slit, choking down a groan when your gaze finally meets his, mouth tense and ashamed.

He can’t keep a smile off his face, tugging harder at himself as your forehead wrinkles together, breathily arched up by the force pushing your breasts up and down against the splash of blue chlorine water.

The water around him boils against his skin even hotter, short of breath under the heat, short of breath from the image of your lips parting open. Jeno imagines you can bend your neck forward and wrap around his girth passing between your tits, it wouldn't be hard to reach anyway. Jerking up, he pushes against the jet hole, cock instantly engulfed by an intense amount of pressure blowing out against him. The push and pull only causes his stomach to clench, sink in and hollow out his middle-section.

You were doing a better job at ignoring him before, unable to stop for seconds now to watch your step-son’s facial features contort together… he can’t, he wouldn’t..

Nostrils flare, shoulders hidden under the bubbly foam around him, jerking mindlessly into the jet. It’s like breaking a dam over and over again, the pressure of release spilling out against his thick size, the only thing missing being your convulsing slick warmth squeezing and fighting to push him free as he thrusts in harder, fucking you full beyond capacity you can handle.

Jeno could care less about the predicament he’s landed in here, stroking his cock without control like some wild animal, succumbing to his desires and needs to bend you into all kinds of positions. He knows he can too after weeks of watching you move your body bonelessly, get you twisted up like a pretzel, face down ass up, legs behind your head full-nelson you flat on your back with his dick full slotted inside, grinding down just to watch you fail to squirm away. He’d leave you with no room to move, let alone breathe, fat tits pushed up under your chin, jiggling up and down and up and down with each thrust.

“Fuck.” He’s close now, tongue lolling out at the gasp that hitches in your throat. Siren-like eyes glazed over from the constant manipulation your breasts have been put through. What a fucking pervert, watching you struggle to collect yourself and maintain your etiquette.

Does his dad even savor the way every inch of your body tastes? Does he suck on your tits until your nipples pebble up rock hard and dig into the roof of his mouth? Jeno never see’s a mark on you, no… daddy doesn’t play rough with his toys, does he.

Jeno would though, fuck he’d have you screaming to the high heavens. He can’t hide the bob of his head the closer he reaches, catching your fully widened eyes stuck on him, and your bikini top finally coming undone after minutes of tugging and kneading.

Hands too large to be yours come up just a second too late to cover over your exposed nipples allowing Jeno the chance to see how swollen and pert and big they’ve gotten, probably prodding at his dad’s hideous rough palms.

The wet bounce of fat under his control has him emptying out into the jet, most of his release blown away from the powerful stream mixing in with the rest of the ramped jacuzzi water.

He has to calm himself, overheated from the drop back down to reality, overheated from the sun burning down onto the already steamy hot tub of water. Taking his time, he’s lazy to exit, patting off his reddened chest and stinging skin to a somewhat dry finish. The heat hardly subsides with eyes on him, specifically yours..

“I said scram you damn brat.”

His father’s shrill tone gives him an excuse to glance over, most of your frame hidden by his wide back stretched around you to hug you against the pool wall for discretion to tie your top back up.

“Yeah yeah, don’t wait up for me.” Not that he would, Jeno didn’t really mean that for his father anyway. The lingering gaze grazing down his body taking in every crevice and dip of bare naked muscle though, part of him hopes that you will wait up. He means it though, even with one more glance your direction before heading inside, finding your eyes for only a millisecond.

Don’t wait up mommy, I’ll be too busy fucking any hole presented to me, maybe even multiple. Anything to curb the incessant growing need to get you alone, slam you down and fuck you until you’re ripping that ring off your finger.

Jeno has to admit, he’s impressed by how long you’ve held it together, managed to keep up your composure around him despite his best efforts to make you start to crack.

Soon. Real soon.

“You’re around the house way too much, either get a job or get out.” Jeno’s father barged into his bedroom after that little pool escapade. Throwing pamphlets for schools across the country at his face. “I put enough money in your bank account, it’s time for you to quit fucking around and make something of yourself.

Jeno knows deep down inside his father’s ulterior motivation came from an all too pretty adorable wife, evidently unhappy with the way his son has decided to forgo his gym membership in favor of walking around shirtless dripping in sweat after using the home equipment.

He couldn’t put up much of an argument with the old man. It’s not entirely your fault he found his ass on a train 7 hours away the next week, just in time for a new semester.

Sure, it’s not entirely your fault, he can’t put all of that insecure assholes blame on you.

But it is your fault, and that long silent train ride gave him all the time to ponder, reflect, plot, devise the next step. Work harder, fuck more, leave you with no choice but to wipe the drool from your chin at the mere sight of your step-son.

If only it could be that easy. He really can’t stand how reluctant you are to trip and fall, landing right into the palm of his hands breasts first. Can’t stand the way you still parade around town proudly introducing yourself as the Mrs. Lee. The side-eyes and whispers never affect you, too happy to give a damn with each guiltless swipe of your husband’s black American Express.

God, he can’t stand it. He can’t stand you.

Jeno really can’t stand his step-mom.

Not because you’re awful or even a bitch, no.. in fact, you’re perfect. Too perfect for his nasty cheater asshole father who could care less for his mother, now ex-wife.

“Ah Jeno, it’s so nice to have you home again.” Your sweet cheerful voice interrupts his fuming thoughts, the back of his head instantly relaxing in the mound of your breasts as you circle his neck and lean down to hug him. “You hungry? I stocked up on all of your favorites.”

Nuzzling back into your warm embrace, he sighs, eyes drifting shut to inhale the notes of peach and cucumber wafting from your freshly cleansed skin. Supple soft radiant skin he knows you spend meticulous hours of the day exfoliating, lotioning, massaging with oil only for your useless husband to rub his old disgusting rough hands upon.

“Missed cooking for me?” He mumbles, shifting to bury his nose in the column of your throat to fully immerse himself in your savory scent.

“Look how skinny you’ve come back, that school not feeding you properly or something?” You reprimand, patting over his flat stomach lightly. “I have to make sure to keep you full for the next couple of weeks before your break ends.”

Nudging the top of his head with your chin, you continue into the kitchen, still in your silky pajama set. Something short, hardly covering your abundant chest, dad wouldn’t have his young little trophy wife any other way, always ready for the taking.

Jeno can only imagine how many mornings his father has snuck up on you making breakfast, bending you over to fill you up before heading to work. Fucking bastard doesn’t deserve to even touch you, let alone any of those fake moans you must practice to please him.

“Are you worried about me?” Jeno’s chair scratches across the kitchen tile, slowly lifting up to get a better look at your buttcheeks squeezed by your panties, innocently bent over in search of a pan. “Maybe the school cafeteria doesn’t serve anything that satisfies my hunger.”

“I’ll fix that,” too distracted on your hunt for the right spices and oils, you fail to notice how close Jeno’s gotten, hovering behind you with a smirk as your robe slips from your shoulder. “You’re the one who wanted to go to school so far away. You could be eating my home cooking everyday if you’d just stayed local.”

“…is that so?” A grin teases at his lips, halting your hand from adjusting your robe to push it down left to fall at your feet.

A shiver runs up your spine sensing his breath fanning across your shoulder, palms smoothing down your waist to your hips. “Jeno?”

“I’m hungry, mommy.”

“Jeno? Wha—“ your hips stay locked in place, shoved against the kitchen counter by the stronger ones behind you knocking forward to trap you.

“I missed you too, mommy.” Shoving his hips forward, Jeno’s girth slots between your flimsily covered ass, rutting quickly to lodge between and create delicious friction against his cock. “You know what I really missed?”

“Je-Jeno.. what are you..”

“Last summer when you moved in, every different ridiculously tiny bikini you wore around the pool. Your fat tits barely contained, just how dad likes it huh? I guess we have that in common.” Keeping you held against the counter with his hips grinding in circles against your ass, hands find a way to your shoulders, swiftly dropping down the straps of your nightgown leaving your breast to bounce out freely. The morning crisp air circulating around the house breezes past your nipples, hardening the buds instantaneously.

“Sweetie, this.. this isn’t right, your dad—“

“Is an asshole.” Jeno bites, cupping your breasts that overflow in his hold, the fat squeezing between his digits pushing out a low groan from deep within his chest. “Fucking decrepit dickhead, bet he can’t even get hard from this alone? I’ve seen that erectile dysfunction prescription.. can’t even take care of you and fuck you right can he, mommy?”

To emphasize his point, Jeno’s hips swerve, fucking forward vigorously for the thick shape of his rod to slam between your panty covered behind, night gown bunched up over your hips from his incessant humping. “Can’t tell me a pretty young thing like you doesn’t miss it, hours and hours of getting the life fucked out of you.”

The kneading and massaging at your chest accompanied with your step-sons evidently large size has you panting, hands gripping the kitchen counter for some relief. Shaking your head, you try to ignore the way your hips rut back to find his, biting back a moan from escaping. “Jeno, please.. sweetie, d-don’t—your dad..”

A rough slap under your breast silences you, the fat rippling under Jeno’s strength as he delivers another slap, working in succession to bounce and smack each with his chin perched over your shoulder rambling on and on about how good you look like this. Perfectly pliant, needy, face full of ecstasy all thanks to your step-son.

“Dad has great taste, I’ll give the old fuck that.” Jeno snickers, teeth digging into the vein lining the side of your throat. “Had me hard as a rock fucking into my fist all summer, tried to get over you by filling up any hole.. couldn’t get your pretty body off my mind.”

“Jeno, baby.. w-we can’t. Your dad, he’ll.. he’ll kill you.”

Breath staggers against your neck at the term of endearment, hips fucking against you in earnest. “You think I fucking care about him? What about you? What about this mess you’ve made mommy? How can you do this to me? Tempt me all the time with these perfect fucking tits and expect me to leave you alone now?”

“I’m sorry, I’m s-sorry Jeno.. I didn’t—“

“Baby, I’m your baby.” Jeno pinches your nipples roughly, pulling and slapping forcing a loud echo of skin on skin to barrel across the kitchen. Jackhammering his hips faster against your ass. “Tell me to stop, don’t fucking tell me what dad wants. You tell me to stop.”

“B-baby… I-I…” a sad pathetic cry sounds, dropping forward loosely as your thighs tremble erratically, held up only the rough grip on your chest undoubtedly leaving behind marks of nails and bruising.

“Must be true.” Jeno grunts, shoving your underwear down. “Like father, like son.”

“Jeno, please, you can’t do this!” It’s harder now to fight him off, roughly taken by your chest, fondled like some little doll only there to pleasure him. “If—if he finds out—“

“Don’t worry about that senial bastard, he wouldn’t be able to read a sign even if it was spelled out for him.” Your step-son doesn’t relent, fucking against your panties roughly until the his stiffed up cock shoves the material between your ass. “You’re so wet for me, you feel that? Feel me?”

Jeno thrusts forward angling his size right between your poorly clenched thighs, ass bouncing back against his pelvic bone. “Think you can handle that? Too big for you mommy?” He reaches down to whip out his cock, expertly dragging his fully hard length out to slot against your soaked covered core. The contact makes his eyes roll up, long eyelashes fluttering rapidly impairing his vision for a minute as his size drags against the wet shape of your cunt.

“Oh fuck fuck.” Jeno refuses to cum like this, even if his stomach muscles contort and suck in viciously. He swallows down a hissed breath, jerking back to fuck against your drenched panties in earnest.

“J-Jeno.. please!”

“You want it, huh? Wanna get fucked by a big fat cock finally?” Jeno bites back a laugh, mostly a groan as the tip of his cock ruts against your clit. “Daddy can’t fuck you the way you need, can’t get you off. When’s the last time you had a real orgasm? Not that whiny shit you fake for him.”

Inner-turmoil loses to your arousal, forced to slide up and down what feels like a forearm between your thighs. Your good sense dissipates the more your cunt spreads around the girth pushing between your folds, aching to feel each pulsating vein lining your step-son’s length drag against your wet slick pussy.

“I’m… fuck Jeno..” between gasps and choked back moans, you weakly give him a thrusts back, faintly meeting his motion to rut against your clit and create a mind-numbing friction.

One of his palms lands against your ass like a crack of a whip, sending your chest to collide forward and press against the cool marble of the kitchen counter. “What did you call me?”

Gathering your underwear, Jeno pulls the material aside, sucking spit away that's gathered around his thirsty tongue upon seeing your cunt so ready to be wrecked and fucked. “Look at that tight hole, like a virgin. No way daddy’s fucking you right.”

You’re grateful that your brain hasn’t fully failed you yet, even with your step-son’s thick palms spreading your ass open continuing to spew nonsense out about the appearance of your perfect pussy. God knows you’d beg and confess how badly you need to cum— cum around your husband's son’s monster sized cock. “How am I going to fit in there mommy? I’m way too big for you.”

Jeno sounds sadistic, hawking out spit that lands and drips down to your entrance. “Should I be nice and prep you?” He laughs, a fake laugh, a mocking teasing laugh. “That would be too nice of me, wouldn’t it?”

He leans over your back, reaching for the basket of fruits and vegetables just past your head. “Should I be nice?”

Long fingers wrap around one of the cucumbers half hanging out of the basket, dragging the vegetable down to smack against your cheek. The solid food slaps your skin heavy and rough, making your step-son smile wide, highly pleased by the shame wrinkling your forehead together. “Mommy’s always so nice to me, always takes care of me so well.” Jeno taunts, leaning back and tapping the vegetable down your spine to run between your buttcheeks.

“I shouldn’t be too mean..” the thick tip of the cucumber meets your entrance, cold against your heated core making your hips shiver forward to get away.

“Baby..”

“Yeah, that’s right.” He presses in, cursing between gritted teeth as he watches you stretch open around the vegetable. It’s big, even then no competition for how wide the tip of his dick is alone. “Opening up so so pretty for me, mommy.”

He fucks the cucumber inside of you just half-way, sending your toes to arch up from the floor and scramble to grab at the kitchen counter; threatening to cut open your bottom lip with how hard you bite down to keep in a moan. The whole situation makes you feel dirty, disgusting, ashamed that you couldn’t stop him. That deep down inside you know you’d never stop him, you want it too much. Form the day you noticed your step-son watching you stretch from his bedroom window, to the time you caught a glimpse of him by the bathroom door as you scrubbed down and rinsed your naked body clean. You’ve always wanted him to make a move.

Maybe you’d been dreaming of this moment all along, adding your ingredients to the pot everyday until everything boiled over and spilled past the rim.

“So fucking nasty mommy.” Jeno keeps mumbling, thrusting the vegetable in and out of you, enthralled by the way it comes out stickier, coated with a thick layer of sheen. The wet dripping out past your cunt with each fill, spilling down your inner thighs to the kitchen floor like some whore that needs to be fucked and bred everyday. “Taking it so good, you’ll take me even better.”

His throbbing length slaps against your hip with each push and pull against your insides, hissing and groaning behind you the closer he reaches to stumbling over the edge. “You want that mommy? Want me to fuck you so good, make you forget about that huge rock weighing down your finger.”

Jeno doesn’t let you answer, not noticing the way you curl your hand into a fist to tuck away your wedding ring before discarding the cucumber as he rips you off the counter to shove you down to your knees.

“Fuck.” Gripping around his length he strokes quickly, reaching down to pull on one of your nipples and watch the fat perky mound jiggle under his ministrations.

“Gonna cum all over your perfect tits, push them together for me mommy.” Jeno slaps your breast impatiently, balls tight and tensed up between his thighs doing his best to stave off his orgasm from barreling out.

Eyes filled with big watery tears gaze up in a daze, cupping your substantial fat tits together making the perfect little pocket pussy for his cock to slide between. “Oh fuckkk.”

Jeno’s neck drops forward, slamming up between your squished breasts. Teeth grinding together to stop himself from screaming at the visual of your heavy perfect tits bouncing around his size, the tip of his length nearly hitting under your chin with each thrusts up against your chest. “So good mommy, so fucking good!”

Jeno reaches for your jaw, squeezing in roughly and smacking your cheek to pop open your lips. “Just like that, so fucking hot.” It’s everything he’s dreamt about. Nights stuck inside of his dorm room looking up milf porn, step-son breeding step-mom, juicy breasts bouncing on his computer screen that could never compare to how good this feels.

“Fuck, I’m gonna cum.” He cries out, thrusting against your chest harder, forcing the weight of your breasts up and back down into your palms, bouncing deliciously. Slapping your cheek again, digits dig into your cheeks and drop a wad of spit in. Pleased from his high up angle as you stay open and let him watch it glide down to the back of your throat. “Fuck fuck fuck!”

Jeno tugs away, cock slapping down on your parted lips before reaching for the tip to squeeze around and release into your mouth. “Swallow all of it.” He moans out, circling your throat with his other hand to feel himself slide down. “That’s it, so good for me mommy.”

The smug smile he gives you before hoisting you up to sit on the table you share meals with your husband at lets you know this is far from over. “Don’t be rude mommy.” Jeno pouts, pushing space for himself between your thighs. Soft palms stroke up and down almost like a warning. “Say thank you.”

He smirks, sinking down to bury between your thighs and proceed to use his tongue in ways your husband never has.

“Dinner looks great!” Your poor unsuspecting husband sits down right where his son had his meal with you mere hours ago(one that had your back split up in an arch and your eyes meeting the back of your skull), hands clasped together before the plate you serve him.

“Now now,” Jeno chimes in, moving to stand from the dinner table to grab a bowl from the fridge. “I see no greens on that plate, didn’t your doctor warn you about that high cholesterol?”

Your husband eyes his son suspiciously, too focused on the little brat to see the sheer panic running over your face behind his side. “I found this new cucumber salad recipe, I think you’ll really like it dad.”

He smiles, an endearing sweet genuine smile, a smile that could easily make you forget what type of evil menace you’re really dealing with here. “Here, try it out.”

To your absolute horror, Jeno sets down a bowl of seasoned, finely chopped, and wet cucumber before his father, nodding eagerly.

“You put poison in this or something?” He grumbles, stabbing at the slices before shoving a batch into his mouth and chomping with a pleased hum. “Not bad, not bad at all. What’s that flavor?”

His son grins wide, eyes large and full of mirth.

“I knew you’d like it, got a kick to it right?” He blinks up to meet your mortified gaze, biting down on your fingernails as your mind shouts frantically- he wouldn’t!.. he would!.. no, no, HE WOULDN’T.

As if he can read your thoughts, Jeno winks at you, clapping his father on the shoulder. “I guess we have the same taste, daddy.”

“Don’t dare bother to throw any parties while I’m gone.” Jeno’s father glares at him, pointer finger digging between his chest. “No funny business you hear me? You need to show your step-mom some respect.”

Jeno has a hard time hiding a smug smirk, having to bite down on the insides of his cheeks to contain himself. “Oh dad, trust me, I will show her nothing but the utmost respect. You have nothing to worry about.”

His father squints, skepticism crossing his wrinkled features as he takes in his son’s face once more before heading out to bid you a long goodbye filled with lingering wet kisses.

“Right. You know what? These vacation breaks from school really seem unnecessary. Why can’t you be normal and go on trips to different party cities like the rest of the guys your age?” He scoffs, waving him off flippantly, not even a hug? Jeno clutches his chest dramatically, following after to watch the two of you say your goodbyes from the top of the staircase.

“If he bothers you..” Thick calloused fingers hold your chin delicately, nothing like the nimble boney ones that dug into your face just a few days ago and forced your mouth open to spit past your tongue. Jeno doesn’t really care to tune in, more amused than anything by the little act you keep up. Such a cute young sweet house-wife, more dolled up than your usual for a morning session of pilates. The extra effort put into your appearance no doubt for his father’s benefit, a pretty vision for him to leave behind. It’s not as if the 2 minutes it took for him to fuck you this morning wasn’t enough for the old man.

Jeno hums to himself, catching your line of sight before you follow after his dad to say bye from the driveway as he enters his ride to the airport. Maybe that’s fear in your eye, but excitement builds up his chest nonetheless; you’ll have no arms to run to now. Nowhere to hide that he won’t be able to find you, no asshole of a father to whisk you away from him. At least not for the next foreseeable 24 hours.

That’s why he goes back to bed, his father rudely awoke him this morning with a loud cursed groan after climaxing out of breath and falling onto your bed with a loud thud. He’s surprised the old man hasn’t keeled over and died yet trying to get his rocks off with you. Jeno sighs thinking about the past few days as he lays back down and buries his face into his pillow, you really have been doing a great job of avoiding him.

That doesn’t mean he misses the silent glances and hesitant looks, or the stiffness in your spine whenever he so much as passes by. No, he notices everything you do, even how you’ve been locking your bedroom door when taking showers now. It’s cute really, a game more than anything now as he rests his eyes and hums, imagining you’ve come back inside and surveillanced the downstairs area for your big scary step-son, probably sighing in relief that he’s left you alone. For now.

He’ll let you get your lovely perfect morning routine on, build up a nice sweat that gets your heart racing, high off endorphins from stretching and straining your muscles with various exercises. He’d prefer it that way really, and judging from the time— soon, soon you’ll be on your way to the kitchen to refresh with a nice chill glass of electrolytes. What a pleasant easy life his father has granted you, all you have to grant him in return is your body. It’s no wonder you work daily to keep up appearances for the old man.

Jeno’s mother had never cared much to fulfill his father’s porngraphic ideals of how women should look and act, but you, ah he really struck gold with you. He can’t deny that if he had found you first, he would have ate you alive.

“Oh.”

Your step-son’s not surprised to see you exit the newly renovated makeshift room filled with gym equipment(that used to be for his gaming consoles), gently patting your sweat glistened skin off as the door opens and unveils him standing there across from you expectantly.

“Figured you wouldn’t want me to share such a small space with you.” Jeno says, making no effort to disguise his gaze, dragging down from your chest to your hips and stopping between your thighs to moisten his lips. “All sweaty, out of breath, making sounds that could read as inappropriate..”

Tight-lipped, you nod and ignore him before stepping out and motioning inside the gym room. “All yours.”

“Everything?”

Jeno’s arm launches forward before you can take another step, pausing you dead in your tracks against the hallway wall, a less than innocent grin stares back at you. He cocks an eyebrow, following the beads of sweat raining down your forehead at faster speed the closer he inches forward until you’re pressed up against the wall with little room to free yourself.

“You thought I’d make this easy, didn’t you?” He huffs through his nose, bending at his neck to perch his nostrils right above your throat and swallow down the fresh scent of your hard work. “Burned up a real good sweat for daddy?”

“Jeno, can we talk first at least?” You squirm, leaning back as much as you can with feet flat to the ground in an attempt to slither down the wall inconspicuously. “I don’t want your dad to suspect anything, what happened the other day..”

“When you came around my tongue and begged me to fuck you?” He interrupts, pressing his forehead forward to hold yours in place, voice gruff and deep. “Or when daddy enjoyed his meal? Were you scared mommy? Don’t worry, I won’t let him do anything to you.”

“That’s not it, I’m married to your father!” You smack his chest to push yourself free, digging your palms into his muscular pecs without much budge. The contact only riles him up more, releasing a growl and bumping his nose closer to yours. “Please! Jeno, I’m all sweaty and disgusting. Let me take a shower first at least.”

“Why would I let you do that? And ruin all of this for me?” This being the sweat Jeno proceeds to lick from the divet between your collarbone, slurping his way down to your ample breasts squeezed snuggly inside of a tight sports bra. “Fuck, you taste so fucking good.”

Hearing his praise only makes you squeamish, struggling more to shove him away and break free from his biceps bracketed around you. “Please, I smell! Don’t be gross!”

It’s laughable to even ask this of your step-son, especially after having to sit and watch your husband munch away on a phallic shaped vegetable that his son had just used to get you off with.

“I’m gonna need you to shut up mommy,” Jeno scoops the soaked fabric of your bra under your breasts, pushed up higher forming two round mounds perfect for sucking on. “Nothing gross about you, or this.” Teeth bury into the perky fat of your chests, sucking roughly, rough enough to hurt but not leave marks behind.

Jeno can’t stop his hips from rutting forward, grinding his aching thickening cock against your stomach. His basketball shorts don’t do much to conceal how hard he is already, having chubbed up in his room from the thought alone of what he planned to do to you today. He has enough respect for you to leave no signs of bruising behind on your chest, but that doesn’t mean he cares when you cry out to stop again and pull away with your weak nails scratching at the wall.

“You really want me to stop?” He asks, cock dragging up and down from between your pelvis to just above your navel. “Tell me the truth mommy, I know he can’t fuck you the way I can. Know you’re desperate for it, want your sweet little step-son to hang you off his fat 9 inch cock? Come on mommy.” Jeno’s drooling between each word, slathering your chest in spit between his muffled speech and consistently sucking. “Admit it, wanna get fucked so bad.”

“N-no.. please, baby, don’t—“

Jeno’s chest rumbles, groaning loudly as he reaches to pull your bra off, rolling the wet material up for your breasts to bounce out lewdly. The smack of your chest meeting the top of your ribcage and breasts clapping together makes you squeal, quickly shutting your eyes in shame.

“Fuck, so sexy mommy. Don’t hide from me, don’t hide any of this from me.” He squeezes your chest roughly, jutting your nipples out to form perfect taut pacifiers to suck on. Jeno’s tongue works feverishly, sucking and licking at your pert buds until they fully harden to a painful point under the vacuuming pull from his mouth.

Jeno leaves your chest swollen, blood rushed to the skin he’s sucked on viciously. He hums, examining how heavy they weigh down in his palms, gripping and kneading, shoving his face between your cleavage just to hear you squeal and struggle to inch away from him. So damn cute.

“That old assholes really manipulated you well,” he grumbles, licking up the trickles of sweat dripping down from your nape to your shoulders and chest. “Has you thinking this is gross? That you are gross? What the fuck is wrong with him, huh? I should kick his fucking ass.”

“Don’t talk about your dad like that..” you whimper, biting back a moan when he bites and tugs at one of your hard nipples, jiggling your other breast against his face. Even with your mind battling between lust and guilt, you can’t help but to feel bad.

“He doesn’t deserve you.” Jeno whispers, leaning in to plant a firm kiss on your lips to shut you up. “He doesn’t even appreciate you.”

His hand cups between your legs, making your thighs lock around his wrist as he cups your sweat soaked mound. Shorts still wet after your vigorous workout. “Baby, not there, please please.”

“Mommy, I’m not going to tell you to be fucking quiet again.” He grins, licking your lips before sliding down your body to his knees. Jeno peers up, eyes sparkling in a dreamy almost innocent way, like a kid in a candy store. “I’m nothing like him.”

To prove his point, his face drops forward between your legs. The fight you put up to keep him out is useless, overpowered by his much larger stronger size as his arms come to wrap around your thighs and pull you apart allowing for his nose to drag up and down your sweaty slick soaked workout shorts.

“Jeno!” Your neck drops back weakly, eyes rolling shut at the sensation of your step-son pulling the material of your shorts with the suction of his mouth alone. Tonguing and sucking on the fabric to absorb the remnants of sweat that poured down and collected between your thighs. Pulling on his hair serves you no advantage, completely under his control as he grinds your cunt against his face roughly.

The only resolution you find comes from covering your face to hide your moans of pleasure, whimpering into your hands the more he licks between your folds shaped by your thin shorts clinging to your center.

Jeno sounds like a rabid animal down there, devouring his way through the best meal he’s ever had. The first sound of a rip sends your spine to straighten out, reaching back down to pull on his hair. “What are you doing!”

He groans, more turned on by your hands digging into his scalp and pulling roughly. Scooping around your thighs for more leverage, Jeno pulls at your shorts and bites down the seam until they give, ripping enough of a hole for his digits to push through and expand. A growl vibrates against your center as he dives in, teething your thin underwear away to roll his tongue against your clit.

“Oh my Go—“ out of breath you arch against his mouth, head shaking side to side and banging into the wall behind you. “Jeno!”

His tongue hardens and swirls against your clit, stimulating each nerve until your feet kick against his back and your hips jerk forward enough to ride his face. He can hardly breathe between your thighs, unbothered by the lack of air reaching his brain as he strokes your clit in expert motion until your cunt spasms against his mouth. Shouting out with your palm hitting flat against the wall as you release down his chin, entrance rocking along the lower half of his face despite the sensitivity throbbing around your middle.

Jeno laps at his mouth like a thirsty dog, slapping your exposed core before moving to stand and wrap around your waist to ensure you can’t run. Not that you will.

“You ready for it.” Resting your hand on his groin, your step-son rushes you up the stairs, scooping under your thighs to reach your bedroom faster.

“In here?!?” You grimace, head shaking to begin pleading. “Not where we slee—“

“Hush.” Jeno doesn’t give you more of an opportunity to argue, immediately hooking into your shorts and underwear to pull them off, only throwing them aside after stuffing the wet fabric under his nose to get a deep inhale. “God damn.”

As much as he wants to let this moment wash over him, the reality of having his wildest fantasy come true, laid out flat in his prick of a father’s bed, legs spread open showing off the prettiest pussy he’s ever seen; Jeno can’t deny how badly he needs to fuck you before he cums in his pants. He’s never been this turned on before, slapping your thigh as he reaches to turn you over onto your stomach, cunt all shiny and raw from the back, squished between your legs making his head spin even more somehow. There’s no way in fucking hell his dad deserves you, not one bit.

Reaching to shove down his shorts, Jeno pats his pocket for his phone, swiping it out discreetly to hit record and perch the device against one of your pillows; making sure to keep it out of your sight before he adjusts between the backs of your thighs. “I’ll fuck your ass too.” He says with a stroke of his thumb between your buttcheeks. “Gonna need more cucumbers for that though.” He snickers, finding a photo from your honeymoon framed on your bedside table, the side you sleep on of course.

Flipping off his father’s cheesy grin, he reaches over to slam the photo down. This is his moment after all, no one else's.

He’d never let you know how raging hard his dick feels right now, lining up the tip to your waiting hole. Having to roll his tongue back to stop himself from blurting out the amount of times he’s busted a nut into his hand, on his stomach, fuck even the pool jacuzzi jets more than a few times by now. All thanks to his precious step-mom, so carelessly displaying every inch of skin, fueling his perverse brain more than you even realize

“Knew you’d take it so good for me,” it’s better than getting a taste of you, which he didn’t think was possible. The stretch of your cunt expanding around his wide girth, skin pulled over the head of his cock struggling to keep him out and somehow pull him in at the same time.

“Gonna fuck you like you’ve never been fucked before.” Jeno says in a more cocky tone, feeling more confident than ever now with half of his length inching inside of you. Pussy walls trembling around his size, sucking around the fat meat pulsing its way inside. No college slut, no amount of lotion to aid his palm, no graphic image available on a free adult website would ever come close to this.

Fully sheathed inside, he sounds out of breath, listening to your whimpers and moans you try to hide with your bedding tugged between your teeth. He glances at his phone quickly, positioning himself to pull out slowly and fall into a rapid pace, dropping his lower half to yours faster and faster until you’re screaming out. The way you scramble to grab onto something—arms flailing out to grab your bed for purchase only encourages him to fuck you faster. Slapping your ass with each powerful thrust.

“Best dick you’ve ever taken, don’t fucking lie to me.” Jeno demands, delivering another harsh slap to your ass before ramming forward balls deep. The collision of his palm cracks around your bedroom, knocking a loud cry from your chest. You nod rabidly in response, gasping deliriously with each pointed thrust. “Say it! Who fucks you this good!”

“You! You baby! Only you!” His phone’s camera stays angled filming your sides, albeit shaky and hard to capture the complete fucked out devestation that’s taken over your pretty face, it’s enough. Enough for him to get off to later, enough to get his way every single time if he needs to.

“That’s right,” Jeno angles his hips to fuck you full with each heavy land of his lower half, pushing your ass up with every clapping shout of skin on skin sounding out between your bodies. “Only me, only your baby.”

The camera tips over, screen gone black directed at the ceiling only recording the sounds of your moans and broken words between each other, Jeno’s gruff heavy panting breaths. The crash of your bodies rocking your headboard against your bedroom wall in a way he’s never once heard his father achieve.

“I’ll never stop fucking you now.” His bicep locks under your chin, forcing your waist to arch forward almost painfully; just enough to strain your lower back. “You’re mine.”

He follows with a growl, lips pressed up to your cheek, laving at whatever skin he’s able to reach. With another roll of his hips, he comes to a still, the thick muscle of his arm around your neck popping out in flex as his body tightens up and locks around your throat. Biting back a moan, Jeno’s release pours inside of you, hot and thick ropes of cum aimed deep inside of you before pulling out the rest of the way to spill between your ass and thighs. “Fuck!”

He sighs, kissing the top of your head to make sure your eyes have shut before reaching for his phone to record the beautiful mess left on your body. He wants to keep going on about how his dad will never fuck you to the point of nearly passing out, dragging his fingers through the mix of your releases before bringing them to his mouth to suck on.

One taste and Jeno knows he won’t stop fucking you until that ring slips off your finger for good.

“Hope he wasn’t too much to put up with while I was gone.” Your husband wraps around you from behind, chin resting on your shoulder. “Next break I’ll have him go stay with his mother.”

“It’s okay my love, he really doesn’t bother me..”

“Hmm, well he sure bothers me.” He sighs, burying his nose into your hair. “Trying a new shampoo?”

“No…” you hold back from making a face, not having had time to thoroughly clean yourself all squeaky clean thanks to your step-son fucking you through the night.

“Oh..” his nose scrunches, pulling away at the sensation of his phone vibrating against your hip. “God, what the hell can this kid want now?”

It has to be Jeno. As unsuspecting as you can, you shift to peer over your shoulder where your husband stands with his eyebrows twisted together. “Why did he send me a video.”

He presses play, immediately setting off your fight or flight response and mentally mumbling off a thank you for the kitchen counter keeping you steady on your feet. The sound of your moans blast from your husband’s phone accompanied by heavy deep grunts, skin clapping against skin and his phone screen covered by the image of your lower half rippling under the weight of your step-sons brutal unrelenting thrusts.

“What in the—“

“Oh my god!” You shriek, slapping a hand over your mouth to quiet your shock. Another text pops up at the top of the screen not even a minute later.

Jeno- ‘Sorry about that dad, meant to text that to my group chat. My mistake.’

“This fucking kid.” Your husband mutters, continuing to watch the video with squinted eyes. “The time stamp on this is from the other night?”

To your horror, he looks at you with an even more confused expression, swiping the video away before it comes to an end. “Did that little shit have someone over? After I made myself clear—“

“He went out!” You blurt out, nodding and catching yourself with a grip on the counter behind your back. “I didn’t think to mention it, but he went out that night. Don’t know when he came back.”

Your husband nods, glaring back at his phone. “I guess he got that insatiable sex drive from me.” He grins at that, humored by his own intrigue watching the girl his son was hooking up with. “Got my type too.” Leaving out the part about a tight little ass, he leans over to grab yours with a squeeze and plants a kiss on your cheek.

You offer a laugh, forcing it to sound less uncomfortable than you feel. “You should delete that text babe, I don’t like that you could be looking at other girls when I’m right here.”

“Is my sweet angel jealous?” He chuckles, slapping your butt and opening his phone to show you as he deletes the message. “My son could never land himself a woman that comes close to you, believe me. You have nothing to be worried about.” With a kiss to your lips he makes to exit and head to your bedroom to shower, leaving you alone to collapse against the counter and quell down the urge of panic trapped in your chest.

The buzz from your phone halts your breakdown, grasping over the kitchen island for it to see new messages from your step-son.

Jeno- ‘You think daddy may prefer these?’

Attached are different angles, showing off more of the bed you sleep in with your husband every night, catching peeks of your pleasured face. Jeno’s behind you in the thumbnails sharing an equal image of rolled up eyes and lips parted open. You don’t need to hit play to know how obscene each video must be.

Jeno- ‘You’ll be sure to keep your pretty mouth shut if you know what’s good for you, right? I know you’re a smart girl.’

An image of your legs parted open from behind sends next, backside covered in a mess of your step-son’s cum and wet arousal smeared around your thighs.

Jeno- ‘Be good for me mommy.’

#nct dream smut #nct smut #jeno smut #neopuppy fics #lee jeno fanfic #nct dream fanfic #nct fanfic

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thatfeelinwhenyou · 8 months

Text

KINDRED — yang jungwon

It’s your final year of highschool, and your only goal is to graduate top of your cohort, as usual. Except as student council president, your advisor can’t seem to leave you alone. What happens when you take Decelis Academy’s top student, their star taekwondo athlete and put them in front of a camera?

“Kindred” a student documentary. Pilot episode airing tonight on TVN 7PM KST.

PAIRING: athlete!jungwon x stucopres!fem!reader

FEATURING: enhypen, yunjin from lesserafim, ryujin and chaeryeong from itzy, chanelle from runext, beomgyu and taehyun from txt, wonyoung from ive, gunwook and gyuvin from zb1 etc.

GENRE: high school au, enemies to lovers, nerd x athlete, forced proximity, slice of life, coming of age, he fell first and harder, fluff, ANGST, teen drama, slow burn ish?

WARNINGS: contains profanities, horrible attempt at humour, urban lingo, probably cringy, kys/kms jokes, depression jokes, sexual innuendos (nothing too inappropriate), depiction of violence, reader can be a little bit annoying at first, family drama, incorrect timestamps/information, no fixed faceclaims, not proofread etc.

STATUS: completed! (01/09/2023 – 18/03/2024)

AUTHOR’S NOTE: please read! story concept is heavily inspired by the kdrama ‘our beloved summer’ other than that the storyline is completely original (or so i assume since i manifested this out from the crevices of my pea brain). i’ll try to keep this one to ard 30 chapters (who am i kidding). chapters with ‘(hw)’ next to them indicates that they are half-written, in case y’all skip over it! as always, the content and depiction of the characters in this smau do not in anyway represent them in real life. also i know how twitter has been rebranded to x, but we’re just gonna continue calling it twitter. lastly, if you do end up enjoying, please do like, comment (love reading your comments btw), and reblog so this can reach!! without further ado, enjoy!

TAGS: #tfwy kindred #tfwy smau

TEASER

profile. one | two | three

episode 1 - ratatouille and the underdogs

episode 2 - one way ticket to university

episode 3 - do you take constructive criticism?

episode 4 - unsolicited but appreciated

episode 5 - the art of benevolence

episode 6 - taekwondo-anti

episode 7 - beating the mentally ill allegations

episode 8 - can’t help it, i’m a libra

episode 9 - operation we-don’t-really-hate-each-other (hw)

episode 10 - she’s an oscar award winning actress

episode 11 - someone like me (hw)

episode 12 - ‘female-lead-realising-the-bad-boy-isnt-actually-that-bad’ arc

episode 13 - 5 foot 9 garfield meets avatar

episode 14 - yn the heterosexual

episode 15 - the ynwon getting closer montage :p

episode 16 - to the moon and back

episode 17 - eat 2 left toes

episode 18 - you are approved! (hw)

episode 19 - asking for a friend

episode 20 - rediscovering won’s ability to love

episode 21 - beomgyu’s 99999 eq

episode 22 - ynwon get together or else >:(

episode 23 - “hate”

episode 24 - not all problems can be solved with a formula

episode 25 - H.O.M.E.W.R.E.C.K.E.R

episode 26 - collecting facebook milfs like pokémons

episode 27 - you were brighter than the moon (hw)

episode 28 - no matter shrimp or whale, you deserve to flap your tail

episode 29 - the garden is full of surprises (hw)

episode 30 - weapon of mass destruction

episode 31 - the name above me (hw)

episode 32 - no offense but she’s a cockblocker

episode 33 - the bane of my existence (hw)

episode 34 - risky risky wiggy wigi this is an emergency

episode 35 - live my life on my terms (hw)

episode 36 - separation anxiety goes crazy

episode 37 - paparizzki

episode 38 - is it too late now to say Sorry?

episode 39 - everything will work out just the way you want it to (hw)

episode 40 (finale) - her entire being is loveable (written)

epilogue - kindred, signing off part 1 | part 2

bonus chapters!

yunjin x heeseung

i can fight

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turnstileskyline · 4 months

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The Oral History of Take This To Your Grave – transcription under the cut

The pages that are just photographs, I haven't included. This post is already long enough.

Things that happened in 2003: Arnold Schwarzenegger became governor of California. Teen Vogue published its first issue. The world lost Johnny Cash. Johnny Depp appeared as Captain Jack Sparrow for the first time. A third Lord of the Rings movie arrived. Patrick Stump, Pete Wentz, Joe Trohman, and Andy Hurley released Take This To Your Grave.

"About 21 years ago or so, as I was applying to colleges I would ultimately never go to, Fall Out Boy began as a little pop-punk side project of what we assumed was Pete's more serious band, Arma Angelus," Patrick wrote in a May 2023 social media post.

"We were sloppy and couldn't solidify a lineup, but the three of us (Pete, Joe, and I) were having way too much fun to give up on it."

"We were really rough around the edges. As an example of how rough, one of my favorite teachers pulled me aside after hearing the recording that would eventually become Evening Out With Your Girlfriend and tactfully said, 'What do you think your best instrument is, Patrick? Drums. It's drums. Probably not singing, Patrick.'"

"We went into Smart Studios with the Sean O'Keefe... So, there we were, 3/5 of a band with a singer who'd only been singing a year, no drummer, and one out of two guitarists. But we had the opportunity to record with Sean at Butch Vig's legendary studio.

"Eight or so months later, Fueled by Ramen would give us a contract to record the remaining songs. We'd sleep on floors, eat nothing but peanut butter and jelly, live in a van for the next three years, and somehow despite that, eventually play with Elton John and Taylor Swift and Jay-Z and for President Obama and the NFC championship, and all these other wildly unpredictable things. But none of that would ever come close to happening if Andy hadn't made it to the session and Joe hadn't dragged us kicking and screaming into being a band."

Two decades after its release, Take This To Your Grave sits comfortable in the Top 10 of Rolling Stone's 50 Greatest Pop-Punk Albums, edging out landmark records from Buzzcocks, Generation X, Green Day, The Offspring, Blink-182, and The Ramones.

