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neocatharsis · 3 years

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NCT’s Mark Lee on Dreams, Instagram Poetry, and Growing Up

Mark has a lot going on — but he’s making time for poetry, introspection, and, of course, the members of NCT Dream. - Vivien Wu

“I’ve been thinking about dreams a lot these days!” Mark Lee exclaims over Zoom from SM Entertainment’s Seoul headquarters.

The 21-year-old leader of NCT Dream is enthusiastic as he mulls over the meaning of dreams, his back against a wall of pink and yellow flowers assembled by his fellow NCT members. He’s wearing a simple, white tee, and when he gestures with his hands, you can catch glimpses of the friendship ring that all seven members of NCT Dream wear as a symbol of their bond.

“I actually feel like dreams hold a large portion of a life, and I’m not just talking about the subconscious dreams that we all have when we sleep,” he continues. “If you put it in a way where dreams are actually things that motivate us, and the drive that keeps us going, especially as a strongly driven person myself, I feel like… a guy with no dreams is like…” He looks up, thinking. “…A car with no engine. So, I think it’s as important as yourself. That’s how deep I go with dreams.”

His interest in dreams is fitting, considering that they are also the central, underlying concept to the lore behind NCT Dream’s parent group, NCT. They connect their three subunits, NCT 127, NCT Dream, and WayV, in a complex, Inception-inspired fictional universe where dreams are the only way they can find each other, and where upon uniting they can mix to form new subunits collectively referred to as NCT U. In practical terms, this has resulted in a 23-member mega-group that is multifaceted in every way — from their musical styles and visual aesthetics to their cultural backgrounds and spoken languages.

NCT Dream’s original teenage concept meant that members were supposed to “graduate” when they came of age, and as the oldest, Mark was the first to leave the group at the end of 2018. Having grown attached, however, fans were devastated at his departure; after a year of separation, SM announced that the graduation system would be scrapped and that he would rejoin the group. Their new album, Hot Sauce, is the first with Mark in over two years. As fellow member Haechan declared in an interview with Teen Vogue earlier this week, “Mark [is] very special. NCT Dream means Mark.”

But before the rapper led NCT Dream, and before he joined NCT U and NCT 127 and SuperM — the man is in high demand — Mark’s childhood dream was writing. He grew up in Toronto, and through doing school projects and essays quickly discovered that he had a natural way with words. Inspired by Percy Jackson author Rick Riordan, Harry Potter, and James Patterson, Mark dreamt of becoming an author, long before he was recruited by SM at a global audition in Canada in 2012. “When I was in school, I was always the kind of guy who would write more than expected, and that became a thing that clicked for me,” he says. “I was like, ‘Maybe it’s something that I naturally do?’ But then that kind of turned into rap writing too, so I guess they kind of clicked together.” It explains his prolific career as a lyricist; since debuting, he’s amassed over 30 songwriting credits across his various groups, contributing to songs as iconic as NCT U’s “Boss,” NCT 127’s “Cherry Bomb,” and NCT Dream’s “Chewing Gum.”

Even with such an extensive body of work, however, penning lyrics hasn’t satiated his appetite for literary expression. In an interview with Japanese magazine Men’s Non-No, he revealed that he still hopes one day to write a book, whether that be a novel, autobiography, or something more philosophical.

In the meantime, he’s taken to writing what are basically short poems on his Instagram, which he created just a few months ago. He’s gathered over 4.5 million followers since then, but having such a large audience hasn’t deterred him from being endearingly vulnerable with the way he writes. When I refer to them as poems, he laughs and looks embarrassed, but when I ask him to tell me the stories behind them, he’s enthusiastic again. They’re short, but offer brief glimpses into Mark the writer — sharp, inquisitive, and thoughtful. As pieces of literature, they’re a little rough around the edges, but the sincerity he’s known for shines through, illuminating the introspective, philosophical side that may not be so obvious in person.

His first poem, loosely titled “Late Night Scribbling,” put into words his musings about sleep, thoughts, feelings, and writing. It meanders from topic to topic, hovering between feelings of hope and hopelessness, before ending with a comically awkward “haha.”

“I actually wrote that by imagining how I wanted to organize my Instagram page,” he explains. “I was thinking of creating an Instagram, then I realized that, well, I’m not really a picture kind of guy, I’m not really a travelling kind of guy… I kind of studied who I am first, and I [asked myself], ‘What’s something that I can really portray in an intimate way?’ and it turned out to be writing.”

“I started to brainstorm what kind of topics I could write about, and then from there on, I started to write a little each and every night, and that turned into Late Night Scribbling,” he continues. “That kind of gave me courage to start Instagram in the first place, that piece of writing.”

Two weeks later, he followed it up with “Black Socks,” a whimsical ode to, well, black socks — complete with accompanying photos of him wearing said socks. Immediately, it feels more confident and cohesive than its predecessor. Using the neat and tidy look of black socks as a metaphor, he describes his own mindset for living life: “Pleasure from perfect alignment; That also goes for my ability to be parallel with my thoughts and actions; I try to live out what’s in my mind, and keep it consistent even when forgotten like a working habit.”

Comments on the posts praise his writing and encourage him to continue sharing these small pieces of himself. On the stage, Mark takes on a confident, larger-than-life persona, while in vlogs and spoken interviews, he’s a bubbly character full of laughter and boyish charm. What the poems show is that, beneath these outer appearances, there’s another layer of complexity that is yet to be fully explored, and it’s not surprising that fans want to know more.

His day job as a K-pop idol doesn’t allow a lot of time for hobbies, though, and he confesses to not having written much lately. Despite that, he’s determined to stay in the industry for as long as possible. “Longevity is something that I’ve always been aiming for,” he says. “I’m willing to do this for a long time, and that requires a lot of work. I’m willing to take that as a challenge and I’m trying to stay as long as I can, but with quality.”

That focus on quality informs his preparations for the upcoming promotions with NCT Dream. In both their fictional world and ours, NCT Dream are a central component of NCT by virtue of their unique focus on growth — the seven members were aged between 14 and 17 when the group first debuted in 2016. Fast-forward five years, and the members are now 19 to 21, having reached a milestone in January when the youngest, Jisung, finally became a legal adult in Korea. When asked if he feels like an adult yet, though, Mark gives an extremely relatable answer with zero hesitation.

“I still feel like I’m in middle school, I’m gonna be totally honest. I swear to God, I feel like I’m… All right, I’ll put it up — I feel like I’m in high school!” He laughs. “I even had this talk with Jisung, ‘cos he’s the latest that turned into an adult. He said that he still feels like he’s a student, he doesn’t feel like he’s 20 [19 in international age] right now.”

It’s been a long time since all seven Dream members — Mark, Renjun, Jeno, Haechan, Jaemin, Chenle, and Jisung — have released an album together, and as the first full-length album since their debut, the fan anticipation is palpably intense. Mark himself has mentioned in various vlogs how important he believes this comeback to be, and that conviction becomes obvious whenever he talks about it.

“We had a talk all together, the seven of us, without any cameras or anything. I brought all the guys together and we talked before the whole momentum started, and I said that I’m willing to put my everything on this one. Like, I always had, but I feel like… the whole universe, or like— ” He pauses, trying to figure out how to articulate himself, and his next line is the most emphatic of our whole conversation. “There are things that are out of our control, but we can see and feel when the pieces match together sometimes, and I feel like this specific moment, this particular album, kind of had those essential parts.”

He’s thinking about all of the context surrounding this comeback: the group’s coming of age, the reunion of all seven members, the scale of the album, the fact that Jisung has only just recovered from a leg injury that meant he couldn’t dance for months — even the fact that 2020 was, against all odds, the best year yet for NCT, with release after release bringing them unprecedented success and momentum.

“I felt that coming and I explained all of that [to the group],” he continues. “This whole period of time has a lot of meaning to it, and we’re not taking that for granted, we’re working hard.” With everything that’s happened, Hot Sauce is a historic moment for NCT Dream, and that’s been reflected in their numbers — the album clocked over 1.7 million pre-orders, obliterating their previous record of 500,000 for last year’s EP, Reload.

Their familial bond and the success that has come with it is the culmination of years spent living, working, and growing up together. The members have collectively missed out on key experiences that most teenagers might take for granted, distanced as they are from normal life, and the group also benefits from an unusually loose adherence to traditional Korean age hierarchy. The result is a brotherhood that goes beyond just being colleagues. “What we have is pretty intimate, and it’s also genuine,” Mark says.

About his role, he is matter of fact. “I’m by far the most easily approachable punching bag for the team. I am not… complaining…” He laughs. “But all jokes aside, I feel like my role for this team… Yes, I am the oldest and I am the leader but I’m also… In Korea, in the culture, age is very important, but we’ve come so far that all those borders kind of just vanished and we’re all pretty much friends, and I guess I’m just a friend of theirs too.”

It’s true that, despite being the leader, his friendly personality and endearingly awkward mannerisms mean that he commands about as much authority as a small puppy. Instead, much like a puppy, he is showered with love and affection (fellow member Chenle refers to Mark as his son and his actual puppy Daegal as Mark’s little sister), but that doesn’t mean he isn’t a dependable leader figure. The opposite is true — in Renjun’s words, Mark’s presence unites the group in a way that makes him irreplaceable.

And while this may be the fifth year since their debut, in the grand scheme of things, the members of NCT Dream are still very, very young — by most standards, they would still be considered to have their entire careers ahead of them. Growth has brought them here, but where does Mark think it will take them in the future?

“Growing just never stops for us, I can see us growing continuously, endlessly,” he replies. “What the future holds is something that we will never know, but we always do try to prepare during the present, and so with whatever time we have currently and with whatever album, or whatever stage, or whatever piece of music it may be, we’re willing to make sure that we have the next one coming too.”

A final thought. “I’m glad that we’re striving for that, ‘cos we started off as…” Mark shakes his head, “…as babies.”

#nct #nct dream #Mark #nct 127

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i-know-my-value-darling · 4 years

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Supernatural stars reflect on the show's undying legacy

Jared Padalecki, Jensen Ackles, and Misha Collins discuss 15 years of fantasy, family, and flannel.

"We only get one shot at this." Sam and Dean Winchester are surrounded. The monster-hunting brothers are standing on the edge of a cliff. They look to Castiel, their brother in arms — or is it wings? — but even he can’t help. One move in the wrong direction could ruin everything. After years of fighting demons, going toe-to- toe with Satan himself, and saving the world multiple times, they once again find themselves in a position of having to perform under pressure. But this situation is unlike anything they’ve ever dealt with before. All eyes are on them as they have one shot…at getting the perfect picture.

It’s a dry, hot August day in Malibu — when people were still allowed to gather outside — as Supernatural stars Jensen Ackles, Jared Padalecki, and Misha Collins prepare for the last setup of their final Entertainment Weekly cover shoot. With a bottle of champagne in each of their hands, Ackles once again reminds them they get “one shot” to do this right. But if their characters can shoulder the weight of the world, surely these three can handle a photo. Read the whole story below

The champagne soaking is meant to be a celebration of 15 years, of making television history. Supernatural, the story of two brothers destined to save the world, is the longest-running genre show in the history of American broadcast television. (So old, the first three seasons shot on this thing called film.) What started as an underdog story, living its first few years on the verge of cancellation, has become an institution, a milestone to which other shows aspire. Supernatural not only survived the move from The WB to The CW after its first season — it’s now the final WB show left standing — but became the backbone of the now highly successful CW network. Over the years, the sci-fi series has aired on every weeknight, helping to launch shows including Arrow and The Vampire Diaries. The network moved it one final time, most recently, to Mondays, to help Roswell, New Mexico expand its audience. “Supernatural is a major link to many of the shows that we have successfully built to market,” The CW’s chairman and CEO Mark Pedowitz says. “Almost every one of our shows has had it as a lead-out or a lead-in.”

And to think, it all started as a promise to bring horror to television. After Supernatural creator Eric Kripke had finished working with Warner Bros. on 2003’s Tarzan series, he pitched the idea of a reporter who travels around hunting urban legends. As he puts it, it was a Kolchak: The Night Stalker rip-off. But when he realized the story would benefit from having brothers at its core, he started writing. “At the time, The Ring and The Grudge were huge hits in theaters,” Kripke remembers. “We said, ‘We’re going to take that experience and we’re going to put it on TV,’ and the initial goal was to be scary.” After Warner Bros. passed on his first, what he calls “uptight,” draft, Kripke had to reassess the kind of show he was creating. “I canceled all my Christmas plans and wrote that second draft in three weeks,” he says. “That was when the show got its sense of humor, because I was locked alone, over winter break, in my office. I couldn’t do anything fun, so I started entertaining myself.”

The show was still scary, but it was also funny and, over the years, would continue to evolve. Sure, you could say it’s a little bit X-Files — in its early days, the show often used the line “The X-Files meets Route 66” — and there were definite Star Wars influences (Sam and Dean were originally based on Luke Skywalker and Han Solo). But no combination of pop culture is going to perfectly describe Supernatural because the show has managed to do something remarkably rare in the age of peak TV, where audiences are so overwhelmed with content that an original idea seems foreign: It’s created a truly one-of- a-kind experience.

For starters, it’s a show about two flannel-wearing, beer-loving, blue-collar dudes from Kansas who for a good chunk of their lives traveled from cheap motel to cheap motel, paying for gas and greasy diner food with a mix of fake credit cards and money they earned scamming people at the pool table. “Almost all television is about rich people or, at the very least, middle-class people,” co-showrunner Andrew Dabb says. “The fact that we’ve been able to take this Midwestern blue-collar approach to this genre feels like we’re breaking the mold.”

But the mold-breaking didn’t stop there. Supernatural might’ve started out as a horror show with some snarky one-liners, but it evolved into some of the boldest, most experimental (and certainly strangest) stories on the small screen. “We’re a show of big swings,” co-showrunner Robert Singer says. “I used to say, with every idea, ‘This will be a home run or they’ll cancel us,’ but every year we wanted to do something really nuts." And when he says nuts, we’re not just talking about the episode with the talking teddy bear or the murderer targeting imaginary friends. Those are just some standard monsters of the week. We’re talking about the black-and-white episode shot like a classic Hollywood monster movie, or the episode that introduced Chuck (Rob Benedict), a prophet — who’d later reveal himself to be God — who was famous for writing a book series called Supernatural. That, of course, led to Sam and Dean attending a Supernatural fan convention as the show continued to redefine what it meant to inject a series with meta humor. And the swings never stopped. Season 13 featured a Scooby-Doo crossover as an animated Sam, Dean, and Castiel solved a case alongside the Mystery Inc. gang. And in season 14, after giving God a sister a few years prior, the show made the Big Man Himself its final villain. “I don’t think any idea, barring some production concerns, has been viewed as too crazy,” Dabb says. “Because we know that our fans are smart and that they’ll follow these guys anywhere.”

So long as each episode features Sam and Dean — and the occasional heartfelt talk on the hood of the Impala — the show can do just about anything, which is another reason Kripke had to rewrite his first draft of the pilot. Originally, Dean was the only brother who knew about monsters growing up, bringing Sam up to speed later in life. It wasn’t until Kripke figured out that they needed to be in this together that the series snapped into place. Because at the end of it all, they’re two brothers bonded by the loss of their mother and a life spent on the road with an absentee father. (It just so happens that their mother was killed by a demon and their father hunted them.) The familial dynamic — the irrational codependency, as the angel Zachariah (Kurt Fuller) once called it — is the most important part of the show. “The first inkling I had that we had something special was shooting the pilot,” Kripke says. “It was the scene on the bridge when Sam and Dean talk about their mother. It was the first time that you really saw their chemistry and their connection as brothers on full display. Because I’ve always said this show begins and ends with whether you believe that sibling relationship.” But Sam and Dean weren’t just the center of the show. For many years, they were the show.