It even ranked higher than Through Being Cool by Saves The Day and Jersey's Best Dancers from Lifetime, two records the guys in Fall Out Boy particularly revere.

Fall Out Boy's proper full-length debut on Fueled by Ramen is a deceptively smart, sugar-sweet, raw, energetic masterpiece owing as much to the bass player's pop culture passions, the singers deep love of R&B and soul, and their shared history in the hardcore scene as any pioneering punk band. Fall Out Boy's creative and commercial heights were still ahead, but Take This To Your Grave kicked it off, a harbinger for the enduring songwriting partnership between Patrick Stump and Pete Wentz, the eclectic contributions from Joe Trohman, and the propulsive powerhouse that is Andy Hurley.

The recordings document a special moment when Fall Out Boy was big in "the scene" but a "secret" from the mainstream. The band (and some of their friends) first sat down for an Oral History (which doubled as an Oral History of their origin story) with their old friend Ryan J. Downey, then Senior Editor for Alternative Press, upon the occasion of the album's 10th anniversary. What follows is an updated, sharper, and expanded version of that story, newly re-edited in 2023. As Patrick eloquently said: "Happy 20th birthday, Take This To Your Grave, you weird brilliant lightning strike accident of a record."

– Ryan J. Downey.

A Weird, Brilliant Lightning Strike Of A Record. The Oral History Of Fall Out Boy's Take This To Your Grave.

As told by:

Patrick Stump

Pete Wentz

Joe Trohman

Andy Hurley

Bob McLynn - Crush Music

Sean O'Keefe - Producer/Mixer

John Janick - Fueled By Ramen

Tim McIlrath - Rise Against

Mani Mostofi - Racetraitor

Chris Gutierrez - Arma Angelus

Mark Rose - Spitalfield

Sean Muttaqi - Uprising Records

Rory Felton - The Militia Group

Richard Reines - Drive-Thru Records

"To Feel No More Bitterness Forever" - From Hardcore to Softcore, 1998-2000

PETE WENTZ: When I got into hardcore, it was about discovering the world beyond yourself. There was a culture of trying to be a better person. That was part of what was so alluring about hardcore and punk for me. But for whatever reason, it shifted. Maybe this was just in Chicago, but it became less about the thought process behind it and more about moshing and breakdowns. There was a close-mindedness that felt very reactive.

TIM MCILRITH: I saw First Born many years ago, which was the first time I saw Pete and met him around then. This was '90s hardcore - p.c., vegan, activist kind of hardcore music. Pete was in many of those bands doing that kind of thing, and I was at many of those shows. The hardcore scene in Chicago was pretty small, so everyone kind of knew each other. I knew Andy Hurley as the drummer in Racetraitor. I was in a band called Baxter, so Pete always called me 'Baxter.' I was just 'Baxter' to a lot of those guys.

JOE TROHMAN: I was a young hardcore kid coming to the shows. The same way we all started doing bands. You're a shitty kid who goes to punk and hardcore shows, and you see the other bands playing, and you want to make friends with those guys because you want to play in bands too. Pete and I had a bit of a connection because we're from the same area. I was the youngest dude at most shows. I would see Extinction, Racetraitor, Burn It Down, and all the bands of that era.

WENTZ: My driver's license was suspended then, so Joe drove me everywhere. We listened to either Metalcore like Shai Hulud or pop-punk stuff like Screeching Weasel.

MCILRITH: I was in a band with Pete called Arma Angelus. I was like their fifth or sixth bass player. I wasn't doing anything musically when they hit me up to play bass, so I said, 'Of course.' I liked everyone in the band. We were rehearsing, playing a few shows here and there, with an ever-revolving cast of characters. We recorded a record together at the time. I even sing on that record, believe it or not, they gave me a vocal part. Around that same time, I began meeting with [bassist] Joe [Principe] about starting what would become Rise Against.

CHRIS GUTIERREZ: Wentz played me the Arma Angelus demo in the car. He said he wanted it to be a mix of Despair, Buried Alive, and Damnation A.D. He told me Tim was leaving to start another band - which ended up being Rise Against - and asked if I wanted to play bass.

TROHMAN: Pete asked me to fill in for a tour when I was 15. Pete had to call my dad to convince him to let me go. He did it, too. It was my first tour, in a shitty cargo van, with those dudes. They hazed the shit out of me. It was the best and worst experience. Best overall, worst at the time.

GUTIERREZ: Enthusiasm was starting to wane in Arma Angelus. Our drummer was really into cock-rock. It wasn't an ironic thing. He loved L.A. Guns, Whitesnake, and Hanoi Rocks. It drove Pete nuts because the scene was about Bleeding Through and Throwdown, not cock rock. He was frustrated that things weren't panning out for the band, and of course, there's a ceiling for how big a metalcore band can get, anyway.

MANI MOSTOFI: Pete had honed this tough guy persona, which I think was a defense mechanism. He had some volatile moments in his childhood. Underneath, he was a pretty sensitive and vulnerable person. After playing in every mosh-metal band in the Midwest and listening exclusively to Earth Crisis, Damnation A.D., Chokehold, and stuff like that for a long time, I think Pete wanted to do something fresh. He had gotten into Lifetime, Saves The Day, The Get Up Kids, and bands like that. Pete was at that moment where the softer side of him needed an outlet, and didn't want to hide behind mosh-machismo. I remember him telling me he wanted to start a band that more girls could listen to.

MCILRATH: Pete was talking about starting a pop-punk band. Bands like New Found Glory and Saves The Day were successful then. The whole pop-punk sound was accessible. Pete was just one of those guys destined for bigger things than screaming for mediocre hardcore bands in Chicago. He's a smart guy, a brilliant guy. All the endeavors he had taken on, even in the microcosm of the 1990s Chicago hardcore world, he put a lot of though into it. You could tell that if he were given a bigger receptacle to put that thought into, it could become something huge. He was always talented: lyrics, imagery, that whole thing. He was ahead of the curve. We were in this hardcore band from Chicago together, but we were both talking about endeavors beyond it.

TROHMAN: The drummer for Arma Angelus was moving. Pete and I talked about doing something different. It was just Pete and me at first. There was this thuggishness happening in the Chicago hardcore scene at that time that wasn't part of our vibe. It was cool, but it wasn't our thing.

MCILRITH: One day at Arma Angelus practice, Pete asked me, 'Are you going to do that thing with Joe?' I was like, 'Yeah, I think so.' He was like, 'You should do that, dude. Don't let this band hold you back. I'll be doing something else, too. We should be doing other things.' He was really ambitious. It was so amazing to me, too, because Pete was a guy who, at the time, was kind of learning how to play the bass. A guy who didn't really play an instrument will do down in history as one of the more brilliant musicians in Chicago. He had everything else in his corner. He knew how to do everything else. He needed to get some guys behind him because he had the rest covered. He had topics, themes, lyrics, artwork, this whole image he wanted to do, and he was uncompromising. He also tapped into something the rest of us were just waking up to: the advent of the internet. I mean, the internet wasn't new, but higher-speed internet was.

MOSTOFI: Joe was excited to be invited by Pete to do a band. Joe was the youngest in our crew by far, and Pete was the 'coolest' in a Fonzie sort of way. Joe deferred to Pete's judgement for years. But eventually, his whole life centered around bossy big-brother Pete. I think doing The Damned Things was for Joe what Fall Out Boy was for Pete, in a way. It was a way to find his own space within the group of friends. Unsurprisingly, Joe now plays a much more significant role in Fall Out Boy's music.

WENTZ: I wanted to do something easy and escapist. When Joe and I started the band, it was the worst band of all time. I feel like people said, 'Oh, yeah, you started Fall Out Boy to get big.' Dude, there was way more of a chance of every other band getting big in my head than Fall Out Boy. It was a side thing that was fun to do. Racetraitor and Extinction were big bands to me. We wanted to do pop-punk because it would be fun and hilarious. It was definitely on a lark. We weren't good. If it was an attempt at selling out, it was a very poor attempt.

MCILRITH: It was such a thing for people to move from hardcore bands to bands called 'emo' or pop-punk, as those bands were starting to get some radio play and signed to major labels. Everyone thought it was easy, but it's not as easy as that. Most guys we knew who tried it never did anything more successful than their hardcore bands. But Pete did it! And if anyone was going to, it was going to be him. He never did anything half-assed. He ended up playing bass in so many bands in Chicago, even though he could barely play the bass then, because simply putting him in your band meant you'd have a better show. He was just more into it. He knew more about dynamics, about getting a crowd to react to what you're doing than most people. Putting Pete in your band put you up a few notches.

"I'm Writing You A Chorus And Here Is Your Verse" - When Pete met Patrick, early 2001.

MARK ROSE: Patrick Stump played drums in this grindcore band called Grinding Process. They had put out a live split cassette tape.

PATRICK STUMP: My ambition always outweighed my ability or actual place in the world. I was a drummer and played in many bands and tried to finagle my way into better ones but never really managed. I was usually outgunned by the same two guys: this guy Rocky Senesce; I'm not sure if he's playing anymore, but he was amazing. And this other guy, De'Mar Hamilton, who is now in Plain White T's. We'd always go out for the same bands. I felt like I was pretty good, but then those guys just mopped the floor with me. I hadn't been playing music for a few months. I think my girlfriend dumped me. I was feeling down. I wasn't really into pop-punk or emo. I think at the time I was into Rhino Records box sets.

TROHMAN: I was at the Borders in Eden's Plaza in Wilmette, Illinois. My friend Arthur was asking me about Neurosis. Patrick just walked up and started talking to me.

STUMP: I was a bit arrogant and cocky, like a lot of young musicians. Joe was talking kind of loudly and I overheard him say something about Neurosis, and I think I came in kind of snotty, kind of correcting whatever they had said.

TROHMAN: We just started talking about music, and my buddy Arthur got shoved out of the conversation. I told him about the band we were starting. Pete was this local hardcore celebrity, which intrigued Patrick.

STUMP: I had similar conversations with any number of kids my age. This conversation didn't feel crazy special. That's one of the things that's real about [Joe and I meeting], and that's honest about it, that's it's not some 'love at first sight' thing where we started talking about music and 'Holy smokes, we're going to have the best band ever!' I had been in a lot of bands up until then. Hardcore was a couple of years away from me at that point. I was over it, but Pete was in real bands; that was interesting. Now I'm curious and I want to do this thing, or at least see what happens. Joe said they needed a drummer, guitar player, or singer, and I kind of bluffed and said I could do any one of those things for a pop-punk band. I'd had a lot of conversations about starting bands where I meet up with somebody and maybe try to figure out some songs and then we'd never see each other again. There were a lot of false starts and I assumed this would be just another one of those, but it would be fun for this one to be with the guy from Racetraitor and Extinction.

TROHMAN: He gave me the link to his MP3.com page. There were a few songs of him just playing acoustic and singing. He was awesome.

WENTZ: Joe told me we were going to this kid's house who would probably be our drummer but could also sing. He sent me a link to Patrick singing some acoustic thing, but the quality was so horrible it was hard to tell what it was. Patrick answered the door in some wild outfit. He looked like an emo kid but from the Endpoint era - dorky and cool. We went into the basement, and he was like, trying to set up his drums.

TROHMAN: Patrick has said many times that he intended to try out on drums. I was pushing for him to sing after hearing his demos. 'Hey! Sing for us!' I asked him to take out his acoustic guitar. He played songs from Saves The Day's Through Being Cool. I think he sang most of the record to us. We were thrilled. We had never been around someone who could sing like that.

WENTZ: I don't think Patrick thought we were cool at all. We were hanging out, and he started playing acoustic guitar. He started singing, and I realized he could sing any Saves The Day song. I was like, 'Wow, that's the way those bands sound! We should just have you sing.' It had to be serendipity because Patrick drumming and Joe singing is not the same band. I never thought about singing. It wasn't the type of thing I could sing. I knew I'd be playing bass. I didn't think it'd even go beyond a few practices. It didn't seem like the thing I was setting myself up to do for the next several years of my life in any way. I was going to college. It was just a fun getaway from the rest of life kind of thing to do.

STUMP: Andy was the first person we asked to play drums. Joe even brought him up in the Borders conversation. But Andy was too busy. He wasn't really interested, either, because we kind of sucked.

WENTZ: I wanted Hurley in the band, I was closest to him at the time, I had known him for a long time. I identified with him in the way that we were the younger dudes in our larger group. I tried to get him, but he was doing another band at the time, or multiple bands. He was Mani's go-to guy to play drums, always. I had asked him a few times. That should clue people into the fact that we weren't that good.

ANDY HURLEY: I knew Joe as 'Number One Fan.' We called him that because he was a huge fan of a band I was in, Kill The Slavemaster. When Fall Out Boy started, I was going to college full-time. I was in the band Project Rocket and I think The Kill Pill then, too.

MOSTOFI: After they got together the first or second time, Pete played me a recording and said, 'This is going to be big.' They had no songs, no name, no drummer. They could barely play their instruments. But Pete knew, and we believed him because we could see his drive and Patrick's potential. Patrick was prodigy. I imagine the first moment Pete heard him sing was probably like when I heard 15-year-old Andy Hurley play drums.

GUTIERREZ: One day at practice, Pete told me he had met some dudes with whom he was starting a pop-punk band. He said it would sound like a cross between New Found Glory and Lifetime. Then the more Fall Out Boy started to practice, the less active Arma Angelus became.

TROHMAN: We got hooked up with a friend named Ben Rose, who became our original drummer. We would practice in his parents' basement. We eventually wrote some pretty bad songs. I don't even have the demo. I have copies of Arma's demo, but I don't have that one.

MOSTOFI: We all knew that hardcore kids write better pop-punk songs than actual pop-punk kids. It had been proven. An experienced hardcore musician could bring a sense of aggression and urgency to the pop hooks in a way that a band like Yellowcard could never achieve. Pete and I had many conversations about this. He jokingly called it 'Softcore,' but that's precisely what it was. It's what he was going for. Take This To Your Grave sounds like Hot Topic, but it feels like CBGBs.

MCILRITH: Many hardcore guys who transitioned into pop-punk bands dumbed it down musically and lyrically. Fall Out Boy found a way to do it that wasn't dumbed down. They wrote music and lyrics that, if you listened closely, you could tell came from people who grew up into hardcore. Pete seemed to approach the song titles and lyrics the same way he attacked hardcore songs. You could see his signature on all of that.

STUMP: We all had very different ideas of what it should sound like. I signed up for Kid Dynamite, Strike Anywhere, or Dillinger Four. Pete was very into Lifetime and Saves The Day. I think both he and Joe were into New Found Glory and Blink-182. I still hadn't heard a lot of stuff. I was arrogant; I was a rock snob. I was over most pop-punk. But then I had this renaissance week where I was like, 'Man, you know what? I really do like The Descendents.' Like, the specific week I met Joe, it just happened to be that I was listening to a lot of Descendents. So, there was a part of me that was tickled by that idea. 'You know what? I'll try a pop-punk band. Why not?'

MOSTOFI: To be clear, they were trying to become a big band. But they did it by elevating radio-friendly pop punk, not debasing themselves for popularity. They were closely studying Drive-Thru Records bands like The Starting Line, who I couldn't stand. But they knew what they were doing. They extracted a few good elements from those bands and combined them with their other influences. Patrick never needed to be auto-tuned. He can sing. Pete never had to contrive this emotional depth. He always had it.

STUMP: The ideas for band names were obnoxious. At some point, Pete and I were arguing over it, and I think our first drummer, Ben Rose, who was in the hardcore band Strength In Numbers, suggested Fall Out Boy. Pete and I were like, 'Well, we don't hate that one. We'll keep it on the list.' But we never voted on a name.

"Fake It Like You Matter" - The Early Shows, 2001

The name Fall Out Boy made their shortlist, but their friends ultimately chose it for them. The line-up at the band's first show was Patrick Stump (sans guitar), Pete Wentz, Joe Trohman, drummer Ben Rose, and guitarist John Flamandan in his only FOB appearance.

STUMP: We didn't have a name at our two or three shows. We were basically booked as 'Pete's new band' as he was the most known of any of us. Pete and I were the artsy two.

TROHMAN: The rest of us had no idea what we were doing onstage.

STUMP: We took ourselves very seriously and completely different ideas on what was 'cool.' Pete at the time was somewhere between maybe Chuck Palahniuk and Charles Bukowski, and kind of New Romantic and Manchester stuff, so he had that in mind. The band names he suggested were long and verbose, somewhat tongue-in-cheek. I was pretty much only into Tom Waits, so I wanted everything to be a reference to Tom Waits. The first show was at DePaul [University] in some cafeteria. The room looked a lot nicer than punk rock shows are supposed to look, like a room where you couldn't jump off the walls. We played with a band called Stillwell. I want to say one of the other bands played Black Sabbath's Black Sabbath in its entirety. We were out of place. We were tossing a few different names around. The singer for Stillwell was in earshot of the conversation so I was like 'Hey, settle this for us,' and told him whatever name it was, which I can't remember. 'What do you think of this name?' He goes, 'It sucks.' And the way he said it, there was this element to it, like, 'You guys probably suck, too, so whatever.' That was our first show. We played first and only had three songs. That was John's only show with us, and I never saw him again. I was just singing without a guitar, and I had never just sung before; that was horrifying. We blazed through those songs.

ROSE: Patrick had this shoulder-length hair. Watching these guys who were known for heavier stuff play pop-punk was strange. Pete was hopping around with the X's on his hands. Spitalfield was similar; we were kids playing another style of music who heard Texas Is The Reason and Get Up Kids and said, 'We have to start a band like this.'

MOSTOFI: The first show was a lot of fun. The musical side wasn't there, but Pete and Patrick's humor and charisma were front and center.

TROHMAN: I remember having a conversation with Mani about stage presence. He was telling me how important it was. Coalesce and The Dillinger Escape Plan would throw mic stands and cabinets. We loved that visual excitement and appeal. Years later, Patrick sang a Fall Out Boy song with Taylor Swift at Giants Stadium. It was such a great show to watch that I was reminded of how wise Mani was to give me that advice back then. Mani was like a mentor for me, honestly. He would always guide me through stuff.

MOSTOFI: Those guys grew up in Chicago, either playing in or seeing Extinction, Racetraitor, Los Crudos, and other bands that liked to talk and talk between songs. Fall Out Boy did that, and it was amazing. Patrick was awkward in a knowing and hilarious way. He'd say something odd, and then Pete would zing him. Or Pete would try to say something too cool, and Patrick would remind him they were nerds. These are very personal memories for me. Millions of people have seen the well-oiled machine, but so few of us saw those guys when they were so carefree.

TROHMAN: We had this goofy, bad first show, but all I can tell you was that I was determined to make this band work, no matter what.

STUMP: I kind of assumed that was the end of that. 'Whatever, on with our lives.' But Joe was very determined. He was going to pick us up for practice and we were going to keep playing shows. He was going to make the band happen whether the rest of us wanted to or not. That's how we got past show number one. John left the band because we only had three songs and he wasn't very interested. In the interim, I filled in on guitar. I didn't consider myself a guitar player. Our second show was a college show in Southern Illinois or something.

MCILRITH: That show was with my other band, The Killing Tree.

STUMP: We showed up late and played before The Killing Tree. There was no one there besides the bands and our friends. I think we had voted on some names. Pete said 'Hey, we're whatever!'; probably something very long. And someone yells out, 'Fuck that, no, you're Fall Out Boy!' Then when The Killing Tree was playing, Tim said, 'I want to thank Fall Out Boy.' Everyone looked up to Tim, so when he forced the name on us, it was fine. I was a diehard Simpsons fan, without question. I go pretty deep on The Simpsons. Joe and I would just rattle off Simpsons quotes. I used to do a lot of Simpsons impressions. Ben was very into Simpsons; he had a whole closet full of Simpsons action figures.

"If Only You Knew I Was Terrified" - The Early Recordings, 2002-2003

Wentz's relationships in the hardcore scene led to Fall Out Boy's first official releases. A convoluted and rarely properly explained chain of events resulted in the Fall Out Boy/Project Rocket split EP and Fall Out Boy's Evening Out with Your Girlfriend. Both were issued by California's Uprising Records, whose discography included Racetraitor's first album and the debut EP by Burn It Down. The band traveled to Wisconsin to record their first proper demo with engineer Jared Logan, drummer for Uprising's 7 Angels 7 Plagues.

TROHMAN: This isn't to be confused with the demo we did in Ben's basement, which was like a tape demo. This was our first real demo.

STUMP: Between booking the demo and recording it, we lost Ben Rose. He was the greatest guy, but it wasn't working out musically. Pete and Joe decided I should play drums on the demo. But Jared is a sick drummer, so he just did it.

TROHMAN: We had gotten this great singer but went through a series of drummers that didn't work out. I had to be the one who kicked Ben out. Not long after, our friend Brett Bunting played with us. I don't think he really wanted to do it, which was a bummer.

STUMP: I showed up to record that demo, feeling pulled into it. I liked hanging out with the guys, but I was a rock snob who didn't really want to be making that type of music. The first few songs were really rough. We were sloppy. We barely practiced. Pete was in Arma Angelus. Joe was the guy determined to make it happen. We couldn't keep a drummer or guitar player, and I could barely play guitar. I didn't really want to be in Fall Out Boy. We had these crappy songs that kind of happened; it didn't feel like anything. Joe did the guitars. I go in to do the vocals, I put on the headphones, and it starts playing and was kind of not bad! It was pretty good, actually. I was shocked. That was the first time I was like, 'Maybe I am supposed to be in this band.' I enjoyed hearing it back.

SEAN MUTTAQI: Wentz and I were pretty tight. He sent me some demos, and while I didn't know it would get as big as it did, I knew it was special. Wentz had a clear vision. Of all the guys from that scene, he was the most singularly focused on taking things to the next level. He was ahead of the game with promotion and the early days of social media.

STUMP: Arma Angelus had been on Eulogy. We talked to them a bit and spoke to Uprising because they had put out Racetraitor. At some point, the demo got to Sean, and he decided to make it half of a split with Andy's band, Project Rocket. We were pretty happy with that.

HURLEY: It was kind of competitive for me at the time. Project Rocket and Fall Out Boy were both doing pop-punk/pop-rock, I met Patrick through the band. I didn't really know him before Fall Out Boy.

TROHMAN: We got this drummer, Mike Pareskuwicz, who had been in a hardcore band from Central Illinois called Subsist.

STUMP: Uprising wanted us to make an album. We thought that was cool, but we only had those three songs that were on the split. We were still figuring ourselves out. One of the times we were recording with Jared in the studio, for the split or the album, this guy T.J. Kunasch was there. He was like, 'Hey, do you guys need a guitarist?' And he joined.

MUTTAQI: I borrowed some money to get them back in the studio. The songwriting was cool on that record, but it was all rushed. The urgency to get something out led to the recording being subpar. Their new drummer looked the part but couldn't really play. They had already tracked the drums before they realized it didn't sound so hot.

STUMP: The recording experience was not fun. We had two days to do an entire album. Mike was an awesome dude, but he lived crazy far away, in Kanakee, Illinois, so the drive to Milwaukee wasn't easy for him. He had to work or something the next day. So, he did everything in one take and left. He played alone, without a click, so it was a ness to figure out. We had to guess where the guitar was supposed to go. None of us liked the songs because we had slapped them together. We thought it all sucked. But I thought, 'Well, at least it'll be cool to have something out.' Then a lot of time went by. Smaller labels were at the mercy of money, and it was crazy expensive to put out a record back then.

MUTTAQI: Our record was being rushed out to help generate some interest, but that interest was building before we could even get the record out. We were beholden to finances while changing distribution partners and dealing with other delays. The buck stops with me, yes, but I didn't have that much control over the scheduling.

WENTZ: It's not what I would consider the first Fall Out Boy record. Hurley isn't on it and he's an integral part of the Fall Out Boy sound. But it is part of the history, the legacy. NASA didn't go right to the moon. They did test flights in the desert. Those are our test flights in the desert. It's not something I'm ashamed of or have weird feelings about.

STUMP: It's kind of embarrassing to me. Evening Out... isn't representative of the band we became. I liked Sean a lot, so it's nothing against him. If anybody wants to check out the band in that era, I think the split EP is a lot cooler. Plus, Andy is on that one.

TROHMAN: T.J. was the guy who showed up to the show without a guitar. He was the guy that could never get it right, but he was in the band for a while because we wanted a second guitar player. He's a nice dude but wasn't great to be in a band with back then. One day he drove unprompted from Racine to Chicago to pick up some gear. I don't know how he got into my parents' house, but the next thing I knew, he was in my bedroom. I didn't like being woken up and kicked him out of the band from bed.

STUMP: Our friend Brian Bennance asked us to do a split 7" with 504 Plan, which was a big band to us. Brian offered to pay for us to record with Sean O'Keefe, which was also a big deal. Mike couldn't get the time off work to record with us. We asked Andy to play on the songs. He agreed to do it, but only if he could make it in time after recording an entire EP with his band, The Kill Pill, in Chicago, on the same day.

MOSTOFI: Andy and I started The Kill Pill shortly after Racetraitor split up, not long after Fall Out Boy had formed. We played a bunch of local shows together. The minute Andy finished tracking drums for our EP in Chicago, he raced to the other studio in Madison.

STUMP: I'm getting ready to record the drums myself, getting levels and checking the drums, pretty much ready to go. And then in walks Andy Hurley. I was a little bummed because I really wanted to play drums that day. But then Andy goes through it all in like two takes and fucking nailed the entire thing. He just knocked it out of the park. All of us were like, 'That's crazy!'

WENTZ: When Andy came in, It just felt different. It was one of those 'a-ha' moments.

STUMP: Sean leaned over to us and said, 'You need to get this guy in the band.'

SEAN O'KEEFE: We had a blast. We pumped It out. We did it fast and to analog tape. People believe it was very Pro Tools oriented, but it really was done to 24-track tape. Patrick sang his ass off.

STUMP: The songs we had were 'Dead On Arrival,' 'Saturday,' and 'Homesick at Space Camp. There are quite a few songs that ended up on Take This To You Grave where I wrote most of the lyrics but Pete titled them.

WENTZ: 'Space Camp' was a reference to the 1986 movie, SpaceCamp, and the idea of space camp. Space camp wasn't something anyone in my area went to. Maybe they did, but it was never an option for me. It seems like the little kid version of meeting Jay-Z. The idea was also: what if you, like Joaquin Phoenix in the movie, took off to outer space and wanted to get home? 'I made it to space and now I'm just homesick and want to hang out with my friends.' In the greater sense, it's about having it all, but it's still not enough. There's a pop culture reference in 'Saturday' that a lot of people miss. 'Pete and I attack the lost Astoria' was a reference to The Goonies, which was filmed in Astoria, Oregon.

HURLEY: I remember hearing those recordings, especially 'Dead on Arrival,' and Patrick's voice and how well written those songs were, especially relative to anything else I had done - I had a feeling that this could do something.

WENTZ: It seemed like it would stall out if we didn't get a solid drummer in the band soon. That was the link that we couldn't nail down. Patrick was always a big musical presence. He thinks and writes rhythmi-cally, and we couldn't get a drummer to do what he wanted or speak his language. Hurley was the first one that could. It's like hearing two drummers talk together when they really get it. It sounds like a foreign language because it's not something I'm keyed into. Patrick needed someone on a similar musical plane. I wasn't there. Joe was younger and was probably headed there.

HURLEY: When Patrick was doing harmonies, it was like Queen. He's such a brilliant dude. I was always in bands that did a record and then broke up. I felt like this was a band that could tour a lot like the hardcore bands we loved, even if we had to have day jobs, too.

"(Four) Tired Boys And A Broken Down Van" - The Early Tours, 2002-2003

STUMP: We booked a tour with Spitalfield, another Chicago band, who had records out, so they were a big deal to us. We replaced T.J. with a guy named Brandon Hamm. He was never officially in the band. He quit when we were practicing 'Saturday.' He goes, 'I don't like that. I don't want to do this anymore.' Pete talked with guitarist Chris Envy from Showoff, who had just broken up. Chris said, 'Yeah, I'll play in your band.' He came to two practices, then quit like two days before the tour. It was only a two-week tour, but Mike couldn't get the time off work from Best Buy, or maybe it was Blockbuster. We had to lose Mike, which was the hardest member change for me. It was unpleasant.

TROHMAN: We had been trying to get Andy to join the band for a while. Even back at that first Borders conversation, we talked about him, but he was too busy at the time.

STUMP: I borrowed one of Joe's guitars and jumped in the fire. We were in this legendarily shitty used van Pete had gotten. It belonged to some flower shop, so it had this ominously worn-out flower decal outside and no windows [except in the front]. Crappy brakes, no A/C, missing the rearview mirror, no seats in the back, only the driver's seat. About 10 minutes into the tour, we hit something. A tire exploded and slingshot into the passenger side mirror, sending glass flying into the van. We pulled over into some weird animal petting zoo. I remember thinking, 'This is a bad omen for this tour.' Spitalfield was awesome, and we became tight with them. Drew Brown, who was later in Weekend Nachos, was out with them, too. But most of the shows were canceled.

WENTZ: We'd end up in a town, and our show was canceled, or we'd have three days off. 'Let's just get on whatever show we can. Whatever, you can pay us in pizza.'

STUMP: We played in a pizza place. We basically blocked the line of people trying to order pizza, maybe a foot away from the shitty tables. Nobody is trying to watch a band. They're just there to eat pizza. And that was perhaps the biggest show we played on that tour. One of the best moments on the Spitalfied tour was in Lincoln, Nebraska. The local opener wasn't even there - they were at the bar across the street and showed up later with two people. Fall Out Boy played for Spitalfield, and Spitalfield played for Fall Out Boy. Even the sound guy had left. It was basically an empty room. It was miserable.

HURLEY: Even though we played a ton of shows in front of just the other bands, it was awesome. I've known Pete forever and always loved being in bands with him. After that tour, it was pretty much agreed that I would be in the band. I wanted to be in the band.

WENTZ: We would play literally any show in those days for free. We played Chain Reaction in Orange County with a bunch of metalcore bands. I want to say Underoath was one of them. I remember a lot of black shirts and crossed arms at those kinds of shows. STUMP: One thing that gets lost in the annals of history is Fall Out Boy, the discarded hardcore band. We played so many hardcore shows! The audiences were cool, but they were just like, 'This is OK, but we'd really rather be moshing right now.' Which was better than many of the receptions we got from pop-punk kids.

MOSTOFI: Pete made sure there was little division between the band and the audience. In hardcore, kids are encouraged to grab the mic. Pete was very conscious about making the crowd feel like friends. I saw them in Austin, Texas, in front of maybe ten kids. But it was very clear all ten of those kids felt like Pete's best friends. And they were, in a way.

MCILRITH: People started to get into social networking. That kind of thing was all new to us, and they were way ahead. They networked with their fans before any of us.

MOSTOFI: Pete shared a lot about his life online and was intimate as hell. It was a new type of scene. Pete extended the band's community as far as fiber optics let him.

ROSE: Pete was extremely driven. Looking back, I wish I had that killer instinct. During that tour; we played a show in Colorado. On the day of the show, we went to Kinko's to make flyers to hand out to college kids. Pete put ‘members of Saves The Day and Screeching Weasel’ on the flyer. He was just like, 'This will get people in.'

WENTZ: We booked a lot of our early shows through hardcore connections, and to some extent, that carries through to what Fall Out Boy shows are like today. If you come to see us play live, we're basically Slayer compared to everyone else when we play these pop radio shows. Some of that carries back to what you must do to avoid being heckled at hardcore shows. You may not like our music, but you will leave here respecting us. Not everyone is going to love you. Not everyone is going to give a shit. But you need to earn a crowd's respect. That was an important way for us to learn that.

MOSTOFI: All those dudes, except Andy, lived in this great apartment with our friend Brett Bunting, who was almost their drummer at one point. The proximity helped them gel.

STUMP: There were a lot of renegade last-minute shows where we'd just call and get added. We somehow ended up on a show with Head Automatica that way.

MCILRITH: At some point early on, they opened for Rise Against in a church basement in Downers Grove. We were doing well then; headlining that place was a big deal. Then Pete's band was coming up right behind us, and you could tell there was a lot of chatter about Fall Out Boy. I remember getting to the show, and there were many people there, many of whom I had never seen in the scene before. A lot of unfamiliar faces. A lot of people that wouldn't have normally found their way to the seedy Fireside Bowl in Chicago. These were young kids, and I was 21 then, so when I say young, I mean really young. Clearly, Fall Out Boy had tapped into something the rest of us had not. People were super excited to see them play and freaked out; there was a lot of enthusiasm at that show. After they finished, their fans bailed. They were dedicated. They wanted to see Fall Out Boy. They didn't necessarily want to see Rise Against play. That was my first clue that, 'Whoa, what Pete told me that day at Arma Angelus rehearsal is coming true. He was right.' Whatever he was doing was working.

"My Insides Are Copper, And I'd Like To Make Them Gold" - The Record Labels Come Calling, 2002

STUMP: The split EP was going to be a three-way split with 504 Plan, August Premier, and us at one point. But then the record just never happened. Brian backed out of putting it out. We asked him if we could do something else with the three songs and he didn't really seem to care. So, we started shopping the three songs as a demo. Pete ended up framing the rejection letters we got from a lot of pop-punk labels. But some were interested.

HURLEY: We wanted to be on Drive-Thru Records so bad. That was the label.

RICHARD REINES: After we started talking to them, I found the demo they had sent us in the office. I played it for my sister. We decided everything together. She liked them but wasn't as crazy about them as I was. We arranged with Pete to see them practice. We had started a new label called Rushmore. Fall Out Boy wasn't the best live band. We weren't thrilled [by the showcase]. But the songs were great. We both had to love a band to sign them, so my sister said, 'If you love them so much, let's sign them to Rushmore, not Drive Thru.'

HURLEY: We did a showcase for Richard and Stephanie Reines. They were just kind of like, 'Yeah, we have this side label thing. We'd be interested in having you on that.' I remember them saying they passed on Saves The Day and wished they would have put out Through Being Cool. But then they [basically] passed on us by offering to put us on Rushmore. We realized we could settle for that, but we knew it wasn't the right thing.

RORY FELTON: Kevin Knight had a website, TheScout, which always featured great new bands. I believe he shared the demo with us. I flew out to Chicago. Joe and Patrick picked me up at the airport. I saw them play at a VFW hall, Patrick drank an entire bottle of hot sauce on a dare at dinner, and then we all went to see the movie The Ring. I slept on the couch in their apartment, the one featured on the cover of Take This To Your Grave. Chad [Pearson], my partner, also flew out to meet with the band.

STUMP: It was a weird time to be a band because it was feast or famine. At first, no one wanted us. Then as soon as one label said, 'Maybe we'll give 'em a shot,' suddenly there's a frenzy of phone calls from record labels. We were getting our shirts printed by Victory Records. One day, we went to pick up shirts, and someone came downstairs and said, 'Um, guys? [Owner] Tony [Brummel] wants to see you.' We were like, 'Did we forget to pay an invoice?' He made us an offer on the spot. We said, 'That's awesome, but we need to think about it.' It was one of those 'now or never' kinds of things. I think we had even left the van running. It was that kind of sudden; we were overwhelmed by it.

HURLEY: They told me Tony said something like, 'You can be with the Nike of the record industry or the Keds of the record industry.'

STUMP: We'd get random calls at the apartment. 'Hey, I'm a manager with so-and-so.' I talked to some boy band manager who said, 'We think you'll be a good fit.'

TROHMAN: The idea of a manager was a ‘big-time' thing. I answered a call one day, and this guy is like, 'I'm the manager for the Butthole Surfers, and I'd really like to work with you guys.' I just said, Yeah, I really like the Butthole Surfers, but I'll have to call you back.' And I do love that band. But I just knew that wasn't the right thing.

STUMP: Not all the archetypes you always read about are true. The label guys aren't all out to get you. Some are total douchebags. But then there are a lot who are sweet and genuine. It's the same thing with managers. I really liked the Militia Group. They told us it was poor form to talk to us without a manager. They recommended Bob McLynn.

FELTON: We knew the guys at Crush from working with Acceptance and The Beautiful Mistake. We thought they'd be great for Fall Out Boy, so we sent the music to their team.

STUMP: They said Crush was their favorite management company and gave us their number. Crush's biggest band at the time was American Hi-Fi. Jonathan Daniels, the guy who started the company, sent a manager to see us. The guy was like, "This band sucks!' But Jonathan liked us and thought someone should do something with us. Bob was his youngest rookie manager. He had never managed anyone, and we had never been managed.

BOB MCLYNN: Someone else from my office who isn't with us anymore had seen them, but I hadn't seen them yet. At the time, we'd tried to manage Brand New; they went elsewhere, and I was bummed. Then we got the Fall Out Boy demo, and I was like, Wow. This sounds even better. This guy can really sing, and these songs are great.' I remember going at it hard after that whole thing. Fall Out Boy was my consolation prize. I don't know if they were talking to other managers or not, but Pete and I clicked.

TROHMAN: In addition to being really creative, Pete is really business savvy. We all have a bullshit detector these days, but Pete already had one back then. We met Bob, and we felt like this dude wouldn't fuck us over.

STUMP: We were the misfit toy that nobody else wanted. Bob really believed in us when nobody else did and when nobody believed in him. What's funny is that all the other managers at Crush were gone within a year. It was just Bob and Jonathan, and now they're partners. Bob was the weird New York Hardcore guy who scared me at the time.

TROHMAN: We felt safe with him. He's a big, hulking dude.

MCLYNN: We tried to make a deal with The Militia Group, but they wouldn't back off on a few things in the agreement. I told them those were deal breakers, opening the door to everyone else. I knew this band needed a shot to do bigger and better things.

TROHMAN: He told us not to sign with the label that recommended him to us. We thought there was something very honest about that.

MCLYNN: They paid all their dues. Those guys worked harder than any band I'd ever seen, and I was all about it. I had been in bands before and had just gotten out. I was getting out of the van just as these guys got into one. They busted their asses.

STUMP: A few labels basically said the same thing: they wanted to hear more. They weren't convinced we could write another song as good as 'Dead On Arrival.' I took that as a challenge. We returned to Sean a few months after those initial three songs, this time at Gravity Studios in Chicago. We recorded ‘Grenade Jumper' and 'Grand Theft Autumn/Where is Your Boy' in a night or two. 'Where is Your Boy' was my, 'Fine, you don't think I can write a fucking song? Here's your hit song, jerks!' But I must have pushed Pete pretty hard [arguing about the songs]. One night, as he and I drove with Joe, Pete said, 'Guys, I don't think I want to do this band anymore.' We talked about it for the rest of the ride home. I didn't want to be in the band in the first place! I was like, 'No! That's not fair! Don't leave me with this band! Don't make me kind of like this band, and then leave it! That's bullshit!' Pete didn't stay at the apartment that night. I called him at his parent's house. I told him I wasn't going to do the band without him. He was like, 'Don't break up your band over it.' I said, 'It's not my band. It's a band that you, Joe, and I started.' He was like, 'OK, I'll stick around.' And he came back with a vengeance.

WENTZ: It was maybe the first time we realized we could do these songs titles that didn't have much do with the song from the outside. Grand Theft Auto was such a big pop culture franchise. If you said the phrase back then, everyone recognized it. The play on words was about someone stealing your time in the fall. It was the earliest experimentation with that so it was a little simplistic compared to the stuff we did later. At the time, we'd tell someone the song title, and they'd say, 'You mean "Auto"'?

JOHN JANICK: I saw their name on fliers and thought it was strange. But I remembered it. Then I saw them on a flyer with one of our bands from Chicago, August Premier. I called them and asked about this band whose name I had seen on a few flyers now. They told me they were good and I should check it out. I heard an early version of a song online and instantly fell in love with it. Drive-Thru, The Militia Group, and a few majors tried to sign them. I was the odd man out. But I knew I wanted them right away.

HURLEY: Fueled By Ramen was co-owned by Vinnie [Fiorello] from Less Than Jake. It wasn't necessarily a band I grew up loving, but I had so much respect for them and what they had done and were doing.

JANICK: I randomly cold-called them at the apartment and spoke to Patrick. He told me I had to talk to Pete. I spoke to Pete later that day. We ended up talking on the phone for an hour. It was crazy. I never flew out there. I just got to know them over the phone.

MCLYNN: There were majors [interested], but I didn't want the band on a major right away. I knew they wouldn't understand the band. Rob Stevenson from Island Records knew all the indie labels were trying to sign Fall Out Boy. We did this first-ever incubator sort of deal. I also didn't want to stay on an indie forever; I felt we needed to develop and have a chance to do bigger and better things, but these indies didn't necessarily have radio staff. It was sort of the perfect scenario. Island gave us money to go on Fueled By Ramen, with whom we did a one-off. No one else would offer a one-off on an indie.

STUMP: They were the smallest of the labels involved, with the least 'gloss.' I said, 'I don't know about this, Pete.' Pete was the one who thought it was the smartest move. He pointed out that we could be a big fish in a small pond. So, we rolled the dice.

HURLEY: It was a one-record deal with Fueled By Ramen. We didn't necessarily get signed to Island, but they had the 'right of first refusal' [for the album following Take This To Your Grave]. It was an awesome deal. It was kind of unheard of, maybe, but there was a bunch of money coming from Island that we didn't have to recoup for promo type of things.

JANICK: The company was so focused on making sure we broke Fall Out Boy; any other label probably wouldn't have had that dedication. Pete and I talked for at least an hour every day. Pete and I became so close, so much so that we started Decaydance. It was his thing, but we ended up signing Panic! At The Disco, Gym Class Heroes, Cobra Starship.

GUTIERREZ: Who could predict Pete would A&R all those bands? There's no Panic! At The Disco or Gym Class Heroes without Wentz. He made them into celebrities.

"Turn This Up And I'll Tune You Out" - The Making of Take This To You Grave, 2003

The versions of "Dead on Arrival," "Saturday," and "Homesick at Space Camp" from the first sessions with Andy on drums are what appear on the album. "Grand Theft Autumn/Where is Your Boy" and "Grenade Jumper" are the demo versions recorded later in Chicago. O'Keefe recorded the music for the rest of the songs at Smart Studios once again. They knocked out the remaining songs in just nine days. Sean and Patrick snuck into Gravity Studios in the middle of the night to track vocals in the dead of winter. Patrick sang those seven songs from two to five in the morning in those sessions.

STUMP: John Janick basically said, ‘I'll buy those five songs and we'll make them part of the album, and here's some money to go record seven more.'

MCLYNN: It was a true indie deal with Fueled by Ramen. I think we got between $15,000 and $18,000 all-in to make the album. The band slept on the studio floor some nights.

STUMP: From a recording standpoint, it was amazing. It was very pro, we had Sean, all this gear, the fun studio accoutrements were there. It was competitive with anything we did afterward. But meanwhile, we're still four broke idiots.

WENTZ: We fibbed to our parents about what we were doing. I was supposed to be in school. I didn't have access to money or a credit card. I don't think any of us did.

STUMP: I don't think we slept anywhere we could shower, which was horrifying. There was a girl that Andy's girlfriend at the time went to school with who let us sleep on her floor, but we'd be there for maybe four hours at a time. It was crazy.

HURLEY: Once, Patrick thought it would be a good idea to spray this citrus bathroom spray under his arms like deodorant. It just destroyed him because it's not made for that. But it was all an awesome adventure.

WENTZ: We were so green we didn't really know how studios worked. Every day there was soda for the band. We asked, 'Could you take that soda money and buy us peanut butter, jelly, and bread?' which they did. I hear that stuff in some ways when I listen to that album.

HURLEY: Sean pushed us. He was such a perfectionist, which was awesome. I felt like, ‘This is what a real professional band does.' It was our first real studio experience.

WENTZ: Seeing the Nirvana Nevermind plaque on the wall was mind-blowing. They showed us the mic that had been used on that album.

HURLEY: The mic that Kurt Cobain used, that was pretty awesome, crazy, legendary, and cool. But we didn't get to use it.

WENTZ: They said only Shirley Manson] from Garbage could use it.

O'KEEFE: Those dudes were all straight edge at the time. It came up in conversation that I had smoked weed once a few months before. That started this joke that I was this huge stoner, which obviously I wasn't. They'd call me 'Scoobie Snacks O'Keefe' and all these things. When they turned in the art for the record, they thanked me with like ten different stoner nicknames - 'Dimebag O'Keefe' and stuff like that. The record company made Pete take like seven of them out because they said it was excessively ridiculous.

WENTZ: Sean was very helpful. He worked within the budget and took us more seriously than anyone else other than Patrick. There were no cameras around. There was no documentation. There was nothing to indicate this would be some ‘legendary' session. There are 12 songs on the album because those were all the songs we had. There was no pomp or circumstance or anything to suggest it would be an 'important’ record.

STUMP: Pete and I were starting to carve out our niches. When Pete [re-committed himself to the band], it felt like he had a list of things in his head he wanted to do right. Lyrics were on that list. He wasn't playing around anymore. I wrote the majority of the lyrics up to that point - ‘Saturday,' 'Dead on Arrival,' ‘Where's Your Boy?,’ ‘Grenade Jumper,' and ‘Homesick at Space Camp.' I was an artsy-fartsy dude who didn't want to be in a pop-punk band, so I was going really easy on the lyrics. I wasn't taking them seriously. When I look back on it, I did write some alright stuff. But I wasn't trying. Pete doesn't fuck around like that, and he does not take that kindly. When we returned to the studio, he started picking apart every word, every syllable. He started giving me [notes]. I got so exasperated at one point I was like, ‘You just write the fucking lyrics, dude. Just give me your lyrics, and I'll write around them.' Kind of angrily. So, he did. We hadn't quite figured out how to do it, though. I would write a song, scrap my lyrics, and try to fit his into where mine had been. It was exhausting. It was a rough process. It made both of us unhappy.

MCLYNN: I came from the post-hardcore scene in New York and wasn't a big fan of the pop-punk stuff happening. What struck me with these guys was the phenomenal lyrics and Patrick's insane voice. Many guys in these kinds of bands can sing alright, but Patrick was like a real singer. This guy had soul. He'd take these great lyrics Pete wrote and combine it with that soul, and that's what made their unique sound. They both put their hearts on their sleeves when they wrote together.

STUMP: We had a massive fight over 'Chicago is So Two Years Ago.' I didn't even want to record that song. I was being precious with things that were mine. Part of me thought the band wouldn't work out, and I'd go to college and do some music alone. I had a skeletal version of 'Chicago...'. I was playing it to myself in the lobby of the studio. I didn't know anyone was listening. Sean was walking by and wanted to [introduce it to the others]. I kind of lost my song. I was very precious about it. Pete didn't like some of the lyrics, so we fought. We argued over each word, one at a time. 'Tell That Mick...' was also a pretty big fight. Pete ended up throwing out all my words on that one. That was the first song where he wrote the entire set of lyrics. My only change was light that smoke' instead of ‘cigarette' because I didn't have enough syllables to say 'cigarette.' Everything else was verbatim what he handed to me. I realized I must really want to be in this band at this point if I'm willing to put up with this much fuss. The sound was always more important to me - the rhythm of the words, alliteration, syncopation - was all very exciting. Pete didn't care about any of that. He was all meaning. He didn't care how good the words sounded if they weren't amazing when you read them. Man, did we fight about that. We fought for nine days straight while not sleeping and smelling like shit. It was one long argument, but I think some of the best moments resulted from that.

WENTZ: In 'Calm Before the Storm,' Patrick wrote the line, 'There's a song on the radio that says, 'Let's Get This Party Started' which is a direct reference to Pink's 2001 song 'Get the Party Started.' 'Tell That Mick He Just Made My List of Things to Do Today' is a line from the movie Rushmore. I thought we'd catch a little more flack for that, but even when we played it in Ireland, there was none of that. It's embraced, more like a shoutout.

STUMP: Pete and I met up on a lot of the same pop culture. He was more into '80s stuff than I was. One of the first things we talked about were Wes Anderson movies.

WENTZ: Another thing driving that song title was the knowledge that our fanbase wouldn't necessarily be familiar with Wes Anderson. It could be something that not only inspired us but something fans could also go check out. People don't ask us about that song so much now, but in that era, we'd answer and tell them to go watch Rushmore. You gotta see this movie. This line is a hilarious part of it.' Hopefully some people did. I encountered Jason Schwartzman at a party once. We didn't get to talk about the movie, but he was the sweetest human, and I was just geeking out. He told me he was writing a film with Wes Anderson about a train trip in India. I wanted to know about the writing process. He was like, 'Well, he's in New York City, I'm in LA. It's crazy because I'm on the phone all the time and my ear gets really hot.' That's the anecdote I got, and I loved it.

O'KEEFE: They're totally different people who approach making music from entirely different angles. It's cool to see them work. Pete would want a certain lyric. Patrick was focused on the phrasing. Pete would say the words were stupid and hand Patrick a revision, and Patrick would say I can't sing those the way I need to sing this. They would go through ten revisions for one song. I thought I would lose my mind with both of them, but then they would find it, and it would be fantastic. When they work together, it lights up. It takes on a life of its own. It's not always happy. There's a lot of push and pull, and each is trying to get their thing. With Take This To Your Grave, we never let anything go until all three of us were happy. Those guys were made to do this together.

WENTZ: A lot of the little things weren't a big deal, but those were things that [felt like] major decisions. I didn't want 'Where Is Your Boy' on Take This To Your Grave.

JANICK: I freaked out. I called Bob and said, 'We must put this song on the album! It's one of the biggest songs.' He agreed. We called Pete and talked about it; he was cool about it and heard us out.

WENTZ: I thought many things were humongous, and they just weren't. They didn't matter one way or another.

"Our Lawyer Made Us Change The (Album Cover)" - That Photo On Take This To Your Grave, 2003

STUMP: The band was rooted in nostalgia from early on. The '80s references were very much Pete's aesthetic. He had an idea for the cover. It ended up being his girlfriend at the time, face down on the bed, exhausted, in his bedroom. That was his bedroom in our apartment. His room was full of toys, '80s cereals. If we ended up with the Abbey Road cover of pop-punk, that original one was Sgt. Pepper's. But we couldn't legally clear any of the stuff in the photo. Darth Vader, Count Chocula…

WENTZ: There's a bunch of junk in there: a Morrissey poster, I think a Cher poster, Edward Scissorhands. We submitted it to Fueled by Ramen, and they were like, 'We can't clear any of this stuff.’ The original album cover did eventually come out on the vinyl version.

STUMP: The photo that ended up being the cover was simply a promo photo for that album cycle. We had to scramble. I was pushing the Blue Note jazz records feel. That's why the CD looks a bit like vinyl and why our names are listed on the front. I wanted a live photo on the cover. Pete liked the Blue Note idea but didn't like the live photo idea. I also made the fateful decision to have my name listed as 'Stump' rather than Stumph.

WENTZ: What we used was initially supposed to be the back cover. I remember someone in the band being pissed about it forever. Not everyone was into having our names on the cover. It was a strange thing to do at the time. But had the original cover been used, it wouldn't have been as iconic as what we ended up with. It wouldn't have been a conversation piece. That stupid futon in our house was busted in the middle. We're sitting close to each other because the futon was broken. The exposed brick wall was because it was the worst apartment ever. It makes me wonder: How many of these are accidental moments? At the time, there was nothing iconic about it. If we had a bigger budget, we probably would have ended up with a goofier cover that no one would have cared about.

STUMP: One of the things I liked about the cover was that it went along with something Pete had always said. I'm sure people will find this ironic, but Pete had always wanted to create a culture with the band where it was about all four guys and not just one guy. He had the foresight to even think about things like that. I didn't think anyone would give a fuck about our band! At the time, it was The Pete Wentz Band to most people. With that album cover, he was trying to reject that and [demonstrate] that all four of us mattered. A lot of people still don't get that, but whatever. I liked that element of the cover. It felt like a team. It felt like Voltron. It wasn't what I like to call 'the flying V photo' where the singer is squarely in the center, the most important, and everyone else is nearest the camera in order of 'importance.' The drummer would be in the very back. Maybe the DJ guy who scratches records was behind the drummer.

"You Need Him. I Could Be Him. Where Is Your Boy Tonight?" - The Dynamics of Punk Pop's Fab 4, 2003

Patrick seemed like something of the anti-frontman, never hogging the spotlight and often shrinking underneath his baseball hat. Wentz was more talkative, more out front on stage and in interviews, in a way that felt unprecedented for a bass player who wasn't also singing. In some ways, Fall Out Boy operated as a two-headed dictatorship. Wentz and Stump are in the car's front seat while Joe and Andy ride in the back.

STUMP: There is a lot of truth to that. Somebody must be in the front seat, no question. But the analogy doesn't really work for us; were more like a Swiss Army knife. You've got all these different attachments, but they are all part of the same thing. When you need one specific tool, the rest go back into the handle. That was how the band functioned and still does in many ways. Pete didn't want anyone to get screwed. Some things we've done might not have been the best business decision but were the right human decision. That was very much Pete's thing. I was 19 and very reactionary. If someone pissed me off, I'd be like, 'Screw them forever!' But Pete was very tactful. He was the business guy. Joe was active on the internet. He wouldn't stop believing in this band. He was the promotions guy. Andy was an honest instrumentalist: ‘I'm a drummer, and I'm going to be the best fucking drummer I can be.' He is very disciplined. None of us were that way aside from him. I was the dictator in the studio. I didn't know what producing was at the time or how it worked, but in retrospect, I've produced a lot of records because I'm an asshole in the studio. I'm a nice guy, but I'm not the nicest guy in the studio. It's a lot easier to know what you don't want. We carved out those roles early. We were very dependent on each other.

MCLYNN: I remember sitting in Japan with those guys. None of them were drinking then, but I was drinking plenty. It was happening there, their first time over, and all the shows were sold out. I remember looking at Pete and Patrick and telling Pete, ‘You're the luckiest guy in the world because you found this guy.' Patrick laughed. Then I turned to Patrick and said the same thing to him. Because really, they're yin and yang. They fit together so perfectly. The fact that Patrick found this guy with this vision, Pete had everything for the band laid out in his mind. Patrick, how he can sing, and what he did with Pete's lyrics - no one else could have done that. We tried it, even with the Black Cards project in 2010. We'd find these vocalists. Pete would write lyrics, and they'd try to form them into songs, but they just couldn't do it the way Patrick could. Pete has notebooks full of stuff that Patrick turns into songs. Not only can he sing like that, but how he turns those into songs is an art unto itself. It's really the combination of those two guys that make Fall Out Boy what it is. They're fortunate they found each other.

"I Could Walk This Fine Line Between Elation And Success. We All Know Which Way I'm Going To Strike The Stake Between My Chest" - Fall Out Boy Hits the Mainstream, 2003

Released on May 6, 2003, Take This To Your Grave massively connected with fans. (Fall Out Boy's Evening Out with Your Girlfriend arrived in stores less than two months earlier.) While Take This To Your Grave didn't crack the Billboard 200 upon its release, it eventually spent 30 weeks on the charts. From Under the Cork Tree debuted in the Top 10 just two years later, largely on Grave's momentum. 2007's Infinity on High bowed at #1.

WENTZ: I remember noticing it was getting insane when we would do in-stores. We'd still play anywhere. That was our deal. We liked being able to sell our stuff in the stores, too. It would turn into a riot. We played a Hollister at the mall in Schaumburg, Illinois. A lot of these stores were pretty corporate with a lot of rules, but Hollister would let us rip. Our merch guy was wearing board shorts, took this surfboard off the wall, and started crowd-surfing with it during the last song. I remember thinking things had gotten insane right at that moment.

HURLEY: When we toured with Less Than Jake, there were these samplers with two of their songs and two of ours. Giving those out was a surreal moment. To have real promotion for a record... It wasn't just an ad in a 'zine or something. It was awesome.

MCLYNN: They toured with The Reunion Show, Knockout, and Punch-line. One of their first big tours as an opening act was with MEST. There would be sold-out shows with 1,000 kids, and they would be singing along to Fall Out Boy much louder than to MEST. It was like, 'What's going on here?' It was the same deal with Less Than Jake. It really started catching fire months into the album being out. You just knew something was happening. As a headliner, they went from 500-capacity clubs to 1500 - 2000 capacity venues.

WENTZ: We always wanted to play The Metro in Chicago. It got awkward when they started asking us to play after this band or that band. There were bands we grew up with that were now smaller than us. Headlining The Metro was just wild. My parents came.

MCLYNN: There was a week on Warped Tour, and there was some beel because these guys were up-and-comers, and some of the bands that were a little more established weren't too happy. They were getting a little shit on Warped Tour that week, sort of their initiation. They were on this little, shitty stage. So many kids showed up to watch them in Detroit, and the kids rushed the stage, and it collapsed. The PA failed after like three songs. They finished with an acapella, 'Where is Your Boy,’ and the whole crowd sang along.

WENTZ: That's when every show started ending in a riot because it couldn't be contained. We ended up getting banned from a lot of venues because the entire crowd would end up onstage. It was pure energy. We'd be billed on tour as the opening band, and the promoter would tell us we had to close the show or else everyone would leave after we played. We were a good band to have that happen to because there wasn't any ego. We were just like, "Oh, that's weird.' It was just bizarre. When my parents saw it was this wid thing, they said, 'OK, yeah, maybe take a year off from college.' That year is still going on.

MCLYNN: That Warped Tour was when the band's first big magazine cover, by far, hit the stands. I give a lot of credit to Norman Wonderly and Mike Shea at Alternative Press. They saw what was happening with Fall Out Boy and were like, 'We know it's early with you guys, but we want to give you a cover.' It was the biggest thing to happen to any of us. It really helped kick it to another level. It helped stoke the fires that were burning. This is back when bands like Green Day, Blink-182, and No Doubt still sold millions of records left and right. It was a leap of faith for AP to step out on Fall Out Boy the way they did.

STUMP: That was our first big cover. It was crazy. My parents flipped out. That wasn't a small zine. It was a magazine my mom could find in a bookstore and tell her friends. It was a shocking time. It's still like that. Once the surrealism starts, it never ends. I was onstage with Taylor Swift ten years later. That statement just sounds insane. It's fucking crazy. But when I was onstage, I just fell into it. I wasn't thinking about how crazy it was until afterward. It was the same thing with the AP cover. We were so busy that it was just another one of those things we were doing that day. When we left, I was like, 'Holy fuck! We're on the cover of a magazine! One that I read! I have a subscription to that!'

HURLEY: Getting an 'In The Studio' blurb was a big deal. I remember seeing bands 'in the studio' and thinking, Man, I would love to be in that and have people care that we're in the studio.' There were more minor things, but that was our first big cover.

STUMP: One thing I remember about the photo shoot is I was asked to take off my hat. I was forced to take it off and had been wearing that hat for a while. I never wanted to be the lead singer. I always hoped to be a second guitarist with a backup singer role. I lobbied to find someone else to be the proper singer. But here I was, being the lead singer, and I fucking hated it. When I was a drummer, I was always behind something. Somehow the hat thing started. Pete gave me a hat instead of throwing it away - I think it's the one I'm wearing on the cover of Take This To Your Grave. It became like my Linus blanket. I had my hat, and I could permanently hide. You couldn't see my eyes or much of me, and I was very comfortable that way. The AP cover shoot was the first time someone asked me to remove it. My mom has a poster of that cover in her house, and every time I see it, I see the fear on my face - just trying to maintain composure while filled with terror and insecurity. ‘Why is there a camera on me?'

JANICK: We pounded the pavement every week for two years. We believed early on that something great was going to happen. As we moved to 100,000 and 200,000 albums, there were points where everything was tipping. When they were on the cover of Alternative Press. When they did Warped for five days, and the stage collapsed. We went into Christmas with the band selling 2000 to 3000 a week and in the listening stations at Hot Topic. Fueled By Ramen had never had anything like that before.

MOSTOFI: Pete and I used to joke that if he weren't straight edge, he would have likely been sent to prison or worse at some point before Fall Out Boy. Pete has a predisposition to addictive behavior and chemical dependency. This is something we talked about a lot back in the day. Straight Edge helped him avoid some of the traps of adolescence.

WENTZ: I was straight edge at the time. I don't think our band would have been so successful without that. The bands we were touring with were partying like crazy. Straight Edge helped solidify the relationship between the four of us. We were playing for the love of music, not for partying or girls or stuff like that. We liked being little maniacs running around. Hurley and I were kind of the younger brothers of the hardcore kids we were in bands with. This was an attempt to get out of that shadow a little bit. Nobody is going to compare this band to Racetraitor. You know when you don't want to do exactly what your dad or older brother does? There was a little bit of that.

"Take This To Your Grave, And I'll Take It To Mine" - The Legacy of Take This To Your Grave, 2003-2023

Take This To Your Grave represents a time before the paparazzi followed Wentz to Starbucks, before marriages and children, Disney soundtracks, and all the highs and lows of an illustrious career. The album altered the course for everyone involved with its creation. Crush Music added Miley Cyrus, Green Day, and Weezer to their roster. Fueled By Ramen signed Twenty One Pilots, Paramore, A Day To Remember, and All Time Low.

STUMP: I'm so proud of Take This To Your Grave. I had no idea how much people were going to react to it. I didn't know Fall Out Boy was that good of a band. We were this shitty post-hardcore band that decided to do a bunch of pop-punk before I went to college, and Pete went back to opening for Hatebreed. That was the plan. Somehow this record happened. To explain to people now how beautiful and accidental that record was is difficult. It seems like it had to have been planned, but no, we were that shitty band that opened for 25 Ta Life.

HURLEY: We wanted to make a record as perfect as Saves The Day's Through Being Cool. A front-to-back perfect collection of songs. That was our obsession with Take This To Your Grave. We were just trying to make a record that could be compared in any way to that record. There's just something special about when the four of us came together.

WENTZ: It blows my mind when I hear people talking about Take This To Your Grave or see people including it on lists because it was just this tiny personal thing. It was very barebones. That was all we had, and we gave everything we had to it. Maybe that's how these big iconic bands feel about those records, too. Perhaps that's how James Hetfield feels when we talk about Kill 'Em All. That album was probably the last moment many people had of having us as their band that their little brother didn't know about. I have those feelings about certain bands, too. 'This band was mine. That was the last time I could talk about them at school without anyone knowing who the fuck I was talking about.' That was the case with Take This To Your Grave.

TROHMAN: Before Save Rock N' Roll, there was a rumor that we would come back with one new song and then do a Take This To Your Grave tenth-anniversary tour. But we weren't going to do what people thought we would do. We weren't going to [wear out] our old material by just returning from the hiatus with a Take This To Your Grave tour.

WENTZ: We've been asked why we haven't done a Take This To Your Grave tour. In some ways, it's more respectful not to do that. It would feel like we were taking advantage of where that record sits, what it means to people and us.

HURLEY: When Metallica released Death Magnetic, I loved the record, but I feel like Load and Reload were better in a way, because you knew that's what they wanted to do.

TROHMAN: Some people want us to make Grave again, but I'm not 17. It would be hard to do something like that without it being contrived. Were proud of those songs. We know that’s where we came from. We know the album is an important part of our history.

STUMP: There's always going to be a Take This To Your Grave purist fan who wants that forever: But no matter what we do, we cannot give you 2003. It'll never happen again. I know the feeling, because I've lived it with my favorite bands, too. But there's a whole other chunk of our fans who have grown with us and followed this journey we're on. We were this happy accident that somehow came together. It’s tempting to plagarize yourself. But it’s way more satisfying and exciting to surprise yourself.

MCILRITH: Fall Out Boy is an important band for so many reasons. I know people don't expect the singer of Rise Against to say that, but they really are. If nothing else, they created so much dialog and conversation within not just a scene but an international scene. They were smart. They got accused of being this kiddie pop punk band, but they did smart things with their success. I say that, especially as a guy who grew up playing in the same Chicago hardcore bands that would go on and confront be-ing a part of mainstream music. Mainstream music and the mainstream world are machines that can chew your band up if you don't have your head on straight when you get into it. It's a fast-moving river, and you need to know what direction you're going in before you get into it. If you don't and you hesitate, it'll take you for a ride. Knowing those guys, they went into it with a really good idea. That's something that the hardcore instilled in all of us. Knowing where you stand on those things, we cut our teeth on the hardcore scene, and it made us ready for anything that the world could throw at us, including the giant music industry.

#long post #lke. VERY long post #fall out boy #fob #take this to your grave #tttyg #patrick stump #pete wentz #joe trohman #andy hurley #if theres any typos lmk and i'll fix em this. hust took fucking forever to transcribe.

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leohamatoblog · 1 month

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More Headcanons: Brother Edition

• leo and raph are a lot closer emotionally than they seem. they can read each other like it's literally nothing

• donnie and mikey are the younger two so they often bond whenever raph and leo are in to it. they seek each other for comfort even in to their late teens and adulthood years

• raph and mikey are extremely close emotionally and relationship wise. they're each other's first best friend

• donnie and leo are close relationship wise but not real emotionally. they can talk to each other about anything and not dwell on it

• mikey and leo have the typical big bro/little bro relationship. it's clear to the other two that leo tries to keep mikey out of harms way the most..leo will take that to the grave

• donnie and raph are the middle children but donnie's little broisms come out whenever he wants raph to do something for him/with him

• raph was actually the smallest until puberty

• mikey knows just what to say to make each of his brothers laugh, even when mad

• leo has a sharp tongue and has always made it everyone's problem

• donnie leaves the empty boxes of food in the fridge and cupboard

• they all shared a bed until they hit puberty and sometimes end up piled on top of each other if they're watching a movie

• affectionate head pats/shoves

• "donnie if you don't knock it off with your middle child nonsense!" (raph at some point)

• mikey likes to sit with donnie in his lab sometimes when he has nightmares cause the noises are calming

• don't trust leo and raph alone in the kitchen together...just don't.

• "raph! sensei said you have to let me use your gameboy!" (10 year old mikey)

• donnie was, and still is, the king of talking himself out of trouble

• leo's burps put mikey to shame

• raph seeks leo's comfort whenever he's feeling sad or if he can't sleep

• splinter made a chore list when they were little and they still use it to this day...smelly markers (iykyk) and all

• they will all only drink out of the kid's apple juice boxes

• "leo...why does the ceiling have a hole in it? and what happened to the toaster?" (donnie probably)

• they have prank wars and no one wins cause splinter is old and tired (and has had enough)

• they still play fight. not sparring, no no, the typical sibling wwe matches

• leo does the "cause im older and i said so" any chance he gets

• raph does wet willies to everyone except splinter

• donnie gets away with almost everything cause middle child

• all mikey has to do is cry and he gets his way with his brothers

• "mikey, why is there an ostrich in the living room and how did you get it here?" (definitely leo)

• they eat dinner together every night

• leo and raph could be yelling their heads off at each other, but if someone else (besides donnie or mikey) were to start insulting the other, the fight is put on hold cause how dare you-

• donnie and mikey are limited on their sugar in take cause they are very out of control when they've eaten nothing but pure sugary foods

• splinter used to make them yell things they liked about each other during training and make them calmly state things they disliked about each other during meditation to teach them how to communicate

• mikey is the only one allowed to spontaneously hug raph

• donnie controls the wifi and makes sure everyone is aware of his power

• raph is the best listener when his brothers need him

• leo is everyone's biggest supporter in literally everything

• they have deep emotional bonds and trust each other with their lives. they know they can go to each other about anything and everything no matter what

#rise of the tmnt #tmnt 2012 #tmnt ask blog #tmnt bayverse #tmnt donatello #tmnt leonardo #tmnt michelangelo #tmnt raphael #ask blog #tmnt 2003 #tmnt imagine #tmnt headcanons

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absolutebl · 14 days

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This Week in BL - new entries upset the rankings

Organized, in each category, with ones I'm enjoying most at the top.

April 2024 Wk 2

Ongoing Series - Thai

City of Stars (Fri iQIYI) ep 11 of 12 - Like most Thai BL pulps, this show doesn’t have much story to it. But I'm discovering that what it does have I actually really enjoy. I love that the gay boys got to play matchmaker for a change and I like how just GAY they are. It's nice. Refreshing.

We Are (Weds GMMTV iQIYI) ep 1-2 of 16 - University ensemble BL featuring PondPhuwin, WinnySatang, AouBoom, MarcPawinPoon. I like it. It’s old school Thai BL, but having fun with itself and its tropes. I’m not expecting much, so I don’t mind it waffling. All the couples are comfy. Chemistry is okay. Friendships are nifty. I like Pond's floppy hair. We fine.

Two Worlds (Thurs IQIYI) ep 5 of 10 - What an extremely bloody episode. And bad guy turned out to be very bad indeed. And now pretty much everyone is dead. Nice kiss. Of course.

Deep Night (Thurs iQiyi) ep 6 of 8 - It’s cute, they happy, not a ton happened. Random gratuitous bathing. As you do in BL. And I still think the sides should just end up in a thrupple

Only Boo! (Sun YouTube) ep 2 of 12 - Oh they very cute. Also very silly.

1000 Years Old (Thurs iQIYI) ep 9 of 12 - No. NOT THE GUITAR. YES abandon guitar for the sniff test! Love this for them. And me. My most favorite trope defeated my least favorite trope. VICTORY!!!

Ongoing Series - Not Thai

Unknown (Taiwan Tues YouTube & Viki) ep 8 of 11 - It’s just so good. Baby went away, grew up, and learned how to become a temptation... and a husband.

Gray Shelter AKA Gray Currents (Korea Thurs iQIYI) 1 of 5 eps - SooHyuk, only just surviving, reunites with YoonDae, his (brief) younger stepbrother who feels abandoned. They end up living together. The younger brother is played by Lee Jae Bin of Choco Milk Shake. OMG. STEPBROTHERS TROPE. Lucky me! Two in one season. Yay!!!! It's Korea so great visuals too. I shallow but yeah, this is great.

Living With Him AKA Kare no Iru Seikatsu (Japan Thurs Gaga) ep 1 of 10 - Kindly Ryota goes off to uni only to find his new roommate is his childhood bestie, Kazuhito. Kazuhito doesn’t have a girlfriend and Ryota tries to help him figure out why. Same director as Old Fashion Cupcake. It’s utterly charming. I am charmed. Also the framing is gorgeous (of course). Very stylish.

Love is Better the Second Time Around AKA Koi wo Suru nara Nidome ga Joto (Japan Weds Gaga) ep 6fin - I don’t know. Kind of a flat ending with the leads apart for most of it. I enjoyed this show but it never really hit with me.

Summation

After a teen betrayal and resulting separation a reporter reunites with his first love. That love wants him back. I enjoyed the authenticity of a reunion romance explored in Japan's quintessentially contemplative yet surreal way. The juxtaposition of the tenderness of the sex scenes with this Japanese style of authenticity was oddly elegant but all in all this still fell a little flat for me. There's nothing objectively wrong with it, but in total the narrative felt sluggish and the main couple were just... stiff (in the wrong way). Frankly, I'd rather just rewatch Tokyo in April is. 8/10

Love is like a Cat (Korea Mon Viki) eps 3-4 of 12 - What is going on with this show? No, I get the plot. I just don't get the show or why I’m watching it. Annoying.

It's done, but I suck

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps

To Be Continued (Sat C3 Thailand grey) ep 7-8fin - I can't for the life of me find the final 2 episodes. Haven't had a real hunt, but yeah. No dice so far.

It's airing but...

Takumi-kun Series 6: Nagai Nagai Monogatari (Japan Furritsubs) eps 1-? of 10 - I may wait and binge it.

Lady Boy Friends (Thai WeTV grey) 16 eps - reminds me a bit too much of Diary of Tootsies only high school. Not my thing. DNF unless it turns a corner and is truly amazing.

Kiseki Chapter 2 (Sun iQIYI) 6 eps - It’s so boring DNFed at 2.

Close Friend Season 3: Soju Bomb! (Weds iQIYI) 6 - The problem with situational comedy BL is it must be situational, comedic and a BL. This show gets 1 of 3 claims correct. 33% is not a passing grade. Dropped at 3.

Memory in the Letter (Thai WeTV) - only 4 eps, tell me if I should bother?

Next Week Looks Like This:

4/18 At 25:00 in Alaska AKA 25 Ji Akasaka de (Japan Thurs Gaga) 10 eps - Yuki lands his first starring role in a BL drama alongside superstar Asami (previously his senior at uni). Said superstar suggests they form a sham relationship until filming concludes. As they actually begin to fall in love, the spotlight begins to burn. I think I've seen this before (joke) and also the trailer doesn't inspire confidence.

Still to Come in April

4/25 Boys Be Brave! AKA Roommates (Korea Thurs Viki) 8 eps - Trailer Jung Ki Sub is Kim Jin Woo's slacker friend - and secret crush. So when Ki Sub crashes at his place, his heart tingles to be near him everyday. But as the short stay turns into permanent mooch, how long can Jin Woo keep his true feelings under wraps and hold back from confessing?

4/26 My Stand-In (Thai iQIYI) 12 eps - adaptation of Chinese novel "Professional Body Double" by Shui Qiang Cheng. Stars Up (Lovely Writer) and Poom (Bake Me Please) directed by the same team as KP (not a recommendation IMHO - my biggest criticism of that show was the clashing directing styles). This one looks complicated, lemme try: Joe is a stuntman for famous actor Tong. Joe falls in love with Ming but Ming sees Joe as nothing more than a Tong-replacement. After learning this horrible truth, Joe dies. Joe then wakes up in the body of another man also named Joe. He manages to rebuild the same life as before—with the same people eventually re-meeting Ming. Ming wants Joe back but Joe doesn't understand why. But Ming seems to know what's going on and wants to give him some kind of explanation.

I'm exhausted just trying to describe the plot.

Knock-Knock Boys (Thai WeTV) - 4 college friends conspire to help their friend lose his virginity. Familiar faces like Seng (yes, Billy's previous pairing) and Best, news here. But will it actually air this month?

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

NOTE: It looks like one of my personal favorites of last year Unintentional Love Story is getting a spin off!

THIS WEEK’S BEST MOMENT

Sniff test turning into a make out sesh? Please and thank you. City of Stars

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a bother.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly

If ya wanna be tagged each week leave a comment and I will add you to the template. Easy peesy.

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simtanico · 2 months

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Ellie Williams (inspired by The Last of Us) for The Sims 3

Teen | Brave, Loner, Artistic, Animal Lover

Behold: my pride and joy. You could say that this character is the reason I started creating CC in earnest. Now it's been almost 10 years since I first saved a version of her in CAS and here she finally is! A whole depressing heart-wrenching sequel to her story and a live action adaptation has come out since then!

So maybe this is the opportunity to give her the fun-filled tragedy-less life she deserves?????? Perhaps???????

If you're up for it, Ellie comes with brand new CC including her hair, Fall Hoodie, Summer Top and an edit of the Diesel High Kee jeans I recently released and a soft-launched slider that is soooooooo niche that I don't think merits its own post. You can find it at my sliders page and in the download. :)

And her being a sim of mine, she has a LOT of CC requirements and uses a ton of sliders. You've been warned!!!

The rest of the details below!

The List (and credits):

Skin: @kurasoberina Primer Skin HD+ (Default) with @chinsims Extra Tones [She will probably do well with another skin, as most of her features are slider and makeup reliant.]

Eyebrows: @simmillercc Low Full Tweezed brows from the EA Female Eyebrow Overhaul (Non-Default) collection (MTS archive.org link, current Patreon link does not have the non-default version of the eyebrows, afaik)

Face Details: Gosik Subtle Freckles v2 // v3 // v5 | @pralinesims Delicate Freckles for the Nose // Delicate Freckles for the Cheek

Makeup:

NOTE: ALL MAKEUP THAT WASN'T ORIGINALLY ENABLED FOR TEENS WAS MADE SO. This tutorial covers how to do that with s3pe.

Eyeshadow: 1. Base Game Eyeshadow (w/ lavsm's default replacement alpha fixes) 2. mochi029 inner eyelid make06 [reuploaded by @hyperkaos] 3. @sk-sims Natural Eyebag 4. Ephemera E121228eyeshadow [hosted by me here]

Eyeliner: 1. @sclub-privee Eyelash 3NA 2. Eyelid 2 by me [included in download] 3. Base Game Top Eyeliner

Blush: 1. @gramssims Contour 2 and Contour 5 [Link inactive. Click here for official archive link.] 2. mochi029 plainMakeSet A 3. Tifa Shading Line Blush // Nose Mask V2 [creator inactive, shared by @simdreams] 4. ModernLover Nosemask 5. @agnelid Bloodland Blush N1 Part 3

Lips: 11 IN3S Dry Lips [re-hosted by @villesims] | 2. Lip Definition III by me [included in download]

The Riding Pants in her athletic outfit (with the striped shirt) are by @sweetdevil-sims!

*** she does require a slider that I have not been able to find reuploaded anywhere, Ottershell's Chin Tallness. Link here. ***

For any other defaults and mods installed please visit my newly-updated resources page linked on my page!

Last thing: Feel free to change her up as you need. Simplify her slider usage, use her as a base, whatever. Just, please, do not claim you made her all on your own OR make money from reposting her or subsequent sims. I've spent years making her and worked very hard to compile all this. If you've made it this far, thank you!!!!!!!!!!

Download .sim and included CC (and leave a 💖): https://simfileshare.net/download/4512068/

Please tag me in any photos you might take!

She will also eventually be hosted on simblr.cc!

#s3cc #the sims 3 #ts3cc #dl: sims #the last of us #this is actually making me super nervous sdfhafhewfsd #i'll scurry back from whence i came #mysims: Ellie

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tennessoui · 9 months

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kit's list of obikin fic recs in no particular order

y'all asked and i finally answered.....here's a list of fics i've read and adored this year! note that i've tagged things that i think could squick people (a/b/o dynamics, weird biology, dub con, heavy kink, etc), and i've noted the ratings (explicit, mature, teen), but i have not noted top/bottom (this list contains a pretty even split of both) and i haven’t indicated which are WIPs - take a chance! i've left little paragraphs as to why i liked the fic but i tried to keep spoilers out of them so the story can be a surprise :D

remember to leave a comment and a kudos if you enjoyed the fic :D

Igneous - zimriya Notes: Explicit, A/B/O dynamics, canon compliant, series!

Trying to find this fic so I could reread it was the thing that prompted me to make this list. That’s how amazing this fic is. It tears out your heart strings. It hurts. I love it. It’s soft. It makes me cry. I am never going to recover from this perfect retelling of canon. This hurts just as much as the kenobi show. I owe this author a medical bill and a thank you card. I don’t care if a/b/o isn’t your thing or omega obi-wan isn’t your thing i need you to try reading this fic i really do because it’s just honestly superb and beautiful prose and i think about some of these lines near daily. Ok, fine. Daily.

I’d Never Be Me (Without The Support of Your Loving Arms) by euryrice Notes: Explicit

i don’t think i’ll ever stop talking or thinking about this fic, it’s up there for me….such a good take on a bond/spy au that I don’t think I’ll ever seriously try at one myself because it’d never be ‘i’d never be me without the support of your loving arms’; it’s just so well thought through. Canon lovingly applied. Kit beautifully moved and hungry for a second part of the series, even though it doesn’t even need a second part and is perfect as a stand alone. Witty banter rating: 10/10

Hooked On You by @whohatessand Notes: Explicit, infidelity, side anidala (padmé is being cheated on)

Dirty bad wrong never felt so good though; Anakin is cheating on his wife with her campaign manager. Anakin is very not satisfied with being a trophy husband, and honestly it’s so valid of him. This is so well-written that Anakin’s frustration with his life, his wife, his duties all feels very real and understandable. Does that excuse the cheating and the spit-as-lube fucking at a donor ball? Nah, but they know it doesn’t. And it ends on a very hopeful obikin note, which is my favorite

The Final Frontier of Pleasure by @jedibongrip Notes: Explicit, bp!Anakin, virginity kink (ish?)

“Just the tip” made into a very hot 2k fic wherein anakin’s definitely not a virgin anymore, but obi-wan’s gonna go along with it if it makes him happy (and means that he gets to keep touching him, god bless); note to say that all of this author’s stuff is very good!

Stars To Fill My Dreams by hidden_humours Notes: Explicit, reverse master/padawan, dark Anakin

Anakin is teetering on going off the walls insane in this fic and I am so here for it. This is just amazing. I love a padawan obi-wan and I especially love this time-travel with a twist (which I won’t spoil!); the summary even says “yeah this anakin isn’t all there” and the author is right!!! 100%!! I love it. I want to poke this Anakin with a stick. I want to push him off his metaphorical cliff of sanity. I want to push Obi-Wan off a cliff just to see what this Anakin would do. What a fic. What a goddamn fic.

Obi-Two by @virahaus Notes: Explicit, Obi-Wan/Anakin/Obi-Wan

Guys, holy shit I am so excited for this WIP you have no idea. Everything about it is delicious so far. The Obi-Wan that gets zapped back in time just before ROTS/Order 66 is living to see twunk Anakin again and he is so soft yet so commanding about it. Ben!Obi-Wan literally kills me in this fic. If there’s never another chapter, I’m begging you to read this anyway, it’s that good.

Vast as the sea, constant as the tide by @moonlightatnoon Notes: Explicit, pirate!anakin, captain!Obi-Wan

So maybe Kit’s attention was captured and held by the sea-themed title…she’s a simple lady. But this fic is absolutely beautiful. I love the intrigue, the history, the pining of it all. My attention, much like Obi-Wan, was gently captured and held hostage by pirate Anakin and the way he’s like ‘my obi-wan <3 mine <3’ while also being a whole ass pathetic lil mew mew of a pirate. He is so possessive and fearsome and clingy and needy I love this Anakin and how much he needs his Obi-Wan. I love the ending especially! Beautifully done.

Buns of Steel by @ragnarlothcat Notes: Explicit, humor, himbos the both of them

Put this under Fics That Make Kit Want To Join A Gym. I love the humor here (Rag has such a legendary way with a great turn of phrase and pacing of jokes that just makes the fic fly by) and the ridiculousness of it all. Obi-Wan here is extremely lovably bitchy and I adore it. His dialogue is quite polite, but this is a fic where the narration really makes the characterization pop. Also the amount of lusting after his beautiful aerobics instructor that Obi-Wan does…and how UNFAIR he finds Anakin’s beauty. Just amazing. Cheering for Obi-Wan living his best life and getting the hot aerobics instructor in the end.

My Thoughts I Confess (Verge On Dirty) by @artemisthehuntress Notes: Explicit, horny, horny, horny Obi-Wan

This is, of course, the other fic filed under Fics That Make Kit Want To Join A Gym. I love Anakin in booty shorts. I love Obi-Wan, head empty and no thoughts because his dick is too goddamn hard to see straight. One should not be exercising under such conditions. The humor here is impeccable. Love all of Obi-Wan’s fantasies with the hot guy working out next to him. If you’re a fan of horny-grip Obi-Wan, this is the fic for you! If you’re not as into horny-grip Obi-Wan, I’d say this fic is still worth the read because it’s just written so well.

just like the days we’d burn by @travellingcircus Notes: Explicit, PTSD mentions, heavy

I was always going to rec one of travellingcircus’ fics of course. They are a fantastic writer and I love their fics - especially the long oneshots that consume my entire night when I see that one’s been posted and I get to delve into a new side of obikin I could never imagine. This fic is one of my favorites by them – and maybe one of my favorite modern aus all together. Anakin has a racing career until he has an accident. Then he goes back to his small town and decides to have Obi-Wan instead because first love (I love first love fics especially in modern aus)!! Also Obi-Wan has a motorbike. This is excellent news. He also has helmet hair. I love Anakin in this fic so much. He’s crazy. He’s wounded. He’s obsessed. He’s in love. He’s desperate. And Anakin makes Obi-Wan all these things too. Such a good modern au for these characters. They feel so close to their canon characters, it’s marvelous.