Supernatural has never been an ensemble drama. For the first 82 hours of the series, Ackles and Padalecki were the only long-running series regulars — Katie Cassidy and Lauren Cohan briefly joined for season 3, appearing in 12 episodes combined. But Sam and Dean weren’t just in every episode; they anchored every episode. (They skipped table reads because there would’ve been only two actors there.) “I had many moments of not only questioning, ‘Can I keep this up?’ but an answer of ‘I cannot keep this up,’ ” Padalecki, 37, who’s been vocal about his struggle in the early seasons, says. “I borrowed strength from Jensen.” But even Ackles, 42, admits it was a tough job. “The 23-episode seasons were nine and a half months of filming,” he adds. “It was a lot of work, but I always came back to: I still enjoy it, I still like telling the story, I still like these characters and the people I work with.”

Not only did the guys stick around, they built a reputation of having created one of the warmest sets in the business, with a number of crew members staying with the production all 15 seasons. It all dates back to a talk Kripke had with his stars during the filming of the series’ second episode. “I said, ‘The show is about your two characters, and with that comes this responsibility,’ ” Kripke says. Padalecki remembers the exact setting of what he calls their “Good Will Hunting moment,” a bench in Stanley Park in Vancouver, where they film. It was a chat both actors took to heart. “We’d both been on other sets,” Ackles says. “We knew we wanted to enjoy it, to have fun with our crew; we wanted them to like us and us to like them and to have fun doing what we do.” It’s an attitude Pedowitz hopes bleeds into other CW shows, an attitude that launched an annual tradition where the CW chairman/CEO takes his new casts out to dinner with the Supernatural guys, a chance for the vets to share advice. “It’s always the most flattering situation,” Padalecki says, recalling a moment he had a few years back with the late Luke Perry, who was a part of the Riverdale cast. “Luke was sitting next to me and he was like, ‘What y’all have done and what we hear about you guys, it’s really cool to be associated with y’all in some way, shape, or form,’” he recalls. “And I’m sitting there pinching myself.”

It’s a behind-the-scenes legacy that’s perhaps just as impressive, if not more so, than the onscreen legacy. Collins, 45, who started as a guest star and the show’s first angel in season 4, has become the show’s third-longest-running series regular, and he still remembers walking onto set his first day. “When you’re coming onto a show as a guest star, it can be a little bit nerve-racking,” Collins says. “Coming to this set, it was an immediately different vibe. Think- ing about working on other shows in the future, that’s something that I aspire to bring with me.”

A similar reputation extends to the fans as well. Not only is the #SPNFamily one of the most dedicated fandoms out there, it’s also known to be a pretty nice one. (Not many fandoms can say they’ve helped launch a crisis support network for their fellow fans.) But their dedication isn’t just about seeing what crazy twist God throws at Team Free Will next. Thanks to fan conventions and social media, the viewers are just as invested in the lives of the actors. Supernatural’s not just about the words on the page, it’s about the actors saying them. “When you’re dealing with the public taste, there’s an alchemy of great writing, a great idea, and the close-up that’s required,” Peter Roth, chairman of Warner Bros. Television Group, says. “You need stars who you want in your living room.” And you need stars who want to be in your living room, and who, even after 15 years, care so deeply that they get emotional while taking photos in Malibu.

"It's going to be a long eight months," Ackles declares. Standing on that same ledge, an hour before the champagne shot, Ackles, Padalecki, and Collins walk away from a group hug after unexpectedly starting to tear up. It might be the setting — looking out over the ocean — or the occasion: their last-ever photo shoot. Or maybe it’s the fact that they’re almost a month into filming their final season.

It had been a question posed to the stars for years: How long will this show continue? How long can it continue? “Even my mom and dad were like, ‘When are you going to be done with this?’” Ackles says with a laugh. It was a decision the network and studio had ultimately put into the actors’ hands, and it was a conversation they’d been having for a while. Back in 2016, Padalecki told EW, “If we don’t make it to [episode] 300, I think Ackles and I will both be truly bummed.” But in season 14, they hit 300…and then kept going. While filming episode 307, they announced the upcoming 15th season would be the end, which will bring them to a total of 327 episodes when all is said and done. “[Jared] and I were always married to the fact that we never wanted to go out with a diet version of what we had,” Ackles says. “We wanted to have enough gas left in the tank to get us racing across the finish line. We didn’t want to limp across.” Padalecki remembers the moment it hit him — not the decision to end it, but rather the opposite. “We had that moment where he and I both realized that we didn’t want it to end,” he says. “It finally got to a point, ironically, where it was like, ‘I never want to leave this. I could do this until the day I die, and then if I get the choice when I’m dead, I’ll re-up!’ But you never want to be the last person at a party. We just knew. That’s not to say there haven’t been vacillations, but we all trust the decision that was made.”

Starting in July 2019, the cast and crew returned to Vancouver to begin filming the final season, but in March 2020, with two episodes left to go, they were sent home. For years, fans had wondered what, if anything, could stop the Winchesters, and now it seems we have the answer: a global pandemic. As sets closed amid social-distancing measures due to the spread of COVID-19, it didn’t take long for fans to start connecting the dots, sharing relevant GIFs from episodes that featured viruses, most notably Chuck telling Dean to hoard toilet paper “like it’s made of gold” before the end of the world in season 5’s “The End.” (Did we mention that Supernatural is also kind of psychic? In a season 6 episode, Dean calls Sam “Walker, Texas Ranger,” which just so happens to be the role Padalecki has lined up after this ends.)

When production paused, it all felt a little like we were living in an episode of the show, just waiting for Sam and Dean to drive up in Baby, open those creaky doors, and save us. They might not be able to do quite that, but the thing with the Winchesters is that they never stay down for long. When Supernatural is able to safely resume production, it will. And though there are only two episodes left to film, fans will enjoy a total of seven unseen hours, including the return of Charlie (Felicia Day) and a mystery woman who visits the bunker and, for some reason, gives Sam and Dean all the holidays they never got to celebrate. “She makes Christmas for them and Thanksgiving, birthday parties, and all that. It’s a very good episode,” Singer says, adding, “I don’t know when it’s going to air.”

That’s the thing—no one knows, not even the guys who took out Yellow Eyes, stopped Leviathans, defeated Death himself, and are supposedly destined to be the messengers of God’s destruction. But Sam and Dean do know the value of a good plan B. “Obviously it’s a horribly unfortunate situation we’re in, but the silver lining is that it gives us an opportunity to recharge,” Ackles says. “We had just finished episode 18, we shot one day of episode 19, and I was reading these two monster scripts thinking, ‘It’s like we’re at the end of a marathon and they want us to sprint for the last two miles.’ I feel like this almost gives us an opportunity to refocus and go into the last two episodes and hit them with everything we got.” Because when they do return to set, shave their quarantine beards, and step back into Sam and Dean’s shoes for the last time, they’ll have one shot at ending this thing…and they’re determined not to miss.

Photos: Peggy Sirota for EW

https://ew.com/tv/supernatural-stars-cover-ew-to-reflect-on-the-shows-undying-legacy/

#supernatural #jensen ackles #jared padalecki #misha collins #last season #season 15 #entertainment weekly #cover story #dean winchester #sam winchester #castiel #full post #SPN #spn family #new photo #new photos

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takayatweets · 4 years

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Find your Fruits Basket Fortune!

In honor of Tanabata and Natsuki Takaya’s birthday, a short Fruits Basket fortune telling quiz was released on twitter!

I have translated the questions and the corresponding fortunes below, but please make sure to also check the original Japanese version to show your appreciation to the creators! (once the link has opened press the purple button, and use the Japanese below to select your wish. Underneath the fortunes you can find high resolution downloads of the new ending song images).

Select a wish:

1. 大切な人が幸せになれますように

For your special person to become happier

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

2. 大好きな人と仲直りできますように

To heal your relationship with a loved one

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

3. 大事なときに勇気が出ますように

To gain courage while doing something important

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

4. 会いたい人に会えますように

To be able to see your special person

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

5. 勉強や仕事で成果が上がりますように

To get good results in work or education

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

6. 毎日楽しく暮らせますように

To live joyfully each day

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

7. 悩みが解決しますように

To find a solution to your worries

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

8. 大好きな人と一緒にいられますように

To be with the person who you love

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

9. みんなが笑顔でいられますように

To help everybody to live with a smile

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

10. 自分に自信が持てますように

To become more self-confident

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

11. おいしいものが食べられますように

To be able to eat something delicious

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

12. 仕事がうまくいきますように

To have success at work

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

13. 素敵な出会いがありますように

To have a fated encounter

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

14. なりたい自分になれますように

To become the person who you dream of becoming

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

15. 欲しいものが手に入りますように

To obtain the object that you want

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

16.みんなの願いが叶いますように

To wish for all others’ wishes to be granted

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

Match the number of the wish to the corresponding fortune:

1. For your special person to become happier

Right now, your heart is peaceful and quiet like the calm that evening-time brings. Just as you are wishing for a loved one to become happier, that special person of yours is also wishing for your happiness. Gather your courage and take that first step forward. It is only a short time until your dream is realized.

A hint to help you fulfill your wish: Each night before sleeping, think of one thing that you enjoyed about your day.

Lucky item: An orange scrunchy.

Lucky destination: The Southwest.

The next person to reach out to: A woman with long hair.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

2. To heal your relationship with a loved one

The pouring of rain upon your heart will soon ease up. Just as you are wishing, the other person too will soon come to wish that your relationship will heal. Please try to convey your feelings honestly. The two of you will be tied by an even stronger bond.

A hint to help you fulfill your wish: On a day when the weather is good, take time to look out of a window as far as you can.

Your lucky item: A cheesy pizza.

Lucky destination: The Northeast.

The next person to reach out to: Someone with a particular skill set.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

3. To gain courage while doing something important

You are the type of person to handle any task with an earnest attitude. Rather than spending time fooling yourself, try to face the challenge head on. This is not something that can be done by just anyone. The courage to achieve this is in your own hands.

A hint to help you fulfill your wish: Grow some potted flowers.

Your lucky item: A mug.

Lucky destination: Northeast.

The next person to reach out to: A woman who laughs often.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

4.To be able to see your special person

Your wish of reaching your special person is being fulfilled, just as if the strings of fate are being pulled. As you begin to take the first steps forward, the strength that the sting pull at you will increase. In the near future, your person will begin to be pulled in by the strings.

A hint to help you fulfill your wish: Be forward with revealing your dreams and ambitions.

Your lucky item: A checked handkerchief.

Lucky destination: The West.

The next person to reach out to: An active woman.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

5. To get good results in work or education

You must fix your gaze firmly upon the path on which you are to proceed. The efforts that you are putting in daily will be realized, and you will be satisfied with the outcome that you achieve. The key to success is to always envision one tier higher than your ideal. It is likely that after a short while you will realize that your very first goal has been cleared.

A hint to help you fulfill your wish: Write something freely, but with care.

Your lucky item: An academic book.

Lucky destination: The Southeast

The next person to reach out to: An artisan.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

6. To live joyfully each day

You are a person with both a gentle personality and a wide field of view. Once you have had a variety of experiences, you will be able to relieve the weight from your shoulders and arrive at a more comfortable and pleasant lifestyle. You will surround others with an aura of soft gentleness, and exude the power to heal others. It may be the case that your wish has already been answered, without you even knowing it.

A hint to help you fulfill your wish: In the morning, open your curtains wide and say a hearty ‘good morning’ to the world.

Your lucky item: Pasta

Lucky destination: South-Southeast.

The next person to reach out to: A strong-willed woman.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

7. To find a solution to your worries

Right now, you may feel as if you are walking through a dimly lit tunnel. However, it is futile to worry about such things. For every tunnel always has an exit, and once you arrive at the exit prepare yourself to be bestowed with blessings. You already have the ticket to reach your goal.

A hint to help you fulfill your wish: Write the name of someone you love.

Your lucky item: A rose scented bath bomb.

Lucky destination: The South.

The next person to reach out to: Someone who is good at singing and playing instruments.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

8. To be with the person who you love

You are a being of plentiful emotion and gleaming sensitivity. Whether you are going through hard times or sorrowful times you are able to crush the negativity into beautiful diamonds. Even when you are separated from your loved one, your hearts are together. You are reaching your loved one with your outstretched arms.

A hint to help you fulfill your wish: Say “Thank you” and “Sorry”.

Your lucky item: A dotted notebook.

Lucky destination: South-southwest.

The next person to reach out to: A girl younger than yourself.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

9. To help everyone to live with a smile

You are the owner of a heart that has feelings as deep as the ocean. You place your own heart under strain in the efforts of helping others, and as you silently exert yourself, you are giving more strength to the people around you than you know.

A hint to help you fulfill your wish: After washing your face, look in the mirror and smile at the person reflected back at you.

Your lucky item: A rice ball.

Lucky destination: The north.

The next person to reach out to: A shy boy.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

10. To become more self-confident

You possess a character that reveals your true self when nervous. Use your surroundings to your advantage and your efforts will be realized. Before considering what could go wrong, turn your gaze instead to what you can achieve. It’s all right! Your confidence will most certainly bloom before you.

A hint to help you fulfill your wish: Stretch your back and take a walk.

Your lucky item: An accessory made of beads.

Lucky destination: West-southwest.

The next person to reach out to: A man with dexterity.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

11. To be able to eat something delicious

Right now, you are someone surrounded by many other kind people. Your days are full of warmth. Meals that you spend with family and friends gives you a special form of enrichment and makes the meal taste even better. Be careful not to overeat, though!

A hint to help you fulfill your wish: Decorate the entrance to your home with flowers.

Your lucky item: A smartphone case.

Lucky destination: The East.

The next person to reach out to: Someone who is good at talking.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

12. To have success at work

You have a lot of ambition and a small dash of greed. You imagine the world in an entirely different way to anyone else, and are planting your own two feet firmly in the history of that world. The variety of your character is a treasure beyond any other. So long as you remember this you will most certainly arrive at your goal.

A hint to help you fulfill your wish: Take the time to imagine what your ideal perfect day after your wish has been granted looks like.

Your lucky item: A crossword puzzle.

Lucky destination: The West-Northwest.

The next person to reach out to: Someone who shares your hobbies.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

13. To have a wonderful encounter

Your heart overflows with purity and a glistening inquisitiveness. You receive even the most meager daily occurrence with your whole heart, and are absorbing the light and hope within the world. In the close future you will be blessed with a meeting that will pierce through your heart.

A hint to help you fulfill your wish: Take your favorite photographs or images and go for a walk.

Your lucky item: Fluffy slippers.

Lucky destination: North-Northwest.

The next person to reach out to: A quiet woman.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

14. To become the person who you dream of becoming

Right now you are certainly facing a turning point in your life. Just as a caterpillar becomes a butterfly, the time has come for you to be reborn into a new self. Your new self will be granted wings of freedom, and can reach wherever you may want to go.

A hint to help you fulfill your wish: Keep it in mind to raise the corners of your smile when you speak.

Your lucky item: A picture of the great outdoors.

Lucky destination: The North.

The next person to reach out to: A teacher from your school days.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

15. To obtain the object that you want

Right now your heart is as true and as free of impurity as that of a newborn child. If you take just one target within your sights, then you will most certainly achieve what you want. Rather than rush into things, first consider your issue in its entirety before moving forward.

A hint to help you fulfill your wish: Raise both hands towards the sun in the morning.

Your lucky item: Something with the scent of lavender.

Lucky destination: The Northwest.

The next person to reach out to: A boy who likes adventure.

‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎‎ ‎

16. To wish for all others’ wishes to be granted

Right now, your heart is as perfectly clear as a water fountain.You are able to conquer any hurdle, and are in possession of a strong spirit and enriched heart. You are blessed with an abundance of love. The thoughts of yourself and of your loved ones melt together, and it looks like there is a miracle waiting to occur in your close future.

A hint to help you fulfill your wish: Fold laundry with care.

Your lucky item: A pink ribbon.

Lucky destination: The Southeast.

The next person to reach out to: A female friend.