Where Every Mask Cracks by skyl_tales Notes: Explicit, a spin-off of one of their other fics, but can be standalone

Skyl_tales’ fics for me are the very definition of fandom classic. They were the first fics I read and I continue to reread them roughly maybe once every year at least. They’re just all very readable. The writing style is something I have always loved and envied – their fics are approachable and entertaining, no matter how much you know or don’t know about Star War at the time of your reading. Tbh I think this is the fic author who has influenced my writing the most! I love this fic in particular because I do have a soft spot for vaderwan. Old Ben being delightfully torn up over Vader and Vader being delightfully unhinged about his former master…..with a magical fix-it device that restores both of them to their younger, strongest selves (if only to make the fucking easier and the horny insatiable)

Gay Chicken by zimriya Notes: Explicit, enemies to lovers, light daddy kink

Where to begin with this fic!!! I guess I cannot stress enough how much I love humor in fics when done right and this is done so well. Like it is literally so funny and so normal. There is something so beautiful about putting these space monk superheroes into like. Just situations. This fic is about laundry. But also upstairs neighbors. But also lost loves??? I’m always a bit hesitant for fics with a lot of notes/messages, because I can find that hard to read, but this was very, very easy to read, both format-wise and flow of the story wise. I love them both being assholes to each other. Love them slowly becoming friends through notes under the monikers “501” and “212”. LOVE the twist.

wildest dreams by kidhuzural Notes: Explicit, 5+1 fic

Basically: Baby Anakin wants to get married to Obi-Wan. Teenager padawan Anakin wants to marry Obi-Wan. Clone Wars Anakin wants to marry Obi-Wan. Obi-Wan wants to marry Clone Wars Anakin. I love love love fics that start out with baby padawan Anakin and have him grow up. It places so much emphasis on their master&padawan relationship and how important they were to each other before AOTC or TCW, which I think is the strongest basis for obikin. Also this Anakin is just so cute and Obi-Wan cares for his baby padawan so much!! All in all, this fic is just so sweet. Obsessed.

In Pursuit of Cold Water by @jswander Notes: Mature, Merman!Anakin

Can I have a fic rec list that doesn’t include this fic?? I love this fic. I think I reread it like twenty times while waiting for the last chapter, and it was worth it and gripping and incredible each time. I am fascinated by writers who can worldbuild, and Jo worldbuilds so well in this mermaid AU. I love the descriptions of their fins; the possessiveness, the hurt, the anger, the jadeness, and the naivete of Anakin somehow all existing in the same character and all being so justified. There’s some really heavy moments and also really silly moments (they dress Anakin up as an old lady to avoid detection at one point). I love the development of their relationship and especially the growth of their mental bond. Such a good translation of their Force bond in canon (and such a clever work-around for a mermaid not speaking English!) Just an amazing fic. So good.

The Devil’s In The Details by @ragnarlothcat Notes: Explicit, demon Anakin, darker!Anakin (because of the demon bit)

Back at it again with my Rag-writing obsession! I’m loving this WIP and how evil and innocent Anakin is. Yeah, he’s a demon haunting Obi-Wan’s new house; yeah, he’s killed like. A ton of people. But he’s so pathetic. So very eager to please. So very attractive. As a reader, you’re like Obi-Wan’s friend, Quinlan, who discovers Obi-Wan sleeping with a literal demon, and you’re like ‘bestie, do you not know? That’s a literal demon?’ and obi-wan is like ‘he is quite polite and does so good on our walks around town’ and you’re like ‘you’re taking him on walks???’ but also you can’t help but root for demon Anakin and poor decision-maker Obi-Wan. Also, once again, I love Rag’s humor and timing of it. The narration Obi-Wan has is so colorful and so fucking funny, I snort all the time. He’s such a bitch. He’s amazing.

By Omission by @posthumousvigor Notes: Explicit, reverse master/padawan au, drunk sex

This writer is very quickly becoming one of my favorites. I love their prose and the way they write Obi-Wan—especially padawan!Obi-Wan with Master Anakin. One of my favorite dynamics for obikin aus, and this writer gives me so much good food. TBH one of my all-time favorite cliches/tropes is one of them getting dressed up out of their Jedi robes to be put in Situations, and I especially love this for Obi-Wan cause Anakin got a whole movie of dressing up for funsies, and this fic delivers. Master Skywalker comes back early from a mission to find his padawan slutting it up in the Lower Levels, and what is a man to do other than snap?? And he snaps so beautifully in this fic. I love it when they’re horny beyond reason for each other.

how to stay by answersinahauntedclub Notes: Explicit, professor/student relationship

I know logically that this fic probably will not update again, but it is so beautiful and I think about it all the time. It is like. The peak of college/university aus in this fandom. Bold statement, I know, but I love this fic and characterization so much that I am stating it. They’re both disasters. They can’t resist each other even if they really, really should. It’s an incredible read and I am fascinated by both this Obi-Wan and this Anakin. Cannot stress enough the lovable disasters that they are. In writing this, I took an hour break and reread it again.

we’re swimming with the sharks (until we drown) by @obiwaned Notes: Teen, fake/pretend relationship

Getting this update notification felt like such a sweet sweet win for me. I loved the premise as soon as I read it and it just keeps getting better. Fake marriage for any reason is always amazing. I also LOVE non-linear timelines and this writer does it so well because you as the reader don’t get lost and confused trying to keep the timeline straight. It’s delectable, it’s straightforward, it’s so easy to devour, and I am obsessed with this fic and even the possibility of more.

Self-Insert by ZenyZootSuit Notes: Teen, crack

God this is so funny in a very crack way. Short and funny and perfect. Darth Vader writes self-insert fanfiction about being with Obi-Wan Kenobi, and Darth Sidious finds out. Imperial secrets are leaked, but I’m sure those were important details he needed to include!! For context! Realism! Absolutely perfect; no notes.

Open Circle by Calyss Note: Explicit, Dark Obi-Wan, dom/sub (under)tones, seduction to the Dark side

This is also one of my annual rereads, and one of my absolute favorite Sith Obi-Wans in the fandom. I love how out of control this sith Obi-Wan is, how very obsessed with just Anakin he is. Sith Obi-Wan really said “he’s mine” and he’s gonna destroy Anakin’s marriage and the whole galaxy to prove it. And also Anakin is not going to say no or resist much at all because that’s his master and he loves him and has weird feelings for him he has not really examined. This is also such an id fic of mine. But no regrets putting it on the list. When I saw it updated in October 2022, I literally cleaned my room and improved my life before I sat down to read it.

How to Save a Galactic Republic Without Really Trying by @sharpest-tongue Notes: Mature, Post Kenobi show

So many amazing fics came out of the Kenobi show but this absolutely has to be one of my favorites. There’s humor, there’s touching moments, there’s Star Wars lingo I didn’t know but that made the whole thing feel very much in-universe (and that I have now incorporated into my Star Wars Wikipedia slash Dictionary for later use, even if it’s all made up). I love a time travel fic, has to be said, and this one delivers perfectly. The Jedi as family in this fic really made me emotional. Extra special shout out to Obi-Wan, raising his padawan again in a do-over, and thinking, ‘i was not this bad as a teenager wtf?? Yeah ok whatever i MAY have fought in TWO WARS at that age but still!!!’ love him. Love his obvious blind spots for anakin and also for himself. Such a good fic!!!

broken bones, thunder drums by @maragny Notes: Teen, hurt/comfort

There is so much to love about this fic and I love it all. Clone War fics are like my bread and butter in this fandom. I love obikin fics that take place in the middle of battle where the reader is confronted with the reality of either Anakin or Obi-Wan fighting – and this fic really starts by throwing you into the action in such a visceral, effective way that I was stressed! I was gripped! It makes Anakin hiding his injury feel not only understandable but also like the only option. Good think Obi-Wan is there to save the day and help Anakin through his pain because he is overprotective and in love with him. Also the first chapter is told from Rex’s point of view, which just. One of my favorite outsider POVs for obikin is Rex.

no news is good news by @rhymenoceros Notes: Mature, crack, relationship reveal, breaking news/news cycle format

This fic is so funny! The tone is perfect for what the writer sets out to do — that is, make the reader feel like they’re caught up in a social media news cycle! There’s talk shows, there’s paparazzi, there’s space reddit, there’s leaked Jedi text conversations….the Jedi screen names are hilarious and easy to tell who is who while still staying true to the joke. Cannot recommend this fic enough. Cute, funny, horny, and with that sweet sweet Palpatine downfall that the best cracky fics always have.

Falling Deep Into You by @dark--whisperings Notes: Explicit, dom/sub tones, so much pining

Any fic that has the tag “Obi-Wan Kenobi is a freak in bed” has my attention and my interest. This writer describes Anakin subbing and Obi-Wan domming so very beautifully that it’s almost a manifesto in 8k. Lots of good sex here, but I really love the opening scene and the push and pull the writer’s given the characters. They want each other so much—Obi-Wan wants so much, but alas! Religious guilt on par with catholicism! Of course the nasty freaky sex fiend in Obi-Wan wins out over the Jedi Master, but I really enjoyed the guilt and the way he gives in and goes to find Anakin because of course he does. And then the ending! A resetting of the chess board so that the game can start over tomorrow. A great fic all in all!

you took my love so tenderly by @billboguspreston & @acrylicsalts-inspo Notes: Explicit, prince/guard dynamic, exhibitionism

I started reading this fic when it was first posted, and I followed it attentively and with baited breath. I love the reverse age dynamic (I know, it’s not for everyone, but I lovelovelove it), and I love that this Obi-Wan is such a spitfire. He knows what he wants and that’s for his silent, restrained, older, handsome bodyguard to snap and fuck him and he WILL brat his way into getting what he wants as is his right. Anakin being both incredibly horny (Anakin horny-gripping the pommel of his sword because Obi-Wan has decided to get off right in front of him to see if he can tempt him into fucking him) is amazing. Obi-Wan being both the aggressor and also the inexperienced one is chef’s fucking kiss and a dynamic I do not see often enough. So worth the read. And there may be more sequels??? Be still my beating heart!

I Wanna Be Owned by @kyberkenobi Notes: Explicit, 5+1 things, light BDSM

Speaking of horny grip lol, I had to think for a bit about which fic from this writer to choose because all of them are very good and very very smutty with all sorts of kinks and dynamics. The writer you go to for mean dom Obi-Wan and if you’re feeling up for discovering a kink you weren’t sure you were into before. There’s plenty of amazing fics on her ao3 (I was also immediately obsessed with the recent alpha/alpha one), but this fic is one of my favorites. I love the style of a 5+1 for a fic, and I am obsessed with casual slut (affectionate) Obi-Wan and Anakin’s blinders of his master slowly being pulled away until he HAS to confront the reason Obi-Wan can untie and hogtie a criminal they caught so damn quickly. It’s indecent. It’s amazing.

Our Man From Tatooine by kazmir Notes: Explicit, a/b/o dynamics, intersex omegas

This story is such a good, quick, enthralling read. I really can’t say much without spoiling it, but it’s worth the read. Dark Obikin, twists and turns, roleplaying, horny mates being unable to resist the other’s draw….so good….One of those fics I paused to reread while reccing it lol

Acts of Contrition by @marycontraire Notes: A series, ranging from Gen - Explicit

Cheating a little bit to rec you all a series instead because I just reread this fic series and fell in love with it all over again. Literally a fandom classic for me. The world building is amazing, the realism and research really pays off because it creates such a rich world for people to dive into. The Tatooine culture is so rich and interesting, and I love this Anakin especially. It’s a very realistic take on if Anakin had been expelled from the Order for the Tusken massacre. This Anakin is darker and clingier and Obi-Wan is trying to keep himself level and sane and something Anakin can cling to while still being a Jedi in all but name. Every installment of this series is gold and worth reading as quickly as possible just to have this in your mind faster. Also worth a slow read to savor it because unfortunately, you can only read a fic series like this for the first time once.

You can call me baby (you can call me love) by @lilredghost Notes: Explicit, 5 + 1

This fic is so sweet that I honestly forgot it was explicit - even though, yes, it opens with a sex scene lmao! But I love this writer’s explicit fics so much (their ao3 is worth a browse) that I am not disappointed in it being explicit, no sir. Obi-Wan gets upset when Anakin calls him an old man repeatedly and I’ve read this fic so much that when I see repeated use of “old man” in other fics I’m like “! no! His feelings!!!” this fic ALSO has anakin calling obi-wan baby <3 so good so sweet so perfect.

take my hand through the flames by @atornpage Notes: Explicit, vaderwan, seduction to the Dark Side

Oh this may just be the WIP I am most excited to see updated! It’s such a clever and unique concept that I’m on the edge of my seat to see where the writer takes the story next. There are not enough stories where a character falls into a coma and time passes around them, and this is so perfect. I adore fics where baby Anakin is clingy and obsessed with Obi-Wan and everyone around them is like ‘this is not REALLY the Jedi way, guys’, and this fic has SO much of that. I can’t wait to see all the promises of the tags come to fruition and am massively enjoying the ride to get there!

Heal Me, My Darling by @wasureneba Notes: Explicit, sick fic, idiots in love

Who doesn’t love a sick fic?? The tender healing…the care…the rotten work…not to me, not if it’s you, etc etc…this fic is such a good sick fic too, I was here for the entire thing! Anakin is in top whiny form and Obi-Wan is cuddling him left and right! I also love Anakin having a praise kink in this fic – it made me soft and so receptive to the idea again when I was getting tired of seeing it as a default in a ton of fics. But this fic said “Obi-Wan tells Anakin he’s doing good while touching his ass to administer a very important for plot reasons shot and Anakin bursts into flames” and I said “absolutely and understandable, please tell me what happens next.” This is like a perfect sick fic for me. The right balance of sweet and horny. Caring Obi-Wan and whiny because he’s bored! Anakin. God-tier combination.

Νόστος by NFx Notes: Explicit, stockholm syndrome typical of hades & persephone aus

I am always here for a good Hades&Persephone AU and I feel like this is a great one! I especially love AUs that carefully place Star Wars GFFA characters into an established world (like Greek mythology in this case), and take care to match up the side characters of the GFFA with the AU characters they’re being transposed on. I like the pace and narration of this one too, the way the tone feels both readable and still old — the dialogue and narration don’t read like a BBC documentary set in Ancient Greece where everyone just sort of speaks like they’re in a Shakespeare play for some reason, but it’s still sorta oldish/stiffer dialogue that really keeps you in the fic universe without alienating readers. Also, horny. But dark horny. Love a darker Anakin.

Hunting the Homeward Light by GreenQueenofClubs Notes: Teen

One of my all-time favorites, I think, and if you haven't read it or haven't reread it recently, you need to! There's so much tension build up and detail put in with such an amazing pay off that I could literally read this fic every month and probably find something new to enjoy all over again. I don't even have strong opinions about mace training anakin, but this fic convinced me it could work and work really well. also poor poor obi-wan </3 his emotional support padawan goes missing </3 but then is found :) as a twunk :)

#asks #obikin #obikin fic recs #me: im gonna focus and write my fic #also me: jk here is 4k of fic recs #i hope you enjoy!! i actually spent like 2 nights on this lol #combing through my history #tried to also spotlight some writers i like a lot but dont really see recc'ed #also psa if you have a tumblr pls link it to it on your ao3 #for kit #my notes are so silly i am sorry #i don't have kit's opinion corner often #so i shoved all my opinions into 4k of nonsense fic review #me: i hope peoplee like my fic list :)#also me: posts at the weirdest times where most people are not online :)

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leclercss · 10 months

Text

Tainted Love, Part 3 (Charles Leclerc ft. Lewis Hamilton)

Part 1, Part 2

Masterlist

plot: in an attempt to fix your marriage, you've reluctantly agreed into being in an open relationship with your husband. so far, it's only been your husband that has taken advantage of your recent arrangement until one night out you meet a man who makes you begin to question your marriage.

pairings: charles leclerc x fem!reader, lewis hamilton x fem!reader

warnings: (+18) mentions of smut, cheating and some swearing

authors note: thanks so much for all of your positive feedback so far. really happy that you guys are enjoying this story. i'm hoping my creative juices stay flowing but in the mean time, let's talk about the husband (ifykyk).

word count: 3.7k

taglist: @ironmaiden1313, @ru-kru, @buendiabebeta, @flwr-quicksilver, @ravioli19, @julesandro, @hornedravenclaws, @thatobsessedreader

What time shall I pick you up? x

Baby, I think we need to talk about yesterday x

Call me when you're awake okay? Love you x

You're currently standing in Charles' kitchen as your eyes scan the unread messages that your husband has sent through the night. You're not sure what you think or how you feel about the messages.

It's the first time since you arrived at Charles' apartment that Lewis has even crossed your mind. You're telling yourself that you should feel some guilt as he's starting to sound a little desperate with his messages but you mostly just miss the feeling of Charles.

It's currently 06:10. You haven't slept much throughout the night, probably about thirty minutes altogether. You and Charles had been keeping each other busy and awake. You'd spent a decent amount of time pleasuring one another. Charles' head had spent a considerable amount of time between your thighs. You had returned the favour to Charles by pleasuring him with your mouth, switching between slow and sensual blowjobs to Charles basically fucking your mouth. This was in between you guys trying out different positions with each other - Charles had loved fucking you from behind but he loved seeing you on top of him more, riding him as your boobs bounced in his face. You'd also spent a lot of time having intimate sex, softly kissing one another and running your hands all over each other's bodies as he moved in and out of you.

But your favourite moments were the ones where you lay on each other, limbs intertwined talking about life. You'd come to learn about each other's lives - about your similarities and your differences. Both of your fathers had passed away when you were in your mid-to-late teens. You both had a love for travelling. Charles was a talented piano player, you could barely play the triangle. You were both silly and playful with one another but compassionate and open to learning more about the person laying in their arms.

It was clear you had a connection but how deep this went, only time would tell.

As you stand in the kitchen, your body covered in one of Charles' t-shirts, which happened to be of Ferrari, your eyes go back to the texts on your phone. How and when do you respond to them?

You'd always thought that if you ever took the opportunity to sleep with someone else other than Lewis you'd have been filled with guilt and regret. But here you stood in another man's apartment, spending the last 5 hours of your life having sex with him and telling him your life story. Lewis was an afterthought.

"Can't sleep?"

The voice behind you takes you out of your thoughts. It has caused you to jump a little both from the surprise but also from the fact that it doesn't belong to Charles. You turn to see one of his friends standing in the doorway, arms folded across his chest looking at you. You think this one is Hugo.

"Erm, yeah, I guess. I thought I'd take the chance to check my phone. Charles is currently asleep," you respond.

"You're checking to see if your husband has messaged right?"

You're a little taken aback by his question but you answer him out of politeness. "I hadn't checked my phone since I got here last night. Just checking in on life".

The conversation has taken you by surprise, especially at this hour. You're vague with your answer, not really wanting to dive into a conversation about what you're going to say to your husband after you've been fucking somebody else for the whole night. Especially with someone whose name you can barely remember.

"That's not what I asked, but okay".

His bluntness causes you to frown. You don't want to find yourself in an interrogation over something that's none of his business so you grab your phone and handbag and start to make your way back to Charles' room. But before you make your way down the hall, his voice stops you in your tracks.

"It's nothing personal, by the way. But you're a married woman, who's been having sex with my friend all night," his voice is a little softer this time. "Charles seems unfazed by the fact that you're married but it'd be strange if I didn't have questions. I'm just looking out for my friend".

You turn your head slightly to nod, acknowledging him with a half smile before making your way back to Charles.

You quietly make your way into his room, placing your phone and handbag onto his bedside table before climbing back into bed. You lay your head on his chest and begin to make yourself comfortable when you hear a voice beneath you.

"Mmm... you're back," Charles utters. "Thought you'd sneaked out and left me".

You smile as you tilt your head so you're looking up at him. He's looking down at you, his eyes looking like he could fall back asleep at any moment although he doesn't seem to mind that you've woken him up as he wraps his arms around you, pulling your body closer to his if it was even possible.

"I was just getting some water in the kitchen before getting my bag and phone," you tell him before placing a couple of kisses on his chest.

"I'm glad you're back," he whispers as his eyes slowly close with a smile plastered on his face. He's about to fall back asleep but he manages to tell you one more thing, "by the way, you look so sexy in my Ferrari top".

You can't help but smile at him before he drifts back to sleep. You stare up at him for a moment, mesmerised by his beauty before laying your head on his chest once more and finally closing your eyes for some well-needed sleep.

The feeling of something hard against your thigh was enough to take you out of your slumber. You let out a little groan as the world starts to come back to you. As you have a quick look over your shoulder, you notice that Charles is well and truly awake. His body is pressed against you from behind and the something hard is his penis erect against you.

"Morning, baby," he whispers in your ear and it's you feel a butterfly in your stomach.

"Mmm... Morning Charles," you mumble as you place your hand on top of the one that he has spread across your stomach.

Charles is clearly eager to feel you up and get back down to business as he's beginning to gently grope at your skin and he lightly thrusts his hips against you so his dick is rubbing you. Your hand reaches back so you can run your fingers through his hair but it's not enough for him. He's impatient and ready to fuck you.

"[Y/N], I want you," he growls into your ear before he begins to lick and suck on your skin just below. You're not putting up much of a defence as one of his knees is pushing your legs open so he has better access to the part of you he's so badly craving.

You're already so wet for him as he starts to rub circles on your clit and a soft moan escapes your lips as you lean further back against his chest.

"Mmmm, that feels good," your voice is delicate as the last of the sleep leaves your body.

Charles clearly isn't in the mood to play around as you feel him push his dick against your slit. He pushes it lightly past your folds and thrusts a couple of time.

"Ohh... Charles," you groan with pleasure.

You feel his breath against your ear, he's panting lightly. Clearly ready, you lower your hand that's still on top of Charles' on your stomach and place it between your legs. You don't hesitate as you use your hand to push his dick inside of you. You both moan simultaneously as he begins to fill you.

He wastes no more time and begins to thrust inside of you immediately. He's spent so much time inside of you that your body needs no time to adjust. You're already moaning for him as he's building his speed inside of you rapidly.

"Oh my god!" you cry as he's starting to pound you from behind. The hand in his hair is now pulling at the strands as you're trying not to moan so loudly but it's a difficult task when he's already fucking you this hard and this fast.

"Charles, don't stop" you moan as you dig your nails into the arm that's wrapped around you. You don't need to tell him to keep going, his pace is still relentless.

"You look so sexy when I'm fucking you like this, amour," he pants in your ear as he started to grope at your boobs that are still covered in his Ferrari t-shirt.

You're basically whimpering in his arms at this point. His pace hasn't faltered once and his stamina is admirable. He's just pounding into you from behind, sending your body into overdrive.

"Please," you don't know what you're saying please for exactly. He takes this as a sign to pleasure you even further as his free hand makes his way down to your clit and he begins to rub circles. Your clit is so swollen and sensitive that just feeling his slightest touch is causing you to hiss.

It's another couple of minutes of Charles pounding the life out of you from behind and you can feel your orgasm fast approaching. He senses this and picks up the pace with your clit, driving you even closer to your orgasm.

"Charles, please," you beg him. The assault on you is almost too much to handle.

"[Y/N], I want to feel you cum for me." You're not sure if it's a command but you soon hit your peak and cry out as your orgasm hits you in waves.

Charles continues to fuck you through your high as he's now fast approaching his own climax. He's so lost in fucking you that he almost pulls out too late before he's spilling his cum onto your thigh, grunting in the process.

"Merde!"

His body finally relaxes around you as he lays on his back. You're still recovering from your orgasm when you feel his fingers gently tracing along your spine.

"Amour, that was incredible," he whispers as he's still catching his breath. You finally find the energy to roll over and lay your head against his chest.

"It was," you whisper as you lay a peck on his chest and shut your eyes, taking in this feeling.

It was hard to say goodbye to Charles but you knew that at some point you had to return home. To return to your husband.

After having a shower with Charles, where you used it as one last opportunity to touch and grope one another, you realised that you'd left your spare clothes and bag at Whitney's. Deciding that you weren't ready to rock up at her house in another man's clothes, you made the decision to wear one of Charles' t-shirts and pair of shorts back home and you'd pick up your bags later. You knew she'd have questions about your dancing and kiss with Charles last night.

A kiss you could explain, but rocking up in random clothes when you told her you'd gone home was going to be a lot harder to talk your way out of.

As you sat in the Uber heading back to your apartment, you remembered how you had left Charles with a passionate kiss and a promise that you'd see each other again soon.

Despite the many hours you had spent with Charles, you still weren't 100% sure of how "open relationships" truly worked. And you were beginning to think of the questions you were going to get from Lewis when you rocked up in Charles' clothes.

The thing is, what could he say to you? You hadn't broken the rules you had agreed when you accepted the terms of the open marriage:

No friends, no friends of friends, no colleagues, no ex-colleagues, no falling in love and no pregnancies. Basically, there was to be no evidence or trace left behind to spare the other's feelings. God, how did you buy into this bullshit idea?

But one thing you had never agreed on or discussed was the possibility of sleeping with the same person more than one time - unless it was with each other.

Reality was starting to sink in and you were beginning to realise that you had just as many questions about all of this as you predicted Lewis would have when you finally made it home.

"Hey babe, am I allowed to fuck the same guy over and over again?"

As much as you originally hated this whole arrangement and had told yourself you wouldn't partake in this open marriage, you were beginning to realise that you were getting yourself into dangerous territory. This wasn't your game to play but now you couldn't help yourself. You'd had the taster with Charles and you'd be going back for a second course.

Or a third, or fourth, or fifth.

Shit! You tell yourself to get it together, you're about 10 minutes away from home and you notice that Lewis still hasn't replied to your text saying that you were on the way home. But he's read the text. Based on how constant his texts were last night, you knew he was going to be pissed if he hasn't replied.

Before pulling up outside your apartment building, you send a text to Whitney asking if you could call by at some point to pick up your things before the weekend was up. This could be your excuse to leave if things got heated with Lewis again.

You make your way into your apartment building and say a little prayer to yourself before facing what you expect to be the wrath of your husband.

"Yeah, well how many girls have you fucked?"

That was going to be your argument if things got heated. Surely that was enough, right?

You take a deep breath as you begin to open your front door and make your way inside. It's quiet.

You shut the door and make your way into the living room, not really sure whether to call out Lewis' name to let him know that you're home or to basically sneak in and get changed out of Charles' clothes as soon as possible.

Your choice is made for you as you see Lewis sprawled across the couch with his eyes completely glued to his phone. The British bulldog which you share, Roscoe, is lying by his side.

"Hey," your voice is so quiet you're not sure if Lewis hears you as he's still tapping away on his phone. But he must have decided to ignore you as Roscoe lifts his head at the sound of your voice and pants with excitement as he sees you standing in the doorway. He climbs off of Lewis and makes his way over to you, running around your feet.

"Hey cutie," you giggle as you lean down to hug and pet him.

After a moment of playing with Roscoe, you look over at Lewis to see if he's looking away from his phone yet. He's not. He's still tapping furiously at his phone. His tongue slightly poking out from the side and his eyebrows are crossed.

"Hey, Lew," you say. You stand up and the dog at your feet makes his way back to Lewis on the sofa, placing himself by Lewis' feet.

"Nice to know that someone knows how to come back to me, hey Roscoe," Lewis grunts. He's still looking at his phone.

So this was going to be his attitude? You try not to roll your eyes, knowing that if Lewis catches it his passive-aggressive attitude will only worsen.

"Nice to see you too," you mumble as you sit down on one of the armchairs as you look over to Lewis.

He's silent for a few moments, still tapping away. You want to take the phone out of his hand but that idea is put on hold as he speaks his first words to you since returning home.

"Good night?"

That was it?

"Erm, yeah, it was," you could barely hear your own voice. Now that he was speaking to you, all of the confidence you had in the Uber has left your body.

"Yeah, must have been a good one," he continues. He locks his phone and places it on his stomach so he can finally look at you. And when he does, his dark brown eyes feel like they're staring into your soul. "I can tell it was a good one because you've turned up in someone else's clothes".

Shit.

"Even though you brought a bag with you last night. You stayed at Whitney's right?"

You gulp. You're royally fucked.

"We went back to someone else's for afters," you tell him. I mean, it wasn't really a lie? You did go to someone else's for afters.

"And you didn't go back to Whitney's to get your stuff before coming here?" He's staring at you still. You're not sure if his expression is one of amusement or anger.

"Erm, no... the place was closer to here than to Whitney's," you lie.

He starts laughing. He's actually laughing at you.

"Okay, [Y/N]. You don't need to embarrass yourself with these lies. If you went back to someone else's house and fucked him just say it," he chuckles.

But you don't say anything. Your nerves are growing by the second and you're not sure if you want to pass out or throw up as the conversation is developing. He has some nerve. All of the times he's slept with someone behind your back and he's sitting here laughing at you.

But he doesn't laugh for much longer as his facial expression turns.

"I said say it!" the tone of his voice shocks you and you're no longer confused about the expression in his eyes. He's furious. You're pretty sure the only reason he hasn't shouted at you is to stop Roscoe from barking like mad. The poor dog went crazy when you and Lewis were screaming at each other the other day.

You're not really sure what your next move will be. You're trying to hear your own thoughts but your heart is beating so loudly that it's basically thumping in your ears. You can't think. All you can do is just look at Lewis who's anger and frustration with you is growing by the second.

"You really can't say it huh?" he scoffs before picking himself off the sofa and storming into the kitchen. Roscoe follows suit.

You take a moment before you go after him. You're not sure why you decide to follow him. Curiosity? Stupidity? God knows but you both know the conversation isn't finished.

You walk into Lewis slamming pots and pans around as if he's attempting to make something but all he's doing is causing chaos and poor Roscoe is following him helplessly and confused.

"Go away, [Y/N]".

You let out a sigh as your eyes follow your husband's movements.

"Lewis, can you just stop for a second?" you plead with him but your plea falls on deaf ears.

"What part of go away do you not understand?"

This time you can't help but scoff, growing tired of his antics. After the way he's treated you for the last eighteen months, something inside of you is telling you to finally grow some balls.

"Are you fucking kidding me? You've slept with how many women during our marriage and you're mad at me?" you cry out.

Your eyes are still on Lewis. His hands are gripping onto the counter, his back turned away from you. His fingers are going white with the pressure and tension he's putting on them. "It's not the same thing!"

You scoff again and you're surprised it doesn't cause Lewis to lose it altogether but he's using every restraint in his body not to shout at you.

You want to tell him to fuck off at his hypocrisy. You agreed to this bullshit situation for him and he's the one that's pissed?

"How is it not the same thing?"

This time your voice is louder. You're digging your nails into your hands to stop you from screaming. He doesn't answer you.

You give him another couple of seconds. He says nothing. You notice his body is starting to shake. But you don't care, you're going to push his buttons with your newfound confidence, "Oh! Now you're the one who doesn't want to answer?"

It's almost like you want him to break. You want to push his buttons so hard for him to snap at you. To show that he actually gives an ounce of crap about you.

Roscoe's now barking at the tension in the room. Lewis is still quiet. Still looking away from you.

How has he not snapped yet?

The tension in the room is like a pressure cooker. Ready to explode at any moment.

"Lew-"

"You're wearing his fucking clothes!" His outburst is met with his palms hitting the countertop with pure rage.

He's finally snapped. He finally turns to face you and you have never seen him look so angry. At least not when it came to you.

"You fucked him? Fine! But you broke a fucking rule," his voice is so loud that even Roscoe has stopped barking out of shock.

You say nothing. You just look at him. His chest is rising and falling dramatically. His eyes are almost black with anger and he's now gripping onto his braids to somehow stop himself from doing something stupid.

He's not done. "You barely answer your phone after we've had the biggest argument of our relationship. You stroll in here at 1:30 in the afternoon as if you haven't been gone for almost two days already and you don't even have the decency to change into your own clothes? And you're here, wearing his clothes as if it's some fucking achievement that you've finally shagged someone else. Well, congratulations!"

Silence.

You don't really know what to say. You're not sure if you want to nominate him for an Oscar or burst into tears. Instead, you just look at him, stunned into silence.

Lewis finally makes the first move as he walks towards the doorway, towards you. He's about to pass you but he stops right in front of you, this time he's no longer looking at you as if he's ashamed of you. Like a parent who's disappointed in their child.

"I may have started this whole thing but you've brought a piece of him into our home," he growls before walking past you.

You've broken a rule.

#charles leclerc #charles leclerc smut #charles leclerc fanfic #charles leclerc x reader #charles leclerc x you #f1 fanfic #f1 x reader #f1 x you

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sad-endings-suck · 3 months

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blue eye samurai popped off so hard in every department, but this post specifically is a shoutout to the character designers who manage to put so much personality, life, and uniqueness into each and every character to create a signature art style, while still maintaining realistic-like proportions and features that are more reminiscent of live action than animation.

not a single character with speaking lines or more than 3 secs of screen-time looks anything like any other character unless it’s intentional (i.e. resemblance between family members). not only are there so many different body types, but no one’s body is ridiculously proportioned. some characters are very thin (heiji), others are very large (shogun’s emissary), some are quite powerfully built (chiaki)… but then there’s everything else in between!! mizu is very lean and androgynous, and she definitely has muscles, but she’s not ridiculously skinny, nor does she greatly lack softness in her torso, hips, and chest. mizu very much has a woman’s body, her proportions are just not exaggerated to make her look overtly masculine or overtly feminine. unlike some other animes that would absolutely give mizu ridiculously defined muscle mass and 8-pack abs, or maybe a 10 inch waist and huge boobs (that she magically hid completely with some diy fabric bindings and a dream) and then credit those choices to “art style”.

ringo is on the bigger softer side physique-wise, and his body is a perfectly normal human body that any normal person may potentially have! akemi and taigen are both conventionally attractive within the story, but even still, neither is the perfect personification of masculine or feminine “beauty”. yes akemi is very petite and slim, with a more hourglass shape, but she still very much has a body type that some real people naturally have. she has a stomach! and i don’t mean that she has a protruding stomach, i just mean her stomach actually exists. so does mizu’s, even if they both have small flat stomachs, they still very much don’t have itty bitty anime waists. though they are both slender women, they have actual room for organs and ribs in their torsos!! or on the other end of things, there’s taigen, who may be very athletically built, but again, it’s not to an impossible degree or standard. he still very much has the build of a real human person, not a comic book hero with a 12-pack. even fowler, who is on the heavier-set side (presumably from his lifestyle, surviving famine, etc) also has strength to his build that many other characters do not, indicating he does keep up with his training and is very much physically dangerous.

and that’s just the body diversity! we are shown characters and character models of young adults, mature adults, babies, seniors, young children, older children, teens, etc. women in their 40s/50s/60s (madame kaji, lady itoh, “mama”).

hell, the fact that the art style can be so consistent throughout, and yet akemi looks like she’s been rendered in watercolours, whereas taigen appears as if he’s been painted with acrylic is crazy!! or how well the show is able to convey that mizu very much looks like a woman, yet it also convincingly shows us how she’s able to pass as a man through a slew of details is amazing. such as her more androgynous features, her height, a scarf to hide her lack of adam’s apple, hat to conceal her features, orange tinted glasses the cancel out the blue of her eyes, baggy pants and boxy top to hide her silhouette, poncho and sword positioned to give the illusion she takes up more space in the world LIKE A MAN WOULD and so much more.

It’s just so beautiful to see, not only because it speaks to the skill of the creatives and the level of care and attention to detail with which this story was clearly made, but also because it proves you don’t have to “choose” between a distinct art/animation style and diversity. by combining animation and live action, and using the best aspects of both, blue eye samurai has managed to capture something that no other animated production I’ve seen, has (no, not even arcane). and that is allowing the personhood and character of a live action actor/model to come through in the character they are portraying. no matter how much beautiful animation i watch, there is almost always some level of “default” face, body type, height, or facial features that are consistent across every character, and blue eye samurai proves that this is not just due to “art style”. it’s a limitation of the medium of animation (to an extent), or at least, it was.

we live in an era where plastic surgery, photo/video retouching, workout supplements, trendy scheme diets, beauty consumerism, etc, are at an all time high. so it’s such a relief to see an animated project of all things choose to reflect real human appearances in its work, and not only that, but do so without ever commenting on it. as an animated project, it could “beautify” its characters as much as it likes to make them all same-face/same-body conventionally attractive, and excuse it as their “art style”. but blue eye samurai does not do that. they said “no, we can do better. we can do way better” and they did. the way bes is shot leaves no room for women (or anyone) to be sexualized or objectified, regardless of how much nudity and sex there is in the show. it demonstrates that sexuality and sexualisation are in no way inherently synonymous. there are no unnecessary comments about a character’s body that feel off or not in tune with the social perceptions of the time period in which the story is set. it’s just amazing to see.

#blue eye samurai #mizu blue eye samurai #blue eye samurai meta #taigen blue eye samurai #akemi blue eye samurai #fowler blue eye samurai #blue eye samurai art #blue eye samurai animation #bes mizu #bes akemi #bes taigen #bes ringo

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moonlightazriel · 15 days

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Chapter 10: Once upon a dream /// Azriel X F!Reader

Summary: Y/N confims her suspicions and talk with Azriel about her dreams.

Word Count: 2K

Warnings: Just the usual angst, and grief.

Notes: Our girl doesn't have a moment of peace hahahaha

Main Masterlist

Worlds Apart Masterlist

The room was silent, she felt a scrape on her mind, Rhysand nodded his head asking for permission and she waved her hand motioning for him to go ahead.

Memories that didn’t belong to her filled her mind. She watched it in silence, it was cold, and she could hear the incredulous laughter of a younger Cassian. She turned around, like she was looking through Rhysand’s eyes.

“We did it.” The young lordling said. He had blood coating his face. Someone groaned and she saw Azriel sitting on the floor, hands clutched to his abdomen while he kept panting.

“We do it together.” Rhysand announced, his eyes turning back to the monolith on the top of the mountain.

He scanned the onyx stone, adorned with marks he couldn’t identify, his finger hovered over the slit, not daring to touch it alone, knowing he would be teleported back to the camp.

Y/N gasped as she confirmed that she was indeed right, she knew the marks but didn’t know what they meant, but they surely were wyrd marks. Even in a distant memory she could hear the stone calling, like a sleeping force, begging to be awake and used as it should be used, not to simply teleport, but to open up gates to another worlds.

The memory ended with the three brothers smiling. Azriel looked so young, his face round with the youth of teen years, his beat up smile, it felt like he was looking at her. She wanted to pull him closer and take care of his wounds, untie him and pull him to her chest, soothing all the torment from his mind.

Rhysand pulled away, and that mental bridge was closed by a wall of steel, so high that nothing could cross, not unless Y/N wanted them too.

“So?” Rhys asked with worry, lacing his violet eyes, he looked so tired, and she just imagined how much weight on his shoulders he carried, Feyre as well.

“I was correct.” She started. “Those were wyrd marks. Those memories were very useful.” Rhys nodded, taking a deep breath.

“So that means we have a portal for other worlds atop Ramiel all that time?” Azriel inquired, he had stayed quiet, his eyes looking at her with attention during the time Rhys showed her the memory.

“It seems like you do.” She agreed, avoiding those hazel eyes. After her talk with Elain she had so much to think about, so many feelings to deal, and the idea of being alone with him on that trip left her anxious.

“We can have dinner and discuss this later, it feels like forever since we properly had a meal together.” Feyre asked and the people in the room nodded, her sad tired eyes indicating that she needed this to feel better.

⋆˙⟡☾𖤓☽ ⟡˙⋆

They all sat together, pretending everything was fine and enjoyed a nice meal, talking about random things and enjoying good food. Y/N took a sip of her wine, basking in the taste that filled her mouth, it wasn’t wine but the most delicious blood she had ever had. She sipped greedily, and she had missed this so much.

She looked around the room, her eyes landing on Amren, the female watched her closely, with a smirk adorning her red lips she lifted her own glass, Y/N whispered a thank you to her, not knowing how Amren knew about her taste but thankful for it anyways.

After getting some more blood and the others grabbing their wines, they left for the living room, each one sitting in different chairs and coaches as the stories about their lives still kept being shared.

Her eyes landed on the sleeping baby resting on Cassian’s arms, his dark hair poking from in between the blankets that wrapped around him, he snored softly as he enjoyed the warm embrace of his uncle. Cassian’s eyes lifted to hers, a smile on his lips as he spoke.

“You’re always looking at Nyx, do you want to hold him?” Cassian got up, shoving the baby in her arms with a smile. Panic filled her body and she started to shake as the baby moved, his little cheek snuggling against her chest, eyes closed and soft breathing.

She lifted a finger, tracing the onyx hair on top of the head, the dark locks slowly getting lighter until reality and memory collapsed, and she was back again on that fateful day.

A warning, that was what the scene in front of her was, a warning to never step out of line, daughters born for tragedy, never for love. Witches didn’t have a heart after all. Asterin screamed in pain, her eyes wide, searching for the baby that peacefully laid in her arms.

She traced the blonde hair of the stillborn witchling, her eyes burned with tears, for the life that tiny creature would never have, for all the pain her mother was facing while the Blackbeak Matron marked her. Would things ever change? No one deserved such a fate, let alone Asterin, the woman who took her in and loved her like they were family.

And it was for Asterin, just for her that she threw all out of the window, as the Matron drenched herself in the blue blood pouring from Asterin’s abdomen, she fled. Holding the baby against her heart, feet carrying her to the only place that baby belonged.

It took almost three weeks, but finally the little witch was resting, near her father’s cabin. The man had no idea, no one knew about it yet, but she was ready to face the consequences, she made that decision out of love, and she would never regret it.

She held her head high, all the way towards the torture chambers that awaited for her, someone saw and someone told the Matron, but she didn’t shed a tear as day after day the witches took care of her, torturing her in exchange for the witchling’s location. And day after day she kept her mouth shut, not a single sound came out, even when the pain was so unbearable that she would black out.

The Matron had tried everything she could to make her break, she had lit a iron bar on a forge, beating the scalding thing against her back and letting it rest until skin burned and started to smell, doing it five times, creating the marks she would bear forever on her back, twisted brown skin. To always remember what she did and her betrayal.

It was only when she saw Asterin again, her beautiful protector that was nothing more but a shell of what she used to be, that she broke. Silent pleas of forgiveness for not allowing Asterin to see her daughter, for not being there to take care of her after everything.

She told Asterin the location, the female had cried like she never did before, grabbing Y/N’s hands in a reassuring grip before she thanked her.

“Thank you for taking my daughter to the only person who would’ve loved her more than I do.” Asterin had said before pulling her in for a hug.

She blinked, everyone was looking at her as she clutched the baby against her in a protective manner, tears blurred her vision.

“I won’t let anything happen to you.” She whispered to the baby, tears falling to his blankets. “Forgive me.” She asked, handing the baby back to his worried mother.

“It’s okay.” Feyre said. “We’re here if you want to talk.” The female nodded.

“I didn’t mean to scare you. It’s just hard…” She said, opening her mental shields.

“Do you want me to see?” Feyre asked and she nodded.

She felt the female going into her mind and she showed Feyre everything about Asterin and her daughter, what she had done and what was done to her in return. Feyre gasped as she pulled out, her own eyes filled with tears.

“I’m so sorry.” She said, forcing Y/N into a hug. The room had gone quiet as Feyre shared the memories with the rest of them.

“I just want to go home.” She breathed and Azriel jumped out of his seat.

“I’ll take you.” He offered and she nodded, bidding them goodbye and going to the door.

He didn’t say anything as he approached her, hand touching her back and pulling her up by her legs, she wrapped her arms around his neck and hid her face in his chest as she cried, not able to hold the tears anymore.

Azriel rubbed circles on her back, flying as softly as he could, feeling his heart break at each sob that parted her lips, she looked so fragile like this. Her fractured soul showing in moments like this. The scenes of her being tortured kept replaying in his mind, he couldn’t fathom the idea of being punished for giving the dignity a baby needed in his eternal sleep.

She had a heart of gold, it was clear to him now. How she knew what would happen to her if she took that baby but she did it anyway, not caring about her own well-being. He landed on the empty house, slowly letting her go, her hands were in fists clutching his shirt.

“Don’t leave me alone.” She begged, her blue watery eyes were filled with sadness and he didn’t have the strength to deny her.

So he followed her to her room, promising to come back. He went to his room, quickly showering and grabbing a pair of sweatpants and a thin shirt. He knocked on her door, watching as she opened it, wearing only an oversized shirt over her body, intertwining their fingers and pulling him inside before closing the door.

She pulled him to her bed, and he laid down, and she climbed in with him. Azriel was breathing heavily as she snuggled against his chest and his hands circled her waist. This felt so right, like they fit up so well together, like they were meant to be together, and wasn’t that what the dreams meant after all?

“I know I had no right to ask this of you.” Her voice was faint as she whispered in the dark. His shadows stilled, like they too wanted to pay attention to her words and keep this very moment in their minds forever. “I hate being alone.”

“I do too.” Azriel confessed, she moved her head looking up at him. He looked even more beautiful this close, she held the urge to run her fingers through his soft locks and cup his cheek. She wanted to see if it was as soft as it was in her dreams.

“I know this may sound weird but…” She started unsure, and he cupped her cheek, feeling warmth spread across his heart. “I have dreamed of you for years now.”

“You what?” He choked, he wasn’t sure if the dreams were shared by both of them, having her confirming it like this left him speechless.

“I wasn’t sure it was you until a few days ago. You felt so familiar when I first saw you.” He took a deep breath. “You comforted me when no one could, you showed me that I should keep alive, that it was worth it being alive.”

“I had no idea.” She smiled.

“I never thought I would see you, even though I looked for you everywhere I went.” Azriel brushed his thumb under the tear that threatened to spill.

“I did too.” He said. “For years I have dreamt of you, you always came to me when I needed the most, when things felt too much, when I thought about giving up, you would come to me and give me strength.” He planted a kiss on her forehead and she closed her eyes, feeling the butterflies going crazy like they always did when he kissed her in her dreams.

“Despite everything, I’m glad I had the chance to meet you.” She said, Azriel wondered what he would do if she found a way back to her world. He waited for her for so long, he didn’t want to lose her when he had just found her.

“If you come back, would you try to find a way back to me?” He dared to ask and she nodded.

“Yes, I would.” She confessed and he let the words sink in, he knew she wouldn’t give up on her life for him, neither he would ask that of her, but her answer was enough for him.

⋆˙⟡☾𖤓☽ ⟡˙⋆

Taglist: @fieldofdaisiies @blackgirlmagicforever @a-frog-with-a-laptop @going-through-shit @asweetblueberry2

@roses-r-red54330 @mis-lil-red @sheblogs @hibye02 @impossibelle

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#acotar #azriel shadowsinger #sarahjmaas #moonlightazriel #azriel #shadowsinger #azriel x reader #night court #azriel x y/n #velaris #azriel spymaster #azriel x you #azriel x oc #azriel acotar #worlds apart fic

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kitthepurplepotato · 5 months

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Chapter 5 - Never enough

Summary: Y/N goes out with Kyouka for a flat hunt. Izuku gets smacked in the face - Once by a random teen and once by his Sweet Pea.

Warnings: Swear words, mentions of a toxic relationship (in the past).

First Chapter Master List

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Kyouka comes over a few hours after Izuku leaves; he didn’t really say goodbye after your conversation in the bedroom this morning, which was quite surprising and he also left an untouched sandwich on the table, filled with his favorite stuff, which is also… well… really fucking weird, but okay. To be fair, there is so much happening all at once it’s easy to go all silly, especially at 5 AM in the morning. Maybe it took him so long to make his sandwich he ended up being late and instead of bringing it with him he just left it on the table. Even though, Izuku must be aware that he owns a cat so leaving food on the table isn’t the smartest idea. Thankfully, All Meowt is the laziest motherfucker the word has ever seen and jumping on the table to get some nibbles is way too much of a lbother for him, hence why the food is still in tact.

Sometimes you wonder if All Meowt is even a cat; he doesn’t scratch furniture, doesn’t eat anything he needs to work for, barely jumps on anything and he’s just… a part of the furniture. A furry little sofa pillow. He’s also really smart as somehow he knew you are the one who messed with his automatic feeder because to this day, he didn’t even approach you once when Izuku wasn’t around. Except when you sleep. Then he cuddles. He probably hopes you stay that way forever.

“Okay, I managed to get a viewing for flat 2 and flat 4.” Kyouka mumbles to herself after putting her phone down. You look at the girl incredulously. “Don’t look at me like that, I know flat 4 is pricy as fudge, but with my current salary, I can afford it. I won’t have a bunch to spend for a few months but if I make it to the top 10 next year, it won’t be a problem!”

You know Kyouka like you know the back of your hand; there is no reason to even look at flat 2 at this point, this silly woman has already decided to get that fancy ass flat and there is probably an extremely ridiculous reason behind it.

“Be honest with me…” You look at your bestie, trying your best not to look judgmental. “Why do you want that flat?”

Kyouka looks down at her hands, her cheeks ruddy from embarassment. “My favorite rockstar lives in the same building… you know the one with black hair and the sick angel wing tattoo.” Kyouka answers while she plays with her bangs like a stupid school girl.

There it is. There it fucking is.

“So you decided to spend all your life savings for a few minutes of neighborly banter with your Bae.” You really can’t believe this silly woman.

“Oh my god, you are literally dating your favorite hero, sorry if your stupid love story made me believe in fated love!” She yells and you can’t help but laugh at that.

“Hey, it didn’t cost me anything to fall in love with him though! Plus we are not official yet!” Now it’s your turn to be embarrassed.

“Oh fuck off, Izuku wouldn’t even poke you with a foot long pole if he wouldn’t want you to be his fucking wife in the next few years. My bro isn’t playing around. He’s had enough of that shit when he was young.”

Well, that’s a new information.

“What do you mean?”

Kyouka sighs.

“It’s not my place you tell you this and to be honest I don’t know too much about it, Katsuki is probably the best one to ask but… there was this girl, right after high school who was all over Izuku after his first debut. We told him to stay away from her, we warned him that she’s only after the fame and the money but Izuku was so happy to be liked by someone in a romantic way he didn’t fucking listen to any of us…” Kyouka’s eyes look really sad as she continues. “Izuku was always a sweet boy so most people only thought of him just as that; a boy, not a man. This girl was different, I give her that. I fucking hated her. We all did. Except Izuku.” You really don’t like where this story is going. You can feel the betrayal in the air, it makes your stomach upset and your heart bleed. “After a few weeks Izuku couldn’t even wear his own clothes. She started to point out every geeky thing on him, the shirts, the shoes, his hair… she wanted him to change into something he wasn’t. She even made a comment about his baby fat. Katsuki almost exploded her that day and Izuku stopped bringing her over after that. Things got worse after as Katsuki wasn’t there to reprimand her. I don’t want to say more, Y/N. Ask him. It’s not my story to tell.”

You are rendered speechless. There are so many emotions swirling inside you; fury, hatred, sadness, then there is the urge to protect, the urge to call Izuku home so you can tell him how much you love him and his quirkiness… it’s so much to take in, so much to think about…

“Let’s go before we both start crying.” Kyouka ruffles your hair and motions towards the door, ready for the adventure.

You try your best to keep your focus on the beautiful flats. You look around for flaws, ask the right questions but you are not really there; your mind can only think of Izuku, about how alone he must’ve felt while dating that terrible human being, how humiliated he had to feel around his friends in those clothes he was forced to wear… fuck.

“I’ll walk you home then I’ll come back to do the paperwork.”

She doesn’t need to say any more for you to know that all your thoughts are written on your face.

“Sorry…”

“Don’t be sorry! You helped a lot. Really.” Kyouka smiles. You are so lucky to have her.

~•🥦•~

Izuku is not with it at work. He makes a lot of mistakes and he gets punched by some “random extra” who shouldn’t even be able to touch him.

There was a group of teens making a ruckus downtown. Izuku and Katsuki were out on patrol when they saw them yelling at a poor old man, asking for money but somehow Izuku managed to get hit by one of the kids while he was too distracted with his own thoughts.

“What the fuck is wrong with you, Deku!” Katsuki yells at him with a red face. “You just let that fucking extra have the time of his fucking life! Hitting the number one fucking hero in the face! He probably thinks he’s the coolest fucking dude right now and has zero motherfucking remorse about what he’s done!”

“Because you were any better, you burned that kids face! Do you want to get canceled?!”

Izuku is frustrated. He can’t do this anymore. He can’t just let Katsuki step over him like that, not anymore…

“Someone had to do something about it! I had to clean your fucking mess up because that’s what friends do, you absolute fucking moron!”

“Since when do you consider me as a friend? I thought I’m just a nuisance.”

“Stop with the attitude. I know what you are doing and it’s not going to work. You won’t push me away. Don’t make the same mistakes I’ve made when I was a kid. You know it more than anyone how much it fucking hurts.”

“I’m sorry, Kacchan.” He can’t take it anymore. The tears fall, his body shakes and moves towards Katsuki on his own and Katsuki catches him just in time.

“If you want to talk, I’m here. Eijirou is here too. You are not alone anymore.” Katsuki mutters into his hair, his fingers deep in Izuku’s curls. Katsuki has changed so much in the last few years; if anyone would’ve told him he’s gonna be cuddled by Katsuki while he cries for the stupidest fucking reason he would’ve laughed in their face.

He knows he’s being an idiot. Y/N loves him, he can see it in her eyes when he comes back after a long day of work, he can feel it in her touches, in the food she makes, in the way she smiles when Izuku cuddles her from behind… he also knows his Sweet Pea loves him the way he is and he has no reason to doubt himself with her but Izuku can’t do anything with his insecurities; he’s been told so many times how weird he is, how unattractive his home wear is, how his unruly hair makes him look like a child and he doesn’t even want to start talking about his “annoying” clinginess.

Maybe he should’ve told her to finish that commission instead of asking her to go to bed with him. Maybe he should’ve let her cook the food alone or ask her if she needs help instead of clinging to her back like an oversized koala. Maybe he should’ve slept on his own side of the bed instead of suffocating his Sweet Pea with his heavy arms. He went overboard. Even his perfect Sweet Pea needs some space. Maybe that’s why she wants to move out. She loves Izuku but Izuku is too much as a boyfriend… he’s too much, he’s always too much…

“Go home, Zuku.” Katsuki sighs into his hair. “Go home and sort yourself out. I fucking hate seeing you like this. I want to blow your face up.”

Izuku can’t help but snort at that.

“I love you too, Kacchan.”

“Fuck you.”

~•🥦•~

You get home around 2PM; you managed to find some All Might shaped chicken nuggets in the store which you decided to air fry today with some lovely fresh veggies you found in the little market you love. Oh, and rice. Izuku needs more than a snack when he comes home.

Thankfully you manage to finish cooking by 3 so you decide to sit down and finally start working on your commissions; there isn’t much to do, just a few sketches, so you should be done by the time Izuku gets home. Thank god no one commissioned anything detailed, otherwise you would be fucked; there is no way you can do a full, colored drawing in this mental state.

For your surprise the door opens around 4PM; Izuku is already in his civilian clothes, freshly showered, hair still a bit wet.

There is one thing you realize now that Kyouka told you about his past; Izuku’s civilian clothes are quite plain compared to his usual style. It doesn’t sit right with you but that’s a problem for another day.

Today’s problem is…

“You are really early, did you forget something? Want to eat before you go back? I made you something special!” You jump off the chair right away. Izuku looks at you like this is the last time he sees your face; you have no idea what’s going on but you really hate that look on his face, that’s for sure. “Oh my god, please tell me this is not that part of the fanfiction when the hero comes home and tells his wife that he’s going a year long mission to America. I’m not ready for that yet.”

For some reason, Izuku looks guilty. He lowers his eyes, suddenly finding the design of the floor extremely interesting as he fiddles with the sleeve of his jacket anxiously.

“Just a short day, nothing to worry about.” Izuku smiles but it’s fake. So fucking fake it makes you want to gag. “Were you doing a commission? Don’t worry about me, I’m not even supposed to be here, so just ignore me.”

Red flag. A big, fucking red flag. Something happened and Izuku is not telling you jack shit about it.

“Izu, what the fuck, I’ve been waiting to have a few hours with you for a whole week, I can’t just ignore you. With the amount of hours you work I have all the time to finish this fucking scribble, but I only have a few hours with you.” You reprimand, a little bit offended. Just a little bit. Teeny-tiny bit. “You also left without giving me a kiss. You need to give me double kisses today. Also, look at the food I made for you!” You run into the kitchen and come out with the All Might shaped chicken nuggets. You show them off proudly, jumping up and down with the excitement. “Look! It’s All Might! And chicken! I put the magnet that came with it on the fridge, I hope that’s fine! There are 10 different magnets to collect, I’ll try to get them all!”

Suddenly, a loud sob escapes Izuku’s mouth, but it’s not his usual ‘I’m so happy so I’ll cry a river’ kinda sob, it’s the one full of pain and misery. “Izu.” You put the food down on the table to approach the shaking man now sitting on the floor. “I’m sorry do you not want to eat All Might? That’s okay, Izu!” You mutter but Izuku jumps into your words.

“Y/N, stop.” The sound of your own name sounds so foreign from Izuku’s mouth you almost choke on your words. “Stop. It hurts. It hurts so fucking much, I can’t…” Izuku starts to sob again and you are not too far behind him. Without knowing, your tears start to fall, joining Izuku’s in the puddle of misery on the floor.

“What’s wrong, baby? Please, tell me what did I do wrong. I won’t do it ever again, I swear…”

“I know you want to move out. You don’t need to pretend.” Izuku jumps into your words between two loud sobs. “I know I’m impossible to live with, I know my love is toxic, it’s too much too soon, I’m… aware of it and I can change, I can give you space, fuck, I can sleep in the agency if you want me to, I don’t care, but please, don’t leave me. I can change, I can do anything…”

Instead of words you decide to use your hand to tell him how fucking annoyed you are. Because honest to fuck you thought someone died or Izuku is dying or the world is on fire and these are his last words… the sound of the slap is loud in the quiet room but it makes Izuku listen and hopefully he’ll forgive you when this is over.

“I don’t want you to change, you dumb little… waaah!” Great job, Y/N. You are doing fucking well. You slapped the poor sobbing guy then you called him dumb. Great start indeed. “I fucking love you and your nerdy little ass, I love the way you geek out over the stupidest thing, I love how we are glued to each other when you’re home because that’s what I also want to do, thank you for fucking asking, I love those super silly t-shirts you’re hiding at the back of your drawer and I can’t believe you never wear them by the way, I’m not leaving you, I’m not going anywhere, I want to be here, with you, every single second, I can’t believe you really thought you could get rid of me that easily, Midoriya Izuku!” You have no air left by the time you finish your sentence because you forgot to breathe during your rant. “Don’t you fucking dare to change for me. I fell in love with YOU, not with some impostor. Tell me what you want. Do what you want. Act as silly as you want. I’ll probably only love you more, even though it’s quite impossible.”

The silence is deafening. You can see Izuku’s brain going into overdrive. He looks completely lost.

“The notes on the table…” He mutters as he motions towards the notebook. He looks dumbfounded.

“Kyouka is looking for a new flat. I was helping her.”

“I’m an idiot.” Izuku mumbles, mortified. He even forgets to cry.

“Yeah, you are. My idiot boyfriend who I love so dearly.” The words slip out but it’s too late to take it back; you look at Izuku with a terrified look on your face, ready to be reprimanded but Izuku looks at you with nothing but wonder, eyes shining from tears and finally, from happiness.

“Say it again.”

“What?”

“Say it again.” Izuku’s hand reaches towards you. Needless to say, you take it.

“My weird boyfriend, Midoriya Izuku.” You giggle to yourself. If this would be a fanfiction… ahh, Nevermind.

“I love you, Sweet Pea. Please, never change.” Izuku is all over you, not even caring about the floor being the most uncomfortable surface in the whole entire building. You can’t really hold yourself up with such a heavy weight sitting on your shoulders so you both end up stumbling backwards with a loud yelp followed by a bunch of giggling.

“So what does my boyfriend want to do today?” You mutter into Izuku’s neck between two kisses.

“I want to watch an All Might movie in my silly All Might onesie I’m hiding in my dresser while I eat the silly little all might chicken nuggets my perfect girlfriend made for me.”

Your smile is so big it actually hurts your jaw.

“… Only if I can borrow a silly All Might shirt to match with you.”

Apparently, that was the right thing to say; Izuku is about to combust from the happiness as he attacks your mouth with violent happy kisses.

“Have I told you how much I love you?” He mutters into your lips, already knowing your answer.

“Only a few thousand times but it never gets old.”

“Is that a challenge I hear?” He smirks with such confidence it makes you shiver. You did that. You made him feel that way. Oh fuck, this new Midoriya Izuku is really bad for your heart.

“Might as well be.” You grab Izuku’s hair at the back of his head and yank him forward for a heated, deep kiss. Izuku yelps but he doesn’t let you have all the control; this is Izuku’s day, he’s is completely unhinged and so are you.

The food got cold by the time you managed to untangle from each other.

And fuck, it was so worth it.

… Next Chapter!

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Potato ramble:

- Some explanations for the this chapter because I feel like it’s needed:

- 1. Midoriya does wear merch, but mostly black ones with a logo on it instead of the super loud, super colorful ones he would prefer.

- 2. Midoriya’s mum said in one of the chapters that Midoriya has never had a girl over before which is still true; the girl was never officially introduced to Inko as Izuku knew the way the girl was treating him would make his mom really sad. Inko has a slight idea about what happened thanks to Katsuki but she was spared from the gruesome details of it. Izuku doesn’t know his mom knows about it.

- 3. No, they didn’t do anything cheeky on the floor. They were just kissing, you dirty little potato.

- In the next chapter, we are going home to Izuku’s mom! I’m so excited!!!!

- I got a beautiful Deku figurine. I try not to talk about my figurine obsession anymore but I have to show this one off. I genuinely didn’t think I’ll be able to get my hands on this one because it’s an Ichiban Kuji (it’s like a lottery but with anime merch) Last One prize, but here I am, I guess. 😂

TL: @garfieldthomas @porusuniverse @stickygumchewer @sixxze @mily-moo @aei-sedai-moiraine @aymasakusa @kastuari @kenzie-deadly @shiviwrites07 @lukerycyja-reblogs @cloroxisadelectabletreat @coffeent @kisskissshutmydoor @bobcar1 @yazminetrahan @cringefan @ronimacaroni77 @thekookiecorner @dangerousluv1 @emperatris-rinaka @shotos-angelic-whore @angelsdemonsmonsters @norvacaine @rei165 @unofficialmuilover @yao-ai

#bnha x reader #mha x reader #Deku x reader #pro hero deku x reader #midoriya x y/n #midoriya izuku x y/n #midoriya fluff #midoriya x you #midoriya izuku x reader

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comfortfoodcontent · 7 months

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THE COMFORT FOOD COMICS CANON

Some of you may recall my old website www.comfortfoodcomics.com , where I really wanted to explore that special personal connection to comic books. There are so many comics and everyone has so many opinions and stories relating to the ones they love the most that end up getting extremely personal. I love that aspect of this unique art form. The way certain issues or story arcs crawl into one's brain and soul and stay there forever. The way comics become synonymous with certain memories, time periods, people or places in our lives. I love that. I don't want to read or hear reviews or scholarly, pretentious drivel about the "GREATEST COMICS EVER!!!". What I want is to write and read about those special comics that rise to the top of your thoughts unbidden for a lifetime. Not necessarily the best crafted books ever, but those ones that ride or die with us. The ones that we revisit over and over again. The ones that make us happy and provide excitement and solace and everything in between. Our Comfort Food Comics.

Recently I've been filling some essential longboxes and painfully wracking my brain as to what of my Comfort Food Comics would make the cut to be in these boxes. It's been fun narrowing down which ones bring me that special feeling I described above and adding them to the box. As I go through this journey, I thought I'd blabber a little about it as a personal record of sorts for me. Above you'll find my "Comfort Food Comics Canon" - Dave Shevlin's personal comics canon, the selections that comprise my comics DNA. Quintessentially my shit! I'll continuously update the lists in the graphics above when new or revisited picks make that difficult cut.

Below the cut I wrote a brief bit about each pick. If you want me to specifically expand on the why of a certain choice, please ask and I'll get to it quicker or expand more on it per your request!

Please note these are just the story arcs and single issues that I physically own each issue of that really lend themselves to that format and they are nestled safely in the CFC longbox. Plenty of other OGN's, runs, longer arcs, manga or other formats are also my Comfort Food Comics but don't apply here.

Long Form Stories

New Warriors Vol. 1 #40-42: Mark Bagley and Darick Robertson deliver a gorgeous looking mega epic that takes the Warriors into space and levels up Dick Rider for a spinoff solo series. They actually hyped this story up and released it and Nova #1 in a Marvel Classics Collector's Pack in the 90's. I of course own that.

The Amazing Spider-Man Vol. 1 #31-33: THE Marvel Comic. Spider-Man pushes the heavy weight of every problem life throws at him to face his responsibility. The best Lee/Ditko story.

Secret Defenders #9-10: Tom Grindberg inked by Don Hudson is one of the best penciller/inker team-ups ever. Together they made unique magic they never achieved apart. Here they draw Thunderstrike and War Machine in a team-up of 90's replacement heroes vs Nebula. It rules.

Marvel Knights 4 #1-4: Steve McNiven, despite only doing some of this series, it's covers, and some moments in Civil War, is one of my de facto Fantastic Four artists. I also love the hook of the FF going bankrupt and kicked out of their science skyscraper and what happens next. Also that Sue as a teacher, ooowhee!

The Girl Presents: Body Heat #1-3: As a teen in the oughts delving into porn comics of the era, Kevin Taylor was the GOAT. This mini collects a bunch of what I consider to be the best stuff he's ever done.

Thunderbolts Vol. 1 #155-157: My personal highpoint from maybe the best run on Tbolts. A very snarky, fun and titillating Satana is recruited to Luke Cage's merry band of misfits. Kev Walker's best work is on this run.

Detective Comics Vol. 1 #622-624: 622's copy text tells all: "There's a new Batman in Gotham City. His name is Simon Petrarch, he has supernatural powers, and he believes in killing his enemies. What happened to Bruce Wayne? Where is the Batman we all know?" John Ostrander gives us a comic within a comic as a Gotham citizen makes his own comic about Batman. Ostrander didn't get many chances to write Bats, but when he did he killed it. The only Mike McKone art I've ever enjoyed. Highlighted by Dick Sprang doing INSANE covers in 1990 that also serve as covers for the fake comic.

Action Comics #858-863: Superman and The Legion of Super-Heroes! Supes travels to the 31st Century to see it's become a perverted dystopia. Geoff Johns and Gary Frank give us a colorful, action packed blockbuster that firmly reestablishes Superman and the original Legion, as it should be.

Avengers Vol. 1 #358-359: My beloved Bob Harras 90's Jacket Avengers are whisked away to Polemachus to help Arkon and Thundra. The Steve Epting/Tom Palmer art team give us some amazing art here, including the best page of Crystal ever published.

Gen 13 Vol. 2 #13A-13C: Grunge has a dream adventure where he teams up with Archie, Betty, Veronica, The Teenage Mutant Ninja Turtles, Spawn, Bone, Madman, Maxx, Hellboy, Shi, Katchoo and Francine, Monkeyman & O'Brien, Wolverine, Tony Robbins and many more. A 90's comic industry meta joke romp.

Green Lantern Vol. 3 #48-55: Emerald Twilight/New Dawn. Hal Jordan's fall into Parallax and the debut of Kyle Rayner. Kyle is my favorite DC character and this is in contention for my favorite DC story. It's biggest failing is it is so rushed (I delve deep into why here), but amidst that fast paced chaos, DC gets it's own Magneto and it's own Spider-Man. Just the best!

The Amazing Spider-Man #498-500: Spidey is magically cast adrift outside of time. But in order to get back, he needs to relive every experience he’s ever had as he climbs his own timeline. So much to love here - Last Stand Spidey, glimpses of his whole history, John Romita Sr. drawing a reunion with Uncle Ben. The pinnacle of the JMS and JR Jr. run.

First Knife aka Protector #1-5: Arguably the best world building I've ever come across in comics. Inspired sci-fi realism story blended with Artyom Trakhanov's otherworldly, surrealist, almost cubism like style.

The Incredible Hulk Vol. 1 #402-404: Gary Frank's 90's style he employed with Marvel UK and this Hulk run is about as good as comic art could possibly get. I hate that he decided to add about a billion more lines to his gorgeous, clean art. Here he gets to draw Hulk's mindscape of villains, Juggernaut, Red Skull, and the 90's Harras Avengers. Great bits with them in these issues. God, it is good! (It drives me insane though they color Sersi correctly red in 403, then botch it and color her green in 404! ARGHH!!)

JLA Volume 1 #10-14: Rock of Ages! The best Justice League story. Morrison blends every bit of 90's DCU with his own crazy creative mind to create an alltimer. Almost a proto Final Crisis, this one is more like the awesome Saturday Morning Cartoon version of that story.

Journey into Mystery Vol. 1 #652-655: Kathryn Immonen, one of comics' most underrated creators, gave us an all too brief Sif solo book here that was one of the best Marvel books ever. This is the highlight of that run. In this one we get a Sif and Beta Ray Bill romance/horror story that meshes the new status quo of the time with their past relationship.

Sabretooth Vol. 1 #1-4: Love Sabes, love Hama, and love obscure mutant Birdy, who essentially only ever got play in this mini. This is the 90's direct to VHS action movie starring Sabretooth, Birdy, Wolverine, Mystique and Graydon Creed.

Sandman Vol. 2 #21-28: The best story in Neil Gaiman's masterpiece. The introduction of The Endless followed by Lucifer abandoning Hell and getting his revenge on Dream by giving him the key and telling him to deal with it. Gaiman's clever takes on Gods and mythology are done so well here.

Daredevil Vol. 1 #275-276: A tie in to Acts of Vengeance, my favorite Marvel Event, during my favorite run on Daredevil. That's right, this is my favorite DD story. Batshit insanity as Ol Hornhead, some of the Inhumans, and an animal rights revolutionary battle an old Ultron robot that grapples with his own existence as he kidnaps a genetically altered, indestructible bimbo who is wrestling with the same issues. Ann Nocenti man, nobody did it better.

New Avengers Vol. 1 #1-6: When I was getting back into comics in my teens after taking a long time off, this was maybe the first title I bought monthly. Spider-Man and Wolverine....AVENGERS??? The roster, the David Finch art, the whirlwind breakout to Avengers Tower to the Savage Land, all of it hooked me back in so hard. This is the clear start of the Modern Marvel Universe as we know it. I was fully on board. Nowadays I know it spits in the face of what Avengers always was and should be; and it's filled with annoying Bendis continuity mistakes and terrible dialogue, but damn I love it regardless.

Thunderstrike Vol. 1 #4-6: I could put the entire run on Thunderstrike on this list (I kinda did!) but this is my favorite arc of his short lived title. Spider-Man and Eric team up for some weird Blackwulf(remember him) and SHIELD shenanigans. Frenz's art here is amazing and we have the best jokey covers during this arc.

The Infinity Gauntlet #1-6: Starlin, Perez and Lim continue the development of Thanos into one of Marvel's first event books. You'd expect it to be a big, dumb romp but it's really an entertaining 90's Marvel snapshot with loads of tiny spectacular character moments, huge stakes, and quiet emotional depth.

Gen 13: Magical Drama Queen Roxy: As much as I love the start of Gen 13 with J. Scott Campbell and Jim Lee, Adam Warren was the best to ever work on this team. This is a great character study of Freefall as we get a scathing parody of just about everything pop culture in the late 90's in that charming, hilarious way only Warren can do.

Wolverine Vol. 2 #38-42: Storm! Albert and Elsie-Dee! Sabretooth! Lady Deathstrike! Jubilee! Forge! The Reavers! Cable! Nick Fury! All by Larry Hama and Marc Silvestri. Easily the best Wolverine comics ever made.

Ultimate Spider-Man Vol. 1 #118-120: My favorite Ultimate Spidey story. The gang plus Johnny Storm and Iceman go to beach for a fun night out and Mutant shenanigans occur. This is sort of a precursor to the full house status quo of Ultimate Comics Spider-Man later, which I love dearly. I just love this big cast of teens hanging out and the fun that comes from it.

Green Lantern Vol. 3 #63-64: Parallax returns to get his ring back from Kyle and Kyle gets Hal's old Justice League pals back together to stop him.

Legion of Super-Heroes Vol. 2 #290-294: The Legion vs Darkseid and his Servants, back when using a modern day villain against the Legion was a first. This is your big boy, the best of the best. Levitz and Giffen leveling up to reach their Legend status.

Ultimate Spider-Man Vol. 1 #33-38: Objectively this is probably the best story Bendis ever does with Ultimate Spidey. The Venom suit, Eddie Brock Jr., Peter's and Eddie's parents and the legacy they left their children - it's all wonderful stuff done in such a dour, moody way.

Shadow of the Batman (1985) #1-5: Baxter Stock reprints of primarily Steve Englehart's legendary Batman run with some Len Wein and some short Marshall Rogers extras. 40 pages no ads chock full of Walt Simonson, Al Milgrom, Rogers and Terry Austin art. All with new beautiful painted covers by Rogers. For me, this is the only way to experience this run.

Superman's Pal, Jimmy Olsen #142-143: Dabney Donovan, Cadmus mad scientist, creates a miniature planet full of "atomic liquid" denizens who are shaped by outside stimuli, in this case, horror films, which spawns a race of Jack Kirby's Universal Monsters who start to cause trouble for Jimmy Olsen and Superman, before they save the day and Superman replaces the horror films with the musical, Oklahoma! King Kirby everybody!

Batman Vol. 1 #676-681: Batman R.I.P. My favorite Bats story of all time. The culmination of Morrison's weird and wacky attempt to take the character’s entire publishing history, say everything happened, and somehow reconcile that all together and show us what Batman would really be like - The world’s greatest superhero, an extremely multifaceted man at the top of his game and surrounded by a support net of people inspired by him who he loves, always ten steps ahead of any villain with contingencies for everything.

Superman Strength #1-3: My favorite Superman story. Scott McCloud, Aluir Amancio and Terry Austin give us a tale of what makes Superman so strong. It's not his powers, it's his inner strength, because he is centered and self assured from being raised by such formative, ethical, and truly good parents. That source of strength is contrasted by relatable everyman criminal, John “Fido” Pollock, the main villain here who had the exact opposite in life. I can't do it justice here, it needs to be read.

Daredevil Vol. 1 #319-325: Fall From Grace. Years ago I read the 90's trade of this story mid November and fell in love. So every November, every Thanksgiving is Daredevil season for me. Daredevil in his new suit goes through a gauntlet of big name guest stars every issue as well as the return of Elektra from Frank Miller's mountain purgatory. This story is bursting with raw, messy enthusiasm that doesn't always work but you feel that soul and love put in and get swept away by it. Although this story is better in trade with slight edits and added pages, it NEEDED to be here for me, plus I get a fold out awesome poster this way and I have it in the format of yet another rad 90's Collector's Pack.

Thor Vol. 1 #337-340: Walter Simonson and Beta Ray Bill's debut on Thor! This one is up there with Spider-Man #31-33 as the best story Marvel has ever put out. Simonson's Thor run is arguably the best run in comics and this opening salvo is S-Tier writing and art every single page.

Detective Comics Vol. 1 #592-593: Alan Grant and Norm Breyfogle's run on Detective is a real highpoint for Batman. He described this Detective run as ” We kind of handled what Batman did on his nights off from Batman monthly.” and I think that’s so perfect. Here is all the creepy, strange, fantastical events that take place in the dingy corners of Gotham City when Batman isn’t being a Justice League member superhero. No story represents that vibe better than this two parter with weird two-parter about a fear based hallucination causing cannibal.

Fantastic Four Vol. 1 #347-349: This is my top Fantastic Four story. I never had this one growing up but we did have the trading card when I was like 4 or 5 and this was a truly mythical thing I needed to experience. Years later when I was a preteen I stole my mom's credit card and bought these issues of the internet. It did not dissapoint. The New Fantastic Four team of Wolvie, Spidey, Grey Hulk and Danny Ketch Ghost Rider will always be the coolest thing they ever did. Walt Simonson & Art Adams, how do you possibly get better than that?

Wolverine Vol. 3 #73-74: Every day of Wolverine's week is expressed in one panel showing how he has his own solo book, how he is in X-Men, how he is in X-Force, how he is cameoing in everyone else's book, etc which eventually ends with him talking to Spider-Man in a bar. It's such a fun meta way of showing how overused he is and Aaron uses it as a story point that maybe the old man is tired and needs a rest. There's also a shitty Daniel Way story in these issues but skip that.

Batman vs Predator #1-3: This has no right being as exceptional as it is. Dave Gibbons writes and BOTH Kubert brothers are on art and they skip any irony or idiocy and give us a played straight story of what happens when a Yautja drops into Gotham City. SO GOOD!

Final Crisis: Superman Beyond 3D #1-2: Superman develop 4D-vision and teams with a group of Multiversal analogues of himself to fight against a reality consuming evil vampire Monitor, Mandrakk. Their combined powers allow Superman to merge into the Superman Colossus, a giant thought robot to combat the Dark Monitor in the Monitor’s world, in a self assembling hyper story that is alive and adapts around them. A thoughtful meta narrative about the power of stories, about creators and the ongoing real life comic industry.

Luke Cage, Hero For Hire Vol. 1 #8-9: Luke Cage invades Doom's Latverian castle to get the $200 bucks he owes him. Spawning legendary one liners such as: "Where's my money, Honey?" and "Ha ha ha ha!, You are the ultimate, Cage!"

Invincible #63-64: Usually I'm not a fan of all the bloody stupidly absurd violence in Invincible, but Atom Eve vs Conquest goes hard.

Axis: Hobgoblin #1-3: Roderick Kingsley Hobgoblin is my fave Spidey villain and this mini set when he was magically inverted into being an opportunistic brand pushing hero is loads of fun with very nice art by Javier Rodriguez.

Detective Comics Vol. 1 #604-607: MUDPACK! Another Grant/Breyfogle Detective gem. The OG Clayface, who was just an old actor with some masks, recruits every subsequent Clayface that had appeared over the years to level up and take down Bats. Looker from the Outsiders guest stars to help Batman.

Thor Vol. 1 #168-169: Thor and Galactus sit down together in space to talk and Big G gives us his origin. A Stan and Jack classic.

Adventure Comics Vol. #369-370: MORDRU! His first appearance in a wonderful story. The Legion represents a dream of a brighter future all about science, progress, youth and evolution all done through a massive group of selfless, heroic kids all from different planets and races that work together as one. Mordru is the perfect Legion villain because he is the diametric opposite of all that. He is an ancient singular wizard from the past that only cares about himself and his own needs that uses evil dark magic to further his goals.

Archie vs Predator #1-4: I don't care for Alex De Campi as a creator, and I care even less for her as a person. This story succeeds in spite of her, as her questionable decisions, poor dialogue and bizarre and truly stupid ending try their hardest to ruin this. Honestly, a monkey could've written the plot for this and I'd still be on board as I just need a Yautja hunting the Archie crew with all the good vibes classic Archie comics provide. Artist Fernando Ruiz thankfully provides just that saving this crossover and making it one of my faves. He is the true heavy lifting star here and he really makes this thing work retaining the humor and idyllic, innocent charm of Archie Comics and blending it with the bloody action and gore of a Predator story. Further proof he is the key ingredient here is the sequel they do to this without him is utterly forgettable nonsense.

Batman: Legends of the Dark Knight Vol. 1 #65-68: The best Joker story ever. J.M. DeMatteis tells the tale of Batman dying, which causes the Joker to go sane and what happens next.

Spider-Man: Web of Death - Amazing Spider-Man #397-398 and Spectacular Spider-Man #220-221: DeMatteis, DeFalco, Bagley, Buscema, Sienkiewicz! Easily the best Doctor Octopus story and constantly battling in my head for best Spider-Man story. Spider-Man is dying and who better to save him than his self proclaimed greatest foe, Doc Ock. A tragically poignant tale with expert characterization. Oh also it has Kaine and Stunner and Mary Jane announcing she's pregnant, so you know, it's just the best.

X-Men Vol. 2 #188-193: Rogue assembles a hand picked team to take on the new and mysterious Children of the Vault. Mike Carey's debut story arc with Chris Bachalo. This coincided with a linewide relaunch and as a newly graduated high school teen, it was a perfect personal jumping on point. Little did I know I was getting in on maybe the second best run on X-Men ever.

Kraven's Last Hunt - Web of Spider-Man #31–32, The Amazing Spider-Man #293–294, and Peter Parker, the Spectacular Spider-Man #131–132: I've tried over and over again as a cynical critic to find ways to NOT hail this one as an alltimer classic, but try as I might, it is one of those much lauded stories that actually are indeed alltimer classics. DeMatteis, Zeck and McLeod dust off old lame Kraven, plug him into a sequel to a Captain America/Spidey Marvel Team-Up issue, and somehow make a masterpiece.

Wolverine Vol. 2 #7-8: Joe Fixit Hulk and Patch Wolverine have to team up in Madripoor by Chris Claremont and Big John Buscema. Awesome.

Thor vol. 1 #447-448: Eric Masterson Thor had such a fun little friendship with The Absorbing Man. In this one Absorbing Man's love, Titania, wants to go back to crime so he calls Eric to stage a fake rumble to trick and pacify her. But things go sideways when Spider-Man gets involved.

Superman: Blackout - Action Comics Vol 1 #671, Adventures of Superman Vol 1 #484-485, Superman Vol 2 62, Superman: The Man of Steel Vol 1 6: I wrote more in-depth on this one here. Superman loses his memory on a tropical island and is to be wed to the island princess. A perfect slice of the amazing Triangle Era with killer art from Jurgens and The Bog.

Superman/Batman Vol. 1 #60-61: A dreamworld where the Justice League and the Teen Titans and their villains get amalgamated with killer art by Francis Manapul.

Rival Schools #1-2: I love Capcom's video game Rival Schools. I love comic creator Corey Lewis. Put them together and you get just about the perfect comic made just for me. The only negative is they never published issue 3.

Convergence: Shazam #1-2: After reading through all of the Golden age Fawcett Captain Marvel comics, I've come to regard DC's version of him as a bit of a letdown. I'm always searching for that modern day high I got from those classic tales. This series by the S-Tier creative team of Jeff Parker and Doc Shaner is the closest I've ever gotten to that feeling again.

The Demon Vol. 3 #26-29: Dwayne McDuffie and Val Semeiks deliver us one of the smartest, funniest, pull no punches parody of American politics as Etrigan runs for President. This one is in contention as my favorite DC Comics story of all time.

X-Men: The Asgardian Wars - New Mutants Special & Uncanny X-Men Annual #9: The New Mutants and Storm get transported to Asgard and integrated into their mythology and culture. The X-Men eventually to join to get them back. I don't know why but the combo of Asgard and the X-Men goes together better than sea salt and caramel. Easily my favorite X-Men story. Another Art Adams masterpiece.

New X-Men Vol. 2 #42-42: Chris Yost and Craig Kyle's run on New X-Men is in my Top 10 for Marvel and this quiet story set in between two massive upheavals gives us a genuine tale of teen emotion, trauma and sweetness with inspiring and whimsical art by Skottie Young. I love these issues so godamn much.

Ben Reilly: Spider-Man #1-5: In an era of (GOOD LORD WHY AND HOW?!) 20 or so years of pretty terrible Spider-Man comics, Marvel blessed us by getting J.M. DeMatteis to revisit Ben Reilly for an untold tale perfectly nestled during his brief time as Spider-Man. I won't spoil it but he manages to take a forgotten, height of excess 90's character and give them a poignant, spectacular story juxtaposed against Ben, in the usual psychology filled DeMatteis way.