#fruits basket #nontweet

170 notes · View notes

gaygryffindorgal · 3 years

Photo

HPHM character profile

Identity

Name: Gael Romero

Gender: cis male

Age: Depends on the timeline

Birth Date: March 14, 1972 (Pisces)

Species: Human wizard

Blood Status: Pure-blood

Sexuality: Bi

Alignment: Lawful Evil

Nationality: British and Portuguese

Residence: London

Myer Briggs Personality Type: The Debater (ENTP)

The Mage

Wand: Elm, 11 inches, unicorn hair, slightly yielding

Misc Magical Abilities: legilimens

Boggart Form: His father.

Riddikulus Form: His father in ridiculous clothing slipping on something and not being able to get up.

Amortentia: (What do they smell like?) N/A

Amortentia: (What do they smell?) N/A

Patronus: A raven

Patronus Memory: Gael has trouble producing the patronus charm for a long time. Only after making genuine friends and learning to love and be loved, is he able to produce it.

Mirror of Erised: -

Specialized/Favourite Spells: The cruciatus curse, Gael is also adept at various fire/explosion spells.

Appearance

In-game Appearence:

Height: 5′9 (175cm)

Physique: Lean, muscular

Eye Colour: Brown

Hair Colour: Black

Skin Tone: Tan

Body Modifications: The dark mark for a while during the Second Wizarding War

Scarring: A scar where his dark mark used to be.

Inventory: Wand, books, a quill and ink at all times, reading glasses

Fashion:

Allegiances

Hogwarts House: Slytherin

Affiliations/Organizations: Slytherin house, Death Eaters (temporarily), The Order of Phoenix

Professions: Curator of Magical Artifacts

Hogwarts Information

Class Proficiencies:

Astronomy: E

Charms: O

DADA: O

Herbology: A

History of Magic: O

Potions: E

Transfiguration: O

Electives:

Arithmancy: E

The Study of Ancient Runes: E

Alchemy: O

Extra-Curricular: -

Favourite Professors: Septima Vector

Least Favourite Professors: -

Relationships

Father: Alistair Rookwood

Brother of Augustus Rookwood, Alistair was a prominent Death Eater, working in secret for Lord Voldemort in the Magical Law Enforcement department while his brother worked in the Department of Mysteries. He was killed during the First Wizarding War when his son was just a small child and thus never had a big role in Gael’s life.

Not much is known about Alistair’s life, except that he was a Slytherin with great ambition and little time for sentimentality or familial bonds.

Mother: Rebeca García Romero

Rebeca is a resourceful, ambitious witch who married into a prominent family very young. She is self-serving and wants power but loves her son fiercely. She never agreed with Voldemort or her husband in joining the Death Eaters. Eventually when she realized her son was in danger thanks to Alistair, she assassinated him, took control of his family’s finances, and moved away from the Rookwood ancestral home into London, disappearing with Gael. She also changed the family’s last name into Romero to keep low profile after Voldemort’s defeat.

Love Interests:

Colette Belrose by @gcldensnitch

Best Friend:

years 1-3: Barnaby

years 4-6: Kind of a loner

year 7-> Colette Belrose by @gcldensnitch

Rivals: Verna Malinda and her little posse

Enemy: R, The Order of Phoenix (temporarily), eventually Death Eaters

Dormmates: Barnaby Lee

Pets: An owl called Coco

Closest Canon Friends: Merula, Ismelda, Barnaby, Tulip

Closest MC Friends:

Colette Belrose @gcldensnitch

if you would like to be friends with Gael, hmu!

Background/History

Pre Hogwarts:

Gael and his parents lived at the Rookwood ancestral home in the English countryside for a few years after his birth. When the war got to be too much for his mother and she assassinated her husband, the remaining two family members fled to London to live in a lavish penthouse hidden from muggles and wizards alike.

Gael’s mother is very strict and expects him to excel at school, as well as other areas of life. They’re not by any means close and neither is their relationship very warm, but Rebeca would do anything to protect her son.

Hogwarts Years:

Gael is popular in school. He’s handsome, smart, and always up for finding loopholes in the school rules. He rarely gets in trouble because he has a knack for exploiting said loopholes and almost never getting caught. He has almost flawless academic record, but he’s not extremely interested in any after-school activities. In years 6 and 7 he garners quite the reputation as a player and kind of an asshole to be honest.

Order of the Phoenix / 2nd Wizarding War:

Gael works as a Curator of Magical artifacts for a while, trying to keep a low profile while times grow darker. He also grows closer to Colette Belrose and the two develop feelings for each other. However, the war breaks out in full force before it can really go anywhere.

Gael is recruited into the ranks of the Death Eaters at the outbreak of the Second Wizarding War. He only complies because Voldemort is threatening to hurt his mother. Like her, Gael is not interested in the blood purity agenda Voldemort advocates for, nor does he think that Voldemort would make a very good evil overlord. In fact, if Gael were interested in world dominion, he’s sure he’d be better at it than the self-proclaimed Dark Lord. This is not to say his power doesn’t terrify Gael, because it does.

Eventually he breaks ranks and reluctantly helps the Order of Phoenix.

Post-War: Gael feels immense guilt for his actions during the war and struggles greatly during the years after the war. However, he and Colette reconnect even after everything that happened, and slowly begin to mend their relationship.

Personality

Positive attributes: resourceful, ambitious, intelligent, observant, charming, witty, confident. Negative attributes: conceited, judgmental, cynical, liar, emotionally unstable, mean, even cruel to an extent.

#hphm #harry potter hogwarts mystery #jacob's sibling #hphm mc #gael romero #*mine

19 notes · View notes

thoughtsofanexcitedspacechild · 4 years

Text

Kataang: An In Depth Analysis

Hello again! I apologise for the inactivity. It’s been a busy month as far as school goes for me, so let’s just say I’m a lot busier solving chem equations and working on stuff for AP art. Don’t get me wrong though! These analysis and essay format posts are my favorite and I wish I could do them more often! Seriously, it’s the only thing that keeps me wanting to write! I’ve also decided that I’m going to make these little intro paragraphs separate to the actual essay, because while I’m at this, why not kill two birds with one stone and practice writing essays for my actual AP Lang. class? I mean I’m obviously not gonna turn them in or show them to my teacher, (unless this gets 1000 notes or more, in which case I’ll show this to her ;)) but this is a good way for me to work on formatting a thesis and developing arguments, all while doing and talking about something I love! Speaking of which, let’s dive right on into today’s topic; the much debated, and thoroughly analyzed ship: Kataang. (Buckle your seatbelts hotmen, because this is gonna be one hell of a sky bison ride) I got inspired by a creator on Tik Tok that I follow, Amanda Castrillo, to write this. Her username is @theamanda2d and I highly recommend you go check her out and give her a follow. A lot of the arguments in this are my own, but I also sourced a lot of information and arguments for Kataang from her series “a case for Kataang”, which I highly recommend you go watch. I’ll insert her quotes directly so you know exactly where her points are coming from as well as mention where I elaborated on a point she made but didn’t directly quote her. I’ll also be sourcing a lot of information from the show and including exact episodes and scenes that support my case. So without further ado, here is my *unofficial* case for Kataang.

In our lives, there’s usually one point at which most of us make a choice. That choice is to love someone. Yes, you heard me right. You make the choice to love someone. Of course, the feeling that most people know as love, but is really just sexual or romantic desires, tends to be confused with real love. Authentic love that comes from the choice to love someone. This kind of love persists through even through the darkest times. This kind of love truly does burn brightest in the dark.

It stems from a strong base of mutual understanding and friendship first, and doesn’t rely on a spark of passion to keep burning although it can fuel the flame that already burns strongly. There are many great examples of this kind of love, both in our own world and daily lives, but also in literature. One of the greatest examples of this, is the relationship explored between the fictional characters Aang and Katara from Avatar: the Last Airbender. (Oh, what? You don’t think Avatar is a legitimate form of literature? Pity, you must not have read my previous posts or even watched the show at all, because it IS.)

From the time I first watched the show, I was rooting for them to end up together. Right off the bat, Aang and Katara have this instant connection. Within the first episode, they already become friends, and not only that, they act as if they’ve been friends for years, almost like they were meant to meet each other. Aang finally getting together with Katara just feels right, but there’s more to their relationship than the feelings that Katara and Aang both experience and the feelings that we the audience feel seeing them together. Throughout the series we see them both make the choice to love each other, not only as lovers, but as friends too. Their relationship thrives, and we’re able to see them both grow as people and better themselves because of each other.

Firstly I want to address the counterargument that many people bring up and that is that Kataang, in and of itself, is one sided. Fans (often Zutara shippers. More in depth analysis on why this ship DOESN’T work out realistically to come) will argue that Kataang is forced and one sided, and that Katara doesn’t share Aang’s feelings. Although I can see where this is coming from from a first time viewer’s perspective, this argument can be extinguished by looking deeper at Katara’s actions and intentions towards Aang. We see them bond as friends very early on in the series, but the earliest hint at a romantic relationship actually shows up in season one episode four, when they go to Kiyoshi Island. Katara acts snarky and jealous when Aang gathers quite a fan club of little girls.

Nevertheless, when this fan club fails to stick around for Aang’s encounter with the unagi, Katara’s the one that’s there making sure he’s okay. (S1, Episode 4, The Warriors of Kiyoshi) This is ultimately foreshadowing for their relationship as a whole. Although his role as Avatar lands him many friends, and in this case fans, the only person that truly stays with him the whole time is Katara. She’s the one who shows up and has his best interests at heart. Most of her intentions are in fact platonic in this episode, but the hint of romance comes out when we see that Katara doesn’t like the idea of Aang with another girl.

After half way through season one, specifically the Fortune Teller episode, we do see that Katara does in fact have feelings for Aang, albeit complex ones. In this episode we see her pester Aunt Wu for information about her future husband and she’s informed that he’s a very powerful bender. She doesn’t consider Aang until Sokka mentions that it freaks him out how powerful of a bender Aang is while Aang protects and saves the village from it’s demise by an erupting volcano. Her hopes were set high on a muscley, extremely strong looking bender, and I’d like to imagine that before her realization, Katara was probably picturing someone more like Haru or even post redemption Zuko as her future husband. For the first time, that image is replaced by Aang, and she doesn’t mind it. (S1, Episode 14, The Fortune Teller) We see these new found feelings develop further in the Secret Tunnel episode, when Katara is finally forced to confront the romantic feelings that she’s pushed down while trying to sort them out. At this moment, Katara finally acknowledges her romantic feelings and attraction to Aang. (S2, Episode 2, The Cave of Two Lovers) The creators intentionally showed us the story of the two lovers for a reason. “Avatar is a very smart show,” says Amada Castrillo, Avatar fanatic and creator of the Tik Tok and youtube series “A Case for Kataang,” “and we’re never told or shown anything for no reason...A war was keeping them apart maybe not physically, but romantically.”

Later in the series during the season finale of season two we see her absolutely distraught when Aang nearly dies and she does everything in her power to save him. We see her almost break. Only when he wakes up does she feel better, and start to be happier again. She doesn’t care about anything else but making him feel better, and even when he does wake up, she still focuses mainly on healing him. Here we see Katara make the choice to love Aang both in sickness and in health. (S2, Episode 18, The Guru/The Crossroads of Destiny and S3, Episode 1, The Awakening) She of course would have done this for any member of team avatar, but the way in which she treats Aang when he’s nearly taken away from her points to the extreme love and affection that she carries for him every day. This happens multiple other times throughout the series, with many of the occurrences being in book three. When Zuko joins the Gaang, she flat out tells Zuko that if he were to hurt Aang, (not Sokka, not her, not Toph, but Aang specifically) she would personally see to his demise. (S3, Episode 11, The Western Air Temple, 23:30) (Some Points taken from, but not directly quoted from Amanda Castrillo’s “A case For Kataang Part Nine: Text and Subtext”) This is why the assumption that Kataang is one sided can be proven wrong.

Two other arguments stem from the previous argument, one being that Aang is a simp, and/or that Katara is a trophy. First of all, the later argument is easily disproved by the fact that Katara is not a prize to be won. “Katara is, and was never a prize for Aang,” says Castrillo, “And to say that she was, grossly mischaracterizes and undermines her as a character.” (Amanda Castrillo, (@theamanda2d) “A Case for Kataang: Chapter 2, Katara the trophy) Katara is shown multiple times throughout the series being able to speak up and defend herself without Aang’s, or anyone else’s help.

Aang, although viewed as a simp, is not. Yes he respects Katara, and all other women for that matter, but he doesn’t fawn over her. He allows her to defend and take care of herself. The definition of the word “simp” is the abbreviated term “simpleton”, meaning “a silly or foolish person.” Although Aang is silly at some points, he’s also not foolish. He’s a smart and capable individual that many fans fail to recognise as legitimate because of his innocence and softness. So no. Aang isn’t a simp that bases his entire self worth on his status with Katara.

Another point that must be acknowledged is the fact that Aang and Katara are actually complementary characters. Although many people would bring up the argument that Air and Water aren’t opposite elements, the type of bender they are doesn’t necessarily tend to point to the exact type of person they are. The creators aren’t dumb, and the characters in this franchise are so well developed, that there are many sub personalities in each type of bending, and all of them can be analyzed further than the type of element they bend. Judging a character solely by the element they can bend is like judging a person on the color of their skin or a book by it’s cover, and when diving deep into each of their personalities, we can see that their personalities are actually complementary. Katara is high strung and anxious while Aang is usually calm and collected. Aang is very good at regulating his emotions while Katara is not. This aspect extends further than their personalities as well. Katara grew up in a very family oriented and close family while Aang only had one parental figure in the form of Gyatzo and occasionally a few friends. Katara is also more grounded and a home body while if he could, Aang would probably continue to explore whatever corner of the earth that he could. (Some points taken, but not directly quoted from Amanda Castrillo (@theamanda2d), “A Case for Kataang: Chapter 10, Balance”)

Another thing that I found is that when looking at color theory, Aang’s signature orange toward the end of the series and Katara’s signature blue are actually complementary colors. I’d like to think that as Katara develops and explores her feelings for Aang, Aang’s color palette changes slightly. It goes from being red and yellow in the beginning when Katara didn’t know she had feelings quite yet, to eventually shifting to orange when we see her feelings start to fully become clear. I thought this was a super interesting detail and despite it being a bit far of a stretch, I think it must have been planned. If you consider the time when we see Katara start to develop feelings, it’s about the same time that Aang’s outfit choice shifts to orange. Of course, this piece of evidence is mostly based on my personal observation and knowledge of color theory, but it’s a detail that I personally found super compelling.

Kataang also works because of the extremely well executed communication and dialogue that happens between them. There are multiple different examples throughout the series and as their character’s develop, we’re able to see a beautifully efficient and respectful form of communication between them. We see Aang clearly express his feelings of anxiety to Katara, and in return, Katara is able to help him and offer advice on what he’s feeling. Katara also is able to confide in Aang in return and oftentimes he’s the one that she’s most comfortable being vulnerable in front of. We see her almost mother Aang alongside Sokka in the first season, but her relationship with him changes and shifts to one where both her and Aang feel comfortable and contribute and receive equal care from each other.

One issue in particular also comes to mind when talking about this ship, and that is the issue of boundaries. Counter arguments against Kataang often bring up one scene in particular, specifically in the Ember island players episode about halfway through when Katara confronts Aang on the balcony. (S3, episode 15, the Ember Island Players) Episode Aang is understandably upset with the way that he and specifically he and Katara’s relationship is portrayed in the play. He obviously has feelings for her and at that point we know that Katara also has feelings from a few episodes prior when they kiss before the invasion. That kiss was mutual, and she kissed him back, meaning that from that point on, both of their feelings towards each other are very clear. The night of the play on the balcony, Aang does cross a boundary that had been established. The kiss before the invasion made sense, and Katara didn’t do anything to stop him from doing it, and Aang had her consent in this case. Aang’s kiss on the balcony was a mistake, and in this case it was uncalled for, but many people misread Katara’s feelings of confusion. When Katara mentions being confused, she’s not saying she’s confused about her feelings for Aang. Since season one, we’ve seen her show multiple forms of affection towards Aang, and not only that, she was usually the one initiating the many hugs, cheek kisses, etc.

She’s not confused about how she feels about Aang. She’s confused about the timing and if it’s a good idea or not. (Some points taken from, but not directly quoted from, Amanda Castrillo (@theamanda2d) “A Case for Kataang Part 7: The Camelephant in the room)

Regarding the consent for the kiss, yes. That was Aang’s mistake. He’s human, and he did mess up there. But his intentions weren’t meant to harm anyone. He, like so many of us watching at home, read Katara’s confusion to be about him, and wanted to see what she really felt. Afterwards, he knows he messed up, and feels bad about it. “...[Aang’s] very self aware. He knows how he feels about Katara, and he’s said it multiple times...Aang is human. He f***s up. He says the wrong thing. He makes mistakes. And he was just as confused as Katara at this moment.” (Amanda Castrillo, (@theamanda2d) “A Case for Kataang Part Seven: The Camelephant in the room)

Lasty, I want to acknowledge the visual and audio parallels portrayed in the show and how they can effectively work towards supporting Kataang. If you observe the angles at which characters are shown as well as the framing, it visually sets up and can represent how two characters feel about one another. First let’s consider the framing of a scene from the very first episode after Katara breaks Aang out from the ice. Aang is lying down and katara is directly positioned above him. When he wakes up from being trapped in an iceberg for 100 years, her face is the first that he sees.

This positioning and framing is shown multiple more times throughout the series, establishing their strong connection. So is this one:

(For a better visual reference please see Amanda Castrillo’s video “A Case for Kataang Part Four: Parallels) “Its built up and set up for us time and time again. Their interactions aren’t framed like that for no reason. Scene framing matters.” (Amanda Castrillo, “A case for Kataang Part Four: Parallels.”

There’s also the fact of the score and what specific music points to what character or what mood the creators were trying to enforce with the music. Avatar’s score is genius and every song and note was hand crafted to set the tone for each scene and help explain what’s happening. (This is one of the many reasons Avatar would translate well to be a musical or even a ballet. Post/informal rant on this later to come.) There are many great examples, like how Azula is represented by a clash of chords, (To quote my previous post: “I love how Azula is just represented by a pair of clashing chords and when you hear it you know that she’s about to f*** s*** up.”) or that Aang has a lively flute melody that plays when he gets really happy/excited, but perhaps the best example of the use of music in the franchise is the use of the “Avatar’s Love Theme.” It’s my personal favorite song from the show, and it’s used extremely effectively and efficiently throughout the show to provide a very specific and recognisable feeling: romantic love. When you hear it play, Aang is ALWAYS with Katara. Go back and listen to the times where it plays, and it’s always when he and Katara share a special moment together. We only hear part of the melody for the majority of the series, but in the final episode, right towards the end when Aang and Katara are left alone on the balcony looking above the city by themselves, we hear it play again, and this time, we hear all of it. The kiss between them also happens right at the crescendo and peak of the music, emphasizing and establishing that Aang and Katara are officially canon. The music plays a huge part in this story, and all musical elements as well as visual point to Aang and Katara being a team, and not just that, but a romantic couple.

In conclusion, Aang and Katara are a couple that was meant to happen. Throughout the series, their love is shown through their undeniable chemistry, complementary characters and personality, and the visual and musical elements set up for us within the show. Aang and Katara love eachother very much, and although their feelings were often being confused by looming threats to their lives or tainted by the war they were both fighting, in the end they’re able to fully and completely allow themselves to love each other. Despite their romantic love, they are ultimately friends before they are lovers, and don’t rely on a spark of passion to be able to keep their love for one another burning. They love each other wholly and in so many different ways, and that my friends, is why Kataang works and will always work.

#avatar: tla #kataang #katara #aang #atla

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zodiactalks · 4 years

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Pisces Personality Traits (21 SECRETS)

Pisces, at times appear like they are aliens on earth but have you ever thought about the character traits that make Pisces so unique?

If you happen to be a Pisces you may have been considered as a brilliant person or someone who acts with absolute silliness. Let’s look at the personality of a Pisces so that we can have a true picture of exactly what makes a Pisces.

So, I am going to talk about 21 personality secrets that you are likely to observe from the Pisces.

1. Pisces are caring, compassionate and are willing to make huge sacrifices for others

The Pisces has an inborn desire to help others in the society and go to great lengths to ensure their comfort. They have an amazingly good heart that allows them to give and help others in a selfless manner.

2. Pisces know how to make people be on their best behaviour

People like associating with Pisces due to their positive attitude that motivates people to become the best they can be.

3. Pisces appreciate people with inner beauty rather than outside appearances

Pisces know how to distinguish superficial and genuine characters traits of a person. They take time to get to know someone so that they can learn what kind of person they really are.

4. Pisces rely on their intuition and instincts when making decisions

Pisces trust their gut instincts to help them in various situations in their life. The power of their instincts helps them to avoid disastrous situations.

5. Pisces are selective when it comes to identifying friends

Pisces only keeps friends who add meaning to their life and avoid life-sucking friendships. They are quick to ditch friends who drain them emotionally and keep only real friends.

6. Pisces is a wishful thinker and enthusiastic dreamer

Pisces lives in a world of fantasy and use impractical ideas as diversions of real-life problems.

They aim at breaking every rule in the book and do things in a different way.

7. Pisces are too trusting in love relationships and hopeless romantics

Pisces put all they’ve got into a love relationship. When they enter the dating game, they are prepared to go out of the way to make their partners feel special.

8. Pisces can be difficult to describe or characterize since they are enigmatic

Pisces has traits that are extremely difficult to define. Their puzzling personality is confusing to some people who are left in total awe of what is happening to them.

9. Pisces have highly sensitive personal traits

Pisces feel their emotions deeply, and these involve both negative and positive emotions. Their feelings can change rapidly and can move from a depressed state to happiness very fast.

10. Pisces know how to get in touch with their spirituality

Pisces are keen on ensuring they are growing spiritually which helps to establish a strong bond with the world.

They are always reflecting and meditating to develop a healthy mind.

11. Pisces have a talent of figuring out a person’s hidden intentions

Pisces instincts can easily notice when a person is hiding their true intentions. They observe body language and unusual behaviour in people to find out the real intentions of others.

12. Pisces are super flexible and can form friendly relationships with people from diverse backgrounds

Pisces has the ability to adapt to different situations. They respect the beliefs and interests of others, and this allows them to build excellent interpersonal relationships.

13. Pieces are amazingly big hearted and charitable

Pisces has a heart of gold and always willing to help others by sharing what they’ve got. They are not the least bit stingy to those who deserve help.

14. Pisces can blow hot and cold on issues at times

Pieces are sometimes torn between several choices and can keep changing their attitude towards something. Their indecisive personality lengths their decision-making process.

15. Pisces is afraid of facing rejection and living with loneliness

Pisces yearn for intimacy and they have a powerful thirst for deep connections and meaningful relationships. However, they struggle to find love due to their fear of rejection.

16. Pisces has natural creative and artistic skills

Pisces has a creative personality that allows them to stretch out their minds to come up with original ideas. They also have artistic skills that allow them to create fine works of arts such as sculptures, music compositions and paintings.

17. Pieces like to get away from all the hustle and bustle of life sometimes

Pisces takes a break when they feel that they need time away from everyone and everything. They use this time to relax and recharge their body and brain.

18. Pisces value open and genuine individuals

Pisces tend to value sincere people and think poorly of those whom they feel are trying too hard to impress.

They trust and respect genuine people who are always ready to speak their mind.

19. Pisces fall in love harder and faster

When they meet a partner they are compatible with, Pisces fall in love so damn hard and transform into a gushing love-sick mess. They become fully dedicated and committed to their lover and relationship.

20. Pisces has the determination to emerge a winner in anything

Pisces have a competitive side and are always putting their best leg forward to beat challenges. Sometimes their modest manner can lead you to underrate them since they can easily defeat you.

21. Pisces natural instincts enlighten them when one of their own is in need of support

Pisces are sensitive to other people’s needs and can unconsciously know when a family member or friend needs their help. They are extremely compassionate and empathetic towards their friends.

#zodiac talks #Zodiac #Zodiac Signs #zodiacsigns #pisces zodiac sign #pisces facts #pisces zodiac #Pisces traits #Pisces #astrology facts #astrology signs #Astrology #horoscope #pisces horoscope

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thetorchwoodnineroleplayerwriter · 4 years

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Popular!Luz AU concept post

This au concept is something me, @crispyclown , and @molotov-does-stuff worked out together on @pastatiger ‘s TOH discord.

The basic concept is “what if Luz never did become friends with Willow and actually did become popular” based on an offhanded comment from boscha in ‘Understanding Willow’ that went to the effect of “that human could have been popular if she wasn’t hanging out with Willow”.

Here’s all the headcanons we’ve all put together:

Timeline:

1) 'teenage abomination' never happens. Luz just has a boring day and becomes vaguely aware of Hexside.

2) during ’Covention’, Amity and Luz meet for the first time. They don’t hit it off but they don’t not hit it off either. After the Lilith speech, Amity still steps on King’s cupcake, but it’s completely by accident. Amity tries to ‘keep up appearances as a Blight’ and ends up accidentally insulting Luz and King while attempting to apologize. Luz ultimately still has the “Bog of Immediate Regret” line, but Amity doesn’t really care one way or the other, so she nearly says ‘you read Azura too?!’ Before instead accepting. Amity and Luz’s bet is pretty low stakes — Amity apologizes to king if she loses, Luz apologizes to Amity if she loses, maybe? But Eda and Lillith get waaaay into the bet and both sides cheat as canon. Amity still breaks down when the construction glyph is revealed, but Luz formally concedes anyways (with low stakes she doesn’t have any serious need to win, and she still would rather be this girl’s friend than her enemy), citing their own relative skill levels, before going and talking to Amity. Amity is still DISTRAUGHT about the whole ordeal, but she and Luz have a much more in-depth heart-to-heart, where Luz explains what she did, tells Amity how cool Luz thinks she is, and manages to tell her the “I’m not a witch, but… I’m training to be one“ line. Amity leaves Luz with the line, ‘they say humans can't learn any magic. But... I don't think that's going to stop you.' And… they’re, maybe friends? Unclear friends? Probably just acquaintances but the point is its nonnegative relationship development.

3) ‘Hooty's Moving Hassle' is removed.

4) in ‘Lost in Language’, Luz is still a little over-friendly with Amity (Amity respects her for serious but also She Has A Reputation, Luz) when they meet in the library. Luz still gets sucked in to the twins’ chaotic energy, and Luz still thinks hanging out with them will somehow translate to brownie points with Amity. When Amity walks in on them in the secret room, she’s much more visibly and viscerally betrayed by (what she thinks) Luz did. However after saving themselves from evil Otabin, Luz does convince her the twins tricked her, they book trade as canon, Amity actually clearly thinks of Luz as a friend at the end of it all.

5) the moonlight conjuration incident happens after the library incident. Amity spins a BS story about Luz being a skilled witch to her parents and invites her to the conjuring. While initially their conjuring goes as canon (ie nowhere), Luz turns it to a regular party with Boscha, Skara, Amity, and herself. (and Cat, i think? Whoever their canon fourth was, she’s still here.) Eventually they try again, and since (in this au) the conjuring's power == your conjuring group's friendship's strength, and everyone here is at least somewhat friends with luz now, they do manage to animate a few things.

6) at some point here, Luz, Boscha, and Skara team up for a pickup game of grudgeby, and Luz learns the fireball glyph.

7) During ‘Once Upon a Swap', both Skara and Boscha notice how out of character King!Luz is acting. They can admit King!Luz is being cool, if a lil dorky, but they have an out-of-character moment where Boscha tries to ask 'Luz' if she's okay. King doesn't get it, but the others walk in on it so Boscha resumes acting like a challenged alpha bitch. (Luz eventually explains to Skara what was goin on that day. Luz ‘conveniently’ never got the chance to clue Boscha in.)

8) at some point around here, Luz manages to get Eda to enroll her in Hexside.

9) 'adventures in the elements' is changed bc Luz does know two glyphs. However, She and Amity want to hang out some more and Amity thought Luz's fire glyph could help her learn the fireball spell, so they still go to the knee together (with Eda, Emira, and Edric as terrible excuses for chaperones.) Luz learns the ice spell under Eda’s somewhat hands-off tutelage, possibly after accidentally angering the Slitherbeast as in canon.

10) In ‘First Day', Boscha is looking forward to finally getting a read on this girl who wormed her way straight into Amity's heart. (she's not jealous. nuhuh. not even a little. YOU’RE jealous!) Luz still immediately gets Detention'd, tho, but this time Amity and Boscha show up to bust her out unprompted, leading to a VERY awkward moment where Viney (and Jerbo and Barcus) refuse to trust Luz on the basis that Boscha and Amity are her friends, and both of them are notorious jerks who would ABSOLUTELY bully the DT kids. Amity has to duck out for her performance tho. the episode concludes as canon.

11) we get an extended time where we see how Luz easily makes friends with almost everyone at Hexside. She's friend-shaped and she gets a HUGE popularity boost for being honest friends with Skara and Amity. (she gets rancid vibes from Boscha when they’re at school together, but she can't put her finger on *why*. and besides, Boscha calls Luz her friend too, so that probably counts.) during this time Luz meets Gus, who is one of E&E's classmates. Gus can have an episode, as a treat.

12) Luz finally meets Willow, and gets slapped in the face HARD with confirmation that Amity and Boscha are kind of massive assholes. Luz tries to befriend Willow, but Willow refuses to trust her due to how often Boscha, Amity, and the rest of the popular girls who make up most of Luz’s closer friend group have bullied her.

13) Luz tries to get Boscha to take it down a notch. Boscha takes it up a notch. Luz tries to get Amity to help, Amity asks why it matters — it’s just ‘half a witch willow’, no one cares. Luz realizes, awkwardly (and probably with the assistance of Jerbo and/or Barcus), that while she currently has a lot a friends and is popular, if she defends Willow from Boscha’s bullying she’ll lose a lot of her popularity. Luz kind of has a small breakdown over this, because she doesn’t want to risk friends here when in the human world she has so few, but at the same time, she has Principles! She can’t just ignore this! As one of her schemes to help Willow without going against Boscha directly, Luz manages to get Willow transferred out of Abominations, although Willow is kinda annoyed by this since even though she’s in plant track she feels a stranger. (This alienation eventually goes away, but not before…) 

14) Luz snaps and punches Boscha in the face one day for bullying Willow once too many times. Boscha gets PISSED and Luz is NOT BACKING DOWN, even though she’s scared. Boscha basically exiles Luz from the friend group, which has the added effect of making almost all of Luz’s friends stop talking to her, most painfully Skara and Amity. Willow starts to tolerate her, but only barely. (Gus is still Luz’s friend tho. In fact, Gus, the DT kids, and E&E Are the only Hexside students at this point who’ll be caught dead with Luz.) 

15) ‘Understanding Willow’ Is changed; Luz catches Amity burning up Willow’s memories. However, since Amity, Luz, and Willow are distinctly *not* talking to each other, the quest to save Willow’s mind is *much* more tense. Luz keeps taking potshots at Amity for abandoning the both of them, Inner Willow hates both of them, and Amity is trying desperately not to have fun with people who hate her and also trying desperately to defend her actions. Amity still reveals the same secret of the day she stopped being Willow’s friend; Luz, meanwhile, reveals some bad memories of her own human school that make it very obvious how much the chance to be popular meant to her and how she genuinely empathizes with Willow’s whole situation. Ultimately ends with a bit of a tense moment between the three where they admit they’re not friends yet… but at the very least they’re all willing to be friends, now.

16) We get some time watching Luz slowly re-making her friends throughout the school, as people decide they really do like Willow and Luz as people and they’re kinda tired of Boscha been an alpha bitch. Maybe spliced with Willow & Luz & Amity hangin out, being friendly, or with Boscha been salty and Skara et al. being here by obligation even though they *clearly* wanna hang out with Luz some more.

17) ‘Wing It Like Witches’ happens largely beat for beat here. Boscha attempts to re-assert social dominance, Luz invokes the sacred rites of a game of grubby with a bet, Luz tries to get Willow and Gus in for it but Gus can’t and Willow won’t; Amity talks Willow into forming a 3 person team with her. Extra angst from the fact that Boscha and Luz did actually have some bonding over being on the same team on an earlier grubby game.