Justice League United #11-16: A very brief magnificent run where Stargirl, Equinox, Animal Man and Alanna Strange recruit whoever they need from across the DC Universe to do the job they need to do. This was a title DC should have published in perpetuity but alas it barely survived two arcs. Still some of the best ever done by Jeff Parker, Travel Foreman and more. Check out the digital only "Sneak Peek" they released to start this series. Comics don't get much better than that.

Spider-Man: Revelations - Astonishing Spider-Man(UK) #56-57: Revelations is a Top 10 Spider-Man story and I could rave about it all day. The return of Norman Osborn in a full team effort by all the writers, editors and artists, it's a perfect ending to The Clone Saga and an amazing jumping off point for the Spidey line. But why a UK reprint of the story in here? Well besides the new exclusive covers, #57 contains a fantastic written epilogue by Peter Parker only published here.

Webspinners: Tales of Spider-Man #17-18: It's honestly hard to try to think of a better duo in comics than Tom DeFalco and Ron Frenz. Here we get them making SUCH solid little story revisiting aspects of their run on Amazing with some Doc Ock thrown in. There's nothing flashy or important here but it's just the pinnacle of what Spider-Man comics should be.

John Constantine, Hellblazer #7-8: A haunting, chilling tale of the love between a fishmonger and a mermaid and the disparity between their perceptions of the romance. This one doesn't really "comfort" me but it's so creative and sweet as well as disgusting and terrifying, and that's why it sticks with me so much.

Beyond #1-6: McDuffie never really made a bad comic during his all too short life. This one absolutely RULES! The "Beyonder" gives us a new Secret War and McDuffie throws together some 2000s underused Marvel characters(at the time) in The Hood, Al Kraven, Gravity and the Mac Gargan Venom (Still the only time the character actually used a scorpion tail with the Symbiote. How was that not a permanent thing?) alongside some similarly underused classic characters in Hank Pym, Firebird, Medusa and the Michael Collins Deathlok. A perfect example of "there are no bad characters, just bad writers".

Masters of the Universe Vol. 1 #1-3: Before the cartoon and the general established lore of He-Man was established, DC Comics was able to publish a few stories where they sort of filled in their own version of that mythology. They went with more of a Conan/barbarian serious style and I find that take so cool.

Spider-Man: The Lost Years #0-3: Arguably the best "Spider-Man" comic ever. DeMatteis and John Romita Jr. just GO SO HARD giving us a gritty and deep story of Ben Reilly, Kaine and all the other people caught up in their tragic lives on the road.

Dark Horse Extra #1-7: These were big foldup like 4 pages newspaper comics. Madman, Concrete, a little of everything Dark Horse published. The Madman story is a treat(and recently reprinted in the Library Editions!). But the draw here for me is a fun Art Adams Monkeyman and O'Brien story only published here.

Magneto Vol. 4 #1-4: An earnest psychological exploration of all the various personalities Magneto has displayed throughout his comic history in the usual DeMatteis way. That it's done in a genuinely well told story set during his time as the New Mutants Headmaster is just a bonus.

Young Justice (2011) #20-25: I was a fan of the Young Justice cartoon when it came out and recently watched the entirety of the series and found myself falling deeply in love with Greg Weisman's version of the DC Universe. This tie-in series swiveled from shallow kid's comic to fun fill in the gaps for the show. But no arc was ever as deep or essential as this one which gave us a great prequel set before Season 2 expanding and fleshing out the new cast and the post time skip dynamics. AMAZING Nightwing moments, Brainiac, Weisman baby Kylstar, a HUGE cast and so so much more all with wonderful art by Christopher Jones.

Avengers: Ultron Forever: Al Ewing and Alan Davis give us a time twisting tale reminiscent of Avengers Forever as a time plucked team of modern day Vision and Black Widow, future Danielle Cage Captain America, just a little future Jane Foster Thor, the end of Simonson's run Thor, Jim Rhodes Iron Man, and the unrefined original Hulk take on future All Father Ultron.

Green Lantern Vol. 3 #146-150: Judd Winick's time with Kyle Rayner is a real mixed bag for me. Winick tended to write everyone like they were on a 90's sitcom all desperately trying to be the youngest, coolest, hippest person in the room often to the detriment of the story they were in. But there is no denying that this arc really sings. Kyle gets godlike powers and and helps his friends and the world in a revitalization of the GL line, clashes with Superman, chats with Alan Scott, and finally meets his real Dad.

Action Comics Vol. 2 #36-39: Besides Morrison, the only other time I enjoyed New 52 Superman was Greg Pak's brief time with the character. In this one he returns to Smallville to find it a warped, zombie nightmare dream world with an otherworldly tentacled horror possessing Lana Lang. A great character study of Clark wrapped in a horror story.

The Amazing Spider-Man Vol. 1 #315-317: You can't beat Michelinie and McFarlane together, especially when Venom was involved. This is the second ever Venom story and to me the best ever done with the character. Venom is a charming, funny madman who poses a real terrifying threat to Peter. This is also one of the few stories that actually uses the relationship between the Symbiote and Peter.

Detective Comics #456-457: These are here for the Elongated Man backup stories. The plot involves Ralph getting kidnapped and his wife Sue, the superior character, takes center stage as Elongated Woman. It's as extremely silly and fun as you'd expect. The art is by Kurt Schaffenberger and he makes Sue look so damn cute. I don't know if anyone has ever been better at drawing women in comics than Schaffenberger.

Superman/Batman #79-80: At the time this was like the first mention of DC One Million in years and it was such a delight to see a return to that era and it's wonderful characters. There's a two page spread in here of the time traveling villain bouncing around time and seeing the various Superman/Batman teams of thos eras from throughout DC publishing history and it brings SO much magical comics comfort to me. It's so cool. Chris Roberson, even with such a small sampling, is one of the best Superman writers ever.

Spider-Girl Vol. 1 #96-100: I previously had just #100 on this list because that issue is an oversized anniversary special featuring the amazing climax to this storyline AS WELL AS a reprint of issues #27 and #53, two of the best single issues in the run. But that';s not all you also get a cover gallery, a Spider-Girl villains section, and character info file pin-ups from previous issues. Obviously one of the best single issue packages ever. But I recently reread the entire tale preceding this and realized that one of my favorite moments ever in comics, Hobgoblin escaping from jail in his MC2 comic debut, was from this same story arc in #97. And it's not just those issues, the entire story arc has it all, it's a PACKED celebration of this entire legendary series and the Spider-Man franchise as a whole.

Ultimate Spider-Man Vol. 1 #97-105: I was kind of shocked how much Ultimate Spider-Man is making the cut for these CFC boxes. For years I had disregarded it as a thing in my past and as just more Bendis nonsense. I reread all of it in 2023 and was so happy to see I still love it as an adult and A TON of it still holds up, just as I remember, giving me those same comfort food feelings I felt then. I was OBSESSED with it as a teen and it was the book I kept picking up ravenously as I got through high school and entered adulthood. I have vivid memories of buying these issues from my local shop my first year of college. I remember I hated the idea of an Ultimate Clone Saga but was quickly proven wrong as every single issue had a MIND BLOWING final reveal that just kept ramping up the action and stakes. Rereading it now, even though it's one of the longer arcs in the run, it's surprisingly not too decompressed like the usual Bendis story, and delivers some great story moments that radically smash the status quo for the better. I also really enjoy issue #100 with it's extras celebrating the entire run up to that point.

Silk Vol. 3 #1-5: Maybe it's because Maurene Goo is a successful novelist, but this series has such a professional polish to it that is lacking a lot in comics. The writing is so on point from the overall plot, to the snarky jokes, to the character interplay, to Cindy's inner monologue; all masterful work that entertains in such a charming way. This series also feels so additive to Cindy's little world as well as the Marvel Universe as a whole with new frenemy Saya Ishii and her familial ties. Takeshi Miyazawa is an artist that I've yet to find a line drawn by him I don't enjoy. I truly wish Goo was writing a long ongoing for Silk.

Darkwing Duck (Boom! Studios) #5-8: Negaduck and Magica De Spell team up to take down Darkwing by bringing all the Darkwings from across the Multiverse together. All capped off by the return of Paddywhack. This is my favorite Darkwing Duck story ever across all DD media. It has everything!!

Daredevil Vol. 1 #254-256: I'll be honest, it's extremely difficult to not just place the entirety of Ann Nocenti's Daredevil run in these boxes. This is another alltimer in a run of alltimers here with the introduction of Typhoid Mary and the brutal, toxic relationship her and DD share. Nocenti's dialogue, inner monologues and character actions are so weird but also so natural, so REAL!! I absolutely love how she translates manic, fractured human behavior and the messy gross truths of real life into the usually fine tuned scripting of superhero comics.

X-Force Vol. 3 #7-10: Craig Kyle and Chris Yost rank only behind Claremont and Mike Carey as the best X-Men writers ever for me. We didn't know how good we had it with them, as they banged out incredible story after incredible story bouncing around the X-Franchise over the years. I loved this messy, violent X-Force relaunch they helmed. It took the best bits of their New X-Men work prior and blended it with decades of past X continuity; dug up and given fresh new paint with some of the most staggering stakes the mutants ever faced. This arc was my favorite of the series. There's some wonderful New X-Men kids content here with some amazing X-23 and Elixir character work. There was such good development for all the members really, as well as the fun as hell introduction of Domino and Vanisher to the team. Each issue had a different character giving a narration inner monologue that felt so character authentic. Yost and Kyle always really nailed staying true to how each character spoke, acted and even thought. I deeply miss that. Mike Choi was an artist I loved back then and it was great to see him continue his work with X-23 here. This arc is probably his finest hour.

Black Adam: The Dark Age #1-6: I was such a sucker for the early Oughts development of Black Adam, usually by Geoff Johns and his stellar work throughout JSA and 52(We don't talk about World War 3). But as great as Johns' work with Adam is, I always feel he truly believes the guy is a hero, sure he's got his problems but he will always be the hero when Johns writes him. For my money, Adam is DC's Dr. Doom instead. They are both noble, royal souls that live by some absurd code of honor and are capable of truly heroic acts, but no matter what, WAYYY deep deep down, they are vain, bitter shitheads more in love with themselves than ever truly being the people they claim to be. And really, that's why we love them so much because they are the same messy people we are filled with all the shades of grey. Peter Tomasi's handle on Adam in this series is exactly that, and it's why this series is so damn fun. Well, that and Doug Mahnke's absolutely fantastic art. Mahnke has been spinning gold for 3 decades now but this may be the pinnacle of his career. This is also one of those rare miniseries that isnt trying to be some new reader friendly, evergeen, prestige collection that is sold forever. This is a series that will ABSOLUTELY lose you if you werent reading DC Comics weekly for the years prior as it drops you in and assumes you know all the events and stories and character relationships Adam has been dealing with. It also has no concrete ending, as all types of dangling plot threads are teased for the future, wherever they may pop up. I LOVE stories like this. In the age we live in now, everything has to be new reader friendly or tie in to a movie or lead into a new series or stand alone so we can sell the collected edition. This is real superhero comics, a story that exists in the LIVING, BREATHING DC Universe between all the events and ongoings and everything else. Just a continuing piece of the woven tapestry of the magic that is these decades old superhero universes. I MISS THIS! Oh, I'd be remiss if I didn't mention the comedy gold of "Chocolate Egg Cream". One of the best comic moments ever.

Spider-Man: Grim Hunt - The Kraven Saga & Amazing Spider-Man #634-637: Since One More Day permanently ruined Spider-Man comics, I can think of only ONE truly great Spider-Man story that has been published and Grim Hunt is it. Joe Kelly is one of Spidey's best scribes ever and he weaves such a dark, thrilling tale of the resurrection of Kraven the Hunter, that no matter how much I SHOULD hate it, I ended up loving it. Kelly has such a great handle on the Kraven family's characterization all the way to the Chameleon and it's so fun seeing them all play off each other. Kaine, the Kravinoffs, the Spider-Women, hell even "Ezekiel"; he utilizes them all brilliantly. He writes a "dark" Spider-Man that somehow doesn't make you cringe. Michael Lark and Marco Checchetto's art is gorgeous and sets the mood so well. It's baffling, TRULY BAFFLING that this story ends up an alltimer, BUT IT DOES! A bonus in these issues is they all have a backup story of Kaine and Kraven having their own Kraven's Last Hunt back in the day by J.M. DeMatteis and Max Fiumara. It is an exceptional story, as expected of DeMatteis, but WOW! These issues all together represent some of the best ever published for Spidey.

X-Men: Pixie Strikes Back: I am in love with Kathryn Immonen's writing. She writes in a way that's very similar to Ann Nocenti, as I described above. It's a bit more fun, more entertaining but may be even more manic and strange than Nocenti. Immonen is WEIRD and I love it. Everything she writes feels so real. Have you ever overhead a conversation in public and you only hear snippets? You have no context, no understanding of the people or the meaning behind what they're saying. Sure, you may get pieces of what they say or follow some of it so you think you know, but you don't truly know. You're stepping in mid way through, hearing a slice of these people's lives. You're an observer, not a real participant. This is how Kathryn Immonen writes. This is not a perfectly crafted piece of prose manufactured for the entertainment and understanding of the reader to sell a product. This is true writing of the characters as if they are real, as if you are overhearing and getting a glimpse of their lives. A perfect example of this is when Mercury and Armor talk about the inane nonsense of Big Bird and Sesame Street while crawling through a duct escaping from being kidnapped by demons. Kathryn Immonen IS MAGIC. She opens a scrying pool into another reality for the briefest of moments so we can interact with Pixie and the New X-Men kids for a few issues. I deeply treasure the opportunity to experience that magic.

Ant-Man Vol. 2 #1-5: Zeb Wells gives us an endearing, evergreen story about the lovable "loser" that's truly a hero. Dylan Burnett’s art is dynamic and excels at facial expressions that add to the story in such a special way. Colorist Mike Spicer makes said art POP in such a way that you feel like you’re a kid at the grocery store filling a plastic bag with every bright, sweet and sour bulk candy they have to offer. It smacks you in the face and stays with you. The story relies on obscure past continuity while moving things forward, takes you on a tour of the entire Marvel Universe and hits on movie synergy while not being beholden to it. This is an alltimer.

Black Widow and The Marvel Girls #1-4: If Paul Tobin's name is on a comic, you're gonna have a good time. Eternal law of the universe right there and especially for this series perfectly crafted for all ages from the most devoted Marvel Zombie to the person who's never read a comic. Widow teams up with The Enchantress, Wasp, Carol Danvers and Storm all in one off stories throughout an ambiguous Marvel history with art by some of my favorites like Salva Espin, Takeshi Miyazawa, and Jacopo Camagni.

Avengers Vol.1 #256-257: Roger Stern's run with John Buscema and Tom Palmer is my favorite Avengers run and issue 257 where we get a peek into a day at Avengers Mansion where Black Knight works out, The Wasp wears skimpy 80's workout gear, Hercules proudly rejoins, Starfox tries to explain he's not creepy, and Wasp is later elected Avengers Leader has ALWAYS stood out to me as MY issue of Avengers. The larger continuing plot where the team ventures to The Savage Land to fight Terminus alongside Ka-Zar and Shanna(complete in an even skimpier outfit than Jan), AS WELL as Monica Rambeau in space vs Nebula is just an added bonus.

Batman: Legends of the Dark Knight #16-20: Venom!!! The magic of Batman is how he works in literally any story you place him. From the Batgod of Morrison to the drug addicted all too real human of this one. I LOVE this take on a very relatable, new to the job Bats who fails to save a little girl so he ends up juicing so it won't happen again. Sadly this leads him to become a sad, savage, pathetic wretch of a man and we must witness the depths he falls to and his eventual climb back to the top. The continued development of Santa Prisca and the debut of the drug Venom are nice nerd bonuses to this brutal tale of men and the power they seek and how the misuse of said power can make them monsters. There's some LEGENDARY art in these issues from the absurd dream team assemblage of Trevor Von Eeden, Russell Braun, Jose Luis Garcia-Lopez and Steve Oliff.

Girl Crazy #1-3: When I first started reading this Gilbert Hernandez story I was so damn lost, utterly bewildered, massively confused but also titillated and intrigued! The art was some of the cleanest, most beautiful I'd ever seen, and the manic story peppered with 1950's, jungle and future aesthetics forced me to read on! I'm glad I did as the biting commentary, genius science fiction and heaving breasts all fell into place just like Kitten's fake boobs fell into place into her butt. I ended up LOVING the wild and wacky coming of age story revolving around death, freedom, sisterhood, resurrection and most importantly of all not being afraid of expressing your true self.

Titans Sell-Out Special!, New Titans #93: Titans Sell Out!!! I really enjoy this era of team of New Titans. In a money pinch and on a break in Hollywood, the Titans license their images to the movie and merchandising industry which results in an embarrassing The Teeny Titans cartoon they can't stand. It's incredibly entertaining as they actually devote part of the comic to the cartoon, then show us the comic adaptation of the cartoon. It's extremely funny and meta and I love every instance we got of The Teeny Titans. Both of these issues also contain some rare Adam Hughes art, first as a photo scrapbook of their visit to Hollywood then as a parody of an erotic adult magazine.

Classic X-Men #41-42: This gives me some of the phenomenal Dark Phoenix storyline issues but the actual main reason these are in the CFC Canon is the chilling and brutal backup stories featuring Mr. Sinister. This is right before the new backup material in Classic X-Men was stopped altogether as well as Claremont's departure from the X-books. It's a frequently overlooked story that starts to dig into the actual origin and story of what Claremont actually wanted to do with Sinister. Here we see Sinister in control of the orphanage where Cyclops is as a boy and his constant manipulation of his life. It's a truly horrifying and unsettling story filled with so much pathos and development for Scott. Some of Claremont's best work was these backup stories. It's always been cool to me that while Claremont hints at things here he never puts in something truly contradictory or set in stone to his original vision for Sinister, so this story isn't ignored or explained away later, it's woven into continuity just from a different angle.

X-Men Archives Featuring Captain Britain #1-7: A 90's deluxe reprint series of Captain Britain's Marvel UK adventures by Dave Thorpe, Alan Moore and Alan Davis. Sometimes I honestly think the Jasper's Warp storyline that makes up most of this series may be the best Marvel storyline of all time. It's certainly always up for contention as my favorite comic story of all time. It has everything that makes comics great. Thorpe and Davis' initial Multiverse setup and relaunch of the character starts off so additive with the iconic costume redesign and introduction of Jim Jaspers and Saturnyne. It soon gets real dumb, real fast but thankfully some behind the scenes drama led to Thorpe leaving and a young and wildly creative non jaded Alan Moore coming on the book. He takes the ingredients Thorpe bundled together and turns them into unparalleled fine dining. Without missing a step, it becomes a dark sci-fi comic alltimer, almost a proto version of all the stories Moore does after this. All the usual brilliant Moore tropes, hell all of the more nuanced and mature storytelling comics tropes from the 80's and up are done here in such a masterful way. It's always shocking to me this one is still quietly underrated as it's influence is still being felt in media today. The magic is it's not dated and it is in many aspects way better than all the similar stories done after. I remember reading this one my first year of college and being blown away, my mind now open to how truly amazing comics could be. I'm pleased to see that feeling hasn't gone away upon rereads. GOD, IT'S GOOD!!

Magik Vol. 1 #1-4: When I got back into comics in my late teens, back before I first knew what a torrent was, wayyyy before readcomiconline existed, all my comic reading was done by whatever vestiges of the 90's survived one family move or whatever I'd find in a bookstore. I'd fallen in love with the X-Men fully and got by with whatever trades were coming out but when I saw a footnote in an issue about a random Magik series I never knew existed, I hopped online and it was one of my first ever online comic purchases as a teen. Newkadia I believe. Magik has always been a fave of mine, really only getting beat out by Rogue, Wolvie and Mags as my favorite X character. I couldn't believe such an obscure character really got her own mini back then. Now, Claremont always made the X-Men kinky and full of suffering but JESUS, this mini cranked it up to 11. It's a brutal and horrifying tale but it is also DEEPLY AWESOME!! Ilyana is FUCKED UP. There's so much depth to her character provided here that makes her such a fascinating and complex character. I love her and this series so damn much.

New Mutants Vol. 1 #18-20: In the early Oughts I was reading New Mutants for the first time as they released New Mutants Classic trades. The sporadic releases of the first two volumes with Bob McLeod's adequate but largely un-fantastic work on the series was fine, but I found myself a bit bored by it all. When the third volume finally came out with Bill Sienkiewicz's work my mind exploded. Head, gone. Bits of brain matter everywhere. Suddenly this cookie cutter series that sometimes put me to sleep was a transcendent work of art pushing the boundaries of the medium. WHAT??? The Demon Bear Saga here is the definite high point of the run and the entire volume. I can't even count how many times I've pored over the art in these ones. The weird ass story from Claremont combined with the experimental art by Sienkiewicz blend so well to make this alltimer.

Books of Magic Vol. 1 #1-4: I got this story in trade form along with all of Sandman from my oldest brother back when I was 18 or so and I'll be forever grateful that he opened up such a world to me. At that point I hadn't really gotten into much of DC besides the usual classics and this gave me a peek into how charming and special and full of depth the DCU was. This is the story JK Rowling ripped off for Harry Potter where a young bespectacled, black haired boy is revealed to be a magical chosen one and suddenly leaves his normal British life behind and is swept off to the world of magic. I didn't know many of the worlds and characters presented within when I first read this but I was soon captivated by how amazingly cool the magic side of DC was, and in turn this led me to becoming a full on DC fan for life hunting down more and more comics from this dark, mysterious corner of that universe. This is an extremely special one that has stuck with me for years as I often find myself thinking about random panels from it such as the Helmet of Fate demanding to be worn by a reluctant host body.

Daredevil Vol. 1 # 262-263, 265: Ol Hornhead deals with Inferno! More from Nocenti's run with JR Jr. on here. I told you it was going to be hard not putting their full run in these CFC boxes. Nocenti seems to be the only one who actually GOT Inferno and how fucked up it would be if New York City got overrun and possessed by demons. It's an absurdist dark comedy nightmare she presents herein. Years ago reading this I found it silly how she wrote the regular citizens barely caring or reacting to the horror around them but seeing where our world is now and how fucked it is and how unaffected people are by the grind and insanity of life, I fully believe she presents the most realistic shit ever in these comics. The last issue where DD just silently runs around absolutely beating the shit out of demons, then tries to pick up some trash to make things better, then sits and has a beer and cheers to NYC being the greatest city on Earth is the most brilliant perfect thing ever. Life and all of it's horrible happenings will try to kill you every single day, but you gotta grind and along the way do your small part to better the world and your soul, and find time to sit back and catch a quiet moment for yourself to smile and take it all in and love it, suffering and all.

Batman Vol. 3 #36-37: Tom King's Batman is a mess of a traumatized writer grappling with issues he should be dealing with in therapy but instead does through a comic, editorial meddling, grand aspirations that were never going to be allowed to happen, and a few gems along the way that are some of the best Batman comics ever. It's an infuriating, stupid run that I hate with rare moments I absolutely love. It is maddening, like most of Tom King's output. This story is one of those few gems I love. Presenting Superman, Batman and their respective partners, Catwoman and Lois Lane, as a normal pair of buddies and lovers in the most unusual world gives us such a fun story to work with. Add to this the incredibly sexy art of Clay Mann, which is always a sumptuous treat, and you get an alltimer.

Bram Stoker's Dracula #1-4: I love this movie. It's a 90's cultural touchstone that I can remember being SUCH a big deal thing in my hazy kid mind. It's not actually a very good movie but it also is one of the best movies. This is the magic of superb costume design and set design. An emphasis on practical effects and mood and atmosphere. The bizarre cast which blends legend Anthony Hopkins with the baffling choices of young Keanu and Winona, and the wild card payoff of Gary Oldman as Dracula. The whole movie is a tremendously soulful vibe where you all it's shortcomings don't matter when everything feels so well done with a real creative effort you can actually FEEL and appreciate behind every aspect of making the film. It's a rare thing I dearly miss. And that brings us to this comic adaptation. Like I said, cultural touchstone, so of course this gets a 90's adaptation, but just like the movie we get Roy Thomas, MIKE MIGNOLA, and John Nyberg bringing that same soulful creative mastery to this project. I often regard this as Mignola's greatest work, from adapting such a sprawling movie complete with actor likenesses that are instantly recognizable but also definitively his style, to in many ways improving on the execution of scenes, movement and story from the film. A failing card company's comic division puts out a masterpiece of a 1990's movie. It makes NO SENSE we got this wonderful comic. I own the polybagged versions complete with trading cards for the film, which is a charming bonus.

Dragon Ball Part 2 #5-15: The 21st World Martial Arts Tournament Saga!!! Easily my favorite story arc from the OG Dragon Ball. It's such a perfect synthesis of the gag manga and perfect shonen fight manga spectrums of Dragon Ball. A guy who's fighting style is being disgusting and smelling bad, a woman who uses gender stereotypes and her own sexuality as weapons, a dinosaur monster thing, Goku, Krillin, Master Roshi in disguise parodying Jackie Chan, an honorable warrior fighting for his poor village - it's just the perfect mix of serious and silly and I love it so so much.

Uncanny X-Men Vol. 1 #462-465: Chris Claremont does a mini Excalibur reunion with Psylocke and Rachel Summers, as well as Alan Davis for the first two issues before we get Chris Bachalo and the House of M Universe for the last two issues. This is Claremont finally getting his hands on all the Marvel UK Dave Thorpe/Alan Moore characters and having a ball. This was actually the first place I encountered those characters and I was so into it I tracked down the original stuff and just fell in love. I love how Claremont blends his own continuing run with those old elements, the Excalibur stuff and his own fun take on the House of M. All with art by Alan Davis AND Chris Bachalo?? It's a bizarre amalgamation of decades of Marvel Mutant stories and I just love it.

Generation NeXt #1-4: As much as I lament the fact that this mini completely derailed the momentum of the launch of Generation X by popping in only 4 issues in the fledgling ongoing series, it may well be worth it for this PERFECT story. Easily the best material from my beloved Age of Apocalypse. This is the bleakest, most cynical, most appropriate reflection of that dark alternate reality. I also consider this to be the pinnacle of the Chris Bachalo/Mark Buckingham art team, and nearly everything they ever did together is solid gold, so that's saying something.

Dragon Ball Part 1 #2-3: I prefer the original DB over the latter DBZ era and I love this fun early arc of Goku and Bulma bonding and starting their grand adventure and meeting Master Roshi, uncensored Bulma pulling up her dress and all, here in the Viz floppies.

Uncanny X-Men Vol. 1 #172-173: The X-Men in Japan for Wolverine's wedding. One of my alltime fave X-Men stories and the best of the Claremont/Paul Smith run. Rogue proving herself to the team and bonding with Wolvie in an iconic team-up. Yukio unleashing Storm's punk side. Maddy Pryor entering the bizarre world of the X-Men. Mastermind behind the scenes being a dick. Just sublime.

Resurrection of Magneto #1-4: I wasn't sure what to make of this series as it is mired in the terrible output of the end of the Krakoa era but I was pleasantly surprised to find it to be a fine exploration of Magneto and Storm as characters tying into decades of past obscure continuity as well as recent nostalgia minis Marvel has put out for the characters. What made it become part of the CFC Canon though was the work done with the Shadow King, confirming connections if the reader so choose for that character that I have been eternally clamoring for.

Single Issues

Spider-Man: The Parker Years: My favorite comic ever.

Green Lantern Vol. 3 #59: My second favorite comic ever.

Spider-Boy #1: My third favorite comic ever and easily the best Amalgam Comic. When DC and Marvel crossed over they smushed together and made Amalgam Comics. While some creators didn't quite understand the assignment, Karl Kesel and Mike Wieringo absolutely did! It's a weird time in the 90's and Ben Reilly is Spider-Man so they blended him with Kon-El the clone Superboy. It's a super strange pairing but it allows Kesel to go hog wild with Cadmus stuff and make such novel creative choices to make the unique blend of characters work so well. Every panel of this implies and develops the larger fake Amalgam Universe in such an entertaining way.

Marvel Two-In-One Vol. 1 #86: My fourth favorite comic ever. The Thing and Sandman stop fighting and sit down to have a beer and talk.

Hector Plasm: De Mortuis: My fifth favorite comic ever.

Godzilla vs Barkley: An absurd tie-in to a 1992 Nike commercial, this comic has a young Charles Barkley fan with a magic Silver Dollar, give said Dollar to Chuck, who he describes as "Earth's Greatest Warrior", so he can magically grow to Godzilla size to stop Godzilla. Charles does this by playing one on one in the Grand Canyon. It's so godamn stupid and so godamn AMAZING!!!

Marvel Tales: The New Fantastic Four: This is just a packed single issue reprint of Fantastic Four Vol. 1 #347-349 with all the extras from the TPB. A really cool done in one package. I appreciate these new Marvel Tales that Marvel is putting out. I recommend they take some of my picks for future releases!

Legionnaires Vol. 1 #59: I love the 90's "Archie" Legion and nothing exemplified their unique charm more than the downtime issues, like this one, where they'd go to the beach, or go on dates, or deal with solo stuff or regular life problems.

Age of Apocalypse featuring the X-Men #1: The 2005 revival of my beloved Age of Apocalypse event is largely a very stupid mess where writer C.B. "Akira Yoshida" Cebulski seems to have never even read the original event, BUT we did get this anniversary oneshot out of it with a bunch of cool pin-ups and short untold tales style stories from that world. The best is the Scott Lobdell and Alvin Lee story.

The Amazing Spider-Man #300: Maybe the best anniversary issue ever. The definition of a PERFECT single issue. A tight single story that manages to fit in a ton of turmoil for Peter Parker as we get all in one the origin of Venom, an eerie creeping suspense story, a knockdown slugfest, and the return of the red and blue costume.

Green Lantern: Sinestro Corps Special: My memory is fuzzy but at the time this came out, I was only reading DC Comics by trade. That finally changed here. I can still remember people losing their minds over the final page on the CBR forums. Not only Sinestro but also Cyborg Superman, Parallax, Superboy Prime AND The Anti-Monitor??? I was floored. These were all the big bads from all the evergreen DC collections I had been reading. Absolutely unbelievable levels of hype!! I immediately downloaded a scanned copy and have been reading DC Comics weekly since. This one is still so special to me, this is THE comic that got me to follow DC live and religiously.

LCSD 2018 Cheryl Blossom #1: Cherly Blossom is my favorite Archie girl. Originally Betty & Veronica #320 - the first appearance of Cheryl Blossom, where she shows up and immediately starts stripping on the beach, was in the CFC box until I found this neat little oneshot collection of early Cheryl stories which reprints "Dare to be Bare" from Betty & Veronica #320, "Fast & Loose" from Betty & Veronica #322, "Which is Rich" from Archie #323, and "It Seams Sew Sad" from Archie's T.V. Laugh-Out #90.

Batman Adventures - Mad Love: Nothing really beats when Bruce Timm does interior sequential comic art, and this is probably the best he ever did. Paul Dini and Timm make a comic tie-in to the legendary Batman the Animated Series that is SO GOOD they later adapt it in as an episode.

Marvel Holiday Special #1: I have distinct memories of getting this when I was VERY young while out with my Mom on errands and looking through it (I don't even think I could read yet) while I waited for her to get her hair done or something. Even as like a 4 year old, Art Adams's artwork called out to me; that cover and the value of getting Spidey, Ghost Rider, the X-Men and everyone else for the price of one issue? It was a must to toddler me. Looking at it now as an adult, although it has stiff competition from the 92 Holiday Special #2, this one is still the best of the Marvel Holiday anthologies, packed with so many fun little Holiday stories from so many top creators.

Teenage Mutant Ninja Turtles Vol. 1 #8 Remaster: I've never read Cerebus and I think Dave Sim has lost his mind nowadays and sucks but I absolutely love this incredibly weird Ninja Turtles/Cerebus crossover. It makes no sense to me why this is my favorite Mirage Turtles issue. Maybe I just love Renet, who knows?! There is just such a joyful, authentic feeling of hungry, hard working indie creators of the 80's just jamming together to make something silly and fun they wanted to do in this one. I was pleased to see a rerelease of it in 2023 with a nice new cover.

Jughead Double Digest #195: The new lead story in this digest has Jughead attending the Wing Fest in Buffalo, NY. I am a Buffalo, NY native who has lived here all my life and I was shocked how many very inside Buffalo cameos and references that this story contains. I love it.

Superman #654: Lois and Clark’s “Special Day” – the first time that he as Superman held Lois in his arms.

Batman #400: Doug Moench, Steve Lightle, George Perez, Paris Cullins, Bill Sienkiewicz, Art Adams, Tom Sutton, Steve Leialoha, Joe Kubert, Ken Steacy, Rick Leonardi, Brian Bolland, John Byrne, Bruce Patterson, Larry Mahlstedt, Terry Austin, Ricardo Villagran, Karl Kesel, Adrienne Roy, John Costanza, Tom Orzechowski & Andy Kubert - ALL OF THEM DOING INTERIOR SEQUENTIAL PAGES!!!

Spectacular Spider-Man #200: DeMatteis and Sal Buscema bring us the stunning conclusion to the greatest Spider-Man run ever.

The Amazing Spider-Man Vol. 1 #328: Mr. Fixit Hulk vs Cosmic Powers Spider-Man, during Acts of Vengeance, drawn by Todd McFarlane. Just staggering how much this one is all my shit.

Ultimate Spider-Man Annual #1: Ultimate Kitty Pryde and Peter Parker 4Eva!!!! One of the best comics ever. Kitty and Pete go on a date in this perfect little slice of teen love.

DC Comics Presents: Harley Quinn: a 100 Page Spectacular collecting BATMAN: HARLEY QUINN #1, JOKER'S ASYLUM II: HARLEY QUINN #1, and stories from BATMAN: GOTHAM KNIGHTS #14, COUNTOWN #10, BATMAN GOTHAM KNIGHTS #30 and BATMAN BLACK AND WHITE(2013) #1. The main draw here for me is the Joker's Asylum story with art by Joe Quinones, which is my favorite Harley Quinn story of alltime. Add in more Quinones, from the Black & White story, as well as some Bruce Timm with the origin file from Countdown, and you've got one of the best Harley oneshots ever.

The Batman Adventures Annual #1: A star studded anthology of various Batman rogues featuring the work of Paul Dini, Bruce Timm, Mike Parobeck, Matt Wagner, Dan DeCarlo, Klaus Janson, John Byrne and Rick Burchett. Nearly every issue of Batman Adventures is great but these issues full of Dini, Timm and other legends are on another level.

Spider-Boy Team-Up #1: Karl Kesel brings us a Spider-Boy sequel which dare I say could be better than the first, this time with Roger Stern helping to write and absolutely breathtaking art from Ladronn. The fun part of this one is they smush together The Legion of Super-Heroes and The Guardians of the Galaxy and it serves as a hilariously fun parody poking fun at all the various different versions of these teams that have existed.

Best of DC Blue Ribbon Digest #61: The Best of 1985's DC Comics! A beautiful little snapshot of 80's DC as you get Swamp Thing's "Anatomy Lesson", Wolfman and Kane Supes, Levitz Legion, Blue Devil, "Who Is Donna Troy?", and an issue of Atari Force!

The New Avengers Vol. 1 Annual #1: The initial roster and status quo of the New Avengers only got about a year and a half before it was torn apart by Civil War. This is a VERY specific slice of time where you get to see that team hang out in Avengers Tower, have a standard superhero fight, and then attend Luke Cage and Jessica Jones' wedding; all with Olivier Coipel masterfully doing his thing.

The Flash Vol. 2 #182: Geoff Johns and Scott Kolins revolutionized the Flash's Rogues during their run on The Flash, both injecting so much personality into their backstory, motivation, "code", and visuals that you often felt more like reading about them than the Flash. This is the best spotlight of that as we get a full Captain Cold issue.

Cavewoman 2014 - 20th Anniversary Convention Book: This has my favorite Cavewoman story in it, which is just a simple plot of Meriem getting her top half stuck in a cave hole. It has humor, big apes, dinosaurs and Meriem hopping all over while naked, so it's a perfect Cavewoman story.

Batman Vol. 1 #666: Damian Wayne as the soulless Batman of the future vs The Devil. Wish we could see more of this from Morrison & Kubert.

Ultimate Spider-Man #200: A wake of sorts for Ultimate Peter Parker and to me the perfect final issue of the Ultimate Universe. Contains what may be my favorite double page spread ever by David LaFuente

Copra #45: A damn good issue of Copra but this issue has a letter from me and pictures of my dog, D.D!!!

Adventures in the DC Universe #16: A riff on the classic Green Lantern & Green Arrow drugs story from the 70's but with Kyle Rayner and Connor Hawke in the kinda sorta DC Animated Adventures Universe. The highlight is Kyle discussing jazz with his neighbor.

OMAC Vol. 1 #1: A startling look into the world that's coming by King Kirby. The perfect single issue. The perfect first issue.

Garfield's Pet Force 2014 Special: Pet Forces from across the Multiverse come together to fight Vetvix and all the villains from the original 90's book series(including the ones they planned but never debuted). This in turn merges the Boom continuity with the 90s books continuity. As a HUGE fan of the 90's books this delighted me to no end.

The Uncanny X-Men Vol. 1 #308: The X-Men Thanksgiving issue!! Some of John Romita Jr.'s best work.

The Sensational Spider-Man Vol. 2 Annual #1: Right before they dissolved Peter Parker and Mary Jane's marriage, Matt Fraction gave us this tale of why those two will never be broken up, no matter what.

Action Comics Vol. 1 #762: Clark Kent's Christmas shopping goes awry when the department store Santa turns out to be Etrigan the Demon. La Encantadora, a personal fave character of mine, just so happens to also be shopping there and teams up with Supes.

Green Lantern/Silver Surfer: Parallax and Thanos team up to take on Kyle Rayner and Silver Surfer by Ron Marz, who wrote both of their titles in the 90s, and drawn by original Kyle artist Darryl Banks. It's everything you could ask for from this crossover.

The Curious Mystery Involving Dracula And The Wolfman: Such a cute and fun take on spooky boys.

Wolverine First Class #6: Kitty Pryde, Siryn, Amp and baby Ilyana Rasputin have sleepover shenanigans that bother Logan, when all he wants is to sit down and watch the hockey game. Salva Espin is SUCH an amazing artist.

Invincible #54: Some time travel nonsense happens, but forget all that. This is the date night all over the world romance issue for Atom Eve and Invincible!!

The New Warriors Vol. 1 #39: The best issue of New Warriors. A quiet downtime issue where we check in on all the civilian lives of the team. Drama, romance, so much angst! This one has it all.

Thor Vol. 1 #437: Bumbling, loveable Hercules tricks Quasar into battling Eric Masterson Thor, in a misguided attempt to help train Eric. More fun ensues when The enchantress fouls up the fight even further. Wendell Vaughn and Eric Masterson, two of my eternal faves, this comic was made for me!!

Legionnaires Vol. 1 #7: This is the Legion beach anime episode and it’s drawn ENTIRELY by comics legend Adam Hughes.

Swamp Thing Vol. 2 Annual #2: Swampy goes to Hell to save Abby, encountering all the mystical/magical DCU characters along the way. An absolute masterpiece.

X-Men #24: A quiet downtime issue (gosh I love those ones, don't I?) with gorgeous moody artwork by Andy Kubert, Bill Sienkiewicz and Paul Becton. Rogue and Gambit go on a date, Cyke and Jean have some long talks, and Psylocke and Kwannon try to deal with what's happened to them.

Detective Comics Vol.1 #526: An oversized fantastic anniversary issue wherein Killer Croc, here as the new big bad member of the Batman rogues gallery, assembles just about every Batman villain you can think of to take on the Batfam.

New Gods Vol. 1 #7: THE PACT! Probably the best issue of Jack Kirby's Fourth World. A flashback history lesson of the eternal struggle between Apokolips and New Genesis.

Grendel: Devil by the Deed: I love every Grendel story but nothing hits as hard as this prose story of the original Grendel, Hunter Rose, accompanied by such moody art deco artwork.

Batman Shadow of the Bat Annual #3: Sadly, Brian Apthorp is a comic artist of which we never got much work from. But the material we did get, WOW!! This is a wonderful reimagining of Batman's first encounter with Poison Ivy and the artwork here is just next level. I adore the storytelling and the vibrant personalities that Apthorp puts into everyone's expressions and body language.

Hitman #34: I'm not an Ennis guy besides Hitman. His cynical hate of superheroes while writing superheroes is always annoying, but it's so refreshing when he rarely writes one he clearly loves, in this case Superman. Maybe the best examination of the character ever done here.

Superman Man Of Tomorrow #1,000,000: Superman, while in the future, asks to be shown the entire history of the whole Superman line, his ancestors and their centuries long battle with Arch-Enemy Solaris, The Tyrant Sun. This book is PACKED with so many interesting, amazing ideas about Superman’s son, grandson, and so on and so on. Each little sentence about a Super ancestor could be a whole comic series.

The Uncanny X-Men and The New Teen Titans: Darkseid and Dark Phoenix team up to punk some teenagers by Chris Claremont and Walt Simonson. No Marv Wolfman in sight. All of that equals perfection my friends.

Secret Wars: Secret Love: An anthology book that features Michel Fiffe riffing on Typhoid Mary and Daredevil in an Ann Nocenti run tribute, a Robbie Reyes/Kamala Khan team up by legend Felipe Smith teasing us and their respective love interests with the possibility of those two getting together and an Iron Fist and Misty Knight story where Danny braids Misty's hair drawn by Gurihuru.

Special Edition X-Men #1: A reprint of Giant Size X-Men #1, still such a great comic, but with an added Claremont, Dave Cockrum story where Kitty Pryde and Ilyana Rasputin give a tour of the X-Mansion and everyone throws Kitty a surprise birthday party. It's a real Cockrum tribute issue. I will always prefer this version over the original or the 90's chromium Gary Frank cover reprint.