18) Grom happens now, largely as canon. When preparing Luz for the main fight, Amity theorizes (incorrectly) that Luz’s greatest fear is losing her friends on the boiling isles; Luz goes along with it, because ‘I already faced that fear once this year, it’ll be a cinch’. Grom tries it but it doesn’t work, but then from turns into her mom. (We see Amity nearly cry from Grom turning into her, but realizes what’s going on, and then has a massive blush from being called ‘her’ Amity. Skara rolls her eyes, bc she’s been clued in. Boscha is deliberately not caring.)

20) Boscha eventually gets to the point where she decides to apologize to Willow. She starts with a BS ‘lol sry’ approach, ends with a record-scratch-sudden rant where Boscha really does break it — and herself — down in honest apology. Some of the bad attempts are played for comedy, this one played completely straight.

Miscellanious other elements:

Unrequited Boschamity / exes Boschamity, boscha has cool banter with her friends (mildly platonic boschluz banter, snarky boschamity banter, member boschkara banter, etc), Boscha being really jealous of Luz, Everyone — EVERYONE — pines at Skara, Luz also pines at willow eventually, BOSCHA ACTUALLY GETS A REDEMPTION ARC AND ITS WELL WRITTEN AND NO ITS NOT IN SERVICE OF A SHIP, Boscha::Azula Amity::Zuko wrt redemption arcs, Boscha joins the inevitable rebellion as one of those ‘everyone in public thinks I’m an enemy of the rebellion so I can help them out real nice in the DL’ people, and yes we ARE overthrowing the government at some point in this au just not right now, right now we’re having ANGST and LUMITY, boscha is actually very nice to her friends when she wants to be she just usually doesn’t feel like she Should Be Vulnerable, any episode that’s just ‘Luz With Willow And/or Gus doing Hijinks’ (ex ‘Really Small Problems’, ‘Something Ventured, Someone Framed’) that hasn’t already been mapped to an event in this timeline is skipped completely, yes that means Mathholomule successfully becomes president of the human club, none of this aus cast is actually friends with him tho don’t worry, Edric has been quietly dating Jerbo for a while now but his sisters don’t know, Emira is a disaster lesbian for Viney and the teasing is relentless, Emira is a terminal prankster with a maladapted sense of boundaries as a result of her parents, this is a point of contention for her courtship of Viney who can and will go OFF on her for crossing the line and not feeling guilty, Edric is very aware of boundaries but he also finds looking to her for direction gets him in trouble the least at home so he just feels terrible afterwards and tries to get Emira to tone it down and/or apologize, basically the library incident was her idea in this au and he went along with it because of blight child optics stuff, Luz’s memory may out Luz to Willow and Amity, Willow and Amity absolutely say ‘gay rights’, in fact the entire isle says ‘gay rights’, this au tricks you into thinking ‘oh easy lumity’ but then Willow comes in like a wrecking ball, during that murky period when Luz’s friends all hate her bc she punched boscha all the people still willing to talk to her get friendly REAL fast, yes that includes willow and amity once they all stop hating each other, nobody lets Amity live down “Oh, wow,,, sports” except Luz who didn’t get it, Everyone has a song assigned to them at the sleepover, Luz’s is Bad Reputation, Skara’s is Caramelldansen, Boscha’s is Money Machine, Amity’s is Eminence Front because I say so

#the owl house #toh #toh luz #toh amity #toh skara #toh boscha #toh willow #toh au #feel free to use #but please tell us #also feel free to comment

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itsclydebitches · 4 years

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Enola Holmes: A Not So Elementary Adaptation

It's cliché and a bit unfair to say that the book was better than the film, but I'm afraid that's precisely where I need to start. Nancy Springer's Enola Holmes: The Case of the Missing Marquess is leagues better than Netflix's adaptation of it. They did her work dirty and to say that I'm shocked at the accolades other reviewers are heaping on the film is an understatement. Before I dive into any critiques though, it's worth acknowledging that not every minute of the two hour film was painful to get through. So what worked in Enola Holmes?

The film is carried by the talent of its cast, Millie Bobby Brown being the obvious heavy-hitter. She helps breathe life into a pretty terrible script and it's only a shame her talent is wasted on such a subpar character.

The idea to have Enola continually break the fourth wall, though edging into the realm of Dora the Explorer at times—"Do you have any ideas?"— was nevertheless a fun way to keep the audience looped into her thought process. Young viewers in particular might enjoy it as a way to make them feel like a part of the action and older viewers will note the Fleabag influence.

The cinematography is, perhaps, where most of my praise lies. The rapid cuts between past and present, rewinding as Enola thinks back to some pertinent detail, visualizing the cyphers with close ups on the letter tiles—all of it gave the film an upbeat, entertaining flair that almost made up for how bloated and meandering the plot was.

We got an equally upbeat soundtrack that helped to sell the action.

The overall experience was... fine. In the way a cobbled together, candy-coated, meant to be seen on a Friday night but we watched it Wednesday and then promptly forgot about it film is fine. I doubt Enola Holmes will be winning any awards, but it was a decently entertaining romp and really, does a Netflix film need to be anything more? If Enola was her own thing made entirely by Netflix's hands I wouldn't be writing this review. As it stands though, Enola is both an adaptation and the latest addition to one of the world’s most popular franchises. That's where the film fails: not as a fun diversion to take your mind off Covid-19, but as an adaptation of Springer's work and as a Sherlock Holmes story.

In short, Enola Holmes, though pretty to look at and entertaining in a predictable manner, still fails in five crucial areas:

1. Mycroft is Now a Mustache-Twirling Villain and Sherlock is No Longer Sherlock Holmes

This aspect is the least egregious because admittedly the film didn't pull this version of Mycroft out of thin air. As the head of the household he is indeed Enola's primary antagonist (outside of some kidnappers) and though he insists that he's doing all this for Enola's own good, he does get downright cruel at times:

He rolled his eyes. “Just like her mother,” he declared to the ceiling, and then he fixed upon me a stare so martyred, so condescending, that I froze rigid. In tones of sweetest reason he told me, “Enola, legally I hold complete charge over both your mother and you. I can, if I wish, lock you in your room until you become sensible, or take whatever other measures are necessary in order to achieve that desired result... You will do as I say" (Springer 69).

Mycroft's part is clear. He's the white, rich, powerful, able-bodied man who benefits from society's structure and thus would never think to change it. He does legally have charge over both Enola and Eudoria. He can do whatever he pleases to make them "sensible"... and that right there is the horror of it. Mycroft is a law-abiding man whose antagonism stems from doing precisely what he's allowed to do in a broken world. There are certainly elements of this in the Netflix adaptation, but that antagonism becomes so exaggerated that it's nearly laughable. Enola's governess (appointed by Mycroft) slaps her across the face the moment she speaks up. Mycroft screams at her in a carriage until she's cowering against the window. He takes her and throws her into a boarding school where everything is bleak and all the women dutifully follow instructions like hypnotized dolls. Enola Holmes ensures that we've lost all of Springer's nuance, notably the criticism of otherwise decent people who fall into the trap of doing the "right" (read: expected) thing. Despite her desire for freedom, in the novel Enola quickly realizes that she is not immune to society's standards:

"I thought he was younger.” Much younger, in his curled tresses and storybook suit. Twelve! Why, the boy should be wearing a sturdy woollen jacket and knickers, an Eton collar with a tie, and a decent manly haircut—

Thoughts, I realised, all too similar to those of my brother Sherlock upon meeting me (113-14).

She is precisely like her brothers, judging a boy for not looking and acting enough like a man just as they judged her for not looking and acting enough like a lady. The difference is that Enola has chaffed enough against those expectations to realize when she's falling prey to them, but the sympathetic link to her brothers remains. In the film, however, the conflict is no longer driven by fallible people doing what they think is best. Rather, it's made clear (in no uncertain terms) that these are just objectively bad people. Only villains hit someone like that. Only villains will scream at the top of their lungs until a young girl cries. Only villains roll their eyes at women's rights (a subplot that never existed in the novel). Springer writes Mycroft as a person, Netflix writes him as a cartoon, and the result is the loss of a nuanced message about what it means to enact change in a complicated world.

Which leaves us with Sherlock. Note that in the above passage he is the one who casts harsh judgement on Enola's outfit. Originally Mycroft took an interest in making Enola "sensible" and Sherlock— in true Holmes fashion—straddles a fine line between comfort and insult:

"Mycroft,” Sherlock intervened, “the girl's head, you'll observe, is rather small in proportion to her remarkably tall body. Let her alone. There is no use confusing and upsetting her when you'll find out for yourself soon enough'" (38).

***

"Could mean that she left impulsively and in haste, or it could reflect the innate untidiness of a woman's mind,” interrupted Sherlock. “Of what use is reason when it comes to the dealings of a woman, and very likely one in her dotage?" (43).

A large part of Enola's drive stems from proving to Sherlock, the world, and even herself that a small head does not mean lack of intelligence. His insults, couched in a misguided attempt to sooth, is what makes Sherlock a complex character and his broader sexism is what makes him a flawed character, not Superman in a tweed suit. Yet in the film Mycroft becomes the villain and Sherlock is his good brother foil. Rather than needing to acknowledge that Enola has a knack for deduction by reading the excellent questions she's asked about the case—because why give your characters any development?—he already adores and has complete faith in her, laughing that he too likes to draw caricatures to think. By the tree Sherlock remanences fondly about Enola's childhood where she demonstrated appropriately quirky preferences for a genius, things like not wearing trousers and keeping a pinecone for a pet. They have a clear connection that Mycroft could never understand, one based both in deduction and, it seems, being a halfway decent human being. We are told that Enola has Sherlock's wits, but poor Mycroft lucked out, despite the fact that up until this point the film has done nothing to demonstrate this supposed intelligence. (To say nothing of how canonically Mycroft's intellect rivals his brother's.) Enola falls to her knees and begs for Sherlock's help, saying that "For [Mycroft] I'm a nuisance, to you—" implying that they have a deep bond despite not having seen one another since Enola was a toddler. Indeed, at one point Enola challenges Lestrade to a Sherlock quiz filled with information presumably not found in the newspaper clippings she's saved of him, which begs the question of how she knows her brother so well when she hasn't seen him in a decade and he, in turn, walked right by her with no recognition. Truthfully, Lestrade should know Sherlock better. Through all this the sibling bond is used as a heavy-handed insistence that Enola is Sherlock's protégé, him leaving her with the advice that "Those kinds of mysteries are always the best to unpick” and straight up asking at one point if she’s solved the case. The plot has Enola gearing up to outwit her genius brother, which did not happen in the novel and is precisely why I loved it. Enola isn't out to be a master of deduction in her teens, she's a finder of lost people who uses a similar, but ultimately unique set of skills. She does things Sherlock can't because she is isn't Sherlock. They're not in competition, they're peers, yet the film fails to understand that, using Sherlock's good brother bonding to emphasize Enola's place as his protégé turned superior. He exists, peppered throughout the film, so that she can surpass him in the end.

You know what happens in the novel? Sherlock walks away from her, dismissive, and that's that.

That's also Sherlock Holmes. I won't bore you with complaints about Cavill being too handsome and Claflin being too thin for their respective parts, but I will draw the line at complete character assassination. Part of Sherlock's charm is that he's far more compassionate than he first appears, but that doesn't mean he would, at the drop of a telegram, become a doting older brother to a sister of all things. Despite the absurdity of the Doyle Estate's lawsuit against Netflix for making Sherlock an emotional man who respects women... they're right that this isn't their character. Oh, Sherlock is emotive, but it's in the form of excited exclamations over clues, or the occasional warm word towards Watson—someone he has known and lived with for many years. Sherlock respects women, though it's through those societal expectations. He'll offer them a seat, an ear, a handkerchief if they need one, and always the promise of help, but he then dismisses them with, "The fairer sex is your department, Watson." Springer successfully wrote Sherlock Holmes with a little sister, a man who will bark out a laugh at her caricature but still leave her to Mycroft's whims because he has his own life to tend to. This is a man who insists that the mind of a woman is inscrutable and thus must grapple with his shock at Enola's ability to cover the "salient points" of the case (58). Cavill's Sherlock is no Sherlock at all and though there's nothing wrong with updating a character for a modern audience (see: Elementary), I do question why Netflix strayed so far from Springer's work. The novel is, after all, their blueprint. She already managed the difficult task of writing an in-character Sherlock Holmes who remains approachable to both a modern audience and Enola herself, yet for some reason Netflix tossed that work aside.

2. Enola is "Special,” Not At All Like Other Girls

Allow me to paint you a picture. Enola Holmes is an empathetic, fourteen-year-old girl who, while bright, does not possess an intelligence worthy of note. No one is gasping as she deduces seemingly impossible things from the age of four, or admiring her knowledge of some obscure, appropriately impressive topic. Rather, Enola is a fairly normal girl with an abnormal upbringing, characterized by her patience and willingness to work. Deciphering the many hiding places where her mother stashed cash takes her weeks, requiring that Enola work through the night in secrecy while maintaining appearances during the day. She manages to hatch a plan of escape that demonstrates the thought she's put into it without testing the reader's suspension of disbelief. More than that, she uses the feminine tools at her disposal to give herself an edge: hiding her face behind a widow's veil and storing luggage in the bustle of her dress. Upon achieving freedom, her understanding of another lonely boy leads her to try and help him, resulting in a dangerous kidnapping wherein Enola acts as most fourteen-year-olds would, scared out of her mind with a few moments of bravery born of pure survival instinct. She and Tewksbury escape together, as friends, before Enola sets out on becoming the first scientific perditorian, a finder of lost people.

Sadly, this new Enola shares little resemblance with her novel counterpart. What Netflix seemingly fails to understand is that giving a character flaws makes them relatable and that someone who looks more like us is someone we can connect with. This Enola, simply put, is extraordinary. She's read all the books in the library, knows science, tennis, painting, archery, and a deadly form of Jujitsu (more on that below). In the novel Enola bemoans that she was never particularly good at cyphers and now must improve if she has any hope of reading what her mother left her. In the film she simply knows the answers, near instantaneously. Enola masters her travels, her disguises, and her deductions, all with barely a hitch. Though Enola doesn't have impressive detective skills yet, her memory is apparently photographic, allowing her to look back on a single glance into a room, years ago, and untangle precisely what her mother was planning. It's a BBC Sherlock-esque form of 'deduction' wherein there's no real thought involved, just an innate ability to recall a newspaper across the room with perfect clarity. The one thing Enola can't do well is ride a bike which, considering that in the novel she quite enjoys the activity, feels like a tacked on "flaw" that the film never has to have her grapple with.

More than simply expanding upon her skillset—because let’s be real, it’s not like Sherlock himself doesn’t have an impressive list of accomplishments. Even if Enola’s feelings of inadequacy are part of the point Springer was working to make—the film changes the core of her personality. I cannot stress enough that Enola is a sheltered fourteen-year-old who is devastated by the disappearance of her mother and terrified by the new world she's entered. That fear, uncertainty, and the numerous mistakes that come out of it is what allowed me to connect with Enola and go, "Yeah. I can see myself in her." Meanwhile, this new Enola is overwhelmingly confident, to the point where I felt like I was watching a child's fantasy of a strong woman rather than one who actually demonstrates strength by overcoming challenges. For example, contrast her meeting with Sherlock and Mycroft on the train platform with what we got in the film:

"And to my annoyance, I found myself trembling as I hopped off my bicycle. A strip of lace from my pantalets, confounded flimsy things, caught on the chain, tore loose, and dangled over my left boot.

Trying to tuck it up, I dropped my shawl.

This would not do. Taking a deep breath, leaving my shawl on my bicycle and my bicycle leaning against the station wall, I straightened and approached the two Londoners, not quite succeeding in holding my head high" (31-32).

***

"Well, if they did not desire the pleasure of my conversation, it was a good thing, as I stood mute and stupid... 'I don't know where she's gone,' I said, and to my own surprise—for I had not wept until that moment—I burst into tears" (34).

I'd ask where this frightened, fumbling Enola has gone, but it's clear that she never existed in the script to begin with. The film is chock-full of her being, to be frank, a badass. She gleefully beats up the bad guys in perfect form, no, "I froze, cowering, like a rabbit in a thicket" (164). This Enola always gets the last word in and never falters in her confident demeanor, no, "I wish I could say I swept with cold dignity out of the room, but the truth is, I tripped over my skirt and stumbled up the stairs" (70). Enola is the one, special girl in an entire school who can see how rigid and horrible these social expectations are, straining against them while all her lesser peers roll their eyes. That's how she's characterized: as "special," right from the get-go, and that eliminates any growth she might have experienced over the course of the film. More than that, it feels like a slap in the face to Springer's otherwise likeable, well-rounded character.

3. A Focus on Hollywood Action and Those Strong Female Characters

It never fails to amaze me how often Sherlock Holmes adaptations fail to remember that he is, at his core, an intellectual. Sure, there's the occasional story where Sherlock puts his boxing or singlestick skills to good use, and he did survive his encounter with Moriarty thanks to his own martial arts, but these moments are rarities across the canon. Pick up any Sherlock Holmes story, open to a random page, and you will find him sitting fireside to mule over a case, donning a disguise to observe the suspects, or combing through his many papers to find that one, necessary scrap of information. Sherlock Holmes is about deduction, a series of observations and conclusions based on logic. He's not an action hero. Nor is Enola, yet Netflix seems to be under the impression that no audience can survive a two hour film without something exploding.

I'd like to present a concise list of things that happened in the film that were, in my opinion, unnecessary:

Enola and Tewksbury throw themselves out of a moving train to miraculously land unharmed on the grass below.

Enola uses the science knowledge her mother gave her to ignite a whole room of gunpowder and explosives, resulting in a spectacle that somehow doesn't kill her pursuer.

Enola engages in a long shootout with her attacker, Tewksbury takes a shot straight to the chest, but survives because of a breastplate he only had a few seconds to put on and hide beneath his shirt. Then Enola succeeds in killing Burn Gorman's slimy character.

Enola beats up her attackers many, many times.

This right here is the worst change to her character. Enola is, plainly put, a "strong woman." Literally. She was trained from a young age to kick ass and now that's precisely what she'll do. Gone is the unprepared but brave girl who heads out onto the dangerous London streets in the hope of helping her mother and a young boy. What does this Enola have to fear? There's only one martial arts move she hasn't mastered yet and, don't worry, she gets it by the end of the film. Enola suffers from the Hollywood belief that strong women are defined solely as physically capable women and though there's nothing wrong with that on the surface, the archetype has become so prevalent that any deviation is seen as too weak—too princess-y—to be considered feminist. If you're not kicking ass and taking names then you can only be passive, right? Stuck in a tower somewhere and awaiting your prince. But what about me? I have no ability to flip someone over my shoulder and throw them into a wall. What about pacifists? What about the disabled? By continually claiming that this is what a "strong" woman looks like you eliminate a huge number of women from this pool. The women we are meant to uphold in this film—Enola, her Mother, and her Mother's friend from the teahouse—are all fighters of the physical variety, whereas the bad women like Mrs. Harris and her pupils are too cultured for self-defense. They're too feminine to be feminist. But feminism isn't about your ability to throw a punch. Enola's success now derives from being the most talented and the most violent in the room, rather than the most determined, smart, and empathetic. She threatens people and lunges at them, reminding others that she's perfectly capable of tying up a guy is she so chooses because "I know Jujitsu." Enola possesses a power that is just as fantastical as kissing a frog into a prince. In sixteen short years she has achieved what no real life woman ever will: the ability to go wherever she pleases and do whatever she wants without the threat of violence. Because Enola is the violence. While her attacker is attempting to drown her with somewhat horrific realism, Enola takes the time to wink at the audience before rearing back and bloodying his nose. After all, why would you think she was in any danger? Masters of Jujitsu with an uncanny ability to dodge bullets don't have anything to fear... unlike every woman watching this film.

It's certainly some kind of wish fulfillment, a fantasy to indulge in, but I personally preferred the original Enola who never had any Hollywood skills at her disposal yet still managed to come out on top. That's a character I can see myself in and want to see myself in given that the concept of non-violent strength is continually pushed to the wayside. Not to mention... that's a Sherlock Holmes story. Coming out on top through intellect and bravery alone is the entire point of the genre, so why Netflix felt the need to turn Enola into an action hero is beyond me.

4. Aging Up the Protagonists (and Giving Them an Eye-Rolling Romance)

The choice to age up our heroes is, arguably, the worst decision here. In the original novel Enola has just turned fourteen and Tewksbury is a child, twelve-years-old, though he looks even younger. It's a story for a younger audience staring appropriately young heroes, with the protagonists' status as children crucial to one of the overarching themes of the story: what does it really mean to strike out on your own and when are you ready for it? Adding two years to Enola's age is something I'm perfectly fine with. After all, the difference between fourteen and sixteen isn't that great and Brown herself is sixteen until February of 2021, so why not aim for realism and make her character the same? That's all reasonable and this is, indeed, an adaptation. No need to adhere to every detail of the text. What puzzles me though is why in the world they would take a terrified, sassy, compassionate twelve-year-old and turn him into a bumbling seventeen-year-old instead?

Ah yes. The romance.

In the same way that I fail to understand the assumption that a film needs over-the-top action to be entertaining, I likewise fail to understand the assumption that it needs a romance—and a heterosexual one to boot. There's something incredibly discomforting in watching a film that so loudly proclaim itself as feminist, yet it takes the strong friendship between two children and turns it into an incredibly awkward, hetero True Love story. Remember when Enola loudly proclaims that she doesn't want a husband? The film didn't, because an hour later she's stroking her hand over Tewksbury's while twirling her hair. Which isn't to say that women can't fall in love, or change their minds, just that it's disheartening to see a supposedly feminist film so completely fall into one of the biggest expectations for women, even today. Forget Enola running up to men and paying them for their clothes as an expression of freedom, is anyone going to acknowledge that narratively she’s still stuck living the life the men around her want? Find yourself a husband, Enola. The heavy implication is she did, just with Jujitsu rather than embroidery. Different method, same message, and that’s incredibly frustrating when this didn’t exist in the original story. “It's about freedom!” the film insists. So why didn't you give Enola the freedom to have a platonic adventure?

It's not even a good romance. Rather painful, really. When Tewksbury, after meeting her just once before, passionately says "I don't want to leave you, Enola" because her company is apparently more important than him staying alive, I literally laughed out loud. It's ridiculous and it's ridiculously precisely because it was shoe-horned into a story that didn't need it. More than simply saddling Enola with a bland love interest though, this leads to a number of unfortunate changes in the story's plot, both unnecessary additions and disappointing exclusions. Enola no longer meets Tewksbury after they've both been kidnapped (him for ransom and her for snooping into his case), but rather watches him cut himself out of a carpetbag on the train. I hope I don't have to explain which of these scenarios is more likely and, thus, more satisfying. Meeting Tewksbury on the train means that Enola gets to have a nighttime chat with him about precisely why he ran away. Thus, when she goes to his estate she no longer needs to deduce his hiding spot based on her own desires to have a place of her own, she just needs to recall that a very big branch nearly fell on him and behold, there that branch is. (The fact that the branch is a would-be murder weapon makes its convenient placement all the more eye-rolling.) Rather than involving herself in the case out of empathy for the family, Enola loudly proclaims that she wants nothing to do with Tewksbury and only reluctantly gets involved when it's clear his life is on the line. And that right there is another issue. In the novel there is no murderous plot in an attempt to keep reform bills from passing. Tewksbury is a child who, like Enola, ran away and quickly discovers that life with an overbearing mother isn't so bad when you've experienced London's dangerous streets. That's the emotional blow: Enola has no mother to go home to anymore and must press out onto those streets whether she's ready for it or not.

Perhaps the only redeeming change is giving Tewksbury an interest in flowers instead of ships. Regardless of how overly simplistic the feminist message is, it is a nice touch to give the guy a traditionally feminine hobby while Enola sharpens her knife. The fact that Enola learned that from her mother and Tewksbury learned botany from his father feels like a nudge at a far better film than Enola Holmes managed to be. For every shining moment of insight—the constraints of gendered hobbies, a black working class woman informing Sherlock that he can never understand what it means to lack power—the film gives us twenty minutes worth of frustrating stupidity. Such as how Enola doesn't seem to conceive of escaping from boarding school until Tewksbury appears to rescue her. She then proceeds to get carried around in a basket for a few minutes before going out the window... which she could have done on her own at any point, locked doors or no. But it seems that narrative consistency isn't worth more than Enola (somehow) leaving a caricature of Mrs. Harris and Mycroft behind. The film is clearly trying to promote a "Rah, rah, go, women, go!" message, but fails to understand that having Enola find a way out of the school herself would be more emotionally fulfilling than having her send a generic 'You're mean' message after the two men in her life—Sherlock and Tewksbury—remind her that she can, in fact, take action.

Which brings me to my biggest criticism and what I would argue is the film's greatest flaw. Reviewers and fans alike are hailing Enola Holmes as a feminist masterpiece and yes, to a certain extent it is. Feminist, that is, not a masterpiece. (5) But it's a hollow feminism. A fantasy feminism. A simple, exaggerated feminism that came out of a Feminism 101 PowerPoint. To quote Sherlock, let's review the salient points:

A woman cannot be the star of her own film without having a male love interest, even if this goes against everything the original novel stood for.

A feminist woman cannot also be selfish. Instead she must have a selfless drive to change the world with bombs.

The best kind of women are those who reject femininity as much as they can. They will wear boy's clothes whenever possible and snub their nose at something as useless as embroidery. Any woman who enjoys such skills or desires to become lady-like just hasn't realized the sort of prison she's in yet.

The best women also embody other masculine traits, like being able to take down men twice their size. Passive women will titter behind their hands. Active women will kick you in the balls. If you really want to be a strong woman, learn how to throw a decent punch.

Women are, above all, superior to men.

Yes, yes, I joke about it just as much as the next woman, but seeing it played fairly straight was a bit of an uncomfortable experience, even more-so during a gender revolution where stories like this leave trans, nonbinary, and genderqueer viewers out of the ideological loop. Enola goes on and on about what a "useless boy" Tewksbury is (though of course she must still be attracted to him) and her mother's teachings are filled with lessons about not listening to men. As established, Mycroft—and Lestrade—are the simplistically evil men Enola must circumvent, whereas Sherlock exists for her to gain victory over: "How did your sister get there first?" Enola supposedly has a strength that Tewksbury lacks— he's just "foolish"—and she shouts out such cringe-worthy lines as, "You're a man when I tell you you're a man!"

I get the message, I really do. As a teenager I probably would have loved it, but now I have to ask: aren't we past the image of men-hating feminists? Granted, the film never goes quite that far, but it gets close. We’ve got one woman who is ready to start blowing things up to achieve equality and another who revels in looking down on the men in her life. That’s been the framing for years, that feminists are cruel, dangerous people and Tewksbury making heart-eyes at Enola doesn’t instantly fix the echoes of that. There's a certain amount of justification for both characterizations—we have reached points in history where peaceful protests are no longer enough and Tewksbury is indeed a fool at times—but that nuance is entirely lost among the film's overall message of "Women rule, men drool." It feels like there’s a smart film hidden somewhere between the grandmother murdering to keep the status quo and Enola’s mother bombing for change, that balance existing in Enola herself who does the most for women by protecting Tewkesbury... but Enola Holmes is too busy juggling all the different films it wants to be to really hit on that message. It certainly doesn’t have time to say anything worthwhile about the fight it’s using as a backdrop. Enola gasps that "Mycroft is right. You are dangerous" when she finds her mother's bombs, but does she ever grapple with whether she supports violence on a large scale in the name of creating a better world? Does she work through this sudden revelation that she agrees with Mycroft about something crucial? Of course not. Enola just hugs her mom, asks Sherlock not to go after her, and the film leaves it at that.

The takeaway is less one of empowerment and more, ironically, of restriction. You can fight, but only via bombs and punches. It's okay to be a woman, provided you don't like too many feminine things. You can save the day, so long as there's a man at your side poised to marry you in the future. I felt like I was watching a pre-2000s script where "equality" means embracing the idea that you're "not like other girls" so that men will finally take you seriously. Because then you don't really feel like a woman to them anymore, do you? You're a martial arts loving, trouser-wearing, loud and brilliant individual who just happens to have long hair. You’re unique and, therefore, worthy of attention, unlike all those other girls.

That's some women's experiences, but far from all, and crucially I don't think this is the woman that Springer wrote in her novel.

The Case of the Missing Marquess is a feminist book. It gives us a flawed, brave, intelligent woman who sets out to help people and achieves just that, mostly through her own strength, but also with some help from the young boy she befriends. Her brothers are privileged, misguided men who she nevertheless cares for deeply and her mother finally puts herself first, leaving Enola to go and live with the Romani people. Everyone in Springer's book feels human, the women especially. Enola gets to tremble her way through scary decisions while still remaining brave. Her mother gets to be selfish while still remaining loving. They're far more than just women blessed with extraordinary talents who will take what they want by force. Springer's women? They don't have that Hollywood glamour. They're pretty ordinary, actually, despite the surface quirks. They’re like us and thus they must make use of what tools they have in order to change their own situations as well as the world. The fact that they still succeed feels very feminist to me, far more-so than granting your character the ability to flip a man into the ground and calling it a day.

Know that I watched Enola Holmes with a friend over Netflix Party and the repeated comment from us both was, "I'd rather be watching The Great Mouse Detective." Enola Holmes is by no means a horrible film. It has beauty, comedy, and a whole lot of heart, but it could have been leagues better given its source material and the talent of its cast. It’s a film that tries to do too much without having a firm grasp of its own message and, as a result, becomes a film mostly about missed potential. Which leads me right back to where I began: The book is better. Go read the book.

Images

Enola Holmes

Mycroft Holmes

Sherlock Holmes

Enola and her Mother Doing Archery

Enola and her Mother Fighting

Tewkesbury and Enola

#Sherlock Holmes #Enola Holmes #mymetas

33 notes · View notes

harringroveficlibrary · 4 years

Note

soulmate fic recs? been in strong mood for those and having a hard time finding some :) thanks!!!

sure thing :^) (under the cut because it got a bit long) -cade

Blood and Pain by Carerra_os (1/1 | 1,583 | Teen+)

Billy and Steve are soulmates, they don't find that out till they fight.

It kind of feels like being punched in the gut, seeing Nancy’s neat scrawl on the inside of Jonathan's arm, the exact same scrawl Steve saw on her bare arm just a few moments ago. Jonathan and Nancy both look guilty, at least, but it does not make it any easier. Steve thought she was safe, thought she was like him, that she did not have a soulmate, and it hurts, finding out different. Steve has always been good at ignoring though, at pushing down his own feelings and putting on a good face for others, and now is no different.

warnings: blood & injury, canon typical violence

Origin of Love by TaytheBae (1/1 | 4,168 | Teen+)

Billy Hargrove was an asshole. But it wasn’t his attitude that stopped Steve dead in his tracks during basketball practice two days after Billy’s arrival to Hawkins. They were playing shirts and skins, and without a care in the world, Billy ripped off his shirt. Along with revealing miles of tanned skin and firm muscles, Steve saw a faded red mark right above Billy’s navel that seemed to resemble the sun. While it wouldn’t seem unusual to anyone else, Steve couldn’t take his eyes away from the little red splotch. -

Steve never knew what the red sun-shaped mark right above his bellybutton was for. Not until he met Billy Hargrove.

Lips to Lips, Scars to Scars by lostnoise (1/1 | 7,491 | Mature)

From the soulmates prompt, #15: the one where every lie your soulmate tells you appears on your skin.

His parents have to sit him down and tell him what it means - not the words themselves, but what it means that they showed up at all on his skin. That there’s someone out there waiting for him. That he should pay attention to what kind of person his soulmate is.