Sharknife FCBD #1: Corey Lewis is right up there with Jack Kirby and J.M. DeMatteis as my favorite comic creators ever. His Sharknife comics are pure soul rejuvenating bombs of creativity and comfort for me. This is a short and sweet Free Comic Book Day Sharknife Gaiden.

Hector Plasm: Totentanz: While not as good as the other Hector Plasm comic above, this one still has a great lead bit and a ton of pinups and extras and short fun things, I just wish it had more pure comics in it. That being said, it's still Hector Plasm, so it's great.

Spectacular Spider-Man Vol. 1 #115: I am absolutely OBSESSED with Mark Beachum and his dream like erotica style artwork. This is a perfect encapsulation of his mastery of dynamic body poses and seeming obsession with asses. I also really dig the weird 80's period of Spec Spidey by Peter David with Spidey in his black costume and Black Cat and all types of weird side villains. This is a beloved snapshot of just that.

X-Men Vol. 2 #1: Let me first say that the plot and writing in Mutant Genesis is absolute ass as Chris Claremont is shoved out the door. BUT the art and designs by Jim Lee and the exciting new launch for the franchise as X-Factor is folded back into the main team for the 90's is so undeniably cool. The pin-ups, the fold out cover, everything about this is the hypest, coolest shit ever made. It's a very confusing feeling as I hate everything this issue represents and does while simultaneously loving every single thing about it. More often than not, that was what it was like reading comics in the 90's.

Christmas with the Super-Heroes #2: The rare Holiday anthology where every single story is a home run. This one contains my second favorite Superman story ever as well as a truck colliding with your heart and soul Deadman/Pre-Crisis Supergirl story.

Solo Avengers #14: Chris Claremont and Alan Davis bring us the best She-Hulk comic ever made.

Batman Vol. 1 #244: Ra’s al Ghul is my favorite Batman villain and this is my favorite story of the O'Neil/Adams era of Batman. Batman and a sexy Olympic skier chase Ra's and Talia down a snow covered mountain and then a shirtless Batman vs Ra's in a sword fight in the desert which ends in defeat for Ra's and a sweet mack session with Talia for Bats. Perfection.

Scooby Doo Team-Up Vol. 1 #40: Loveable weed smoking hippie Chester Williams of the Swamp Thing supporting cast is revealed to be Shaggy from Scooby Doo's Uncle, thus initiating the team-up visit. Solomon Grundy and Swampy shows up, and even Abby eventually!! It ends up being a funny Moore era Saga of the Swamp Thing reunion and homage that rules so much.

Legionnaires Vol. 1 #77: Basically a combo of the two other Legionnaire issues I posted above, a quiet down time issue for the full cast as they go to a beach resort. It's a celebration of the entire 90's "Archie Legion" era and a fitting goodbye from the creative teams as Dan Abnett and Andy Lanning come on right after and soon relaunch the title.

Justice League of America #200: Oh baby!! The premise of this one is all brawling as an original Big 7 Leaguer fights a Satellite League member all drawn by some huge comic legend - Pat Broderick, Jim Aparo, Dick Giordano, Gil Kane, Carmine Infantino, Brian Bolland and Joe Kubert!!!

Deadpool Vol. 3 #11: Deadpool time travels to the Amazing Spider-Man #47 and has to take Peter Parker's place while also making sure to not muck up the timeline. Absolute genuine hilarity ensues.

Thunderstrike Vol. 1 #1: Thunderstrike's big debut!!! Just big sweeping action and character in an exciting, oversized intro issue from DeFalco and Frenz. I'm always wowed with the experimentation of big single and double page spreads and huge single panel art Frenz does in this issue.

The Amazing Spider-Man Vol. 1 #400: The death of Aunt May. Stunning revelations, inspired character work, and scenes that will make you cry like a baby. All of that while making it work as yet another chapter in the blossoming Clone Saga. One of the all time best!

X-Men Chronicles #1: I am irrationally obsessed with the Age of Apocalypse event and literally anything related to it. So I'm constantly craving more tiny bits of lore and continuity for that reality and that's why I love these "Chronicles" one shots that replaced the X-Men Unlimited series which usually told self contained side stories to fit in wherever for the line. We get to see a flashback tale to the early days of the X-Men of this universe and the ascension of Apocalypse all done with some very pleasing and unique Terry Dodson inked by Klaus Janson art. These also had specific history or character pin-ups by some legendary artists in the back.

G.I. Joe: A Real American Hero #25: The famous "Silent Interlude". No dialogue as Snake eyes rescues Scarlett from Cobra and the mysterious ties to Storm shadow are revealed. The blueprint on story telling and artistic draftsmanship in comics.

Thor Vol. 1 #444: Eric Masterson Thor takes on the mystery of a sewer dwelling creature that resembles The Grinch in this Holiday classic.

Green Lantern Vol. 3 #78: The Kyle Rayner/Donna Troy relationship commitment issue. My second favorite relationship in comics behind Peter and MJ is given some time to shine.

The Uncanny X-Men #205: WOUNDED WOLF! Lady Deathstrike and The Reavers hunt a feral Wolverine with only Katie Power of The Power Pack to help him during a snowstorm. Barry Windsor-Smith's artwork here is an otherworldly swirling tornado of detailed lines and emotions.

Birds of Prey Vol. 1 #8: I'm a Dick/Starfire kind of guy myself but even I can get on board with Dick and Babs when it's done so authentically sweet as this romantic, inspiring tale is.

Spectacular Spider-Man Vol. 1 #241: The epilogue issue to The Clone Saga. This is a heartfelt issue with Peter and MJ about dealing with grief and loss and finding the love and strength to carry on.

The Incredible Hulk Vol. 1 #418: I wrote above how Gary Frank's art during this era is as good as comic art can get and it's on full display here with the dozens of guest stars and cameos (Including Death of The Endless!) for the wedding of Rick Jones and Marlo Chandler. The fold out faux wedding invitation cover is so cool.

Mary Jane and Black Cat Beyond #1: Us true Mary Jane fans have been starving for so many years now. We finally got some sustenance in this sexy heist one shot with some excellent dialogue and characterization for Felicia and MJ regarding their longtime relationship.

Green Lantern Vol. 3 #81: Special issue for the funeral of Hal Jordan which has priceless moments like Kyle Rayner meeting Nightwing, Kyle and Jack Knight being antique art dorks together, cameos by most of the 90's DCU, and a prominent and rare non-Vertigo Swamp Thing appearance. All of that bolstered by a rad foil cardstock cover and a Silver age Hal story reprint complete with a new Ron Marz/Gil Kane framing sequence!

Wolverine Vol. 1 #75: The aftermath of Magneto ripping the adamantium out of Wolverine and the physical and emotional trauma he goes through while almost dying. This shit absolutely traumatized me as a kid, but I couldnt stop reading it over and over it's so well done.

Jungle Action Vol. 2 #18: Billy Graham!! Graham's Will Eisner influenced work with Don McGregor on this Black Panther run is full of stunning visuals but for me, nothing beats the double page spread introducing the leopard print covered Madam Slay in this issue.

Swamp Thing Vol. 2 #34: Few things comfort me as much as Swamp Thing and Abby Holland's love for each other and this issue is solely that. In one of the rare breaks from horror and heartbreak during Alan Moore's run, we get Abby and Swampy having their version of sex, a level of intimacy of which we mortals could only dream of.

Batman Vol. 3 Annual #4: This story celebrates the magic of Batman and how he fits into any plot you want in his unending mission. The premise of this one is that we are reading Alfred’s diary, which is a logbook of all the various adventures Batman faces. When we start, these diversified tales are given 4-5 pages to breathe. Then, the stories continue but they get one page, then 3 panels to a page, then 4, then 5, then 6, 7, 8, 9 as each panel represents a wildly different day of events Batman lives through.

Generation X Underground Special: I deeply miss the 80's/90's indie comic - usually black and white, deeply weird, full of jokes and pop culture references, done with a soulful style where you felt like you could feel the blood, sweat, and tears that went into publishing this random periodical that only a couple hundred people may ever read. That type of thing has been replaced by like an Instagram post comic. The internet SUCKS now guys. Anyways, this was basically Marvel looking at some fan comic about Generation X by indie comic master Jim Mahfood and saying yea ok, we'll publish your little zine. It's sort of a miracle that this thing even exists.

Ultimate Spider-Man #155: The entire run of Ultimate Comics Spider-Man up until The Death of Spider-Man is my fave era of Ultimate Spidey material. Cramming his house with all his various friends and constantly expanding that huge group of teens was just the best. This is the last issue before Bendis jarringly swerved and killed Ultimate Pete and to me it represents a window slamming shut on a status quo that had truly unlocked perfection and had such promising potential for future stories. I'll never not be mad at the direction they took after this. It was also really cool to have Chris Samnee briefly do some work with these characters.

Superman Vol. 1 Annual #3: One of my alltime favorite single issue packages. A huge reprint filled book with pretty much every Silver Age Supes story you could ever want. Yes, that includes the lion head Superman story.

The Uncanny X-Men Vol. 1 #137: Another one of those much ballyhooed classics that actually is that good. The Dark Phoenix Saga as a whole is great but not perfect, until you get to the final heartbreaking issue which really is, from pacing, to plot, to dialogue, to art, about as perfect a comic as you'll come across.

X-Men Chronicles #2: Just like #1 above, this gives us a flashback tale of when The Wolverine attacked Magneto's X-Men and the story of when Rogue's love drifted from Gambit to Mags. Love the way Ian Churchill draws every single character here. This one too has the wonderful pin-ups in the back again.

Jonah Hex Vol.2 #50: The tragic tale of Jonah Hex and Tallulah Black's child, and all the Western gunslinging vengeance thats comes along for the ride. Incomparable art by the legendary Darwyn Cooke.

Action Comics Vol. 1 Annual #1: Batman and Superman team up to take on Skeeter, the Daisy Dukes wearing vampire with art by Art Adams. If there's anything I've learned assembling these CFC boxes it's that Art Adams may be my favorite comic creator ever.

The Amazing Spider-Man Vol. 1 #102: The Lizard, Morbius and Six-Armed Spidey all collide in the climax to this classic body horror Spider-Man story!

The Uncanny X-Men Vol. 1 #273: Besides The Outback Era, my favorite era of X-books was the weird X-Men Disassembled, I call it, time period when Forge and Banshee were essentially Headmasters and they were trying to find various members of the team that were flung all over the world by the Siege Perilous. This is a quiet come down issue during the height of that era right after the X-Tinction Agenda crossover where all the various X-Team members are FINALLY back together again. This is also a jam art issue featuring a bevy of comic legends - Jim Lee, Whilce Portacio, Klaus Janson, John Byrne, Rick Leonardi, Marc Silvestri, Michael Golden and Larry Stroman.

X-Factor Vol. 1 #87" X-Aminations! Doc Samson has each team member sit down on the couch for some psychological evaluations. A revolutionary single issue that provides some essential character moments for all involved, especially Quicksilver.

X-Factor Vol. 3 #13: Re-X-aminations! Doc Samson sits down with the new version of X-Factor for some psychological evaluations. Just as entertaining and insightful as the original story.

Everything Sucks! #1: I once described this series of comics as "Curb Your Enthusiasm meets Tiny Toons" and I still stand by that description. Awful, wacky, cynical but somehow loveable characters that you find yourself relating to way too much, which is probably a bad thing. This one is all about Noah stubbornly needing to get the burger he craves. I felt that shit so hard. There's a few bonus pin-ups and short comics in the back of this one I really love too about Noah and his cat.

DC One Million 80 Page Giant: Extremely unique set of anthology tales that offer a wide variety of story genre and art styles. Much like Age of Apocalypse, I irrationally love anything DC One Million and this is about the only non the big event slice of it we ever got. Huge fan of the Mark Millar, Mike Wieringo story in this one.

Superman Vol. 1 Annual # 11: Alan Moore and Dave Gibbons extremely perverse but oddly sweet and comforting classic. I'm such a big fan of the deceptively talented clean and simple linework Gibbons does here. Moore is able to imbue Mongul, Wonder Woman, Robin, Batman and characters from Supes' dream world with so much personality, often times with just one line of spoken dialogue. They make it seem so easy with their staggering talent here.

Mega Man #50: A great chapter of the Worlds Unite crossover but the reason to love this one is the backup story where Mega Man and Mega Man X get some quiet time to interact and compare and contrast their history and their lives.

Scott Pilgrim: Full Colour Odds and Ends 2008: When I was 19-20 or so I was OBSESSED with Scott Pilgrim. His life mirrored my own in so many eerie ways. Back before all the main books were colored, this one shot was a rare treasure to have to see that world in color with bonus sketches, mini-comics and extras all in one package. The shitty movie and growing up kind of made me want to forget about Scott Pilgrim and leave it, along with the kid I once was, in the past. But I recently reread the series with a new adult perspective and found myself falling in love again. I was glad I held on to this one and can appreciate it once more.

Swamp Thing Vol. 2 #50: Similar to the Annual listed above, this is Swampy alongside an even bigger cast of the magical side of the DCU in the climax to a longer tale of a conflict against a great unknown Darkness.

Swamp Thing Vol. 1 #7: A little superhero spills into the Bernie Wrightson original horror Swampy series as he clashes with Batman.

X-Men Vol. 2 #109: A Christmas themed 100 Page Monster! Around this time in 2000 Marvel made a few of their books 100 Page Monsters and reprinted about 3 issues after one regular new lead issue. This one is a new X-Treme X-Men and regular X-Men team Christmas story along with reprints of X-Men #98- Christmas in Manhattan as the Sentinels attack, Uncanny X-Men #143 - Kitty Pryde vs the Demon, and Uncanny X-Men #341 - Cannoball vs Gladiator - all some of the best single issues of X-Men ever. I'm blown away at how much good shit they packed in here.

Superman Adventures #41: The novel idea of a different story on every page. Each bite sized tale surprisingly rules.

X-Force Vol. 1 #19: Post X-Cutioner's Song, X-Force finds themselves at a crossroads without a leader and under house arrest at the Mansion. Without Xavier, without Magneto, without Cable - who are these characters and what path will they take as they enter adulthood, not as X-Men but as X-Force.

The Multiversity Guidebook: Grant Morrison and a huge selection of artists either create new or revisit old universes to create a catalog of the DC Multiverse. Still so cool even if nothing much ever came from this.

Superman Vol. 1 #156: “Every man can be a Superman”

The Uncanny X-Men Vol. 1 #138: The very next issue after The Dark Phoenix Saga, Cyclops recaps every single X-Men story while wallowing in his grief. It's so damn cool to see Claremont and Byrne give us this trip down memory lane.

Batman Vol. 1 #156: Probably my favorite Silver Age Batman story. This one has some surprising depth and subject matter for the time as we delve into the psychological trauma Batman feels over Robin potentially dying.

Forever People Vol. 1 #4: "All young humans recognize the real thing when they see it". The ultimate character showcase for Darkseid and a fascinating exploration of how we perceive good and evil and how we cope with it for better or worse.

DC Comics Presents Legion of Super-Heroes #2: A collection of various Geoff Johns Legion Threeboot stories - the first appearance of the Legion from Adventure Comics #247, the Legion co-feature from the short lived Adventure Comics #0-4, Action Comics #864 - a bridge issue between Superman and the Legion and Legion of Three Worlds, “Friday Night In The 21st Century” from Action Comics #900, and a Mon-El tale from Action Comics Annual #10. I LOVED this older reinstatement of the original Legion and will always be sad we didn't get more from them by Johns. Levitz's material usually outright ignored what was established and had some pretty terrible plots. But at least we got this little Legion celebration package

I Heart Marvel - Web of Romance #1: A lovely story about Spider-Man and Mary Jane's relationship during the New Avengers Tower era drawn by Cory Walker. Perfection

Daredevil Vol. 1 #260: This is basically Daredevil's version of Amazing Spider-Man Annual #1 where he fights the Sinister Six. Typhoid Mary and all the villains Ann Nocenti had introduced in her run up until that point round out this Sinister Six in a brutal, fast paced fight comic.

Superman and Batman: World's Funnest: Comedy genius Evan Dorkin has Mr. Mxyzptlk and Bat-Mite have a brawl through pretty much every planet, reality, universe or continuity DC has ever had with a staggering art roster which includes Mike Allred, Brian Bolland, Frank Cho, Dave Gibbons, Jaime Hernandez, Stuart Immonen, Phil Jimenez, Doug Mahnke, Frank Miller, Sheldon Moldoff, Alex Ross, Scott Shaw, Ty Templeton and Bruce Timm!!

Guy Gardner: Warrior #29: I'm a big fan of Beau Smith's oddball Warrior run and the jewel of that run is this issue drawn by Phil Jimenez. Guy opens his bar and just about every single character in the DC Universe shows up for the grand opening.

Legion of Super-Heroes Vol. 4 #100: A huge anniversary issue with a great Computo lead story but ALSO with a ton of amazing pin-ups and short stories in the back featuring Alan Davis and Walt Simonson.

Mortal Kombat Collector's Edition Comic Book: A mail-order comic tie in to the original Mortal Kombat written and drawn by series co-creator John Tobias. If you read Nintendo Power growing up, you may remember some of the art from this comic used for MK features. That art was burned into my brain as a kid and it wasn't until recently, when I bought a slabbed copy of this and cracked it out of it's stupid shell, that I got to experience the majesty of this official comic that feels like a great indie book. Tobias' art is MY Mortal Kombat.

The Punisher Meets Archie: An absolutely ludicrous crossover idea that thankfully is in on the joke. Everything you could ever want when you read that title is delivered here.

Spider-Girl #0: A reprint of What If? #105, the debut of Mayday Parker aka Spider-Girl, the greatest what If? issue ever. I prefer this reprint of the issue instead of the original as it contains little previews for the new series of the MC2 Universe- J2, A-Next and Spider-Girl!

The Kingdom: Offspring #1: The Kingdom is a great event that is never talked about. This one shot about Plastic Man's son, Offspring is the charming highlight, especially because the art is all Frank Quitely. Always amazed at that.

DC Comics Presents Vol. 1 #47: Like I mentioned above, I love DC's use of pre-refined He-Man and his world. How can you not love this issue where He-Man and Superman team up to take on Skeletor?

Batman Adventures Annual #2: The all stars of Batman The Animated Series - Paul Dini, Glenn Murakami and Bruce Timm - team up to give us a Ra's and Talia story that ends up being a Jack Kirby tribute. Murakami's coloring really makes this one special.

Teenage Mutant Ninja Turtles: Turtles In Time #1: The IDW Turtles travel back to the age of dinosaurs with my fave Renet, drawn so cute here by Sophie Campbell. This is where they adopt their adorable dinosaur pal, Pepperoni. So cute! All so cute!!

Resident Evil #1 (Marvel Comics): A free Marvel/Capcom promo comic prequel for the release of the original Resident Evil. Check out my extensive Oral History of this comic if you want to learn everything about it and read it, in the article I am most proud of writing.

The Uncanny X-Men Vol. 1 #244: My beloved Outback X-Men era. It's ladies' night and our loveable cast of X-Women hit up The Hollywood Mall for a night of shopping and fun!

The Sensational She-Hulk #50: Such a fun anniversary issue where Jen breaks the Fourth Wall and "auditions" some creators to take over after Byrne leaves including Dave Gibbons, Frank Miller, Wendy Pini, Walt Simonson, Howard Chaykin, Terry Austin, Adam Hughes and Howard Mackie.

Earth Prime - Stargirl #4: I don't know if I can resolutely say that Stargirl is my favorite live action superhero show ever, but it just may be. To have a tie in to the show I love written by legendary creators I equally love, James Robinson and Jerry Ordway, is a dream come true. This is a very quiet, touching story.

X-Men Legacy #234: Mike Carey is my guy, and excluding Claremont, he produces the best X comics. This is a quiet, character driven single issue during his long Rogue centric development that ends up involving her past romances. Who better to portray all that sexiness than Yanick Paquette who provides us some very memorable steamy scenes!

Black Lightning Vol. 2 #5: Tony Isabella and Eddy Newell's brief 90's Black Lightning run is about all you could ever want out of comics and few single issues come close to this one by them. Isabella's narration, character work and emotional heartstring pulling is paired with an gorgeous artistic showcase for Eddy Newell. Seriously, just about every page in here should be hanging in a museum somewhere.

G.I. Joe Deviations: What happens when Cobra actually takes over the world? Well, a lot of world peace and stability, boring management, paperwork and politics. That doesnt sit too well with Cobra Commander who rallies a ragtag group of Joes to dismantle the New cobra World Order. Paul Allor teams with my Comics God, Corey Lewis on this one to make such a funny, super fucking cool, amazingly awesome looking book.

Power Pack Vol. 1 #19: Katie Power invites the Morlocks, Kitty Pryde, Wolverine, Beta Ray Bill, Franklin Richards and Cloak & Dagger over for Thanksgiving. Chaos ensues at the Thanksgiving Day Parade. The best Thanksgiving comic ever!!

Batman Adventures Holiday Special: Phew! All the usual Batman the Animated Series all stars are here in a big ol' anthology of Holiday goodness! All of these were adapted into the episode "Holiday Knights" EXCEPT the Mr. Freeze story which may be the best one in here. I think for all of these, except the Harley & Ivy one, I prefer the comic version to the adaptation.

Radioactive Man #197: The Best Jack Kirby Comic is a Simpsons Comic

Teen Titans Vol. 3 #35: I read this comic when I was 18 and that image of a naked Ravager sneaking into Robin's bed is permanently tattooed into my brain. I love the weird Kid Devil, Ravager era of Teen Titans.

Archie #636: Rule 63 Archie by Gisele Lagace!!!

JLA #61: Joe Kelly and Doug Mahnke's JLA is such an imperfect, sprawling monster of a run that you can really feel the hunger they had and appreciate how much personality they give each team member. This is such a fun issue of that run where we get to see a peek into the lives of each member right before they are all called into action.

Invincible #144: The final issue of Invincible. Rushed, sloppy, jarring and perfect.

Supergirl Vol. 5 #9: This issue of Supergirl struggling with her place in the world and her awkward growth into an adult alongside all the expectations people put on a teen girl as well as her personally as an "S" shield bearing superhero really rings true to me. She fights, she rebels, she smokes, she goes out clubbing with an older guy, she deals with family drama and childhood trauma and she saves a little girl who innocently helps put her on the right path. I also love Ian Churchill's art here so damn much.

Legion of Super-Heroes Vol. 4 #4: Mon-El vs the Time Trapper with the most heroic, noble sacrifice you've ever seen all expertly done by Keith Giffen. This is a fight you can really FEEL!

Batman 1989 Movie Adaptation: I miss the era when movies and tv got comic adaptations so fans could experience the story if they werent able to see the movie or just to keep that experience going. Sure a ton of them were crap, and in an era where literally everything is available whenever you want it, the need for them just doesnt exist anymore. But man when they hit, THEY HIT!! This one by Denny O'Neil with lush, vibrant artwork that stunningly captures the actor's likenesses by Jerry Ordway and Steve Oliff, shows how some adaptations are so well done they end up having a place next to what they were adapting as an equal piece of unique art.

Thor: The Worthy: Walt Simonson's Thor run, Tom DeFalco and Ron Frenz's Thor and Thunderstrike runs, and Kathryn Immonen's Sif led Journey Into Mystery run are my three favorite Thor/Asgard comic chunks in order. Guess what this anniversary oneshot celebrates? Yep, all three of those! I know!! I can't believe it either!!! It's like this was made for me. One of my favorite comics ever.

Dragon Ball #1: In the late 90's Viz started publishing Dragon Ball and Dragon Ball Z under the Viz Select comics banner as standard American floppies. I love this weird rare format and I was lucky enough to find this rare first issue that reprints one of my favorites, Chapter 1, for under ten bucks. Sometimes virtual bin diving for hours online pays off.

The Incredible Hulk Vol. 1 #417: Another Gary Frank one, another gorgeous aesthetically pleasing feast for the eyes. This one is Rick Jones and fiancée Marlo Chandler's bachelor and bachelorette parties. Captain America unknowingly hires a stripper and Betty Banner yells for them to "Take it off!" as She-Hulk takes the ladies to Marvel's version of Chippendale's.

Thunderstrike Vol. 1 #15: Eric vs Sif! Hela vs Mephisto! Thunderstrike and Thor back in action together! All while the soul of Eric's son, Kevin hangs in the balance!

Spider-Man Unlimited Vol. 3 #14: A short, solid story of Spidey and Black Cat vs Doombots with art full of dynamic action and sexy cheesecake by David Finch. There's nothing particularly special or important or must read here but it is a comic that I always fondly remember and it always makes me smile. That's what Comfort Food Comics is all about.

Captain Marvel Adventures #31: Captain Marvel visits Buffalo, NY!! A real treat for me as a native Buffalonian. They even show off City Hall, still there today, where I got married (well where we filled out the paperwork haha).

X-Men Vol. 2 #8: Still contained in the extremely hype Jim Lee era with the spectacular art, vibe and design he brought. A quiet issue where cyclops drools over Psylocke's Pikachu swimsuit, and Bishop fucks up Rogue's home made boysenberry pie. THE BEST!!

Thor Vol. 1 #356: A HILARIOUS fill in issue where Hercules tells a tall tale of him just absolutely beating Thor's ass with such funny exaggerations to some kids.

The New Titans #126: My favorite Titans comics are from this brief era where Arsenal led a mid 90's ragtag group that included Impulse, Kyle Rayner, Supergirl and more. This is yet another of my favorite genre of superhero comics, the quiet downtime issue where the team hangs out together. All drawn by Rick Mays, an underrated fave of mine. If anyone out there knows any info whatsoever on this issue's writer, Dale Hrebik, PLEASE TELL ME! He wrote this, my favorite Titans issue ever, a fantastic Rose Wilson story in Deathstroke Annual #4 and scripted Marv Wolfman's plot in Deathstroke #50 and that's apparently it. The internet has surprisingly NOTHING else for me.

Daredevil Vol. 1 #397: Daredevil only has two moods - annoyingly jolly swashbuckler swinging freely through the sky and self destructive, depressing man of passion. This is the perfect encapsulation of the latter in this Typhoid Mary focused issue.

Uncanny Avengers Vol. 1 #5: Ok, so this comic is dumb. Rick Remender is dumb. Havok is dumb. His M word speech is impressively dumb. BUT, God help me, I love it. This issue is, you guessed it!, a quiet downtime issue where the team hangs out again!!! Olivier Coipel flexes his God Tier art muscles here and also draws Rogue in her best fit ever.

Wolverine Vol. 1 #54: A fill in issue by Fabian Nicieza and Darick Robertson featuring a great Wolverine and Shatterstar team-up with a nice Rogue bit thrown in as a cherry on top. For some reason Robertson's art in this issue has stuck with me for most of my life.

Legion of Super-Heroes Vol. 3 #5: One Legionnaire is murdered which leads to a fellow Legionnaire pulling just about the most badass moment ever in comics to get revenge. I jump around celebrating like I saw a Kobe to Shaq alley-oop whenever I read that moment. GOD, this story is good.

Thunderstrike Vol. 1 #19: Thunderstrike's tagline was "The Everyman Avenger" and that really was his strength as a character. His real life relatable problems, his ex wife and son, his large and diverse supporting cast, his job - it all built such a charming and enjoyable life for Eric. This issue gives us "A Day In The Life", whisking us around and highlighting all of those things that made The Everyman avenger so great.

JLA #5: RECRUITMENT DRIVE!! Most people probably remember this one for the done in one story of Tomorrow Woman, which is great, but I'm sitting here grinning like an idiot reading this one for the group of my beloved 90's era DC Comics characters that come to the JLA Satellite to try out for the team. Hitman shows up just to use his x-ray vision to peep at Wonder Woman! Ha!! Priceless!

DCU Holiday Bash #1: All of the Holiday Bashs were good comics but I have a soft spot for this one because of all the great stories but especially the Walt Simonson and Sal Buscema story where Highfather and Orion fill in as a department store Santa and "Christmas Gnome". Walt's one of about 3 creators who ever GOT the New Gods like Kirby intended and Sal rarely did any DC work so this one is such a special treat.

Untold Tales of Spider-Man Annual #1: Kurt Busiek writing a story where Spider-Man and Sue Storm go on a date which is promptly ruined by Johnny Storm and Namor, drawn by my guy Mike Allred and inked by Marvel Legend Joe Sinnott, equals perfection.

Classic X-Men #27: Every time I read the Classic X-Men vignettes I am left stunned by what an incredible creator John Bolton was. These reprint issues were absolute works of art, perfectly expanding on what came before, always additive, never harmful with simple, clean artwork that Bolton was able to use to infuse the characters with body language and expressions that helped tell those tales so well. This one is my favorite, one of the Ann Nocenti written joints, where Wolverine and Jean are forced together to confront their animalistic heat and passion in the face of a horrifying death.

Batman Returns Movie Adaptation: Another Batmania adaptation! This is another one that stands on equal footing with the movie as it's own thing worth experiencing. Jose Luis Garcia-Lopez's inks over Steve Erwin's pencils are out of this world gorgeous. Some of my favorite comic art ever produced.

Thunderstrike Vol. 1 #16: Like the Thor story above, Eric gets roped into yet another Absorbing Man scheme that ends with Eric promoting a fight between She-Hulk and Titania. It's another hilarious sitcom moment for that weird friendship and has some amazing Frenz art, especially his rendition of She-Hulk and her outfit.

Mortal Kombat 2 collector's Edition Comic: Just like the above first one, this was a mail order tie in comic by John Tobias for the release of MK2. This one is a bit more chaotic but it's so fun seeing the story officially expanded on and seeing more of Kintaro, my fave. I love absolutely anything to do with Mortal Kombat 2.

Adventure Comics #500: This is from the tail end of Adventure Comics when it turned into a digest. This one is all Legion baby!!! Classic after classic after classic from the Silver Age. My absolute favorite shit. All bookended by a fantastic Keith Giffen front and back cover.

Daredevil Vol. 1 #181: I recently reread Miller and Janson's DD run for the first time in over a decade and was pleasantly surprised to see how well it held up and how much I love it more than I ever did. One thing I was particularly struck by, was how much his run resembled a season of television with each issue serving as an episode. He rarely has what we'd call a traditional arc with a continuing story. Sure, stories continue, but time skips, moments are left to the viewer to imagine and fill in, the episodes just keep going forward with an overall seasonal mega-arc focused on Elektra and Matt. He even talks about how the tv he is watching at the time is a big influence on his storytelling in interviews. It's wonderful pacing and planning. This would be your big penultimate episode or your first hour of a season finale (Remember when shows would have 2 hour long special event finales that were essentially two episodes smashed into one? I miss those). Bullseye and Elektra's relationships with Matt expressed herein are eternally complex, ugly, tragic and beautiful.

Daredevil Vol. 1 #179: The Elektra and Daredevil fight in this one should be studied on how to convey movement and action in comics. The sai hitting Urich along with his inner narration should be studied for pacing and storytelling in comics. The art and the PLANNING of the art here can be felt by the reader and teaches so much. This issue is a treasure trove of wisdom on how to make good ass comics.

Daredevil Vol. 1 #175: This would be your mid season finale of Miller and Janson's Daredevil Season. Many of my favorite iconic moments in this issue, from the GORGEOUS opening splash page, to Elektra rolling and throwing her sai at Matt right after, to the masterfully told simultaneous attack on the Hand ninjas by Matt and Elektra. Those pages where Matt fights the ninjas at the bottom of the stairs while Elektra desperately attempts to kill Kirigi at the top of the stairs is such a claustrophobic, anxiety inducing moment. I don't know how but Miller and Janson make you feel like you're there experiencing all the tense panic and fighting. No matter how slow you read it, you feel that rush in your soul as you bounce between Matt and Elektra.

Teenage Mutant Ninja Turtles (2011 IDW) #65: The Turtles throw a Christmas party and just about every single cast member so far is featured. Mateus Santolouco's art has never looked better, filled with a whimsical fancy for the Holiday and thrown into some experimental storytelling perspectives. This one is guaranteed to make you happy.

Best of DC Blue Ribbon Digest #22: Christmas With the Super-Heroes: A digest sized stocking stuffer that contains my beloved "The Seal Men's War On Santa Claus!" An essential Comfort Food Comics for me, not just at the Holidays, but all year round. The other stories are also Holiday classics, including another old personal CFC fave, Justice League of America #110 - "The Man Who Murdered Santa Claus!"

The Legend of Zelda #2 (Valiant Comics): Growing up we had a bunch of the Valiant Nintendo comics and they comprise some of my earliest memories. None more so than this one. I can remember being like four years old and feeling very outraged that Link kept being tricked. Hahaha I still love this story of that weird diapered man sprite from Zelda 2 as a buddy of Link's.

Hawk & Dove Vol. 3 #20: Dove goes Christmas shopping and ends up in a comedic Die Hard parody all drawn by the master Kevin Maguire. I remember reading this when I was younger and didn't even know who Hawk or Dove were and I STILL LOVED IT!! It's that fantastic!

Klaus and The Crisis in Xmasville: What if Coca-Cola bought Christmas and replaced Santa with their own werewolf Santa from the Dark Multiverse? God bless Grant Morrison

Scarlet Spider Vol. 2 #12: Kaine wants to be hardcore, but the Marvel Universe won't let him was the best premise for a Kaine solo book and I will always treasure this excellent series. My favorite issue is this one where Kaine wants to get drunk and be edgy again but his Parker genes, his new life and his new friends won't let him. Throw in a group of Santa themed criminals, the "quiet downtime plot where the characters hang out" plot you must be sick of reading about by now, and the extremely pleasing Reilly Brown art and you have an instant Holiday classic!

Spider-Man's Tangled Web #21: Darwyn Cooke and J.Bone did two issues of this title that felt like some 50's Alternate reality Marvel Universe and they both were incredible. This one is on a rarified level though for being such an entertaining and heartwarming Christmas chaos story that juggles about a dozen characters so damn well. God this makes me miss Cooke. Damn. RIP

Daredevil Vol. 1 #225: I've had a real internal struggle during multiple rereads of Daredevil: Born Again where I get so whisked away by David Mazzuchelli's art and wonder if it should be in these CFC boxes but those last two issues always let me down compared to the perfection of it's start, and I always end up vetoing it from this list. While I am consistently in awe of Mazzuchelli's art in that story, I find myself loving this issue's art by him even MORE. The opening splash page alone is a Rockwellian portrait fit for framing. This is a strange little story that uses The Vulture to symbolize death as Matt fights that symbol to get over his own depression and suicidal thoughts to want to live again. Denny O'Neil gives us such a fascinating, unique take on The Vulture while also constantly showing and telling us how legit of a threat he is. It's really wonderful angle for him that I haven't really seen in any other appearance of him. All this together makes this such a standout issue.

Spider-Man: The Jackal Files: This isn't exactly a comic, it's more a framing sequence with a set of Who's Who/Official Handbook style pin-up info pages for all the major Spider-Man characters during my favorite Spidey era, The Clone Saga. Rather than being just a boring fact file thing though, the entire book is narrated by The Jackal, as written by the vastly underrated Spidey Legend, Todd DeZago. DeZago is a naturally witty writer and instead of this being a groanfest, he makes this whole thing quite humorous. I had this as a kid and my experience and deep personal connection to it is almost exactly the same as The Parker Years oneshot above.

Batman: Gotham Adventures #51: I was such a fan of these latter era Batman Adventures comics as they tended to have more free reign to carry the continuity forward as the series had ended by this point. This is an emotional issue focusing Mr. Freeze and his wife Nora reuniting since she's been thawed and remarried, with a HUGE twist along the way. I'm not a fan of the Batgirl relationship with Batman but this is the only time I've ever been on board with it. Terry Austin's thick inks over Brad Rader's DCAU/Kirby style makes some spectacularly unique and moody art.

Batman Adventures Vol. 2 #15: The sequel to Gotham Adventures #51 as Nora takes the main character role for another incredibly moving analysis of her and Victor's relationship ending in an inversion of their usual roles. These two stories were written by Jason Hall, who hasn't written much else besides this, which is a real shame, as these are STAGGERINGLY good and would be hailed as some of the best episodes of the Animated Series if they had been the cartoon.

What If? Vol. 2 #4: What if the Alien Costume had possessed Spider-Man? Oh man! What a classic! I love this horror story of the Symbiote as this malevolent being that drains the life from it's host and is always seeking out a stronger host to bond with. This is after Venom's debut by like a year but also way before a lot of the hard rules of the Symbiote were nailed down so it's fun to see this wild alternate take. We get the Symbiote bonding with The Hulk and then Thor, both of which are incredibly cool to see way before Marvel's publishing plan became "Oops, All Venoms!". The decrepit old man Peter becomes after the Symbiote leaves him, Black Cat's revenge mission, and the brutal shock ending; this one is full of great moments. And it's all drawn by a pre superstar Mark Bagley!

The Music Man Adaptation (Dell Comics 1963): I'm such a huge fan of the 1962 film, The Music Man and watch it quite often with my wife. I was pleasantly surprised to see an old comic adaptation of the movie one day. It's a bit.....dry as they do not adapt any of the songs so a ton of the magic is lost but the main gist is all there done with solid artwork and effort which I appreciate. The standout for me is they write out little Winthrop's lisp with -th on all the S words he speaks which is a really fun and charming touch.

Essential X-Men #38: This is a UK reprint title of X-Men that packages together Uncanny X-Men #328 and Sabretooth Special #1. Uncanny #328 is one of Joe Mad's best issues during his run with God Tier art of Boom Boom, Psylocke and Sabes and the Sabretooth Special is an oversized gem by Fabian (Never written a bad comic) Nicieza and 90's less lines Gary Frank! Both of these are two of my favorite single issues so I was overjoyed to find them mashed together as one alltimer single issue complete with exclusive new cover art. The Sabes special is really good and gives a lot of nuanced character depth to Sabes as he tangles with Caliban and then the Original 5 X-Men, each of whom get the same great character depth, particularly Jean.

Everything Sucks: Friends Forever: More of Michael Sweater's Curb Your Enthusiasm meets Tiny Toons franchise. My favorite one yet! This one is really funny from Noah grousing out loud which leads a girl to shockingly talk to him and invite him over to the stupid ass hijinks as the cast gets locked in the bathroom. The art here is spectacular, experimental, diverse and grand and you can noticeably see Sweater's improvement as an artist.

Krania #1: Brian McCray, one my alltime favorite creators, brings us this pulpy Swords & Sorcery Conan-esque tale of Krania, the Warrior Woman. These are such interesting comics because McCray toes the line between satirizing those old Conan Magazines, subtly communicating he's reinterpreting them with a revisionist take, while also not - at it's core these are fun dumb barbarian romps where the creator, the reader and the material are all in on it. McCray takes the thought of "Yeah this shit is goofy and fantastical but isnt that fun?" and plays it straight. The refreshing part is McCray flips gender roles and gives us all the self aware parody tropes of these types of tales but that's not his intent. This isnt meant to sock you in the face with those elements to stand out as something unique. None of that is in the material blatantly. McCray just gets the appeal of his influences and gives us an amazing love letter to the genre. I also have to point out how impressive his shift from whimsical, cartoony art to bone crunching realism fight comics is done and how well it all blends.

Krania #2: More of the same from above but now in color!! The fun of this one is that McCray is free of doing the establishing story and hitting the usual tropes for the homage pull in readers effect and is allowed to start building his own world and cast in his way. I'm constantly impressed by how well McCray conveys movement and the impact and feel of fights. I love to FEEL a fight in comics, bone against bone, sinew against sinew, the shock and blinding impact of blows. There are a lot of fights in this one and the artistic skill is on another level.

Marvel Riot #1: A oneshot classic Mad Magazine style roast of the X-Men Age of Apocalypse event. HOW DID I NOT KNOW THIS EXISTED UNTIL A FEW WEEKS AGO!??! You'd think something like this would be lame and corny, but the great thing here is it is absolutely BRUTAL! They go in so hard eviscerating everything about the event, the creators, the X-Men, Marvel and the comics industry as a whole. I kept thinking I cant believe theyre doing this while reading. It ends up being hilarious because of that self awareness and the art is great too.

Marvel Collector's Edition - Charleston Chew (1992): Man how odd that Charleston Chew/Sugar Babies was a candy Marvel partnered with for packaging, cards and promo comics like this. I've never had Sugar Babies and I cant reliably even say I've ever had a Charleston Chew. So weird. anyways, this thing is pretty good! We get 4 stories in this one. One is a Spider-Man vs The Eel story by Tony Isabella that is actually pretty funny and has some cute Peter/MJ moments. There's a Howard Mackie written Danny Ketch Ghost Rider story which is fine but more cool it's by the character's actual writer at the time. Man I wish I had this thing as a kid, those two were my favorite characters then. Another story has the Silver Surfer help a red skinned, elf eared blonde alien with humongous breasts in a jungle girl bikini. So you know, it obviously RULES. And the last and best story is a Sam Keith drawn Wolverine and Jubilee tale. It's always a treat to see Sam Keith's Wolvie but it's also really cool to see his Jubes too, complete in the X-Uniform circa Uncanny 275.

X-Men Firsts #1: This is a really cool 1996 single issue package that reprints the first appearance of Wolverine, Rogue, Gambit, and Sinister in Avengers Annual 10, Uncanny X-Men 221 & 266, and Incredible Hulk 181, complete with a new Tim Sale cover. I love that Michael Golden Annual where Rogue first appears, it's one of the best Marvel comics ever published. The Gambit one, even with dull art, is very fun to see the early not defined Remy, back when he had ambiguous powers and was meant to be an aspect of Sinister. The Sinister first appearance is a Claremont/Silvestri/Green personal fave where Madelyne Pryor fights The Marauders in a hospital in a quietly exceptional issue of Uncanny. And lastly the old school Wolvie debut where he fights the Hulk is always a fun read. What a fun single issue jammed full of old issues that then, and even more so now, are too expensive to find themselves.

What If? Vol.2 #44: What If Venom had possessed the Punisher? Kurt Busiek and Luke McDonnell bring us this awesome story of The Punisher using the Symbiote and the Symbiote using The Punisher on their separate revenge crusades.

Superman 80 Page Giant (2010): This one is here for Kathryn Immonen and Tonci Zonjic's wonderful Lois and Clark story. Easily up there in contention for my favorite Lois or Clark story ever. It is so endearing and funny and Lois reminds me so damn much of my own wife here. Some of the other stories are very meh but there's two good'ns at the end that really shows the wholesome innate goodness of Superman and how he affects so many people positively.

Parallax: Emerald Night: I loved Hal Jordan's sloppy turn from boring GL to DC's Magneto and if I had my way he never wouldve sacrificed himself in Final Night. That being said I can't complain about this heart wrenching one shot we got of the character tackling his final moments before he reignited the Sun. Ron Marz once again gives us an excellent character study of this Hal Jordan, coming to terms with who he is now and trying to reconcile that with the past he left behind.

The New Mutants Vol. 1 #51: An excellent one off issue with GORGEOUS artwork from Kevin Nowlan. This is a super weird little story where the New Mutants end up with Xavier when he was in space with Lilandra and the Starjammers(I'm always shocked they never did more with Xavier in space, but also I'm thankful as I loved when Claremont would write people out of the book and they'd stay that way). The art is just stunning, STUNNING I TELL YOU! I really enjoy the interplay between the Professor and Magik in this issue as they both deal with their own struggle to stay in space or go home, to remain stuck in the fear of the past or trust the path they're on and stride into the unknown future. Sadly Xavier basically mindrapes Ilyana into going forward, but I'd argue it's a pretty great character study of him that he has the best intentions and seems so wonderful but is actually unable to truly be the man he believes he is and completely unwilling to go along with anyone who disagrees with himself.

G.I. Joe Yearbook #4: This bad boy makes the list for the very short but incredible story by Larry Hama and Tony Salmons in the back. Scarlett and Snake Eyes as civilians in suits and shades go to a country gas station and Snake eyes ends up having to Macgyver his way out of an armed robbery. All done in Salmon's wonderfully unique abstract artstyle.

Superman Villains Secret Files & Origins: One of the alltime best Secret Files stories. There is no reason Stuart Immonen had to go this HARD, but he did. See, the story is Lex Luthor telling his newborn daughter, Lena all about various Superman foes, but Immonen presents the tales as parodies of Winsor McCay’s Little Nemo in Slumberland. IT'S GLORIOUS! A work of art!

Adventures of The Fly #9: So I was scrolling through a scan of an old Archie Super Hero Digest bored until I came across a story involving some cute and unique catgirl who I came to find out was named the very inventive Cat-Girl. Id never read any of the MLJ/Red Circle/Impact/Archie superhero comics before so I was quickly fascinated by The Fly with his magic ring and buzz gun and seemingly ENDLESS and unlimited array of superpowers related to anything bugs that he could call forth whenever. Cat-Girl seemed like a pretty blatant Catwoman ripoff and she was quite enjoyable freeing cats and seeming to get along with The Fly as he carried her back to her cat infested secret lair. The true hook of Cat-Girl happened here as she instantly betrays him and tells him to solve the riddle of who she is. At this point I expect her to be some character in this universe I don't know but instead she turns out to be the literal Sphinx of Ancient Egypt, an immortal and all powerful cat goddess. MY GOD DO I LOVE THE BATSHIT INSANITY OF SILVER AGE COMICS! Naturally I had to track down every appearance of Cat-Girl. Sadly not many exist. She's in the next issue of The Fly and it's fine but not CFC worthy, so I moved on to her next comic in some other Archie superhero book called.....

Adventures of The Jaguar #4: There was Cat-Girl again, front and center on the cover, proudly proclaiming her return. I'd never even heard of The Jaguar before but quickly came to see he was a very blatant ripoff of The Fly. Both can fly, magic belt instead of a ring, all the vague powers of the animal kingdom rather than bugs. The only unique thing going for him was the fact he had a pencil moustache he magically lost when turning into The Jaguar. I kid, he can also mentally talk to animals. This one ramps up the Silver age insanity even further as The Jaguar faces off against Cat-Girl before she's transported to a dimension where everything is paper thin and the animals in this dimension wanted to help The Jaguar fight Cat-Girl for whatever reason. God, it's insane and amazing. I had to continue to sate my Cat-Girl obsession into....

Adventures of The Jaguar #5: I was reading through this one wondering if there was some mistake on the wiki as I was receiving no Cat-Girl. Instead we get a story about a race of shirtless blue pear shaped aliens who serve some Queen named Tola who for some reason doesn't look like them but instead a 60's actress in a swimsuit. They've brought her to Earth because The Jaguar is the finest specimen to be her mate. They capture him and just when Tola is about to kiss him a gigantic talking lion emerges from the jungle to save him. The aliens shout "The L..Lion Talks! It Has Intelligence!" to which the lion replies "Yes-and the power to carry out my ideas!" Hahahah WONDERFUL! The Lion scares the aliens off planet and it is here where we reveal THE LION IS CAT-GIRL, acting far more bratty and flirty, proclaiming only she will be the one to marry The Jaguar! It was at this point I started to feel like I was reading Silver Age Superman and Lois Lane comics. This feeling only intensified further when reading....

Adventures of The Jaguar #6: Cat-Girl mustve proved popular or they just liked her a lot as she returns once again in two of the three stories in this one!! Cat-Girl is fully smitten now and this turns into an issue of Lois Lane as she schemes to make The Jaguar fall in love with her. She makes a love potion and douses him with it so the next person he sees he'll fall in love with. Shenanigans of course ensue, as Jill Ross comes through the door looking to be The Jaguar's secretary and he instantly falls for her. This enrages Cat-Girl even though she knows it's the potion, leading to this hilarious panel of her throwing a beaker at his head. At this point for no reason at all, the story is revealed to be a dream. Relieved, Cat-Girl goes to visit The Jaguar only to see Jill Ross actually debut and join the book as The Jaguar's co-worker who suspects he is The Jaguar, cementing her place as this book's Lois Lane thematically and visually. This in turn puts Cat-Girl into the Lana Lang role as the fellow scheming romantic interest. This is blatantly done even more so in the second story as Cat-Girl gives herself a magical makeover into a leopard spotted top and boots with a blue mini-skirt and gloves as well as a new red hair ponytail look. Cat-Girl hatches multiple schemes involving a giant living robot and Ancient Egypt monsters she summons from the past, that immediately go awry. To deal with the monsters, The Jaguar travels undersea to find someone named Kree-Nal, The Sea Circe From Space, who can turn anything living into a monster or vise versa. She ends up being a green skinned, platinum white haired knockout in a bathing suit that also is in love with The Jaguar and wants kisses after she helps save the day, leaving a regretful Cat-Girl crying as she's inadvertently drawn another romantic rival into this Jaguar love sweepstakes. HAHAHA WHAT?!?!? AMAZING!! Naturally I had to see if Kree-Nal was in any other issues which led me to....

Adventures of The Jaguar #3: There's Kree-Nal on the cover! Kree-Nal is amazing. A hot green skinned white haired sea creature alien that pops up out of the water and starts turning everyone spitefully into gross animal creatures because she "despises imperfection and ugliness". She's such a hilariously arrogant brat. I love it. Naturally though she's struck by The Jaguar's ruggedly handsome good looks. She wants kisses so he's like look If I ever get ugly, you'll stop all this ok? and she's like of course you're so hot that will never happen now shut up and give me the damn kisses. Inexplicably, The Jaguar morphs his head into a real jaguar's head, a power he has never shown before or after. She gets real grossed out and returns to the sea. It is some of the absolute FINEST Silver age insanity. At this point I feel like The Jaguar is just Superman with Jill Ross as his Lois, Cat-Girl as his Lana, and Kree-Nal as his Lori Lemaris, so I had to look up who wrote these. Turns out it's Robert Bernstein, who go figure, wrote a ton of Superman franchise books during this time period too. I was right! These are just the absolute best of the batshit weird Supes romances of the time but with the dullard Jaguar instead of Supes. Of course, I NEEDED more of this romantic trio and thankfully I was served well with....

Adventures of The Jaguar #7: In this one The Jaguar is having anxiety dreams about not being able to handle all the shit he usually has to deal with and he disappears on a mission. Jill Ross, Cat-Girl and Kree-Nal jump into action handling the threats the world faces in his absence. They are really run ragged throughout the day on mission after mission until Jill realizes the life size statue she made of The Jaguar (YES! YES, SERIOUSLY!) has a different number of whiskers on the uniform. Yep that's right, The Jaguar has just been standing there all day motionless pretending to be a statue watching them as they are being tortured by these catastrophes as well as the emotional turmoil of him being missing, possibly dead. See, he was a little worried he may be too busy someday and needed to make sure someone, hopefully all of them stepped up to deal with it. HAHAHAH SILVER AGE BASTARD! It's at this point they all put their hands in and he proclaims them the "Jaguar Rescue Team". Yes, amazing, everything I could ever want. I am fully obsessed with these characters at this point. I love them so much. It's at this point I want the Jaguar to permanently exit his own book so we can just get the adventures of these three. Sadly that doesn't happen and the only other time they ever team up is.....

Adventures of The Jaguar #9: A bizarre robot alien travels the universe to find iron, the sustenance for his people and finds it on Earth, obviously putting him in conflict with The Jaguar. Jaguar is almost immediately murdered, essentially, and this robot lays eyes on Jill Ross and gets SUPER horny for her. She plays him for time and assembles the "Jaguar Rescue Team" and the three of them take over the comic to save the day in a grand adventure and bring Jaguar back to life, again showing that they should headline this book and not the dolt Jaguar. At this point I was so madly in love with them all and their crazy ass adventures that I couldnt possibly imagine it to be the end. That's right, they never team up again. In fact this is pretty much the swan song for each. Jill continues to be in the few remaining issues of Jaguar sparingly. Kree-Nal is never seen again as far as I know. And Cat-Girl, my beloved Cat-Girl, the cause of this grand journey, well, she shows up another time briefly, and they even make it seem like she's end game for Jaguar, but then her next appearance she reveals off panel that radiation has caused her to lose all her powers and she's just a normal human socialite with a completely different visual with black hair. They turn her into a less interesting Selina Kyle. I've rarely been more angry. Damn!! Oh well, I sure didn't expect it but these random ass issues of some obscure lame superhero ended up being CFC alltimers for me. The magic of Comfort Food Comics right there people.

Superman & Batman Magazine #7: This entire series is pure gold. A spinoff of the Batman Adventures line of DC Adventures, each issue was a short magazine styled package for kids that would establish the DC Animated Universe before the DCAU existed all done by Adventures mainstay artists Mike Parobeck and Rick Burchett. This one is my favorite as the focus is on my beloved Kyle Rayner. We get a poster, Fact Files, and a wonderful Kyle Rayner Adventures story written by the man himself, Ron Marz. While that's my main reason for loving this one it also contains a fantastic Dan Jurgens penned Superman/Doomsday Adventures tale as well as a whole section titled Milestone For Kids! That's right, the Milestone Imprint gets a spotlight and their actual creators do their own version of Milestone Adventures with Icon, Rocket, Hardware and Static. It's such a cool idea and I love they got that exposure and this rare version of those amazing characters.

Jean & Scott Vol. 1: A collection of Max Wittert's hilarious X-Men fan comics. Legit probably the best X-Men comics ever made. The blend of all the comic and Animated Series tropes filtered through Jean being just the worst, but EXTREMELY relatable, is pure genius.

Jean & Scott Vol. 2: More of the same of the above. Still the funniest shit ever made.

Uncanny X-Men Vol. 1 #287: How fascinating that the best Whilce Portacio era X-Men story is the only one he's not credited in whatsoever. I LOVE this issue. It's maybe the most cohesive issue of the post Claremont Image Boys tenure and certainly the only one that makes you think "Ok, maybe we are in good hands, maybe we will be ok that Chris is gone." Jim Lee and Scott Lobdell pack this one full of tantalizing stuff! The Witness, named Lebeau, which was revealed to be Gambit's last name in X-Men #6, which dropped right before this issue, is so mysterious and intriguing. The X-Traitor storyline is introduced here, and will dominate X-Men media for years before fizzling out, but here it's done in such a mysterious and fun way that you are fully on board. As much as I think Bishop's introduction a few issues earlier is done well enough in the way he's a fully formed character whole cloth from his first panel, I don't actually think that story arc is good. Fitzroy SUUUUUCKS, as does the complete waste of the Hellions as they are all murdered, as well as the ending of just leaving Bishop, the XSA members and the escaped future convicts just out there. Portacio just is a terrible plotter and writer. He's a generally great dude and a fantastic artist but just should be told what to draw and end there. More care and potential is given to Bishop, his compatriots Malcom and Randall, Fitzroy, and the future era Bishop comes from in this issue than literally any other instance, which is a huge shame, but it erases any bad taste from the intro story. Rather than leave Bishop with just the admittedly genius hook of X-Men fanboy now stuck in the past with the X-Men, Malcom and Randall are murdered giving Bishop a bit more emotional depth and the sole focus he deserves, and he finally joins the X-Men motivated to protect them from the mysterious traitor. This is also the first issue to feature John Romita Jr. back on Uncanny. No lie, his brief time on the title with Dan Green is to me the best his art has ever looked. Sadly Green isn't with him here as a gaggle of 5 different inkers instead do the job including Scott Williams, Bob Wiacek, Bill Sienkiewicz and Dan Panosian, who just happen to be some of my favorite inkers ever, so it's still a visual feast!

Teenage Mutant Ninja Turtles Villains Micro-series #7: BEBOP AND ROCKSTEADY! How can you not love them? Dustin Weaver and Ben Bates bring us this absolute romp with our favorite idiot rhino and warthog mutants. Weaver's work with the duo is a huge bright spot for the IDW Turtles and anytime we get to see artwork from Ben Bates is a time for intense celebration. He's an artistic God and I love anything he ever does.

Savage Tales Vol. 1 #5: My memory is hazy but when I was a kid we'd sometimes visit this antique shop in our town and one day my Mom bought some marble top chest thing to put in our home. Now I remember this comic being inside a drawer in that antique, but it may have just been on top of it in the store. Either way when we wound up with that chest we wound up with this comic. What an absolute treasure!! I didn't know Conan really at the time but finding a comic while forced to antique with your Mom? Like a prayer answered to a little boy obsessed with comics. It was insane!!! To this day, the Conan story within which ends with a hilarious joke of him choosing a horse over a woman, is MY Conan story. The end all be all top of the pile Conan story. Of course, it's written by Roy Thomas but it also features great art by Jim Starlin, which is always something I forget but end up pleasantly surprised at every time I reread it. The bonus in this one is an equally great Ka-Zar story by Stan Lee and John Buscema about lizard people and their half naked Queen.

Uncanny X-Men Vol. 1 #310: As I mentioned above, there's a short little run of Scott Lobdell, John Romita Jr., Dan Green Uncanny X-Men that only lasts from 300-311. It's one of my alltime favorite runs for the X-Franchise and features what I consider to be John Romita Jr's best art. He was KILLING it these few years in the early 90's and his stuff never looked better than when he was inked by my favorite inker ever, Dan Green. Although my fave issue of this run is the Thanksgiving issue listed above, this is a close second. Nothing really happens here, sure the X-Cutioner infiltrates the Mansion, but really it's a quiet downtime issue where Cyclops and Cable FINALLY hash it out about their father and son relationship all while the male X-Men hang out at a bar waiting for Scott to have his Bachelor Party. Sabretooth pops in too, during his captivity/rehab at the Mansion period. If you've been reading these entries you should see that all these ingredients are what I crave and love, so this one is a tremendous favorite. (Super Bonus: This one has an order form for Thunderstrike and ads for Mega Man X, Street Fighter 2 Champion Edition, and the 94 Fleer X-Men Cards)

Captain America Vol. 1 #367: Ah my beloved Acts of Vengeance, a real VIP event in my CFC boxes. This is an absolute classic one shot where after Magneto and Red Skull are forced together into the villain consortium, Mark Gruenwald rightly asks "Why doesnt Magneto, survivor of Auschwitz, FUCK UP the Red Skull?" and devotes an entire issue to that. It's great and so satisfying.

The New Mutants vol. 1 #52: Half of this issue is devoted to a Danger Room sequence of the Marauders wrecking the New Mutants, which is cool and fun to look at because it's Rick Leonardi, but the real draw here is Headmaster Magneto supporting and bonding with Magik. In the previous issue, as I wrote about above, Xavier and Ilyana are compared in their personalities and difficult circumstances, but Xavier ultimately fails her, as he literally forces her to obey him and do what he wants against her free will without any doubts in what he's doing. It's for the greater good, Magik be damned, his way is right. In this story we get the contrast to Xavier's and Magneto's leadership methods as Magneto thinks how wrong he is for the position and how he could force Magik to obey him, but that would achieve nothing. Instead he calmly and gently listens to her and supports her in any way she needs. He opens up and becomes vulnerable discussing his own villainous dark side and past, comparing it to her own struggles in an empathic way and even offers to fight the Hordes of Limbo for her. A very important thing here is he offers, but takes no action without her consent. She ultimately says no, she needs to deal with her own problems and through all this feels empowered and closer than ever before with ol Mags. It's a resounding breakthrough and a wonderful character study for both of them. I don't know if Claremont was purposefully contrasting Xavier and Mags' approaches between issues but this was such a meaningful stepping stone on his years long rehab of the character into the rightful leader of the X-Men over Xavier as planned.

Uncanny X-Men Vol. 1 #183: This is the issue where Wolverine and Nightcrawler bring Colossus to a bar to fuck him up after he broke up with Kitty Pryde, ultimately pushing him into an insane brawl with The Juggernaut. Now don't get me wrong, THAT PART IS AWESOME!! But, there's so much more going on here besides that. From the brutally real break up convo Kitty and Colossus have, complete with Kitty's thought bubbles, to Storm, Rogue and the others dealing with their own shit in the mansion, all the way to the seemingly random girl Juggs is macking on at the bar being revealed to be Selene, this issue is a perfect example of Claremont's long form character development and storytelling every issue. This is also an early John Romita Jr./Dan Green collab and while not as incredible as their early 90's team-up, it's still so nice to look at.

Beautiful Duck Comics #1: A collection of Brian McCray's strange and sexy duck women. I'm a sucker for literally anything McCray draws, so I was already down, but I really enjoyed these esoteric slice of bizarre life tales with a cast of hot ducks. I mean I shouldn't have to say more than hot ducks. It rules. We as a society need more hot ducks. I really hope we get more of these from McCray.

Generation X Vol. 1 #25: I don't remember how I came to own this one. Maybe I found it at a comic shop, maybe it was gifted to me(people always knew I liked comic books so family and family friends would get me boxes at garage sales or random ones they'd find). Who knows? That memory escapes me. But I've had this one a long time. Well before I read any of the rest of the series. Maybe that's why I love it so much OR maybe it's because of the incredibly stylistic Chris Bachalo art that exists in a very small moment of time where it's a blend of his earlier Mark Buckingham inked stuff and his polarizing late 90's style OR maybe it's because it spotlights how weird and wonderful this series was with it's focus on Howard the Duck, his girl Bev, a random Recorder alien woman and the kid crew of Artie, Leech and Franklin Richards they'd babysit in this series OR maybe it's because it's a double sized special issue that is also Scott Lobdell's farewell to the series. The only downside to this issue is that the cast of kids besides Penance and Jubilee aren't really even in it.

X-Force Vol. 1 #25: This and Wolverine #75 listed above are comics I've had nearly my whole life. I didn't buy them and I have no actual origin for where they came from. My best guess is my oldest brother bought them because of the hologram card special covers they had. He never really bought X-Men comics though, so who knows?? Either way I've had this one since I was a kid and it was my first exposure to Cable and the cast of characters here. The idea presented here that Cannonball is the best leader of mutants because he's been taught by Xavier, Magneto and Cale and is able to blend all of their teachings together into an ideal form of leadership is something that's stuck with me forever. I love it so much and besides Mike Carey briefly toying with this, it's never been utilized as it should. This is just a great issue packed with wonderful character interplay between Cable and the team as he finally gives a long exposition to all his secrets (aka Rob Liefeld's dumb writing), as well as between Magneto and his former students that are in X-Factor. Greg Capullo's early art also rules even if he has like 10 inkers here.

The New Mutants Vol. 1 #53: The New Mutants go to a dance thrown by the Hellions at their Massachusetts Academy!!! What fun. Some of my favorite moments are Dani Moonstar and Warpath bonding over being leaders and Native Americans, Magik threatening a terrified Empath while they dance, Catseye and Rahne going animal form and running around, and Doug Ramsey gambling and drinking and hanging out with the Hellions bad girls and acting like an idiot just like an insecure teen would. (Fuck you Doug for that slap)

Captain America Vol. 1 #395: I've written before about how most of the comics I had as a kid was a big random batch of Marvel Comics that came in a Sears/JC Penney green Marvel shortbox in these Collector's Packs they used to do in the 80's to the early 90's you'd find in the Sears or JC Penney Wishbooks. The green shortbox had like 75 random Marvel Comics in it from the line between 1990-1991. Me and my brother may have gotten two of these from our parents. So yeah for most of my life the comics I owned were a random assortment of early 90's Marvel. One of which was this random Cap issue. Now as a kid, unless it had Spidey or Ghost Rider or like Sauron or someone dinosaur related I was barely interested. Me and my brother though for our whole life fondly remembered the tagline on this one : The House That Dripped......DOUGH?!" and still to this day say it stupidly and dramatically to each other. As an adult I'm delighted to find it a rather fun issue with my beloved Eric Masterson featured heavily. They even have Cap admonish Eric, Quasar and Herc for the events of Thor 437 which I wrote about above!! What a treat to find!! This is a comic that has survived with me throughout and will stay with me my entire life.

Adventures of Superman Annual #3: Ahh the Armageddon 2001 Annuals. They all dealt with some future story for the DC line and I generally love them all, good or bad. This one is a real fave as we get Superman after the death of Lois, leaving Earth and shacking up with Maxima. Nothing beats Lois & Clark, but damn if I don't love the idea of Supes and Maxima together and Louise Simonson gives us an oversized imaginary tale of just that with some early Bryan Hitch art.

DC Primal Age: I came across this 100 Page Giant while shopping at Target with my wife and had to buy it. This was a Target exclusive book that tied into Funko's brief DC Primal Age toyline, which reimagined the DC Universe as a barbarian fantasy world with figures that were DC characters like the original Masters of the Universe toys. AWESOME! They were pretty neat and I'm bummed we never got Wave 3 and 4. I wanted that Supergirl and Catwoman damnit!! Anyways this book is an anthology of stories that function like the He-Man mini comics for this line. We start with a Marv Wolfman story that relies heavily on artist Scott Koblish to do everything in his power to make cool and interesting and he can barely do that. Somehow Wolfman makes this whole thing dull as can be. Man, Wolfman really sucks 95% of the time. Thankfully, the rest of the stories wash away that dullard's uninspired attempt with a roster of old school legends. We actually get a written AND DRAWN by Jerry Ordway tale featuring Wonder Woman and Solomon Grundy, a Louise Simonson and Phil Winslade beautifully illustrated story of the ice mage Mister Freeze, another Weezy tale about Batman with Brent Anderson art, an interesting Ordway written Joker story with Chuck Patton and Karl Kesel, and finally another Wolfman regular ass DC inventory story that thankfully Keith Pollard and Jose Marzan Jr. manage to save.

Thing Vol. 1 #15: This is another mystery comic we had for my entire life. Much like the Cap issue above this was one me and my brother fondly remember for the cover and the tagline. We said "It happened on yagwibzehejeye Street" to each other as much as we did the dough line. I never actually read it as a kid and was always baffled by it. Where the fuck is the Thing and why can he turn into this lame dude in a one piece bathing suit? Like what?? That red head's pretty and cool though. I was happy to get older and read more comics and finally get the required context and understand this story. It's actually a pretty fun little issue where Ben and his gal go to an alien bar. Somehow, like the Cap issue this one has survived all the different phases and moves in my life and I still own that battered copy. This one will also accompany me to my grave.

The Terrifics #25: Overall I felt the Dark Matter/New Age of DC Heroes thing by DC was a dumb failure of an idea that rarely went anywhere beyond "this is based on a Marvel character". (Sideways was cool though, him and his sleepy eyed friend. I wish they'd have given Sideways more love.) The Terrifics was always a weird this is pretty forced idea for a team but it usually had good art and out of left field ideas, and no issue exemplifies that more than this charming Choose Your Own Adventure issue with art by Dan Mora. It's pure fun.

Fantastic Four Vol. 1 #275: Man, I hate, like REALLY HATE but also love John Byrne. I don't get it. He's just the grade a worst manbaby idiot but also I love so many of his prime era comics and art, especially his dumb horny shit. This issue really embodies that love/hate relationship as the dude seriously takes a whole issue of FF to write a story where She-Hulk sunbathes topless and someone snaps pics of it and sells them to a dirty magazine. THAT'S IT! A WHOLE ISSUE! It's so stupid and sleazy. BUT it's also really fun to see sexy She-Hulk antics and it's quite satisfying to see Shulkie's attempt to stop it. Basically just like his run on She-Hulk, it's a titillating sexy romp with hilarious stupid satire nonsense. I hate it yet I also DEEPLY love it. That's Byrne for you!

Justice League International Vol. 1 #24: It's hard to pick specific bits of the JLI era to add to the CFC Canon as I greatly adore nearly every single issue of it so much, but this one has managed to carve out it's own corner of my brain. Mostly because of the Maguire drawn last tale where the glut of JL members have their party ruined by a small group of lame villains who never expected so many heroes to be in the same room together. But this also features stories with the wonderful art of Ty Templeton and Dan Spiegle, so it's like a full course comfort food meal.

Titans: Scissors, Paper, Stone: An Elseworlds future oneshot where Adam Warren is just left alone to cook. It's basically DC 2099, with very tenuous connections to the actual Titans, influenced by but allowed to really be it's own thing that can stand on it's own. It breaks my heart we never got to see Warren do more with this.

Origins of Marvel Comics: A 2010 oneshot where every page is a one off "story" showing the origin and throughline to the 2010 version of Marvel's teams and characters. I'm always shocked they got so many big name artists and the actual artists associated with those characters to do these.

Origins of Marvel Comics: X-Men: Same as the above but focused specifically on the X-Men. This one again gets big name artists associated with the characters, but also some nice unique surprises like Jill Thompson. The highlight surprisingly though is the writing team which includes second best X-Men writer ever Mike Carey, third best X-Men writer ever Chris Yost, and other fave X-writers like Peter David and James Asmus.

Harley Quinn Vol. 4 #29: The main story here is meh whatever. What I'm here for is the Adam Warren backup that is not only the traditional Warren hilarious and gorgeous, but also one of the best character studies for Harley ever done. Man, I'm realizing I REALLY LOVE Adam Warren. One thing that irks me so godamn much is they didn't have Warren do one of the three variant covers for this issue. THEY HAD HIM DO VARIANTS FOR ISSUES BEFORE AND AFTER, WHY WOULDNT THEY FOR THIS ONE?!?!? ARGHHHH! So I hunted down this Natali Sanders sexy nightgown one instead. I enjoy it a lot but would kill for a Warren cover of this one.

The New Mutants Vol. 1 #21: A quiet and charming down time issue with mutant teens being mutant teens AND it's drawn by Bill Sienkiewicz AND it's double sized?!? Pshh, forget it! What an absolute classic! Can you imagine just getting a regular monthly comic these days that's oversized and has Bill Sienkiewicz level art?? Godamn, this one is special.

Superman Vol. 4 #7: A one shot set during the time Clark and Lois were raising little Jon in Kansas. And all they do is go to the County Fair!! IT'S INCREDIBLE!!! This one really hits for me because we always have the Erie County Fair come to town where I live and since I was born it's always an annual community Big Deal. A quiet down time issue again, my absolute jam as you must know by now. Surprisingly, I always forget this one is drawn by Jorge Jimenez before he became a breakout star.

Immortal X-Men #5: I hate what the Krakoan X-Men era very quickly became after Hickman set up so much and can't stand much of what was published near the latter part of the era, but one exception was the EXCELLENT character work Kieron Gillen did with Exodus. I've always loved Exodus and felt he had so much story potential and had barely been used or explored since his debut in the 90's. My socials are gone now but I actually spent quite a bit of time making an Exodus infograph/reading order some years back. I love the guy and I've been waiting so many years for him to get his due. Mike Carey did some nice work with him but essentially he's been a blank canvas for much of his existence. Gillen's time with him has been a revelation(pun intended) as he's finally revealed what his power actually is in a deeply satisfying OHHHHH OK YEAHHH THAT'S GREAT moment earlier in the run in conjunction with his relationship with Hope Summers, and this deep dive issue that tied into the AXE event. From revealing new canon, to connecting and reframing old, this story finally gives Exodus the care and development he's always deserved.

Astro Dutchie: Aaron Ancheta is an online acquaintance of mine and it's been an honor to chat with him and see behind the scenes of the comics he makes. I'm absolutely in love with every single piece of artwork he's ever done. His long running and ever changing ACHTUNG!! Magical Girl Corps webcomic is always such fun to read. The huge bummer of all this is how none of it is in print so it was a godsend when he put out this stupid, hilarious side story for sale. It's a true joy to physically hold in my hands and a real gem in my collection.

Justice (1994): Not actually a comic but a collection of great content put together from the Japanese doujin fanzines Justice and Gadget. It's incredibly fascinating to read about the Japanese perspective on popular American comics from the 80s and early 90's and see the wide range of fan art many of these fan artists created.

Nation X #3: As I wrote above, Corey Lewis is my guy. He's my comics GOAT. He contributes a story in here about Cannonball. One of my fave X-characters by my dude??? Forget it! It's so entirely my shit. I love this fun little story so so much.

Superman #400: A momentous celebration of Supes. I'm not a huge fan of all the many short stories within, but they do honor the character very well and feature some inspired ideas and wonderful art. The real reason I love this one so much is the whole big package, including pin-ups by so many legends alongside all the stories. It's one of the alltime best anniversary comics.

X-Men: Curse of the Mutants - Storm & Gambit: This is such a weird, obscure little comic. It's a one shot tie-in to a largely forgotten and middling event where the X-Men fought vampires. It has no reason to be this good. We get a fantastic action packed adventure that features great characterization and character interplay between the X-Men that honors past continuity, really heartbreaking and strong moments, and it's all drawn by mega fave Chris Bachalo.

Ghost Rider Vol. 6 #35: Johnny Blaze in Japan versus a body horror demon that looks like Sailor Moon, all drawn amazingly by Tony Moore. What else could you ever ask for in a comic?

Uncanny X-Men Vol. 1 #309: Another in the Scott Lobdell/John Romita Jr. Uncanny run. Seriously I just love this run so much. This is another classic Lobdell "Quiet Issue" where the spirit of Magneto in Charles' mind forces him to examine his love life and failings as a man. It's Lobdell's best written issue in my mind. (My only nitpick with this issue is when the Mags spirit says "Ennnnt" like a buzzer wrong answer noise to Charles. Hahah I can't picture either man speaking that way)

Venom #150: Can we all sit and take a moment to appreciate that we get to live in an era where we can experience the mindblowing art of Tradd Moore? This is a severely overlooked anniversary one shot that features Moore doing his usual blowing up the artform style in an admittedly pedestrian written tale, but it doesn't matter because we get to see his spectacular take on the Symbiote and how it moves and works as well as plenty of other Venom history callbacks and dynamic fights. It's a visual masterpiece. There's also a fun bonus David Michelinie/Ron Lim 90's Venom story with gorgeous retro coloring.

X-Factor Vol. 1 #25: Easily the best issue of X-Factor. X-Factor Vol. 1 is a maddening title, always shifting from an insomnia cure to essential X-Book, even when Walt Simonson was drawing it. It never makes sense how it constantly goes from peaks to valleys. This one is definitely the highest peak as Angel is dramatically revealed to be Archangel to the team and we get big world conquering stakes with Apocalypse. It also features the best work from Walt during his tenure on the book.

Dragon Ball Part Four #6: More of Viz's initial American floppy comic version of Dragon Ball. One of my favorite gag fights in the whole series that hinges on Bulma's boobs popping out, fully uncensored in this unique publishing run. Also one of my fave Toriyama color pieces as the cover here!

Excalibur Vol. 1 #43: The best issue of Excalibur. Alan Davis' run on Excalibur is a real highmark of comics full of witty humor, zany antics, and peak character interplay. This issue is a perfect representation of all of that in one single issue package.

DC Universe #0: A 2008 50 cent hype comic that featured exclusive little preview stories for such stories as Legion of 3 Worlds, Batman RIP, Final Crisis and more written by Grant Morrison and Geoff Johns and featuring art from Doug Mahnke, George Perez, and more. It's such a wonderful snapshot of 2000's DC by the two main architects of the company during that period.

Martian Manhunter Vol. 2 #24: A flashback "imaginary story" set during the JLI days where J'onn becomes possessed and too addicted to Chocos and Hulks out needing his fix. It's a dark comedy masterpiece by John Ostrander along with a dream team of Doug Mahnke inked by Patrick Gleason.

FF Vol. 2 #9: I think Matt Fraction's FF is one of Marvel's alltime greatest comics and my favorite issue of the run is this silly downtime pool party issue. It features the whole sprawling cast in a fun filled setting bouncing off each other that really gets to highlight the found family theme of the series. It also features Joe Quinones filling in for the Allreds on art and he is always a MEGA fave of mine.

Uncanny X-Men Vol. 1 #311: The last John Romita Jr. drawn issue of his Lobdell Uncanny run I love so much. I can't complain too much as Joe Madureira gets his rise to fame right after but I'm still annoyed we didn't get more of this creative team run after Editor Bob Harras basically tricked JR Jr. off the book. I felt Scott Lobdell was really gelling with Romita Jr. for these issues and finally coming into his own as a writer as he was really getting a handle on fusing his action issues and quiet issues together into just really good all around issues. This one is the best example of that as we get a really nice quiet character focus on Bishop, Jubilee and Storm that also features a kickass Sabretooth conflict and a weaving of the ongoing Phalanx subplot into the story. A bummer Dan Green doesn't ink the whole issue but Al Vey steps in and does a pretty great job even if he goes a bit too heavy on the lines.

Archie #635: An Occupy Wall Street storyline in Riverdale. The writing is fine. The reason it's here is because it's a Gisele Lagace drawn Archie. I find her art at all times captivating and gorgeous and it just fits Archie Comics so well. It's somehow still "classic Archie style" while also being something so fresh and new. She's just SUCH an incredible artist!

X-Men: Earthfall: A 90's deluxe reprint of Uncanny X-Men #232-234 where the Brood come to Earth and my beloved Outback X-Men need to murder the shit out of them, all while Madelyne Pryor deals with some serious psychological shit. This is my favorite story arc set during that special era and it's so cool they reprinted it all in one comic with a nice new Ian Churchill cover.

Dragon Ball Part 2 #2: This issue collects both chapters of the debut of Launch. It is a terrible tragedy and mystery that Toriyama forgets about her way later on as she's easily one of the best characters ever. I love her.

Batman Vol. 1 Annual #8: The absolute best of the 80's James Bond vibes Batman by Mike Barr, the GORGEOUS pencils and inks of underrated legend Trevor Von Eeden, and the mindblowing colors of Lynn Varley. This thing is a work of art. Seriously. Each page should be hung in a museum. The perspective work and the line work Von Eeden unleashes here are spectacular. And Varley's psychedelic blend of colors here are my favorite work she has ever done. It's a high stakes Ra's Al Ghul story (my fave Bats villain) which people often criticize for Batman not caring if he's complicit in Ra's dying. To me I think it's perfect characterization as I feel of all his villains, the "immortal" constantly resurrecting biggest threat madman, SHOULD and would be dealt with this way by Batman. He knows Ra's' whole deal by this point, he doesn't need to swing in and save him like a common criminal, he will never truly be rid of him.

Daredevil Vol. 1 #268: A haunting and overwhelmingly satisfying, brilliant examination of the human condition and Matt Murdock's entire personality and how he interacts with the world and all the people in it, in a brutal one and done by, you guessed it, Nocenti and JR Jr. again!

Magneto #0: A mid 90's Fatal Attractions prequel complete with holofoil cover that collects the two Magneto focused Classic X-Men stories by Chris Claremont and John Bolton, a new Fabian Nicieza endcap and a few pinups. The Magneto Classic X-Men stories are some of the best work Claremont ever did and are still the gold standard for Magneto and his characterization. As close to perfection as you can get. What a treat to have them in this wonderful little package with new extras. The only downside being this contains more of Nicieza's downright offensive and ill researched retcon to make Mags of Gypsy descent that he fully went into in X-Men Unlimited #2.

Classic X-Men #8: This battles it out with I, Magneto in the one shot above for best backup story in all of Classic X-Men, where we see Jean dying as she meets the Phoenix for the first time. Claremont destroys the whole "Phoenix and Jean are separate beings" retcon, and presents such a touching story of a girl and an omnipresent Force having a chat and reconciling the fact they are the same being, mind, body and soul, and ultimately choosing to live life and embrace all of its contradictory happiness, messiness, tragedy, and passion.

Everything Sucks: Noah's Millions: More Everything Sucks! Noah finds a bag of cash and hijinks ensue with the usual EXTREMELY relatable feelings and dialogue that accompanies every Everything Sucks comic. I adore the perfect sandwich and thrift store double page spreads in this issue as well as Calla's cute goth dress.

Dragon Ball Z Part 2 #8: The opening chapter of the Goku/Vegeta fight, arguably the greatest Shonen fight chapter ever made, featuring the most iconic and my favorite panels of the Dragon Ball Z era.

Generation X - Opening Volley: I LOVE Generation X but I also find the series to be highly disappointing. It starts off so ridiculously good and never reaches those highs again. I've read just about every interview or promo material they ever did for the title and Scott Lobdell had some big plans for the book, that by about the first year of the book existing, around issue #8 or post the Girl's Dorm exploding, he completely drops. The plan to continually develop the kids so they graduate and we get new classes of mutants coming in never happens. Mondo never really joins the team. M, Penance and Emplate all become something vastly different than conceived. Dozens of dangling plots or hints vanish. It becomes a Howard the Duck book. Mark Buckingham leaves and Chris Bachalo's artstyle changes so much. It's a huge bummer. BUT for a time, we got some gold nonetheless I truly cherish, including the absolute height of the series, this special promotional issue given away at the 1994 San Diego ComiCon, full of all the amazing potential the book promised. It represents Lobdell and Bachalo's original vision for the series set a bit into the future, before things quickly changed. The original thesis of the book and the team is all there, these are kids who won't necessarily become X-Men, but they will be taught and learn how to deal with the world that hates and fears them. Mondo is a main member. Emplate, M and Penance are all their own intriguing original characters full of mystery and potential without any St. Croix family connections or retcons. Jubilee functions as the main POV character. And it's all set directly after the Girl's Dorm has exploded. This is sadly, as far as Lobdell ever plotted out for the book prior to writing it. In those same interviews the man says he never plots past the issue he's writing for creative spontaneity and boy does that show, NEGATIVELY, in his work. He is the definition of no plot, all vibes comics. The beginning of Gen X, his trademark Uncanny X-Men quiet issues, all amazing and all very light on continuing story plot. This is what ultimately starts Gen X as a unique, brilliant masterpiece but quickly turns it into a bitter disappointment. A bonus is the copy I own is signed by Lobdell, Bachalo and Richard Starkings.

Dragon Ball Part 1 #5: More OG Dragon Ball, this time with the chapter of Yamcha peeping on Bulma getting out of the shower, presented here again in the fully uncensored glory of the Viz floppies.

Roxxon Presents: Thor #1: An absolutely hilarious laugh out loud romp that parodies everything in our current hellhole of American capitalist culture. Villain Dario Agger has bought the rights to the old Thor comics and name and using a combination of magic creates a soulless corporate hire Thor. That they got Greg Land, the finest example of a soulless corporate hire artist, to do the art is such a perfect choice. So godamn funny.

Rom and the X-Men: Marvel Tales: With Marvel reacquiring publishing rights to Rom, they released this oversized oneshot package that collects ROM #17-18 and #31-32, all written by Bill Mantlo and drawn by Sal Buscema. Both stories feature X-Characters and the absolute horror show that is Hybrid, the disgusting and evil offspring of a Dire Wraith and a human, which Cerebro scans as a mutant. The first story features a great three way battle between Rom, Hybrid and the X-Men and has elements I love like Mantlo writing a Wolverine that sounds exactly like the Animated Series Wolvie and Buscema drawing a wonderfully emotive Kitty Pryde. The followup story features Rom vs Mystique's Brotherhood of Evil Mutants and Hybrid again. This is a particularly important story as it is the only story featuring a pre X-Men Rogue that delves into her personality softening and going against Mystique's control and resembling the heroic X-Man she becomes. Buscema also does an incredible job drawing her and helps shift her from the old lady look into the Southern Sexpot we eventually get. It's an incredibly fun fast paced tale and integral to her character development and history.

X-Men Classic #54: This is a reprint of Uncanny X-Men #150 which is the first true story where Claremont retcons Magneto to be a Holocaust survivor and starts his magnificent and brilliant reclamation project for the character to change him from Silver Age maniac to noble leader of the X-Men. It is a stunning work of art, highlighting the best of Claremont's writing as well as the best of Dave Cockrum's art. Easily the highpoint of their second run together and arguably the best work they ever produced together. Why do I have the Classic X-Men reprint rather than the original issue? Well, I've always loved that new Andy Kubert cover, the brighter coloring, as well as the fact this 1990 reprint contains ads for the specific Marvel Universe Series 1, NBA Hoops and Skybox NBA Trading Card sets that I owned and adored and dominated my young life. Not to mention the Revlon Super Mario Bros Shampoo ad, another ad burned into my memory.

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