Because only their lies will show up on his arm.

warnings: implied/referenced child abuse, temporary character death, period typical homophobia

Tall Tales and Fairy Rings by lostnoise (1/1 | 1,394 | General)

The Harrington Estate sits upon the edge of Hawkins Forest, acres and acres of wooded land. Steven, heir to Lord Harrington, is sixteen when he starts exploring the lands of his father and forefathers.

Growing up, he’s hears all the stories about the types of creatures, things, that live in the forest. He’s heard of kelpies living in streams and wayward ponds; he’s heard of trolls who stalk through the forest looking for their next meal; he’s even heard of werewolves, men who change at will, men who must change under the full moon, taking residence up in their forests.

Of all the creatures and tales Steven has been told, the very last he expects to find, at the base of the thickest tree at the very heart of the forest, is a fairy ring.

my baby lives in shades of blue by psychdelia (1/1 | 1,250 | Teen+)

Before blue, Steve's life was dull. Lifeless.

The Secret Voice of Hidden Love by Yikes_Writes (11/11 | 22,328 | Mature)

Steve's soulmate was good with words. Billy's soulmate was a beautiful artist.

In other words, a soulmate au where whatever is drawn on one soulmate, appears on the other. Plenty of mutual pining and the Steve & Barb friendship for the ages.

warnings: implied/referenced child abuse, underage drinking, & drug use

talk to me by lesbianferrissbueller (1/1 | 2,904 | Teen+)

/“On your 18th birthday, on your wrist will appear the first words your soulmate will ever say to you.”/

And they always say it like that: “will ever say.” Not has said. Because it’s practically unheard of that you would have met your soulmate- your literal twin flame or whatever- before that. Which is why, Steve is staring at the words on his wrist in absolute shock because either he’s heard this a million times or he’s heard it very specifically once and he doesn’t know which one it is.

/“Harrington, right?”/

Lit up like a match by nagdabbit (1/1 | 4,043 | General)

And then in swooped Lillian fucking Hargrove. Lillian with sun lightened curls and miles and miles of tanned skin. Lilly with a fight in her belly and a fire in her eyes. Billy with a mean right hook and permanent bruises that Steve was too late to identify. Billy who didn't seem to know soft or sweet or kind. Who didn't seem to know what to do with Steve, so she settled for hating him instead.

On a Friday night, in a Chicago dive, Steve meets a familiar face.

Keep me in your glow by nagdabbit (1/1 | 1,770 | General)

He was a face in a crowd, and usually he could remember that. Usually he could find comfort in that. That there was a whole world spinning on, and it didn’t revolve around him.

But some days, someone would go out of their way to let Billy know just what they thought of him. A stranger with a cruel, twisted face would come right up and spit insults and curses at him that left his hands shaking and eyes burning with a fear that he’d thought he’d left back in Hawkins

Sometimes people are dicks, and Steve makes it better by rambling.

Bruises by I_Will_Die_With_This_Ship (1/1 | 1,213 | Not Rated)

On their fifth birthday, a person would get something on them to indicate who their soulmate was. Be it a symbol, a name, an initial, or in Steve's case, a bruise.

warnings: creator chose not to use archive warnings, self harm

and they lived happily ever after by pratintraining (10/10 | 14,526 | Teen+)

Ever After Inc. was a small family-owned business that dealt in organizing and facilitating fairy tale Happily Ever Afters for their clients. Owned by the Harringtons, they've built a reputation for themselves over the years in using the tiny bit of magic they have to look at a person and put them in just the right place at the right time to make good things happen for them. Their most famous service was being able to unite soulmates. As their tagline said, "It's not chance, and it's not just fate. It's Ever After." (And then came the harp that started their trademark jingle.)

Steve gets hired to find a soulmate for Princess Nancy. He tries his best, and everything works out. Rated T for some swears.

let lips do what hands do by halfofmysoul (1/1 | 7,284 | General)

In a world where soulmates are rare and cause you to see in color, Billy and Steve collide on Venice Beach when they're nine years old.

warnings: graphic depictions of violence, domestic violence, homophobic language

We've All Got Bruises by deansangel_cas97 (1/1 | 2,296 | Not Rated)

Steve doesn't remember the first bruises. All he remembers is that one day he was fine, and then the next morning a bright purple and yellow bruise was blossoming on his chest and a small round one on his cheek.

warnings: creator chose not to use archive warnings (and judging by the summary id recommend proceeding w/caution if you’re easily triggered)

Open Book by tracy7307 (1/1 | 2,559 | Explicit)

When Steve was fifteen, he received a parchment, just like every fifteen-year-old did. It was about the size of a half a sheet of notebook paper, and he knew that if he pressed an inky thumbprint to it, it would reveal one simple word that would be associated heavily with his soulmate -- sometimes it was a name, sometimes an eye color, sometimes an important object to that person, or the first word they’d say to you. Sometimes there was no word at all, for those who were meant to be happiest with no romantic partner.

“Here goes nothin,” he said, and pressed his inked thumb to the parchment. His stomach swooped low and nervous as he waited for the word to form, terrified for several seconds that it might actually remain blank, but then a word appeared in faint ink and grew darker, eventually turned vivid and black in front of him.

CAMARO

If it Keeps on Rainin', Levee's Goin' to Break by shocked_into_shame (1/1 | 10,255 | Explicit)

In a world where soulmates only know they are soulmates until they kiss and the bond is sealed, Steve is afraid that he's never going to meet his missing piece.

And there's no way in hell that Billy - who makes Steve's blood boil day in and day out - could possibly be that missing piece.

No way.

[a soulmate AU]

i wanna be (the place you call home) by wickedlittleoz (1/1 | 2,213 | Mature)

But there were a lot of Steves in this world and Billy hardly thought he’d meet his soulmate in a shitty hole like Hawkins.

warnings: creator chose not to use archive warnings, implied/referenced suicide

My Heart Knew by LadyFrandrews (14/14 | 29,766 | Mature)

He knows his reputation isn't the best, but he's never messed around when it comes to his heart.

Before she died, his Ma spoke to him all the time about what having a soulmate meant. But he's seen what happens when your soulmate dies and he doesn't want his. Not if it means he's going to turn into his old man. Or try to make a pretend, happy family with someone else who's lost their soulmate too.

He was doing just fine until they uprooted and replanted themselves in Hawkins. His pendant never changed temperature until they got closer and closer to this shitty little town.

He absolutely ignored the prickling it caused underneath his skin the night at Tina's Halloween party. It's been months.

keep your heart open (i'll keep mine open too) by callunavulgari (1/1 | 7,915 | Explicit)

“Did you even like me before you found out I was your soulmate?” Billy murmurs as he kisses a line down Steve’s throat. It bobs a little under his lips as Steve swallows, and Billy can feel Steve’s fingers digging into his hips, but he isn’t pushing him away.

“I don’t even like you now,” Steve says, but it’s a little too breathless, a little too much of a lie. Billy looks at him, and presses a careful kiss to the bruise on Steve’s jaw.

Steve’s eyes are dark, and he isn’t pushing Billy away.

Billy bites down on Steve’s ear, murmurs into it, “Liar.”

warnings: child abuse, recreational drug use

You're ripped at every edge (but you're a masterpiece) by BarbarianBillyHargrove (1/1 | 4,445 | Teen+)

When Billy showed up on the Byer’s doorstep, Steve watched with a red haze as he contemplated what it meant. His first soul match had failed- or was on the way there. And his second appeared to be a mistake. He’d heard stories of one-sided soul bonds, they were messy and ended only with disaster. This is what Steve thought about when purple blended with red and he lost consciousness to his potential soulmate’s fists.

warnings: child abuse

The Undertow by Ceose (1/1 | 2,563 | General)

Billy is born with his mark.

warnings: character chose not to use archive warnings, off screen character suicide/death

The Sapling by flippyspoon (1/1 | 3,641 | Mature)

Billy's mark appears.

To The Edge by Greedy_Insanity (1/1 | 1,963 | Teen+)

When your soulmates last words are on your wrist, do you really want to meet your soulmate?

Or two teenage boys deny their love for each other, until they realize they can't.

warnings: creator chose not to use archive warnings

Love Me Rotten by Rebldomakr (1/1 | 1,084 | Mature)

Steve was born with a crudely drawn sun on the middle of his chest, Billy was born with a garland around his wrist.

#stranger things #harringrove #steve harrington #billy hargrove #soulmates #soulmate au

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punkscowardschampions · 3 years

Text

Mattie & Lulu & Dolly (mostly)

PlanityPlan: Okay, so we wanna get down what Mattie, Lulu and Dolly are like, that’s the main point

PlanityPlan: but then we wanna pinpoint the time of this reunion for their storyline together, so we can then say what Jay is up to, Beckett not really ‘cos he’s a child but we could also say what we wanna do with you eventually here because we are planning to use him but yes, kind of unrelated but not

PlanityPlan: So it’s like, individual story, what they’re like, the lives they’re living, and then the storyline we’ll do with them together

PlanityPlan: OKAY so Mattie doing an accelerated 2-year Maths and Computer Science degree at Greenwich (57, 58) and then her PGCE which takes a year and in this year you do 2 school placements, 2nd placement at the girl's new school after gay teacher drama in Surval, so this 2nd meeting after first failed attempt at contact, in 59

PlanityPlan: Basically, energy being, making contact before starting Uni and the twins are like nah and then we show up at their new school (accidentally) and the twins relationship has suffered so now we have an in

PlanityPlan: OKAY OKAY so Mattie reaches out Summer 57, she's about to start Uni, the twins are 14 and just finished year 10, 58 teacher stuff to happen and come out year 11, 59 we move to new school year 12, Mattie starts placement too

Junie B Jones: The school I found for the twins is called Surval Montreux in Montreux Switzerland and they’d have been going there from age 12 (and leaving at 19) it’s obviously an international school but there’s a heavy focus on French in lessons as obviously because English is usually a 2nd language, but don’t even worry ladies cos there is only a maximum of 10 girls (cos it’s only gals) in your classes and 60 in the entire school

Junie B Jones: worth noting the finishing school bit from 17-19 cos your mother would love that for you and you can share a room no problem as it’s usually 2 or 3 anyways

PlanityPlan: So, do we be evil and say they have to share with another poor gal?

PlanityPlan: ‘cos we could run with that

Junie B Jones: that poor girl requesting a transfer cos they are so odd hahaha but yeah I say there’s potential there even if it was only for a while like maybe it’s lowkey a version of how they put me and Trace in separate classes cos the teachers are like UM

PlanityPlan: I see that, forcing you to stay involved, ‘cos with 60 people you’d have to be all up in each other’s business, like you’re for sure meant to see the teachers as friends/fam too

Junie B Jones: the website was very culty and that energy

PlanityPlan: which brings me to my first idea ‘cos I think it works on many levels beyond being a cliche

PlanityPlan: Okay so, I thought it’d be interesting to have a secret between them ‘cos how hard it’d be to keep

PlanityPlan: and then I thought that it’d be hilarious karma if Dolly had an affair with a female teacher but we actually let it go there

PlanityPlan: ‘cos it’d be a massive scandal even your parents can’t ignore and the girl gives off some gay vibes and it’d be like, a thing they can’t share in if Lulu isn’t gay like we share a boyfriend but we’re not sharing this teacher moment

PlanityPlan: and it’d probably get you both kicked out so we can time it when we want it and Chloe would be fuming about this lesbianism lmao

PlanityPlan: so with the whole culty school like this would be NEWS ‘cos they’re tight with the teachers clearly so it’s like ARE THEY ALL BEING GROOMED lmao

Junie B Jones: Lulu gives off the straightest vibes EVER so I am down & also the vibe that she would love that culty school

PlanityPlan: right so not only have you kept a love affair and gay from me, you’ve also ruined our school moment, it’d really shake them and their weird twin energy to it’s core, which is the fun of it all obvs

Junie B Jones: I see now why you agreed to share a boyfriend hun, also the potential for her to have a gay awakening with the roommate so hitting all those cliches

PlanityPlan: right, I’m not being gross but it’s true that all-girls school girls experiment together, facts, like Lulu probably joined it with it too but it’s like oh you actually like girls for real

PlanityPlan: but if Dolly isn’t just then living her best gay life and is trying to get shit back to how it was, I think it makes it different

Junie B Jones: the tea and also it seems like the kind of school where a teacher would go there, especially if it’s a younger/artsy one like that film Cracks that Imogen Poots was in, soz Nancy but most teachers won’t

PlanityPlan: it’s a cliche with posh schools for a reason, the bond is closer by the fact there’s not 30 kids in a classroom, there’s more opportunity for it to happen because you have actual relationships with all your teachers, whereas in normal schools they barely know your name lol

Junie B Jones: gross but necessary question being how long do you see the relationship spanning in secret before the big reveal

PlanityPlan: it should probably be somewhere between enough that it’s an actual thing that happened and not like, it happened once, like the teacher probably thinks they’re gonna be together if she doesn’t go to jail lol, but not so long that it is like, how’d you not know

PlanityPlan: it’ll be fun to like, play out, see how long we feasibly could

PlanityPlan: and if Lulu finds out before EVERYONE finds out, then she has to decide what to do with this info for a bit too, which would also be good

Junie B Jones: I love that because the twin vibe is very much like oh we can read each other’s minds haha bitch you thought

Junie B Jones: totally can picture Lulu snitching on you ngl gal

PlanityPlan: accidentally fucking yourself over when they kick the lot of yas out, a mood

PlanityPlan: NEW CO-ED SCHOOL IN SURREY, STILL BOARDING

PlanityPlan: maybe Lulu does care more about school in general, but also specifically that school and being one of the girls forever

PlanityPlan: ‘cos then it’s gonna be hard to win her back when you end up in another school, with boys dundundun

Junie B Jones: she very much comes across like that to me, not only because she’s clearly the clingy controlling twin here but I think she clearly likes how small and family like this school is trying to be cos of how chaotic and lacking their home life is, she’s definitely scared of boys & navigating socialising with them without making a tit of herself because of how little dealings she’s had so it’s gonna be a SHOCK

Junie B Jones: dobbing her sister in because 1. You think the teacher will get sacked and it’ll be over 2. You think you can score some points back and stay in the school’s good books

PlanityPlan: It’s honestly sad how much sense it makes, like you really buy all in with the family vibes and then ya twin fucks it all up, rude

Junie B Jones: okay idk how plausible this is but remember in Wild Child aka the greatest film of all time that boy is like the headteacher’s son, what if the boyfriend (Danny Griffin is his IRL name but I’ll give you a french af one in character boy) they share is like the son of someone who works at the school (obvs he doesn’t go there but like he’d have to live nearby and generally loiter) which is part of the reason Lulu picks him cos all the girls would want to but also she could tell him something about this and he’s like UM you have to dob her in

PlanityPlan: I see that, they can’t all be spinsters like this is an enid, they’d have families and stuff, I can vibe it because again, a thing if there’s any male in the vicinity we all lose our minds lol

Junie B Jones: and like obvs that’s why she got with him but there’s potential for an actual relationship to form with this boy on some level if we want

PlanityPlan: Yes, maybe you actually like him, because clearly Dolly doesn’t, have him to yourself hun, but also then you’ll have to move so rude

PlanityPlan: Another reason to be fuming when you were the clingy twin before, role reversal

Junie B Jones: and another reason to not want to leave because I can’t imagine that your parents will move you to another school in Switzerland because it’s tiny and the scandal so literally in a different country

PlanityPlan: yeah, we’d probably move you to the uk like we’re going to be more involved like doubt that lads but you know

Junie B Jones: my thoughts exactly

PlanityPlan: so the question is do we want to do this before Mattie gets in contact or after

PlanityPlan: I’m leaning towards before so then 1. You’ve got a chance of getting in but 2. You can also help or not help them get on better terms, whatever we vibe

Junie B Jones: maybe when she first gets in contact it’s a secret still so we get the best of the both worlds, cos like you’re gonna get stonewalled then hun but when it all pops off you can be there

Junie B Jones: just cos I’m thinking if it’s all happened by the time they’re 16 that’s slightly drama but then again we’ve done worse lol

PlanityPlan: That’s a good idea, it makes the most of it for sure

PlanityPlan: I’m not sure what the age of consent is but that might affect how in deep shit this teacher gets

Junie B Jones: it’d be a way to show how their dynamic and relationship changes from a POV that isn’t just their own

PlanityPlan: for sure and then we can have the outcome be not just down to their new school and their parentals

Junie B Jones: poor Mattie getting way more drama than she expected

Junie B Jones: are you having her go to a UK uni because obviously relevant because this isn’t getting resolved in a summer hol

PlanityPlan: I’m kind of vibing no uni, honestly

PlanityPlan: because a lot of gen 4 do go and it isn’t the only option

Junie B Jones: love that for her tbh

PlanityPlan: So yeah, you’ll be around for sure

Junie B Jones: do you have a job/career in mind yet?

PlanityPlan: not really, like I see you being a bit lost in that sense, which is fine because you’ve got a lot in other respects and you’re looked after, but it’s definitely a vibe of not knowing what you want to do, but not just doing uni ‘cos as most people in that situ do, so you probably have lots of random jobs

Junie B Jones: that’s legit cos loads of people don’t know what they wanna do but don’t have the luxury of taking time to figure it out but she does & lowkey it doesn’t matter if she never does cos like you said she’s fine in a lot of other ways

PlanityPlan: like I won’t let you be insufferable with it and not work and just bum about but you’re just striking me as work-driven, which a lot of characters are again, so I’m not mad

Junie B Jones: I like it

PlanityPlan: So it’s just working out what your actual main motivation is, which I think could be tied into getting in contact with this fam

PlanityPlan: as we’re saying Jay doesn’t really want to, so it’s a difference there

PlanityPlan: and it’ll be good to have it not a total failure if you do make something with the twins but we know you won’t with Chloe so there’s the struggle with that

Junie B Jones: it pleases me because the obvious and cliche thing to do would be to have Jay be the one trying to do this as she actually has memories of and issues with Chlo whereas Mattie is basically Ava’s child

PlanityPlan: and I don’t think it resembles like, Edie’s feelings about Drew and Caleb etc either, it’s not like I NEED you to be my mum because you biologically are

PlanityPlan: it’s just lowkey a curiosity like, people can’t just vanish from our lives like that, like what are they doing, ‘cos you know their main house is still in London too, like it’s just like, why shouldn’t I look into this

Junie B Jones: agreed, it’s not coming from a place of having a deficit, she’s happy and has everything she needs in that sense, so it makes sense for her to only gain from it

PlanityPlan: and it is naive but that is how I vibe her being in a not really annoying way lol, not a jaded character though

PlanityPlan: and it will be shit when Chloe is Chloe but it won’t destroy her or anything it’s just like oh god, what is wrong with her though

Junie B Jones: and that’ll strengthen her relationship with Jay because she doesn’t wanna talk about all of that and you’ll get why in a way that you can’t unless you experience the crazy that is Chloe for yourself

PlanityPlan: exactly, like that can be a source of strain between you when you’re first deciding to do this

PlanityPlan: and you’d give Chloe a few chances ‘cos like I said you aren’t looking for a mum so you’d be trying to lowkey work it out and being empathetic so she’d probably actually love that ‘cos she’s a narcissist so it’d be a bit dicey

PlanityPlan: suddenly wants to tell you every drama in her life like poor me

Junie B Jones: how real

PlanityPlan: ‘cos you can think you’re like objective and just putting the mystery together but you’re gonna get dragged in, clearly

PlanityPlan: especially combine this with the twin drama which you do genuinely care about

Junie B Jones: mhmm, Lulu is gonna drag you in gal, not like she can bring these emotions and drama to her new school when it’s a scandal and this is supposed to be a fresh start

PlanityPlan: which is what you were warned about/one of the reasons we left it ‘til you were grown but you’ll have to work this all out, which will be good

PlanityPlan: ‘cos you can’t be dealing with your younger sister’s drama instead of living your own life but clearly at a point here we are ‘cos bit lost

Junie B Jones: you’re so clever boo, this is such a good idea that flows

PlanityPlan: heheh, I think it makes sense if you’ve had such a chill upbringing and the twins have not that this chaos can take over your life and drag you in

PlanityPlan: I’d like to think we all get to a healthy place gals but we’ll see tbh

PlanityPlan: as for who Dolly is… I think she never bought into the school as hard, like it’s probably better than home, not that we’d know, but we’re not like omg this is IT

PlanityPlan: same with the boyfriend clearly, none of it is as real but the twin bond is so like may as well until the gay drama comes along

PlanityPlan: but then that’s lowkey over before it’s begun so then we go into overdrive of trying to win her back

Junie B Jones: which Lulu is not having sis

PlanityPlan: like in reality we should accept our truth and start working on separate personalities but we’re like no no

Junie B Jones: potential for how far aka too far she can try and take winning her back, like that creepy book energy

PlanityPlan: deffo, like we’ll have to think of ways but if we’re going all-in on this, there isn’t reason not to

PlanityPlan: ‘cos we don’t care about school or whatever mum and dad are saying or doing

Junie B Jones: not gonna kill you off gal but oh the possibilities for danger cos lbr your grandparents can’t stop you either clearly

PlanityPlan: bless them they’re alright people but obvs a bit useless for all this to happen lmao

Junie B Jones: hence I vibe that Lulu totally walks all over/ has them wrapped around her little finger like Chloe did but more subtly because she has no nuance

PlanityPlan: deffo, oh lads

Junie B Jones: which is a shame when they could literally give you the family energy you want without need for a creepy cult school but hey, you’ve been taught to treat them like that

PlanityPlan: exactly

PlanityPlan: they should’ve lowkey took you in but we’re too posh for that and you’ll probably be fine right lmao

Junie B Jones: at least Dolly can stay with them when her parents are literally hate criming her

PlanityPlan: sad that you won’t ‘cos getting back in that closet so hard like will you forgive me if I’m straight and we’re still the same

Junie B Jones: it’s really sad like this isn’t sustainable huns and shouldn’t have been allowed to be a thing for this long

PlanityPlan: at least Mattie does have fresh enough eyes to be like, respectfully, maybe let’s not do this

Junie B Jones: just like Lulu don’t haze your sister thank you

PlanityPlan: right, I think this gives us energy to go on for all y’all

PlanityPlan: *** so the energy now is she can get more drawn in because she's literally there living at the school too, and after the placement, she's getting a permanent position at the school, so we can actually work through this together and have relationships etc etc

#gen 4 #mattie pemberton howard #dolly blossom farrington stone

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bellatrixobsessed1 · 4 years

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I think azula is the only villain (atla,lok) who doesn't have her own ideology

Yeah, I think so too. She kind of just follows her dad’s. Like she was literally indoctrinated. Like Ming, P’Li, and Ghazan kinda followed Zaheer but I feel as though they were a band of like minded people who bonded over beliefs they already had. Azula was raised on propaganda and to be an extension of her father’s will and I think that she had this very blind faith in he and the Fire Nation to the point where she never really developed ideologies and opinions of her own. She was exposed to only one POV and so she stuck with it. Sort of like someone who grew up in a strictly Christian family. This belief system was so ingrained on her and she never questioned it. And/or she was afraid to.

I have this headcanon that at one point Azula got curious and tried to research other nations and their cultures and that she even acquired some trinkets from the other three nations. But Ozai found them, destroyed them, and she got a lecture and punishment. After that she never tried again.

Like she’s a brilliant person, very clever and very efficient. But to a degree I think that she might have a bit of ignorance and it stems from that blind faith. And probably her age; she is portrayed as very mature (and she really kind of is) but there are just glimmers and fleeting moments, subtle aspects of her character, that demonstrate that she’s still just 14. And that she can very much act like it.

And honestly, no matter how smart and mature a child or teen is, they are still very impressionable. Especially to role models and Ozai is her (awful) role model. Like think of any celebrity crush. I’ve seen so many people on this site and offline admit to trying to act or dress like a celebrity they admire. Hell, I got into goth fashion and wearing corsets because a lot of my favorite singers wore them! Azula’s idol is her father, she looks up to him (also not uncommon for children and teens) and she tries to be like him. Or at the very least, behave in a manner that will please him. And this is canon; it is stated in her POV books that she tries not to disappoint him and that she wants to make him proud. Naturally this means that she adheres to his beliefs instead of forming her own.

This is just one more reason why I find it so sad to see people write her off as ‘just born evil.’ If you break it down, it really kind of stems down to a child who wants her father’s affections. But unfortunately her father is a ruthless asshole.

#Avatar The Last Airbender #Azula #Character Analysis #Azula Analysis

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guardmesherlock-rowan · 4 years

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So Enola Holmes... is... alright.

I definitely think I set myself up for disappointment by reading the first book however. Then again it wouldn’t be the first time a movie adaptation failed to live up to my expectations, and it didn’t wander off from the novel as much as other movies have (that I still haven’t forgiven).

This will contain some spoilers, and I’m still not sure if all my mental ducks are in a row. And if anyone who has read the rest of the books can explain some of the additions to the movie please do!

Rant below.

When it came time to watch the movie I thought I would make notes while I was watching it, stayed up till it released at 2am my time, got some popcorn and prepared. Though I honestly felt like I was not prepared for a nearly 2 hour movie. The set up for her family dynamic was off from the get go. Book wise, the issue was that her mother gave birth to Enola so late in her life that to others it was a scandal like how could this woman avoid having a child for so many years between Sherlock and Enola. The way the movie presents it, it’s no different than me not knowing my youngest sibling well because I went off to college when he was 4. It’s presented in the movie as the boys got busy in their own lives and never visited, and Mycroft had put an time limit over his mother’s head that she could live there until Enola became 16. To make him look like an even bigger jerk. In the book this was presented as an unfairness that Mycroft took ownership of the home after their father died due to being a male heir, but that he was still leaving the care of it to his mother. There was no threat of possible homelessness after a while.

Adding this detail where the guys simply moved on with their lives, and removal of this potential scandal, removed the fact that Enola’s mother told the guys not to come around. Which showed her mother plotting this escape for a long while, and now just shows how if the brothers had just spent more time with their family they would’ve realized what was happening. Also making it their fault they don’t have a relationship with Enola, and not her mother’s.

In the book Enola’s mom:

Left Enola alone to teach herself.

Left Enola alone most days so she could wander (she would bond over art)

Told Enola she was fine Alone, which can be a form of gas lighting when you combine the mother’s absentee behavior to the fact that

She told the boys not to come visit, creating a wall between her children

It’s highly understandable, being the only family Enola’s known, that it would be important to find her mother. But also why it wasn’t a big leap for Enola to start living on her own with the time came.

The only connection Enola had with her brother was through the articles about his cases. Which makes the cute scene with Lestrade later in the movie where they compare knowledge of Sherlock Holmes very odd. Adorable, but odd. Though Lestrade in this also has me a little ruffled with his henchmen like behavior later when he breaks down a door on a mission for Mycroft.

Mycroft deserved better, but at least he got to act like a shady government big brother character, it was entertaining.

They made comments about how Sherlock and Enola are more gifted than him. They also made comments about he was a jerk and cruel to Enola and their mom with what he said about them staying until Enola was 16. And I have a feeling they put in the finish school scenes so she could have the blow out with Mycroft as he brought her there. Which would of course also include a space where Enola could be semi-rescued by her now love interest, and give reasoning to Mycroft later washing his hands of her, despite his adamant belief that he is responsible for her.

Of course Mycroft’s reaction, Enola’s mother’s change of focus, and the new family dynamic set up for another change in Sherlock Holmes. Now we have the middle child who was not as cruel as his brother, but was still at fault for not visiting. But he remembered some things about Enola from the time they lived together that he would bring up to show he cared. Would even be used as ammunition against her mom in their last scene together. (though it is a fair not to be distracted by the far past kind of shut down instead of an accusation that her mother didn’t care)

Instead of being on the opposition of Enola, he seemed to be on her side. Even in the last moment where he tried to trick her into coming to see him, it didn’t seem completely malicious. He appeared to be proud of her when she beat him to solving the mystery, though he had not been active on it where she had been because he was busy trying to find her. Not because she was curious and got herself involved, but because the guy was stowing away in her cabin and got her involved. It was definitely her choice to step into it, but she had already turned away once before so she would meet her train.

This love interest character is not my favorite. In the book we have a kid who had some romanticized notions of seafaring and had his mistaken beliefs squashed by reality, hard. He became determined to go home and actually talk it out with his mom how she was babying him. Now we have a guy who is about Enola’s age (16, which was 14 in the books), who is knowledgeable in wild plants, willing to be adventurous, and even a little wild with Enola. Even changing it up where his interest in being a sailor was a cover to send people in the wrong direction of the fact he would want to work with flowers.

This all leads into the new piece of the Enola story. The mystery. Instead of a child running away, attempted kidnapping and ransoming, we have one murder and one attempted murder. Which also ties into the big political part of the movie regarding voting. It is revealed that there is a domestic terroristic plot due to not everyone having the right to vote (not said outright but hinted that this about giving women the right to vote). It would be voted upon by the lords later.

~~Politics~~

Which leads to a bit that gets me a touch upset. There were a lot of ties between protests and this bomb making lab that were not said, just indicated with flyers and other signs. Enola is later confronted about how they don’t have to set off the bomb because they thought they would have to make noise to be heard -rewatching that ending scene right now to make sure I remember it-

“You have to make some noise if you want to be heard. Oh, it’s funny. I thought I was the one that was going to change the world. The reform bill, is it true what you did?”

This part got me so angry. What Enola did was save her love interest who just happened to have a seat of power in which he could vote and help sway it in their favor with his one vote. In a certain light it felt like they were saying that believing in those with the power to change will change is better than protesting. The line is not wrong, but it felt like they were putting the bombs on the same stage as protests, which they are not.

It feels like they used the political aspect to help propel a more compelling mystery, which was definitely better suited for the big screen than the earnest story in the book. However, I can’t help but feel that it was muddled and poorly done. The fact they used politics doesn’t bother me as much as how they used it. Politics is used in stories all the time. Law making, what is just, what isn’t. Driving to the grocery store and what I see there, who I see there. It affects day to day life. However, if they want to focus on the element of protesting versus voting for change there is a debate there that I have feelings on, but not in a position to debate it.

Though it was very odd that they would want to talk about politics in the time frame and not show them as much in the movie as they did in the book. Keeping politics effects on life at arms length enough to use political shouting and protests without the more compare and contrast which THEY COULD’VE done with the love interest if they felt more inclined. But while the book version of him actually seems to have learned more about the outside world, this one just came in mint woke condition and only needed saving from the murderer and some mild convincing to go back and vote because they didn’t want him to.

~~Less Politics~~

Which also brings in the humorous political and societal norm that was ignored in the movie but brought up in the book. Women’s clothing. Enola’s mother uses it as a mean to hide her essentials while running away, and Enola does the same. She also does a good many things while dressed up as a woman, not bribing men to change clothes with her as often. The clothes that Enola once had despised at the beginning of the book she would grow to appreciate, especially the corset whose ribbing protected her from death with a knife caught on it. Honestly same though, it’s funny when a piece of sturdy material you’re wearing saves your life and stops a blade (personal experience, mine was metal).

It felt like a dishonor to change that thought process, especially when Book Enola also didn’t disguise herself as a guy because she thought it would be too obvious. Where as a lady, or a nun, or a widow would make better disguises when they only see a child when they look at her and presume she doesn’t care for womanly attire.

It is probably better to go book to movie in this case. You get a different story that is more exciting for the screen. Whereas going movie to book might be disappointing without the literature equivalent of jumping from a moving train..

The book was a fun read, Enola was a strong young woman who definitely feels like she is a Holmes without having to subject herself to them.

The movie is exciting, with a fractured family feeling with some political commentary.

Each of the pieces have their own positive traits and negative traits. I can see why certain changes were made. Though I may not agree with them.

#not gms related #enola holmes #rant #long post

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